Public Figures Affected by Pancreatic Cancer
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Aretha Franklin's Gendered Re-Authoring of Otis Redding's
Popular Music (2014) Volume 33/2. © Cambridge University Press 2014, pp. 185–207 doi:10.1017/S0261143014000270 ‘Find out what it means to me’: Aretha Franklin’s gendered re-authoring of Otis Redding’s ‘Respect’ VICTORIA MALAWEY Music Department, Macalester College, 1600 Grand Avenue, Saint Paul, MN 55105, USA E-mail: [email protected] Abstract In her re-authoring of Otis Redding’s ‘Respect’, Aretha Franklin’s seminal 1967 recording features striking changes to melodic content, vocal delivery, lyrics and form. Musical analysis and transcription reveal Franklin’s re-authoring techniques, which relate to rhetorical strategies of motivated rewriting, talking texts and call-and-response introduced by Henry Louis Gates, Jr. The extent of her re-authoring grants her status as owner of the song and results in a new sonic experience that can be clearly related to the cultural work the song has performed over the past 45 years. Multiple social movements claimed Franklin’s ‘Respect’ as their anthem, and her version more generally functioned as a song of empower- ment for those who have been marginalised, resulting in the song’s complex relationship with feminism. Franklin’s ‘Respect’ speaks dialogically with Redding’s version as an answer song that gives agency to a female perspective speaking within the language of soul music, which appealed to many audiences. Introduction Although Otis Redding wrote and recorded ‘Respect’ in 1965, Aretha Franklin stakes a claim of ownership by re-authoring the song in her famous 1967 recording. Her version features striking changes to the melodic content, vocal delivery, lyrics and form. -
“Grunge Killed Glam Metal” Narrative by Holly Johnson
The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way. -
Official Web Site of the United States District Court for the Southe
Case 3:11-cv-01557-BTM-RBB Document 57 Filed 03/04/13 Page 1 of 10 1 2 3 4 5 6 7 8 UNITED STATES DISTRICT COURT 9 SOUTHERN DISTRICT OF CALIFORNIA 10 11 SCORPIO MUSIC (BLACK SCORPIO) Case No. 11cv1557 BTM(RBB) S.A. and CAN’T STOP PRODUCTIONS, 12 INC., ORDER DENYING MOTION TO DISMISS COUNTERCLAIM 13 Plaintiffs, v. 14 VICTOR WILLIS, 15 Defendant. 16 17 VICTOR WILLIS, 18 Counterclaimant, 19 v. 20 SCORPIO MUSIC (BLACK SCORPIO) S.A. and CAN’T STOP PRODUCTIONS, 21 INC., 22 Counterclaim-Defendants, 23 -and- 24 HENRI BELOLO, 25 Additional Counterclaim-Defendant. 26 27 28 1 11CV1557 BTM(RBB) Case 3:11-cv-01557-BTM-RBB Document 57 Filed 03/04/13 Page 2 of 10 1 Plaintiffs-Counterdefendants Scorpio Music (Black Scorpio) S.A. and Can’t Stop 2 Productions, Inc. (“Plaintiffs”) have filed a Motion to Dismiss Counterclaim. On January 10, 3 2013, the Court held oral argument on the motion. For the reasons discussed below, 4 Plaintiffs’ motion is DENIED. 5 6 I. BACKGROUND 7 This lawsuit concerns the termination by Defendant Victor Willis of his post-1977 8 grants of his copyright interests in certain musical compositions. 9 Willis is the original lead singer of the Village People. Plaintiff Scorpio Music S.A. 10 (“Scorpio”) is a French corporation engaged in the business of publishing and otherwise 11 commercially exploiting musical compositions. Plaintiff Can’t Stop Productions, Inc. (“Can’t 12 Stop”) is the exclusive sub-publisher and administrator in the United States of musical 13 compositions published and owned by Scorpio. -
Greenup County, You Have a of June in Pike County
J.D. Crowe Table of Contents US23CountryMusicHighway......................4 The Future Stars of Country Music.................5 “More Than Music” US 23 Driving Tour.............8 Billy Ray Cyrus........................................9 Greenbo Lake State Resort Park...................10 Jesse Stuart..........................................11 The Judds.............................................12 Boyd County Tourism.................................13 Ricky Skaggs.........................................15 Lawrence County Tourism............................16 Larry Cordle..........................................18 Loretta Lynn & Crystal Gayle.......................19 US 23: John Boy’s Country .....................20 Hylo Brown...........................................21 Johnson County Tourism..............................22 Dwight Yoakam.......................................23 Map....................................................24 The Jenny Wiley Story.............................27 Presonsburg Tourism..................................28 Elk in Eastern Kentucky..............................30 Patty Loveless.......................................33 Pikeville/Pike County Tourism........................37 The banjo on the cover of this year’s magazine is a Hatfields and McCoys...............................38 Gibson owned by JD Crowe.JDwasbornandraisedin Gary Stewart........................................39 Lexington, Kentucky, and was one of the most influential Marion Sumner.......................................39 bluegrass musicians. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Press Release
Contact Marketing / Promotion Label: UDR GmbH Süderwungweg 10 thomas@udr‐music.com 25813 Husum . Germany serena@udr‐music.com Phone: +49 (0)4841 - 66 821 67 Mail: [email protected] Mobile: +49 (0)151 - 2523 7051 Fax: +49 (0) 4841 - 66 821 68 Label @ Facebook: www.facebook.com/UDR.Music Label @ Web: www.udr‐music.com Saxon @ Facebook: www.facebook.com/saxon Saxon @ Web: www.saxon747.com Press Release COVER CD I Tracklist – including performers: 1. Crazy Train 7. Goodbye to Romance Vocals: Serj Tankiann Vocals: Ripper Gtrs: Tom Morello Gtrs: Gus G. Bass: Rudy Sarzo Bass: Rudy Sarzo Drums: Vinny Appice Drums: Brett Chassen 2. Over the Mountain 8. Back To The Coast (Quiet Riot) Vocals: Ripper Vocals: Kelle Rhoads Gtrs: Jon Donais Gtrs: Bruce Kulick Bass: Rudy Sarzo Bass: Rudy Sarzo Drums: Frankie Banali Drums Frankie Banali 3. Mr Crowley 9. Killer Girl. (Quiet Riot) Vocals: Chuck Billy Vocals: Ripper Owens Gtrs: Alexi Laiho Gtrs: Joel Hoekstra Keyboards: Kelle Rhoads Bass: Rudy Sarzo Bass Rudy: Sarzo Drums: Brett Chassen Drums: Vinny Appice 10. Believer 4. Suicide Solution Vocals: Ripper Vocals: Ripper Gtrs: Doug Aldrich Gtrs: Brad Gillis Bass: Rudy Sarzo Bass: Rudy Sarzo Drums: Vinny Appice Drums: Brett Chassen 11. S A T 0 5. I Don't Know Vocals: Ripper Owens Vocals: Ripper Rhythm guitars: Bob Kulick Gtrs: George Lynch Lead guitar: Dweezil Zappa Bass: Rudy Sarzo Bass: Rudy Sarzo Drums: Brett Chassen Drums: Vinny Appice 6. Flying High Again Vocals: Ripper Gtrs: Bernie Torme Bass: Rudy Sarzo Drums: Brett Chassen Press Release: IMMORTAL RANDY RHOADS – THE ULTIMATE TRIBUTE wird weltweit über UDR Music im März 2015 veröffentlicht. -
Comedy Theatre Arts Lectures Health
ST. LOUIS AMERICAN • DEC. 26, 2013 – JAN. 1, 2014 C3 63101. For more information, St. Louis: A Celebration Magic 100.3 Wed., Dec. 25, 12 p.m., age 11 and older to help make call (636) 527-9700 or visit through Dance. 6445 Forsyth presents Kranzberg Arts Center their baby-sitting experience a www.commitmentday.com. Blvd. # 203, 63105. For Charlie presents Stephanie Liner: success. The class will cover: more information, visit www. Wilson. See Momentos of a Doomed basic information needed Fri., Jan. 3, 7 p.m., Scottrade thebigmuddydanceco.org. CONCERTS Construct. Stephanie before you start baby-sitting, Center hosts The Harlem for details. Liner creates large orbs safety information, first- Globetrotters. 1401 Clark Sat. Jan. 19, 10 a.m., The and beautifully upholstered aid and child development. Ave., 63103. For more Pulitzer Foundation for egg shaped sculptures Each baby-sitter receives a information, visit www. the Arts presents History with windows that allow participation certificate, and harlemglobetrotters.com. of a Culture: The Real Hip the viewer to peer inside book and bag. A light snack Hop. Celebrate the history of the structure to discover a is provided. Class is taught by Sat., Jan. 4, 11 a.m., The hip-hop with a day of break beautiful girl trapped inside. St. Luke’s health educators. America’s Center hosts The dancing & street art. Watch 501 N. Grand Blvd., 63103. 222 S. Woods Mill Rd., Wedding Show. The largest Mr. Freeze, from the legendary For more information, visit 63017. For more information, wedding planning event in St. Rock Steady Crew & creator www.art-stl.com. -
Multimillion-Selling Singer Crystal Gayle Has Performed Songs from a Wide Variety of Genres During Her Award-Studded Career, B
MultiMillion-selling singer Crystal Gayle has performed songs from a wide variety of genres during her award-studded career, but she has never devoted an album to classic country music. Until now. You Don’t Know Me is a collection that finds the acclaimed stylist exploring the songs of such country legends as George Jones, Patsy Cline, Buck Owens and Eddy Arnold. The album might come as a surprise to those who associate Crystal with an uptown sound that made her a star on both country and adult-contemporary pop charts. But she has known this repertoire of hardcore country standards all her life. “This wasn’t a stretch at all,” says Crystal. “These are songs I grew up singing. I’ve been wanting to do this for a long time. “The songs on this album aren’t songs I sing in my concerts until recently. But they are very much a part of my history.” Each of the selections was chosen because it played a role in her musical development. Two of them point to the importance that her family had in bringing her to fame. You Don’t Know Me contains the first recorded trio vocal performance by Crystal with her singing sisters Loretta Lynn and Peggy Sue. It is their version of Dolly Parton’s “Put It Off Until Tomorrow.” “You Never Were Mine” comes from the pen of her older brother, Jay Lee Webb (1937-1996). The two were always close. Jay Lee was the oldest brother still living with the family when their father passed away. -
Discourse on Disco
Chapter 1: Introduction to the cultural context of electronic dance music The rhythmic structures of dance music arise primarily from the genre’s focus on moving dancers, but they reveal other influences as well. The poumtchak pattern has strong associations with both disco music and various genres of electronic dance music, and these associations affect the pattern’s presence in popular music in general. Its status and musical role there has varied according to the reputation of these genres. In the following introduction I will not present a complete history of related contributors, places, or events but rather examine those developments that shaped prevailing opinions and fields of tension within electronic dance music culture in particular. This culture in turn affects the choices that must be made in dance music production, for example involving the poumtchak pattern. My historical overview extends from the 1970s to the 1990s and covers predominantly the disco era, the Chicago house scene, the acid house/rave era, and the post-rave club-oriented house scene in England.5 The disco era of the 1970s DISCOURSE ON DISCO The image of John Travolta in his disco suit from the 1977 motion picture Saturday Night Fever has become an icon of the disco era and its popularity. Like Blackboard Jungle and Rock Around the Clock two decades earlier, this movie was an important vehicle for the distribution of a new dance music culture to America and the entire Western world, and the impact of its construction of disco was gigantic.6 It became a model for local disco cultures around the world and comprised the core of a common understanding of disco in mainstream popular music culture. -
Official Ratings As January 2012
2012 Edificio Ocean Business Plaza, Ave. Aquilino de la Guardia con Calle 47, Oficina 1405, Piso 14 Cdad. de Panamá, Panamá Phone: + (507) 340-6425 Web Site: www.wbanews.com WORLD BOXING ASSOCIATION GILBERTO MENDOZA PRESIDENT OFFICIAL RATINGS AS OF NOVEMBER 2012 Based on results held from 04th November to December 04th, 2012 CHAIRMAN MEMBERS MIGUEL PRADO SANCHEZ E-mail: [email protected] GEORGE MARTINEZ CANADA VICE CHAIRMAN JOSE EMILIO GRAGLIA ARGENTINA GUSTAVO PADILLA E-mail: [email protected] ALAN KIM KOREA Over HEAVYWEIGHT 200 Lbs / CRUISERWEIGHT 200 Lbs / LIGHT HEAVYWEIGHT 175 Lbs / 90.71 Kgs 90.71 Kgs 79.38 Kgs SUPER CHAMPION: WORLD CHAMPION: WLADIMIR KLITSCHKO UKR DENIS LEBEDEV RUS WORLD CHAMPION: Won Title: 09-27-08 WORLD CHAMPION: ALEXANDER POVETKIN RUS Last Mandatory: 10-02-10 BEIBUT SHUMENOV KAZ Won Title: 08-27-11 Last Defense: 11-05-11 Won Title: 01-29-10 Last Mandatory: 09-29-12 CHAMPION IN RECESS: Last Mandatory: 07-23-10 Last Defense: 09-29-12 GUILLERMO JONES PAN Last Defense: 06-02-12 WBC: VITALY KLITSCHKO WBC: KRZYSTOF WLODARCZYK WBC: CHAD DAWSON IBF – WBO: WLADIMIR KLITSCHKO IBF: YOAN HERNANDEZ WBO: MARCO HUCK IBF: TAVORIS CLOUD WBO: NATHAN CLEVERLY 1. DAVID HAYE (WBA I/C) GBR 1. OFFICIAL CHALLENGER VACANT 1. GAYRAT AHMEDOV (WBA INT) UZB 2. LUIS ORTIZ (INTER) CUB 2. PAWEL KOLODZIEJ POL 2. BERNARD HOPKINS USA 3. RUSLAN CHAGAEV UZB 3. BJ FLORES (NABA) USA 3. EDUARD GUTKNECHT (EBU) KAZ 4. KUBRAT PULEV BUL 4. LAUDELINO BARROS BRA 4. VYACHESLAV UZELKOV UKR 5. DENIS BOYTSOV RUS 5. IAGO KILADZE (WBA I/C) GEO 5. -
The WBA Regrets the Sensible Pass Away of Our Friends Carlos Piñango and Jesús Celis
World Boxing Association Official Site http://wbanews.com/new The WBA regrets the sensible pass away of our friends Carlos Piñango and Jesús Celis The the World Boxing Association regrets sensible pass away of two great friends of the entity, the former Venezuelan boxer and trainer Carlos Piñango, and International Official Jesús Celis, who were always linked to sport. Piñango passed away at the age of 54 due to respiratory arrest. He was a professional Boxer, inspired by Rafael "Pantoño" Oronó, another great Venezuelan figure boxing, and began to train and made his first steps in amateur boxing. He became professional in 1979, and debuted against Héctor Pinto. Two years after his debut, he had the opportunity to fight for the WBA featherweight title, against the Panamanian Eusebio Pedroza. He retired in 1989, with a record of 35 wins, 8 loses and 24 KO’s. Piñango was an example of personal and professional growth, he began working with the prison system in Venezuela, and he proudly claimed “inmates respect me; they love me because I treat them well. Besides, they like to train and I take advantage of that." He also trained talented Young boxers, and helped professional boxers like Gilbert Serrano, Lorenzo “Lencho” Parra, Alexander “Explosivo” Muñoz, Antonio Cermeño and Félix Machado. He was a good and loyal friend, dedicated to teach his boxing techniques and life experience to his pupils. "We, the boxers who got to know him, are aware that he was a very helpful but must of all, Piñango was very humble” said the WBA women Interim featherweight champion Ogleidis "La Niña" Suarez on twitter. -
2006 RUSSELL ATHLETIC/WBCA Victory Club Award Recipients Named
2006 RUSSELL ATHLETIC/WBCA Victory Club Award Recipients Named ATLANTA, Ga. (March 9, 2006) -- The Women's Basketball Coaches Association (WBCA) has announced the 2006 RUSSELL ATHLETIC/WBCA Victory Club Award Recipients. The RUSSELL ATHLETIC/WBCA Victory Club Award is presented to each WBCA member head coach who achieves career wins of 200, 300, 400, 500 or more, in 100 victory increments. "Russell Athletic is proud to support the WBCA and be the title sponsor of the Victory Club Awards," said Calvin Johnston, President & CEO of Russell Athletic. "We are huge supporters of women's sports across America and rewarding excellence is a hallmark of our company." These accomplished coaches will be recognized during the RUSSELL ATHLETIC/WBCA National Coach of the Year Luncheon presented by AstraZeneca at 12:00 p.m. (ET) in the Hynes Convention Center Ballroom in Boston, Mass. This event is part of the 2006 WBCA National Convention held in conjunction with the NCAA® Women's Final Four®. This year the WBCA celebrates it's Silver Anniversary, marking 25 years of existence. 2006 RUSSELL ATHLETIC/WBCA Victory Club Award Recipients: Victory Name School Date of Victory # Pat Summitt University of Tennessee 900 January 19, 2006 Lin L. Laursen Central Arizona College 900 March 3, 2006 Barbara Stevens Bentley College 700 January 5, 2006 Susan Smith Westfield High School 700 January 6, 2004 Sylvia Hatchell University of North Carolina 700 January 15, 2006 Anne Long Dutch Fork High School 600 February 22, 2005 Sam Nichols McMurry University 600 January