BASE MODEL BODY
M2M
MADE 2 MEASURE NECK OPTIONS OVERVIEW
[FOR INTERNAL USE ONLY]
GIBSON CUSTOM HARDWARE HARDWARE NECK BODY BASE MODEL BASE NECK BODY HARDWARE ELECTRONICS MODEL LES PAUL MODEL OPTIONS LES PAUL STANDARD OPTIONS DEXTERITY Left handed Right handed DEXTERITY Left handed Right handed
TOP TOP BASE MODEL
Plain Figured B AAA Quilt Figured R
BODY 1954 LES PAUL STANDARD 1956 LES PAUL STANDARD 1959 LES PAUL STANDARD 1960 LES PAUL STANDARD
The sunburst Les Paul Standards By 1956, the promise of Gibson’s first The 1959 Standard Les Paul from Gib- The 1960 Standard Les Paul from Gib- of 1958-’60 may grab most of the solid body guitar model, the Les Paul, son Custom delivers the tone, looks and son Custom delivers the tone, looks and attention, but for plenty of no-nonsense was beginning to emerge and evolve feel of the original ’59, Sunburst Les feel of the original ’60, slim neck Les players out there, the 1954 Les Paul into a new standard in guitars. Today’s Historic Chambered Paul that set the standard. It features Paul. It features hand-crafted beauty, AAAAA Quilt Koa Model “Goldtop” with two soapbar-style 1956 Goldtop features the original’s Non-Weight Relieved hand-crafted beauty, authentic vintage authentic vintage Gibson tone and P-90 pickups and wraparound tailpiece lightweight aluminum tailpiece and Gibson tone and historic appointments historic appointments plus historically embodies raw blues rock and roll more adjustable Tune-O-Matic bridge for plus historically accurate aniline dye, accurate aniline dye, hide glue neck BODY than any other guitar on the planet reliable play, and that throaty, open NECK hide glue neck construction and the construction and the renown sound tone only two P-90’s can deliver. renown sound transference that comes transference that comes with its long with its long neck tenon. The most im- neck tenon. The most important details portant details that made the original that made the original the legend are the legend are artfully revived for a artfully revived for a convincing vintage convincing vintage playing experience playing experience. Historic Chambered Regular spec Custom spec Non-Weight Relieved
HARDWARE/ NECK TAILPIECE
Nickel Stopbar Gold Stopbar Regular spec Custom spec
HARDWARE/ 1957 LES PAUL STANDARD 1958 LES PAUL STANDARD TAILPIECE
The 1957 “Goldtop” Les Paul from The 1958 Standard Les Paul from Gibson Gibson Custom delivers the tone, Custom delivers the tone, looks and feel looks and feel of the original ’57 of the original ’58, the first of the Gibson’s Goldtop with hand-crafted beauty and now infamous Sunburst models. It features Nickel Bigsby Gold Bigsby Nickel Stopbar Gold Stopbar historic appointments. From histori- hand-crafted beauty, authentic vintage cally accurate paint formulation, to a Gibson tone and historic appointments hot hide glue set neck, to the renown plus historically accurate aniline dye, hide sound transference that comes with its glue neck construction and the renown long neck tenon, the most important sound transference that comes with its details that made the original a legend long neck tenon. The most important are artfully revived for a convincing details that made the original a legend are vintage playing experience. artfully revived for a convincing vintage Nickel Bigsby Gold Bigsby playing experience. MODEL LES PAUL CUSTOM OPTIONS LES PAUL AXCESS OPTIONS DEXTERITY Left handed Right handed DEXTERITY Left handed Right handed
PICKUPS Single Double Triple TOP BASE MODEL
TOP
Plain Lightly Figured A Figured B
Plain Lightly Figured A Figured B LES PAUL CUSTOM LES PAUL AXCESS CUSTOM LES PAUL AXCESS STANDARD
The Les Paul Custom guitar lives up to the high standard set by the 1950’s archetype The Les Paul Custom Axcess Floyd from The modern player’s choice is reimagined while evolving to a level of tone and performance optimized to today’s musical demands. Gibson Custom combines the modern with this new limited series of Modern Beneath the layers of its “tuxedo” appointments lies the crisp, edgy voice of a matched playability, light weight and tone of Les Paul Axcess guitars. Featuring the 490/498 humbucker set, a long neck tenon for maximum sustain and a two-piece maple Gibson’s popular Axcess range, dressed up new Apex headstock for added strength, re- AAA Quilt AAAAA Quilt Koa top over a solid mahogany body that adds the perfect amount of bite to everything from in style inspired by the Les Paul Custom designed back contours for added comfort jazz to hard rock. of “fretless wonder” lineage. Drenched in and new exciting colors for impressive AAA Quilt AAAAA Quilt Koa modernized playability and tone features, visual appeal. BODY the Les Paul Axcess Custom lives to BODY serve those who value comfort, speed, and a slightly more aggressive version of Gibson’s signature humbucker tone.
Axcess Spec Body
Weight Relieved Chambered NECK
NECK
Regular spec Custom spec
Regular spec Custom spec HARDWARE/ TAILPIECE HARDWARE/ TAILPIECE
Chrome Floyd Gold Floyd
Chrome Stopbar Nickel Stopbar Gold Stopbar
Nickel Stopbar Chrome Stopbar Gold Stopbar
Nickel Bigsby Gold Bigsby MODEL MODERN LES PAUL STANDARD OPTIONS SG STANDARD OPTIONS DEXTERITY Left handed Right handed DEXTERITY Left handed Right handed
TOP TOP BASE MODEL
Lightly Figured A Figured B AAA Quilt Plain Lightly Figured A Figured B
MODERN LES PAUL STANDARD 1961 SG STANDARD SG CUSTOM
The Modern Les Paul Standard tastefully improves on an undeniable classic with the The original SG wasn’t named SG at all. The SG Custom retains all the fast-playing, addition of an Apex headstock for improved stability and a fully-chambered body, It was in fact originally dubbed a “Les devilish charm of an SG refreshed with keeping the guitar balanced, resonant and extremely lightweight. And with a long neck Paul” and was intended to revitalize iconic Custom aesthetics. Its two powerful tenon and all solid-wood construction, the sound and feel are everything you expect from AAAAA Quilt Koa the slumping demand for Gibson’s humbuckers are a first, while its slick, AAA Quilt AAAAA Quilt Koa a Gibson Custom instrument. This limited edition run features a rainbow of exciting new more traditional solid body electrics as ebony nitrocellulose finish and multi-ply finish options. players’ tastes turned to lighter weight appointments combine pure rock and roll BODY guitars with slimmer necks. The short with pure class. BODY lived Les Paul endorsement ended when Les proclaimed the guitar as “evil looking” and not to his liking.
Chambered Mahogany
NECK NECK
Regular spec Custom spec Regular spec Custom spec
HARDWARE/ HARDWARE/ TAILPIECE TAILPIECE
Nickel Stopbar Gold Stopbar Nickel Stopbar Gold Stopbar
Nickel Bigsby Gold Bigsby Nickel Bigsby Gold Bigsby
Nickel Maestro Gold Maestro MODEL FLYING V OPTIONS EXPLORER OPTIONS DEXTERITY Left handed Right handed DEXTERITY Right handed
TOP BODY BASE MODEL
Figured B Regular
BODY NECK FLYING V CUSTOM FLYING V STANDARD MAHOGANY EXPLORER
Flying V Custom adds the classic, Gibson Custom’s Flying V Standard takes Presenting the Explorer Mahogany featuring ‘58-spec construction and appointments refined and upscale Custom looks its design cues from the the late-’50s and bodies made from solid Mahogany, which is sonically very similar to Korina. to one of Gibson’s most legendary “futuristic” design that took the guitar designs. The pointed, unorthodox lines world by surprise. From that starting point, Mahogany Regular spec Custom spec of the “V” have always been magnetiz- we’ve complemented the now iconic Flying ing to the more daring guitar players V design with Les Paul-inspired aesthetics among us - a visual statement with including a two-piece, figured-maple NECK HARDWARE/ uncompromised Gibson tone. This rare top, single-bound body and neck, as well TAILPIECE edition adds a new layer of boldness to as a lightweight, solid mahogany back an already outspoken guitar. tastefully finished in cherry red. The Flying V Standard’s undeniably Gibson tone comes from a matched set of Custom Bucker pickups. Regular spec Custom spec Nickel Stopbar Gold Stopbar
HARDWARE/ TAILPIECE
Nickel V Gold V
MAHOGANY V
Presenting the Flying V Mahogany TV series, featuring ‘59-spec construction and appointments and bodies made Nickel Stopbar Gold Stopbar from solid Mahogany, which is sonically very simiar to Korina. MODEL ES-335 OPTIONS CS OPTIONS DEXTERITY Left handed Right handed DEXTERITY Left handed Right handed
BODY TOP VENEER BASE MODEL
Plain Figured Figured B AAA Quilt AAAAA Quilt
NECK 1959 ES-335 1963 ES-335 CS-356 CS-336 FIGURED
The ES-335 evolved quickly in its first few The original “dot neck” ES-335 had Classic, Gibson Custom appointments Constructed with carved and cham- years and the 1959 ES-335TD represents already set the guitar world alight for adorn these limited edition CS-356 bered solid woods, the CS-336 sounds the second stage of this seminal guitar. half a decade with its powerful blend of model guitars, each featuring carved as good as it looks with a combination archtop finesse and solidbody power by the and chambered solid woods for the of archtop, Les Paul and semi-hollow- Regular spec Custom spec Koa time the “block neck” came along in 1963, deepest archtop tones in a deceptive body tones. The compact body shape but the first major renovation of the design ES-style package. The compact body is well-balanced and resists feedback marked a major milestone in Gibson HARDWARE/ shape is well-balanced and resists while remaining extremely resonant, NECK history nonetheless. TAILPIECE feedback while remaining extremely amplified by a pair of singing ‘57 resonant, amplified by a pair of singing Classic humbuckers. ‘57 Classic humbuckers.
Nickel Stopbar Gold Stopbar Regular spec Custom spec
HARDWARE/ TAILPIECE
Nickel Bigsby Gold Bigsby Nickel Stopbar Gold Stopbar
Nickel Bigsby Gold Bigsby MODEL L-4 OPTIONS L-5 OPTIONS DEXTERITY Left handed Right handed DEXTERITY Left handed Right handed
BRACING BRACING BASE MODEL
Parallel bracing X bracing Parallel bracing X bracing
CUTAWAY CUTAWAY L-4 MAHOGANY WES MONTGOMERY L-5 L-5 CES
The Gibson L-4 archtop became jazz’s greatest rhythm instrument in the hands of six- “Montgomery is undoubtedly one of the Initially produced as an acoustic in 1922 string innovators like the virtuoso Eddie Lang in the 1920s and assured the company’s most important voices in Jazz guitar that under the direction of famed Gibson luthier dominance of the guitar market even before the outbreak of World War I. But the L-4’s has ever lived – or most likely ever will Lloyd Loar, the L-5 was Gibson’s first guitar story - how it evolved from an acoustic guitar to the dynamic L-4 CES Mahogany Archtop Venetian Florentine Non-Cutaway live. A discussion of Jazz guitar is simply with f-holes. In the 1940s the model Venetian Florentine Non-Cutaway of today - is perhaps the best illustration of Gibson’s historic dedication to endlessly not thorough if it does not touch upon Wes became the rhythm box of choice for big refining and improving instruments that are already world class. Montgomery.” — Dave Miele and Dan band players and later the standard guitar NECK Bielowsky, Jazz Improv Magazine, Vol. 7, for Wes Montgomery, who would eventually NECK No. 4. receive a custom model.
Regular spec Custom spec Regular spec Custom spec
HARDWARE/ HARDWARE/ TAILPIECE TAILPIECE
Nickel Gold Nickel Gold L-5 CT
Initially produced as an acoustic in 1922 under the direction of famed Gibson luthier Lloyd Loar, the L-5 was Gibson’s first guitar with f-holes. In the 1940s the model became the rhythm box of choice for big Nickel Bigsby Gold Bigsby band players and later the standard guitar Nickel Bigsby Gold Bigsby for Wes Montgomery, who would eventually receive a custom model. And it was already one of the world’s most popular guitars when Gibson first electrified the model in 1951. MODEL BYRDLAND OPTIONS SUPER 400 OPTIONS DEXTERITY Left handed Right handed DEXTERITY Left handed Right handed
BRACING BRACING
Parallel bracing X bracing Parallel bracing X bracing
CUTAWAY CUTAWAY BYRDLAND SUPER 400
Many working musicians of the fast-paced and musically adventurous ’50s required a “A crowning achievement! Developed through years of research, the luxurious Super new instrument — one that captured traditional Gibson archtop artistry and crafts- 400-CES has been acclaimed by outstanding musicians everywhere as the finest electric manship, but represented a redrawing of the blueprint for the needs of the day. Enter the Spanish guitar. Superior materials and superb Gibson craftsmanship produce its clear, Byrdland, released in 1955 after consultation with first-call Nashville session musicians clean-cut powerful tone and dependable performance.” — Gibson catalog, circa 1959. Venetian Florentine Non-Cutaway Venetian Florentine Non-Cutaway Billy Byrd and Hank Garland. Outwardly every bit a Gibson, this model represented a handful of developments that were radical, even revolutionary, in its day. NECK NECK
Regular spec Custom spec Regular spec Custom spec
HARDWARE/ HARDWARE/ TAILPIECE TAILPIECE
Nickel Gold Nickel Gold
Nickel Bigsby Gold Bigsby Nickel Bigsby Gold Bigsby BINDING PHF INLAY
1 PLY 3-PLY (T-B-T) 3-PLY (W-B-W) 7-PLY (W-B-W-B-W-B-W) OTHER (CUSTOM ORDER) GIBSON MOTHER OF PEARL GIBSON MOTHER OF PEARL NO GIBSON CUSTOM OTHER CUSTOM ORDER BINDING COLORS WITH CROWN CROWN BLACK WHITE CREAM BODY NUT MATERIAL FINGERBOARD INLAY
BONE NYLON BLACK CORIAN WHITE CORIAN DOT SMALL BLOCK FULL BLOCK SPLIT BLOCK NECK
Tone, volume and sustain are all quali- The nut found on 1950’s guitars - hard a great balance of Tone and Volume a great balance of Tone and Volume ties resulting from a Bone nut. wearing and provides a full, resonant can be achieved with a Corian nut can be achieved with a Corian nut tone. which also provides great stability. which also provides great stability. FINGERBOARD MATERIAL
SPLIT PARALLELOGRAM SPLIT DIAMOND TRAPEZOID
ROSEWOOD DARK ROSEWOOD RICHLITE EBONY
The original fret board tone wood to the same high quality tone wood with a Stable, reliable, resonant and black in The ES-355 was regarded as the feature on the ES-335 darker, richer appearance appearance. An amazing fretboard for highest accolade in the ES range, your dream machine an Ebony fingerboard is the perfect accompaniment COLOR OVERVIEW
CHERRY SIXTIES CHERRY FADED CHERRY WINE RED NATURAL AQUAMARINE BLUE STAIN BLUES BURST SILVERBURST GUN METAL
Original Cherry finish Historic accurate cherry finish Deeper shade of cherry used on Deep, lucious red with that When you have a stunning top Create an impressive visual A deep blue finish for those Created to celebrate the home Silverburst has become a mod- A metal finish for your dream from the 60s pre-2014 reissues classic vintage feel why not show it off individuality. deep blue tones of Memphis Blues, Beale Street ern classic in certain circles, its metal instrument! metallic looking burst perfect for the stage BODY
ANTIQUE NATURAL WALNUT EBONY ALPINE WHITE CLASSIC WHITE BOURBONBURST CARDINAL RED CANDY APPLE RED OXBLOOD BOTB PAGE #
Based on the coveted 1958 Get those classic 70’s vibes Simple and sophisticated Clean, Crisp and classy A subtle white finish A rich red/brown burst edge Create an impressive visual A deep blue finish for those Created to celebrate the home Choose your dream burst from ES-335 with a Walnut finish es model finishes with deep yellows via individuality. deep blue tones of Memphis Blues, Beale Street the Beauty Of The Burst book stunning oranges (please provide page number)
PELHAM BLUE EMERALD GREEN KERRY GREEN OLIVE DRAB GOLDTOP FADED TOBACCO ICED TEA LEMONBURST WASHED CHERRY FROST BLUE
Original 60’s Firebird finish This green will truly be the jew- Originally found on the Ameri- A new classic from Gibson - Classic Gold Finish originally a rich dark brown perimeter An original burst would alter its ap- a gorgeous, subtle burst with a modern take on the original A classic finish originally intro- el in the crown of any collection can cruisers from the 50’s first introduced on the Chris presented on 50’s Les Pauls blending into a gorgeous yellow pearance over the years - Iced Tea washed out perimeter - per- burst first introduced in 1958 duced on the Gibson Firebird Cornell ES-335 centre is a perfect example of how amzing fectly suited for both plain and in 1963 these transformations would look figured tops
GOLD SUNSET BURST VINTAGE BURST HISTORIC BURST FADED LIGHT BURST GOLD MIST POLY HEATHER POLY INVERNESS GREEN SPARKLE
A brighter golden finish for A modern take on the classic As close to the original bursts THE traditional ES sunburst The original light burst but A classic finish originally intro- A classic finish originally intro- A classic finish originally intro- add a little sparkle to your life those times when you just need sunburst as you will get - truly stunning with a faded overtone duced on the Gibson Firebird duced on the Gibson Firebird duced on the Gibson Firebird with this finish - please specify to shine! in 1963 in 1963 in 1963 the base color COLOR HARDWARE FINISH OVERVIEW - CONTINUED
TV YELLOW TV WHITE TV BLACK SILVER TV BLACK GOLD DIRTY LEMONBURST NICKEL CHROME GOLD BLACK CHROME SATIN NICKEL designed to be impactful on Historic accurate cherry finish A modern twist on the classic A modern twist on the classic TV very subtle burst which will Black and White TV sets - still from the 60s TV finishes from the 1950s. finishes from the 1950s. Gold allow the entire top to be seen looks amazing now Black base with silver grain grain runs through a black finish from centre to binding BODY
HONEY LEMON FADE SUNRISE TEABURST OTHER CUSTOM ORDER a honeyburst that has almost A beautiful orange, yellow burst Please provide as much infor- completely faded into the which will show off your figured mation as possible including a classic lemon yello top amazingly color match sample
FINISH
GLOSS VOS AGED HEAVY AGED HARDWARE
Full gloss version of your dream guitar. An antique guitar maintains a shine Meticulous attention to detail is given Aged, and then some! Heavier lacquer while also allowing you to get those when aging your dream guitar. Lacquer checking, increased finish removal, vintage vibes from your dream guitar. checking, light bumps, scrapes and hardware tarnishing and all the other finish removal gives an amazing much scrapes and bumps associated with a loved and well played look to your road weary instrument. instrument. NECK PICKUP BRIDGE PICKUP
57 CLASSIC 490R 496R BURSTBUCKER 1 BURSTBUCKER 2 57 CLASSIC 57 CLASSIC PLUS BURSTBUCKER 2 BURSTBUCKER 3 BURSTBUCKER PRO LEAD HUMBUCKER HUMBUCKER HUMBUCKER HUMBUCKER HUMBUCKER HUMBUCKER HUMBUCKER HUMBUCKER HUMBUCKER HUMBUCKER
The 57 Classic Pickup is man- The 490R (rhythm/neck pickup) Introduced in the early 1970s, The Burstbucker 1 is the most The Burstbucker 1 is the most The 57 Classic Pickup is man- The 57 Classic Plus is similar The Burstbucker 1 is the most The Burstbucker 3 has the The Burstbucker Rhythm Pro ufactured to the same specs and 490T (treble/bridge) Gibson’s 496R pickup filled the authentic reproduction possi- authentic reproduction possi- ufactured to the same specs of to the 57 Classic, but more authentic reproduction possi- highest output level of the enhances the vintage “edge” of of the original PAF pickups, pickups are modern classics need for a more powerful hum- ble of the original PAF pickup. ble of the original PAF pickup. the original PAF pickups, includ- coil windings give a “hotter,” ble of the original PAF pickup. three, along with exceptional Gibson’s Burstbuckers by replac- including Alnico II magnets that resurrect the tonal char- bucker and helped energize the Using Alnico II magnets for Using Alnico II magnets for ing Alnico II magnets for that brighter output in the bridge Using Alnico II magnets for high-frequency definition, ing the Alnico II magnets used for that “vintage” sweetness, acteristics of the legendary emergence of hard rock and truly vintage tone, the Type 1 truly vintage tone, the Type 1 “vintage” sweetness, but the position. truly vintage tone, the Type 1 making it a solid choice for the in traditional PAF pickups with but the coils are wound evenly PAF pickups. They include the heavy metal. With its powerful features a lower output, mak- features a lower output, mak- coils are wound evenly to provide features a lower output, mak- bridge position. The pickups Alnico V magnets. This provides to provitone that the original same Alnico II magnets used ceramic magnet, the 496R ing it an ideal choice for the ing it an ideal choice for the a balanced, rich tone that the ing it an ideal choice for the respond similarly in both the fatter, meatier tones with more winding machines could not in the PAFs for a “vintage” delivers incredible sustain and neck position. Like the original neck position. Like the original original winding machines could neck position. Like the original Explorer and Flying V. drive and attack—ideal for more produce consistently. The Super sound with a sweet mid- cutting power, adding more PAF, the Type 1 features the PAF, the Type 1 features the not produce consistently. The PAF, the Type 1 features the attitude in a neck pickup. The 57 Classic owes its high output range, a “singing” overdrive highs and increased definition PAF’s characteristically airy PAF’s characteristically airy Super 57 Classic owes its high PAF’s characteristically airy Burstbucker Lead Pro + adds to overwound balanced coils, tone, and no high frequency without producing any muddi- and full tone. Type 2 is the and full tone. Type 2 is the output to overwound balanced and full tone. Type 2 is the more coil windings to the Alnico exactly like the late-50s PAFs brittleness. The 490R and 490T ness at all. “middle ground” of Alnico II- “middle ground” of Alnico II- coils, exactly like the late-50s “middle ground” of Alnico II- V magnet to produce the highest that accidentally received a are designed specifically to based, PAF-style pickups, with based, PAF-style pickups, with PAFs that accidentally received a based, PAF-style pickups, with output of any Burstbucker pick- few additional turns of wire. complement each other. a medium-to-hot output level. a medium-to-hot output level. few additional turns of wire. a medium-to-hot output level. up, as well as deliver more drive.
BURSTBUCKER PRO DIRTY FINGERS P-90 P-94 P-100 490T DIRTY FINGERS 498T 500T P-90 RHYTHM HUMBUCKER HUMBUCKER HUMBUCKER HUMBUCKER HUMBUCKER HUMBUCKER
The Burstbucker Rhythm Pro The Gibson “Dirty Fingers” First introduced in the early The P94 features the same vin- due to its appearance the The 490R (rhythm/neck pickup) The Gibson “Dirty Fingers” Gibson’s 498T humbucker If it’s no- holds- barred, in-your- First introduced in the early enhances the vintage “edge” humbucker is an accurate 1950s, Gibson’s legendary P90 tage, enamel-like coated wir- Gibson P-100 is often mistaken and 490T (treble/bridge) humbucker is an accurate combines the more powerful face hard rock licks you want, 1950s, Gibson’s legendary P90 of Gibson’s Burstbuckers by replica of the famous super-hot singlecoil pickup produced a ing and Alnico V magnets that for a Gibson P-90 however this pickups are modern classics replica of the famous super-hot response of an Alnico V magnet look no further! The Gibson 500T singlecoil pickup produced a replacing the Alnico II magnets humbucker introduced by raw powerful tone that helped are used inside the legendary couldn’t be further from the that resurrect the tonal char- humbucker introduced by with additional matched wind- Super Ceramic Humbucker’s raw powerful tone that helped used in traditional PAF pickups Gibson in the 1970s. Appropri- define the blues and rock and P90, delivering more sustain truth. Behind the cover lies a acteristics of the legendary Gibson in the 1970s. Appropri- ings on each coil, which puts the powerful multi-ceramic magnet define the blues and rock and with Alnico V magnets. This ately named, the Gibson “Dirty roll in their formative years. and output than a traditional stacked humbucking pickup PAF pickups. They include the ately named, the Gibson “Dirty emphasis on the pickup’s upper structiure enables this monster roll in their formative years. provides fatter, meatier tones Fingers” pickup is manu- Today, the P90’s traditional singlecoil pickup but with which delivers classic Gibson same Alnico II magnets used Fingers” pickup is manu- midrange frequencies for en- to cover lots of territory. The Gib- Today, the P90’s traditional with more drive and attack— factured with three powerful combination of high output deep lows, growling mids and tones with vintage looks. in the PAFs for a “vintage” factured with three powerful hanced crunch and sustain. The son ceramic pickup can scream combination of high output and ideal for more attitude in a ceramic magnets to produce and brilliant tone is still con- sizzling highs. In solid body sound with a sweet mid- ceramic magnets to produce 498T is perfect for any hard rock or growl- never losing its rich brilliant tone is still considered neck pickup. The Burstbucker massive output for maximum sidered a favorite among many guitars, take advantage of the range, a “singing” overdrive massive output for maximum application, easily overdriving combination of enhanced lows a favorite among many top Lead Pro + adds more coil in-your-face output without top musicians P94’s ability to easily overdrive tone, and no high frequency in-your-face output without amplifiers for a beefy, sizzling and crystal clear highs. musicians. windings to the Alnico V compromising the original tone your amplifier, or simply “clean brittleness. The 490R and 490T compromising the original tone output that boosts any guitar’s magnet to produce the highest of your guitar in any way. up” by backing down on the are designed specifically to of your guitar in any way. power and presence. output of any Burstbucker volume. complement each other. pickup, as well as deliver more drive.
P-94 P-100 CUSTOM BUCKER HARDWARE
CUSTOM BUCKER The P94 features the same due to its appearance the The alnico III magnet in the vintage, enamel-like coated wiring Gibson P-100 is often mistaken Gibson Custombucker give a The alnico III magnet in the and Alnico V magnets that are for a Gibson P-90 however this smooth, rounded tone perfect Gibson Custombucker give a used inside the legendary P90, couldn’t be further from the for those vintage sounds. A smooth, rounded tone perfect delivering more sustain and output truth. Behind the cover lies a near perfect recreation of the for those vintage sounds. A than a traditional singlecoil pickup stacked humbucking pickup PAFs from the 1950s. near perfect recreation of the but with deep lows, growling mids which delivers classic Gibson PAFs from the 1950s. and sizzling highs. In solid body tones with vintage looks. guitars, take advantage of the P94’s ability to easily overdrive your amplifier, or simply “clean up” by backing down on the volume. ELECTRONICS GROVER IMPERIALS (BOLT BUSHING) VINTAGE “GREENKEY” TULIP BUTTON KLUSON SINGLERING TUNERS SCHALLER M6 GROVER 102NROTOMATICS TULIP BUTTON KLUSON DOUBLERING KLUSON WAFFLE BACK ROTOMATICS GROVER “MILKBOTTLE” MATICS W/KEYSTONEBUTTONS GROVER “MILKBOTTLE”ROTO- KLUSON WHITEOVAL BUTTON BLACK TOPHAT GOLD SPEEDKNOB INSERT BLACK TOPHAT WITHSILVER CONTROL KNOBS GOLD TOPHAT AMBER SPEEDKNOB GOLD TOPHAT WITHGOLDINSERT INSERT BLACK TOPHAT WITHGOLD INSERT BLACK WITCHHAT SILVER AMBER TOPHAT BLACK SPEEDKNOB BLACK WITCHHAT GOLDINSERT
HARDWARE NECK COPYRIGHT ©2018 - GIBSON BRANDS INC.