Fritz Kreisler Collection
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From the Violin Studio of Sergiu Schwartz
CoNSERVATORY oF Music presents The Violin Studio of Sergiu Schwartz SPOTLIGHT ON YOUNG VIOLIN VIRTUOSI with Tao Lin, piano Saturday, April 3, 2004 7:30p.m. Amamick-Goldstein Concert Hall de Hoernle International Center Program Polonaise No. 1 in D Major ..................................................... Henryk Wieniawski Gabrielle Fink, junior (United States) (1835 - 1880) Tambourin Chino is ...................................................................... Fritz Kreisler Anne Chicheportiche, professional studies (France) (1875- 1962) La Campanella ............................................................................ Niccolo Paganini Andrei Bacu, senior (Romania) (1782-1840) (edited Fritz Kreisler) Romanza Andaluza ....... .. ............... .. ......................................... Pablo de Sarasate Marcoantonio Real-d' Arbelles, sophomore (United States) (1844-1908) 1 Dance of the Goblins .................................................................... Antonio Bazzini Marta Murvai, senior (Romania) (1818- 1897) Caprice Viennois ... .... ........................................................................ Fritz Kreisler Danut Muresan, senior (Romania) (1875- 1962) Finale from Violin Concerto No. 1 in g minor, Op. 26 ......................... Max Bruch Gareth Johnson, sophomore (United States) (1838- 1920) INTERMISSION 1Ko<F11m'1-za from Violin Concerto No. 2 in d minor .................... Henryk Wieniawski ten a Ilieva, freshman (Bulgaria) (1835- 1880) llegro a Ia Zingara from Violin Concerto No. 2 in d minor -
Keyboard Music
Prairie View A&M University HenryMusic Library 5/18/2011 KEYBOARD CD 21 The Women’s Philharmonic Angela Cheng, piano Gillian Benet, harp Jo Ann Falletta, conductor Ouverture (Fanny Mendelssohn) Piano Concerto in a minor, Op. 7 (Clara Schumann) Concertino for Harp and Orchestra (Germaine Tailleferre) D’un Soir Triste (Lili Boulanger) D’un Matin de Printemps (Boulanger) CD 23 Pictures for Piano and Percussion Duo Vivace Sonate für Marimba and Klavier (Peter Tanner) Sonatine für drei Pauken und Klavier (Alexander Tscherepnin) Duettino für Vibraphon und Klavier, Op. 82b (Berthold Hummel) The Flea Market—Twelve Little Musical Pictures for Percussion and Piano (Yvonne Desportes) Cross Corners (George Hamilton Green) The Whistler (Green) CD 25 Kaleidoscope—Music by African-American Women Helen Walker-Hill, piano Gregory Walker, violin Sonata (Irene Britton Smith) Three Pieces for Violin and Piano (Dorothy Rudd Moore) Prelude for Piano (Julia Perry) Spring Intermezzo (from Four Seasonal Sketches) (Betty Jackson King) Troubled Water (Margaret Bonds) Pulsations (Lettie Beckon Alston) Before I’d Be a Slave (Undine Smith Moore) Five Interludes (Rachel Eubanks) I. Moderato V. Larghetto Portraits in jazz (Valerie Capers) XII. Cool-Trane VII. Billie’s Song A Summer Day (Lena Johnson McLIn) Etude No. 2 (Regina Harris Baiocchi) Blues Dialogues (Dolores White) Negro Dance, Op. 25 No. 1 (Nora Douglas Holt) Fantasie Negre (Florence Price) CD 29 Riches and Rags Nancy Fierro, piano II Sonata for the Piano (Grazyna Bacewicz) Nocturne in B flat Major (Maria Agata Szymanowska) Nocturne in A flat Major (Szymanowska) Mazurka No. 19 in C Major (Szymanowska) Mazurka No. 8 in D Major (Szymanowska) Mazurka No. -
Tertis's Viola Version of Elgar's Cello Concerto by Anthony Addison Special to Clevelandclassical
Preview Heights Chamber Orchestra conductor's notes: Tertis's viola version of Elgar's Cello Concerto by Anthony Addison Special to ClevelandClassical An old adage suggested that violists were merely vio- linists-in-decline. That was before Lionel Tertis! He was born in 1876 of musical parents who had come to England from Poland and Russia and, at three years old, he started playing the piano. At six he performed in public, but had to be locked in a room to make him practice, a procedure that has actually fostered many an international virtuoso. At thirteen, with the agree- ment of his parents, he left home to earn his living in music playing in pickup groups at summer resorts, accompanying a violinist, and acting as music attendant at a lunatic asylum. +41:J:-:/1?<1>95@@1041?@A0510-@(>5:5@E;88131;2!A?5/@-75:3B5;85:-?45? "second study," but concentrating on the piano and playing concertos with the school or- chestra. As sometime happens, his violin teacher showed little interest in a second study <A<58-:01B1:@;8045?2-@41>@4-@41C-?.1@@1>J@@102;>@413>;/1>E@>-01 +5@4?A/4 encouragement, Tertis decided he had to teach himself. Fate intervened when fellow stu- dents wanted to form a string quartet. Tertis volunteered to play viola, borrowed an in- strument, loved the rich quality of its lowest string and thereafter turned the old adage up- side down: a not very obviously gifted violinist becoming a world class violist. But, until the viola attained respectability in Tertis’s hands, composers were reluctant to write for the instrument. -
Current Review
Current Review Christian Ferras plays Beethoven and Berg Violin Concertos aud 95.590 EAN: 4022143955906 4022143955906 Fanfare (Robert Maxham - 2012.05.01) Audite’s program of violin concertos by Ludwig van Beethoven and Alban Berg captures two moments in the life of Christian Ferras, the first a studio recording from November 19, 1951, made in the Jesus-Christus-Kirche after the 18-year-old violinist had given a live performance of the work at the Titania Palast and more than a decade before he would record the work with Herbert von Karajan and the same orchestra. The young Ferras sounds both flexible and sprightly in the first movement’s passagework, producing a suave tone that might be described as almost gustatory in its effect as he soars above the orchestra. That tone lacks the sharp edge of Zino Francescatti’s and even the slightly reedy quality of Arthur Grumiaux’s, and he never seems to be deploying it simply for the sheer beauty of it: As sumptuous as it might sound, it always serves his high-minded concept of the work itself. And his playing of Fritz Kreisler’s famous cadenza similarly subordinates virtuosity to musical effect. Karl Böhm sets the mood for a probing exploration of the slow movement, in which Ferras sounds similarly committed; he never allows himself to be diverted into mannerism or eccentricity, as Anne-Sophie Mutter does in her performance with Kurt Masur and the New York Philharmonic (Deutsche Grammophon 289 471 349, Fanfare 26:5 and 26:6). What the young Michael Rabin achieved in the showpieces of Wieniawski and Paganini, Ferras arguably exceeded in the music of Beethoven. -
825646079247.Pdf
FRITZ KREISLER 1875–1962 1 Caprice viennois, Op.2 3.59 2 Andantino in the style of Martini 3.41 3Allegretto in the style of Boccherini 3.18 4 La gitana 3.12 5 Slavonic Dance , Op.72 no.8 (Dvo ˇrák, arr. Kreisler) 5.27 6 Chanson Louis XIII & Pavane in the style of Couperin 4.06 7 Schön Rosmarin 1.57 8 Liebesfreud 3.18 9 Danse espagnole (from Falla La vida breve , arr. Kreisler) 3.24 10 Liebesleid 3.25 11 Recitativo & Scherzo capriccio, Op.6 4.03 12 Tango (Albéniz, arr. Kreisler) 2.32 13 Rondino on a theme by Beethoven 2.42 14 Tambourin chinois, Op.3 3.35 Arrangements by Fritz Kreisler 15 TARTINI Violin Sonata in G minor “Devil’s Trill” 14.41 16 POLDINI Dancing Doll 2.44 17 WIENIAWSKI Caprice 1.33 18 TRAD. Londonderry Air 4.33 19 MOZART Rondo (from Serenade in D, K250 “Haffner”) 7.00 20 CORELLI Sarabande & Allegretto 4.00 21 ALBÉNIZ Malagueña, Op.165 no.3 4.20 22 HEUBERGER Midnight Bells (from Der Opernball ) 3.42 23 BRAHMS Hungarian Dance in F minor 3.56 24 MENDELSSOHN Song Without Words, Op.62 no.1 3.16 25 KREISLER La Précieuse in the style of Couperin 2.44 26 KREISLER Siciliano & Rigaudon in the style of Francœur 5.09 27 CHAMINADE Sérénade espagnole, Op.150 (arr. Kreisler) 2.13 28 KREISLER Aubade provençale in the style of Couperin 2.32 29 KREISLER Menuet in the style of Porpora 4.02 30 LEHÁR Serenade (from Frasquita , arr. -
Rachmaninoff Italian Polka 1 Piano 4 Hands Sheet Music
Rachmaninoff Italian Polka 1 Piano 4 Hands Sheet Music Download rachmaninoff italian polka 1 piano 4 hands sheet music pdf now available in our library. We give you 4 pages partial preview of rachmaninoff italian polka 1 piano 4 hands sheet music that you can try for free. This music notes has been read 13652 times and last read at 2021-09-24 00:14:22. In order to continue read the entire sheet music of rachmaninoff italian polka 1 piano 4 hands you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: 1 Piano 4 Hands, Piano Method Ensemble: Mixed Level: Early Intermediate [ READ SHEET MUSIC ] Other Sheet Music Italian Polka By Rachmaninoff Arr For 4 Hands Italian Polka By Rachmaninoff Arr For 4 Hands sheet music has been read 3334 times. Italian polka by rachmaninoff arr for 4 hands arrangement is for Early Intermediate level. The music notes has 2 preview and last read at 2021-09-24 02:03:33. [ Read More ] Italian Polka Polka Italienne By Sergei Rachmaninoff Italian Polka Polka Italienne By Sergei Rachmaninoff sheet music has been read 1926 times. Italian polka polka italienne by sergei rachmaninoff arrangement is for Intermediate level. The music notes has 2 preview and last read at 2021-09-22 11:02:16. [ Read More ] Italian Polka Sergei Rachmaninoff For Oboe Piano Italian Polka Sergei Rachmaninoff For Oboe Piano sheet music has been read 2773 times. Italian polka sergei rachmaninoff for oboe piano arrangement is for Beginning level. The music notes has 1 preview and last read at 2021-09-22 22:28:55. -
Concert Program
Jonathan Koh, violoncello Native of Chicago, Illinois, Jonathan began his cello 2004 Sejong Cultural Festival studies at the age of five. His teachers include Hans Jorgen Jensen of Northwestern University and Johann Lee of Seoul National Symphony Orchestra. Jonathan made his debut at the Kennedy Center for the Performing Spring Family Concert Arts in Washington D.C. at the tender age of fifteen playing the Elgar Cello Concerto. Soon after, he soloed with numerous orchestras, including the Evanston Sym- phony, Springfield Symphony, San Jose Symphony, Sejong Piano Trio Harper Symphony and Korean-American Youth Or- Myunghee Chung, piano chestras. He has been a featured soloist in Tchaikovsky’s Kyung Sun Lee, violin Rococo Variations, Kabalevsky Concerto, Lab Con- certo, Saint-Saëns Concerto, and Shostakovich Con- Jonathan Koh, cello certo. In 2001, Jonathan was invited to participate in the 7:30 - 9:30 p.m. prestigious Leonard Rose International Competition as well as other international compe- April 18, 2004 (Sunday) titions. His achievements include receiving top prizes at the Hellam International Compe- tition, Society of American Musicians, Midwest Young Artists, AACS National String Recital Hall Competition, Donna Reed Foundation, National ARTS Foundation, Yonsei University The Fine Arts Center Young Artists, and others. He also had success at the Julius Stulberg International Northeastern Illinois University Competition, Irving Klein International Competition, Johansen International Competition, Chicago, Illinois, USA and the Kingsville International Competition. He has performed under Lorin Mazel of the New York Philharmonic, Leonard Slatkin of the National Symphony, Apo Hsu of the Springfield Symphony and among others. He also served as the principal cellist of the Texas Music Festival Orchestra. -
City Research Online
Askin, C. (1996). Early Recorded Violinists. (Unpublished Doctoral thesis, City University London) City Research Online Original citation: Askin, C. (1996). Early Recorded Violinists. (Unpublished Doctoral thesis, City University London) Permanent City Research Online URL: http://openaccess.city.ac.uk/7937/ Copyright & reuse City University London has developed City Research Online so that its users may access the research outputs of City University London's staff. Copyright © and Moral Rights for this paper are retained by the individual author(s) and/ or other copyright holders. All material in City Research Online is checked for eligibility for copyright before being made available in the live archive. URLs from City Research Online may be freely distributed and linked to from other web pages. Versions of research The version in City Research Online may differ from the final published version. Users are advised to check the Permanent City Research Online URL above for the status of the paper. Enquiries If you have any enquiries about any aspect of City Research Online, or if you wish to make contact with the author(s) of this paper, please email the team at [email protected]. EARLY RECORDED VIOLINISTS CIHAT AS KIN 1996 EARLY RECORDED VIOLINISTS Cihat Askin Thesis submitted in partial fulfilment of the requirements for the degree of Doctorate of Musical Arts City University Music Department April 1996 2 CONTENTS Acknowledgements 25 Abstract 26 Preface 27 Introduction 29 Abbreviations & Symbols 32 1. Joseph Joachim 33 1.1 A Short Biography 34 1.2 Joachim: Beethoven and Brahms Concertos 35 1.3 Joachim as Performer 39 1.4 Joachim as Teacher 40 1.5 Analysis of Joachim's Recordings 43 1.5.1 Bach Adagio and Tempo di Borea 44 1.5.2 Vibrato 60 1.5.3 Chords 61 1.5.4 Perfect Rubato 62 1.5.5 Agogic Accents 62 1.5.6 Intonation 63 1.6 Conclusion 66 2. -
View Russian Chamber Music Competition Schedule 2018
! Thank you for your participation! Please take a moment to read rules and etiquette guidelines on the next page. The 2018 competition will be held all day at: Mercer Island Presbyterian Church 3605 84th Ave. SE Mercer Island, WA 98040 on December 1st, 2018. Please PRINT this attachment and bring with you to see, hear and enjoy the miraculous playing of our wonderful young musicians. We look forward to seeing you! Please check in at the registration desk where you will receive a Certificate of Achievement. ! Welcome students, parents, teachers and Russian music lovers to the 2018 Russian Chamber Music Foundation of Seattle competition & festival! In this packet, you will see the room assignments, times and the name of the adjudicator. Some very important rules apply. Please be prepared prior to the competition so that your experience will be orderly, pleasant and efficient. ~ Dahae Cheong, competition coordinator & Dr. Natalya Ageyeva, founder & artistic director. 1. PLEASE ARRIVE 15 MINUTES TO 30 MINUTES PRIOR TO YOUR COMPETITION TIME. For example, if your time block starts at 10:30, you need to be in the building around 10 or 10:15. Rushing in from the cold is not a good idea. Please plan your trip and check the internet for any freeway or road closures. You can wait outside the doors to the judging room, but once your time block starts, you should be inside the room. There are no door monitors to find you or call you in. You may also choose to be outside if you don’t enjoy hearing others or if you need a little personal space, but please keep track of the order of the performers so that you do not miss your turn. -
MARTHA ARGERICH Recorded Concerts & Recitals Previous Update: January 23, 2017 This Update: February 23, 2017
MARTHA ARGERICH Recorded Concerts & Recitals Compiled by Ateş TANIN Previous Update: January 23, 2017 This Update: February 23, 2017 New entries for this update are marked with [N] and corrections with [C]. The following is a list of recorded recitals I have and others I am aware of. Excerpts are not included. For commercially issued items I have only listed what I have or would be delighted to have. Comments, additions and corrections are welcome.Details of Argerich CDs issued by DOREMI are at http://www.doremi.com/Argerich.html Please contact me by e-mail: [email protected] LOGO: ** = I have the original issue; * = I have a CD-R/DVD±R copy of the original issue; SACD = Super Audio CD; BD = Blu-Ray; (LD) = Laserdisc; (PTA) = I have a Privately Taped Audio Recording; (PTV) = I have a Privately Taped Video Recording BACALOV, L. Astoriando 17/3/2010 - Rome - Bacalov - (PTA) 14/5/2011 - Oita - Hubert - Argerich’s Meeting Point AMP-1101 (2CD)** 19-25/10/2012 - Rosario (Argentina) - Rivera - Cosentino SC 1271-4 (4CD)** 19-25/10/2012 - Rosario (Argentina) - Rivera - Cosentino SC 1271-4 (4CD)** Portena for Two Pianos and Orchestra 10/6/2015 - Lugano - Hubert, O. della Svizzera italiana/Vedernikov - Warner 2564628549 (3CD) 17/7/2015 - Buenos Aires - Hubert, O. S. Nacional/Bacalov - (PTV) BACH, J.S. Concerto for Four Pianos and Strings in a, BWV 1065 22/7/2003 - Verbier - Kissin, Levine, Pletnev - Birthday Festival O. - RCA 82876 60942 9 (DVD)** 15/10/2004 - Buenos Aires - Sebastiani, Vallina, Balat - Sinfonietta Argerich/Ntaca - 3rd mvt encored - (PTA) 12/3/2012 - Athens - Kapelis, Maisky, Mogilevsky - Megaron Camerata/Korsten - (PTV) 21/10/2013 - Paris - Lim, Zilberstein, Vallina - Chamber O. -
Emily Sibley Watson (1855-1945)
Emily Sibley Watson (1855-1945) Emily Sibley Watson was a Rochester grand dame who lives on in most people’s imaginations, if she lives on at all, as a staid and starchy dowager. However, archival materials tell a different and vital story, one about a vibrant girl who grew to be a devoted daughter, wife and mother, steadfast friend, intrepid traveler, and compassionate and generous philanthropist. At the same time, as materials have migrated from one generation to the next and into widely separated archives, there are limits to our understanding and interpretation. Still, it is a story filled with adventure, celebration, and tragedy, and its arc overlaps and intersects with the growth of the city famous for Frederick Douglass, Susan B. Anthony, and George Eastman. She remains one of Rochester’s least well-known individuals, overshadowed by the accomplishments of her father and son1, but her gifts to the community have put Rochester on the cultural map for over one hundred years. Emily Sibley Watson in later life Born in 1855, Emily Sibley Watson made her ar- rival around the time that her father, Hiram Sib- ley, was consolidating the Western Union Company. The youngest of four children, and one of only two to survive beyond the 1860s, her life bore only slight resemblance to that of her elder sister, Louise Sibley Atkinson (1833- 1868). Louise spent her earliest years in rural Monroe County, traveled exclusively within the New York/New England region, went to school in Canandaigua, and fretted about expenses. Emily, twenty-two years young- er, was born into immense wealth and privilege and access to the highest levels of culture and society. -
Italian Polka Sergei Rachmaninoff for Violin Piano Sheet Music
Italian Polka Sergei Rachmaninoff For Violin Piano Sheet Music Download italian polka sergei rachmaninoff for violin piano sheet music pdf now available in our library. We give you 1 pages partial preview of italian polka sergei rachmaninoff for violin piano sheet music that you can try for free. This music notes has been read 6414 times and last read at 2021-09-25 05:33:16. In order to continue read the entire sheet music of italian polka sergei rachmaninoff for violin piano you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Violin Solo, Piano Accompaniment Ensemble: Mixed Level: Beginning [ READ SHEET MUSIC ] Other Sheet Music Italian Polka Polka Italienne By Sergei Rachmaninoff Italian Polka Polka Italienne By Sergei Rachmaninoff sheet music has been read 1959 times. Italian polka polka italienne by sergei rachmaninoff arrangement is for Intermediate level. The music notes has 2 preview and last read at 2021-09-25 13:09:39. [ Read More ] Italian Polka Sergei Rachmaninoff For Oboe Piano Italian Polka Sergei Rachmaninoff For Oboe Piano sheet music has been read 2773 times. Italian polka sergei rachmaninoff for oboe piano arrangement is for Beginning level. The music notes has 1 preview and last read at 2021-09-22 22:28:55. [ Read More ] Italian Polka Sergei Rachmaninoff For Trombone Piano Italian Polka Sergei Rachmaninoff For Trombone Piano sheet music has been read 2905 times. Italian polka sergei rachmaninoff for trombone piano arrangement is for Beginning level. The music notes has 1 preview and last read at 2021-09-24 15:44:48.