Brass Syllabus

Trinity Guildhall Examinations 89 Albert Embankment London SE1 7TP UK

T + 44 (0)20 7820 6100 F + 44 (0)20 7820 6161 E [email protected] www.trinityguildhall.co.uk/music

Patron HRH The Duke of Kent KG

Director of Performing & Creative Arts Examinations Mark Stringer GMusRNCM(Hons) FTCL ARCO(CHM) ARCM PGCE FRSA Chief Examiner in Music Keith Beniston GLCM FLCM PGCE FRSA Syllabus Manager Benjamin Norbury MA LTCL

Copyright © 2009 Trinity College London Published by Trinity College London Second impression, March 2010 Contents

Introduction ...... 3

Grade examinations

Structure ...... 4

Duration ...... 4

Marking ...... 5

Technical Work ...... 6

Pieces ...... 9

Supporting Tests:

Sight Reading ...... 11

Transposition ...... 12

Aural ...... 14

Improvisation ...... 18

Musical Knowledge ...... 21

Instruments ...... 23

Requirements:

French Horn (subject code: HRN) ...... 24

Eb Tenor Horn (subject code: TEN) ...... 40

Trumpet/Cornet/Flugel Horn (subject codes: TPT/COR/FLG) ...... 56

Eb Soprano Cornet (subject code: SPC) ...... 72

Euphonium/Baritone (subject codes: EUP/BTN) ...... 78

Trombone (subject code: TBN) ...... 101

Bass Trombone (subject code: BT) ...... 124

Tuba/Eb Bass/Bb Bass (subject codes: TBA/EBB/BBB) ...... 130

Music publishers’ contact details ...... 152

Trinity Guildhall publications ...... 156

2 Brass Syllabus 2010–2012 Introduction This syllabus contains full details of Grade examinations in French Horn, Eb Tenor Horn, Trumpet, Bb Cornet, Flugel Horn, Eb Soprano Cornet, Euphonium, Baritone, Trombone, Bass Trombone, Tuba, Eb Bass and Bb Bass. It is valid from 1 January 2010 to 31 December 2012, and supersedes all previous syllabuses. A new syllabus will be published during 2012 with requirements from 2013.

During the first session of 2010 candidates may offer repertoire from the 2007–2009 syllabus.

When this syllabus is replaced there will be an overlap for the first session only of 2013, during which candidates will be able to offer pieces from the 2010–2012 lists.

Full details of entry procedures, examination regulations and marking criteria are given in a separate booklet Information & Regulations which is available direct from Trinity’s Head Office, Centre Representatives or from our website www.trinityguildhall.co.uk/music

Certificate examinations from 2009 Certificate examinations offer an alternative, performance-focused route of progression to the graded examinations suite. They contain no technical work or supporting tests, and are available at three levels:

Foundation (standard around Grade 3) Intermediate (standard around Grade 5) Advanced (standard around Grade 8)

For full details, including repertoire and guidelines, please visit the Trinity Guildhall website www.trinityguildhall.co.uk/CertificateExams

3 Grade examinations Structure Trinity Guildhall’s practical examination grades are numbered from 1 to 8 in increasing order of difficulty.

Pieces Candidates play three pieces, chosen from the published lists. Technical Work All candidates play a Lip Flexibility Exercise, after which they may choose to play either Scales & Arpeggios or Exercises. Supporting tests For brass examinations there are two further tests: Up to and including Grade 5, candidates may choose any two tests from: Aural Sight Reading [including transposition for french horn from Grade 4 and trumpet from Grade 6] Improvisation Musical Knowledge In Grades 6, 7 and 8, Test 1 must be Sight Reading. For Test 2 there is a choice between Aural and Improvisation. At the examination, candidates should note on the appointment slip which test(s) have been chosen. Order of examination Pieces will normally be asked before scales, with accompanied pieces first. Candidates wishing to present their examination in any other order may do so, but must write their preferred sequence on the back of the appointment slip and point it out to the examiner at the start of the examination. This choice does not extend to cases where the syllabus stipulates the location of any item, e.g. Own Composition.

Duration

Level Duration in minutes

Grade 1 13

Grade 2 13

Grade 3 13

Grade 4 18

Grade 5 18

Grade 6 23

Grade 7 23

Grade 8 28

4 Grade examinations Marking From 2007 the maximum marks available for all Graded Brass Examinations are as follows:

Piece 1 22 Piece 2 22 Piece 3 22 Technical Work 14 Test 1 10 Test 2 10

TOTAL 100

Pass is awarded at 60 Merit is awarded at 75 Distinction is awarded at 87

The mark out of 22 for each piece is made up of three component marks, awarded for:

• Notational Accuracy & Fluency (7 marks): How well the notes are prepared and realised. More conveniently thought of as ‘Me and the Music’.

• Technical Facility (7 marks): Instrumental control and the ability to draw the most from the instrument; tone colour, articulation, pedalling, etc. — ‘Me and the Instrument’.

• Communication (8 marks): How well the candidate interprets the music, engages the audience and conveys a sense of the meaning of the music they are playing — ‘Me and the Audience’.

For more detail please see the ‘Mark Scheme’ and ‘Assessment Criteria’ sections in the Information & Regulations booklet, which is available from Trinity’s Head Office, Centre Representatives or from the website www.trinityguildhall.co.uk

5 Grade examinations Technical Work

The purpose of this section of the examination is to encourage the development of the necessary technical skills for the performance of pieces. Candidates should aim for a full and rounded tone over the whole range, with accurate playing at an appropriate and even pace. Higher marks are given for attention to musical shaping, and the promptness and confidence of delivery.

The requirements for each grade are given in the main body of the syllabus.

All scales and arpeggios must be performed ascending and descending (unless otherwise stated). A breath may be taken at the top of the scale/arpeggio at the candidate’s discretion.

Playing from memory Scales and arpeggios must be performed from memory. The exercises may be played either from memory or using the printed music. Candidates should note, however, that no extra marks will be awarded for performing from memory in the examination.

Minor scales Up to and including Grade 2, candidates may choose to play either harmonic or melodic or natural minor scales. In Grades 3, 4 and 5 candidates have a choice of harmonic or melodic and in Grades 6, 7 and 8 both harmonic and melodic minors must be prepared.

Crabwise scales The syllabus will give the starting note and the candidate should cover all twelve major keys by raising the keynote by a semitone on the completion of each scale (e.g. one octave of G major ascending followed by one octave of Ab major descending, followed by one octave of A major ascending, etc.). Candidates may breathe wherever appropriate.

Tempi for scales and arpeggios Scales and arpeggios should be prepared at a consistent speed within the tempo range specified appropriate to the instrument.

Grade 1  = 46–60 Grade 2  = 50–66 Grade 3  = 54–72 Grade 4  = 60–104 Grade 5  = 66–112 Grade 6  = 72–120 Grade 7  = 80–126 Grade 8  = 88–132

6 Grade examinations

Ranges for scales and arpeggios (written pitch) The ranges given encompass all treble clef technical work set. Pieces may occasionally include isolated and manageable notes outside this range but the majority of music will remain comfortably within it. Trombone ranges are similar, but may differ slightly. Bass clef ranges should be adjusted as appropriate.

Valved Brass

Grade 1 Grade 2 Grade 3 Grade 4         

Grade 5 Grade 6 Grade 7 Grade 8         

French Horn

Grade 1 Grade 2 Grade 3 Grade 4          

Grade 5 Grade 6 Grade 7 Grade 8                

Articulation for scales and arpeggios The various articulation patterns for scales and arpeggios in this syllabus are given on the next page. Scales, arpeggios and exercises for all brass instruments are published by Trinity Guildhall. See page 156 for details.

7 Grade examinations

A natural minor scale (one octave, tongued)

                Chromatic scale on Bb (one octave, slurred)

                    

Diminished 7th on A (two octaves, staccato)                               

Augmented arpeggio on A (two octaves, tongued)                    

Whole tone scale on Ab (two octaves, slurred in pairs)

                      

Dominant 7th in the key of Bb (one octave, slurred) [Candidates may choose to finish dominant 7th arpeggios on the tonic, as shown, or the starting note.]

             

G crabwise scale (slurred in octaves)                         

                       

                  

          

8 Grade examinations Pieces

Repeats, ornaments & tempi All da capo and dal segno instructions should be observed. Repeats of more than a few bars should be omitted unless otherwise instructed in the syllabus, or where a substantial first-time bar section would be lost. Candidates should omit cadenzas in concerto movements played in graded examinations unless instructed otherwise in the syllabus, but cadential trills and other ornamentation appropriate to the style of the music are encouraged at all levels, and particularly in the higher grades. Metronome marks are given merely as a guide to performance, and candidates should observe terms showing the tempo and/or character of the music (e.g. Lento, Allegro) in their performance. Long introductions, tuttis and endings should be sensibly truncated. Accompanists and page-turners Trinity Guildhall does not provide accompanists nor can the examiner act as an accompanist or page- turner. Difficult page-turns should be overcome by photocopying the relevant pages. A page-turner may assist the accompanist in Grades 6–8 examinations if absolutely necessary, but may remain in the examination room only while (s)he is needed. Candidates may use a recording of the piano accompaniment in examinations up to and including Grade 3. Recordings of accompaniments need not be commercial products but must be of good CD quality and must not include the solo part; cassette recordings are not acceptable. All examinations from Grade 4 upwards must use a live accompaniment. Playing from memory Candidates are free to play any or all of their pieces from memory, and to do so is likely to help with the security of their knowledge and their ability to communicate. It is not obligatory, however, and no separate marks are given for memorisation. Candidates who play from memory must ensure that an original copy of the music performed is brought to the examination for the examiner’s reference. Music and copies It is strongly recommended that original copies of music needed for examinations are obtained before an examination entry is made; allowances cannot be made for delays in obtaining music. Candidates may use any reputable edition of the works listed in the syllabuses; publishers’ details are given mainly for the purpose of identifying works and also as suggestions of suitable editions. Candidates should always try to obtain reliable and authoritative editions of all music, but should note that variations in worldwide availability may occasionally be encountered; candidates are advised always to check the contents of books before purchase. Publishers’ contact details are given at the end of this syllabus.

Candidates must perform from published material in the examination room; photocopies of complete pieces may not be used in examinations. If candidates or accompanists perform from photocopies unauthorised by the publisher (other than short extracts to facilitate page-turning), no marks will be awarded for that item.

Examiners of graded examinations welcome the provision of reference copies of pieces not published by Trinity Guildhall. Photocopies can legitimately be used for this purpose; any copies provided will be retained by the examiner and destroyed after the examination.

9 Grade examinations Own Composition

Candidates may offer their own composition in place of a listed piece where indicated in the syllabus. This must be performed as the last of their group of pieces so that the questions on the piece may follow immediately afterwards. Content The composition should follow the specification given, and must be of a similar technical and artistic level to the other pieces performed. A piano accompaniment may be included, but the use of pre- recorded material or other instruments is not allowed. The piece should be substantially the candidate’s unaided work, although the teacher may offer guidance as necessary. Candidates and teachers are advised to take note of the Levels of Achievement statements in the current Information & Regulations booklet when preparing own compositions. The timings given at each level should be observed carefully; credit will be lost if compositions fall appreciably short of or exceed the indicated timespan. Notation The complete composition must be written out in the candidate’s own hand (or be produced and printed by the candidate using a score-writing program). At Grades 1–5, the composition may be presented in any coherent form of notation. For compositions at Grades 6–8 staff notation is essential. Marks will be deducted if the notation is incomplete or technically inaccurate or if the performance varies significantly from what is written. Candidates must present a (photo)copy of the piece, which the examiner will keep, with name and candidate number clearly shown. Assessment After the performance, the examiner will ask the candidate to explain how the piece was composed and will ask further questions about the notation and structure. Sixteen marks are awarded for the performance and six for clarity of explanation, structure and presentation.

The specific requirements are listed below.

Composition requirements — grade by grade:

Grade Duration Requirements

1 1½–2½ minutes A piece containing sudden dynamic contrast

2 1½–2½ minutes A piece contrasting legato and staccato passages

3 1½–2½ minutes A piece which starts quietly and simply, and builds to a loud, grand climax

4 2½–3½ minutes A piece with long melodic phrases

5 2½–3½ minutes A piece containing many wide leaps

6 3½–4½ minutes A piece contrasting material in the high and low registers

7 3½–4½ minutes A piece featuring several different tuplets (within the same pulse) e.g. duplets, triplets, etc.

8 4½–5½ minutes A piece featuring a variety of instrumental effects e.g. glissandi, rapid tonguing, hand stopping, etc.

10 Grade examinations Supporting Tests Sight Reading Sight Reading tests are set at the level of a piece prescribed approximately two grades lower than the grade undertaken; for instance, Grade 5 candidates should be able to read at sight the level of piece set for Grade 3 performance. Tests will follow the parameters given below. Note that the parameters are cumulative; the keys etc. used at each grade may also include any variable set for any previous grade.

Candidates will be allowed 30 seconds to study the test before they attempt it. During this time they may practise any or all of the piece aloud. The examiner will only take account of the actual performance of the test.

Technical requirements Tempi Time Note  and / Valved signatures values dynamics Brass & French Trombone Horn Staccato tongued Tongued notes only; 7th notes only. mf position and Bb–C Grade 1    Three valves  , and ( ) not used. 2 4 moderato together not Straightforward used slide positions.

plus easy  plus  , , plus f, Bb–C ( ) Grade 2 2-note slurs plus 3 allegretto introduced  and ties

plus 3 valves plus ,  , Grade 3 plus p, andante together; slurred  groups as above as above

plus cresc. plus accents; Grade 4   plus , and decresc. staccato

Plus simple tenor plus  (groups of plus rall., rit. and clef ( readers Grade 5 plus  6 2 & 4) and a tempo only); 7th mp position

plus dotted plus accel. as above Grade 6 plus 8 quaver/ and allegro. semiquaver as above Grade 7 plus 9 plus triplets

 as above plus and Horn only: plus Grade 8 changing time plus duplets bass clef glissando signatures

11 Grade examinations

Valved Valved   Trombone Trombone Keys  Brass Brass Range

major C Bb C Bb Grade 1 fifth minor — — — — major C Bb C Bb Grade 2 sixth minor — — — — major F Eb G F Grade 3 octave minor D C D C major Bb, G Ab, F D, G C, F Grade 4 plus plus A plus G plus tenth minor accidentals accidentals accidentals accidentals major D C Bb, A Ab, G Grade 5 twelfth minor A, E G, D E D major Eb Db F Eb Grade 6 thirteenth minor B, G A, F — — major A, Ab G, F# E D Grade 7 2 octaves minor C, F# Bb, E F# E

major all all all all 2 octaves Grade 8 minor all all all all plus 1 note

Transposition Unprepared In addition to the Sight Reading exercise, candidates taking French Horn Grades 4–8 and Trumpet Grades 5–8 must also take a transposition test, in which they play a short piece simulating an orchestral or band situation where the player is given a part for a differently pitched instrument. The candidate will be given this exercise as an additional unprepared test, following on from the sight reading and with the same 30 seconds of study time. All the original tests will be written in C major. The keys that the candidate must transpose to are as follows:

Transposition keys

French Horn Trumpet in Bb

Grade 4 Eb —

Grade 5 Eb —

Grade 6 G, E C

Grade 7 C, D D, Eb Either A & Ab Alto or B & Bb Basso at Grade 8 E, F candidate’s choice 12 Grade examinations

Prepared As an alternative to transposing an exercise at sight, candidates have the option to prepare transposed orchestral excerpts in advance. In the examination, these must be performed in the original keys from the publications listed below and photocopies should be brought to the examination for the examiner’s reference. Written out transpositions are not permitted. The pieces set are as follows:

French Horn Davis Wipe Out Polished Brass Brass Wind Lawrance No. 2 from Suite of Three Featuring Melody Brass Wind ONE of the Grade 4 Sparke Rondino Skilful Studies Anglo Music following in Eb: Blakeson Drive In Smooth Groove Brass Wind Music Makes the McKenzie Tarantella [first 4 lines] Con Moto World Go Round Symphony no. 3, 1st movt Grade 5 Eb Beethoven [First 3 lines of p. 3 only] & 4th movt [complete extract] G Rossini The Barber of Seville Grade 6 E and Strauss Don Juan (p. 52 only) All of these extracts are taken from Der Freischutz Overture C Weber Test Pieces for Orchestral Grade 7 [3rd and 4th horn parts only] Auditions — Horn (Peters EP 8663) D and Wagner Lohengrin (Act 3) Either A & Ab either Der Vampyr Overture Alto or B & Bb Marshcner [prepare in A alto & Ab alto] Grade 8 Basso at Symphony no. 2, 2nd movt candidate’s or Brahms choice [prepare in B & Bb basso]

Trumpet

Grade 6 C Ravel Bolero fig. 5–6 (p. 34)

Lohengrin (Vorspiel) D Wagner [Tpt 1, 2 and 3] (p. 78) Grade 7 All of these extracts are taken from Test Pieces for Orchestral Eb and Verdi A Masked Ball (Act 3) (p. 72) Auditions — Trumpet (Peters EP 8664) Hansel & Gretel (Vorspiel E Humperdinck only) (p. 19) Grade 8 Symphony no. 5 F and Mahler bars 278–369 (p. 26)

At Grades 6 (French Horn only), 7 and 8, both extracts must be prepared. The examiner will select one extract to hear first, and may then request the other.

13 Grade examinations

Aural Four tests are given for each grade (two for Grade 8), designed to develop the candidate’s abilities in the fields of musical perception, discrimination, memory, understanding, analysis and response. The tests, which are all based on the same example to encourage a deepening of knowledge, are carefully graded from basic skills to more advanced understanding.

N.B. Tests for Initial and Grade 1 are all in major keys; Grades 2–5 and 8 may be in major or minor. Grade 6 tests are major and Grade 7 are minor. Tests involving printed copies given to candidates will be provided in treble clef for most instruments, and in bass or alto clef for instruments normally reading those clefs.

Initial 1. To sing, hum or whistle the final note of a 4-bar melody in 2 time, played with the final note omitted. The note should be sung in strict time. The key chord will be sounded before the melody is played. In all circumstances this note will be the tonic. 2. To clap back the rhythm of the melody after hearing it played twice again. 3. To identify, after another hearing, whether the melody was played mainly legato or staccato. 4. To identify, after hearing again three consecutive notes from the melody, which of the three was the highest or lowest.

Grade 1 1. i) To clap back the rhythm of a four bar melody in 2 or 3 time, played twice; ii) to state the time signature. 2. To state, after hearing the melody again, whether the last note was higher, lower or the same as the first note. 3. To state, after hearing the melody again, whether the melody was played mainly legato or staccato. 4. To listen to the melody played twice more, first as originally heard and then with a change to the pitch at one point, and indicate where the change occurs. Candidates will not be required to describe the change.

Grade 2 1. To listen once to a short melody in 2 or 3 and to indicate a sense of the pulse and time signature during a second playing. Candidates should respond by either conducting clearly, using a simple, conventional, beat-shape or alternatively by other methods, provided the strong beats are indicated distinctly. The examiner will bring the candidate in at the start of the second playing. 2. To state, after hearing the melody again, whether the last note was higher, lower or the same as the first note. 3. To listen to the complete melody again and to state, i) whether it was in a major or minor key; ii) the dynamic level at the start and how it changed during the piece. Crescendo and diminuendo may be included. 4. To listen to one half of the melody played twice more, first as originally heard and then with a change in the rhythm or melody, and to identify the type of change made.

14 Grade examinations

Grade 3 1. To listen once to a short melody in 3 or 4 and to indicate a sense of the pulse and time signature during a second playing. Candidates should respond by either conducting clearly, using a simple, conventional, beat-shape or alternatively by other methods, provided the strong beats are indicated distinctly. The candidate may begin right at the start, or can join in once the melody is under way. 2. To identify the interval formed by the first two notes of the melody, played from low to high and held as a sounding interval as a major second, minor third, major third, perfect fourth or perfect fifth. (All diatonic, from within the key.) Candidates may sing (or hum) the notes before answering. 3. To identify a triad played by the examiner as being either major or minor. The notes will be sounded together. 4. A printed copy of the melody will be handed to the candidate. The examiner will then play the original followed by a version (played twice) containing one change of pitch or rhythm. The candidate will be invited to indicate the bar in which the change occurred in the rhythm or melody.

Grade 4 1. To listen once to a short melody in 4 or 6 with a simple accompaniment and to indicate a sense of the pulse and time signature during a second playing. Candidates should respond by either conducting clearly, using a simple, conventional, beat-shape or alternatively by other methods, provided the strong beats are indicated distinctly. 2. To identify the interval formed by the first two notes of the melody, played consecutively, as: a unison a perfect fourth a minor second a perfect fifth a major second a minor sixth a minor third a major sixth a major third Candidates may sing or hum the notes before answering. 3. To listen to the piece again and to identify the cadence at the end as being either perfect or imperfect. 4. A printed copy of the melody line only will be handed to the candidate. The examiner will then play this, followed by a version (played twice) containing two changes, one of pitch and one of rhythm. The candidate will be invited to indicate the bars in which the changes occurred and to describe them.

Grade 5 1. To listen twice to a short piece of music in 2, 3 or 6 played twice, and state: i) the time signature; ii) if it began in the major or minor; iii) if the tonality changed as the piece progressed, and if so, how. After a further playing of the closing section of the piece, whether the cadence at the end was perfect, imperfect or interrupted.

15 Grade examinations

2. To identify the interval formed by two notes selected by the examiner from the melody line, played consecutively, as: a unison a perfect fifth a minor second a minor sixth a major second a major sixth a minor third a minor seventh a major third a major seventh a perfect fourth an octave Candidates may sing or hum the notes before answering. 3. To listen to the piece again and to comment on the articulation and the dynamics. 4. A printed copy of the complete piece will be handed to the candidate. The piece will be played once more as originally heard and then twice with two changes to the ‘top’ line; one to the rhythm and one to the melody. The candidate will be asked to locate and describe the changes.

Grade 6 1. To listen to a short piece in a major key in 2, 3, 4 or 6 played twice, and state the time signature. Candidates will be invited to comment on the main features of the piece such as phrasing, style and dynamics. The candidate will have the opportunity to give comments after the first and/or second playing at their discretion. 2. To listen to the closing bars of the piece and identify its cadence as perfect, imperfect, plagal or interrupted. 3. To listen again to a part of the piece which modulates and state into which key the music has modulated. Keys used will be confined to dominant, subdominant and relative minor. The opening key will be stated and the tonic chord played before the start. Answers may be given as either key or technical names (e.g. in C major: ‘to G’ or ‘to the dominant’). 4. A printed copy of the piece will be handed to the candidate, who will be invited to compare this with a version played twice by the examiner containing two changes. These will be in the melody line only and may be to the rhythm, the pitch or the articulation. The candidate should identify the location and nature of the changes.

Grade 7 1. To listen twice to a short piece in a minor key and comment on the main features of the piece such as style, phrasing, articulation and dynamics. The candidate will have the opportunity to give comments after the first and/or second playing at their discretion. 2. To listen to a phrase from the piece and identify its cadence as perfect, imperfect, plagal or interrupted. 3. A printed copy of the first section of the piece will be handed to the candidate, who will be invited to compare this with a version played twice by the examiner containing three changes. These may be in the pitch (of the melody line only) or the rhythm. The candidate should identify and explain the changes. 4. To listen to the piece played with a modified ending and identify the key to which the music has modulated. The opening key will be stated and the key-chord played. Keys used will be limited to the sub-dominant minor, the relative major and the dominant of the relative major (e.g. G major in A minor). Answers may be given as key names or technical names. Part of the piece may be omitted by the examiner for clarity if appropriate. 16 Grade examinations

Grade 8 1. A short piece will be played twice. The candidate will be invited to describe the significant features of the piece, such as style, rhythm, texture, dynamics, phrasing and articulation. Candidates are encouraged to make observations after the first playing and to supplement these after the second. This section will take the form of a short discussion with the examiner; credit will be given for the depth of perception in the candidate’s comments. 2. A printed copy of the entire piece will be handed to the candidate and played by the examiner, who will then play twice a version containing three changes which may be in the rhythm, melody, harmony, articulation, dynamics or tempo. The candidate will be invited to identify and explain the changes. Changes may occur in the treble or bass clef lines, or both. The original version, as supplied to the candidate, will be played again, before the version with the changes. N.B. In all sections of the Aural Tests that involve the examiner handing the candidate a printed copy of the test, candidates and teachers should note that the copy will be a laminated page, which may not be marked by the candidate in any way whatsoever during the examination.

17 Grade examinations

Improvisation The improvisation tests explore the candidate’s ability to respond creatively to an aural/visual stimulus offered by the examiner, usually as a rhythmic or melodic cell. The tasks undertaken develop from simple recognition, assimilation and invention to modulation, extension and other techniques.

In every case the stimulus has been designed to allow a genuinely free creative improvisation and to avoid the implication of a ‘mirror image’ response. At all grades the stimuli seek to provide a wide range of improvisatory possibilities, whilst avoiding excessive complication within themselves. The greatest credit will be given for candidates who most effectively incorporate elements of the stimulus into their improvisation, showing creativity and good instrumental knowledge and ability. Outline and Test Parameters According to the candidate’s choice, the examiner will tap the rhythm or play the pitches or chords on the piano, and will also give a notated copy of the relevant test to the candidate which the candidate can refer to throughout the test. In this way both auditory and visual learners will be assisted to produce their best possible response. Format Candidates may select any one of the following types of test: either melodic: based on a series of pitches or rhythmic: based on a rhythmic idea or chordal: based on a set of chord symbols.

The parameters are given in the chart overleaf. Melodic Tests The examiner will give the candidate a copy of a series of written pitches and will play it through twice with each pitch lasting for about 2 seconds. The candidate will play the pitches back to the examiner, and then has 30 seconds to prepare a short phrase incorporating these pitches, which is then performed. The candidate may play during the preparation time. Rhythmic Tests The examiner will give the candidate a written version of an opening rhythm and then play it twice. Candidates will then repeat it on their instrument using one pitch. They then have 30 seconds to develop a piece of music based on this rhythm and then adding melodic material as appropriate. Instrumental range used should reflect the parameters for melodic tests in the chart overleaf. Chordal Tests The examiner will give the candidate a copy of a 2-stave piano score containing chords written out without a time signature (with bar lines) and chord symbols printed above each chord. The examiner will play this through twice, establishing a moderate pulse with each chord played as 4 crotchets per bar (or 2 crotchets where more than one chord appears in a bar). The candidate then has 30 seconds (60 seconds for Grades 6 to 8) in which to prepare a short improvisation over the given chords. Candidates can choose to use the tempo and time signature that the examiner played, or to request a quicker or slower tempo and a 3, 4 or compound ‘feel’ if they prefer. The examiner will then play the chords as before, while the candidate improvises above them. The phrase may be repeated several times, depending on length and speed, until the improvisation reaches a natural conclusion. 18 Grade examinations

Written Keys for Chordal Tests

Grades 1, 2 & 3 Grades 4 & 5 Grades 6, 7 & 8

C, F, G, Bb,D, Eb & A major All instruments C, F & G major A, D, E, G & B minor plus relative minors

Notes Marks are awarded for planning, structure, form, melodic, harmonic & rhythmic creativity, inventiveness and logical progression, appropriate length and use of instrumental resources.

Candidates should regard the note values and ranges given as the minimum that will be expected, but may extend these if they wish.

The length of the response in the chart overleaf is given as a guide only, and the candidate should aim to perform a musically satisfying and balanced response.

19 Grade examinations

Parameters for Improvisation Tests

Rhythmic tests: Melodic tests: Melodic tests: Suggested Chordal tests Grade Max. range of Suggested length Rhythmic tests length of Phrase played round twice given motif of response response

4 In 4 bar phrase 3 notes – one 2 bars Major key 1 step one leap – 2–4 bars approx 2 bars crotchets I/V up to 4th minims, quavers 1 chord per bar

4 bar phrase 4 notes – range As above with Major key 2 up to 5th dots I/IV/V 1 chord per bar approx 4 bars approx 4 bars 4 bar phrase 5 notes – As above with Major key 3 range up to ties I/IV/V/ii 6th 1 chord per bar

4 bar phrase Octave Minor key 4 (diatonic) I/IV/V 1 chord per bar Two phrases In 2, 3 or 4 Two phrases approx 4–8 bars plus semiquavers approx 4–8 bars each each 4 bar phrase Octave (simple Minor key 5 chromaticism) I/IV/V/vi 1 chord per bar

8 bar phrase Major key 6 6 Plus I/ii/IV/V and 7ths 1 chord per bar

3-4 phrases 3–4 phrases 8-12 bars

8–12 bar phrase Twelfth Major or Minor key 7 Plus triplets (chromatic) I/ii/III/iv/V/VI and 6ths/7ths 1 or 2 chords per bar

12–16 bar phrase Major or Minor key

4–6 phrases 8 4–6 phrases 7 All chords 6ths/7ths/9ths & Plus 12–16 bars dim/aug Simple suspensions 1 or 2 chords per bar

20 Grade examinations

Musical Knowledge (Initial to Grade 5 only) These questions test the candidate’s understanding of their chosen pieces, the context of their performance and their knowledge of their instrument and its technical demands, including best practice for rehearsal and performance.

Five questions, each worth 2 marks, will normally be asked. Questions will include discussions on most of the areas mentioned below, but not all parameters will be relevant to all disciplines and pieces, and examiners will select questions as appropriate. Candidates must ensure that copies are not so heavily annotated that a reasonable range of questions for the grade is precluded.

For melody line instrumentalists, questions will be based only on the instrumental line, and not on the accompaniment.

It is the intention that candidates demonstrate their knowledge by reference to the printed score, rather than by reproducing previously prepared answers. If annotations to the printed score are so extensive as to preclude a reasonable range of questions, the report may be referred to Head Office for review or the examiner may award no marks for the section.

Initial 1. The pitch names, and durations of any notes (excluding those with leger lines except middle C) in the pieces played.

2. To identify, but not to explain clefs, stave, bar lines and key/time signatures in the pieces played.

3. Very simple musical terms and signs in the pieces, such as  , ‘repeat’, f and p.

4. Questions about the connection between the titles of the pieces and the music played (e.g. what is a Minuet? Why is this piece called ‘Squabble’?)

Grade 1 1. Pitch names, note types (e.g. minim) and durations of any notes in the pieces played, including dotted notes and any leger lines.

2. Clefs, time/key signatures and any common musical term/sign encountered.

3. Identify and explain p/f, accidentals, phrase marks, 1st & 2nd time bars and staccato/legato, when appearing in the pieces played.

4. Comment on any significant, interesting or unusual features of piece(s) played. Show a basic understanding of the instrument, including the names of its main parts (e.g. mouthpiece, tuning slide, etc.) and maintenance.

Grade 2 As for Grade 1, and additionally: 1. Show an understanding of any term, sign or mark of expression in the pieces played.

2. Identify and explain any metronome marks, grace notes, ornaments, etc. appearing in the pieces played.

21 Grade examinations

3. The numerical value (only) of any interval (within an octave) between any two successive notes appearing in the pieces played. (e.g. ‘a second’ not ‘a minor second’). Intervals may be asked from a lower to a higher note or vice versa.

4. Be aware of appropriate basic posture when playing.

Grade 3 As for previous grades, and additionally: 1. Identify and demonstrate an understanding of the keys, (together with their relative major/minor), in which the pieces played are written.

2. Identify any common musical devices such as scale or arpeggio patterns in the pieces played.

3. Show an understanding of the reasons for, and methods employed in, the instrumental or vocal warm up (of both instrument and performer).

4. The difference between sounding pitch of their instrument (transposing instruments only, including octave transposing instruments).

Grade 4 As for previous grades, and additionally: 1. Identify/explain any main key encountered throughout the pieces played, though no detailed knowledge of modulatory processes will be expected.

2. Name the tonic and the dominant (and the three notes of their triads) of any of the keys in which the pieces are written.

3. The full name of any interval (within an octave) between any two successive notes appearing in the pieces played. (e.g. ‘major second’ not ‘second’). Intervals may be asked from a lower to a higher note or vice versa.

4. Comment on any particular technical or musical challenges encountered in the preparation of the pieces played.

Grade 5 As for previous grades, and additionally: 1. Comment on any significant features of the musical style and period, (e.g. Baroque, Romantic) of the pieces played.

2. Point out any interesting or noteworthy structural/formal aspects of the pieces played.

3. Show an understanding of the keys used in the pieces played, including an understanding of modulations and a knowledge of tonic, dominant and subdominant of the keys in which the pieces are written.

Grades 6–8 Musical Knowledge questions are not available at these grades.

22 Grade examinations Instruments

Trumpet/Cornet/Flugel Horn Candidates must enter for an examination in either Trumpet (subject code TPT) or Cornet (subject code COR) or Flugel Horn (subject code FLG). This must be clearly marked on the entry form. From Grade 3 onwards, candidates may offer up to one piece on another instrument as appropriate — e.g. cornet, flugel horn or piccolo trumpet in a Trumpet examination — but technical work and all supporting tests must be performed on the instrument for which the entry was made. Euphonium/Baritone The euphonium/baritone syllabus is designed for players reading either treble or bass clef. Scales may be presented in either clef. Pieces may be in either clef transposed if necessary. Where repertoire is not published in the appropriate clef, a manuscript transposition may be used. The pianist should play from the published original. Trombone The trombone syllabus is designed for players reading either treble or bass clef. Scales may be presented in either clef. Pieces may be in either clef transposed if necessary. Where repertoire is not published in the appropriate clef, a manuscript transposition may be used. The pianist should play from the published original. Bass Trombone The bass trombone syllabus is designed for players with a single trigger instrument at Grades 6 and 7, but at Grade 8 much of the repertoire and technical work may include low B naturals. Tuba/Eb Bass/Bb Bass The tuba syllabus is designed for Eb tuba players, reading in either treble or bass clef. All the pieces up to Grade 5 should be accessible on a three valve instrument. From Grade 6, players without a 4th valve will find the choice of repertoire more limited. Scales may be presented in either clef. Pieces may be in either clef, or transposed if necessary. Where repertoire is not published in the appropriate clef, a manuscript transposition may be used. Either the pianist or the soloist should play from the published original. Bb bass players may use the same repertoire, transposing either solo or piano parts as necessary, or repertoire may be selected from the euphonium syllabus. They should follow the Eb tuba treble clef scale lists. Players on F and C tubas may transpose either solo or piano parts as appropriate. Either the pianist or soloist should play from the published original. Scale requirements for F, C and Bb tubas reading in bass clef are downloadable from the website www.trinityguildhall.co.uk

Tuning Examiners should not be expected to tune or adjust instruments for candidates. Up to and including Grade 5 the teacher or accompanist may assist with tuning. From Grade 6 onwards, candidates are expected to tune or adjust their instrument without assistance.

23 French Horn — Grade 1 Subject code: HRN

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Book Publisher Alan Ancient Towers 1st Recital Series for F Horn* Curnow 0762.02 CMP Boswell Little Donkey, p. 5 Winners Galore for Treble Brass* Brass Wind 0118TC Gange Melody The Jaunty Horn Piper Publications HN001/F Gervaise Allemande Bravo! Horn in F Boosey Johnson Evening Shadows 1st Recital Series for F Horn* Curnow 0762.02 CMP Pearson Stepwise The Really Easy Horn Book Faber Purcell Rigaudon World Famous Classics Fentone F815 Spiritual All Night, All Day, p. 7 Easy Winners for Treble Brass* Brass Wind 0124TC Susato La mourisque Winner Scores All* Brass Wind 0138TC Tchaikovsky Dance of the Mirlitons Winner Scores All* Brass Wind 0138TC Trad. Russian Lullaby Horn Solos book 1 Faber Group B Bernstein One Hand, One Heart, p. 7 Easy Winners for Treble Brass* Brass Wind 0124TC Daly Postman Pat, p. 5 Winners Galore for Treble Brass* Brass Wind 0118TC Gange Folk Song The Jaunty Horn Piper Publications HN001/F Gunning Echoes or Sad Café The Really Easy Horn Book Faber Jennings & Horner Titanic Theme, p. 12 Easy Winners for Treble Brass* Brass Wind 0124TC Randall Swings and Roundabouts Broadbent & Dunn 11706 Trad. Scottish The Night Visiting Song Bravo! Horn in F Boosey Wedgwood Cheeky Cherry or Hot Chilli Really Easy Jazzin’ About French Horn Faber

Group C (unaccompanied) Davis Geared Up or Tiny Minuet Polished Brass Brass Wind 6022TC Gregson Hungarian Dance, no. 4 20 Supplementary Tunes or Lullaby, no. 8 for Beginner Brass Brass Wind 6002TC Mozart Theme from a Musical Joke, p. 3 Easy Winners for Treble Brass Brass Wind 0124TC Nightingale Coo’s Blues, no. 3 or Ready, Aim, Fire!, no. 4 Eazy Jazzy ‘Tudes Warwick Sparke Modal Melody, no. 3 or Ticker Tape Parade, no. 5 Skilful Studies for Horn Anglo Music AMP 099 Trad. Give me Joy in my Heart, p. 6 Winners Galore for Treble Brass Brass Wind 0118TC

* Piano accompaniment available separately.

24 French Horn — Grade 1

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise a) Lip Flexibility Grade 1, F Horn (from Scales & Exercises for French Horn) Trinity Guildhall b) Lip Flexibility Grade 1, Bb Horn (from Scales & Exercises for French Horn) Trinity Guildhall c) *Lawrance Exercise no. 1.1 or no. 1.2 (from Graded Lip Flexibilities for Horn in F and Bb) Brass Wind 6013 * to be played on open valves on either F or Bb horn at the candidate’s choice either i) Scales & Arpeggios (from memory) Scales The following scales to be performed mf and tongued: C major (one octave) A natural minor (one octave) — candidates may play harmonic or melodic minor if preferred. Arpeggios The following arpeggios to be performed mf and tongued: C major (one octave) A minor (one octave) or ii) Exercise The following exercise to be played tongued: C major scale and arpeggio exercise (from Scales & Exercises for French Horn) Trinity Guildhall

Supporting Tests (2 x 10 marks) Two tests are to be chosen from:

Sight Reading (see page 11)

Aural (see page 14)

Improvisation (see page 18)

Musical Knowledge (see page 21)

25 French Horn — Grade 2 Subject code: HRN

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Book Publisher Campbell Hunting Song Horn Solos book 1 Faber Court March Majestic 1st Recital Series for F Horn* Curnow 0762.02 CMP Di Capua O sole mio All Jazzed Up for F Horn Brass Wind 1108F Gange Slow Dance The Jaunty Horn Piper Publications HN001/F Haydn St Anthony Chorale Horn Solos book 1 Faber Mendelssohn Nocturne — A Midsummer Night’s Dream, p. 12 Winners Galore for Treble Brass* Brass Wind 0118TC Mozart Aria Winner Scores All* Brass Wind 0138TC Negro Spiritual Nobody Knows Going Solo Horn Faber Pearson Girls and Boys The Really Easy Horn Book Faber Purcell Trumpet Tune Winner Scores All* Brass Wind 0138TC Randall Marching Tune Broadbent & Dunn 11707 Shore In Dreams Movie Instrumental Solos for Horn in F** Faber Group B Bart Where Is Love?, p. 14 Easy Winners for Treble Brass* Brass Wind 0124TC Bissill Promenade Going Solo Horn Faber Bullard Circus Rock Circus Skills for Horn & Piano Spartan SP641 Curnow The Red Balloon 1st Recital Series for F Horn* Curnow 0762.02 CMP Gange A Jaunty Tune The Jaunty Horn Piper Publications HN001/F Howard & Blaikley Miss Marple Theme, p. 9 Winners Galore for Treble Brass* Brass Wind 0118TC Osborne & May Eastenders, p. 13 Easy Winners for Treble Brass* Brass Wind 0124TC Pinkard, Carsy & Bernie Sweet Georgia Brown All Jazzed Up for F Horn Brass Wind 1108F Trad. Men of Harlech Winner Scores All* Brass Wind 0138TC arr. Johnstone Wedgwood Easy Tiger or Keep Truckin’ Really Easy Jazzin’ About French Horn Faber Group C (unaccompanied) Blakeson Brite ‘n’ Rock, no. 5 or Chickpea, no. 11 Smooth Groove for Treble Brass Brass Wind 1141FTC Davis Jumping Jack Rap or Rat Rag Polished Brass Brass Wind 6022TC Gregson Gavotte, no. 10 20 Supplementary Tunes or Justin’s March, no. 14 for Beginner Brass Brass Wind 6002TC Nightingale The Nuthatch, no. 6 or The Sleuth, no. 7 Eazy Jazzy ‘Tudes Warwick Sparke Cowboy Carol, no. 12 or Tom’s Tune, no. 13 Skilful Studies for Horn Anglo Music AMP 099 * Piano accompaniment available separately. ** CD accompaniment only. 26 French Horn — Grade 2

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise a) Lip Flexibility Grade 2, F Horn (from Scales & Exercises for French Horn) Trinity Guildhall b) Lip Flexibility Grade 2, Bb Horn (from Scales & Exercises for French Horn) Trinity Guildhall c) *Lawrance Exercise no. 2.1 or no. 2.2 (from Graded Lip Flexibilities for Horn in F and Bb) Brass Wind 6013 * to be played on open valves on either F or Bb horn at the candidate’s choice either i) Scales & Arpeggios (from memory) Scales The following scales to be performed mf, tongued or slurred as requested by the examiner: D and Bb major (one octave) A harmonic minor (one octave): candidates may play natural or melodic minor if preferred. Arpeggios The following arpeggios to be performed mf, tongued or slurred as requested by the examiner: D and Bb major (one octave) A minor (one octave) or ii) Exercise The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) D major scale and arpeggio exercise b) A minor scale and arpeggio exercise All scales and exercises are contained in the book Scales & Exercises for French Horn published by Trinity Guildhall.

Supporting Tests (2 x 10 marks) Two tests are to be played, chosen from:

Sight Reading (see page 11)

Aural (see page 14)

Improvisation (see page 18)

Musical Knowledge (see page 21)

27 French Horn — Grade 3 Subject code: HRN

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Book Publisher Bissill Sad Song Going Solo Horn Faber Brightmore Any one of Three Easy Solos for Horn & Piano Emerson E149 Concone Study no. 2, Allegretto cantabile* Concone Studies for Horn* Emerson E299a Fauré Pavane, p. 16 Easy Winners for Treble Brass* Brass Wind 0124TC Gossec Tambourin World Famous Classics* Fentone F815 Handel Largo World Famous Classics* Fentone F815 Hanmer Prelude, no. 1 or Waltz, no. 2 Suite for Horn Emerson E31 Lawrance Carillon or Homage In Concert for Horn [F edition] Brass Wind 1104F Mozart Andante from La ci darem la mano 1st Recital Series for F Horn* Curnow 0762.02 CMP Shore Evenstar Lord of the Rings — Instrumental Solos for Horn in F** Warner Bros Group B Bart Food Glorious Food Winner Scores All* Brass Wind 0138TC Bernstein America Winner Scores All* Brass Wind 0138TC Bullard Tightrope Walker Circus Skills for Horn & Piano Spartan SP641 John Can You Feel the Love Tonight? Undercover Hits for F Horn Brass Wind 1145 Johnson Excursion 1st Recital Series for F Horn* Curnow 0762.02 CMP Ledbury Three and Easy Big Chillers for F Horn Brass Wind 1154 Lloyd Webber Close Every Door Winner Scores All* Brass Wind 0138TC Mancini Pink Panther All Jazzed Up for F Horn Brass Wind 1108F Norman James Bond Theme, p. 19 Easy Winners for Treble Brass* Brass Wind 0124TC Petty ‘Wheels’ Cha-Cha Let’s Face the Music for F Horn Brass Wind 2132 Tchaikovsky Humoresque Going Solo Horn Faber Williams Hedwig’s Theme Movie Instrumental Solos for Horn in F** Faber Woolfenden Space Patrol Up Front Album for F Horn book 2 Brass Wind 0114 Group C (unaccompanied) Blakeson Jam on Toast, no. 20 or Red Chilli Sauce, no. 18 Smooth Groove for Treble Brass Brass Wind 1141FTC Davis Flamenco Flirt [in D minor] or Horn of Wonder Polished Brass Brass Wind 6022TC Gregson Bulgarian Dance, no. 15 20 Supplementary Tunes or Folk Song, no. 17 for Beginner Brass Brass Wind 6002TC Lawrance Off Beat or Staccato Ritmico Featuring Melody for Treble Brass Brass Wind 6006 Sparke Contrasts, no. 30 or Shepherd’s Song, no. 33 Skilful Studies for Horn Anglo Music AMP 099 28 * Piano accompaniment available separately. ** CD accompaniment only. French Horn — Grade 3

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise a) Lip Flexibility Grade 3, F Horn (from Scales & Exercises for French Horn) Trinity Guildhall b) Lip Flexibility Grade 3, Bb Horn (from Scales & Exercises for French Horn) Trinity Guildhall c) *Lawrance Exercise no. 3.1 or no. 3.2 (from Graded Lip Flexibilities for Horn in F and Bb) Brass Wind 6013 * to be played on open valves on either F or Bb horn at the candidate’s choice either i) Scales & Arpeggios (from memory) Scales The following scales to be performed mf, tongued or slurred as requested by the examiner: Eb major (one octave) G major (one octave) [lower octave] C and D minor (one octave): candidate’s choice of either harmonic or melodic minor Whole-tone scale starting on C (one octave) Arpeggios The following arpeggios to be performed mf, tongued or slurred as requested by the examiner: Eb major (one octave) G major (one octave) [lower octave] C and D minor (one octave) or ii) Exercise The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) Eb major scale and arpeggio exercise b) G major scale and arpeggio exercise [lower octave] c) C minor scale and arpeggio exercise All scales and exercises are contained in the book Scales & Exercises for French Horn published by Trinity Guildhall.

Supporting Tests (2 x 10 marks) Two tests are to be chosen from:

Sight Reading (see page 11)

Aural (see page 14)

Improvisation (see page 18)

Musical Knowledge (see page 21)

29 French Horn — Grade 4 Subject code: HRN

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Book Publisher Bizet Theme from L’Arlésienne Going Solo Horn Faber Carr Ghosts of Fountains Abbey Top Line Album Horn [F edition] Brass Wind 1113F Concone Study no. 5, Andante cantabile* Concone Studies for Horn* Emerson E299a Humperdinck Hänsel and Gretel Horn Talk Brass Wind 1135 Ippolitov-Ivanov Cortège Undercover Hits for F Horn Brass Wind 1145 Lawrance Fanfare and Response In Concert for Horn [F ed.] Brass Wind 1104F Mendelssohn Nocturne (A Midsummer Night’s Dream) Horn Solos book 1 Faber Stölzel/ J S Bach Bist du bei mir World Famous Classics* Fentone F815 Tartini Sarabande Festive Baroque for Horn [F/Eb] de Haske 1043557 Tchaikovsky Theme from Symphony no. 5 Horn Solos book 1 Faber Group B Bernstein Somewhere Great Winners for Treble Brass* Brass Wind 0132TC Bissill Waltz to Take Away Going Solo Horn Faber Clews Off Beat Waltz, no. 4 and Circus Polka, no. 5 Nine Pieces for Horn & Piano Paterson’s PAT 60709 Goodwin 633 Squadron Great Winners for Treble Brass* Brass Wind 0132TC Hanmer Finale, no. 4 Suite for Horn Emerson E31 Kosma, Prevert & Mercer Autumn Leaves Big Chillers for F Horn Brass Wind 1154 Puccini Nessun Dorma Going Solo Horn Faber Rogers & Hart Blue Moon Jazzed up Too [F ed.] Brass Wind 1111F Sondheim Send in the Clowns A Little Light Music for F Horn Brass Wind 2118 Taylor & Dallas Film ‘87 Jazzed up Too [F ed.] Brass Wind 1111F Group C (unaccompanied) Blakeson Big Band Swing, no. 33 or Latin Lady, no. 32 Smooth Groove for Treble Brass Brass Wind 1141FTC Davis Irish Jig or Smart Card [in D major] Polished Brass Brass Wind 6022TC Lawrance Restless or Rondo Featuring Melody for Treble Brass Brass Wind 6006 McKenzie Mambo or Tango Music Makes the World Go Round Con moto Sparke Opera Buffa, no. 32 or Ursa Minor, no. 35 or Ursa Major, no. 37 Skilful Studies for Horn Anglo Music AMP 099

* Piano accompaniment available separately.

30 French Horn — Grade 4

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise a) Lip Flexibility Grade 4, F Horn (from Scales & Exercises for French Horn) Trinity Guildhall b) Lip Flexibility Grade 4, Bb Horn (from Scales & Exercises for French Horn) Trinity Guildhall c) *Lawrance Exercise no. 4.1 or no. 4.2 (from Graded Lip Flexibilities for Horn in F and Bb) Brass Wind 6013 * to be played on open valves on either F or Bb horn at the candidate’s choice either i) Scales & Arpeggios (from memory) Scales The following scales to be performed mf, tongued or slurred as requested by the examiner: F major (two octaves) E major (one octave) F minor (two octaves): candidate’s choice of either harmonic or melodic minor E minor (one octave): candidate’s choice of either harmonic or melodic minor Whole-tone scale starting on F (two octaves) Chromatic scale starting on C (one octave) Arpeggios The following arpeggios to be performed mf, tongued or slurred as requested by the examiner: F major (two octaves) E major (one octave) F minor (two octaves) E minor (one octave) or ii) Exercise The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) E major scale and arpeggio exercise b) F major expanding scale exercise [upper or lower octave at candidate’s choice] c) F minor expanding scale exercise [upper or lower octave at candidate’s choice] All scales and exercises are contained in the book Scales & Exercises for French Horn published by Trinity Guildhall.

Supporting Tests (2 x 10 marks) Two tests are to be chosen from:

Sight Reading (see page 11) and Transposition (prepared or unprepared) (see page 12)

Aural (see page 14)

Improvisation (see page 18)

Musical Knowledge (see page 21)

31 French Horn — Grade 5 Subject code: HRN

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Book Publisher Bissill March of the Gimps Going Solo Horn Faber Cherubini Sonata no. 1 Two Sonatas (Concert Etudes) Schirmer Concone Study no. 18, Allegro brillante* Concone Studies for Horn* Emerson E299a Copland Fanfare for the Common Man Copland for Horn* Boosey Damase Berceuse op. 19 Leduc AL 20897 Dunhill Andante con moto, no. 1 Cornucopia Boosey Handel Mirth Admit Me Of Thy Crew Horn Solos book 2 Faber Mozart Concerto no. 3 in Eb, K. 447, 2nd movt: Romance Bärenreiter BA 5312a Saint-Saëns Romance op. 36 Solos for the Horn Player Schirmer Shostakovich Romance Undercover Hits for F Horn Brass Wind 1145 Group B Ahbez Nature Boy Latino for F Horn Brass Wind 1143 Bernstein Maria A Little Light Music for F Horn Brass Wind 2118 Bonfa Manha de Carnaval Latino for F Horn Brass Wind 1143 Hupfeld As Time Goes By Big Chillers for F Horn Brass Wind 1154 Parker Mapp and Lucia The Music of Jim Parker for F Horn Brass Wind 1133 Parker Blues Train Top Line Album Horn [F ed.] Brass Wind 1113F Ramskill In the Fast Lane Jazzed up Too [F ed.] Brass Wind 1111F Warren & Gordon Chatanooga Choo Choo Big Chillers for F Horn Brass Wind 1154 Williams Raiders March Great Winners for Treble Brass* Brass Wind 0132TC Woolfenden Shore Dance or Moonlight Rumba Horn Dances Brass Wind 1126 Group C (unaccompanied) J S Bach Bourée 1 from Suite no. 3 Six Suites for Cello [trans. Hoss] Southern Davis Logoland [in C major] or Heads or Tails Polished Brass Brass Wind 6022TC Franz Etude no. 7 or Etude no. 9 Etudes and Concert Etudes Kalmus K 04523 Lawrance Hornpipe or Romanza Featuring Melody for Treble Brass Brass Wind 6006 Lawrance Interlude for Horn in F In Concert for Horn [F ed.] Brass Wind 1104F McKenzie Cerga or Krivo Horo Music Makes the World Go Round Con moto

* Piano accompaniment available separately.

32 French Horn — Grade 5

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise a) Lip Flexibility Grade 5, F Horn (from Scales & Exercises for French Horn) Trinity Guildhall b) Lip Flexibility Grade 5, Bb Horn (from Scales & Exercises for French Horn) Trinity Guildhall c) *Lawrance Exercise no. 5.1 or no. 5.2 (from Graded Lip Flexibilities for Horn in F and Bb) Brass Wind 6013 * to be played on open valves on either F or Bb horn at the candidate’s choice either i) Scales & Arpeggios (from memory) Scales The following scales to be performed mf, tongued or slurred as requested by the examiner: G and Eb major (two octaves) G and Eb minor (two octaves): candidate’s choice of either harmonic or melodic minor Whole-tone scale starting on G (two octaves) Chromatic scale starting on G (two octaves) Arpeggios The following arpeggios to be performed mf, tongued or slurred as requested by the examiner: G and Eb major (two octaves) G and Eb minor (two octaves) Dominant 7th in the key of G (one octave) or ii) Exercise The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner. The candidate may choose to play these exercises at either the upper or lower octave. a) Eb major scale and arpeggio exercise b) Eb minor scale and arpeggio exercise c) G major expanding scale d) G minor expanding scale All scales and exercises are contained in the book Scales & Exercises for French Horn published by Trinity Guildhall.

Supporting Tests (2 x 10 marks) Two tests are to be chosen from:

Sight Reading (see page 11) and Transposition (prepared or unprepared) (see page 12)

Aural (see page 14)

Improvisation (see page 18)

Musical Knowledge (see page 21)

33 French Horn — Grade 6 Subject code: HRN

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Publisher Boyce 1st movt from Symphony no. 4 (from O Solo Mio [F ed.]) Brass Wind 2114F Brahms Scherzo from Serenade in D, op. 11 (from Solos for the Horn Player) Schirmer HL50330050 Gounod No. 3 (from 6 pièces mélodiques originales vol. 2) Billaudot GB3367 Hindemith Horn Sonata 1939, 2nd movt: Ruhig bewegt Schott Larsson Concertino op. 45 no. 5, 2nd movt: Lento cantabile Carl Gehrmans Musikforlag Mozart Concerto no. 3 in Eb, K. 447, 3rd movt: Allegro Bärenreiter BA 5312a Mozart Concerto no. 4 in Eb, K. 495, 2nd movt: Romance Bärenreiter BA 5313a F Strauss Concerto for Horn op. 8, 2nd movt: Andante Schirmer HL50335560 R Strauss Andante op. posth. Boosey 20212 Wagner Tannhäuser Overture (from Horn Talk) Brass Wind 1135 Group B Arlen & Harburg (Somewhere) Over the Rainbow Studio Bozza En Irlande Leduc Dunhill Cornucopia, 2nd movt: Allegro vivo and 3rd movt: Poco adagio Boosey East Four Occasional Pieces, no. 1 and no. 2 Ricordi RICL005 Gershwin I Got Rhythm (from A Little Light Music for F Horn) Brass Wind 2118 Harbach & Kern Smoke Gets in Your Eyes (from Let’s Face the Music for F Horn) Brass Wind 2132 Lawrance Elegy or Carnival (from In Concert for Horn [F edition]) Brass Wind 1104F Mancini Moon River (from Let’s Face the Music for F Horn) Brass Wind 2132 Parker The House of Eliott (from The Music of Jim Parker for F Horn) Brass Wind 1133 Woolfenden War Dance or Lotus Waltz (from Horn Dances) Brass Wind 1126 Group C (unaccompanied) J S Bach Suite no. 1, Gigue (from Six Suites for Cello [trans. Hoss]) Southern Franz Etude no. 15 or Etude no. 20 (from Etudes and Concert Etudes) Kalmus K 04523 Kopprasch Study no. 17 or Study no. 25 (from 60 Studies book 1) IMC 1732 Lawrance Jazz Suite, no. 5: Three on Five or La chase (from Featuring Melody for Treble Brass) Brass Wind 6006 Lyon Introduction (from Partita for Solo Horn) Chappell McKenzie Czardas or Hornpipe (from Rhythms of Life) Con moto Shaw Just Desserts — Frippery Style, no. 1 The Hornists’ Nest

34 French Horn — Grade 6

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise a) Lip Flexibility Grade 6, F Horn (from Scales & Exercises for French Horn) Trinity Guildhall b) Lip Flexibility Grade 6, Bb Horn (from Scales & Exercises for French Horn) Trinity Guildhall c) *Lawrance Exercise no. 6.1 or no. 6.2 (from Graded Lip Flexibilities for Horn in F and Bb) Brass Wind 6013 * to be played on open valves on either F or Bb horn at the candidate’s choice either i) Scales & Arpeggios (from memory) Scales The following scales to be performed f or p, tongued or slurred or staccato tongued as requested by the examiner: D and Ab major (two octaves) D and G# harmonic minor (two octaves) D and G# melodic minor (two octaves) Whole-tone scale starting on D (two octaves) Chromatic scale starting on D (two octaves) Arpeggios The following arpeggios to be performed f or p, tongued or slurred or staccato tongued as requested by the examiner: D and Ab major (two octaves) D and G# minor (two octaves Dominant 7th in the key of D (one octave) Diminished 7th starting on D (two octaves) Augmented arpeggio starting on D (two octaves) or ii) Exercise The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner. a) Key centre exercise in D b) D major expanding scale c) D minor expanding scale d) D major scale in 3rds e) D minor scale in 3rds All scales and exercises are contained in the book Scales & Exercises for French Horn published by Trinity Guildhall.

Supporting Tests (2 x 10 marks) Candidates to prepare i) and ii): i) Sight Reading (see page 11) and Transposition (prepared or unprepared) (see page 12) ii) Aural (see page 14) or Improvisation (see page 18)

35 French Horn — Grade 7 Subject code: HRN

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Publisher Beethoven Scherzo from Septet op. 20 (from Solos for the Horn Player) Schirmer HL50330050 Brahms 3rd movt from Symphony no. 3 (from Horn Talk) Brass Wind 1135 Chabrier España (from Horn Talk) Brass Wind 1135 Danzi Sonata op. 44, 2nd movt: Larghetto Birdalone Music Glazunov Reveries (from Solos for the Horn Player) Schirmer HL50330050 Gounod 6 Pièces mélodiques originales vol. 2, no. 4 Billaudot GB3367 Mozart Concerto no. 3 in Eb, K. 447, 1st movt: Allegro [with cadenza] Bärenreiter BA 5312a Mozart Concerto no. 4 in Eb, K. 495, 3rd movt: Rondo [with cadenza] Bärenreiter BA 5313a Ravel Pavane pour une infante défunte (from Solos for the Horn Player) Schirmer HL50330050 F Strauss Nocturno op. 7 Universal UE 1368 Group B Abbott Alla Caccia Arcadia Bloom Give Me the Simple Life (from O Solo Mio [F ed.]) Brass Wind 2114F Carr Idyll (from A Day in the Country) Broadbent & Dunn 12003 Clews Burlesca and Serenata (from Partita for Horn & Piano) Paterson’s 60705 Cooke Rondo in Bb Schott Damase Pavane variée Lemoine Hindemith Horn Sonata 1939, 1st movt: Massig bewegt Schott Larsson Concertino op. 45 no. 5, 1st movt or 3rd movt Gehrmans Nielsen Canto Serioso Skandinavisk Ridout Concertino for Horn, 2nd movt and 3rd movt Emerson E71 Group C (unaccompanied) J S Bach Bourée 1 from Suite no. 4 (from Six Suites for Cello [trans. Hoss]) Southern J S Bach Sarabande from Suite no. 5 (from Six Suites for Cello [trans. Hoss]) Southern Bourgeois Fantasy Pieces for Horn, no. 2: Andante espressivo [in F only] Brass Wind 3103 Franz Etude no. 18 or Etude no. 19 (from Etudes and Concert Etudes) Kalmus K 04523 Kopprasch Study no. 15 or Study no. 28 (from 60 Studies book 1) IMC 1732 Lyon Waltz (from Partita for Solo Horn) Chappell Madsen The Dream of the Rhinoceros Musikk-Husets McKenzie Habanera (from Rhythms of Life) Con moto Shaw Just Desserts — Frippery Style, no. 3 The Hornists’ Nest

36 French Horn — Grade 7

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise a) Lip Flexibility Grade 7, F Horn (from Scales & Exercises for French Horn) Trinity Guildhall b) Lip Flexibility Grade 7, Bb Horn (from Scales & Exercises for French Horn) Trinity Guildhall c) *Lawrance Exercise no. 7.1 or no. 7.2 (from Graded Lip Flexibilities for Horn in F and Bb) Brass Wind 6013 * to be played on open valves on either F or Bb horn at the candidate’s choice either i) Scales & Arpeggios (from memory) Scales The following scales to be performed f or p, tongued or slurred or staccato tongued as requested by the examiner: A and B* major (two octaves) A and B* harmonic minor (two octaves) A and B* melodic minor (two octaves) Whole-tone scale starting on A and B* (two octaves) Chromatic scale starting on A and B* (two octaves) Arpeggios The following arpeggios to be performed f or p, tongued or slurred or staccato tongued as requested by the examiner: A and B* major (two octaves) A and B* minor (two octaves) Dominant 7th in the keys of A and B* (one octave) Diminished 7th starting on A and B* (two octaves) Augmented arpeggio starting on A and B* (two octaves) *Candidates may choose either upper or lower octaves for B scales and arpeggios. or ii) Exercise The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) Key centre exercise in A b) A major expanding scale [upper or lower octave at candidate’s choice] c) B minor expanding scale [upper or lower octave at candidate’s choice] d) B major scale in 3rds e) A minor scale in 3rds All scales and exercises are contained in the book Scales & Exercises for French Horn published by Trinity Guildhall.

Supporting Tests (2 x 10 marks) Candidates to prepare i) and ii): i) Sight Reading (see page 11) and Transposition (prepared or unprepared) (see page 12) ii) Aural (see page 14) or Improvisation (see page 18) 37 French Horn — Grade 8 Subject code: HRN

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Publisher J S Bach Quoniam Tu Solus Sanctus (from Absolutely Horn) Brass Wind 2123 Beethoven Horn Sonata in F, op. 17, 1st movt Peters EP 149 Cherubini Sonata no. 2 (from Two Sonatas (Concert Etudes)) Schirmer Dukas Villanelle (from Solos for the Horn Player) Schirmer F Strauss Theme and Variations op. 13 Zimmermann ZM 12570 Haydn Concerto no. 1 in D, 1st movt or 3rd movt Breitkopf EB 3031 Mozart Concerto no. 2 in Eb K. 417, 1st movt: Allegro or 3rd movt: Rondo [with cadenza] Bärenreiter BA 5311a Mozart Rondo from Horn Quintet, K. 407 (from Solos for the Horn Player) Schirmer Saint-Saëns Morceau de concert op. 94 Durand D & F 4605 R Strauss Concerto op. 11, 1st movt: Allegro or 2nd movt: Andante Universal UE 1039a Group B Aubin Horn Concerto, 3rd movt: Molto vivace Leduc AL 29168 Bruckner 2nd movt from Symphony no. 7 (from Absolutely Horn) Brass Wind 2123 Carr The Happy Fox (from A Day in the Country) Broadbent 12003 Farnon Conversation and Games [complete] Warwick Gomelskaya Bagatelle Guildhall Gwilt Sonatina [complete] Bayley & Ferguson BF 2018 Neuling Bagatelle Pro Musica Leipzig Poulenc Élegie Chester Van Heusen Here’s That Rainy Day (from O Solo Mio [F ed.]) Brass Wind 2114F Vinter Hunter’s Moon Boosey H 15506 Group C (unaccompanied) Arnold Fantasy for Horn op. 88 Faber J S Bach Allemande or Courante from Suite no. 4 (from Six Suites for Cello) Southern Berge Hornlokk [final pedal D is optional] Norsk Musikforlag Bourgeois Fantasy Pieces for Horn, no. 3: Scherzando e grottesco or no. 5: Allegro Brass Wind 3103 De Pre No. 8 or no. 11 (from Etudes pour le Cor Grave) Billaudot G2127B Franz Etude no. 26 or Concert Etude no. 2 (from Etudes and Concert Etudes) Kalmus K 04523 Kopprasch Study no. 31 or Study no. 33 (from 60 Studies book 1) IMC 1732 McKenzie Krivo Horo (from Rhythms of Life) Con moto Neuling No. 3 or no. 9 (from 30 Special Studies for Low Horn book 1) Pro Musica Leipzig Shaw Just Desserts — Frippery Style, no. 11 The Hornists’ Nest

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise a) Lip Flexibility Grade 8, F Horn (from Scales & Exercises for French Horn) Trinity Guildhall b) Lip Flexibility Grade 8, Bb Horn (from Scales & Exercises for French Horn) Trinity Guildhall 38 French Horn — Grade 8 c) *Lawrance Exercise no. 8.1 or no. 8.2 (from Graded Lip Flexibilities for Horn in F and Bb) Brass Wind 6013 * to be played on open valves on either F or Bb horn at the candidate’s choice either i) Scales & Arpeggios (from memory) Scales The following scales to be performed f or p, tongued or slurred or staccato tongued or slurred in pairs as requested by the examiner: Bb major (three octaves) Db and F# major (two octaves) Bb harmonic and melodic minor (three octaves) C# and F# harmonic and melodic minor (two octaves) Whole-tone scale starting on Bb (three octaves) Whole-tone scale starting on Db and F# (two octaves) Chromatic scale starting on Bb (three octaves) Chromatic scale starting on C# and F# (two octaves) Crabwise scale from F and Bb (two octaves — tongued or slurred in octaves) C major hand-stopped scale (to 12th) Arpeggios The following arpeggios to be performed f or p, tongued or slurred or staccato tongued as requested by the examiner: Bb major (three octaves) Db and F# major (two octaves) Bb minor (three octaves) C# and F# minor (two octaves) Dominant 7th in the keys of C and Bb (two octaves) Dominant 7th in the keys of Db and F# (two octaves) Diminished 7th starting on C*, Db and F# (two octaves) Augmented arpeggio starting on C*, Db and F# (two octaves) *Upper or lower octave at candidate’s choice. or ii) Exercise The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) Key centre exercise in the keys of Db and F# b) Key centre exercise in the key of Bb [upper or lower octave at candidate’s choice] c) Crabwise scale from F in 3rds All scales and exercises are contained in the book Scales & Exercises for French Horn published by Trinity Guildhall.

Supporting Tests (2 x 10 marks) Candidates to prepare i) and ii): i) Sight Reading (see page 11) and Transposition (prepared or unprepared) (see page 12) ii) Aural (see page 14) or Improvisation (see page 18)

39 Eb Tenor Horn — Grade 1 Subject code: TEN

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Book Publisher Gregson Berceuse Up Front Album for Eb Horn book 1 Brass Wind 0108 Handel Minuet in C The Really Easy Tenor Horn Book Faber Haydn Minuet Bravo! Eb Tenor Horn Boosey Pearson Moto Perpetuo The Really Easy Tenor Horn Book Faber Negro Spiritual Steal Away Beginners Please! [Eb/F edition] Winwood Schubert German Dance Bravo! Eb Tenor Horn Boosey Spiritual All Night, All Day, p. 7 Easy Winners for Treble Brass* Brass Wind 0124TC Susato La mourisque Winner Scores All* Brass Wind 0138TC Tchaikovsky Dance of the Mirlitons Winner Scores All* Brass Wind 0138TC Group B Bernstein One Hand, One Heart, p. 7 Easy Winners for Treble Brass* Brass Wind 0124TC Bourgeois Little Yellow Idol Up Front Album for Eb Horn book 1 Brass Wind 0108 Crosse Lullaby Up Front Album for Eb Horn book 1 Brass Wind 0108 Daly Postman Pat, p. 5 Winners Galore for Treble Brass* Brass Wind 0118TC Premru Chelsea Chase Up Front Album for Eb Horn book 1 Brass Wind 0108 Trad. Russian The Birch Tree Beginners Please! [Eb/F edition] Winwood Group C (unaccompanied) Davis Geared Up or Tiny Minuet Polished Brass Brass Wind 6022TC Gregson Hungarian Dance, no. 4 20 Supplementary Tunes or Lullaby, no. 8 for Beginner Brass Brass Wind 6002TC Miller Pond Life, no. 9 or Supersonic Samurai, no. 14 Simple Studies for Beginner Brass Faber Mozart Theme from a Musical Joke, p. 3 Easy Winners for Treble Brass Brass Wind 0124TC Nightingale Coo’s Blues, no. 3 or Ready, Aim, Fire!, no. 4 Eazy Jazzy ‘Tudes Warwick Sparke Modal Melody or Tickertape Parade Skilful Studies Anglo Music AMP 099 Trad. Give me Joy in my Heart, p. 6 Winners Galore for Treble Brass Brass Wind 0118TC

* Piano accompaniment available separately.

40 Eb Tenor Horn — Grade 1

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise a) Lip flexibility Grade 1 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall b) Lip flexibility Grade 1 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall c) Exercise no. 1 (from How Brass Players Do It) Brass Wind either i) Scales & Arpeggios (from memory) Scales The following scales to be performed mf and tongued: C major (one octave) A natural minor (one octave): candidates may play harmonic or melodic minor if preferred. Arpeggios The following arpeggios to be performed mf and tongued: C major (one octave) A minor (one octave) or ii) Exercise The following exercise to be played tongued: C major scale and arpeggio exercise (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall

Supporting Tests (2 x 10 marks) Two tests are to be chosen from:

Sight Reading (see page 11)

Aural (see page 14)

Improvisation (see page 18)

Musical Knowledge (see page 21)

41 Eb Tenor Horn — Grade 2 Subject code: TEN

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Book Publisher Barratt Out-of-Step March Bravo! Eb Tenor Horn Boosey Clarke The Duke of Gloucester’s March Bravo! Eb Tenor Horn Boosey Couperin Le petit-rien The Really Easy Tenor Horn Book Faber Grieg Gavotte from Holberg Suite World Famous Classics Fentone F815 Handel Hallelujah Chorus, p. 6 Winners Galore for Treble Brass* Brass Wind 0118TC Henry VIII Pastime with Good Company Beginners Please! [Eb/F edition] Winwood Mozart Aria Winner Scores All* Brass Wind 0138TC Offenbach Two Mighty Men-at-Arms World Famous Classics Fentone F815 Purcell Trumpet Tune Winner Scores All* Brass Wind 0138TC Trad. Land of the Silver Birch Beginners Please! [Eb/F edition] Winwood Wallace The Grinnermarch Going Solo Tenor Horn Faber Group B Bart Where is Love?, p. 14 Easy Winners for Treble Brass* Brass Wind 0124TC Goodall Blackadder Theme, p. 16 Winners Galore for Treble Brass* Brass Wind 0118TC Osborne & May Eastenders, p. 13 Easy Winners for Treble Brass* Brass Wind 0124TC Pearson Leap-Frog or Seven-Up The Really Easy Tenor Horn Book Faber Trad. Men of Harlech Winner Scores All* Brass Wind 0138TC arr. Johnstone Wiggins Lucy’s Lullaby Beginners Please! [Eb/F edition] Winwood Wilson-Smith Out n’ About or Something Else or Waltzing with Jazz All Jazzed Up for Horn [Eb edition] Brass Wind 1108E Group C (unaccompanied) Blakeson Brite ‘n’ Rock, no. 5 or Chickpea, no. 11 Smooth Groove for Treble Brass Brass Wind 1141ETC Davis Jumping Jack Rap or Rat Rag Polished Brass Brass Wind 6022TC Gregson Gavotte, no. 10 or Justin’s March, no. 14 20 Supplementary Tunes for Beginner Brass Brass Wind 6002TC Miller Study no. 13, Tip-toe Toccata or Study no. 16, Sabre Dance Simple Studies for Beginner Brass Faber Nightingale The Nuthatch, no. 6 or The Sleuth, no. 7 Eazy Jazzy ‘Tudes Warwick Sparke Cowboy Carol or Tom’s Tune Skilful Studies Anglo Music AMP 099

* Piano accompaniment available separately.

42 Eb Tenor Horn — Grade 2

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise a) Lip Flexibility Grade 2 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall b) Lip Flexibility Grade 2 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall c) Exercise no. 3 (from How Brass Players Do It) Brass Wind either i) Scales & Arpeggios (from memory) Scales The following scales to be performed mf, tongued or slurred as requested by the examiner: D and Bb major (one octave) A harmonic minor (one octave): candidates may play natural or melodic minor if preferred. Arpeggios The following arpeggios to be performed mf, tongued or slurred as requested by the examiner: D and Bb major (one octave) A minor (one octave) or ii) Exercise The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) D major scale and arpeggio exercise b) A minor scale and arpeggio exercise All scales and exercises are contained in the book Scales & Exercises for Treble Clef Brass published by Trinity Guildhall.

Supporting Tests (2 x 10 marks) Two tests are to be chosen from:

Sight Reading (see page 11)

Aural (see page 14)

Improvisation (see page 18)

Musical Knowledge (see page 21)

43 Eb Tenor Horn — Grade 3 Subject code: TEN

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Book Publisher Anon. The Lark in the Clear Air The Young Soloist vol. 1 [Eb edition] Studio Gluck Che Faro Great Winners for Treble Brass Brass Wind 0132TC Handel Largo World Famous Classics Fentone F815 Lawrance Carillon In Concert for Horn [Eb edition] Brass Wind 1104E Mendelssohn O, for the Wings of a Dove World Famous Classics Fentone F815 Mendelssohn On Wings of Song A Classical Album of Solos for Eb Instruments vol. 1 Studio Schubert The Trout Going Solo Tenor Horn Faber Trad. Greensleeves The Young Soloist vol. 1 [Eb edition] Studio Trad. Danny Boy, p. 17 Winners Galore for Treble Brass* Brass Wind 0118TC Trad. British Grenadiers Going Solo Tenor Horn Faber Wiggins A Little Peace and Quiet, no. 2 or Davy Jones’ Hornpipe, no. 3 The Tenor Horn Player’s Debut Studio Group B Bart Food Glorious Food Winner Scores All* Brass Wind 0138TC Bernstein America Winner Scores All* Brass Wind 0138TC Bratton & Kennedy Teddy Bears’ Picnic, p. 19 Winners Galore for Treble Brass* Brass Wind 0118TC Bullard Sentimental Serenade or Tightrope Walker Circus Skills for Horn & Piano Spartan SP641 Harburg We’re Off to See & Arlen the Wizard, p. 22 Easy Winners for Treble Brass* Brass Wind 0124TC John A Whole New World Great Winners for Treble Brass Brass Wind 0132TC John & Rice Can You Feel the Love Tonight Undercover Hits for Eb Horn Brass Wind 1148 Lloyd Webber Close Every Door Winner Scores All* Brass Wind 0138TC Mancini Pink Panther All Jazzed Up for Horn [Eb edition] Brass Wind 1108E Norman James Bond Theme, p. 19 Easy Winners for Treble Brass* Brass Wind 0124TC Pinkard, Carsey & Bernie Sweet Georgia Brown All Jazzed Up for Horn [Eb edition] Brass Wind 1108E Ramskill Hernando’s Hideaway Latino for Eb Horn Brass Wind 1147 Wilson-Smith Odd Job All Jazzed Up for Horn [Eb edition] Brass Wind 1108E Group C (unaccompanied) Blakeson Jam on Toast, no. 20 or Red Chilli Sauce, no. 18 Smooth Groove for Treble Brass Brass Wind 1141ETC Davis Flamenco Flirt (in D minor) or Horn of Wonder Polished Brass Brass Wind 6022TC Gregson Bulgarian Dance, no. 15 20 Supplementary Tunes or Folk Song, no. 17 for Beginner Brass Brass Wind 6002TC Hering Study no. 12 40 Progressive Etudes for Trumpet Fischer 3309 McKenzie Waltz or High Life Music Makes the World Go Round Con moto Nightingale Slinky, no. 13 Eazy Jazzy ‘Tudes Warwick Sparke Contrasts or Tyrolean Tune Skilful Studies Anglo Music AMP 099 44 * Piano accompaniment available separately. Eb Tenor Horn — Grade 3

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise a) Lip Flexibility Grade 3 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall b) Lip Flexibility Grade 3 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall c) Exercise no. 7 or no. 8 (from How Brass Players Do It) Brass Wind either i) Scales & Arpeggios (from memory) Scales The following scales to be performed mf, tongued or slurred as requested by the examiner: E and Eb major (one octave) C and E minor (one octave): candidate’s choice of either harmonic or melodic minor Whole-tone scale starting on C (one octave) Arpeggios The following arpeggios to be performed mf, tongued or slurred as requested by the examiner: E and Eb major (one octave) C and E minor (one octave) or ii) Exercise The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) E major scale and arpeggio exercise b) Eb major scale and arpeggio exercise c) C minor scale and arpeggio exercise All scales and exercises are contained in the book Scales & Exercises for Treble Clef Brass published by Trinity Guildhall.

Supporting Tests (2 x 10 marks) Two tests are to be chosen from:

Sight Reading (see page 11)

Aural (see page 14)

Improvisation (see page 18)

Musical Knowledge (see page 21)

45 Eb Tenor Horn — Grade 4 Subject code: TEN

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Book Publisher Beethoven Für Elise A Classical Album of Solos for Eb Instruments vol. 1 Studio Bourgeois A Drowsy Moment or Three-Legged Horn A Horn-ting We Will Go for Tenor Horn Brass Wind 1125 Lawrance Reflections In Concert for Horn (Eb Edition) Brass Wind 1104E MacDowell To a Wild Rose A Classical Album of Solos for Eb Instruments vol. 1 Studio Stölzel/ J S Bach Bist du bei mir World Famous Classics Fentone F815 Wiggins Court Herald, no. 6 or Song From The High Hills, no. 7 The Tenor Horn Player’s Debut Studio Group B Bernstein Somewhere Great Winners for Treble Brass* Brass Wind 0132TC Bullard Dancing Dolls or Russian Galop Circus Skills for Horn & Piano Spartan SP641 Goodwin 633 Squadron Great Winners for Treble Brass* Brass Wind 0132TC Gunning Theme from Poirot More On The Light Side for Horn in Eb Brass Wind 1138 Pearson Pastoral Echoes or Sunset Strip Going Solo Tenor Horn Faber Ramin Music To Watch Girls By Jazzed Up Too for Horn [Eb edition] Brass Wind 1111E Ramskill Hot Pursuit Jazzed Up Too for Horn [Eb edition] Brass Wind 1111E Rogers Blue Moon Jazzed Up Too for Horn [Eb edition] Brass Wind 1111E Sondheim Send In The Clowns A Little Light Music for Horn in Eb Brass Wind 2124 Group C (unaccompanied) Blakeson Big Band Swing, no. 33 or Latin Lady, no. 32 Smooth Groove for Treble Brass Brass Wind 1141ETC Bourgeois Study no. 1 or Study no. 2 Ace of Trumpets Brass Wind 6024 Davis Irish Jig or Serpent Smoothie [in C major] Polished Brass Brass Wind 6022TC Hering Study no. 10 or Study no. 11 40 Progressive Etudes for Trumpet Fischer 3309 McKenzie Mambo or Tango Music Makes the World Go Round Con moto Nightingale Blues for Big-Ears, no. 15 Eazy Jazzy ‘Tudes Warwick Sparke Hungarian Dance or Opera Buffa Skilful Studies Anglo Music AMP 099

* Piano accompaniment available separately.

46 Eb Tenor Horn — Grade 4

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise a) Lip Flexibility Grade 4 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall b) Lip Flexibility Grade 4 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall c) Exercise no. 9 or no. 10 (from How Brass Players Do It) Brass Wind either i) Scales & Arpeggios (from memory) Scales The following scales to be performed mf, tongued or slurred as requested by the examiner: Bb major (to 12th) F major (one octave) D and F minor (one octave): candidate’s choice of either harmonic or melodic minor Whole-tone scale starting on F (one octave) Chromatic scale starting on C (one octave) Arpeggios The following arpeggios to be performed mf, tongued or slurred as requested by the examiner: Bb major (to 12th) F major (one octave) D and F minor (one octave or ii) Exercise The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) Bb major scale and arpeggio exercise b) F major expanding scale exercise c) F minor expanding scale exercise All scales and exercises are contained in the book Scales & Exercises for Treble Clef Brass published by Trinity Guildhall.

Supporting Tests (2 x 10 marks) Two tests are to be chosen from:

Sight Reading (see page 11)

Aural (see page 14)

Improvisation (see page 18)

Musical Knowledge (see page 21)

47 Eb Tenor Horn — Grade 5 Subject code: TEN

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Book Publisher Bizet Chanson Boheme Great Winners for Treble Brass* Brass Wind 0132TC Bourgeois Tropical Sunset A Horn-ting We Will Go for Tenor Horn Brass Wind 1125 Brightmore Lullaby Four Peaceful Pieces Emerson E253 Fauré Pavane op. 50 World Famous Classics Fentone F815 Grieg Solveig’s Song Great Winners for Treble Brass* Brass Wind 0132TC Grieg Last Spring A Classical Album of Solos for Eb Instruments vol. 1 Studio Lawrance Fanfare and Response In Concert for Horn [Eb edition] Brass Wind 1104E Ledbury Bagatelle Cornucopia [Eb edition] Brass Wind 2105E Mozart Concerto no. 3 in Eb, K. 447, 2nd movt: Romance Bärenreiter BA 5312a Pearson Tenor-Hornpipe or Valivid Going Solo Tenor Horn Faber Wiggins Gordon’s Gigue, no. 8 The Tenor Horn Player’s Debut Studio Group B Barry Goldfinger More On The Light Side for Horn in Eb Brass Wind 1138 Gershwin Summertime A Little Light Music for Horn in Eb Brass Wind 2124 Gordon & Warren Chatanooga Choo Choo Big Chillers for Eb Horn Brass Wind 1146 Hupfeld As Time Goes By Big Chillers for Eb Horn Brass Wind 1146 Ippolitov- Cortège Ivanov (Caucasian Sketches) Undercover Hits for Eb Horn Brass Wind 1148 Parker Mapp and Lucia The Music of Jim Parker for Horn in Eb Brass Wind 1137E Porter Let’s Do It A Little Light Music for Horn in Eb Brass Wind 2124 Ramskill Back Chat or In The Fast Lane Jazzed Up Too for Horn [Eb edition] Brass Wind 1111E Ramskill Manha de Carnaval Latino for Eb Horn Brass Wind 1147 Schönberg I Dreamed a Dream A Little Light Music for Horn in Eb Brass Wind 2124 Schönberg On My Own More On The Light Side for Horn in Eb Brass Wind 1138 Williams Raiders March Great Winners for Treble Brass* Brass Wind 0132TC Group C (unaccompanied) Bourgeois Study no. 7 or Study no. 10 Ace of Trumpets Brass Wind 6024 Davis Heads or Tails or Hornpipe Polished Brass Brass Wind 6022TC Hering Study no. 30 or Study no. 33 40 Progressive Etudes for Trumpet Fischer 3309 McKenzie Cerga or Krivo Horo Music Makes the World Go Round Con moto Miller Prairie Song, no. 5 or March, no. 6 Progressive Studies for Brass Faber Nightingale Passion Fruit Samba, no. 18 or The Turkey, no. 22 Eazy Jazzy ‘Tudes Warwick Sparke Party Piece Skilful Studies Anglo Music AMP 099 Vizzutti Ballad 20 Dances for Trumpet de Haske 991786

* Piano accompaniment available separately.

48 Eb Tenor Horn — Grade 5

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise a) Lip Flexibility Grade 5 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall b) Lip Flexibility Grade 5 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall c) Exercise no. 14 or no. 16 (from How Brass Players Do It) Brass Wind either i) Scales & Arpeggios (from memory) Scales The following scales to be performed mf, tongued or slurred as requested by the examiner: G major (two octaves) B major (to 12th) G minor (two octaves) — candidate’s choice of either harmonic or melodic minor B minor (to 12th) — candidate’s choice of either harmonic or melodic minor Whole-tone scale starting on G (two octaves) Chromatic scale starting on G (two octaves) Arpeggios The following arpeggios to be performed mf, tongued or slurred as requested by the examiner: G major (two octaves) B major (to 12th) G minor (two octaves) B minor (to 12th) Dominant 7th in the key of G (one octave) or ii) Exercise The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) B major scale and arpeggio exercise b) B minor scale and arpeggio exercise c) G major expanding scale exercise d) G minor expanding scale exercise All scales and exercises are contained in the book Scales & Exercises for Treble Clef Brass published by Trinity Guildhall.

Supporting Tests (2 x 10 marks) Two tests are to be chosen from:

Sight Reading (see page 11)

Aural (see page 14)

Improvisation (see page 18)

Musical Knowledge (see page 21)

49 Eb Tenor Horn — Grade 6 Subject code: TEN

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Publisher Brightmore Barcarolle or Pastorale (from Four Peaceful Pieces) Emerson E253 Ball Mountain Melody G & M Brand 70033 Bourgeois Bubble in the Tube or Fugal Mood or On Holiday (from A Horn-ting We Will Go for Tenor Horn) Brass Wind 1125 Lawrance Carnival or Elegy (from In Concert for Horn [Eb edition]) Brass Wind 1104E Ledbury Cantilena or Ragtime (from Cornucopia [Eb edition]) Brass Wind 2105E Mozart Concerto no. 3 in Eb, K. 447, 3rd movt: Allegro Bärenreiter BA 5312a Mozart Concerto no. 4 in Eb, K. 495, 2nd movt: Romance Bärenreiter BA 5313a Rosetti Romance IMC Group B Arlen & Harburg (Somewhere) Over the Rainbow [candidates must use this edition] Studio Carmichael Stardust (from A Little Light Music for Horn in Eb) Brass Wind 2124 Gershwin I Got Rhythm (from A Little Light Music for Horn in Eb) Brass Wind 2124 Gottschalk Tournament Galop (from Undercover Hits for Eb Horn) Brass Wind 1148 Heath Air and Rondo [complete] G & M Brand 70001 Mancini Moon River (from Let’s Face the Music for Eb Horn) Brass Wind 2133 Parker House of Cards or The House of Eliott (from The Music of Jim Parker for Horn in Eb) Brass Wind 1137E Waller Ain’t Misbehavin’ (from More On The Light Side for Horn in Eb) Brass Wind 1138 Group C (unaccompanied) J S Bach Study no. 20 in A minor (from The Well Tempered Player) Winwood RMPC 0015 Bourgeois Study no. 8 (from Ace of Trumpets) Brass Wind 6024 Endresen Study no. 32, Largo (from Supplementary Studies for Trumpet) Rubank Hering Study no. 34 or Study no. 35 or Study no. 37 (from 40 Progressive Etudes for Trumpet) Fischer 3309 Lawrance Aria for Horn in Eb (from In Concert for Horn [Eb edition]) Brass Wind 1104E McKenzie Czardas or Jota (from Rhythms of Life) Con moto Miller Rubber Lips, no. 12 or Morning, no. 13 (from Progressive Studies for Brass) Faber Vizzutti Flamenco or Tango (from 20 Dances for Trumpet) de Haske 991786 Vizzutti Study no. 9 of Intermediate Etudes, p. 11 (from The Allen Vizzutti Trumpet Method book 3) Alfred

50 Eb Tenor Horn — Grade 6

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise a) Lip Flexibility Grade 6 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall b) Lip Flexibility Grade 6 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall c) Exercise no. 17 or no. 18 (from How Brass Players Do It) Brass Wind either i) Scales & Arpeggios (from memory) Scales The following scales to be performed f or p, tongued or slurred or staccato tongued as requested by the examiner: A and F# major (two octaves) A and F# harmonic minor (two octaves) A and F# melodic minor (two octaves) Whole-tone scale starting on A (two octaves) Chromatic scale starting on A (two octaves) Arpeggios The following arpeggios to be performed f or p, tongued or slurred or staccato tongued as requested by the examiner: A and F# major (two octaves) A and F# minor (two octaves Dominant 7th in the key of A (one octave) Diminished 7th starting on A (two octaves) Augmented arpeggio starting on A (two octaves) or ii) Exercise The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) Key centre exercise in A b) A major expanding scale c) A minor expanding scale d) A major scale in 3rds e) A minor scale in 3rds All scales and exercises are contained in the book Scales & Exercises for Treble Clef Brass published by Trinity Guildhall.

Supporting Tests (2 x 10 marks) Candidates to prepare i) and ii): i) Sight Reading (see page 11) ii) Aural (see page 14) or Improvisation (see page 18)

51 Eb Tenor Horn — Grade 7 Subject code: TEN

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Publisher Albinoni Adagio (from O Solo Mio [Eb edition]) Brass Wind 2114E Golland Sonata for Horn & Piano op. 75, 1st movt: Allegro Kirklees Kneale Variations on a Welsh Theme G & M Brand 70052 Marcello Sonata no. 1 in F, 1st movt: Largo and 2nd movt: Allegro or 3rd movt: Largo and 4th movt: Allegro EMR 2043M Rosetti Concerto in Eb, 1st movt: Allegro moderato [with cadenza] IMC 1977 Wiggins Cornucopia — A Concerto for Tenor Horn, 2nd movt or 3rd movt Kirklees Group B Bloom Give Me the Simple Life (from O Solo Mio [Eb edition]) Brass Wind 2114E Graham A Time for Peace (from Gramercy Solo Album Eb)Gramercy Harbach & Kern Smoke Gets in Your Eyes (from Let’s Face the Music for Eb Horn) Brass Wind 2133 Kodály Háry János (from It’s a Classic for Eb Horn) Brass Wind 2125 Newsome The Carousel Studio Newsome Sylvia Studio Sparke Capriccio G & M Brand 70009 Group C (unaccompanied) Arban Study no. 10 (from 14 Studies for Cornet) Boosey J S Bach Study no. 2 in C minor or Study no. 17 in Ab (from The Well Tempered Player) Winwood RMPC 0015 Balay Study no. 3 or Study no. 4 (from Quinze Etudes) Leduc AL 14 960 Bourgeois Fantasy Pieces for Trumpet, no. 3: Presto Brass Wind 3102 Brandt Study no. 2 or Study no. 17 (from 34 Studies for Trumpet) IMC 1391 Hering Study no. 38 or Study no. 39 (from 40 Progressive Etudes for Trumpet) Fischer 3309 McKenzie Malaguena or Klezmer (from Rhythms of Life) Con moto Miller Seventh Heaven, no. 21 or Vienna, no. 24 (from Progressive Studies for Brass) Faber Vizzutti Funk (from 20 Dances for Trumpet) de Haske 991786 Vizzutti Study no. 2 of Advanced Etudes, p. 61 or Study no. 3 of Rhythmic Etudes, p. 23 (from The Allen Vizzutti Trumpet Method book 3) Alfred

52 Eb Tenor Horn — Grade 7

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise a) Lip Flexibility Grade 7 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall b) Lip Flexibility Grade 7 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall c) Exercise no. 21 or no. 22 (from How Brass Players Do It) Brass Wind either i) Scales & Arpeggios (from memory) Scales The following scales to be performed f or p, tongued or slurred or staccato tongued as requested by the examiner: B and Bb major (two octaves) B and Bb harmonic minor (two octaves) B and Bb melodic minor (two octaves) Whole-tone scale starting on B and Bb (two octaves) Chromatic scale starting on B and Bb (two octaves) Arpeggios The following arpeggios to be performed f or p, tongued or slurred or staccato tongued as requested by the examiner: B and Bb major (two octaves) B and Bb minor (two octaves) Dominant 7th in the keys of B and Bb (one octave) Diminished 7th starting on B and Bb (two octaves) Augmented arpeggio starting on B and Bb (two octaves) or ii) Exercise The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) Key centre exercise in Bb b) Bb major expanding scale exercise c) B minor expanding scale exercise d) B major scale in 3rds exercise e) Bb minor scale in 3rds exercise All scales and exercises are contained in the book Scales & Exercises for Treble Clef Brass published by Trinity Guildhall.

Supporting Tests (2 x 10 marks) Candidates to prepare i) and ii): i) Sight Reading (see page 11) ii) Aural (see page 14) or Improvisation (see page 18)

53 Eb Tenor Horn — Grade 8 Subject code: TEN

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Publisher Bellini Concerto for Horn in Eb Studio Golland Sonata for Horn & Piano op. 75, 2nd movt: Largo con tristezza or 3rd movt: Allegretto amabile Kirklees Graham Whirlwind (from Gramercy Solo Album Eb)Gramercy Graham Episode Winwood Handel Handel’s Hornpipe Studio Mozart Concerto no. 2 in Eb K. 417, 1st movt: Allegro or 3rd movt: Rondo [with cadenza] Bärenreiter BA 5311a Mozart Rondo from Horn Quintet, K. 407 (from Solos for the Horn Player) Schirmer Poulenc Elegie for Eb Horn (1957) Chester CH59741 Wiggins Cornucopia — A Concerto for Tenor Horn, 1st movt: Allegro molto e vigoroso Kirklees Wiggins Rhapsody for Tenor Horn Kirklees Group B Ball September Fantasy Wright + Round Bellstedt Capriccio Brillante Wright + Round Broadbent Skelter Wright + Round Farnon Conversation and Games [complete] Warwick Haydn Gypsy Rondo (from It’s a Classic for Eb Horn) Brass Wind 2125 Monti Czardas (from It’s a Classic for Eb Horn) Brass Wind 2125 Richards Higgyjig Studio Rossini Cavatine (from It’s a Classic for Eb Horn) Brass Wind 2125 Sparke Masquerade Studio Wood Concertino for Tenor Horn [shortened version] G & M Brand 70015 Group C (unaccompanied) Arban Study no. 6 or Study no. 9 (from 14 Studies for Cornet) Boosey J S Bach Study no. 6 in D minor or Study no. 7 in Eb (from The Well Tempered Player) Winwood RMPC 0015 Balay Study no. 7 or Study no. 11 (from 15 Etudes) Leduc AL 14 960 Bourgeois Fantasy Pieces for Trumpet, no. 8: Allegro Brass Wind 3102 Brandt Study no. 4 or Study no. 15 (from 34 Studies for Trumpet) IMC 1391 Miller Perpetuum Mobile, no. 29 (Progressive Studies for Brass) Faber Vizzutti Polka (from 20 Dances for Trumpet) de Haske 991786 Vizzutti Study no. 5 of Advanced Etudes, p. 64 or Study no. 7 of Advanced Etudes, p. 66 (from The Allen Vizzutti Trumpet Method book 3) Alfred

54 Eb Tenor Horn — Grade 8

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise a) Lip Flexibility Grade 8 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall b) Lip Flexibility Grade 8 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall c) Exercise no. 28 or no. 29 (from How Brass Players Do It) Brass Wind either i) Scales & Arpeggios (from memory) Scales The following scales to be performed f or p, tongued or slurred or staccato tongued or slurred in pairs as requested by the examiner: C, Ab and F# major (two octaves) C, Ab and F# harmonic minor (two octaves) C, Ab and F# melodic minor (two octaves) Whole-tone scale starting on C, Ab and F# (two octaves) Chromatic scale starting on C, Ab and F# (two octaves) Crabwise scale from C and G (two octaves — tongued or slurred in octaves) Arpeggios The following arpeggios to be performed f or p, tongued or slurred or staccato tongued as requested by the examiner: C, Ab and F# major (two octaves) C, Ab and F# minor (two octaves) Dominant 7th in the key of C (two octaves) Dominant 7th in the keys of Ab and F# (one octave) Diminished 7th starting on C, Ab and F# (two octaves) Augmented arpeggio starting on C, Ab and F# (two octaves) or ii) Exercise The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) Key centre exercise in the keys of C, Ab and F# b) Crabwise scale from G in 3rds All scales and exercises are contained in the book Scales & Exercises for Treble Clef Brass published by Trinity Guildhall.

Supporting Tests (2 x 10 marks) Candidates to prepare i) and ii): i) Sight Reading (see page 11) ii) Aural (see page 14) or Improvisation (see page 18)

55 Trumpet, Cornet, Flugel Horn — Grade 1 Subject codes: TPT/COR/FLG

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Book Publisher J S Bach Chorale from the St Matthew Passion Amazing Solos for Trumpet Boosey Clarke Trumpet Minuet Trumpet All Sorts (Grades 1–3) Trinity Faber Crosse Intrada Up front Album for Trumpet, book 1 Brass Wind 0107 Diabelli Allegretto [with first repeat] Trumpet Fancies Boston BM11049 Haydn Minuet Bravo! Trumpet Boosey Lyons Journey’s End or Miles Away The Really Easy Trumpet Book Faber Schubert German Dance Bravo! Trumpet Boosey Spiritual All Night, All Day, p. 7 Easy Winners for Treble Brass* Brass Wind 0124TC Susato La mourisque Winner Scores All* Brass Wind 0138TC Tchaikovsky Dance of the Mirlitons Winner Scores All* Brass Wind 0138TC Group B Bennett Serene Dream Jazz Club Trumpet Faber 7534A Bernstein One Hand, One Heart, p. 7 Easy Winners for Treble Brass* Brass Wind 0124TC Daly Postman Pat, p. 5 Winners Galore for Treble Brass* Brass Wind 0118TC Rae Rumba or The Guv’nor Play it Cool for Trumpet Universal UE 21 265 Runswick Offshore Up front Album for Trumpet, book 1 Brass Wind 0107 Wedgwood Cheeky Cherry or Simply the Rest! Really Easy Jazzin’ About for Trumpet Faber Wedgwood Apple Pie Waltz or I Believe Up-Grade! For Trumpet Grades 1–2 Faber Group C (unaccompanied) Davis Geared Up or Tiny Minuet Polished Brass Brass Wind 6022TC Gregson Hungarian Dance, no. 4 20 Supplementary Tunes or Lullaby, no. 8 for Beginner Brass Brass Wind 6002TC Miller Pond Life, no. 9 or Supersonic Samurai, no. 14 Simple Studies for Beginner Brass Faber Mozart Theme from a Musical Joke, p. 3 Easy Winners for Treble Brass Brass Wind 0124TC Nightingale Coo’s Blues, no. 3 or Ready, Aim, Fire!, no. 4 Eazy Jazzy ‘Tudes Warwick Sparke Modal Melody or Tickertape Parade Skilful Studies Anglo Music Trad. Give me Joy in my Heart, p. 6 Winners Galore for Treble Brass Brass Wind 0118TC

* Piano accompaniment available separately.

56 Trumpet, Cornet, Flugel Horn — Grade 1

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise a) Lip flexibility Grade 1 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall b) Lip flexibility Grade 1 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall c) Exercise no. 1 (from How Brass Players Do It) Brass Wind either i) Scales & Arpeggios (from memory) Scales The following scales to be performed mf and tongued: C major (one octave) A natural minor (one octave): candidates may play harmonic or melodic minor if preferred. Arpeggios The following arpeggios to be performed mf and tongued: C major (one octave) A minor (one octave) or ii) Exercise The following exercise to be played tongued: C major scale and arpeggio exercise (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall

Supporting Tests (2 x 10 marks) Two tests are to be chosen from:

Sight Reading (see page 11)

Aural (see page 14)

Improvisation (see page 18)

Musical Knowledge (see page 21)

57 Trumpet, Cornet, Flugel Horn — Grade 2 Subject codes: TPT/COR/FLG

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Book Publisher Barratt Out-of-Step March Bravo! Trumpet Boosey Clarke The Duke of Gloucester’s March Bravo! Trumpet Boosey Gunning Shepherd’s Delight The Really Easy Trumpet Book Faber Handel March Trumpet All Sorts (Grades 1–3) Trinity Faber Handel Hallelujah Chorus, p. 6 Winners Galore for Treble Brass* Brass Wind 0118TC Lyons Aubade The Really Easy Trumpet Book Faber Mozart Aria Winner Scores All* Brass Wind 0138TC Praetorius Tanz des Burgermeisters Amazing Solos for Trumpet Boosey Purcell Trumpet Tune Winner Scores All* Brass Wind 0138TC Trad. Scottish Over the Sea to Skye Up-Grade! For Trumpet Grades 1–2 Faber Group B Bullard Acrobats or Circus Rock Circus Skills for Trumpet Spartan SP640 Bart Where is Love?, p. 14 Easy Winners for Treble Brass* Brass Wind 0124TC Bennett Art for Art’s Sake Jazz Club Trumpet Faber 7534A Goodall Blackadder Theme, p. 16 Winners Galore for Treble Brass* Brass Wind 0118TC Nightingale One, Two, Three, Push!, no. 1 or The Witch’s Cauldron, no. 4 Lucky Dip Warwick Osborne & May Eastenders, p. 13 Easy Winners for Treble Brass* Brass Wind 0124TC Rae Blowin’ Cool Play it Cool for Trumpet Universal UE 21 265 Trad. Men of Harlech Winner Scores All* Brass Wind 0138TC arr. Johnstone Wedgwood Dragonfly Really Easy Jazzin’ About for Trumpet Faber Group C (unaccompanied) Blakeson Brite ‘n’ Rock, no. 5 or Chickpea, no. 11 Smooth Groove for Treble Brass Brass Wind 1141TC Davis Jumping Jack Rap or Rat Rag Polished Brass Brass Wind 6022TC Gregson Gavotte, no. 10 20 Supplementary Tunes or Justin’s March, no. 14 for Beginner Brass Brass Wind 6002TC Miller Tip-toe Toccata, no. 13 or Sabre Dance, no. 16 Simple Studies for Beginner Brass Faber Nightingale The Nuthatch, no. 6 or The Sleuth, no. 7 Eazy Jazzy ‘Tudes Warwick Sparke Cowboy Carol or Tom’s Tune Skilful Studies Anglo Music

* Piano accompaniment available separately.

58 Trumpet, Cornet, Flugel Horn — Grade 2

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise a) Lip Flexibility Grade 2 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall b) Lip Flexibility Grade 2 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall c) Exercise no. 3 (from How Brass Players Do It) Brass Wind either i) Scales & Arpeggios (from memory) Scales The following scales to be performed mf, tongued or slurred as requested by the examiner: D and Bb major (one octave) A harmonic minor (one octave): candidates may play natural or melodic minor if preferred. Arpeggios The following arpeggios to be performed mf, tongued or slurred as requested by the examiner: D and Bb major (one octave) A minor (one octave) or ii) Exercise The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) D major scale and arpeggio exercise b) A minor scale and arpeggio exercise All scales and exercises are contained in the book Scales & Exercises for Treble Clef Brass published by Trinity Guildhall.

Supporting Tests (2 x 10 marks) Two tests are to be chosen from:

Sight Reading (see page 11)

Aural (see page 14)

Improvisation (see page 18)

Musical Knowledge (see page 21)

59 Trumpet, Cornet, Flugel Horn — Grade 3 Subject codes: TPT/COR/FLG

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Book Publisher Bizet Entr’acte from Carmen Trumpet All Sorts (Grades 1–3) Trinity Faber Mozart Der Vogelfänger bin ich Ja Onstage Brass for Trumpet & Piano Stainer H430 Purcell Trumpet Air from The Indian Queen [with repeats] Old English Trumpet Tunes book 1 OUP Purcell March Trumpet Fancies Boston BM11049 Trad. All in a Garden Green [with repeats] or British Grenadiers Going Solo Trumpet Faber Trad. Danny Boy, p. 17 Winners Galore for Treble Brass* Brass Wind 0118TC Verdi La donna è mobile Onstage Brass for Trumpet & Piano Stainer H430 Group B Bullard Sad Clown or Sentimental Serenade Circus Skills for Trumpet Spartan SP640 Adler & Ross Hernando’s Hideaway Latino for Trumpet Brass Wind 1142 Bart Food Glorious Food Winner Scores All* Brass Wind 0138TC Bernstein America Winner Scores All* Brass Wind 0138TC Bennett Cuban Whistle Crisis Jazz Club Trumpet Faber 7534A Bratton & Kennedy Teddy Bears Picnic, p. 19 Winners Galore for Treble Brass* Brass Wind 0118TC Harburg & Arlen We’re Off to See the Wizard, p. 22 Easy Winners for Treble Brass* Brass Wind 0124TC John & Rice A Whole New World Great Winners for Treble Brass Brass Wind 0132TC John & Rice Can You Feel the Love Tonight Undercover Hits for Trumpet Brass Wind 1144 Joplin Peacherine Rag Trumpet All Sorts (Grades 1–3) Trinity Faber Lloyd Webber Close Every Door Winner Scores All* Brass Wind 0138TC Mancini Pink Panther All Jazzed up for Trumpet Brass Wind 1107 Norman James Bond Theme, p. 19 Easy Winners for Treble Brass* Brass Wind 0124TC Wedgwood Last Stop! Really Easy Jazzin’ About for Trumpet Faber A Wilson An American Dream Bebop to Rock Spartan SP479 Group C (unaccompanied) Blakeson Jam on Toast, no. 20 or Red Chilli Sauce, no. 18 Smooth Groove for Treble Brass Brass Wind 1141TC Davis Flamenco Flirt [in D minor] or Horn of Wonder Polished Brass Brass Wind 6022TC Gregson Bulgarian Dance, no. 15 20 Supplementary Tunes or Folk Song, no. 17 for Beginner Brass Brass Wind 6002TC Hering Study no. 12 40 Progressive Etudes for Trumpet Fischer 3309 McKenzie Waltz or High Life Music Makes the World Go Round Con moto Nightingale Slinky, no. 13 Eazy Jazzy ‘Tudes Warwick Sparke Contrasts or Tyrolean Tune Skilful Studies Anglo Music

60 * Piano accompaniment available separately. Trumpet, Cornet, Flugel Horn — Grade 3

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise a) Lip Flexibility Grade 3 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall b) Lip Flexibility Grade 3 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall c) Exercise no. 7 or no. 8 (from How Brass Players Do It) Brass Wind either i) Scales & Arpeggios (from memory) Scales The following scales to be performed mf, tongued or slurred as requested by the examiner: E and Eb major (one octave) C and E minor (one octave): candidate’s choice of either harmonic or melodic minor Whole-tone scale starting on C (one octave) Arpeggios The following arpeggios to be performed mf, tongued or slurred as requested by the examiner: E and Eb major (one octave) C and E minor (one octave) or ii) Exercise The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) E major scale and arpeggio exercise b) Eb major scale and arpeggio exercise c) C minor scale and arpeggio exercise All scales and exercises are contained in the book Scales & Exercises for Treble Clef Brass published by Trinity Guildhall.

Supporting Tests (2 x 10 marks) Two tests are to be chosen from:

Sight Reading (see page 11)

Aural (see page 14)

Improvisation (see page 18)

Musical Knowledge (see page 21)

61 Trumpet, Cornet, Flugel Horn — Grade 4 Subject codes: TPT/COR/FLG

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Book Publisher Arban Vois-tu la neige qui brille? Second Book of Trumpet Solos Faber Fellows Siciliano Two Italian Dances Warwick Gounod Soldiers’ March Onstage Brass for Trumpet & Piano Stainer H430 Gounod Funeral March of a Marionette Trumpet Fancies Boston BM11049 Handel March from the Occasional Oratorio or March from Scipio Old English Trumpet Tunes book 1 OUP Prokofiev Troika from Lieutenant Kijé Amazing Solos for Trumpet Boosey Purcell Air Festive Baroque for Trumpet & Piano de Haske 1033419 Purcell Fairest Isle Going Solo Trumpet Faber Trad. Greensleeves Trumpet Fancies Boston BM11049 Verdi Questa o quella Onstage Brass for Trumpet & Piano Stainer H430 Group B Bullard Russian Galop Circus Skills for Trumpet Spartan SP640 Bernstein America or Maria (from West Side Story) Amazing Solos for Trumpet Boosey Bernstein Somewhere Great Winners for Treble Brass* Brass Wind 0132TC Dominguez Frenesi Great Winners for Treble Brass* Brass Wind 0132TC Glyn Stomp Star Turn for Trumpet & Piano* Spartan SP351 Goodwin 633 Squadron Great Winners for Treble Brass* Brass Wind 0132TC Howard Fly Me to the Moon Latino for Trumpet Brass Wind 1142 Jobim One Note Samba Big Chillers for Trumpet & Piano Brass Wind 1140 Nightingale I Woke Up This Mornin’…, no. 6 Lucky Dip Warwick Pearson Tongue in Cheek Going Solo Trumpet Faber Weill Mack the Knife Big Chillers for Trumpet & Piano Brass Wind 1140 Group C (unaccompanied) Blakeson Big Band Swing, no. 33 or Latin Lady, no. 32 Smooth Groove for Treble Brass Brass Wind 1141TC Bourgeois Study no. 1 or Study no. 2 Ace of Trumpets Brass Wind 6024 Davis Irish Jig or Serpent Smoothie [in C major] Polished Brass Brass Wind 6022TC Hering Study no. 10 or Study no. 11 40 Progressive Etudes for Trumpet Fischer 3309 McKenzie Mambo or Tango Music Makes the World Go Round Con moto Nightingale Blues for Big-Ears, no. 15 Eazy Jazzy ‘Tudes Warwick Sparke Hungarian Dance or Opera Buffa Skilful Studies Anglo Music

* Piano accompaniment available separately. 62 Trumpet, Cornet, Flugel Horn — Grade 4

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise a) Lip Flexibility Grade 4 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall b) Lip Flexibility Grade 4 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall c) Exercise no. 9 or no. 10 (from How Brass Players Do It) Brass Wind either i) Scales & Arpeggios (from memory) Scales The following scales to be performed mf, tongued or slurred as requested by the examiner: Bb major (to 12th) F major (one octave) D and F minor (one octave): candidate’s choice of either harmonic or melodic minor Whole-tone scale starting on F (one octave) Chromatic scale starting on C (one octave) Arpeggios The following arpeggios to be performed mf, tongued or slurred as requested by the examiner: Bb major (to 12th) F major (one octave) D and F minor (one octave) or ii) Exercise The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) Bb major scale and arpeggio exercise b) F major expanding scale exercise c) F minor expanding scale exercise All scales and exercises are contained in the book Scales & Exercises for Treble Clef Brass published by Trinity Guildhall.

Supporting Tests (2 x 10 marks) Two tests are to be chosen from:

Sight Reading (see page 11)

Aural (see page 14)

Improvisation (see page 18)

Musical Knowledge (see page 21)

63 Trumpet, Cornet, Flugel Horn — Grade 5 Subject codes: TPT/COR/FLG

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Book Publisher Bizet Toreador’s Song Onstage Brass for Trumpet & Piano Stainer H430 Clarke The Prince of Denmark’s March Old English Trumpet Tunes book 1 OUP Grieg Solveig’s Song Great Winners for Treble Brass* Brass Wind 0132TC Hasse Bourée Festive Baroque for Trumpet & Piano de Haske 1033419 Mozart È amore un ladroncello Onstage Brass for Trumpet & Piano Stainer H430 Telemann Die Würde Festive Baroque for Trumpet & Piano de Haske 1033419 Telemann Air The Baroque Trumpet Faber Verdi Triumphal March Onstage Brass for Trumpet & Piano Stainer H430 Vizzutti Rain Forest or Space Explorations for Trumpet de Haske 1023183 Woolfenden Ushercombe View Landmarks for Trumpet Brass Wind 1117 Group B Bernstein I Feel Pretty Leonard Bernstein for Trumpet Boosey Glyn Good News Star Turn for Trumpet & Piano Spartan SP351 Gorb Gamelan or Huapango A Tango To Bali Brass Wind 1124 Gordon & Warren Chatanooga Choo Choo Big Chillers for Trumpet & Piano Brass Wind 1140 Maria & Bonfa Manha de Carnaval Latino for Trumpet Brass Wind 1142 Nightingale The Googlie Boogie, no. 9 or Bruiser Joe, no. 10 Lucky Dip Warwick Parker Soldier, Soldier The Music of Jim Parker for Trumpet Brass Wind 1128 Richards One Day [Cornet/Trumpet] Studio Runswick Three-Six-Nine Suite and Hot Brass Wind 2103 Wedgwood Ragamuffin or Tequila Sunrise Jazzin’ About for Trumpet Faber Williams Raiders March Great Winners for Treble Brass* Brass Wind 0132TC A Wilson Bebop Bebop to Rock Spartan SP479 Woolfenden Tahitian Tango Landmarks for Trumpet Brass Wind 1117 Group C (unaccompanied) Bourgeois Study no. 7 or Study no. 10 Ace of Trumpets Brass Wind 6024 Davis Heads or Tails or Hornpipe Polished Brass Brass Wind 6022TC Hering Study no. 30 or Study no. 33 40 Progressive Etudes for Trumpet Fischer 3309 McKenzie Cerga or Krivo Horo Music Makes the World Go Round Con moto Miller Prairie Song, no. 5 or March, no. 6 Progressive Studies for Brass Faber Nightingale Passion Fruit Samba, no. 18 or The Turkey, no. 22 Eazy Jazzy ‘Tudes Warwick Sparke Party Piece Skilful Studies Anglo Music Vizzutti Ballad 20 Dances for Trumpet de Haske 991786

* Piano accompaniment available separately.

64 Trumpet, Cornet, Flugel Horn — Grade 5

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise a) Lip Flexibility Grade 5 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall b) Lip Flexibility Grade 5 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall c) Exercise no. 14 or no. 16 (from How Brass Players Do It) Brass Wind either i) Scales & Arpeggios (from memory) Scales The following scales to be performed mf, tongued or slurred as requested by the examiner: G major (two octaves) B major (to 12th) G minor (two octaves) — candidate’s choice of either harmonic or melodic minor B minor (to 12th) — candidate’s choice of either harmonic or melodic minor Whole-tone scale starting on G (two octaves) Chromatic scale starting on G (two octaves) Arpeggios The following arpeggios to be performed mf, tongued or slurred as requested by the examiner: G major (two octaves) B major (to 12th) G minor (two octaves) B minor (to 12th) Dominant 7th in the key of G (one octave) or ii) Exercise The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) B major scale and arpeggio exercise b) B minor scale and arpeggio exercise c) G major expanding scale exercise d) G minor expanding scale exercise All scales and exercises are contained in the book Scales & Exercises for Treble Clef Brass published by Trinity Guildhall.

Supporting Tests (2 x 10 marks) Two tests are to be chosen from:

Sight Reading (see page 11)

Aural (see page 14)

Improvisation (see page 18)

Musical Knowledge (see page 21)

65 Trumpet, Cornet, Flugel Horn — Grade 6 Subject codes: TPT/COR/FLG

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Publisher Banchieri Canzona 5 (from The Baroque Trumpet) Faber Boyce Trumpet Voluntary (from Old English Trumpet Tunes book 1) OUP Dvorákˇ Rusalka’s Song to the Moon (from Shepherd’s Song) Winwood Gregson Danse Macabre (from Cameos for Trumpet) Brass Wind 1103 Larsson Concertino For Trumpet & Strings op. 45 no. 6, 1st movt: Allegro moderato or 3rd movt: Allegro risoluto Gehrmans Moszkowski Danza Animada (from Fiesta Española for Trumpet) Brass Wind 2116 Purcell Sonata for Trumpet & Strings, 1st movt: Allegro or 3rd movt: Allegro Musica Rara MR1073 Sanders Square-Dance for Trumpet & Piano Stainer 2692 Tchaikovsky Chanson Napolitaine, op. 39 no. 18 (from Second Book of Trumpet Solos) Faber Telemann Die Tapferkeit (from Festive Baroque for Trumpet & Piano) de Haske 1033419 Vizzutti The Enchanted Trumpet (from Explorations for Trumpet) de Haske 1023183 Group B Bernstein Lucky to Be Me (from Leonard Bernstein for Trumpet) Boosey Gorb Tango Argentino (from A Tango To Bali) Brass Wind 1124 Gottschalk Tournament Galop (from Undercover Hits for Trumpet) Brass Wind 1144 Grantham After Midnight Music for Brass Nightingale From Drainpipes To Flares, no. 7 or The Viennese Dwarf, no. 8 (from Lucky Dip) Warwick Parker Theme from Another Six English Towns Studio Runswick Goose the Goose (from Suite and Hot) Brass Wind 2103 Sparke Soliloquy for Bb Cornet & Piano Studio Street Rondino Boosey A Wilson Summer Samba (from Bebop to Rock) Spartan SP479 Woolfenden Gorky Park or Mean Streets of Miami (from Landmarks for Trumpet) Brass Wind 1117 Group C (unaccompanied) J S Bach Study no. 20 in A minor (from The Well Tempered Player) Winwood RMPC 0015 Bourgeois Study no. 8 (from Ace of Trumpets) Brass Wind 6024 Endresen Study no. 32, Largo (from Supplementary Studies for Trumpet) Rubank Hering Study no. 34 or Study no. 35 or Study no. 37 (from 40 Progressive Etudes for Trumpet) Fischer 3309 McKenzie Czardas or Jota (from Rhythms of Life) Con moto Miller Rubber Lips, no. 12 or Morning, no. 13 (from Progressive Studies for Brass) Faber Vizzutti Flamenco or Tango (from 20 Dances for Trumpet) de Haske 991786 Vizzutti Study no. 9 of Intermediate Etudes, p. 11 (from The Allen Vizzutti Trumpet Method book 3) Alfred

66 Trumpet, Cornet, Flugel Horn — Grade 6

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise a) Lip Flexibility Grade 6 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall b) Lip Flexibility Grade 6 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall c) Exercise no. 17 or no. 18 (from How Brass Players Do It) Brass Wind either i) Scales & Arpeggios (from memory) Scales The following scales to be performed f or p, tongued or slurred or staccato tongued as requested by the examiner: A and F# major (two octaves) A and F# harmonic minor (two octaves) A and F# melodic minor (two octaves) Whole-tone scale starting on A (two octaves) Chromatic scale starting on A (two octaves) Arpeggios The following arpeggios to be performed f or p, tongued or slurred or staccato tongued as requested by the examiner: A and F# major (two octaves) A and F# minor (two octaves Dominant 7th in the key of A (one octave) Diminished 7th starting on A (two octaves) Augmented arpeggio starting on A (two octaves) or ii) Exercise The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) Key centre exercise in A b) A major expanding scale c) A minor expanding scale d) A major scale in 3rds e) A minor scale in 3rds All scales and exercises are contained in the book Scales & Exercises for Treble Clef Brass published by Trinity Guildhall.

Supporting Tests (2 x 10 marks) Candidates to prepare i) and ii): i) Sight Reading and Transposition (prepared or unprepared) [Trumpet only] (see pages 11 & 12) ii) Aural (see page 14) or Improvisation (see page 18)

67 Trumpet, Cornet, Flugel Horn — Grade 7 Subject codes: TPT/COR/FLG

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Publisher Balay Andante and Allegro [complete] Leduc AL 22 802 Delibes Waltz (Coppelia) (from Divertissement for Trumpet & Piano) Brass Wind 3124 Elgar Idylle (from Second Book of Trumpet Solos) Faber Fantini Sonata detta del Niccolini (from The Baroque Trumpet) Faber Fiala Divertimento in D, 2nd movt: Allegro Faber Moszkowski Danza Alegre (from Fiesta Española for Trumpet) Brass Wind 2116 Neruda Concerto for Trumpet & Strings, 2nd movt Musica Rara MR 1817a Ravel Sonatine (2nd movt) (from Divertissement for Trumpet & Piano) Brass Wind 3124 Shostakovich Prelude 18 (from Russian Roulette) Brass Wind 3110 Group B Arutunian Concert Scherzo Emerson Bernstein Rondo for Lifey Boosey Bozza Badinage for Trumpet & Piano Leduc AL 20712 Butterworth Fanfare and Berceuse (from Contemporary Music for Trumpet) Boosey Gorb Chikona (from A Tango to Bali) Brass Wind 1124 Graham A Time for Peace (from Gramercy Solo Album Bb) Gramercy Music Himes Concertino for Flugel Horn & Brass Band, 1st movt: Rondo Burlesca Studio Morrison Buster Strikes Back Music For Brass Ridout Concertino for Flugel Horn, 2nd movt: Energico Emerson 190 Wallace The Moose is Loose (from Second Book of Trumpet Solos) Faber Wilson Blues Boulevard (from Bebop to Rock) Spartan SP479 Wright Concerto for Bb Cornet, 3rd movt: Rondo Chappell Group C (unaccompanied) Arban Study no. 10 (from 14 Studies for Cornet) Boosey J S Bach Study no. 2 in C minor or Study no. 17 in Ab (from The Well Tempered Player) Winwood RMPC 0015 Balay Study no. 3 or Study no. 4 (from 15 Etudes) Leduc AL 14 960 Bourgeois Fantasy Pieces for Trumpet, no. 3: Presto Brass Wind 3102 Brandt Study no. 2 or Study no. 17 (from 34 Studies for Trumpet) IMC 1391 Hering Study no. 38 or Study no. 39 (from 40 Progressive Etudes for Trumpet) Fischer 3309 McKenzie Malaguena or Klezmer (from Rhythms of Life) Con moto Miller Seventh Heaven, no. 21 or Vienna, no. 24 (from Progressive Studies for Brass) Faber Vizzutti Funk (from 20 Dances for Trumpet) de Haske 991786 Vizzutti Study no. 2 of Advanced Etudes, p. 61 or Study no. 3 of Rhythmic Etudes, p. 23 (from The Allen Vizzutti Trumpet Method book 3) Alfred

68 Trumpet, Cornet, Flugel Horn — Grade 7

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise a) Lip Flexibility Grade 7 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall b) Lip Flexibility Grade 7 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall c) Exercise no. 21 or no. 22 (from How Brass Players Do It) Brass Wind either i) Scales & Arpeggios (from memory) Scales The following scales to be performed f or p, tongued or slurred or staccato tongued as requested by the examiner: B and Bb major (two octaves) B and Bb harmonic minor (two octaves) B and Bb melodic minor (two octaves) Whole-tone scale starting on B and Bb (two octaves) Chromatic scale starting on B and Bb (two octaves) Arpeggios The following arpeggios to be performed f or p, tongued or slurred or staccato tongued as requested by the examiner: B and Bb major (two octaves) B and Bb minor (two octaves) Dominant 7th in the keys of B and Bb (one octave) Diminished 7th starting on B and Bb (two octaves) Augmented arpeggio starting on B and Bb (two octaves) or ii) Exercise The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) Key centre exercise in Bb b) Bb major expanding scale exercise c) B minor expanding scale exercise d) B major scale in 3rds exercise e) Bb minor scale in 3rds exercise All scales and exercises are contained in the book Scales & Exercises for Treble Clef Brass published by Trinity Guildhall.

Supporting Tests (2 x 10 marks) Candidates to prepare i) and ii): i) Sight Reading and Transposition (prepared or unprepared) [Trumpet only] (see pages 11 & 12) ii) Aural (see page 14) or Improvisation (see page 18)

69 Trumpet, Cornet, Flugel Horn — Grade 8 Subject code: TPT/COR/FLG

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Publisher Albinoni Concerto in G minor, 2nd movt: Allegro and 4th movt: Allegro EMR 626 Bellstedt Napoli (from Shepherd’s Song) Winwood Code Zelda Boosey Donato Prelude and Allegro [complete] Leduc Goedicke Konzert-Etude op. 49 EMR 6032 Hummel Trumpet Concerto, 1st movt: Allegro con spirito Boosey Neruda Concerto for Trumpet & Strings, 1st movt [with cadenza] Musica Rara MR 1817a Tchaikovsky Ballet Suite (from Russian Roulette) Brass Wind 3110 Wright Concerto for Bb Cornet, 1st movt Chappell Group B Abreu Tico Tico for Trumpet & Piano Brass Wind 4110 Baker Satchmo Music for Brass Barat Fantasie in Eb for Cornet/Trumpet & Piano Leduc AL 21923 Bernstein Red, White and Blues (from Contemporary Music for Trumpet) Boosey Bourgeois Sonata for Trumpet & Piano op. 193, 3rd movt: Allegro vivace Brass Wind 3117 Busser Andante and Scherzo [complete] Leduc AL 21327 Copland Quiet City (from Contemporary Music for Trumpet) Boosey Copland Fanfare for the Common Man (from Copland 2000 for Trumpet) Boosey Golland Ballade op. 72, no. 1 Studio Graham Whirlwind (from Gramercy Solo Album Bb) Gramercy Music Hindemith Sonata for Trumpet & Piano, 1st movt: mit Kraft Schott ED 3643 Newsome Concorde Studio Peeters Sonata for Trumpet & Piano op. 51, 1st movt: Allegro or 3rd movt: Toccata Peters EP 6240 Sparke Concerto for Trumpet (or Cornet) & Brass Band, 3rd movt: Allegro con brio Studio Sparke Song and Dance Studio Group C (unaccompanied) Arban Study no. 6 or Study no. 9 (from 14 Studies for Cornet) Boosey J S Bach Study no. 6 in D minor or Study no. 7 in Eb (from The Well Tempered Player) Winwood RMPC 0015 Balay Study no. 7 or Study no. 11 (from 15 Etudes) Leduc AL 14 960 Bourgeois Fantasy Pieces for Trumpet, no. 8: Allegro Brass Wind 3102 Brandt Study no. 4 or Study no. 15 (34 Studies for Trumpet) IMC 1391 Miller Perpetuum Mobile, no. 29 (from Progressive Studies for Brass) Faber Vizzutti Polka (from 20 Dances for Trumpet) de Haske 991786 Vizzutti Study no. 5 of Advanced Etudes, p. 64 or Study no. 7 of Advanced Etudes, p. 66 (from The Allen Vizzutti Trumpet Method book 3) Alfred

70 Trumpet, Cornet, Flugel Horn — Grade 8

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise a) Lip Flexibility Grade 8 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall b) Lip Flexibility Grade 8 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall c) Exercise no. 28 or no. 29 (from How Brass Players Do It) Brass Wind either i) Scales & Arpeggios (from memory) Scales The following scales to be performed f or p, tongued or slurred or staccato tongued or slurred in pairs as requested by the examiner: C, Ab and F# major (two octaves) C, G#/Ab and F# harmonic minor (two octaves) C, G#/Ab and F# melodic minor (two octaves) Whole-tone scale starting on C, Ab and F# (two octaves) Chromatic scale starting on C, Ab and F# (two octaves) Crabwise scale from C and G (two octaves — tongued or slurred in octaves) Arpeggios The following arpeggios to be performed f or p, tongued or slurred or staccato tongued as requested by the examiner: C, Ab and F# major (two octaves) C, G#/Ab and F# minor (two octaves) Dominant 7th in the key of C (two octaves) Dominant 7th in the keys of Ab and F# (one octave) Diminished 7th starting on C, Ab and F# (two octaves) Augmented arpeggio starting on C, Ab and F# (two octaves) or ii) Exercise The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) Key centre exercise in the keys of C, Ab and F# b) Crabwise scale from G in 3rds All scales and exercises are contained in the book Scales & Exercises for Treble Clef Brass published by Trinity Guildhall.

Supporting Tests (2 x 10 marks) Candidates to prepare i) and ii): i) Sight Reading and Transposition (prepared or unprepared) [Trumpet only] (see pages 11 & 12) ii) Aural (see page 14) or Improvisation (see page 18)

71 Eb Soprano Cornet — Grade 6 Subject code: SPC

Pieces (3 x 22 marks) Three pieces are to be played, two from Group A and one from Group B. Alternatively, candidates may substitute one piece from Group B with a piece from Group C of the trumpet/cornet syllabus for this grade. Instead of any one item, candidates may offer their own composition (see page 10).

Group A Piece Publisher Cosma Only Love MfB Elgar Chanson de matin (from Eb Solo Book) Warwick Haydn Andante (from Trumpet Concerto) Universal HM223 Janácˇek Theme from Sinfonietta (from It’s a Classic for Eb Horn) Brass Wind 2125 Parker Ground Force (from The Music of Jim Parker for Horn in Eb) Brass Wind 1137 Puccini Nessun Dorma (arr. Hudson) MfB Scherwin & Maschwitz A Nightingale Sang in Berkeley Square (from A Little Light Music for Eb Horn) Brass Wind 2124 Waller Ain’t Misbehavin’ (from More on the Light Side for Eb Horn) Brass Wind 1138 Walton Blue Grotto or Red Run (from Alpine Adventures) Sound The Trumpets Group B Endresen Study no. 21 (from Supplementary Studies for Trumpet) Rubank Vizzutti Bossa Nova or Bulgarian Dance or Cowboy Dance (from 20 Dances for Trumpet) de Haske

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise All candidates to choose one exercise from the following: a) Lip Flexibility Grade 6 no. 1 (available to download from www.trinityguildhall.co.uk/music) b) Lip Flexibility Grade 6 no. 2 (available to download from www.trinityguildhall.co.uk/music) c) Exercise no. 17 or no. 18 (from How Brass Players Do It) Brass Wind either i) Scales & Arpeggios (from memory) Scales The following scales to be performed f or p, tongued or slurred or staccato tongued as requested by the examiner: F# major (two octaves) A major (to 12th) F# harmonic minor (two octaves) F# melodic minor (two octaves) A harmonic minor (to 12th) A melodic minor (to 12th) Whole-tone scale starting on A (to 12th) Chromatic scale starting on A (to 12th)

72 Eb Soprano Cornet — Grade 6

Arpeggios The following arpeggios to be performed f or p, tongued or slurred or staccato tongued as requested by the examiner: F# major (two octaves) A major (to 12th) F# minor (two octaves) A minor (to 12th) Dominant 7th in the key of A (one octave) Diminished 7th starting on A (to 12th) Augmented arpeggio starting on A (to 12th) or ii) Exercise The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) Key centre exercise in F# b) A major expanding scale c) A minor expanding scale d) A major scale in 3rds e) A minor scale in 3rds All scales and exercises are available to download from www.trinityguildhall.co.uk/music

Supporting Tests (2 x 10 marks) Candidates to prepare i) and ii): i) Sight Reading (see page 11) ii) Aural (see page 14) or Improvisation (see page 18)

73 Eb Soprano Cornet — Grade 7 Subject code: SPC

Pieces (3 x 22 marks) Three pieces are to be played, two from Group A and one from Group B. Alternatively, candidates may substitute one piece from Group B with a piece from Group C of the trumpet/cornet syllabus for this grade. Instead of any one item, candidates may offer their own composition (see page 10).

Group A Piece Publisher Ball Mountain Melody G & M Brand 70033 Carmichael Stardust (from A Little Light Music for Horn in Eb) Brass Wind 2124 Donizetti Solo per Oboe (from Eb Solo Book) Warwick Elgar The Serious Doll (from Eb Solo Book) Warwick Graham A Time for Peace or Swedish Hymn (from Gramercy Solo Album Eb)Gramercy Handel Bourée MfB Kodály Háry János (from It’s a Classic for Eb Horn) Brass Wind 2125 Parker Soldier, Soldier (from The Music of Jim Parker for Horn in Eb) Brass Wind 1137 Walton Black Ice, no. 5 (from Alpine Adventures) Sound the Trumpets Walton Ranoon Spectre Sound the Trumpets Group B J S Bach Study no. 11 in F (from The Well Tempered Player) Winwood RMPC 0015 McKenzie Klezmer (from Rhythms of Life) con moto Vizzutti Study no. 11 of Rhythmic Etudes (from The Allen Vizzutti Trumpet Method book 3) Alfred

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise All candidates to choose one exercise from the following: a) Lip Flexibility Grade 7 no. 1 (available to download from www.trinityguildhall.co.uk/music) b) Lip Flexibility Grade 7 no. 1 (available to download from www.trinityguildhall.co.uk/music) c) Exercise no. 21 or no. 22 (from How Brass Players Do It) Brass Wind either i) Scales & Arpeggios (from memory) Scales The following scales to be performed f or p, tongued or slurred or staccato tongued as requested by the examiner: Bb major (to 12th) G major (two octaves) Bb harmonic minor (to 12th) Bb melodic minor (to 12th) G harmonic minor (two octaves) G melodic minor (two octaves) Whole-tone scale starting on Bb (to 12th) Whole-tone scale starting on G (two octaves) Chromatic scale starting on Bb (to 12th) Chromatic scale starting on G (two octaves) 74 Eb Soprano Cornet — Grade 7

Arpeggios The following arpeggios to be performed f or p, tongued or slurred or staccato tongued as requested by the examiner: Bb major (to 12th) G major (two octaves) Bb minor (to 12th) G minor (two octaves) Dominant 7th in the keys of Bb and G (one octave) Diminished 7th starting on Bb (to 12th) Diminished 7th starting on G (two octaves) Augmented arpeggio starting on Bb (to 12th) Augmented arpeggio starting on G (two octaves) or ii) Exercise The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) Key centre exercise in G b) Bb major expanding scale c) Bb minor expanding scale d) G major scale in 3rds e) G minor scale in 3rds All scales and exercises are available to download from www.trinityguildhall.co.uk/music

Supporting Tests (2 x 10 marks) Candidates to prepare i) and ii): i) Sight Reading (see page 11) ii) Aural (see page 14) or Improvisation (see page 18)

75 Eb Soprano Cornet — Grade 8 Subject code: SPC

Pieces (3 x 22 marks) Three pieces are to be played, two from Group A and one from Group B. Alternatively, candidates may substitute one piece from Group B with a piece from Group C of the trumpet/cornet syllabus for this grade. Instead of any one item, candidates may offer their own composition (see page 10).

Group A Piece Publisher Boyce 1st movt from Symphony no. 4 (from O Solo Mio [Eb edition]) Brass Wind 2114E Eaves Rhapsody for Eb Soprano Cornet G & M Brand 70040 Graham Glorious Ventures or Whirlwind (from Gramercy Solo Album Eb)Gramercy Haydn Gypsy Rondo (from It’s a Classic for Eb Horn) Brass Wind 2125 Hummel Trumpet Concerto, 1st movt: Allegro con spirito Boosey Kneale Variations on a Welsh Theme G & M Brand 70052 Monti Czardas (from It’s a Classic for Eb Horn) Brass Wind 2125 Mozart The Queen of the Night’s Aria Kirklees Neruda Concerto for Trumpet & Strings, 1st movt [with cadenza] Musica Rara MR 1817a Rimmer Silver Threads Among the Gold Wright + Round Rossini Cavatine (from It’s a Classic for Eb Horn) Brass Wind 2125 Sparke Capriccio G & M Brand 70009 Group B Brandt Study no. 31 (from 34 Studies for Trumpet) IMC 1391 McKenzie Syrto (from Rhythms of Life) con moto Miller Rhythmic Rondo or Computer Failure (from Progressive Studies for Brass) Faber

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise All candidates to choose one exercise from the following: a) Lip Flexibility Grade 8 no. 1 (available to download from www.trinityguildhall.co.uk/music) b) Lip Flexibility Grade 8 no. 2 (available to download from www.trinityguildhall.co.uk/music) c) Exercise no. 28 or no. 29 (from How Brass Players Do It) Brass Wind either i) Scales & Arpeggios (from memory) Scales The following scales to be performed f or p, tongued or slurred or staccato tongued or slurred in pairs as requested by the examiner: A, Ab and F# major (two octaves) A, Ab and F# harmonic minor (two octaves) A, Ab and F# melodic minor (two octaves) Whole-tone scale starting on A, Ab and F# (two octaves) Chromatic scale starting on A, Ab and F# (two octaves) Crabwise scale from G and F# (two octaves — tongued or slurred in octaves)

76 Eb Soprano Cornet — Grade 8

Arpeggios The following arpeggios to be performed f or p, tongued or slurred or staccato tongued as requested by the examiner: A, Ab and F# major (two octaves) A, Ab and F# minor (two octaves) Dominant 7th in the keys of A, Ab and F# (one octave) Diminished 7th starting on A, Ab and F# (two octaves) Augmented arpeggio starting on A, Ab and F# (two octaves) or ii) Exercise The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner. a) Key centre exercise in the keys of A, Ab and F# b) Crabwise scale from G in 3rds All scales and exercises are available to download from www.trinityguildhall.co.uk/music

Supporting Tests (2 x 10 marks) Candidates to prepare i) and ii): i) Sight Reading (see page 11) ii) Aural (see page 14) or Improvisation (see page 18)

77 Euphonium, Baritone — Grade 1 Subject codes: EUP/BTN

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Book Publisher J S Bach Chorale from the St Matthew Passion Amazing Solos for Trumpet []Boosey Clarke Trumpet Minuet Trumpet All Sorts (Grades 1–3) [] Trinity Faber Crosse Intrada Up Front Album for Trumpet, book 1 [] Brass Wind 0107  Diabelli The Joker The Magic Trombone [/ ] Boosey  Grieg Åse’s Death The Really Easy Trombone Book [/ ] Faber Haydn Minuet Bravo! Trumpet []Boosey Runswick Offshore Up Front Album for Trumpet, book 1 [] Brass Wind 0107 Schubert German Dance Bravo! Trumpet []Boosey Spiritual All Night, All Day, p. 7 Easy Winners for Treble Brass*‡‡ Brass Wind 0124TC  Susato La mourisque Winner Scores All* [ or ] Brass Wind 0138TC/0141BC  Tchaikovsky Dance of the Mirlitons Winner Scores All* [ or ] Brass Wind 0138TC/0141BC Group B Bernstein One Hand, One Heart, p. 7 Easy Winners for Treble Brass*‡ Brass Wind 0124TC Daly Postman Pat, p. 5 Winners Galore for Treble Brass*‡‡ Brass Wind 0118TC Rae Rumba or The Guv’nor Play it Cool for Trumpet [] Universal UE 21 265 Wedgwood Cheeky Cherry or Simply the Rest! Really Easy Jazzin’ About for Trumpet [] Faber Wedgwood Apple Pie Waltz or I Believe Up-Grade! For Trumpet Grades 1–2 [] Faber Group C (unaccompanied)  Bourgeois No. 2, Allegro moderato Splinters of Bone [ or ] Brass Wind 6014TC/BC Davis Geared Up or Tiny Minuet Polished Brass [] Brass Wind 6022TC Endresen Study no. 1, Moderato Supplementary Studies  for Trombone [ ] Rubank HL04470640 Gregson Hungarian Dance, no. 4 20 Supplementary Tunes or Lullaby, no. 8 for Beginner Brass [] Brass Wind 6002TC Miller Pond Life, no. 9 or Supersonic Samurai, no. 14 Simple Studies for Beginner Brass [] Faber Mozart Theme from a Musical Joke, p. 3 Easy Winners for Treble Brass‡ Brass Wind 0124TC Nightingale Coo’s Blues, no. 3  or Ready, Aim, Fire!, no. 4 Eazy Jazzy ‘Tudes [ or ] Warwick TR042 or EU011 Sparke Modal Melody  or Tickertape Parade Skilful Studies for Baritone/Euphonium [/ ] Anglo Music Trad. Give me Joy in my Heart, p. 6 Winners Galore for Treble Brass‡‡ Brass Wind 0118TC

* Piano accompaniment available separately. ‡ Bass clef version available in Easy Winners for Trombone (Brass Wind 0125BC) ‡‡ Bass clef version available in Winners Galore for Trombone (Brass Wind 0121BC)

78 Euphonium, Baritone — Grade 1

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise Treble clef a) Lip flexibility Grade 1 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall b) Lip flexibility Grade 1 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall c) Exercise no. 1 (from How Brass Players Do It) Brass Wind Bass clef a) Lip Flexibility Grade 1 no. 1 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhall b) Lip Flexibility Grade 1 no. 2 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhall c) Exercise no. 1 (from How Low Brass Do It) Brass Wind either i) Scales & Arpeggios (from memory) Treble clef Scales The following scales to be performed mf and tongued: C major (one octave) A natural minor (one octave): candidates may play harmonic or melodic minor if preferred. Arpeggios The following arpeggios to be performed mf and tongued: C major (one octave) A minor (one octave) Bass clef Scales The following scales to be performed mf and tongued: Bb major (one octave) G natural minor (one octave): candidates may play harmonic or melodic minor if preferred. Arpeggios The following arpeggios to be performed mf and tongued: Bb major (one octave) G minor (one octave) or ii) Exercise Treble clef The following exercise to be played tongued: C major scale and arpeggio exercise (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall Bass clef The following exercise to be played tongued: Bb major scale and arpeggio exercise (from Scales & Exercises for Bass Clef Brass) Trinity Guildhall

Supporting Tests (2 x 10 marks) Two tests are to be chosen from:

Sight Reading (see page 11) Aural (see page 14) Improvisation (see page 18) Musical Knowledge (see page 21) 79 Euphonium, Baritone — Grade 2 Subject codes: EUP/BTN

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Book Publisher Barratt Out-of-Step March Bravo! Trumpet []Boosey  Bullard Acrobats or Circus Rock Circus Skills [ or ] Spartan SP640 or SP642 Clarke The Duke of Gloucester’s March Bravo! Trumpet []Boosey Handel March Trumpet All Sorts (Grades 1–3) [] Trinity Faber Handel Hallelujah Chorus, p. 6 Winners Galore for Treble Brass* Brass Wind 0118TC  Mozart Aria Winner Scores All* [ or ] Brass Wind 0138TC/0141BC Praetorius Tanz des Burgermeisters Amazing Solos for Trumpet []Boosey  Purcell Trumpet Tune Winner Scores All* [ or ] Brass Wind 0138TC/0141BC Trad. Scottish Over the Sea to Skye Up-Grade! For Trumpet Grades 1–2 [] Faber Group B Bart Where Is Love?, p. 14 Easy Winners for Treble Brass*‡ Brass Wind 0124TC Goodall Blackadder Theme, p. 16 Winners Galore for Treble Brass*‡‡ Brass Wind 0118TC Nightingale One, Two, Three, Push!, no. 1  or The Witch’s Cauldron, no. 4 Lucky Dip [ or ] Warwick Osborne & May Eastenders, p. 13 Easy Winners for Treble Brass*‡ Brass Wind 0124TC  Trad. Men of Harlech Winner Scores All* [ or ] Brass Wind 0138TC/0141BC arr. Johnstone Wedgwood Dragonfly or Easy Tiger Really Easy Jazzin’ About for Trumpet [] Faber Wilson-Smith Out n’ About or Something Else or Waltzing with Jazz All Jazzed Up for Trumpet [] Brass Wind 1107 Group C (unaccompanied) Blakeson Brite ‘n’ Rock, no. 5 or Chickpea, no. 11 Smooth Groove for Treble Brass [] Brass Wind 1141TC Bourgeois No. 4, Moderato  or no. 5, Allegro Splinters of Bone [ or ] Brass Wind 6014TC/BC Davis Jumping Jack Rap or Rat Rag Polished Brass [] Brass Wind 6022TC Endresen Study no. 3, Allegro Supplementary Studies  for Trombone [ ] Rubank HL04470640 Gregson Gavotte, no. 10 or Justin’s March, no. 14 20 Supplementary Tunes for Beginner Brass [] Brass Wind 6002TC Miller Tip-toe Toccata, no. 13 or Sabre Dance, no. 16 Simple Studies for Beginner Brass [] Faber Nightingale The Nuthatch, no. 6  or The Sleuth, no. 7 Eazy Jazzy ‘Tudes [ or ] Warwick TR042 or EU011 Sparke Cowboy Carol  or Tom’s Tune Skilful Studies for Baritone/Euphonium [/ ] Anglo Music

* Piano accompaniment available separately. ‡ Bass clef version available in Easy Winners for Trombone (Brass Wind 0125BC) ‡‡ Bass clef version available in Winners Galore for Trombone (Brass Wind 0121BC)

80 Euphonium, Baritone — Grade 2

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise Treble clef a) Lip Flexibility Grade 2 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall b) Lip Flexibility Grade 2 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall c) Exercise no. 3 (from How Brass Players Do It) Brass Wind Bass clef a) Lip Flexibility Grade 2 no. 1 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhall b) Lip Flexibility Grade 2 no. 2 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhall c) Exercise no. 3 (from How Low Brass Do It) Brass Wind either i) Scales & Arpeggios (from memory) Treble clef Scales The following scales to be performed mf, tongued or slurred as requested by the examiner: D and Bb major (one octave) A harmonic minor (one octave) — candidates may play natural or melodic minor if preferred. Arpeggios The following arpeggios to be performed mf, tongued or slurred as requested by the examiner: D and Bb major (one octave) A minor (one octave) Bass clef Scales The following scales to be performed mf, tongued or slurred as requested by the examiner: C and Ab major (one octave) G harmonic minor (one octave) — candidates may play natural or melodic minor if preferred. Arpeggios The following arpeggios to be performed mf, tongued or slurred as requested by the examiner: C and Ab major (one octave) G minor (one octave) or ii) Exercise Treble clef The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) D major scale and arpeggio exercise b) A minor scale and arpeggio exercise All scales and exercises are contained in the book Scales & Exercises for Treble Clef Brass published by Trinity Guildhall. Bass clef The following exercises to be played tongued. a) C major scale and arpeggio exercise b) G minor scale and arpeggio exercise All exercise are contained in the book Scales & Exercises for Bass Clef Brass published by Trinity Guildhall.

81 Euphonium, Baritone — Grade 2

Supporting Tests (2 x 10 marks) Two tests are to be chosen from: Sight Reading (see page 11) Aural (see page 14) Improvisation (see page 18) Musical Knowledge (see page 21)

82 Euphonium, Baritone — Grade 3 Subject codes: EUP/BTN

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Book Publisher Bizet Entr’acte from Carmen Trumpet All Sorts (Grades 1–3) [] Trinity Faber Carr The Station Master Top Line Album for Trombone  [ or ] Brass Wind 1115TC/BC Fauré Pavane, p. 16 Easy Winners for Treble Brass*‡ Brass Wind 0124TC Gluck Che Faro Great Winners for Treble Brass*‡‡‡ Brass Wind 0132TC Mozart Der Vogelfänger bin ich Ja Onstage Brass for Trumpet & Piano [] Stainer H430 Purcell Trumpet Air from The Indian Queen [with repeats] Old English Trumpet Tunes book 1 []OUP  Saint-Saëns Royal March of the Lion The Magic Trombone [/ ]Boosey Trad. British Grenadiers Going Solo Trumpet [] Faber Trad. Danny Boy, p. 17 Winners Galore for Treble Brass*‡‡ Brass Wind 0118TC Verdi La donna è mobile Onstage Brass for Trumpet & Piano [] Stainer H430 Group B Adler & Ross Hernando’s Hideaway Latino for Trumpet [] Brass Wind 1142  Bart Food Glorious Food Winner Scores All * [ or ] Brass Wind 0138TC/0141BC  Bernstein America Winner Scores All* [ or ] Brass Wind 0138TC/0141BC  Blake Walking in the Air Winner Scores All* [ or ] Brass Wind 0138TC/0141BC Bullard Sad Clown  or Sentimental Serenade Circus Skills [ or ] Spartan SP640 or SP642 Harburg & Arlen We’re Off to See the Wizard, p. 22 Easy Winners for Treble Brass*‡ Brass Wind 0124TC John & Rice Can You Feel the Love Tonight Undercover Hits for Trumpet [] Brass Wind 1144  Lloyd Webber Close Every Door Winner Scores All* [ or ] Brass Wind 0138TC/0141BC Mancini Pink Panther All Jazzed Up for Trumpet [] Brass Wind 1107 Norman James Bond Theme, p. 19 Easy Winners for Treble Brass*‡ Brass Wind 0124TC Pinkard, Carsey & Bernie Sweet Georgia Brown All Jazzed Up for Trumpet [] Brass Wind 1107 Group C (unaccompanied) Bourgeois no. 6, Alla marcia  or no. 9, Moderato Splinters of Bone [ or ] Brass Wind 6014TC/BC Blakeson Jam on Toast, no. 20 or Red Chilli Sauce, no. 18 Smooth Groove for Treble Brass [] Brass Wind 1141TC Davis Flamenco Flirt [in D minor] or Horn of Wonder Polished Brass [] Brass Wind 6022TC Endresen Study no. 8, Moderato Supplementary Studies  for Trombone [ ] Rubank HL04470640 Gregson Bulgarian Dance, no. 15 20 Supplementary Tunes or Folk Song, no. 17 for Beginner Brass [] Brass Wind 6002TC 83 Euphonium, Baritone — Grade 3

Hering Study no. 12 40 Progressive Etudes for Trumpet [] Fischer 3309  McKenzie Waltz or High Life Music Makes the World Go Round [ or ]Con moto  Nightingale Slinky, no. 13 Eazy Jazzy ‘Tudes [ or ] Warwick TR042 or EU011  Sparke Contrasts or Tyrolean Tune Skillful Studies for Baritone/Euphonium [/ ] Anglo Music

* Piano accompaniment available separately ‡ Bass clef version available in Easy Winners for Trombone (Brass Wind 0125BC) ‡‡ Bass clef version available in Winners Galore for Trombone (Brass Wind 0121BC) ‡‡‡ Bass clef version available in Great Winners for Trombone (Brass Wind 0136)

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise Treble clef a) Lip Flexibility Grade 3 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall b) Lip Flexibility Grade 3 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall c) Exercise no. 7 or no. 8 (from How Brass Players Do It) Brass Wind Bass clef a) Lip Flexibility Grade 3 no. 1 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhall b) Lip Flexibility Grade 3 no. 2 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhall c) Exercise no. 7 or no. 8 (from How Low Brass Do It) Brass Wind either i) Scales & Arpeggios (from memory) Treble clef Scales The following scales to be performed mf, tongued or slurred as requested by the examiner: E and Eb major (one octave) C and E minor (one octave) — candidate’s choice of either harmonic or melodic minor Whole-tone scale starting on C (one octave) Arpeggios The following arpeggios to be performed mf, tongued or slurred as requested by the examiner: E and Eb major (one octave) C and E minor (one octave) Bass clef Scales The following scales to be performed mf, tongued or slurred as requested by the examiner: D and Db major (one octave) D and Bb minor (one octave) — candidate’s choice of either harmonic or melodic minor Whole-tone scale starting on Bb (one octave) Arpeggios The following arpeggios to be performed mf, tongued or slurred as requested by the examiner: D and Db major (one octave) D and Bb minor (one octave)

84 Euphonium, Baritone — Grade 3 or ii) Exercise Treble clef The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) E major scale and arpeggio exercise b) Eb major scale and arpeggio exercise c) C minor scale and arpeggio exercise All scales and exercises are contained in the book Scales & Exercises for Treble Clef Brass published by Trinity Guildhall. Bass clef The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) D major scale and arpeggio exercise b) Db major scale and arpeggio exercise c) Bb minor scale and arpeggio exercise All scales and exercises are contained in the book Scales & Exercises for Bass Clef Brass published by Trinity Guildhall.

Supporting Tests (2 x 10 marks) Two tests are to be chosen from: Sight Reading (see page 11) Aural (see page 14) Improvisation (see page 18) Musical Knowledge (see page 21)

85 Euphonium, Baritone — Grade 4 Subject codes: EUP/BTN

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Book Publisher Bernstein America or Maria from West Side Story Amazing Solos for Trumpet []Boosey  Fellows Siciliano Two Italian Dances [/ ] Warwick Gounod Soldiers’ March Onstage Brass for Trumpet & Piano [] Stainer H430 Handel March from The Occasional Oratorio or March from Scipio Old English Trumpet Tunes book 1 []OUP  Iveson Nobody Knows A Little Light Music [/ ] Brass Wind 2115TC/BC  Mussorgsky The Old Castle Going Solo Trombone [/ ] Faber  Purcell Air Festive Baroque for Trombone [/ ] de Haske 1043580 Purcell Fairest Isle Going Solo Trumpet [] Faber Verdi Questa o quella Onstage Brass for Trumpet & Piano [] Stainer H430  Warlock Basse Dance Slide Show for Trombone [ or ] Brass Wind 0122TC/BC Group B  Bullard Russian Galop Circus Skills [ or ] Spartan SP640 or SP642 Goodwin 633 Squadron Great Winners for Treble Brass*‡ Brass Wind 0132TC Howard Fly Me to the Moon Latino for Trumpet [] Brass Wind 1142  Iveson If I Were a Rich Man A Little Light Music [ ] Brass Wind 2115TC/BC Jobim One Note Samba Big Chillers for Trumpet & Piano [] Brass Wind 1140 Nightingale I Woke Up This  Mornin’…, no. 6 Lucky Dip [/ ] Warwick EU009 Pearson Tongue in Cheek Going Solo Trumpet [] Faber Weill Mack the Knife Big Chillers for Trumpet & Piano [] ‡‡ Brass Wind 1140 Group C (unaccompanied) Blakeson Big Band Swing, no. 33 or Latin Lady, no. 32 Smooth Groove for Treble Brass [] Brass Wind 1141TC Bourgeois Study no. 1 or Study no. 2 Ace of Trumpets [] Brass Wind 6024  Bourgeois Study no. 5 Bone of Contention [ or ] Brass Wind 6008TC/BC Bourgeois No. 11, Allegro vivace  or No. 7, Allegro moderato Splinters of Bone [ or ] Brass Wind 6014TC/BC Endresen Study no. 11, Supplementary Studies  Andante con moto for Trombone [ ] Rubank HL04470640 Davis Irish Jig or Serpent Smoothie [in C major] Polished Brass [] Brass Wind 6022TC Hering Study no. 10 or Study no. 11 40 Progressive Etudes for Trumpet [] Fischer 3309  McKenzie Mambo or Tango Music Makes the World Go Round [ or ]Con moto  Nightingale Blues for Big-Ears, no. 15 Eazy Jazzy ‘Tudes [ or ] Warwick TR042 or EU011 Sparke Hungarian Dance  or Opera Buffa Skilful Studies for Baritone/Euphonium [/ ] Anglo Music 86 Euphonium, Baritone — Grade 4

* Piano accompaniment available separately. ‡ Bass clef version available in Great Winners for Trombone (Brass Wind 0136) ‡‡ Bass clef version available in Big Chillers for Trombone/Euphonium (Brass Wind 1155BC)

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise Treble clef a) Lip Flexibility Grade 4 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall b) Lip Flexibility Grade 4 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall c) Exercise no. 9 or no. 10 (from How Brass Players Do It) Brass Wind Bass clef a) Lip Flexibility Grade 4 no. 1 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhall b) Lip Flexibility Grade 4 no. 2 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhall c) Exercise no. 9 or no. 10 (from How Low Brass Do It) Brass Wind either i) Scales & Arpeggios (from memory) Treble clef Scales The following scales to be performed mf, tongued or slurred as requested by the examiner: Bb major (to 12th) F major (one octave) D and F minor (one octave): candidate’s choice of either harmonic or melodic minor Whole-tone scale starting on F (one octave) Chromatic scale starting on C (one octave) Arpeggios The following arpeggios to be performed mf, tongued or slurred as requested by the examiner: Bb major (to 12th) F major (one octave) D and F minor (one octave) Bass clef Scales The following scales to be performed mf, tongued or slurred as requested by the examiner: Ab major (to 12th) Eb major (one octave) C and Eb minor (one octave): candidate’s choice of either harmonic or melodic minor Whole-tone scale starting on Eb (one octave) Chromatic scale starting on Bb (one octave) Arpeggios The following arpeggios to be performed mf, tongued or slurred as requested by the examiner: Ab major (to 12th) (one octave) Eb major (one octave) C and Eb minor (one octave)

87 Euphonium, Baritone — Grade 4 or ii) Exercise Treble clef The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) Bb major scale and arpeggio exercise b) F major expanding scale exercise c) F minor expanding scale exercise All scales and exercises are contained in the book Scales & Exercises for Treble Clef Brass published by Trinity Guildhall. Bass clef The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) Ab major scale and arpeggio exercise b) Eb major expanding scale c) Eb minor expanding scale All scales and exercises are contained in the book Scales & Exercises for Bass Clef Brass published by Trinity Guildhall.

Supporting Tests (2 x 10 marks) Two tests are to be chosen from:

Sight Reading (see page 11)

Aural (see page 14)

Improvisation (see page 18)

Musical Knowledge (see page 21)

88 Euphonium, Baritone — Grade 5 Subject codes: EUP/BTN

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Book Publisher  J S Bach March or Polonaise Bach for Trombone [ or ] Brass Wind 2107TC/BC Bizet Chanson Boheme Great Winners for Treble Brass*‡ Brass Wind 0132TC Bizet Toreador’s Song Onstage Brass for Trumpet & Piano [] Stainer H430  Fauré Après un rêve Steven Mead’s ‘World of the Euphonium’ [/ ] Studio Fauré By the Waterside (Au bord  de l’eau) for Baritone & Piano [/ ] Winwood RMPC 0162 Grieg Solveig’s Song Great Winners for Treble Brass*‡ Brass Wind 0132TC  Hasse Bourée Festive Baroque for Trombone [/ ] de Haske 1043580 Mozart È amore un ladroncello Onstage Brass for Trumpet & Piano [] Stainer H430  Telemann Die Würde Festive Baroque for Trombone [/ ] de Haske 1043580 Verdi Triumphal March Onstage Brass for Trumpet & Piano Stainer H430 Group B Gershwin Summertime A Little Light Music Brass Wind 2115TC/BC  or I Got Rhythm for Trombone [ or ]  Gershwin Let’s Call the Whole Slide Show for Trombone [ or ] Brass Wind 0122TC/BC Thing Off Gordon & Warren Chatanooga Choo Choo Big Chillers for Trumpet & Piano [] Brass Wind 1140 Ippolitov-Ivanov Cortège (Caucasian Sketches) Undercover Hits for Trumpet [] Brass Wind 1144 Loesser Luck Be a Lady Tonight Centre Stage for Trombone Brass Wind 6008TC/BC Maria & Bonfa Manha de Carnaval Latino for Trumpet [] Brass Wind 1142 Nightingale The Googlie Boogie, no. 9  or Bruiser Joe, no. 10 Lucky Dip [/ ] Warwick EU009 Parker Mapp and Lucia or Soldier, Soldier The Music of Jim Parker for Trumpet [] Brass Wind 1129 Richards One Day [Cornet/Trumpet] Studio Williams Raiders March Great Winners for Treble Brass*‡ Brass Wind 0132TC Group C (unaccompanied)  Bourgeois Study no. 3 Bone of Contention [ or ] Brass Wind 6008TC/BC  Bourgeois No. 17, Andante cantabile Splinters of Bone [ or ] Brass Wind 6014TC/BC Bourgeois Study no. 7 or Study no. 10 Ace of Trumpets [] Brass Wind 6024 Davis Heads or Tails or Hornpipe Polished Brass [] Brass Wind 6022TC Endresen Study no. 34, Allegretto Supplementary Studies  for Trombone [ ] Rubank HL04470640 Hering Study no. 30 or Study no. 33 Forty Progressive Etudes for Trumpet [] Fischer 3309  McKenzie Cerga or Krivo Horo Music Makes the World Go Round [ or ] Con moto Miller Prairie Song, no. 5 or March, no. 6 Progressive Studies for Brass [] Faber Nightingale Passion Fruit Samba, no. 18  or The Turkey, no. 22 Eazy Jazzy ‘Tudes [ or ] Warwick TR042 or EU011

* Piano accompaniment available separately. ‡ Bass clef version available in Great Winners for Trombone (Brass Wind 0136) 89 Euphonium, Baritone — Grade 5

 Sparke Party Piece Skilful Studies for Baritone/Euphonium [/ ] Anglo Music Vizzutti Easy Etude New Concert Studies  for Euphonium vol. 2 [ or ] de Haske 10033404 []  or 1033405 [ ] Vizzutti Ballad 20 Dances for Euphonium de Haske 1002381400 []  or 1002382400 [ ]

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise Treble clef a) Lip Flexibility Grade 5 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall b) Lip Flexibility Grade 5 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall c) Exercise no. 14 or no. 16 (from How Brass Players Do It) Brass Wind Bass clef a) Lip Flexibility Grade 5 no. 1 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhall b) Lip Flexibility Grade 5 no. 2 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhall c) Exercise no. 14 or no. 16 (from How Low Brass Do It) Brass Wind either i) Scales & Arpeggios (from memory) Treble clef Scales The following scales to be performed mf, tongued or slurred as requested by the examiner: G major (two octaves) B major (to 12th) G minor (two octaves): candidate’s choice of either harmonic or melodic minor B minor (to 12th): candidate’s choice of either harmonic or melodic minor Whole-tone scale starting on G (two octaves) Chromatic scale starting on G (two octaves) Arpeggios The following arpeggios to be performed mf, tongued or slurred as requested by the examiner: G major (two octaves) B major (to 12th) G minor (two octaves) B minor (to 12th) Dominant 7th in the key of G (one octave) Bass clef Scales The following scales to be performed mf, tongued or slurred as requested by the examiner: F major (two octaves) A major (to 12th) F minor (two octaves): candidate’s choice of either harmonic or melodic minor A minor (to 12th) — candidate’s choice of either harmonic or melodic minor Whole-tone scale starting on F (two octaves) Chromatic scale starting on F (two octaves) 90 Euphonium, Baritone — Grade 5

Arpeggios The following arpeggios to be performed mf, tongued or slurred as requested by the examiner: F major (two octaves) A major (to 12th) F minor (two octaves) A minor (to 12th) Dominant 7th in the key of F (one octave) or ii) Exercise Treble clef The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) B major scale and arpeggio exercise b) B minor scale and arpeggio exercise c) G major expanding scale exercise d) G minor expanding scale exercise All scales and exercises are contained in the book Scales & Exercises for Treble Clef Brass published by Trinity Guildhall. Bass clef The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) A major scale and arpeggio exercise b) A minor scale and arpeggio exercise c) F major expanding scale d) F minor expanding scale All scales and exercises are contained in the book Scales & Exercises for Bass Clef Brass published by Trinity Guildhall.

Supporting Tests (2 x 10 marks) Two tests are to be chosen from:

Sight Reading (see page 11)

Aural (see page 14)

Improvisation (see page 18)

Musical Knowledge (see page 21)

91 Euphonium, Baritone — Grade 6 Subject codes: EUP/BTN

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Publisher  J S Bach Prelude in Ab major (from Bach for Trombone) [ or ] Brass Wind 2107TC/BC  Caccini Ave Maria [ or ] Prima Gossec Tambourin (from Childs’ Choice) [] Winwood RMPC 0129  Heath Andante and Scherzo [complete] [/ ] G & M Brand 70003 Moszkowski Danza Animada (from Fiesta Española for Trumpet) [] Brass Wind 2116 Mozart Concerto in Two Movements K. 412, 1st movt: Allegro  or 2nd movt: Allegro [/ ] G & M Brand 70018  Mowat Bone Idyll (from Slide Show for Trombone) [ or ] Brass Wind 0122TC/BC Purcell I Attempt from Love’s Sickness  (from Just Brass Trombone Solos vol. 1) [ or ] Chester CH55320 Rossini Largo al Factotum from The Barber of Seville (from Monti’s Czardas) [The high Cs in bar 193 & bar 268 may be played an octave lower at candidate’s choice] [] Winwood RMPC 0078 Sanders Square-Dance for Trumpet & Piano []Stainer 2692  Telemann Die Tapferkeit (from Festive Baroque for Trombone) [/ ] de Haske 1043580 Group B Berlin Let’s Face the Music and Dance  (from Let’s Face the Music for Trombone) [ or ] Brass Wind 2131TC/BC Dvorákˇ Rusalka’s Song to the Moon (from Shepherd’s Song) [] Winwood Gottschalk Tournament Galop (from Undercover Hits for Trumpet) [] Brass Wind 1144 Porter Begin the Beguine  (from Let’s Face the Music for Trombone) [ or ] Brass Wind 2131TC/BC Sherwin & A Nightingale Sang in Berkeley Square  Maschwitz (from The Sunny Side of the Street) [ or ] Brass Wind 2119TC/BC Sparke Soliloquy for Bb Cornet & Piano [] Studio Trad. Londonderry Air or Variations on The Ash Grove  (from Just Brass Trombone Solos vol. 1) [/ ] Chester CH55320  Wagner Walter’s Prize Song (from Three Operatic Arias) [/ ] G & M Brand 70046 Waller Ain’t Misbehavin’ (from Big Chillers for Trumpet & Piano) [] Brass Wind 1140 Group C (unaccompanied) J S Bach Study no. 20 in A minor (from The Well Tempered Player) [] Winwood RMPC 0015 Bourgeois Study no. 8 (from Ace of Trumpets) [] Brass Wind 6024  Bourgeois Study no. 4 or Study no. 9 (from Bone of Contention) [ or ] Brass Wind 6008TC/BC Curnow The Harmonious Tunesmith de Haske 1033404 []   (from New Concert Studies for Euphonium vol. 2) [ or ] or 1033405 [ ] Endresen Study no. 32, Largo (from Supplementary Studies for Trumpet) [] Rubank Graham A Bach Invention (from New Concert Studies for Euphonium vol. 2) de Haske 1033404 []   [ or ] or 1033405 [ ] Hering Study no. 34 or Study no. 35 or Study no. 37 (from 40 Progressive Etudes for Trumpet [] Fischer 3309  Kopprasch Study no. 11 (from 60 Selected Studies for Trombone book 1) [ ] Fischer  McKenzie Czardas or Jota (from Rhythms of Life) [ or ]Con moto

92 Euphonium, Baritone — Grade 6

Miller Rubber Lips, no. 12 or Morning, no. 13 (from Progressive Studies for Brass) [] Faber Vizzutti Flamenco or Tango (from 20 Dances for Euphonium) de Haske 1002381400 []   [ or ] or 1002382400 [ ] Waignein Comme dans une tarantelle de Haske 1033404 []   (from New Concert Studies for Euphonium vol. 2) [ or ] or 1033405 [ ]

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise Treble clef a) Lip Flexibility Grade 6 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall b) Lip Flexibility Grade 6 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall c) Exercise no. 17 or no. 18 (from How Brass Players Do It) Brass Wind Bass clef a) Lip Flexibility Grade 6 no. 1 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhall b) Lip Flexibility Grade 6 no. 2 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhall c) Exercise no. 17 or no. 18 (from How Low Brass Do It) Brass Wind either i) Scales & Arpeggios (from memory) Treble clef Scales The following scales to be performed f or p, tongued or slurred or staccato tongued as requested by the examiner: A and F# major (two octaves) A and F# harmonic minor (two octaves) A and F# melodic minor (two octaves) Whole-tone scale starting on A (two octaves) Chromatic scale starting on A (two octaves) Arpeggios The following arpeggios to be performed f or p, tongued or slurred or staccato tongued as requested by the examiner: A and F# major (two octaves) A and F# minor (two octaves Dominant 7th in the key of A (one octave) Diminished 7th starting on A (two octaves) Augmented arpeggio starting on A (two octaves) Bass clef Scales The following scales to be performed f or p, tongued or slurred or staccato tongued as requested by the examiner: G and E major (two octaves) G and E harmonic minor (two octaves) G and E melodic minor (two octaves) Whole-tone scale starting on G (two octaves) Chromatic scale starting on G (two octaves) 93 Euphonium, Baritone — Grade 6

Arpeggios The following arpeggios to be performed f or p, tongued or slurred or staccato tongued as requested by the examiner: G and E major (two octaves) G and E minor (two octaves) Dominant 7th in the key of G (one octave) Diminished 7th starting on G (two octaves) Augmented arpeggio starting on G (two octaves) or ii) Exercise Treble clef The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) Key centre exercise in A b) A major expanding scale c) A minor expanding scale d) A major scale in 3rds e) A minor scale in 3rds All scales and exercises are contained in the book Scales & Exercises for Treble Clef Brass published by Trinity Guildhall. Bass clef The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) Key centre exercise in G b) G major expanding scale c) G minor expanding scale d) G major scale in 3rds e) G minor scale in 3rds All scales and exercises are contained in the book Scales & Exercises for Bass Clef Brass published by Trinity Guildhall.

Supporting Tests (2 x 10 marks) Candidates to prepare i) and ii): i) Sight Reading (see page 11) ii) Aural (see page 14) or Improvisation (see page 18)

94 Euphonium, Baritone — Grade 7 Subject codes: EUP/BTN

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Publisher  Capuzzi* Rondo from Andante and Rondo (from Concerto for Double Bass) [/ ] Hinrichsen H1474  Curnow Rhapsody for Euphonium [/ ] Winwood RMPC 0055  Marcello Sonata in F major, 1st movt: Largo and 2nd movt: Allegro [/ ] Studio Moszkowski Danza Alegre (from Fiesta Española for Trumpet) [] Brass Wind 2116 Newton The Riders of Rohan (from Childs’ Choice) [] Winwood RMPC 0129  Richards Midnight Euphonium [/ ] Studio  Senaillé Introduction and Allegro Spiritoso [complete] [/ ] Hinrichsen 853 Vivaldi Sonata no. 3 in A minor, 1st movt: Largo and 2nd movt: Allegro  or 3rd movt: Largo and 4th movt: Allegro [ or ] EMR 325 Group B  Capuzzi* Andante from Andante and Rondo (from Concerto for Double Bass) [/ ] Hinrichsen H1474  Elgar Idylle op. 4 no. 1 [/ ] Winwood RMPC 0118  Elgar Mot d’amour op. 13 no. 1 [/ ] Winwood RMPC 0106  Golland Peace [/ ] Hallamshire  Graham A Time for Peace (from Gramercy Solo Album Bb) [/ ]Gramercy Harbach & Kern Smoke Gets in Your Eyes  (from Let’s Face the Music for Trombone) [ or ] Brass Wind 2131TC/BC  Mozart Adagio and Rondo, Adagio [only] [/ ] Winwood RMPC 0208 Purcell Suite, 1st movement  arr. Sturzenegger (from Suite for Euphonium and Piano (Organ)) [ or ] EMR 303M Richards Caprice [] Studio  Saint-Saëns The Swan (from Steven Mead’s ‘World of the Euphonium’) [/ ] Studio  Sparke Aubade for Euphonium & Piano [/ ] Studio Vaughan  Williams Concerto for Tuba, 2nd movt [ ][separate  Euphonium part available] OUP Group C (unaccompanied) Arban Study no. 10 (from 14 Studies for Cornet) []Boosey J S Bach Study no. 2 in C minor or Study no. 17 in Ab (from The Well Tempered Player) [] Winwood RMPC 0015 Balay Study no. 3 or Study no. 4 (from 15 Etudes) [] Leduc AL 14 960 Bourgeois Fantasy Pieces for Trumpet, no. 3: Presto [] Brass Wind 3102  Bourgeois Study no. 14 (from Bone of Contention) [ or ] Brass Wind 6008TC/BC  Bourgeois No. 1, Adagio (from Fantasy Pieces for Trombone) [ or ] Brass Wind 3104TC/BC Brandt Study no. 2 or Study no. 17 (from 34 Studies for Trumpet) []IMC 1391 Court The Chase (from New Concert Studies for Euphonium vol. 2) de Haske 1033404 []   [ or ] or 1033405 [ ] Hering Study no. 38 or Study no. 39 (from 40 Progressive Etudes for Trumpet) [] Fischer 3309 Kopprasch Study no. 14, Allegro (from 60 Selected Studies  for Trombone, book 1) [ ] Fischer O2895  Mashima A Spring Morning (from New Concert Studies for Euphonium vol. 1) [ or ] de Haske * One of the two pieces may be played, but not both. 95 Euphonium, Baritone — Grade 7

 McKenzie Klezmer or Malaguena (from Rhythms of Life) [ or ]Con moto Miller Seventh Heaven, no. 21 or Vienna, no. 24 (from Progressive Studies for Brass) [] Faber  Vizzutti Funk (from 20 Dances for Euphonium) [ or ] de Haske 1002381400 []  or 1002382400 [ ]

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise Treble clef a) Lip Flexibility Grade 7 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall b) Lip Flexibility Grade 7 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall c) Exercise no. 21 or no. 22 (from How Brass Players Do It) Brass Wind Bass clef a) Lip Flexibility Grade 7 no. 1 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhall b) Lip Flexibility Grade 7 no. 2 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhall c) Exercise no. 21 or no. 22 (from How Low Brass Do It) Brass Wind either i) Scales & Arpeggios (from memory) Treble clef Scales The following scales to be performed f or p, tongued or slurred or staccato tongued as requested by the examiner: B and Bb major (two octaves) B and Bb harmonic minor (two octaves) B and Bb melodic minor (two octaves) Whole-tone scale starting on B and Bb (two octaves) Chromatic scale starting on B and Bb (two octaves) Arpeggios The following arpeggios to be performed f or p, tongued or slurred or staccato tongued as requested by the examiner: B and Bb major (two octaves) B and Bb minor (two octaves) Dominant 7th in the keys of B and Bb (one octave) Diminished 7th starting on B and Bb (two octaves) Augmented arpeggio starting on B and Bb (two octaves) Bass clef Scales The following scales to be performed f or p, tongued or slurred or staccato tongued as requested by the examiner: A and Ab major (two octaves) A and Ab harmonic minor (two octaves) A and Ab melodic minor (two octaves) Whole-tone scale starting on A and Ab (two octaves) Chromatic scale starting on A and Ab (two octaves) 96 Euphonium, Baritone — Grade 7

Arpeggios The following arpeggios to be performed f or p, tongued or slurred or staccato tongued as requested by the examiner: A and Ab major (two octaves) A and Ab minor (two octaves) Dominant 7th in the keys of A and Ab (one octave) Diminished 7th starting on A and Ab (two octaves) Augmented arpeggio starting on A and Ab (two octaves) or ii) Exercise Treble clef The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) Key centre exercise in Bb b) Bb major expanding scale exercise c) B minor expanding scale exercise d) B major scale in 3rds exercise e) Bb minor scale in 3rds exercise All scales and exercises are contained in the book Scales & Exercises for Treble Clef Brass published by Trinity Guildhall. Bass clef The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) Key centre exercise in Ab b) Ab major expanding scale c) A minor expanding scale d) A major scale in 3rds e) Ab minor scale in 3rds All scales and exercises are contained in the book Scales & Exercises for Bass Clef Brass published by Trinity Guildhall.

Supporting Tests (2 x 10 marks) Candidates to prepare i) and ii): i) Sight Reading (see page 11) ii) Aural (see page 14) or Improvisation (see page 18)

97 Euphonium, Baritone — Grade 8 Subject codes: EUP/BTN

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Publisher Butterworth Partita op. 89 for Euphonium & Piano, 3rd movt: Sarabande  and 5th movt: Scherzo [/ ] Comus  Horovitz* Euphonium Concerto, 1st movt: Moderato or 3rd movt: Con moto [/ ] Novello NOV120387  Hummel Fantasy [beginning at bar 93, Allegro non troppo] [/ ] Winwood RMPC 0206 Monti Czardas (from Monti’s Czardas) [] Winwood RMPC 0078  Mozart Adagio and Rondo, Rondo [only] [/ ] Winwood RMPC 0208  Rachmaninov Vocalise (from Vocalise Rachmaninov) [ or ] Studio Music  Roper Sonata for Euphonium, 1st movt [/ ] Studio  Sparke Euphonium Concerto, 1st movt: Moderato e energico [/ ] Studio  Sparke Fantasy for Euphonium & Brass Band [/ ] G & M Brand 70024 Sparke Rhapsody for Bb Baritone [] Studio Wilby Concert Galop [] Winwood RMPC 0184 Group B Abreu Tico Tico for Trumpet & Piano [] Brass Wind 4110 Bellstedt Napoli (from Shepherd’s Song) [] Winwood  Elgar Romance op. 62 [/ ] Winwood RMPC 0064  Graham Whirlwind (from Gramercy Solo Album Bb) [/ ]Gramercy  Horovitz* Euphonium Concerto, 2nd movt: Lento [/ ] Novello NOV120387 Leidzén The Song of the Brother [from Theme, Letter B] (from The Salvation Army Instrumental Album no. 21) [] Salvationist Marshall Ransomed (from The Salvation Army Instrumental Album no. 21) [] Salvationist  Rimmer Weber’s Last Waltz [from Theme, bar 80, without repeats] [/ ] Studio  Sparke Party Piece [/ ] Studio  Woodfield Varied Mood [/ ] Hallamshire Group C (unaccompanied) Arban Study no. 6 or Study no. 9 (from 14 Studies for Cornet) []Boosey J S Bach Study no. 6 in D minor or Study no. 7 in Eb (from The Well Tempered Player) [] Winwood RMPC 0015 Balay Study no. 7 or Study no. 11 (from 15 Etudes) [] Leduc AL 14 960 Bourgeois Fantasy Pieces for Trumpet, no. 8: Allegro [] Brass Wind 3102 Bourgeois No. 2, Andante cantabile (from Fantasy Pieces  for Trombone) [ or ] Brass Wind 3104TC/BC Kopprasch Study no. 46, Moderato (from 60 Selected Studies  for Trombone book 2) [ ] Fischer 2615 Brandt Study no. 4 or Study no. 15 (from 34 Studies for Trumpet) []IMC 1391 Hadermann Escapade (from New Concert Studies for Euphonium vol. 2) de Haske 1033404 []   [ or ] or 1033405 [ ] Miller Perpetuum Mobile, no. 29 (from Progressive Studies for Brass) [] Faber  Vizzutti Polka (from 20 Dances for Euphonium) [ or ] de Haske 1002381400 []  or 1002382400 [ ] 98 * One of the two pieces may be played, but not both. Euphonium, Baritone — Grade 8

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise Treble clef a) Lip Flexibility Grade 8 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall b) Lip Flexibility Grade 8 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall c) Exercise no. 28 or no. 29 (from How Brass Players Do It) Brass Wind Bass clef a) Lip Flexibility Grade 8 no. 1 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhall b) Lip Flexibility Grade 8 no. 2 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhall c) Exercise no. 28 or no. 29 (from How Low Brass Do It) Brass Wind either i) Scales & Arpeggios (from memory) Treble clef Scales The following scales to be performed f or p, tongued or slurred or staccato tongued or slurred in pairs as requested by the examiner: C, Ab and F# major (two octaves) C, G#/Ab and F# harmonic minor (two octaves) C, G#/Ab and F# melodic minor (two octaves) Whole-tone scale starting on C, Ab and F# (two octaves) Chromatic scale starting on C, Ab and F# (two octaves) Crabwise scale from C and G (two octaves — tongued or slurred in octaves) Arpeggios The following arpeggios to be performed f or p, tongued or slurred or staccato tongued as requested by the examiner: C, Ab and F# major (two octaves) C, G#/Ab and F# minor (two octaves) Dominant 7th in the key of C (two octaves) Dominant 7th in the keys of Ab and F# (one octave) Diminished 7th starting on C, Ab and F# (two octaves) Augmented arpeggio starting on C, Ab and F# (two octaves) Bass clef Scales The following scales to be performed f or p, tongued or slurred or staccato tongued or slurred in pairs as requested by the examiner: Bb, E and F# major (two octaves) Bb, E and F# harmonic minor (two octaves) Bb, E and F# melodic minor (two octaves) Whole-tone scale starting on Bb, E and F# (two octaves) Chromatic scale starting on Bb, E and F# (two octaves) Crabwise scale from F and Bb (two octaves — tongued or slurred in octaves)

99 Euphonium, Baritone — Grade 8

Arpeggios The following arpeggios to be performed f or p, tongued or slurred or staccato tongued as requested by the examiner: Bb, E and F# major (two octaves) Bb, E and F# minor (two octaves) Dominant 7th in the key of Bb (two octaves) Dominant 7th in the keys of E and F#/Gb (one octave) Diminished 7th starting on Bb, E and F# (two octaves) Augmented arpeggio starting on E, Bb and F# (two octaves) or ii) Exercise Treble clef The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) Key centre exercise in the keys of C, Ab and F# b) Crabwise scale from G in 3rds All scales and exercises are contained in the book Scales & Exercises for Treble Clef Brass published by Trinity Guildhall. Bass clef The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) Key centre exercise in the keys of Bb, E and F# b) Crabwise scale from F in 3rds All scales and exercises are contained in the book Scales & Exercises for Bass Clef Brass published by Trinity Guildhall.

Supporting Tests (2 x 10 marks) Candidates to prepare i) and ii): i) Sight Reading (see page 11) ii) Aural (see page 14) or Improvisation (see page 18)

100 Trombone — Grade 1 Subject code: TBN

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Book Publisher  Diabelli The Joker The Magic Trombone [/ ]Boosey  Grieg Åse’s Death The Really Easy Trombone Book [/ ] Faber Horovitz Merlin’s Tower Up Front Album for Trombone  book 1 [ or ] Brass Wind 0110TC/BC Rougeron Le Chorege Billaudot GB5474  Susato La mourisque Winner Scores All* [ or ] Brass Wind 0138TC/0141BC  Tchaikovsky Dance of the Mirlitons Winner Scores All* [ or ] Brass Wind 0138TC/0141BC Woolfenden The Dragon Throne Up Front Album for Trombone  book 1 [ or ] Brass Wind 0110TC/BC Group B  Barratt Ballyhoo! or Curtain Raiser Bravo! Trombone [/ ]Boosey  Daly Postman Pat, p. 4 Winners Galore for Trombone* [ or ] Brass Wind 0118TC or 0121BC  Geldard Square Dance Beginners Please! Trombone [/ ] Winwood RMPC 0088 Nightingale One, Two, Three Push! Lucky Dip Warwick  Spanish Trad. Spanish Air Bravo! Trombone [/ ]Boosey  Wedgwood Wrap it Up Really Easy Jazzin’ About for Trombone [/ ] Faber Group C (unaccompanied)  Bourgeois No. 2, Allegro moderato Splinters of Bone [ or ] Brass Wind 6014TC/BC Davis Geared Up or Tiny Minuet Polished Brass [] Brass Wind 6022TC Endresen Study no. 1, Moderato Supplementary Studies  for Trombone [ ] Rubank HL04470640 Gregson Thoughtful Prelude, no. 1 20 Supplementary Tunes  for Beginner Brass [ Trombone ed.] Brass Wind 6002BC Nightingale Coo’s Blues, no. 3  or Ready, Aim, Fire!, no. 4 Eazy Jazzy ‘Tudes [ or ] Warwick Sparke Modal Melody, no. 3 or Ticker Tape Parade, Skilful Studies  no. 5 for Trombone [/ ] Anglo Music AMP 100 Trad. Give me Joy in my Heart, Winners Galore for Trombone Brass Wind 0118TC  p. 6 [ or ] or 0121BC Trad. Shepherds Hey, p. 2 Easy Winners for Trombone Brass Wind 0124TC  [with repeats] [ or ] or 0125BC

* Piano accompaniment available separately.

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise Treble clef a) Lip Flexibility Grade 1 no. 1 (from Scales & Exercises for Trombone) Trinity Guildhall 101 Trombone — Grade 1 b) Lip Flexibility Grade 1 no. 2 (from Scales & Exercises for Trombone) Trinity Guildhall c) Exercise no. 1 (from How Brass Players Do It) Brass Wind Bass clef a) Lip Flexibility Grade 1 no. 1 (from Scales & Exercises for Trombone) Trinity Guildhall b) Lip Flexibility Grade 1 no. 2 (from Scales & Exercises for Trombone) Trinity Guildhall c) Exercise no. 1 (from How Low Brass Do It) Brass Wind either i) Scales & Arpeggios (from memory) Treble clef Scales The following scales to be performed mf and tongued: C major (one octave) A natural minor (one octave): candidates may play harmonic or melodic minor if preferred. Arpeggios The following arpeggios to be performed mf and tongued: C major (one octave) A minor (one octave) Bass clef Scales The following scales to be performed mf and tongued: Bb major (one octave) G natural minor (one octave): candidates may play harmonic or melodic minor if preferred. Arpeggios The following arpeggios to be performed mf and tongued: Bb major (one octave) G minor (one octave) or ii) Exercise Treble clef The following exercise to be played tongued: C major scale and arpeggio exercise (from Scales & Exercises for Trombone) Trinity Guildhall Bass clef The following exercise to be played tongued: Bb major scale and arpeggio exercise (from Scales & Exercises for Trombone) Trinity Guildhall

Supporting Tests (2 x 10 marks) Two tests are to be chosen from:

Sight Reading (see page 11)

Aural (see page 14)

Improvisation (see page 18)

Musical Knowledge (see page 21)

102 Trombone — Grade 2 Subject code: TBN

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Book Publisher  W F Bach Air Bravo! Trombone [/ ]Boosey  Geldard Polka Beginners Please! Trombone [/ ] Winwood RMPC 0088 Gregson Processional Up Front Album for Trombone  book 2 [ or ] Brass Wind 0115TC/BC  Grieg Ballad Going Solo Trombone [/ ] Faber  Mozart Aria Winner Scores All* [ or ] Brass Wind 0138TC/0141BC Nightingale The Witches Cauldron Lucky Dip Warwick  Purcell Trumpet Tune Winner Scores All* [ or ] Brass Wind 0138TC/0141BC  Trad. Cockles and Mussels All Jazzed Up for Trombone [ or ] Brass Wind 1109TC/BC Group B Barratt Hampton ‘Swing’  or Parasaurolophus Bravo! Trombone [/ ]Boosey Bart Where Is Love?, p. 14 Easy Winners for Trombone* Brass Wind 0124TC  [ or ] or 0125BC Goodall Blackadder Theme, p. 10 Winners Galore for Trombone* Brass Wind 0118TC  [ or ] or 0121BC  Gout Circus Clowns Going Solo Trombone [/ ] Faber  Kander & Ebb Wilkommen Undercover Hits for Trombone [ or ] Brass Wind 1150TC/BC Osborne & May Eastenders, p. 13 Easy Winners for Trombone* Brass Wind 0124TC  [ or ] or 0125BC Tracey Sundance Up Front Album for Trombone  book 1 [ or ] Brass Wind 0110TC/BC  Trad. Men of Harlech Winner Scores All* [ or ] Brass Wind 0138TC/0141BC arr. Johnstone  Wedgwood Dragonfly or Easy Tiger Really Easy Jazzin’ About for Trombone [/ ] Faber Group C (unaccompanied) Arne Rule Brittannia, p. 17 Easy Winners for Trombone Brass Wind 0124TC  [ or ] or 0125BC Bourgeois No. 4, Moderato  or no. 5, Allegro Splinters of Bone [ or ] Brass Wind 6014TC/BC Davis Jumping Jack Rap or Rat Rag Polished Brass [] Brass Wind 6022TC Endresen Study no. 3, Allegro Supplementary Studies  for Trombone [ ] Rubank HL04470640  English Trad. Drunken Sailor, p. 9 Winners Galore for Trombone [ or ] Brass Wind 0118TC or 0121BC Gregson Song, no. 5 20 Supplementary Tunes  for Beginner Brass [ Trombone ed.] Brass Wind 6002BC Nightingale The Nuthatch, no. 6  or The Sleuth, no. 7 Eazy Jazzy ‘Tudes [ or ] Warwick Sparke Cowboy Carol, no. 12 Skilful Studies  or Shalom, no. 14 for Trombone [/ ] Anglo Music AMP 100 * Piano accompaniment available separately. 103 Trombone — Grade 2

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise Treble clef a) Lip Flexibility Grade 2 no. 1 (from Scales & Exercises for Trombone) Trinity Guildhall b) Lip Flexibility Grade 2 no. 2 (from Scales & Exercises for Trombone) Trinity Guildhall c) Exercise no. 3 (from How Brass Players Do It) Brass Wind Bass clef a) Lip Flexibility Grade 2 no. 1 (from Scales & Exercises for Trombone) Trinity Guildhall b) Lip Flexibility Grade 2 no. 2 (from Scales & Exercises for Trombone) Trinity Guildhall c) Exercise no. 3 (from How Low Brass Do It) Brass Wind either i) Scales & Arpeggios (from memory) Treble clef Scales The following scales to be performed mf and tongued: D and Bb major (one octave) A harmonic minor (one octave): candidates may play natural or melodic minor if preferred. Arpeggios The following arpeggios to be performed mf and tongued: D and Bb major (one octave) A minor (one octave) Bass clef Scales The following scales to be performed mf and tongued: C and Ab major (one octave) G harmonic minor (one octave): candidates may play natural or melodic minor if preferred. Arpeggios The following arpeggios to be performed mf and tongued: C and Ab major (one octave) G minor (one octave) or ii) Exercise Treble clef The following exercise to be played tongued: a) D major scale and arpeggio exercise b) A minor scale and arpeggio exercise Bass clef The following exercise to be played tongued: a) C major scale and arpeggio exercise b) G minor scale and arpeggio exercise All scales and exercises are contained in the book Scales & Exercises for Trombone published by Trinity Guildhall.

104 Trombone — Grade 2

Supporting Tests (2 x 10 marks) Two tests are to be chosen from:

Sight Reading (see page 11) Aural (see page 14) Improvisation (see page 18) Musical Knowledge (see page 21)

105 Trombone — Grade 3 Subject code: TBN

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Book Publisher  Barratt Round ‘Square Dance’ Bravo! Trombone [/ ]Boosey Bennett Murder on the Undercover Hits for Trombone  Orient Express [ or ] Brass Wind 1150TC/BC Bratton &  Carr The Station Master Top Line Album for Trombone [ or ] Brass Wind 1115TC/BC  Dominguez Perfidia Latino for Trombone [ or ] Brass Wind 1149TC/BC Fauré Pavane, p. 16 Easy Winners for Trombone* Brass Wind 0124TC  [ or ] or 0125BC  Haydn Rondino Slide Show for Trombone [ or ] Brass Wind 0122TC/BC Kershaw Bone Idle, no. 1 or Lazing on the Beach, no. 5 Lazy Bones Studio  Saint-Saëns Royal March of the Lion The Magic Trombone [/ ]Boosey  Trad. Skye Boat Song Just Brass Trombone Solos vol. 1 [/ ] Chester CH55320 Group B  Bart Food Glorious Food Winner Scores All* [ or ] Brass Wind 0138TC/0141BC  Bernstein America Winner Scores All* [ or ] Brass Wind 0138TC/0141BC  Blake Walking in the Air Winner Scores All* [ or ] Brass Wind 0138TC/0141BC Fields & I Can’t Give You Anything Jazzy Connections for Trombone  McHugh But Love [ or ] Brass Wind 1131TC/BC Gout Boogie for ‘bone  or Rough and Ready Rag Going Solo Trombone [/ ] Faber Harburg & Arlen We’re Off to See the Easy Winners for Trombone Brass Wind 0124TC  Wizard, p. 22 [ or ] or 0125BC Kennedy Teddy Bears’ Picnic, p. 19 Winners Galore for Trombone* Brass Wind 0118TC  [ or ] or 0121BC  Lloyd Webber Close Every Door Winner Scores All* [ or ] Brass Wind 0138TC/0141BC  Mowat The Parson’s Nose Slide Show for Trombone [ or ] Brass Wind 0122TC/BC Nightingale I Woke Up This Morning Lucky Dip Warwick Norman James Bond Theme, p. 19 Easy Winners for Trombone* Brass Wind 0124TC  [ or ] or 0125BC  Parker Lazy Blues Top Line Album for Trombone [ or ] Brass Wind 1115TC/BC  Ramskill Chicago Sunset All Jazzed Up for Trombone [ or ] Brass Wind 1109TC/BC  Wedgwood Riding Out West Really Easy Jazzin’ About for Trombone [/ ] Faber Group C (unaccompanied) Bourgeois No. 6, Alla marcia  or no. 9, Moderato Splinters of Bone [ or ] Brass Wind 6014TC/BC Davis Flamenco Flirt [in D minor] or Tap Dance [in G minor] Polished Brass [] Brass Wind 6022TC Endresen Study no. 8, Moderato Supplementary Studies  for Trombone [ ] Rubank HL04470640 Gregson Folk Song, no. 16 20 Supplementary Tunes  for Beginner Brass [ Trombone ed.] Brass Wind 6002BC 106 * Piano accompaniment available separately Trombone — Grade 3

Nightingale Cinnamon Tea, no. 12  or Slinky, no. 13 Eazy Jazzy ‘Tudes [ or ] Warwick  Nightingale J-Peg Cake Walk, no. 6 Jazz@Etudes [ ] Warwick Sparke Contrasts, no. 30 Skilful Studies  or Shepherd’s Song, no. 33 for Trombone [/ ] Anglo Music AMP 100 Vaughan Williams Linden Lea, p. 14 Winners Galore for Trombone Brass Wind 0118TC  [ or ] or 0121BC

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise Treble clef a) Lip Flexibility Grade 3 no. 1 (from Scales & Exercises for Trombone) Trinity Guildhall b) Lip Flexibility Grade 3 no. 2 (from Scales & Exercises for Trombone) Trinity Guildhall c) Exercise no. 7 or no. 8 (from How Brass Players Do It) Brass Wind Bass clef a) Lip Flexibility Grade 3 no. 1 (from Scales & Exercises for Trombone) Trinity Guildhall b) Lip Flexibility Grade 3 no. 2 (from Scales & Exercises for Trombone) Trinity Guildhall c) Exercise no. 7 or no. 8 (from How Low Brass Do It) Brass Wind either i) Scales & Arpeggios (from memory) Treble clef Scales The following scales to be performed mf and tongued: E and F major (one octave) D and E minor (one octave): candidate’s choice of either harmonic or melodic minor Arpeggios The following arpeggios to be performed mf and tongued: E and F major (one octave) D and E minor (one octave) Bass clef Scales The following scales to be performed mf and tongued: D and Eb major (one octave) C and D minor (one octave): candidate’s choice of either harmonic or melodic minor Arpeggios The following arpeggios to be performed mf and tongued: D and Eb major (one octave) C and D minor (one octave) or ii) Exercise Treble clef The following exercise to be played tongued: a) E major scale and arpeggio exercise b) F major scale and arpeggio exercise c) D minor scale and arpeggio exercise 107 Trombone — Grade 3

Bass clef The following exercise to be played tongued: a) D major scale and arpeggio exercise b) Eb major scale and arpeggio exercise c) C minor scale and arpeggio exercise All scales and exercises are contained in the book Scales & Exercises for Trombone published by Trinity Guildhall.

Supporting Tests (2 x 10 marks) Two tests are to be chosen from:

Sight Reading (see page 11)

Aural (see page 14)

Improvisation (see page 18)

Musical Knowledge (see page 21)

108 Trombone — Grade 4 Subject code: TBN

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Book Publisher  J S Bach Polonaise Bach for Trombone [ or ] Brass Wind 2107TC/BC E Bernstein Great Escape March Great Winners for Trombone* Brass Wind 0132TC  [ or ] or 0136BC L Bernstein Somewhere Great Winners for Trombone* Brass Wind 0132TC  [ or ] or 0136BC Byrd The Earl of Salisbury’s  Pavane Just Brass Trombone Solos vol. 1 [/ ] Chester CH55320 Goodwin 633 Squadron Great Winners for Trombone* Brass Wind 0132TC  [ or ] or 0136BC  Mussorgsky The Old Castle Going Solo Trombone [/ ] Faber Spiritual Nobody Knows A Little Light Music for Trombone Brass Wind  [ or ] 2115TC/BC  Warlock Basse Dance Slide Show for Trombone [ or ] Brass Wind 0122TC/BC Group B  Albert & Gaste Feelings Latino for Trombone [ or ] Brass Wind 1149TC/BC Dominguez Frenesi Great Winners for Trombone* Brass Wind 0132TC  [ or ] or 0136BC Harnich & Bock If I Were a Rich Man A Little Light Music for Trombone Brass Wind  [ or ] 2115TC/BC  Kander & Ebb Razzle Dazzle Undercover Hits for Trombone [ or ] Brass Wind 1150TC/BC  Parker Cuban Serenade Top Line Album for Trombone [ or ] Brass Wind 1115TC/BC  Ramskill Dancing Trombone All Jazzed Up for Trombone [ or ] Brass Wind 1109TC/BC Russell &  Barroso Brazil Latino for Trombone [ or ] Brass Wind 1149TC/BC Group C (unaccompanied)  Bourgeois Study no. 5 Bone of Contention [ or ] Brass Wind 6008TC/BC Bourgeois No. 11, Allegro vivace  or no. 7, Allegro moderato Splinters of Bone [ or ] Brass Wind 6014TC/BC  Clarke Cossack Dance Featuring Rhythm [ or ] Brass Wind 6003TC/BC  Crees & Gane Study no. 5.2 How Trombonists Do It [ or ] Brass Wind 6007TC/BC Endresen Study no. 11, Supplementary Studies  Andante con moto for Trombone [ ] Rubank HL04470640 Nightingale The Shout, no. 17 or Blues for Big-Ears,  no. 15 Eazy Jazzy ‘Tudes [ or ] Warwick Nightingale Study no. 12,  Of Mice and Keys Jazz@Etudes [ ] Warwick  Nightingale Study no. 1, Being Flat Tipping the Scales [ or ] Warwick

* Piano accompaniment available separately.

109 Trombone — Grade 4

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise Treble clef a) Lip Flexibility Grade 4 no. 1 (from Scales & Exercises for Trombone) Trinity Guildhall b) Lip Flexibility Grade 4 no. 2 (from Scales & Exercises for Trombone) Trinity Guildhall c) Exercise no. 9 or no. 10 (from How Brass Players Do It) Brass Wind Bass clef a) Lip Flexibility Grade 4 no. 1 (from Scales & Exercises for Trombone) Trinity Guildhall b) Lip Flexibility Grade 4 no. 2 (from Scales & Exercises for Trombone) Trinity Guildhall c) Exercise no. 9 or no. 10 (from How Low Brass Do It) Brass Wind either i) Scales & Arpeggios (from memory) Treble clef Scales The following scales to be performed mf, tongued or legato tongued as requested by the examiner: Bb major (to 12th) Eb major (one octave) C and F# minor (one octave): candidate’s choice of either harmonic or melodic minor Whole-tone scale starting on D (one octave) Chromatic scale starting on D (one octave) Arpeggios The following arpeggios to be performed mf, tongued or legato tongued as requested by the examiner: Bb major (to 12th) Eb major (one octave) C and F# minor (one octave) Bass clef Scales The following scales to be performed mf, tongued or legato tongued as requested by the examiner: Ab major (to 12th) Db major (one octave) Bb and E minor (one octave): candidate’s choice of either harmonic or melodic minor Whole-tone scale starting on C (one octave) Chromatic scale starting on C (one octave) Arpeggios The following arpeggios to be performed from memory, tongued or legato tongued as requested by the examiner: Ab major (to 12th) Db major (one octave) Bb and E minor (one octave)

110 Trombone — Grade 4 or ii) Exercise Treble clef The following exercises to be played either tongued or legato as indicated, as requested by the examiner: a) Bb major scale and arpeggio exercise b) Eb major expanding scale c) C minor expanding scale Bass clef The following exercises to be played either tongued or legato as indicated, as requested by the examiner: a) Ab major scale and arpeggio exercise b) Db major expanding scale c) Bb minor expanding scale All scales and exercises are contained in the book Scales & Exercises for Trombone published by Trinity Guildhall.

Supporting Tests (2 x 10 marks) Two tests are to be chosen from:

Sight Reading (see page 11)

Aural (see page 14)

Improvisation (see page 18)

Musical Knowledge (see page 21)

111 Trombone — Grade 5 Subject code: TBN

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Book Publisher  J S Bach March or Anglaise Bach for Trombone [ or ] Brass Wind 2107TC/BC  Bernstein Psalm 23 Leonard Bernstein for Trombone [ ]Boosey  Brahms Waltz Just Brass Trombone Solos vol. 1 [/ ] Chester CH55320 Fauré Après un rêve IMC 1916  Fauré Sicilienne Going Solo Trombone [/ ] Faber Handel Lo, See the Conquering  Hero Just Brass Trombone Solos vol. 1 [/ ] Chester CH55320 Ippolitov-  Ivanov Cortège Undercover Hits for Trombone [ or ] Brass Wind 1150TC/BC Group B  Bernstein I Can Cook Too Leonard Bernstein for Trombone [ ]Boosey Dubin & Warren Keep Young and Beautiful Let’s Face the Music  for Trombone [ or ] Brass Wind 2131TC/BC Gershwin Summertime A Little Light Music  or I Got Rhythm for Trombone [ or ] Brass Wind 2115TC/BC Gershwin Let’s Call the Whole  Thing Off Slide Show for Trombone [ or ] Brass Wind 0122TC/BC  Kander & Ebb It Couldn’t Please Me More Undercover Hits for Trombone [ or ] Brass Wind 1150TC/BC Loesser Luck Be a Lady Tonight Centre Stage for Trombone Brass Wind 6008TC/BC  Proctor Bone Shaker On Your Metal [ or ] Brass Wind 2120TC/BC  Rodriguez La Cumparsita Latino for Trombone [ or ] Brass Wind 1149TC/BC Group C (unaccompanied)  Bourgeois Study no. 3 Bone of Contention [ or ] Brass Wind 6008TC/BC  Bourgeois No. 17, Andante cantabile Splinters of Bone [ or ] Brass Wind 6014TC/BC  Clarke Polish Dance Featuring Rhythm [ or ] Brass Wind 6003TC/BC  Crees & Gane Study no. 6.6 How Trombonists Do It [ or ] Brass Wind 6007TC/BC Davis Tango Tease or Hornpipe Polished Brass [] Brass Wind 6022TC Endresen Study no. 34, Allegretto Supplementary Studies  for Trombone [ ] Rubank HL04470640 Nightingale Passion Fruit Samba, no. 18  or The Turkey, no. 22 Eazy Jazzy ‘Tudes [ or ] Warwick Nightingale Study no. 17,  Shutdown Samba Jazz@Etudes [ ] Warwick  Nightingale Study no. 10, Gottle of Geer Tipping the Scales [ or ] Warwick

112 Trombone — Grade 5

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise Treble clef a) Lip Flexibility Grade 5 no. 1 (from Scales & Exercises for Trombone) Trinity Guildhall b) Lip Flexibility Grade 5 no. 2 (from Scales & Exercises for Trombone) Trinity Guildhall c) Exercise no. 14 or no. 16 (from How Brass Players Do It) Brass Wind Bass clef a) Lip Flexibility Grade 5 no. 1 (from Scales & Exercises for Trombone) Trinity Guildhall b) Lip Flexibility Grade 5 no. 2 (from Scales & Exercises for Trombone) Trinity Guildhall c) Exercise no. 14 or no. 16 (from How Low Brass Do It) Brass Wind either i) Scales & Arpeggios (from memory) Treble clef Scales The following scales to be performed mf, tongued or legato tongued as requested by the examiner: G major (two octaves) B major (to 12th) G minor (two octaves) — candidate’s choice of either harmonic or melodic minor B minor (to 12th) — candidate’s choice of either harmonic or melodic minor Whole-tone scale starting on G (two octaves) Chromatic scale starting on G (two octaves) Arpeggios The following arpeggios to be performed mf, tongued or legato tongued as requested by the examiner: G major (two octaves) B major (to 12th) G minor (two octaves) B minor (to 12th) Dominant 7th in the key of G (one octave) Bass clef Scales The following scales to be performed from memory, tongued or legato tongued as requested by the examiner: F major (two octaves) A major (to 12th) F minor (two octaves) — candidate’s choice of either harmonic or melodic minor A minor (to 12th) — candidate’s choice of either harmonic or melodic minor Whole-tone scale starting on F (two octaves) Chromatic scale starting on F (two octaves)

113 Trombone — Grade 5

Arpeggios The following arpeggios to be performed mf, tongued or legato tongued as requested by the examiner: F major (two octaves) A major (to 12th) F minor (two octaves) A minor (to 12th) Dominant 7th in the key of F (one octave) or ii) Exercise Treble clef The following exercises to be played either tongued or legato as indicated, as requested by the examiner: a) B major scale and arpeggio exercise b) B minor scale and arpeggio exercise c) G major expanding scale d) G minor expanding scale Bass clef The following exercises to be played either tongued or legato as indicated, as requested by the examiner: a) A major scale and arpeggio exercise b) A minor scale and arpeggio exercise c) F major expanding scale d) F minor expanding scale All scales and exercises are contained in the book Scales & Exercises for Trombone published by Trinity Guildhall.

Supporting Tests (2 x 10 marks) Two tests are to be chosen from:

Sight Reading (see page 11)

Aural (see page 14)

Improvisation (see page 18)

Musical Knowledge (see page 21)

114 Trombone — Grade 6 Subject code: TBN

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Publisher  J S Bach Prelude in Ab (from Bach for Trombone) [ or ] Brass Wind 2107TC/BC J S Bach Arioso from Piano Concerto in F minor  (from Solos for the Trombone Player) [ ] Schirmer HL50330090  Curnow Fantasy for Trombone [complete] [ or ] Winwood  Gottschalk Tounament Galop (from Undercover Hits for Trombone) [ or ] Brass Wind 1150TC/BC  Mowat Bone Idyll (from Slide Show for Trombone) [ or ] Brass Wind 0122TC/BC Purcell I Attempt from Love’s Sickness  (from Just Brass Trombone Solos vol. 1) [ or ] Chester CH55320  Rimsky- Concerto for Trombone in Bb, 2nd movt: Andante cantabile [ or ] Brass Wind 4111 Korsakov Trad. Londonderry Air or Variations on The Ash Grove  (from Just Brass Trombone Solos vol. 1) [ or ] Chester CH55320 Group B Berlin Let’s Face the Music and Dance  (from Let’s Face the Music for Trombone) [ or ] Brass Wind 2131TC/BC  Carmichael Stardust (from Jazzed Up Too for Trombone) [ or ] Brass Wind 1119TC/BC Gershwin Bess, You Is My Woman Now  (from Centre Stage for Trombone) [ or ] Brass Wind 2117TC/BC Gordon & Chattanooga Choo Choo  Warren (from The Sunny Side of the Street) [ or ] Brass Wind 2119TC/BC  Greenwood The Acrobat [/ ] Wright + Round  Parker Dances with Bears (from Jazzed Up Too for Trombone) [ or ] Brass Wind 1119TC/BC Porter Begin the Beguine  (from Let’s Face the Music for Trombone) [ or ] Brass Wind 2131TC/BC  Proctor Slidewalk (from On Your Metal) [ or ] Brass Wind 2120TC/BC  Ramskill Ballad (from From Vivaldi to Fats Waller for Trombone) [ or ] Brass Wind 2109TC/BC Group C (unaccompanied) J S Bach Suite no. 1, Gigue (from J S Bach Suites for Cello  [adapted for the tenor trombone]) [ ] Leduc AL 20326  Bourgeois Study no. 4 or Study no. 9 (from Bone of Contention) [ or ] Brass Wind 6008TC/BC  Crees & Gane Study no. 6.7 (from How Trombonists Do It) [ or ] Brass Wind 6007TC/BC  Hering Study no. 34, Moderato (from 40 Progressive Etudes for Trombone) [ ] Fischer 4441  Kopprasch Study no. 11 (from 60 Selected Studies book 1) [ ] Fischer  Mowat Study no. 20 (from Unlocking the Tenor Clef) [ ] Brass Wind 6016  Nightingale Five Brew, no. 28 (from Eazy Jazzy ‘Tudes [ or ] Warwick  Nightingale Study no. 7, ‘E’ by Gum (from Tipping the Scales [ or ]) Warwick

115 Trombone — Grade 6

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise Treble clef a) Lip Flexibility Grade 6 no. 1 (from Scales & Exercises for Trombone) Trinity Guildhall b) Lip Flexibility Grade 6 no. 2 (from Scales & Exercises for Trombone) Trinity Guildhall c) Exercise no. 17 or no. 18 (from How Brass Players Do It) Brass Wind Bass clef a) Lip Flexibility Grade 6 no. 1 (from Scales & Exercises for Trombone) Trinity Guildhall b) Lip Flexibility Grade 6 no. 2 (from Scales & Exercises for Trombone) Trinity Guildhall c) Exercise no. 17 or no. 18 (from How Low Brass Do It) Brass Wind either i) Scales & Arpeggios (from memory) Treble clef Scales The following scales to be performed f or p, tongued or legato tongued as requested by the examiner: A and F# major (two octaves) A and F# harmonic minor (two octaves) A and F# melodic minor (two octaves) Whole-tone scale starting on A (two octaves) Chromatic scale starting on A (two octaves) Arpeggios The following arpeggios to be performed f or p, tongued or legato tongued as requested by the examiner: A and F# major (two octaves) A and F# minor (two octaves) Dominant 7th in the key of A (one octave) Diminished 7th starting on A (two octaves) Augmented arpeggio starting on A (two octaves) Bass clef Scales The following scales to be performed f or p, tongued or legato tongued as requested by the examiner: G and E major (two octaves) G and E harmonic minor (two octaves) G and E melodic minor (two octaves) Whole-tone scale starting on G (two octaves) Chromatic scale starting on G (two octaves)

116 Trombone — Grade 6

Arpeggios The following arpeggios to be performed f or p, tongued or legato tongued as requested by the examiner: G and E major (two octaves) G and E minor (two octaves) Dominant 7th in the key of G (one octave) Diminished 7th starting on G (two octaves) Augmented arpeggio starting on G (two octaves) or ii) Exercise Treble clef The following exercises to be played either tongued or legato as indicated, as requested by the examiner: Key centre exercise in A a) A major expanding scale b) A minor expanding scale c) A major scale in 3rds d) A minor scale in 3rds Bass clef The following exercises to be played either tongued or legato as indicated, as requested by the examiner: a) Key centre exercise in G b) G major expanding scale c) G minor expanding scale d) G major scale in 3rds e) G minor scale in 3rds All scales and exercises are contained in the book Scales & Exercises for Trombone published by Trinity Guildhall.

Supporting Tests (2 x 10 marks) Candidates to prepare i) and ii): i) Sight Reading (see page 11) ii) Aural (see page 14) or Improvisation (see page 18)

117 Trombone — Grade 7 Subject code: TBN

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Publisher Berlioz Recitative and Prayer  (from Solos for the Trombone Player) [ ] Schirmer HL50330090  Genzmer Sonata for Trombone & Piano, 1st movt: Allegro [ ] Peters EP 8194 Haydn Adagio from Concerto for Cello & Orchestra  (from Solos for the Trombone Player) [ ] Schirmer HL50330090 Hindemith Sonata for Trombone & Piano,  4th movt: Allegro moderato maestoso [ ] Schott ED 3673 Rimsky-  Korsakov Concerto for Trombone, 1st movt: Allegro vivace [/ ] Brass Wind 4111 Serocki Sonatina, 1st movt Moeck EM 5302 Vivaldi Sonata no. 3 in A minor, 1st movt: Largo and 2nd movt: Allegro or 3rd movt: Largo and 4th movt: Allegro EMR EMR 325 Group B  Castérède Sonatina for Trombone & Piano, 2nd movt [ ] Leduc AL 21930  Gorb 10:45 (from A Life in the Day of a Trombone) [ or ] Brass Wind 2127TC/BC Gregson Divertimento, any two movements Studio  Gröndahl Concerto, 2nd movt: Quasi una leggenda [ ] Samfundet Harbach & Smoke Gets in Your Eyes  Kern (from Let’s Face the Music for Trombone) [ or ] Brass Wind 2131TC/BC Horovitz Adam–Blues Novello Nov 120325  Jacques Cantilena and Rondo Scherzoso [complete] [/ ] Neuschel  Kneale Blue John [ or ]Ravencar  Proctor Nocturne (from On Your Metal) [ or ] Brass Wind 2120TC/BC Group C (unaccompanied) J S Bach Suite no. 1, Courante (from J S Bach Suites for Cello  [adapted for the tenor trombone]) [ ] Leduc AL 20326 Bernstein Elegy for Mippy Boosey  Bourgeois Study no. 14 (from Bone of Contention) [ or ] Brass Wind 6008TC/BC  Bourgeois Fantasy Pieces for Trombone, no. 1: Adagio [ or ] Brass Wind 3104TC/BC  Crees & Gane Study no. 7.5 (from How Trombonists Do It) [ or ] Brass Wind 6007TC/BC  Hering Study no. 37 (from 40 Progressive Etudes for Trombone) [ ] Fischer 04441 Kopprasch Study no. 14, Allegro  (from 60 Selected Studies for Trombone book 1) [ ] Fischer O2895 McKenzie Dixieland (from Rhythms of Life) []Con moto  Mowat Study no. 30 (from Unlocking the Tenor Clef) [ ] Brass Wind 6016  Nightingale Study no. 8, Barking Mad (from Tipping the Scales) [ or ] Warwick

118 Trombone — Grade 7

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise Treble clef a) Lip Flexibility Grade 7 no. 1 (from Scales & Exercises for Trombone) Trinity Guildhall b) Lip Flexibility Grade 7 no. 2 (from Scales & Exercises for Trombone) Trinity Guildhall c) Exercise no. 21 or no. 22 (from How Brass Players Do It) Brass Wind Bass clef a) Lip Flexibility Grade 7 no. 1 (from Scales & Exercises for Trombone) Trinity Guildhall b) Lip Flexibility Grade 7 no. 2 (from Scales & Exercises for Trombone) Trinity Guildhall c) Exercise no. 21 or no. 22 (from How Low Brass Do It) Brass Wind either i) Scales & Arpeggios (from memory) Treble clef Scales The following scales to be performed f or p, tongued or legato tongued as requested by the examiner: B and Bb major (two octaves) B and Bb harmonic minor (two octaves) B and Bb melodic minor (two octaves) Whole-tone scale starting on B and Bb (two octaves) Chromatic scale starting on B and Bb (two octaves) Arpeggios The following arpeggios to be performed f or p, tongued or legato tongued as requested by the examiner: B and Bb major (two octaves) B and Bb minor (two octaves) Dominant 7th in the keys of B and Bb (one octave) Diminished 7th starting on B and Bb (two octaves) Augmented arpeggio starting on B and Bb (two octaves) Bass clef Scales The following scales to be performed f or p, tongued or legato tongued as requested by the examiner: A and Ab major (two octaves) A and Ab harmonic minor (two octaves) A and Ab melodic minor (two octaves) Whole-tone scale starting on A and Ab (two octaves) Chromatic scale starting on A and Ab (two octaves)

119 Trombone — Grade 7

Arpeggios The following arpeggios to be performed f or p, tongued or legato tongued as requested by the examiner: A and Ab major (two octaves) A and Ab minor (two octaves) Dominant 7th in the keys of A and Ab (one octave) Diminished 7th starting on A and Ab (two octaves) Augmented arpeggio starting on A and Ab (two octaves) or ii) Exercise Treble clef The following exercises to be played either tongued or legato as indicated, as requested by the examiner: a) Key centre exercise in Bb b) Bb major expanding scale c) B minor expanding scale d) B major scale in 3rds e) Bb minor scale in 3rds Bass clef The following exercises to be played either tongued or legato as indicated, as requested by the examiner: a) Key centre exercise in Ab b) Ab major expanding scale c) A minor expanding scale d) A major scale in 3rds e) Ab minor scale in 3rds All scales and exercises are contained in the book Scales & Exercises for Trombone published by Trinity Guildhall.

Supporting Tests (2 x 10 marks) Candidates to prepare i) and ii): i) Sight Reading (see page 11) ii) Aural (see page 14) or Improvisation (see page 18)

120 Trombone — Grade 8 Subject code: TBN

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Publisher  Galliard Sonata no. 5 in D minor [complete] [ ] Hinrichsen H 752e Haydn Larghetto for Trombone Winwood  Holst Concertante for Trombone & Piano [ ] Warwick  Saint-Saëns Cavatine op. 144 [/ ] Brass Wind 3114tnr  Schumann Any one Romance from Three Romances op. 94 [ ]IMC 2959 Serocki Sonatina, 2nd movt and 3rd movt Moeck EM5302 Weber Romance for Tenor Trombone & Piano Brass Wind 3121 Group B  Castérède Sonatina for Trombone & Piano, 1st movt or 3rd movt [ ] Leduc AL21930 Cliffe Four Sketches for Trombone, any two movts Studio Cook Bolivar Boosey David Concertino for Trombone, 1st movt: Allegro maestoso Brass Wind 3123 Gröndahl Concerto, 1st movt Samfundet Guilmant Morceau Symphonique Schott ED 10484 Mahler Trombone Solo from Symphony no. 3 [complete] Brass Wind 3113 Rota Concerto, 1st movt Ricordi NR13153400  Šulek Sonata (Vox Gabrieli) [complete] [ ] EMR 294 Group C (unaccompanied)  Aplvor No. 22 in Bb minor (from 24 Exercises) [ ] Warwick J S Bach Allemande from Suite no. 4 or Courante from Suite no. 2  (from J S Bach Suites for Cello [adapted for the tenor trombone]) [ ] Leduc AL 20326  Bourgeois Fantasy Pieces for Trombone, no. 2: Andante cantabile [ or ] Brass Wind 3104TC/BC  Crees & Gane Study no. 9.7 (from How Trombonists Do It) [ or ] Brass Wind 6007TC/BC Gane Study no. 5 (from Circuit Training) Warwick Kopprasch Study no. 46, Moderato  (from 60 Selected Studies for Trombone book 2) [ ] Fischer 2615  Nightingale No. 5 or no. 10 (from 20 Jazz Etudes) [ ] Warwick

121 Trombone — Grade 8

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise Treble clef a) Lip Flexibility Grade 8 no. 1 (from Scales & Exercises for Trombone) Trinity Guildhall b) Lip Flexibility Grade 8 no. 2 (from Scales & Exercises for Trombone) Trinity Guildhall c) Exercise no. 28 or no. 29 (from How Brass Players Do It) Brass Wind Bass clef a) Lip Flexibility Grade 8 no. 1 (from Scales & Exercises for Trombone) Trinity Guildhall b) Lip Flexibility Grade 8 no. 2 (from Scales & Exercises for Trombone) Trinity Guildhall c) Exercise no. 28 or no. 29 (from How Low Brass Do It) Brass Wind either i) Scales & Arpeggios (from memory) Treble clef Scales The following scales to be performed f or p, tongued or legato tongued or legato tongued in pairs, as requested by the examiner: C, Ab and F# major (two octaves) C, G# and F# harmonic minor (two octaves) C, G# and F# melodic minor (two octaves) Whole-tone scale starting on C, Ab and F# (two octaves) Chromatic scale starting on C, Ab and F# (two octaves) Crabwise scale from C and G (two octaves — tongued or slurred in octaves) Arpeggios The following arpeggios to be performed f or p, tongued or legato tongued as requested by the examiner: C, Ab and F# major (two octaves) C, G# and F# minor (two octaves) Dominant 7th in the keys of C (two octaves) Dominant 7th in the keys of Ab and F# (one octave) Diminished 7th starting on C, Ab and F# (two octaves) Augmented arpeggio starting on C, Ab and F# (two octaves) Bass clef Scales The following scales to be performed f or p, tongued or legato tongued or legato tongued in pairs, as requested by the examiner: Bb, F# and E major (two octaves) Bb, F# and E harmonic minor (two octaves) Bb, F# and E melodic minor (two octaves) Whole-tone scale starting on Bb, F# and E (two octaves) Chromatic scale starting on Bb, F# and E (two octaves) Crabwise scale from Bb and F (two octaves — tongued or legato in octaves)

122 Trombone — Grade 8

Arpeggios The following arpeggios to be performed f or p, tongued or legato tongued as requested by the examiner: Bb, F# and E major (two octaves) Bb, F# and E minor (two octaves) Dominant 7th in the key of Bb (two octaves) Dominant 7th in the keys of E and F#/Gb (one octave) Diminished 7th starting on Bb, F# and E (two octaves) Augmented arpeggio starting on Bb, F# and E (two octaves) or ii) Exercise Treble clef a) Key centre exercise in the keys of C, Ab and F# b) Crabwise scale from G in 3rds Bass clef The following exercises to be played either tongued or legato as indicated, as requested by the examiner: a) Key centre exercise in the keys of Bb, F# and E b) Crabwise scale from F in 3rds All scales and exercises are contained in the book Scales & Exercises for Trombone published by Trinity Guildhall.

Supporting Tests (2 x 10 marks) Candidates to prepare i) and ii): i) Sight Reading (see page 11) ii) Aural (see page 14) or Improvisation (see page 18)

123 Bass Trombone — Grade 6 Subject code: BT

Pieces (3 x 22 marks) Three pieces are to be played, two from Group A and one from Group B. Alternatively, candidates may substitute one piece from Group B with a piece from Group C of the trombone syllabus for this grade. Instead of any one item, candidates may offer their own composition (see page 10).

Group A Piece Publisher Defaye Danse Profane (from Two Dances for Bass Trombone) Leduc AL 25 465 Dossett Scene I (from Scenes for Bass Trombone & Piano) Warwick Eaves Introduction & Burlesque G & M Brand 70028 Jacob V.I.P., no. 1 (from Cameos for Bass Trombone) Emerson E110 McCarty Sonata for Bass Trombone, 1st movt. Ensemble Sachse Concertino, 1st movt EMR 221 Telemann Sonata in F minor, 1st movt: Andante EMR 288 White Sonatina for Bass Trombone & Piano, 1st movt: Andante con moto Warwick Woolfenden Moving On Warwick Group B (unaccompanied) J S Bach Suite no. 3 in C, Bourée no. 1 or Bourée no. 2 (from J S Bach Suites for Solo Cello (adapted Barbez)) Leduc AL 25953 Bourgeois Fantasy Pieces for Bass Trombone, no. 1: Adagio Brass Wind Crees & Gane Study no. 7.6 (from How Trombonists Do It) Brass Wind 6007BC Eversden Study no. 4 (from 50 Studies for Bass Trombone) Warwick Hall The Errant Waltz Warwick Naulais Study no. 6 (from Contemporary Studies for Bass Trombone) Billaudot Ostrander Study no. 4, Allegretto (from Melodious Studies for Bass Trombone) Fischer Pederson Study no. 56 (from Elementary Studies for Bass Trombone) IMP 51235 Vobaron Study no. 3 (from Studies for Bass Trombone) EMR 114 Warburton Etude 1, Andantino (from Back to Bassics) Warwick

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise a) Lip Flexibility Grade 6 no. 1 (available to download from www.trinityguildhall.co.uk/music) b) Lip Flexibility Grade 6 no. 2 (available to download from www.trinityguildhall.co.uk/music) c) Exercise no. 17 or no. 18 (from How Low Brass Do It) Brass Wind either i) Scales & Arpeggios (from memory) Scales The following scales to be performed f or p, tongued or legato tongued as requested by the examiner: E and Bb* major (two octaves) E and Bb* harmonic minor (two octaves) E and Bb* melodic minor (two octaves) Whole-tone scale starting on E (two octaves) Chromatic scale starting on E (two octaves) *Starting from pedal Bb 124 Bass Trombone — Grade 6

Arpeggios The following arpeggios to be performed f or p, tongued or legato tongued as requested by the examiner: E major (two octaves) Bb* major (two octaves) Bb* minor (two octaves) Dominant 7th in the key of E (one octave) Diminished 7th starting on E (two octaves) Augmented arpeggio starting on E (two octaves) *Starting from pedal Bb or ii) Exercise The following exercises to be played either tongued or legato as indicated, as requested by the examiner: a) Key centre exercise in E b) Bb major expanding scale c) Bb minor expanding scale d) Bb major scale in 3rds e) Bb minor scale in 3rds All scales and exercises are available to download from www.trinityguildhall.co.uk/music

Supporting Tests (2 x 10 marks) Candidates to prepare i) and ii): i) Sight Reading (see page 11) ii) Aural (see page 14) or Improvisation (see page 18)

125 Bass Trombone — Grade 7 Subject code: BT

Pieces (3 x 22 marks) Three pieces are to be played, two from Group A and one from Group B. Alternatively, candidates may substitute one piece from Group B with a piece from Group C of the trombone syllabus for this grade. Instead of any one item, candidates may offer their own composition (see page 10).

Group A Piece Publisher Boutry Tubaroque Leduc AL 21635 Clerisse Pièce lyrique Leduc AL 21794 Jacob Derby Winner, no. 5 (from Cameos for Bass Trombone) Emerson E110 Marcello Sonata no. 1, 1st movt and 2nd movt (from Trombone Essentials) Schirmer HL50483390 Newsome Father Neptune Studio Senaillé Andante and Allegro Spiritoso [complete] EMR 293A Semler-Collery Barcarolle et Chanson bachique Leduc AL21280 Tcherepnin Andante [Tuba Part] Peters BE 233 White Sonatina for Bass Trombone & Piano, 2nd movt: Con moto and 3rd movt: Allegro moderato Warwick Wood Toccata Warwick Group B (unaccompanied) J S Bach Suite no. 1 in G, Courante (from J S Bach Suites for Solo Cello [adapted Barbez]) Leduc AL 25953 Bourgeois Fantasy Pieces for Bass Trombone, no. 3: Allegro molto Brass Wind Eversden Study no. 8 or Study no. 9 (from 50 Studies for Bass Trombone) Warwick Mast Study no. 1 (from 8 Concert Studies) Warwick Naulais Study no. 7 (from Contemporary Studies for Bass Trombone vol. 1) Billaudot G6555B Pederson Study no. 47 (from Elementary Studies for Bass Trombone) IMP 51235 Vobaron Study no. 5 (from Studies for Bass Trombone) EMR 114 Warburton Etude 6, Vivace (from Back to Bassics) Warwick

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise a) Lip Flexibility Grade 7 no. 1 (available to download from www.trinityguildhall.co.uk/music) b) Lip Flexibility Grade 7 no. 2 (available to download from www.trinityguildhall.co.uk/music) c) Exercise no. 21 or no. 22 (from How Low Brass Do It) Brass Wind

126 Bass Trombone — Grade 7 either i) Scales & Arpeggios (from memory) Scales The following scales to be performed f or p, starting from pedal C and Ab, tongued or legato tongued as requested by the examiner: C and Ab major (two octaves) C and Ab harmonic minor (two octaves) C and Ab melodic minor (two octaves) Whole-tone scale starting on C and Ab (two octaves) Chromatic scale starting on C and Ab (two octaves) Arpeggios The following arpeggios to be performed f or p, starting from pedal C and Ab [where appropriate], tongued or legato tongued as requested by the examiner: C and Ab major (two octaves) C and Ab minor (two octaves) Dominant 7th in the keys of C and Ab (two octaves) Diminished 7th starting on C and Ab (two octaves) Augmented arpeggio starting on C and Ab (two octaves) or ii) Exercise The following exercises to be played either tongued or legato as indicated, as requested by the examiner: a) Key centre exercise in Ab b) C major expanding scale c) Ab minor expanding scale d) Ab major scale in 3rds e) C minor scale in 3rds All scales and exercises are available to download from www.trinityguildhall.co.uk/music

Supporting Tests (2 x 10 marks) Candidates to prepare i) and ii): i) Sight Reading (see page 11) ii) Aural (see page 14) or Improvisation (see page 18)

127 Bass Trombone — Grade 8 Subject code: BT

Pieces (3 x 22 marks) Three pieces are to be played, two from Group A and one from Group B. Alternatively, candidates may substitute one piece from Group B with a piece from Group C of the trombone syllabus for this grade. Instead of any one item, candidates may offer their own composition (see page 10).

Group A Piece Publisher Bozza Allegro et Finale [complete] Leduc AL 21260 Bozza New Orleans Leduc AL 23234 David Concertino for Trombone op. 4, 1st movt: Allegro maestoso [Bass trombone ed.] Zimmermann ZM 23960 Dodgson Concerto, 4th movt Neuschel Dossett Furiant Warwick East Sonatina for Bass Trombone [complete] Ricordi LD858 Lebedev Concerto no. 1 [complete] Hofmeister FH2317 Lieb Concertino Basso Fischer W2450 McCarty Sonata for Bass Trombone, 2nd movt and 3rd movt Ensemble Petit Fantaisie Leduc AL 21310 Weber Soliloque Leduc AL 24197 Group B (unaccompanied) C P E Bach Sonata in C minor Wq 132 [complete] (from Trombone Essentials) Schirmer J S Bach Cello Suite no. 2 in D minor, Gigue (from J S Bach Suites for Solo Cello [adapted Barbez]) Leduc AL 25953 Bourgeois Fantasy Pieces for Bass Trombone, no. 5, Adagio Brass Wind Eversden Study no. 17 (from 50 Studies for Bass Trombone) Warwick Mast Study no. 6 (from 8 Concert Studies) Warwick Naulais Study no. 17 (from Contemporary Studies for Bass Trombone vol. 1) Billaudot G6555B Premru Prelude and Dance for Solo Bass Trombone Mowhawk/Emerson Stearn McCrorie’s Glory Warwick Vobaron Study no. 12 (from 24 Studies for Bass Trombone) EMR 114

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise a) Lip Flexibility Grade 8 no. 1 (available to download from www.trinityguildhall.co.uk/music) b) Lip Flexibility Grade 8 no. 2 (available to download from www.trinityguildhall.co.uk/music) c) Exercise no. 28 or no. 29 (from How Low Brass Do It) Brass Wind

128 Bass Trombone — Grade 8 either i) Scales & Arpeggios (from memory) Scales The following scales to be performed f or p, tongued or legato tongued or legato tongued in pairs as requested by the examiner: B*, Eb and F# major (two octaves) B*, Eb and F# harmonic minor (two octaves) B*, Eb and F# melodic minor (two octaves) Whole-tone scale starting on B*, Eb and F# (two octaves) Chromatic scale starting on B*, Eb and F# (two octaves) Crabwise scale from C and F (two octaves — tongued or slurred in octaves) * Starting from pedal B. Arpeggios The following arpeggios to be performed f or p, tongued or legato tongued as requested by the examiner: B*, Eb and F# major (two octaves) B*, Eb and F# minor (two octaves) Dominant 7th in the keys of B, Eb and F# (two octaves) Diminished 7th starting on B*, Eb and F# (two octaves) Augmented arpeggio starting on B*, Eb and F# (two octaves) * Starting from pedal B. or ii) Exercise The following exercises to be played either tongued or legato as indicated, as requested by the examiner: a) Key centre exercise in the keys of B, Eb and F# b) Crabwise scale from C in 3rds All scales and exercises are available to download from www.trinityguildhall.co.uk/music

Supporting Tests (2 x 10 marks) Candidates to prepare i) and ii): i) Sight Reading (see page 11) ii) Aural (see page 14) or Improvisation (see page 18)

129 Tuba, Eb Bass, Bb Bass — Grade 1 Subject codes: TBA/EBB/BBB

For instrument-specific details regarding this syllabus, please see page 23. Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Book Publisher  Jacob Minuet Six Little Tuba Pieces [ ] Emerson E118 Ridout Stacking the Logs or The First Goal of the Season  or Lost Love Autumn Story[ ] Emerson E297 Spiritual All Night, All Day Easy Winners for Tuba* Brass Wind 0124TC  [ or ] or 0131BC  Susato La mourisque Winner Scores All* [ or ] Brass Wind 0138TC/0141BC  Tchaikovsky Dance of the Mirlitons Winner Scores All* [ or ] Brass Wind 0138TC/0141BC Woolfenden Pagan Dance Up Front Album  for Eb Bass/Tuba book 1 [ or ] Brass Wind 0111TC/BC Group B Bernstein One Hand, One Heart Easy Winners for Tuba* Brass Wind 0124TC  [ or ] or 0131BC Coombes Tuba Samba** Keynotes Album for Eb Bass/Tuba  [ or ] Brass Wind 0119TC/BC  Daly Postman Pat Winners Galore for Tuba* [ or ] Brass Wind 0123TC/BC Negro Spiritual Steal Away Beginners Please! [Eb/F  ed.] Winwood Ramskill Playful Serenade Keynotes Album for Eb Bass/Tuba  [ or ] Brass Wind 0119TC/BC Trad. Russian The Birch Tree Beginners Please! [Eb/F  ed.] Winwood Group C (unaccompanied) Davis Geared Up or Tiny Minuet Polished Brass [] Brass Wind 6022TC Gregson Hungarian Dance, no. 4 20 Supplementary Tunes for Tuba Brass Wind 6002TC  or Lullaby, no. 8 [ or ] or 6021BC Johnson Tuba Ceremony, no. 1  or Lilting Tuba, no. 2 The Tuneful Tuba [ ] Brass Wind 6011BC Mozart Theme from Easy Winners for Tuba Brass Wind 0124TC  A Musical Joke [ or ] or 0131BC Nightingale Coo’s Blues, no. 3 or Ready, Aim, Fire!, no. 4 Eazy Jazzy ‘Tudes [ ed.] Warwick Trad. Give me Joy in my Heart, Winners Galore for Tuba  p. 6 [ or ] Brass Wind 0123TC/BC

* Piano accompaniment available separately. ** No written piano part, just suggested chord symbols. 130 Tuba, Eb Bass, Bb Bass — Grade 1

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise Treble clef a) Lip flexibility Grade 1 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall b) Lip flexibility Grade 1 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall c) Exercise no. 1 (from How Brass Players Do It) Brass Wind Bass clef a) Lip Flexibility Grade 1 no. 1 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhall b) Lip Flexibility Grade 1 no. 2 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhall c) Exercise no. 1 (from How Tuba Players Do It) Brass Wind either i) Scales & Arpeggios (from memory) Treble clef Scales The following scales to be performed mf and tongued: C major (one octave) A natural minor (one octave): candidates may play harmonic or melodic minor if preferred. Arpeggios The following arpeggios to be performed mf and tongued: C major (one octave) A minor (one octave) Bass clef Scales The following scales to be performed mf and tongued: Eb major (one octave) C natural minor (one octave): candidates may play harmonic or melodic minor if preferred. Arpeggios The following arpeggios to be performed mf and tongued: Eb major (one octave) C minor (one octave) or ii) Exercise Treble clef The following exercise to be played tongued: C major scale and arpeggio exercise (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall Bass clef The following exercise to be played tongued: Eb major scale and arpeggio exercise (from Scales & Exercises for Bass Clef Brass) Trinity Guildhall

Supporting Tests (2 x 10 marks) Two tests are to be chosen from: Sight Reading (see page 11) Aural (see page 14) Improvisation (see page 18) Musical Knowledge (see page 21) 131 Tuba, Eb Bass, Bb Bass — Grade 2 Subject codes: TBA/EBB/BBB

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Book Publisher Gregson Little Scherzo Up Front Album  for Eb Bass book 2 [ or ] Brass Wind 0116TC/BC  Handel Hallelujah Chorus, p. 6 Winners Galore for Tuba* [ or ] Brass Wind 0123TC/BC  Jacob In Tranquil Mood, no. 1 Bagatelles for Tuba [ ] Emerson E143  Mozart Aria Winner Scores All* [ or ] Brass Wind 0138TC/0141BC  Purcell Trumpet Tune Winner Scores All* [ or ] Brass Wind 0138TC/0141BC  Ridout Boy Meets Girl Autumn Story [ ] Emerson E297  Sullivan The Policeman’s Song Just Brass Tuba Solos, vol. 1 [ ] Chester CH55325  arr. Wekselblatt Civil War Medley First Solos for the Tuba Player [ ] Schirmer  Wiggins Tuba Tune or Wagon Train The Tuba Player’s Debut [/ ] Studio Group B Bart Where Is Love? Easy Winners for Tuba* Brass Wind 0124TC  [ or ] or 0131BC  Goodall Blackadder Theme, p. 16 Winners Galore for Tuba* [ or ] Brass Wind 0123TC/BC Henry VIII Pastime with Good Company Beginners Please! [Eb/F  ed.] Winwood Osbourne & Eastenders Easy Winners for Tuba* Brass Wind 0124TC  May [ or ] or 0131BC Trad. Land of the Silver Birch Beginners Please! [Eb/F  ed.] Winwood Wiggins Lucy’s Lullaby Beginners Please! [Eb/F  ed.] Winwood Wilson-Smith Out n’ About or Something Else All Jazzed Up for Tuba Brass Wind 1108E  or Waltzing with Jazz [ or ] or 1108T Group C (unaccompanied) Blakeson Brite ‘n’ Rock, no. 5 or Chickpea, no. 11 Smooth Groove for Tuba Brass Wind 1141TBTC  [ or ] or 1153TBBC Davis Jumping Jack Rap or Rat Rag Polished Brass [] Brass Wind 6022TC Gregson Gavotte, no. 10 or Justin’s March, no. 14 20 Supplementary Tunes for Tuba Brass Wind 6002TC  [ or ] or 6021BC  Johnson Study no. 3, Lament The Tuneful Tuba [ ] Brass Wind 6011BC Nightingale The Nuthatch, no. 6 or The Sleuth, no. 7 Eazy Jazzy ‘Tudes [ ed.] Warwick  Trad. Men of Harlech Winner Scores All* [ or ] Brass Wind 0138TC/0141BC arr. Johnstone

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise Treble clef a) Lip Flexibility Grade 2 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall b) Lip Flexibility Grade 2 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall c) Exercise no. 3 (from How Brass Players Do It) Brass Wind 132 * Piano accompaniment available separately. Tuba, Eb Bass, Bb Bass — Grade 2 Bass clef a) Lip Flexibility Grade 2 no. 1 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhall b) Lip Flexibility Grade 2 no. 2 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhall c) Exercise no. 3 (from How Tuba Players Do It) Brass Wind either i) Scales & Arpeggios (from memory) Treble clef Scales The following scales to be performed mf, tongued or slurred as requested by the examiner: D and Bb major (one octave) A harmonic minor (one octave): candidates may play natural or melodic minor if preferred. Arpeggios The following arpeggios to be performed mf, tongued or slurred as requested by the examiner: D and Bb major (one octave) A minor (one octave) Bass clef Scales The following scales to be performed mf, tongued or slurred as requested by the examiner: F and Db major (one octave) C harmonic minor (one octave): candidates may play natural or melodic minor if preferred. Arpeggios The following arpeggios to be performed mf, tongued or slurred as requested by the examiner: F and Db major (one octave) C minor (one octave) or ii) Exercise Treble clef The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) D major scale and arpeggio exercise b) A minor scale and arpeggio exercise All scales and exercises for treble clef are contained in the book Scales & Exercises for Treble Clef Brass published by Trinity Guildhall. Bass clef The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) F major scale and arpeggio exercise b) C minor scale and arpeggio exercise All scales and exercises for bass clef are contained in the book Scales & Exercises for Bass Clef Brass published by Trinity Guildhall.

Supporting Tests (2 x 10 marks) Two tests are to be chosen from: Sight Reading (see page 11) Aural (see page 14) Improvisation (see page 18) Musical Knowledge (see page 21)

133 Tuba, Eb Bass, Bb Bass — Grade 3 Subject codes: TBA/EBB/BBB

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Book Publisher  Berlioz Sanctus Just Brass Tuba Solos, vol. 1 [ ] Chester CH55325  Hanmer Scherzando, no. 4 Tuba Tunes [ ] Emerson E36  Irish Folk Song Danny Boy, p. 17 Winners Galore for Tuba* [ or ] Brass Wind 0123TC/BC  Lully Gavotte First Solos for the Tuba Player [ ] Schirmer  Mozart Marche First Solos for the Tuba Player [ ] Schirmer  Schumann The Happy Farmer First Solos for the Tuba Player [ ] Schirmer Wiggins Friar Tuck’s Galliard or Seafarer’s Song or The Mischievous  Mastodon The Tuba Player’s Debut [/ ] Studio Group B  Bart Food Glorious Food Winner Scores All* [ or ] Brass Wind 0138TC/0141BC  Bernstein America Winner Scores All* [ or ] Brass Wind 0138TC/0141BC  Blake Walking in the Air Winner Scores All* [ or ] Brass Wind 0138TC/0141BC Bourgeois Driving Piles Up Front Album for Eb Bass book 2 Brass Wind  [ or ] 0116TC/BC Bratton  & Kennedy Teddy Bears Picnic, p. 19 Winners Galore for Tuba* [ or ] Brass Wind 0123TC/BC Harburg We’re Off to See Easy Winners for Tuba* Brass Wind 0124TC  & Arlen the Wizard [ or ] or 0131BC  Hernandez El Cumbanchero Latino for Tuba [ or ] Brass Wind 0152TC/BC  Lloyd Webber Close Every Door Winner Scores All* [ or ] Brass Wind 0138TC/0141BC Mancini Pink Panther All Jazzed Up for Tuba Brass Wind 1108E [ ]   [ or ] or 1108T [ ] Norman James Bond Theme Easy Winners for Tuba* Brass Wind 0124TC  [ or ] or 0131BC Parker Fletcher Top Line Album for Eb Bass/Tuba  [ or ] Brass Wind 1116TC/BC Pinkard, Carsey Sweet Georgia Brown All Jazzed Up for Tuba Brass Wind 1108E [ ]   & Bernie [ or ] or 1108T [ ] Ramskill Tuba on the Loose From Vivaldi to Fats Waller for Tuba Brass Wind  [ or ] 2112TC/BC Runswick Slinkenpoop Up Front Album for Eb Bass book 2 Brass Wind  [ or ] 0116TC/BC  Walton Ambling Along, no. 1 Six Simple Swingers [ ] Sound the Trumpets Wilson-Smith Odd Job All Jazzed Up for Tuba Brass Wind 1108E []   [ or ] or 1108T [ ] Group C (unaccompanied)  Blakeson Jam on Toast, no. 20 Smooth Groove for Tuba [ or ] Brass Wind 1141TBTC or Red Chilli Sauce, no. 18 or 1153TBBC

134 * Piano accompaniment available separately. Tuba, Eb Bass, Bb Bass — Grade 3

Davis Flamenco Flirt [in D minor] or Horn of Wonder Polished Brass [] Brass Wind 6022TC Gregson Bulgarian Dance, no. 15 20 Supplementary Tunes for Tuba Brass Wind 6002TC  or Folk Song, no. 17 [ or ] or 6021BC Hering Study no. 12 40 Progressive Etudes for Trumpet [] Fischer Johnson Study no. 4, Tuba Tango  or Study no. 5, Jim’s Tune The Tuneful Tuba [ ] Brass Wind 6011BC Lawrance Off Beat  or Staccato Ritmico Featuring Melody for Tuba [ or ] Brass Wind 6017TC/BC  McKenzie Waltz or High Life Music Makes the World Go Round [/ ] Con moto Nightingale Slinky, no. 13 Eazy Jazzy ‘Tudes [ ed.] Warwick

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise Treble clef a) Lip Flexibility Grade 3 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall b) Lip Flexibility Grade 3 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall c) Exercise no. 7 or no. 8 (from How Brass Players Do It) Brass Wind Bass clef a) Lip Flexibility Grade 3 no. 1 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhall b) Lip Flexibility Grade 3 no. 2 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhall c) Exercise no. 7 or no. 8 (from How Tuba Players Do It) Brass Wind either i) Scales & Arpeggios (from memory) Treble clef Scales The following scales to be performed mf, tongued or slurred as requested by the examiner: E and Eb major (one octave) C and E minor (one octave): candidate’s choice of either harmonic or melodic minor Whole-tone scale starting on C (one octave) Arpeggios The following arpeggios to be performed mf, tongued or slurred as requested by the examiner: E and Eb major (one octave) C and E minor (one octave) Bass clef Scales The following scales to be performed mf, tongued or slurred as requested by the examiner: G and Gb major (one octave) Eb and G minor (one octave): candidate’s choice of either harmonic or melodic minor Whole-tone scale starting on Eb (one octave)

135 Tuba, Eb Bass, Bb Bass — Grade 3

Arpeggios The following arpeggios to be performed mf, tongued or slurred as requested by the examiner: G and Gb major (one octave) Eb and G minor (one octave) or ii) Exercise Treble clef The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) E major scale and arpeggio exercise b) Eb major scale and arpeggio exercise c) C minor scale and arpeggio exercise All scales and exercises for treble clef are contained in the book Scales & Exercises for Treble Clef Brass published by Trinity Guildhall. Bass clef The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) G major scale and arpeggio exercise b) Gb major scale and arpeggio exercise c) Eb minor scale and arpeggio exercise All scales and exercises for bass clef are contained in the book Scales & Exercises for Bass Clef Brass published by Trinity Guildhall.

Supporting Tests (2 x 10 marks) Two tests are to be chosen from:

Sight Reading (see page 11)

Aural (see page 14)

Improvisation (see page 18)

Musical Knowledge (see page 21)

136 Tuba, Eb Bass, Bb Bass — Grade 4 Subject codes: TBA/EBB/BBB

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Publisher  Gounod March of a Marionette First Solos for the Tuba Player [ ] Schirmer  Hanmer Staccato, no. 2 Tuba Tunes [ ] Emerson E36  Jacob Marching Tune Six Little Tuba Pieces [ ] Emerson E118  Perrie Asleep in the Deep First Solos for the Tuba Player [ ] Schirmer Sullivan Oh, Is There Not One  Maiden Breast? Just Brass: Tuba Solos, vol. 1 [ ] Chester CH55325  Vivaldi Largo from Winter From Vivaldi to Fats Waller for Tuba [ or ] Brass Wind 2112TC/BC Group B Bart Pick a Pocket or Two A Little Light Music for Tuba Brass Wind 2121E []   [ or ] or 2121T [ ]  Benson Your Feet’s Too Big From Vivaldi to Fats Waller for Tuba [ or ] Brass Wind & Fisher 2112TC/BC  Davenport Fever From Vivaldi to Fats Waller for Tuba [ or ] Brass Wind & Cooley 2112TC/BC Gay Leaning on a Lamp-post A Little Light Music for Tuba Brass Wind 2121E []   [ or ] or 2121T [ ] Goodwin 633 Squadron Great Winners for Tuba* Brass Wind 0132TC  [ or ] or 0137BC Harnick & Bock If I Were a Rich Man A Little Light Music for Tuba Brass Wind 2121E []   [ or ] or 2121T [ ] Mack & Johnson Charleston Let’s Face the Music for Tuba/Eb Bass Brass Wind  [ or ]2134TC/BC  Parker Beach Buggy Top Line Album for Eb Bass/Tuba [ or ] Brass Wind 1116TC/BC  Rogers & Hart Blue Moon Jazzed Up Too [ or ] Brass Wind  1111E [] or 1111T [ ]  Shearing Lullaby of Birdland Big Chillers for Tuba [ or ] Brass Wind 1151TC/BC Group C (unaccompanied) Blakeson Big Band Swing, no. 33 Brass Wind 1141TBTC  or Latin Lady, no. 32 Smooth Groove for Tuba [ or ] or 1153TBBC  Bourgeois Pompous or Wistful Per Tuba Ad Astra [ or ] Brass Wind 1122TC/BC Davis Psychedelic Sweatshirt or Serpent Smoothie Polished Brass [] Brass Wind 6022TC (in C major) Hering Study no. 10 or no. 11 40 Progressive Etudes for Trumpet [] Fischer Johnson Study no. 7, Footsteps  on the Stairs The Tuneful Tuba [ ] Brass Wind 6011BC  Lawrance Syncopated Dance, p. 2 Featuring Melody for Tuba [ or ] Brass Wind 6017TC/BC  McKenzie Mambo or Tango Music Makes the World Go Round [/ ] Con moto Nightingale Blues for Big-Ears, no. 15 Eazy Jazzy ‘Tudes [ed.] Warwick

* Piano accompaniment available separately. 137 Tuba, Eb Bass, Bb Bass — Grade 4

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise Treble clef a) Lip Flexibility Grade 4 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall b) Lip Flexibility Grade 4 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall c) Exercise no. 9 or no. 10 (from How Brass Players Do It) Brass Wind Bass clef a) Lip Flexibility Grade 4 no. 1 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhall b) Lip Flexibility Grade 4 no. 2 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhall c) Exercise no. 9 or no. 10 (from How Tuba Players Do It) Brass Wind either i) Scales & Arpeggios (from memory) Treble clef Scales The following scales to be performed mf, tongued or slurred as requested by the examiner: Bb major (to 12th) F major (one octave) D and F minor (one octave): candidate’s choice of either harmonic or melodic minor Whole-tone scale starting on F (one octave) Chromatic scale starting on C (one octave) Arpeggios The following arpeggios to be performed mf, tongued or slurred as requested by the examiner: Bb major (to 12th) F major (one octave) D and F minor (one octave) Bass clef Scales The following scales to be performed mf, tongued or slurred as requested by the examiner: Db major (to 12th) Ab major (one octave) F and Ab minor (one octave): candidate’s choice of either harmonic or melodic minor Whole-tone scale starting on Ab (one octave) Chromatic scale starting on Eb (one octave) Arpeggios The following arpeggios to be performed mf, tongued or slurred as requested by the examiner: Db major (to 12th) (one octave) Ab major (one octave) F and Ab minor (one octave)

138 Tuba, Eb Bass, Bb Bass — Grade 4 or ii) Exercise Treble clef The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) Bb major scale and arpeggio exercise b) F major expanding scale exercise c) F minor expanding scale exercise All scales and exercises for treble clef are contained in the book Scales & Exercises for Treble Clef Brass published by Trinity Guildhall. Bass clef The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) Db major scale and arpeggio exercise b) Ab major expanding scale c) Ab minor expanding scale All scales and exercises for bass clef are contained in the book Scales & Exercises for Bass Clef Brass published by Trinity Guildhall.

Supporting Tests (2 x 10 marks) Two tests are to be chosen from:

Sight Reading (see page 11)

Aural (see page 14)

Improvisation (see page 18)

Musical Knowledge (see page 21)

139 Tuba, Eb Bass, Bb Bass — Grade 5 Subject codes: TBA/EBB/BBB

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Publisher  Arban The Carnival of Venice First Solos for the Tuba Player [ ] Schirmer  Bevan Courante Handel’s Third Tuba Concerto [ ] Piccolo Press  Grieg Solveig’s Song Great Winners for Tuba* [ or ] Brass Wind 0132TC or 0137BC  Jacob Mazurka Tuba Suite [ ]Boosey Maschwitz A Nightingale Sang  & Sherwin in Berkeley Square Big Chillers for Tuba [ or ] Brass Wind 1151TC/BC  Proctor Blue Potato Tuber Music [ or ] Brass Wind 2126TC/BC  Smalley Tuba Power [/ ] Studio Vaughan Six Studies in English Williams Folksong, no. 1: Adagio and no. 2: Andante sostenuto Stainer   [sep. piano accomp.] [ ] H174 [tuba ] H47 [piano] Group B Gershwin I Got Rhythm A Little Light Music For Tuba Brass Wind 2121E [TC]   [ or ] or 2121T [ ] Gordon Brass Wind 2121E []   & Warren Chattanooga Choo Choo A Little Light Music For Tuba [ or ] or 2121T [ ] Parker Ground Force The Music of Jim Parker Brass Wind   or Mapp and Lucia for Tuba/Eb Bass [ or ] 1132E [] or 1132T [ ]  Ramskill In the Fast Lane Jazzed Up Too [ or ]Brass Wind  1111E [] or 1111T [ ]  Williams Raiders March Great Winners for Tuba* [ or ]Brass Wind 0132TC or 0137BC Group C (unaccompanied)  Bourgeois Contented or Joyful Per Tuba Ad Astra [ or ] Brass Wind 1122TC/BC Davis Heads or Tails or Hornpipe Polished Brass [] Brass Wind 6022TC Hering Study no. 30 or Study no. 33 40 Progressive Etudes for Trumpet [] Fischer Kopprasch Study no. 42 60 Selected Studies  for Bb Tuba [ ] King/Leduc AL 28601  Lawrance Stomp Off Featuring Melody for Tuba [ or ] Brass Wind 6017TC/BC  McKenzie Cerga or Krivo Horo Music Makes the World Go Round [/ ]Con moto Nightingale Passion Fruit Samba, no. 18 or The Turkey, no. 22 Eazy Jazzy ‘Tudes [ ed.] Warwick

* Piano accompaniment available separately. 140 Tuba, Eb Bass, Bb Bass — Grade 5

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise Treble clef a) Lip Flexibility Grade 5 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall b) Lip Flexibility Grade 5 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall c) Exercise no. 14 or no. 16 (from How Brass Players Do It) Brass Wind Bass clef a) Lip Flexibility Grade 5 no. 1 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhall b) Lip Flexibility Grade 5 no. 2 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhall c) Exercise no. 14 or no. 16 (from How Tuba Players Do It) Brass Wind either i) Scales & Arpeggios (from memory) Treble clef Scales The following scales to be performed mf, tongued or slurred as requested by the examiner: G major (two octaves) B major (to 12th) G minor (two octaves): candidate’s choice of either harmonic or melodic minor B minor (to 12th): candidate’s choice of either harmonic or melodic minor Whole-tone scale starting on G (two octaves) Chromatic scale starting on G (two octaves) Arpeggios The following arpeggios to be performed mf, tongued or slurred as requested by the examiner: G major (two octaves) B major (to 12th) G minor (two octaves) B minor (to 12th) Dominant 7th in the key of G (one octave) Bass clef Scales The following scales to be performed mf, tongued or slurred as requested by the examiner: Bb major (two octaves) D major (to 12th) Bb minor (two octaves): candidate’s choice of either harmonic or melodic minor D minor (to 12th): candidate’s choice of either harmonic or melodic minor Whole-tone scale starting on Bb (two octaves) Chromatic scale starting on Bb (two octaves) Arpeggios The following arpeggios to be performed mf, tongued or slurred as requested by the examiner: Bb major (two octaves) D major (to 12th) Bb minor (two octaves) D minor (to 12th) Dominant 7th in the key of Bb (one octave) 141 Tuba, Eb Bass, Bb Bass — Grade 5 or ii) Exercise Treble clef The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) B major scale and arpeggio exercise b) B minor scale and arpeggio exercise c) G major expanding scale exercise d) G minor expanding scale exercise All scales and exercises for treble clef are contained in the book Scales & Exercises for Treble Clef Brass published by Trinity Guildhall. Bass clef The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) D major scale and arpeggio exercise b) D minor scale and arpeggio exercise c) Bb major expanding scale d) Bb minor expanding scale All scales and exercises for bass clef are contained in the book Scales & Exercises for Bass Clef Brass published by Trinity Guildhall.

Supporting Tests (2 x 10 marks) Two tests are to be chosen from:

Sight Reading (see page 11)

Aural (see page 14)

Improvisation (see page 18)

Musical Knowledge (see page 21)

142 Tuba, Eb Bass, Bb Bass — Grade 6 Subject codes: TBA/EBB/BBB

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Publisher Capuzzi Andante from Andante and Rondo (from Concerto for Double Bass) Hinrichsen H1474  Clarke Fighting Windmills (from Sketches from Don Quixote) [ or ] Brass Wind 2111TC/BC Frackenpohl Concertino for Tuba & Piano, 3rd movt Robert King Mozart Horn Concerto no. 4, Rondo or Romanza (from Classics for Tuba) Studio Vivaldi Allegro from Sonata no. 3 Belwin Mills BW100473 Group B Harbach & Kern Smoke Gets in Your Eyes Brass Wind  (from Lets Face the Music for Tuba/Eb Bass) [ or ]2134TC/BC Jacob Tuba Suite, Hornpipe or Saraband Boosey  Proctor Circle Line Dance (from Take the Tube for Tuba & Piano) [ or ] Brass Wind 2129TC/BC  Proctor Swing That Yam (from Tuber Music) [ or ] Brass Wind 2126TC/BC  Waller Ain’t Misbehaving (from Big Chillers for Tuba) [ or ] Brass Wind 1151TC/BC  Wilder Suite no. 1 (Effie Suite), Effie Goes Folk Dancing [ ] Margun Music Group C (unaccompanied)  Bourgeois Carefree or Convivial (from Per Tuba Ad Astra) [ or ] Brass Wind 1122TC/BC  Hartley Suite for Unaccompanied Tuba, any two movements [ ] Elkan-Vogel  Kopprasch Study no. 26 (from 60 Selected Studies for Bb Tuba) [ ] King/Leduc  McKenzie Czardas or Jota (from Rhythms of Life) [/ ] Con moto  Muczynski Impromptus for Solo Tuba op. 32, no. 3: Allegro moderato [ ] Schirmer  Swerts Tuba Rag (from Performance Studies) [/ ] de Haske

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise Treble clef a) Lip Flexibility Grade 6 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall b) Lip Flexibility Grade 6 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall c) Exercise no. 17 or no. 18 (from How Brass Players Do It) Brass Wind Bass clef a) Lip Flexibility Grade 6 no. 1 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhall b) Lip Flexibility Grade 6 no. 2 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhall c) Exercise no. 17 or no. 18 (from How Tuba Players Do It) Brass Wind

143 Tuba, Eb Bass, Bb Bass — Grade 6 either i) Scales & Arpeggios (from memory) Treble clef Scales The following scales to be performed f or p, tongued or slurred or staccato tongued as requested by the examiner: A and F# major (two octaves) A and F# harmonic minor (two octaves) A and F# melodic minor (two octaves) Whole-tone scale starting on A (two octaves) Chromatic scale starting on A (two octaves) Arpeggios The following arpeggios to be performed f or p, tongued or slurred or staccato tongued as requested by the examiner: A and F# major (two octaves) A and F# minor (two octaves Dominant 7th in the key of A (one octave) Diminished 7th starting on A (two octaves) Augmented arpeggio starting on A (two octaves) Bass clef Scales The following scales to be performed f or p, tongued or slurred or staccato tongued as requested by the examiner: C and A major (two octaves) C and A harmonic minor (two octaves) C and A melodic minor (two octaves) Whole-tone scale starting on C (two octaves) Chromatic scale starting on C (two octaves) Arpeggios The following arpeggios to be performed f or p, tongued or slurred or staccato tongued as requested by the examiner: C and A major (two octaves) C and A minor (two octaves) Dominant 7th in the key of C (one octave) Diminished 7th starting on C (two octaves) Augmented arpeggio starting on C (two octaves) or ii) Exercise Treble clef The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) Key centre exercise in A b) A major expanding scale c) A minor expanding scale d) A major scale in 3rds e) A minor scale in 3rds All scales and exercises for treble clef are contained in the book Scales & Exercises for Treble Clef Brass published by Trinity Guildhall. 144 Tuba, Eb Bass, Bb Bass — Grade 6

Bass clef The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) Key centre exercise in C b) C major expanding scale c) C minor expanding scale d) C major scale in 3rds e) C minor scale in 3rds All scales and exercises for bass clef are contained in the book Scales & Exercises for Bass Clef Brass published by Trinity Guildhall.

Supporting Tests (2 x 10 marks) Candidates to prepare i) and ii): i) Sight Reading (see page 11) ii) Aural (see page 14) or Improvisation (see page 18)

145 Tuba, Eb Bass, Bb Bass — Grade 7 Subject codes: TBA/EBB/BBB

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Publisher  J S Bach Sarabande for Tuba & Piano, Allegro moderato or Sarabande [ ] EMR 278 Capuzzi Rondo from Andante and Rondo (from Concerto for Double Bass) Hinrichsen H1474  Handel Sonata in C, 3rd movt: Larghetto and 4th movt: Gavotte [ ] EMR 230  Senaillé Introduction and Allegro Spiritoso [complete] [ ] Hinrichsen 853 Group B Hindemith Sonata for Tuba & Piano, 1st movt: Allegro pesante  or 2nd movt: Allegro assai [ ] Schott ED 4636  Koetsier Sonatina op. 57, 1st movt: Allegro [ ] EMR 239  Proctor Piccadilly Polka (from Take the Tube for Tuba & Piano) [ or ] Brass Wind 2129TC/BC  Ridout Concertino for Tuba and Strings, any two movements [ ] Emerson E139  Wilder Suite no. 1 (Effie Suite), Effie Joins the Carnival [ ] Margun Music Group C (unaccompanied) J S Bach Suite no. 1 in G, Menuetto I or Menuetto II (from J S Bach Suites for Cello)  [adapted for the Bass Trombone] [ ] Leduc AL 25953 Bourgeois Fantasy Pieces for Tuba, no. 1: Allegro moderato  or no. 4: Commodo [ or ] Brass Wind 3106BC  Bourgeois Complex (from Per Tuba Ad Astra) [ or ] Brass Wind 1122TC/BC  Kopprasch Study no. 44 (from 60 Selected Studies for Bb Tuba) [ ] King/Leduc  McKenzie Klezmer or Malaguena (from Rhythms of Life) [/ ]Con moto  Moren Bagatelle or Divertimento (from Performance Studies) [/ ] de Haske Muczynski Impromptus for Solo Tuba op. 32, no. 2: Andante  and no. 5: Allegro giocoso [ ] Schirmer

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise Treble clef a) Lip Flexibility Grade 7 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall b) Lip Flexibility Grade 7 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall c) Exercise no. 21 or no. 22 (from How Brass Players Do It) Brass Wind Bass clef a) Lip Flexibility Grade 7 no. 1 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhall b) Lip Flexibility Grade 7 no. 2 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhall c) Exercise no. 21 or no. 22 (from How Tuba Players Do It) Brass Wind

146 Tuba, Eb Bass, Bb Bass — Grade 7 either i) Scales & Arpeggios (from memory) Treble clef Scales The following scales to be performed f or p, tongued or slurred or staccato tongued as requested by the examiner: B and Bb major (two octaves) B and Bb harmonic minor (two octaves) B and Bb melodic minor (two octaves) Whole-tone scale starting on B and Bb (two octaves) Chromatic scale starting on B and Bb (two octaves) Arpeggios The following arpeggios to be performed f or p, tongued or slurred or staccato tongued as requested by the examiner: B and Bb major (two octaves) B and Bb minor (two octaves) Dominant 7th in the keys of B and Bb (one octave) Diminished 7th starting on B and Bb (two octaves) Augmented arpeggio starting on B and Bb (two octaves) Bass clef Scales The following scales to be performed f or p, tongued or slurred or staccato tongued as requested by the examiner: D and Db major (two octaves) D and C# harmonic minor (two octaves) D and C# melodic minor (two octaves) Whole-tone scale starting on D and Db (two octaves) Chromatic scale starting on D and Db (two octaves) Arpeggios The following arpeggios to be performed f or p, tongued or slurred or staccato tongued as requested by the examiner: D and Db major (two octaves) D and C# minor (two octaves) Dominant 7th in the keys of D and Db (one octave) Diminished 7th starting on D and Db (two octaves) Augmented arpeggio starting on D and Db (two octaves) or ii) Exercise Treble clef The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) Key centre exercise in Bb b) Bb major expanding scale exercise c) B minor expanding scale exercise d) B major scale in 3rds exercise e) Bb minor scale in 3rds exercise All scales and exercises for treble clef are contained in the book Scales & Exercises for Treble Clef Brass published by Trinity Guildhall. 147 Tuba, Eb Bass, Bb Bass — Grade 7

Bass clef The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) Key centre exercise in Db b) Db major expanding scale c) D minor expanding scale d) D major scale in 3rds e) C# minor scale in 3rds All scales and exercises for bass clef are contained in the book Scales & Exercises for Bass Clef Brass published by Trinity Guildhall.

Supporting Tests (2 x 10 marks) Candidates to prepare i) and ii): i) Sight Reading (see page 11) ii) Aural (see page 14) or Improvisation (see page 18)

148 Tuba, Eb Bass, Bb Bass — Grade 8 Subject codes: TBA/EBB/BBB

Pieces (3 x 22 marks) Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own composition (see page 10). Group A Piece Publisher  Bourgeois Sonata for Tuba and Piano op. 204, 3rd movt [ ] Brass Wind 3120  Ellerby Tuba Concerto, from letter N to the end [ ] Maecenas Gregson Tuba Concerto, 1st movt: Allegro deciso  or 3rd movt: Allegro giocoso [with cadenza] [ ] Novello NOV120484 Newton Cappriccio Winwood Vaughan  Williams Concerto for Bass Tuba, any one movement [with cadenzas] [ ]OUP Group B  Brahms Hungarian Dance no. 5 (from Classics for Tuba) [/ ] Studio  Gluck Dance of the Blessed Spirits (from Classics for Tuba) [/ ] Studio  Hindemith Sonata for Tuba & Piano, 3rd movt: Variations [ ] Schott ED 4636  Jacob Tuba Suite, Galop [with cadenza] [ ]Boosey Koetsier Sonatina op. 57, 2nd movt: Tempo di minuetto  and 3rd movt: Allegro moderato [ ] EMR 239  Monti Czardas for Tuba & Piano [ ] EMR 272 Group C (unaccompanied)  Arnold Fantasy for Tuba op. 102 [ ] Faber J S Bach Suite no. 5, Gigue in C minor (from J S Bach Suites for Cello)  [adapted for the bass trombone] [ ] Leduc AL 25953 J S Bach Vivace from a ‘Cello Suite (from The Thomas Wyss Tuba Collection) Kirklees Bourgeois Fantasy Pieces for Tuba, no. 6: Allegro moderato  or no. 8: Moderato pesante [ or ] Brass Wind 3106TC/BC  Ellerby El Patricko Latino (from Performance Studies) [/ ] de Haske Persichetti Serenade no. 12 for Solo Tuba, op. 88, Intrada  and Capriccio [ ] Elkan-Vogel 164-00062  Vizzutti Fast and Rhythmic (from Performance Studies) [/ ] de Haske

Technical Work (14 marks) (see page 6) Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full. Lip Flexibility Exercise Treble clef a) Lip Flexibility Grade 8 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall b) Lip Flexibility Grade 8 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall c) Exercise no. 28 or no. 29 (from How Brass Players Do It) Brass Wind Bass clef a) Lip Flexibility Grade 8 no. 1 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhall b) Lip Flexibility Grade 8 no. 2 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhall c) Exercise no. 28 or no. 29 (from How Tuba Players Do It) Brass Wind 149 Tuba, Eb Bass, Bb Bass — Grade 8 either i) Scales & Arpeggios (from memory) Treble clef Scales The following scales to be performed f or p, tongued or slurred or staccato tongued or slurred in pairs as requested by the examiner: C, Ab and F# major (two octaves) C, Ab and F# harmonic minor (two octaves) C, Ab and F# melodic minor (two octaves) Whole-tone scale starting on C, Ab and F# (two octaves) Chromatic scale starting on C, Ab and F# (two octaves) Crabwise scale from C and G (two octaves — tongued or slurred in octaves) Arpeggios The following arpeggios to be performed f or p, tongued or slurred or staccato tongued as requested by the examiner: C, Ab and F# major (two octaves) C, Ab and F# minor (two octaves) Dominant 7th in the key of C (two octaves) Dominant 7th in the keys of Ab and F# (one octave) Diminished 7th starting on C, Ab and F# (two octaves) Augmented arpeggio starting on C, Ab and F# (two octaves) Bass clef Scales The following scales to be performed f or p, tongued or slurred or staccato tongued or slurred in pairs as requested by the examiner: Eb, B and A major (two octaves) Eb, B and A harmonic minor (two octaves) Eb, B and A melodic minor (two octaves) Whole-tone scale starting on Eb, B and A (two octaves) Chromatic scale starting on Eb, B and A (two octaves) Crabwise scale from Bb and Eb (two octaves — tongued or slurred in octaves) Arpeggios The following arpeggios to be performed f or p, tongued or slurred or staccato tongued as requested by the examiner: Eb, B and A major (two octaves) Eb, B and A minor (two octaves) Dominant 7th in the key of Eb (two octaves) Dominant 7th in the keys of A and B (one octave) Diminished 7th starting on Eb, B and A (two octaves) Augmented arpeggio starting on Eb, B and A (two octaves)

150 Tuba, Eb Bass, Bb Bass — Grade 8 or ii) Exercise Treble clef The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) Key centre exercise in the keys of C, Ab and F# b) Crabwise scale from G in 3rds All scales and exercises for treble clef are contained in the book Scales & Exercises for Treble Clef Brass published by Trinity Guildhall. Bass clef The following exercises to be played either tongued or including slurs as indicated, as requested by the examiner: a) Key centre exercise in the keys of Eb, B and A b) Crabwise scale from Bb in 3rds All scales and exercises for bass clef are contained in the book Scales & Exercises for Bass Clef Brass published by Trinity Guildhall.

Supporting Tests (2 x 10 marks) Candidates to prepare i) and ii): i) Sight Reading (see page 11) ii) Aural (see page 14) or Improvisation (see page 18)

151 Music publishers’ contact details

Abbreviations used in this syllabus are given in brackets after the publisher’s full name. Please notes that agents’ or distributors’ addresses are given for non-UK publishers. These publishers may have different local agents in other parts of the world who may be able to supply music more easily or quickly. Details of these may be obtained by contacting the publishers directly at the addresses listed here. Trinity cannot guarantee that music will always be in stock with local suppliers. Candidates and teachers should always check with the publisher before it is assumed that any item has gone out of print.

Alfred Publishing (Alfred): www.alfred.com in UK: c/o Faber Music Ltd Anglo Music Press (Anglo Music): c/o De Haske Music (UK) Ltd Arcadia Music Publishing Co. Ltd (Arcadia): P.O. Box 1, Rickmansworth, Herts WD3 3AZ, UK Bärenreiter Ltd (Bärenreiter): c/o Burnt Mill, Elizabeth Way, Harlow, Essex CM20 2HX, UK T +44 (0)1279 828 930; www.baerenreiter.com Editio Bärenreiter Praha (Bärenreiter Praha): c/o Bärenreiter Ltd Bayley & Ferguson (Bayley): c/o Paxman Musical Instruments Ltd Belwin Mills (Belwin): c/o Alfred Publishing Gerard Billaudot Editeur (Billaudot): 14 rue de l’Echiquier, 75010 Paris, France T +33 (1) 47 70 14 46; www. billaudot.com in UK: c/o United Music Publishers Ltd Birdalone Music (Birdalone): 2212 32nd Street, San Diego, CA 92104, USA T +1 619 889 0293; www.birdalone.com Boosey & Hawkes Music Publishers Ltd (Boosey): Mail Order: Boosey & Hawkes, c/o Music Exchange, Claverton Road, Manchester M23 9ZA, UK T +44 (0)20 7054 7200 or (Freephone in UK only) 0800 731 4778; www.boosey.com Boston Music Company (Boston): c/o Music Sales Ltd G & M Brand (Brand): c/o R Smith & Co Ltd, P.O. Box 367, Aylesbury, Bucks HP22 4LJ, UK T +44 (0)1296 682 220; www.rsmith.co.uk Brass Wind Publications (Brass Wind): 4 St Mary’s Road, Manton, Oakham, Rutland LE15 8SU, UK T +44 (0)1572 737 409; www.brasswindpublications.co.uk Breitkopf & Härtel (Breitkopf): Obere Waldstraße 30, 65232 Taunusstein, Germany T +49 (6128) 96630 in UK: c/o 30 Mill Road, Dymchurch, Romney Marsh, Kent TN29 ONZ; T +44 (1303) 87 00 37; www.breitkopf.com Broadbent & Dunn Ltd (Broadbent & Dunn): 66 Nursery Lane, Dover, Kent CT16 3EX, UK T +44 (0)1304 825604; www.broadbent-dunn.com Chappell (Chappell): c/o Faber Music Ltd Chester Music Ltd (Chester): c/o Music Sales Comus Edition (Comus): Leach Cottage, Heirs House Lane, Colne, Lancs BB8 9TA, UK T +44 (0)1282 864 985; www.comusedition.com Con Moto Publications UK (Con Moto): c/o Mostyn Music Curnow Music Press (Curnow): P.O. Box 142, Wilmore, KY 40390, USA T +1 800 7287 669; www.curnowmusicpress.com De Haske Music (UK) Ltd (De Haske): Fleming Road, Earlstrees, Corby, Northants. NN17 2SN, UK T +44 (0)1536 260 981; www.dehaske.com Durand et Cie (Paris) (Durand): 5 rue du Helder, 75009 Paris, France T +33 (0)1 53 24 80 01; www.durand-salabert-eschig.com for the rest of the world: c/o United Music Publishers Ltd

152 Music publishers

Editions Marc Reift (EMR): Case postale 308, Route du Golf 150 CH-3963 Crans-Montana, Switzerland; T +41 (0) 27 483 12 00; www.reift.ch; in UK: c/o Music Trading Elkan-Vogel (Elkan-Vogel): P.O. Box 7720, New York, NY 101500-1914, USA in UK: c/o United Music Publishers Ltd Emerson Edition Ltd (Emerson): Windmill Farm, Ampleforth, York YO62 4HF, UK T +44 (0)1439 788 324; www.juneemerson.co.uk Ensemble Publications (Ensemble): c/o Music Sales Faber Music Ltd (Faber): Burnt Mill, Elizabeth Way, Harlow, Essex CM20 2HX, UK T +44 (0)1279 828 989; www.fabermusic.com Fentone Music Ltd (Fentone): c/o De Haske Music (UK) Ltd Carl Fischer LLC (Fischer): 65 Bleecker Street, New York, NY 10012, USA T +1 212 777 0900; in UK: c/o Schott Music Ltd Carl Gehrmans Musikförlag (Gehrmans): Box 42026, SE - 126 12 Stockholm, Sweden T +46 8 610 06 00; www.gehrmans.se Gramercy Music (UK) (Gramercy): P.O. Box 41, Cheadle Hulme, Cheshire SK8 5HF, UK T + 44 (0)161 486 1959; www.gramercymusic.com; in USA: c/o Southern Music Guildhall (Guildhall): c/o Faber Music Ltd Hallamshire Music (Hallamshire): Bank End, North Somercotes, Louth, Lincs LN11 7LN, UK T +44 (0)1507 358 141; www.hallamshiremusic.co.uk Hinrichsen Edition (Hinrichsen): c/o Peters Edition Ltd Friedrich Hofmeister Musikverlag (Hofmeister): Büttnerstraße 10, D-04103 Leipzig, Germany T +49 341 9 60 07 50; www.friedrich-hofmeister.de; in UK: c/o Music Sales Ltd The Hornist’s Nest (Hornist’s): P.O. Box 33, Buffalo, NY 14231-0033, USA T +1 716 626 9534; www.thehornistsnest.net International Music Company (IMC): 5 West 37 Street New York, NY 10018, USA T +1 212 391 4200; www.internationalmusicco.com in UK c/o Schott Music Ltd International Music Publications (IMP): c/o Faber Music Ltd Edwin F Kalmus & Co. Inc. (Kalmus): P.O. Box 5011, Boca Raton, FL 33431, USA T +1 800 434 6340; in UK: c/o Music Sales Ltd Robert King Music Sales Inc (Robert King): 140 Main Street, North Easton, Massachusetts 02356, USA; fax. +1 508 238 2571; www.rkingmusic.com; in UK: c/o United Music Publishers Ltd Kirklees Music (Kirklees): 609 Bradford Road, Bailiff Bridge, Brighouse, West Yorkshire HD6 4DN, UK T +44 (0) 1484 722 855; www.kirkleesmusic.co.uk Editions Alphonse Leduc (Leduc): 175, rue Saint-Honoré, 75040 Paris cedex 01, France T +33 (0)1 42 96 89 11; www.alphonseleduc.com; in UK: c/o United Music Publishers Ltd Editions Henry Lemoine (Lemoine): 41 rue Bayen, 75017 Paris, France; www.editions-lemoine.fr in UK: c/o Faber Music Ltd Maecenas Music Ltd (Maecenas): 5 Bushey Close, Old Barn Lane, Kenley, Surrey, CR8 5AU, UK T +44 (0)20 8660 3914; www.maecenasmusic.co.uk Margun Music (Margun): c/o Music Sales Ltd Moeck Verlag (Moeck): P.O. Box 3131, D-29231 Celle, Lückenweg 4, D-29227 Celle, Germany T +49-5141 8853 0; www.moeck.com; in UK: c/o The Early Music Shop, Salts Mill, Victoria Road, Saltaire, West Yorkshire BD18 3LA, UK, T +44 (0) 1274 288 100; www.earlymusicshop.com Mowhawk (Mowhawk): c/o Emerson Edition Music for Brass Ltd (MfB): Unit 1, Warneford Avenue, Ossett, West Yorkshire WF5 9NJ, UK T +44 (0)1924 261154 Musica Rara (Musica Rara): c/o Breitkopf & Härtel 153 Music publishers

Music Sales Ltd (Music Sales): Distribution Centre, Newmarket Road, Bury St. Edmunds, Suffolk IP33 3YB, UK; T +44 (0)1284 702 600; www.musicroom.com Music Trading (MusT): 33 Quernmore Road, London N4 4QT, UK T +44 (0)20 8341 4088; www.music-trading.co.uk/www.tutti.co.uk Musikk-Husets Forlag (Musikk-Husets): pb. 822 Sentrum, 0104 Oslo, Norway T +47 22 82 59 00; www.musikk-huset.no Mostyn Music (Mostyn): 8 Milvil Court, Milvil Road, Lee-on-Solent, Hants PO13 9LY, UK T +44 (0)2392 550 566; www.mostynmusic.com Neuschel Music (Neuschel): c/o Studio Music Company Norsk Musikforlag (Norsk): Postboks 1499 Vika, 0116 Oslo, Norway T +47 23 00 20 10; www.norskmusikkforlag.no Novello & Co. Ltd (Novello): c/o Music Sales Ltd Oxford University Press (OUP): Music Department, Great Clarendon Street, Oxford OX2 6DP, UK T +44 (0)1865 355 067; www.oup.com in Australia: c/o Alfred Australia, P.O. Box 2355, Taren Point, NSW 2229 T +61 2 9524 0033; [email protected] in USA: Oxford University Press Inc, 198 Maddison Avenue, New York, NY 10016 Paterson’s Publications (Paterson’s): c/o Music Sales Ltd Peters Edition Ltd (Peters): 10–12 Baches Street, London N1 6DN, UK T +44 (0)20 7553 4000; www.editionpeters.com Piccolo Press (Piccolo): 10 Clifton Terrace, Winchester, Hampshire, SO22 5BJ, UK T +44 (0)1962 864 755; www.piccolopress.info Piper Publications (Piper): Dochroyale Farm, Barrhill, Girvan, Ayrshire KA26 0QG, UK T +44 (0)1465 821 377; www.piperpublications.co.uk Pro Musica Verlag (Pro Musica): Karl-Liebknecht-Strasse 12, D-4107 Leipzig, Germany Ravencar Music (Ravencar): +44 (0)1246 434657; or c/o R Smith & Co Ltd, P.O. Box 367, Aylesbury, Bucks HP22 4LJ, UK; T +44 (0)1296 682 220; www.rsmith.co.uk G. Ricordi & Co (London) Ltd (Ricordi): in UK: c/o United Music Publishers Ltd Rubank (Rubank): c/o Studio Music Company Salvationist Publishing & Supplies (Salvationist): 117-121 Judd Street, King's Cross, London WC1H 9NN, UK; T +44 (0)20 7387 7814; www.sps-shop.com G. Schirmer Inc. (Schirmer): c/o Music Sales Ltd Schott Music Ltd (Schott): 48 Great Marlborough Street, London W1F 7BB, UK T +44 (0)20 743 712 46/0800 525 566: www.schott-music.com Skandinavisk Musikforlag (Skandinavisk): Bornholmsgade 1, 1266 København, Denmark T +45 33 11 78 88 Samfundet til Udgivelse af Dansk Musik (Edition Samfundet): Gråbrødrestræde 18.st., DK-1156 Copenhagen K, Denmark; T +45 33 13 54 45; www.samfundet.dk Sound The Trumpets (Sound The Trumpets): c/o Mostyn Music Southern Music Company (Southern): P.O. Box 329, 1248 Austin Highway, Suite 212 San Antonio, Texas 78292, USA; T +1 210 226 8167; in UK: c/o Valentine Music, 26 Lichfield Street, London WC2H 9TZ, UK, T +44 (0)20 7240 1628; www.valentinemusic.co.uk Spartan Press Music Publishers Ltd (Spartan): Strathmashie House, Laggan Bridge, Scottish Highlands, PH20 1BU, UK; T +44 (0)1528 544 770; www.spartanpress.co.uk Stainer & Bell Ltd (Stainer): P.O. Box 110, Victoria House, 23 Gruneisen Road, London N3 1DZ, UK T +44 (0)20 8343 3303; www.stainer.co.uk

154 Music publishers

Studio Music Company (Studio Music): Cadence House, Eaton Green Road, Luton, Bedfordshire LU2 9LD T +44 (0)1582 432 139 or Freephone (UK only) 0800 389 2484; www.studio-music.co.uk Trinity Faber (Trinity Faber): c/o Faber Music Ltd Universal Edition (London) Ltd (Universal): 48 Great Marlborough Street, London W1F 7BB, UK T +44 (0)20 7437 1246/+44 (0)20 7534 0710: www.universaledition.com Warner Bros. Publications (Warner Bros): c/o Faber Music Ltd Warwick Music Ltd (Warwick): 1 Broomfield Road, Earlsdon, Coventry CV5 6JW, UK T +44 (0)24 7671 2081; www.warwickmusic.com Winwood Music (Winwood): Unit 7, Fieldside Farm, Quainton, Bucks HP22 4DQ, UK T +44 (0)1296 655777; www.winwoodmusic.com Wright & Round Ltd (Wright & Round): The Cornet Office, P.O. Box 157, Gloucester GL1 1LW, UK T +44 (0)1452 523 438 Musikverlag Zimmermann (Zimmermann): c/o MusT

UK specialist suppliers In case of any difficulty in obtaining music, the following specialist suppliers may be helpful. All brass instruments June Emerson Windmill Farm, Ampleforth, York YO62 4HF, UK T +44 (0)1439 788 324; www.juneemerson.co.uk

Mostyn Music 8 Milvil Court, Milvil Road, Lee-on-Solent, Hants PO13 9LY, UK T +44 (0)2392 550 566; www.mostynmusic.com

Phil Parker Ltd 106a Crawford Street, London, W1H 2HZ, UK T +44 (0)20 7486 8206; www.philparker.co.uk

Horn Paxman Musical Instruments Ltd Linton House, 164–180 Union Street, London SE1 0LH, UK T +44 (0)20 7620 2077; www.paxman.co.uk

155 Trinity Guildhall publications

Aural Tests Trinity Guildhall Aural Tests from 2007: In two volumes, Initial to Grade 5 and Grade 6 to Grade 8, each with CD, containing sample tests for the Aural section of the exam. With explanations, sample answers and advice on completing the tests.

Scales & Arpeggios Trinity Guildhall Brass Scales & Exercises (Grades 1–8): Trinity Guildhall and Exercises publishes scale books for examination use as follows: Scales & Exercises for Treble Clef Brass — for all valved treble clef readers Scales & Exercises for French Horn Scales & Exercises for Trombone — treble and bass clef Scales & Exercises for Bass Clef Brass — for Eb Tuba and Bb Baritone bass clef readers Scales & Exercises for Soprano Cornet — available to download from www.trinityguildhall.co.uk Scales & Exercises for Bass Trombone — available to download from www.trinityguildhall.co.uk Sight Reading The Sound at Sight series gives full instructions and practice materials for preparation for the sight reading tests. Sound at Sight Trumpet (Grades 1–8) is suitable for all valved treble clef readers. Sound at Sight Bass Clef Brass (Grades 1–8) is suitable for euphonium, trombone and Eb tuba players reading in bass clef.

Repertoire Books Trumpet Allsorts (Grades 1–3) is a joint Trinity Faber publication containing a mixture of repertoire from all musical eras.

All Trinity Guildhall publications are available from your local music shop, but can also be obtained directly from our distributors:

Faber Music Distribution Ltd, Burnt Mill, Elizabeth Way, Harlow CM20 2HX, UK T +44 (0)1279 828982 F +44 (0)1279 828983 E [email protected] www.fabermusic.com

If you are ordering directly from Faber Music Distribution Ltd, please order carefully as no returns can be accepted. A postage charge will be added to your order.

For a publications list or if you have any queries about music published by Trinity Guildhall, please contact:

Trinity Guildhall Examinations, 89 Albert Embankment, London SE1 7TP, UK T +44 (0)20 7820 6100 F +44 (0)20 7820 6161 E [email protected] www.trinityguildhall.co.uk/music

156 Notes Notes Notes Notes