CMS PNW Regional Conference Schedule April 9-10, 2010 Seattle Pacific University Seattle, WA
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Sacha M. Joseph-Mathews, Phd. Curriculum Vitae
Sacha M. Joseph-Mathews, PhD. Curriculum Vitae Contact Information University Eberhardt School of Business University of the Pacific Stockton, CA Phone: (209) 946-2628 Fax: (209) 946-2586 Email: [email protected] UNIVERSITY POSITIONS Associate Professor- Marketing, 2006- present Faculty Chair, 2014-2016 Eberhardt School of Business University of the Pacific, (Tenured) Instructor, College of Continuing Education California State University-Sacramento, 2009- Present Instructor, University of the West Indies, Summer 2013 Instructor, College of Business Florida State University, 2002-2006 Instructor, Kaiser College, 2004 EDUCATION Florida State University, Tallahassee, FL Doctor of Philosophy, June 2006 Major Field: Marketing Florida State University, Tallahassee, FL Master of Science, 2004, Major: Hospitality and Tourism Management University of the West Indies, Mona, Jamaica Bachelor of Arts, 1998, Major: Mass Communication (First Class Honors) RESEARCH INTERESTS Marketing Strategy and Consumer Behavior Customer Value Determination and Measurement, Ethical Consumption, Green Consumer Behavior, Brand Equity and Loyalty. Sacha M. Joseph-Mathews • Eberhardt School of Business • University of the Pacific Services Services- Social Entrepreneurship, Service Environment, Brand Personality, E-Commerce, Services Marketing, Retailing Consumer Ethnicity and Buying Power, Retailing and Environmental Sustainability, Tourism and Hospitality Management (Destination Branding, Eco-tourism, Cultural and Heritage Tourism, Value Determination) International -
A Hundred Years of British Piano Miniatures Butterworth • Fricker • Harrison Headington • L
WORLD PREMIÈRE RECORDINGS A HUNDRED YEARS OF BRITISH PIANO MINIATURES BUTTERWORTH • FRICKER • HARRISON HEADINGTON • L. & E. LIVENS • LONGMIRE POWER • REYNOLDS • SKEMPTON • WARREN DUNCAN HONEYBOURNE A HUNDRED YEARS OF BRITISH PIANO MINIATURES BUTTERWORTH • FRICKER • HARRISON • HEADINGTON L. & E. LIVENS • LONGMIRE • POWER • REYNOLDS SKEMPTON • WARREN DUNCAN HONEYBOURNE, piano Catalogue Number: GP789 Recording Date: 25 August 2015 Recording Venue: The National Centre for Early Music, St Margaret’s Church, York, UK Producers: David Power and Peter Reynolds (1–21), Peter Reynolds and Jeremy Wells (22–28) Engineer: Jeremy Wells Editors: David Power and Jeremy Wells Piano: Bösendorfer 6’6” Grand Piano (1999). Tuned to modern pitch. Piano Technician: Robert Nutbrown Booklet Notes: Paul Conway, David Power and Duncan Honeybourne Publishers: Winthrop Rogers Ltd (1, 3), Joseph Williams Ltd (2), Unpublished. Manuscript from the Michael Jones collection (4), Comus Edition (5–7), Josef Weinberger Ltd (8), Freeman and Co. (9), Oxford University Press (10, 11), Unpublished. Manuscript held at the University of California Santa Barbara Library (12, 13), Unpublished (14–28), Artist Photograph: Greg Cameron-Day Cover Art: Gro Thorsen: City to City, London no 23, oil on aluminium, 12x12 cm, 2013 www.grothorsen.com LEO LIVENS (1896–1990) 1 MOONBEAMS (1915) 01:53 EVANGELINE LIVENS (1898–1983) 2 SHADOWS (1915) 03:15 JULIUS HARRISON (1885–1963) SEVERN COUNTRY (1928) 02:17 3 III, No. 3, Far Forest 02:17 CONSTANCE WARREN (1905–1984) 4 IDYLL IN G FLAT MAJOR (1930) 02:45 ARTHUR BUTTERWORTH (1923–2014) LAKELAND SUMMER NIGHTS, OP. 10 (1949) 10:07 5 I. Evening 02:09 6 II. Rain 02:30 7 III. -
The Effects of Digital Music Distribution" (2012)
Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School Spring 4-5-2012 The ffecE ts of Digital Music Distribution Rama A. Dechsakda [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp The er search paper was a study of how digital music distribution has affected the music industry by researching different views and aspects. I believe this topic was vital to research because it give us insight on were the music industry is headed in the future. Two main research questions proposed were; “How is digital music distribution affecting the music industry?” and “In what way does the piracy industry affect the digital music industry?” The methodology used for this research was performing case studies, researching prospective and retrospective data, and analyzing sales figures and graphs. Case studies were performed on one independent artist and two major artists whom changed the digital music industry in different ways. Another pair of case studies were performed on an independent label and a major label on how changes of the digital music industry effected their business model and how piracy effected those new business models as well. I analyzed sales figures and graphs of digital music sales and physical sales to show the differences in the formats. I researched prospective data on how consumers adjusted to the digital music advancements and how piracy industry has affected them. Last I concluded all the data found during this research to show that digital music distribution is growing and could possibly be the dominant format for obtaining music, and the battle with piracy will be an ongoing process that will be hard to end anytime soon. -
For the Common Man Chicago Sinfonietta Paul Freeman, Music Director and Conductor Harvey Felder, Guest Conductor
Sunday, October 3, 2010, 2:30 pm – Dominican University Monday, October 4, 2010, 7:30 pm – Symphony Center For the Common Man Chicago Sinfonietta Paul Freeman, Music Director and Conductor Harvey Felder, Guest Conductor Fanfare for the Common Man ............................................................................Aaron Copland Neue slavische Tänze (Slavonic Dances), op.72 no.7 (15) ........................Antonín Dvořák 7. In C major - SrbskÈ Kolo Fire and Blood, for Violin and Orchestra .............................................. Michael Daugherty 1. Volcano 2. River Rouge 3. Assembly Line Tai Murray, violin Intermission Sundown’s Promise (for Taiko and Orchestra) ................................................. Renée Baker I. Company Song VII. Transcendence II. Wa ( peace/balance) VIII. No Mi Kai (Drinking party) III. Wabi IX. Chant IV. Sabi X. Sitting V. Pride XI. Walking VI. Enkai (Banquet Feast) XII. Learning to see the Invisible XIII. Shime (Ending of celebration) JASC Tsukasa Taiko, Japanese drums and Shamisen Nicole LeGette, butoh dancer On the Waterfront: Symphonic Suite from the Film ............................ Leonard Bernstein Lead Season Sponsor Lead Media Sponsor Sponsors Bettiann Gardner Please hold your applause for a brief silence after each work. This will help everyone to enjoy every note. chicagosinfonietta.org facebook.com/chicagosinfonietta Chicago Sinfonietta 1 THE MAESTRO’S FINAL SEASON These 2010 season-opening performances mark the beginning of a season of transition as our beloved Founder and Music Director Paul Freeman takes the podium for the final time. Throughout the year Maestro Freeman will be conduct- ing pieces that have become personal favorites of his, many of which he probably introduced to you, our audience. We will also be sharing some of his compelling life story and reprinting some amazing photos from the Sinfonietta archive. -
A GARLAND for JOHN MCCABE Monica Mccabe’S Reflections on a Life Lived for Music Agenda British Music Society’S News and Events British Music Scores Search
BRITISH MUSIC SOCIETY nAPRIL 2018 ews AMBASSADOR FOR BRITISH MUSIC IN USA Madeleine Mitchell across the pond A GARLAND FOR JOHN MCCABE Monica McCabe’s reflections on a life lived for music Agenda British Music Society’s news and events British music scores search org Schneider from the German for piano and winds (1890) wind ensemble Four Points One • George Alexander Osborne Chairman’s J(www.four-point-one.de) is on Quintet for piano and winds the hunt for scores the following (1889) (Yes - he is actually Irish) compositions by British composers: If anyone from the BMS welcome • Marian Arkwright Quintet for network could help him track down piano and winds these scores please get in touch with MS member Madeleine Mitchell is back • Edith Swepstone Quintet for him at [email protected]. piano and winds Jorg is also on the look out for from America and has submitted the first • Henry David Leslie Quintet for any information about the Sir BBMS Ambassador report from her visit to piano and winds op.6 Michael Costa Prize 1896 Anyone the Kansas State University (see opposite page). • Edward Davey Rendall Quintet know anything about this? The committee is closely monitoring the progress of this new scheme and are always interested to hear members’ views. Reviving Victorian opera For those of you with access to the internet, a visit to the BMS website now offers the preced - ictorian Opera Northwest to revise Nell Gwynne by inviting B have made full opera C Stevenson (a librettist of Sullivan’s ing Printed News that opens by clicking on the recordings of works by Balfe, The Zoo) to write the new book. -
The Genetic Heterogeneity of Brachydactyly Type A1: Identifying the Molecular Pathways
The genetic heterogeneity of brachydactyly type A1: Identifying the molecular pathways Lemuel Jean Racacho Thesis submitted to the Faculty of Graduate Studies and Postdoctoral Studies in partial fulfillment of the requirements for the Doctorate in Philosophy degree in Biochemistry Specialization in Human and Molecular Genetics Department of Biochemistry, Microbiology and Immunology Faculty of Medicine University of Ottawa © Lemuel Jean Racacho, Ottawa, Canada, 2015 Abstract Brachydactyly type A1 (BDA1) is a rare autosomal dominant trait characterized by the shortening of the middle phalanges of digits 2-5 and of the proximal phalange of digit 1 in both hands and feet. Many of the brachymesophalangies including BDA1 have been associated with genetic perturbations along the BMP-SMAD signaling pathway. The goal of this thesis is to identify the molecular pathways that are associated with the BDA1 phenotype through the genetic assessment of BDA1-affected families. We identified four missense mutations that are clustered with other reported BDA1 mutations in the central region of the N-terminal signaling peptide of IHH. We also identified a missense mutation in GDF5 cosegregating with a semi-dominant form of BDA1. In two families we reported two novel BDA1-associated sequence variants in BMPR1B, the gene which codes for the receptor of GDF5. In 2002, we reported a BDA1 trait linked to chromosome 5p13.3 in a Canadian kindred (BDA1B; MIM %607004) but we did not discover a BDA1-causal variant in any of the protein coding genes within the 2.8 Mb critical region. To provide a higher sensitivity of detection, we performed a targeted enrichment of the BDA1B locus followed by high-throughput sequencing. -
A Case Study of an Award Winning Public School String Orchestra Program
A CASE STUDY OF AN AWARD WINNING PUBLIC SCHOOL STRING ORCHESTRA PROGRAM Wing Man Fu A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2009 Committee: Elaine J. Colprit, Advisor Penny T. Kruse ii ABSTRACT Elaine Colprit, Advisor The purpose of this study was to examine the history, growth, and development of an award winning public school string program. This study provided a description of a model of an excellent orchestra program and produced a general benefit to novice teachers who are setting up new programs, and to music educators by adding to our knowledge of the unique characteristics of a successful string program. There were three major sections of discussion in this study: (1) preparation for setting up a string program; (2) delivery of instruction in elementary, middle school, and high school levels of the program; and (3) continued growth, development, and support of the program. This research was accomplished by analysis of the following data: (a) live observations of class instruction at elementary, middle school, and high school, (b) orchestra handbooks and documents regarding curriculum and other guidelines; and (c) transcripts of interviews with faculty from Upper Arlington City Schools. Results show that individual faculty qualifications and experience prepare them to teach all levels of string classes. Based on their experiences, they are able to create an organized curriculum, design goal directed instructional plans, teach effectively as a team, and sustain a successful string program. iii ACKNOWLEDGEMENTS I would like to express my gratitude to my supervisor, Dr. -
Kevin Raftery Chamber Music
Kevin Raftery chamber music 1 String Quartet No. 1 15:41 Heath Quartet First Companion 16:00 2 I. To Canterbury and back – 5:06 3 II. Melodies 5:23 4 III. Vivace 5:31 Berkeley Ensemble Pleasantries 15:51 5 I. A little bird told me 1:27 6 II. You can say that again 1:19 7 III. A bit windy 1:48 8 IV. I was gobsmacked 1:17 9 V. I’m so sorry 2:06 10 VI. Go on, then 1:38 11 VII. Those were the days 1:28 12 VIII.How pathetic 2:53 13 IX. Reading between the lines 1:50 Berkeley Ensemble “Friedhof” Quintet 18:40 14 I. Andante non tranquillo 5:26 15 II. Cantabile 6:26 16 III. Vivace 6:48 Animare Ensemble total duration 66:13 The music notes by the composer String Quartet No. 1 (2012) in memory of Richard Oake, who loved string quartets For over 35 years I refrained from composing a string quartet, daunted by the medium’s history of sublime works by great composers. But on the day I heard of my friend Richard Oake’s death, I was struck by the necessity of contributing something in his memory. String quartets were his great love. I’d spent many happy hours listening to and discussing quartets with Richard. We sometimes disagreed, but that was part of the liveliness of the occasion. I hope that this composition would have met with his approval. The main “movement” bears some similarity to classical sonata form. A warm first subject is presented, and contrasted with a delicato second subject. -
PDF Download
Current Review The RIAS Amadeus Quartet Recordings - Modernism aud 21.429 EAN: 4022143214294 4022143214294 www.new-classics.co.uk (2016.10.04) source: http://www.new-classics.co.uk/html/chamb... Celebrated for their performances of the Viennese Classics, the Amadeus Quartet dominated the British chamber music scene for over 40 years and was one of the most respected ensembles of the twentieth century. The Quartet championed the music of their contemporaries, and for the radio they recorded string quartets written by the major English composers of their time, Benjamin Britten and Michael Tippett. The Hungarian composer Mátyás Seiber introduced the Amadeus Quartet to the works of his fellow countryman Béla Bartók. By recording Henry Purcell’s string fantasias, they followed references between Britten and the cradle of English chamber music. For volume IV in the RIAS Amadeus Quartet Recordings series the ensemble plays twentieth century Hungarian andd English works. The Baroque composer Henry Purcell is also represented - as a reference point for Benjamin Britten’s Second String Quartet. This edition substantially broadens the view of the Amadeus Quartet and demonstrates the inquisitiveness and assuredness with which Norbert Brainin and his three colleagues explored the music of their contemporaries. Under the direction of Michael Tippett, a group of young composers, including Mátyás Seiber and Peter Racine Fricker, wrote new string quartets for the Amadeus Quartet. Apart from Michael Tippett, it was first and foremost Benjamin Britten who, around 1950, established his reputation as Britain’s most renowned composer. His Second String Quartet was conceived as a reminiscence of Henry Purcell, a progenitor of English music, for the 250th anniversary of his death. -
A Piece of History
A Piece of History Theirs is one of the most distinctive and recognizable sounds in the music industry. The four-part harmonies and upbeat songs of The Oak Ridge Boys have spawned dozens of Country hits and a Number One Pop smash, earned them Grammy, Dove, CMA, and ACM awards and garnered a host of other industry and fan accolades. Every time they step before an audience, the Oaks bring four decades of charted singles, and 50 years of tradition, to a stage show widely acknowledged as among the most exciting anywhere. And each remains as enthusiastic about the process as they have ever been. “When I go on stage, I get the same feeling I had the first time I sang with The Oak Ridge Boys,” says lead singer Duane Allen. “This is the only job I've ever wanted to have.” “Like everyone else in the group,” adds bass singer extraordinaire, Richard Sterban, “I was a fan of the Oaks before I became a member. I’m still a fan of the group today. Being in The Oak Ridge Boys is the fulfillment of a lifelong dream.” The two, along with tenor Joe Bonsall and baritone William Lee Golden, comprise one of Country's truly legendary acts. Their string of hits includes the Country-Pop chart-topper Elvira, as well as Bobbie Sue, Dream On, Thank God For Kids, American Made, I Guess It Never Hurts To Hurt Sometimes, Fancy Free, Gonna Take A Lot Of River and many others. In 2009, they covered a White Stripes song, receiving accolades from Rock reviewers. -
Elyria City Schools Elyria High School Student/Parent Handbook Elyria High School 601 Middle Avenue Elyria, Ohio 44035 (440) 284-8300 Mr
Elyria City Schools Elyria High School Student/Parent Handbook ELYRIA HIGh SChOOL 601 Middle Avenue Elyria, Ohio 44035 (440) 284-8300 Mr. Tim Brown, Principal Team 1 Team 3 Assistant Principal 284-5201 Assistant Principal 284-5203 Secretary 284-5201 Secretary 284-5203 Team 2 Team 4 Assistant Principal 284-5202 Assistant Principal 284-5204 Secretary 284-5202 Secretary 284-5204 Clinic 284-8300 ext 11007 Athletic Office 284-8256 Property of:____________________________________________________ Address:______________________________________________________ Phone #:______________________________________________________ In case of emergency, please notify: Name:______________________ Phone #:_______________________ The information in this book was the best available at press time. Watch for additional information and changes. ©2016 School Datebooks, Inc. All rights reserved. No part of this publication may be reproduced, transmitted, transcribed, stored in any retrieval system, or translated in any form without the written permission of School Datebooks, Inc. 2880 U.S. Hwy. 231 S. • Lafayette, IN 47909 • (765) 471-8883 http://www.schooldatebooks.com • [email protected] 1 TABLe OF CONteNts School Calendar....................................................4 Physical Education Attire..................................19 School Maps..........................................................5 Picture Day.......................................................19 Mission Statement.................................................7 Retention..........................................................19 -
Concerts for Kids
Concerts for Kids Study Guide 2014-15 San Francisco Symphony Davies Symphony Hall study guide cover 1415_study guide 1415 9/29/14 11:41 AM Page 2 Children’s Concerts – “Play Me A Story!” Donato Cabrera, conductor January 26, 27, 28, & 30 (10:00am and 11:30am) Rossini/Overture to The Thieving Magpie (excerpt) Prokofiev/Excerpts from Peter and the Wolf Rimsky-Korsakov/Flight of the Bumblebee Respighi/The Hen Bizet/The Doll and The Ball from Children’s Games Ravel/Conversations of Beauty and the Beast from Mother Goose Prokofiev/The Procession to the Zoo from Peter and the Wolf Youth Concerts – “Music Talks!” Edwin Outwater, conductor December 3 (11:30am) December 4 & 5 (10:00am and 11:30am) Mussorgsky/The Hut on Fowl’s Legs from Pictures at an Exhibition Strauss/Till Eulenspiegel’s Merry Pranks (excerpt) Tchaikovsky/Odette and the Prince from Swan Lake Kvistad/Gending Bali for Percussion Grieg/In the Hall of the Mountain King from Peer Gynt Britten/Storm from Peter Grimes Stravinsky/Finale from The Firebird San Francisco Symphony children’s concerts are permanently endowed in honor of Mrs. Walter A. Haas. Additional support is provided by the Mimi and Peter Haas Fund, the James C. Hormel & Michael P. NguyenConcerts for Kids Endowment Fund, Tony Trousset & Erin Kelley, and Mrs. Milton Wilson, together with a gift from Mrs. Reuben W. Hills. We are also grateful to the many individual donors who help make this program possible. San Francisco Symphony music education programs receive generous support from the Hewlett Foundation Fund for Education, the William Randolph Hearst Endowment Fund, the Agnes Albert Youth Music Education Fund, the William and Gretchen Kimball Education Fund, the Sandy and Paul Otellini Education Endowment Fund, The Steinberg Family Education Endowed Fund, the Jon and Linda Gruber Education Fund, the Hurlbut-Johnson Fund, and the Howard Skinner Fund.