ON the FLOOR the On-The-Pulse Guide to the Deep, Down and Dirty Gyrations of Global Clubland
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World-Class Electronic Music at Flow's Resident Advisor Front Yard
Press release. Free for publication March 22nd 2018, 11:30 EET World-class electronic music at Flow's Resident Advisor Front Yard Flow Festival is known for its stellar electronic music offering, and this year the audience gets to enjoy it at the Resident Advisor Front Yard, among other venues. Come August, Helena Hauff, Moodymann, Gerd Janson, Young Marco, Yaeji, Sammy Dee & Zip, Sonja Moonear and many others will take the stage at Flow. Flow Festival debuted the very popular Resident Advisor Front Yard at last year's festival. This year the stage is back and the cooperation with Resident Advisor, the world's num- ber one online media for electronic music, continues. The area's stripped down industrial atmosphere with its cargo container structures combined with a park-like greenery and gorgeous light design creates an amazing setting for enjoying the club sounds. On Friday Resident Advisor Front Yard will host Sammy Dee and Zip, two legendary Ger- man DJs playing together, Swiss top DJ Sonja Moonear, Finnish electro's ultimate cult duo Imatran Voima's 20th anniversary live performance, Amsterdam-based Young Marco with his original, obscure and fascinating record finds, and Korean-born, but Berlin-based house and techno sensation Peggy Gou. On Saturday, the Resident Advisor stage will be taken over by e.g. Helena Hauff, who reached the top spot on Crack Magazine's TOP 50 DJ list, Detroit In Effect with his Miami bass, techno and hip hop inspired set, as well as Veronica Vasicka, who personifies Mini- mal Wave, the style and the record company. -
Download Presskit
UNER Follow Bio From debuting in 2009 on Diynamic, right up to remixing one of his idols Laurent Garnier in 2015, UNER has been experiencing one of the most exciting times of his life. After a lifetime devoted to music, rewards have come in the form of critical and audience success, performances around the globe and releasing his music on the best electronic music labels. Those include regular appearances on Cadenza, Cocoon, Visionquest, Cécille or Diynamic, which in 2014 released his debut album "432", showcasing the most personal side of UNER, the lover of house, techno, melodies and vocal harmonies. What's more, this album displayed the continued musical maturity and enduring form of this DJ and producer. Booking Info Looking back, we can see that for each new year for UNER is better than the last. In 2012, he Email was one of the top artists in the annual Resident Advisor charts, in 2013 he was named best [email protected] newcomer at the Ibiza DJ Awards, and in 2014 sophistication arrived with his debut album. Each milestone reached is celebrated and appreciated, but UNER's ambition is to turn each Phone milestone into a springboard to the next step. The results are clear: in Ibiza he has become 0034 971 80 33 83 one of the leading artists at Ants, every summer Saturday at Ushuaia, or at Carl Cox The Revolution (Space), a set repeated for the fifth year running; in the rest of Europe, where he regularly plays at clubs like Watergate in Berlin or at festivals such as Sonar, Monegros or Rock In Rio, and in the Americas, where he constantly tours the north and south of the continent. -
Media Review1
Jan - April- 2019 TRINITY INSTITUTE OF PROFESSIONAL STUDIES Dwarka, Sector-9, New Delhi Trinity Media Review Advisors Dr. R.K. Tandon Chairman, TIPS, Dwarka Study of Circulation of Fake News through Social Media 3 Ms. Reema Tandon Vice Chairperson Sachin Kumar Jha TIPS, Dwarka Comparison of Advertisements: 7 All India Radio and Private Radio Channels. Editor-in-Chief Manika Srivastava Prof. (Dr.) Vikas Rao Vadi Editorial Board Evolution of Electronic Dance Music 12 Prashant Arora Prof. (Dr.) Sunil Kumar Khatri Director, AIIT, Amity University, Noida Prof. Prashant Johri Director, Galgotia University Prof. Naveen Kumar Associate Professor, IGNOU Prof. (Dr.) Saurabh Gupta HOD (CSE) Dept, NIEC Dr. Rajashree S Adhikary Associate Professor, TIPS, Dwarka Dr. Vanshika Bhatia Assistant Professor, TIPS, Dwarka Ms. Yashasvika Yadav Assistant Professor, TIPS, Dwarka Mr . Reezu Kaushik Assistant Professor, TIPS, Dwarka Vol 4, Issue 2 Trinity Media Review Jan April 2019 Media (TMR) TMR 2018 Vol 4, Issue 2 Page 1 Trinity Media Review Jan April 2019 Vol 4, Issue 2 Page 2 Trinity Media Review Jan April 2019 STUDY OF CIRCULATION OF FAKE NEWS THROUGH SOCIAL MEDIA Sachin Kumar Jha Introduction and social media was becoming more sophisticated. In simple words, Mass Media is the means to Internet relay chats, or IRCs, were first used in 1988 and communicate to the public. It is the technology which continued to be popular well into the 1990’s. The first is used to communicate with the general public and recognizable social media site, Six Degrees, was created reach the mass audience. It is the medium through in 1997. -
ANDERTON Music Festival Capitalism
1 Music Festival Capitalism Chris Anderton Abstract: This chapter adds to a growing subfield of music festival studies by examining the business practices and cultures of the commercial outdoor sector, with a particular focus on rock, pop and dance music events. The events of this sector require substantial financial and other capital in order to be staged and achieve success, yet the market is highly volatile, with relatively few festivals managing to attain longevity. It is argued that these events must balance their commercial needs with the socio-cultural expectations of their audiences for hedonistic, carnivalesque experiences that draw on countercultural understanding of festival culture (the countercultural carnivalesque). This balancing act has come into increased focus as corporate promoters, brand sponsors and venture capitalists have sought to dominate the market in the neoliberal era of late capitalism. The chapter examines the riskiness and volatility of the sector before examining contemporary economic strategies for risk management and audience development, and critiques of these corporatizing and mainstreaming processes. Keywords: music festival; carnivalesque; counterculture; risk management; cool capitalism A popular music festival may be defined as a live event consisting of multiple musical performances, held over one or more days (Shuker, 2017, 131), though the connotations of 2 the word “festival” extend much further than this, as I will discuss below. For the purposes of this chapter, “popular music” is conceived as music that is produced by contemporary artists, has commercial appeal, and does not rely on public subsidies to exist, hence typically ranges from rock and pop through to rap and electronic dance music, but excludes most classical music and opera (Connolly and Krueger 2006, 667). -
A Comprehensive History of Techno and Finding God in the Music with Ellen Allien
Editorial A Comprehensive History of Techno and Finding God in the Music With Ellen Allien Kian McHugh | August 3, 2020 When my Zoom call with Ellen Allien connects, at last, I feel weeks of anticipation turn to uncontrollable excitement. My fingers, sweaty from nerves, and a poorly brewed Starbucks coffee, type out the instructions on how to get her audio configured. Ellen is lounging in her Ibiza flat where she has painted all of the walls completely black so that when the sun shines through her window, the room glows yellow. The first fully formed thought I could pencil down was that her posture seemed to denote a sincere attention to detail and confidence in comfort that most others lack. For the first 2 minutes of the call, we both instinctively laugh, muted, and unaware that our discussion of Techno would soon gravitate toward, and then find unexpected momentum in… a deep consideration of Techno, God, and religion. “Rap is where you rst heard it… If rap is more an American phenomenon, techno is where it all comes together in Europe as producers and musicians engage in a dialogue of dazzling speed.” – Jon Savage (English writer, broadcaster and music journalist). In Hanif Abdurraqib’s 2019 book, Go Ahead in the Rain: Notes to A Tribe Called Quest, he so beautifully praises “the low end” of a track: “The feeling of something familiar that sits so deep in your chest that you have to hum it out … where the bass and the kick drums exist.” His point rings true across all music that is heavily percussion driven. -
Fisheye N° 41 En Kiosque Le 9 Mars 2020 156 Pages / 4,90 €
PHOTO EXTRAITE DE LA SÉRIE APARTMENT / © SAGE SZKABARNICKI-STUART / © SAGE APARTMENT EXTRAITE DE LA SÉRIE PHOTO COMMUNIQUÉ DE PRESSE FISHEYE N° 41 EN KIOSQUE LE 9 MARS 2020 156 PAGES / 4,90 € DIRECTEUR DE LA RÉDACTION RÉDACTEUR EN CHEF RELATIONS PRESSE FISHEYE MAGAZINE Benoît Baume Éric Karsenty Catherine Philippot 8-10, passage Beslay, Paris (11e) [email protected] [email protected] [email protected] Tél. : 01 77 15 26 40 Tél. : 06 82 93 67 79 Tél. : 06 13 45 22 61 Tél. : 01 40 47 63 42 [email protected] COMMUNIQUÉ Circulation(s), DE PRESSE 10 ans de découvertes FISHEYE N° 41 Le festival Circulation(s) célèbre aujourd’hui sa 10e édition. Dix ans à défricher la jeune photographie européenne, ses émergences, ses expérimentations, ses aventures. Un itinéraire que nous avons souvent accompagné dans les pages de notre magazine, tant nos sensibilités sont proches. Nombreux sont les artistes qu’on a ainsi pu voir accrochés sur les cimaises du festival et publiés dans les pages de Fisheye. Nul hasard dans ce compagnonnage, comme en témoigne le portrait que nous avions déjà consacré à sa flamboyante fondatrice, Marion Hislen, en septembre 2015, qui revient ici dans un long entretien sur cette belle histoire. Ce dossier nous donne aussi l’occasion de dérouler un panorama en images de cette décennie et de recueillir les paroles de quelques-uns des 500 auteurs découverts par l’équipe de Fetart, l’association à l’origine de cette manifestation. Un festival est un lieu d’expérimentation Interview — Marion Hislen Fondatrice de l’association Fetart à l’origine du festival Circulation(s) Et pour l’équipe ? La photographie émergente et La scénographie était-elle Pour la première édition, Fetart comptait une la dimension européenne étaient déjà une de vos préoccupations ? e qui présente cette année sa 10 édition, Marion Hislen, aujourd’hui vingtaine de bénévoles. -
February 15 Release
For more information, please contact: Sandra York [email protected] 786-266-3301 Michael Gaid [email protected] 786-512-4922 FEBRUARY 15, 2019 FOR IMMEDIATE RELEASE We are pleased that the Court has again declined to entertain, for the final time, the baseless legal claims against Ultra. Hosting the festival at Miami Marine Stadium and Historic Virginia Key Beach Park provides us with the ability to present the best and most transformative ULTRA MUSIC FESTIVAL that we have ever produced by way of music, artists, experience, cutting edge and technologically advanced production elements and novel art installations, including a new island concept for our globally renowned underground brand, RESISTANCE. Limited tickets are available at UltraMusicFestival.com. See you at Virginia Key on March 29, 30 and 31, 2019! -- ABOUT US ULTRA is the world’s largest music festival brand with over 1,000,000 people attending its events in 2018 which took place in nearly 30 countries, including ULTRA festivals across 6 continents. ULTRA has achieved global success and still remains an independent brand that is constantly evolving and continuing its global expansion. ULTRA’s 20th Anniversary event in 2018 broke previous records with 165,000 attendees from nearly 100 countries and over 30,000,000 views on the live broadcast courtesy of ULTRA LIVE. In 2018, the Miami festival was voted ‘The World’s #1 Festival’ for the 3rd consecutive year by DJ Mag and ‘Best Music Festival’ by the 2018 International Dance Music Awards, and ULTRA Worldwide’s Techno and House concept brand RESISTANCE was voted ‘Best Ibiza Night’ by the 2018 DJ Awards. -
PÁGINA WEB DJ SEBASTIÁN XOTTELO 1 Creación Y Diseño De
PÁGINA WEB DJ SEBASTIÁN XOTTELO 1 Creación y diseño de la página oficial de Sebastián Xottelo, dj bogotano de música electrónica Luis Felipe Castro Miranda Fundación Universitaria Panamericana Facultad de Comunicación Programa de Mercadeo y Publicidad Bogotá Junio de 2013 PÁGINA WEB DJ SEBASTIÁN XOTTELO 2 Creación y diseño de la página oficial de Sebastián Xottelo, dj bogotano de música electrónica Luis Felipe Castro Miranda Trabajo para obtener la certificación del seminario como opción de grado Diseño web. Asesor Sergio Nieto Fundación Universitaria Panamericana Facultad de Comunicación Programa de Mercadeo y Publicidad Bogotá Junio de 2013 PÁGINA WEB DJ SEBASTIÁN XOTTELO 3 Tabla De Contenido Resumen ................................................................................................................... 5 Antecedentes del problema ................................................................................. 6 Descripción del problema .................................................................................... 9 Objetivo General ................................................................................................... 10 Objetivos específicos ....................................................................... 10 Justificación ............................................................................................................ 11 Diseño Metodológico ........................................................................................... 12 Descripción .................................................................................... -
Come Together! How Rave Returned to the Cultural Mix
Come together! How rave returned to the cultural mix Twenty five years on, the spirit of rave is being seen everywhere from catwalk fashion and art to the collective political experience of Acid Corbynism Lauren Cochrane Monday 27 November 2017 05.45 GMT efore the May bank holiday in 1992, Castlemorton Common in the Malvern Hills was B chiefly known only to walkers keen to hike through its 600 acres of unspoilt, unenclosed land. After that bank holiday, however, it became known as the site of Britain’s biggest-ever illegal rave. Partygoers arrived in such numbers that Castlemorton featured on TV and in the newspapers – which brought more revellers. In the end, an estimated 20,000 people flocked to the site. By the Tuesday, it had induced moral panic in the Daily Mail: “A walk through the hippy encampment was like walking into a scene from the Mad Max movies. Zombie-like youngsters on drugs walked aimlessly through the mobile shanty town or danced to the pounding beat,” it reported. By 1994, the Criminal Justice and Public Order Act was passed, with the now infamous ruling against parties playing music “characterised by the emission of a succession of repetitive beats”. Twenty-five years after Castlemorton, rave is back in the pop culture mix. The aesthetic, culture and sound has trickled down to everything from the growth of the festival to the concept of chill-out, to your DayGlo wallet, clubbing scenes in Girls, a weekend in Ibiza and the Kirakira app’s sparkles. Most people might not be regularly indulging in four-day parties but, in 2017, rave’s cultural legacy extends far and wide. -
Discourse on Disco
Chapter 1: Introduction to the cultural context of electronic dance music The rhythmic structures of dance music arise primarily from the genre’s focus on moving dancers, but they reveal other influences as well. The poumtchak pattern has strong associations with both disco music and various genres of electronic dance music, and these associations affect the pattern’s presence in popular music in general. Its status and musical role there has varied according to the reputation of these genres. In the following introduction I will not present a complete history of related contributors, places, or events but rather examine those developments that shaped prevailing opinions and fields of tension within electronic dance music culture in particular. This culture in turn affects the choices that must be made in dance music production, for example involving the poumtchak pattern. My historical overview extends from the 1970s to the 1990s and covers predominantly the disco era, the Chicago house scene, the acid house/rave era, and the post-rave club-oriented house scene in England.5 The disco era of the 1970s DISCOURSE ON DISCO The image of John Travolta in his disco suit from the 1977 motion picture Saturday Night Fever has become an icon of the disco era and its popularity. Like Blackboard Jungle and Rock Around the Clock two decades earlier, this movie was an important vehicle for the distribution of a new dance music culture to America and the entire Western world, and the impact of its construction of disco was gigantic.6 It became a model for local disco cultures around the world and comprised the core of a common understanding of disco in mainstream popular music culture. -
IN SEARCH of WARMER CLIMES Following a Move to LA, Bonobo Returns to Ninja Tune with New LP, ‘Migration’
MUSIC ONE STOP SHOP February’s tunes reviewed p.106 THE LONG GAME Albums arriving this month p.128 MIX ‘N’ MATCH Compilations not to miss p.132 IN SEARCH OF WARMER CLIMES Following a move to LA, Bonobo returns to Ninja Tune with new LP, ‘Migration’... p.129 djmag.com 105 HOUSE BEN ARNOLD QUICKIES Roberto Clementi Avesys EP [email protected] Pets Recordings 8.0 Sheer class from Roberto Clementi on Pets. The title track is brooding and brilliant, thick with drama, while 'Landing A Man'’s relentless thump betrays a soft and gentle side. Lovely. Jagwar Ma Give Me A Reason (Michael Mayer Does The Amoeba Remix) Marathon MONEY 8.0 SHOT! Showing that he remains the master (and managing Baba Stiltz to do so in under seven minutes too), Michael Mayer Is Everything smashes this remix of baggy dance-pop dudes Studio Barnhus Jagwar Ma out of the park. 9.5 The unnecessarily young Baba Satori Stiltz (he's 22) is producing Imani's Dress intricate, brilliantly odd house Crosstown Rebels music that bearded weirdos 8.0 twice his age would give their all chopped hardcore loops, and a brilliance from Tact Recordings Crosstown is throwing weight behind the rather mid-life crises for. Think the bouncing bassline. Sublime work. comes courtesy of roadman (the unique sound of Satori this year — there's an album dizzying brilliance of Robag small 'r' is intentional), aka coming — but ignore the understatedly epic Ewan Whrume for a reference point, Dorsia Richard Fletcher. He's also Tact's Pearson mixes of 'Imani's Dress' at your peril. -
Detroit: Techno City 27 July – 25 September 2016 ICA Fox Reading Room Preview 26 July
ICA Press release: 26 May 2016 Detroit: Techno City 27 July – 25 September 2016 ICA Fox Reading Room Preview 26 July Techno! The New Dance Sound of Detroit (1988). Courtesy Neil Rushton and 10 Records LTD The next ICA Fox Reading Room exhibition will present a studied look at the evolution and subsequent dispersion of ‘Detroit Techno music’. This term, coined in the late 1980s, reflects the musical and social influences that informed early experiments merging sounds of synth-pop and disco with funk to create this distinct music genre. For the first time in the UK, a dedicated exhibition will chart a timeline of ‘Detroit Techno music’ from its 1970s origins, continuing through to the early 1990s. The genre’s origins begin in the disco parties of Ken Collier with influence from local radio stations and DJs, such as Electrifying Mojo and The Wizard (aka Jeff Mills). The ICA’s exhibition explores how a generation was inspired to create a new kind of electronic music that was evidenced in the formative UK compilation: Techno! The New Dance Sound of Detroit. Using inexpensive analogue technology, such as the Roland TR 808 and 909, DJs and producers including Juan Atkins, Blake Baxter, Eddie Fowlkes, Derrick May, and Kevin Saunderson, formed this seminal music genre. Although the music failed to gain mainstream audiences in the U.S, it became a phenomenon in Europe. This success established Detroit Techno, as a new strand of music which absorbed exterior European tastes and influences. This introduced a second wave of DJs and producers to the sound including Carl Craig, Richie Hawtin and Kenny Larkin.