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Emily Sibley Watson (1855-1945)
Emily Sibley Watson (1855-1945) Emily Sibley Watson was a Rochester grand dame who lives on in most people’s imaginations, if she lives on at all, as a staid and starchy dowager. However, archival materials tell a different and vital story, one about a vibrant girl who grew to be a devoted daughter, wife and mother, steadfast friend, intrepid traveler, and compassionate and generous philanthropist. At the same time, as materials have migrated from one generation to the next and into widely separated archives, there are limits to our understanding and interpretation. Still, it is a story filled with adventure, celebration, and tragedy, and its arc overlaps and intersects with the growth of the city famous for Frederick Douglass, Susan B. Anthony, and George Eastman. She remains one of Rochester’s least well-known individuals, overshadowed by the accomplishments of her father and son1, but her gifts to the community have put Rochester on the cultural map for over one hundred years. Emily Sibley Watson in later life Born in 1855, Emily Sibley Watson made her ar- rival around the time that her father, Hiram Sib- ley, was consolidating the Western Union Company. The youngest of four children, and one of only two to survive beyond the 1860s, her life bore only slight resemblance to that of her elder sister, Louise Sibley Atkinson (1833- 1868). Louise spent her earliest years in rural Monroe County, traveled exclusively within the New York/New England region, went to school in Canandaigua, and fretted about expenses. Emily, twenty-two years young- er, was born into immense wealth and privilege and access to the highest levels of culture and society. -
Emily Sibley Watson, Founder of the Memorial Art Gallery
Emily Sibley as a young person. Emily Sibley Watson as an elderly lady. EMILY SIBLEY WATSON, he was discussing with czarist officials the possibility of a trans-Siberian telegraph FOUNDER OF THE connecting Europe and America. However, MEMORIAL ART GALLERY the Atlantic cable, laid in 1868, made this unnecessary. Later in life, Emily traveled By Christina Palis extensively in Europe, evidenced by her correspondence from Paris and London, and Emily Sibley Watson (1855-1945) she and her second husband took frequent Hiram Sibley (1807-1888), father cruises in their yacht. At the outbreak of James G. Averell (1877-1904), son World War I, they were in the Baltic Sea on and other family members. the way to Russia, and they were marooned in Helsinki for an extended period. Description of the life and accomplishments of Emily Sibley Watson, including the The profit that the Sibley family gained from establishment of the Memorial Art Gallery in the great success of the telegraph allowed memory of her son James G. Averell, them to be generous to charitable initiating the Hochstein School of Music, organizations and higher education, as well and the Sibley family founding of the as generous patrons of the arts. Emily’s Genesee Hospital. Emily Sibley Averell and her son, James. father, Hiram Sibley, was one of the incorporators of Cornell University, endowing the Sibley College of Mechanic In Rochester, New York, the Memorial Art of these integral parts of providing Arts. Emily’s brother Hiram Watson Sibley Gallery contains more than 12,000 works of healthcare, art, and music to the city of founded the Sibley Music Library, housed in art in a collection renowned for its quality Rochester are indebted to an incredible the University of Rochester’s Sibley Hall. -
Chronology (1901 - 1919)
EMMA GOLDMAN: A GUIDE TO HER LIFE AND DOCUMENTARY SOURCES Candace Falk, Editor and Director Stephen Cole, Associate Editor Sally Thomas, Assistant Editor CHRONOLOGY (1901 - 1919) 1901 January-March Goldman supports herself by working as a nurse in New York City; helps to arrange a U.S. tour for Peter Kropotkin in March and April. Goldman reestablishes friendship with her former lover Edward Brady. April-July Goldman lecture tour begins with a free-speech battle in Philadelphia when she is prevented from speaking before the Shirt Makers Union. Goldman and the organizations that sponsor her talks, including the Single Tax Society, defy police orders; Goldman speaks in public on at least two occasions. On April 14 she speaks at an event sponsored by the Social Science Club; other speakers include Voltairine de Cleyre. Despite the Social Science Club's opposition to Goldman's anarchist views, it passes a resolution protesting the violation of her right to free speech. Speaks in Lynn, Mass., Boston, Pittsburgh, Cleveland, St. Louis, Chicago, and Spring Valley, Ill., on such topics as "Anarchism and Trade Unionism," "The Causes of Vice," and "Cooperation a Factor in the Industrial Struggle." July 15-August 15 Goldman spends a month with her sister Helena, in Rochester, N.Y., traveling briefly to Niagara Falls and to Buffalo, N.Y., to visit the Pan-American Exposition. Early September Goldman visits Alexander Berkman at the penitentiary in Allegheny, Pa., the first time she has seen him in nine years. 1 September 6 President William McKinley shot by self-proclaimed anarchist Leon Czolgosz in Buffalo, N.Y., at the Pan-American Exposition. -
Downloads/Newsletters/July August 2004.Pdf#Search= 'William%20Gasbarro%20Clarinet (Accessed February 25, 2011)
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Biographical Dictionary of Twentieth- Century American Clarinetists Tracey Lynn Paddock Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC A BIOGRAPHICAL DICTIONARY OF TWENTIETH-CENTURY AMERICAN CLARINETISTS By TRACEY LYNN PADDOCK A treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Spring Semester, 2011 The members of the committee approve the Treatise of Tracey L. Paddock defended on March 28, 2011. _________________________________ Frank Kowalsky Professor Directing Treatise _________________________________ Richard Clary University Representative _________________________________ Deborah Bish Committee Member _________________________________ Jeff Keesecker Committee Member The Graduate School has verified and approved the above-named committee members. ii To my husband Grant, who has stood by my side in the face of this and many other challenges, and to my parents, teachers, and friends, who have supported me generously and tirelessly. iii ACKNOWLEDGEMENTS I would like to acknowledge all of the teachers and mentors who have helped me on my musical, educational, and life path. To James Campbell, thank you for providing me with a strong musical foundation, and musical and philosophical inspiration which will last a lifetime, and which I try to pass on to my own students. To former committee member Eric Ohlsson, thank you for setting the comprehensive exam question that led me to this treatise. To former committee member John Deal, thank you for urging me to make the treatise “comprehensive.” To Howard Klug, thank you for your invaluable guidance at the onset of this journey. -
Artist Series – Arnaud Sussmann Program Notes
ARTIST SERIES – ARNAUD SUSSMANN PROGRAM JOHANN SEBASTIAN BACH (1685-1750) Brandenburg Concerto No. 4 in G major, BWV 1049 (1720) Allegro Andante Presto Arnaud Sussmann, violin • Sooyun Kim, flute • Tara Helen O'Connor, flute • Bella Hristova, violin • Francisco Fullana, violin • Richard O'Neill, viola • Dmitri Atapine, cello • Xavier Foley, bass • Hyeyeon Park, piano-harpsichord ERNEST CHAUSSON (1855-1899) Concerto in D major for Violin, Piano, and String Quartet, Op. 21 (1889-91) Décidé—Calme—Animé Sicilienne: Pas vite Grave Très animé Arnaud Sussmann, violin • Wu Han, piano • Kristin Lee, violin • Yura Lee, violin • Richard O'Neill, viola • Nicholas Canellakis, cello NOTES ON THE PROGRAM Brandenburg Concerto No. 4 in G major, BWV 1049 (1720) Johann Sebastian Bach (Eisenach, 1685 – Leipzig, 1750) Though Bach practically defined Baroque music as we know it today, he met with a surprising number of setbacks in his own lifetime. The Brandenburg Concertos were one such unsuccessful attempt for recognition. They were named after Christian Ludwig, the Margrave of Brandenburg, who Bach only met once—in 1719 during a trip to Berlin. The Margrave asked for some of his music but it took two years for Bach to deliver, at which time his employer, Prince Leopold of Cöthen, was having financial difficulties and Bach was probably looking for leads on a new job. Bach gathered six concertos with vastly different instrumentations, made revisions, and sent them to the Margrave. Not only did Bach not get a job, there Chamber Music Society of Lincoln Center is no record the Margrave ever listened to them or even acknowledged Bach’s gift. -
Rothcv Updated Spring 2017
DR. MARJORIE A. ROTH Nazareth College of Rochester, Department of Music Full Professor (2012) Music History and Studio Flute Honors Program Director 15 Eagle Rock Drive, Rochester, NY 14609 Home telephone: (585) 454-7759; Office telephone: (585) 389-2686 email: [email protected] EDUCATION Ph.D Musicology: University of Rochester, Eastman School of Music, Rochester, NY (2005) Dissertation: “The Voice of Prophecy: Orlando di Lasso’s Sibyls and Italian Humanism” Primary Advisor: Dr. Kerala Snyder Dissertation committee: Dr. Patrick Macey, Dr. Massimo Ossi, Dr. Daniel Zager Doctor of Musical Arts in Performance & Literature: University of Rochester, Eastman School of Music (1998) Master of Arts in Musicology: University of Rochester, Eastman School of Music (1990) Master of Music in Performance & Literature: University of Rochester, Eastman School of Music (1986) Bachelor of Arts in Music: University of Wisconsin-Parkside, Kenosha, Wisconsin (1981) PUBLICATION & RESEARCH Publications: “Music as a Liberal Art: Teaching Music to Non-Majors”, in James Davis (ed.), The Music History Classroom, New York: Routledge, 2013, 141-154. “Opportunity Lost: Christian Prophecy, Musical Magic, and the Road Not Taken in Counter-Reformation Rome”, Proceedings for conference on Early Modern Rome: 1341-1667, sponsored by the American Association of College & University Programs in Italy & the Istituto Storico Italiano per il Medioevo, May 13-15, 2010, Rome, Italy. Rome: EDISAI, 2011, 156-175. “The Magic in the Music: Sixteenth-Century Chromaticism in Context”, Proceedings for 11th International Congress on Musical Signification, sponsored by the Krakow Academy of Music, September 27 - October 2, Krakow Poland. Krakow: Krakow Academy of Music, 2011, vol. 2, 156-167. -
Selected Students of Leopold Auer: a Study in Violin Performance-Practice
SELECTED STUDENTS OF LEOPOLD AUER – A STUDY IN VIOLIN PERFORMANCE-PRACTICE by RUTH ELIZABETH RODRIGUES A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Music School of Humanities The University of Birmingham October 2009 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract This thesis investigates the teaching and legacy of Leopold Auer; it addresses, in particular to what extent his promulgation of the ‘German’ School of Violin Playing was instrumental in establishing the ‘Russian’ and ‘American’ Schools. Recent research in late 19th-century violin performance-practice has focused mainly on the ‘German’ and ‘Franco-Belgian’ Schools, and on tracing ‘genealogies’ of violin playing, especially within the ‘German’ school itself. Auer, however, has been little studied, as remarkably is also true for descendents of the German school such as Ossip Schnirlin, Benno Rabinof, and Mischa Weisbord. This research will also briefly examine the authority of Joachim and Auer (who were both native Hungarians) on their students with regards to Hungarian musical gestures and Gypsy performance styles, in an era where violin playing was more uniform and the style hongrois gradually disappearing from Western music altogether. -
NYS/O to Meet with New England Chapter at Vassar
Number 49 Gerry Szymanski, Editor Summer 2005 Eastman School of Music NYS/O to Meet with New England Chapter at Vassar The New York State/Ontario Chapter of the Music Library Association will meet jointly with the New England Chapter in Poughkeepsie, New York, this October at one of the famed “Seven Sisters,” Vassar College. More information will be forthcoming as the conference dates approach, but please keep the weekend of Friday, October 21- Saturday, 22, 2005 open as our meeting dates. Vassar has a first-rate collection in the Dickinson Music Library. The following is distilled from their website: The history of the Music Library is closely linked with the personality and vision of its first Music Librarian, George Sherman Dickinson, for whom, in 1961, the collection was named. Upon Dickinson's retirement, one alumna referred to Skinner Hall as "[Dickinson's] personal Valhalla, the design and planning of which is a monument to Dickinson's ingenious experting and imagination." The Music Library is situated on five levels on the southeast side of the Skinner Hall, which it shares with the Department of Music. The third floor features the Treasure Room museum of historical musical instruments, and the Music Library special collections which includes early music dictionaries of Brossard, Walther, Grassineau, and Rousseau, as well as early treatises by Zarlino, Tartini, and Rameau. First editions scores include works by Bach, Beethoven, Gluck, Liszt, MacDowell, Mozart, Mendelssohn, Schubert, Wagner, and others. During the history of the collection over 2,000 samples of popular American sheet music have been acquired, ranging in scope from the early 1800's through early 1900's. -
Arnaud Sussmann, Violin PROGRAM
Arnaud Sussmann, violin Chamber Music at The Barns CMSLC Front Row: National MAR 12 | 7:30 PM Streaming until midnight Mar 19 PROGRAM JOHANN SEBASTIAN BACH (1685-1750) Brandenburg Concerto No. 4 in G major, BWV 1049 (1720) Allegro Andante Presto Arnaud Sussmann, violin; Sooyun Kim, flute; Tara Helen O'Connor, flute; Bella Hristova, violin; Francisco Fullana, violin; Richard O'Neill, viola; Dmitri Atapine, cello; Xavier Foley, bass; Hyeyeon Park, piano- harpsichord ERNEST CHAUSSON (1855-1899) Concerto in D major for Violin, Piano, and String Quartet, Op. 21 (1889-91) Décidé—Calme—Animé Sicilienne: Pas vite Grave Très animé Arnaud Sussmann, violin; Wu Han, piano; Kristin Lee, violin; Yura Lee, violin; Richard O'Neill, viola; Nicholas Canellakis, cello Q&A with Arnaud Sussmann following performance. ABOUT THE ARTISTS DMITRI ATAPINE Dmitri Atapine has been described as a cellist with “brilliant technical chops” (Gramophone), whose playing is “highly impressive throughout” (The Strad). He has appeared on some of the world's foremost stages, including Alice Tully Hall at Lincoln Center, the Forbidden City Concert Hall in Beijing, and the National Auditorium of Spain. An avid chamber musician, he frequently performs with the Chamber Music Society of Lincoln Center and is an alum of CMS’ Bowers Program. He is a habitual guest at leading festivals, including Music@Menlo, La Musica Sarasota, Pacific Music Festival, Aldeburgh, Aix-en- Provence, and Nevada Chamber Music Northwest. His performances have been broadcast nationally in the U.S., Europe, and Asia. His many awards include first prize at the Carlos Prieto Cello Competition, as well as top honors at the Premio Vittorio Gui and Plowman chamber competitions. -
Emily Sibley Watson
Emily Sibley Watson Emily Sibley Watson’s quiet but continuous generosity as a patron of art and music lies at the heart of Rochester’s cultural and civic life. She died February 8, 1945 at her home at 11 Prince Street (now 9 Prince Street) and lies at Mount Hope with her husband, her parents, and two of her three children. Born in Rochester, Mrs. Watson was the daughter of Hiram and Elizabeth Tinker Sibley, who came to New York State from Western Massachusetts in the early part of the nineteenth century and quickly rose in prominence. Her father, Hiram, was best known for his role in the founding of Western Union. Her mother, Elizabeth, was a model of beneficence. She played important philanthropic roles in the founding of Genesee Hospital, the support of St. Andrew’s Church, and the sustenance of the Episcopal Church Home. Emily was one of four children born to the Watsons: Giles (who died as a toddler), Louise (who married Hobart Atkinson and died in 1868), Hiram Watson Sibley, and Emily. Emily’s early schooling took place in Rochester and Europe, and was completed in New York City. From 1864 to 1866, she lived with her family in Europe, where she studied in Paris and Germany. During this period, her father traveled to St. Petersburg, Russia, to negotiate with the Czar about running telegraph cable from Alaska across the Bering Strait to Russia. This was planned as the final leg in the race to create a global communication system. The project was abandoned with the completion of the Atlantic Cable. -
Fritz Kreisler Collection
Fritz Kreisler Collection Processed by the Music Division of the Library of Congress Music Division, Library of Congress Washington, D.C. 2008 Contact information: http://hdl.loc.gov/loc.music/perform.contact Catalog Record: http://lccn.loc.gov/2010563512 Finding Aid encoded by Library of Congress Music Division, 2008 Finding aid URL: http://hdl.loc.gov/loc.music/eadmus.mu003002 Latest revision: 2012 May Collection Summary Title: Fritz Kreisler Collection Span Dates: 1845-1969 Bulk Dates: (bulk 1910-1955) Call No.: ML31.K7 Creator: Kreisler, Fritz, 1875-1962 Extent: around 1,800 items ; 25 boxes ; 14 linear feet Language: Collection material in English and German Location: Music Division, Library of Congress, Washington, D.C. Summary: Fritz Kreisler was an Austrian-born American violinist and composer. The collection contains Kreisler's original compositions in sketch, manuscript (including holographs), and printed form. In addition, it contains manuscript and heavily annotated printed copies of Kreisler's transcriptions of other composers' music. It also contains correspondence, financial and legal documents, programs, clippings, writings, photographs, awards and honors. The collection includes the papers of Kreisler's biographer Louis Lochner, which contain Kreisler's personal papers and material related to the biography. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Kreisler, Fritz, 1875-1962--Archives. Kreisler, Fritz, 1875-1962--Correspondence. Kreisler, Fritz, 1875-1962--Manuscripts. Kreisler, Fritz, 1875-1962--Photographs. Kreisler, Fritz, 1875-1962.