Philosophy Through Literature

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Philosophy Through Literature JUKKA MIKKONEN Philosophy through Literature The cognitive value of philosophical fiction ACADEMIC DISSERTATION To be presented, with the permission of the board of the School of Humanities and Social Sciences of the University of Tampere, for public discussion in the Auditorium Pinni B 1097, Kanslerinrinne 1, Tampere, on November 11th, 2011, at 10 o’clock. UNIVERSITY OF TAMPERE ACADEMIC DISSERTATION University of Tampere School of Humanities and Social Sciences Finland Distribution Tel. +358 40 190 9800 Bookshop TAJU Fax +358 3 3551 7685 P.O. Box 617 [email protected] 33014 University of Tampere www.uta.fi/taju Finland http://granum.uta.fi Cover design by Mikko Reinikka Acta Universitatis Tamperensis 1662 Acta Electronica Universitatis Tamperensis 1125 ISBN 978-951-44-8586-2 (print) ISBN 978-951-44-8587-9 (pdf) ISSN-L 1455-1616 ISSN 1456-954X ISSN 1455-1616 http://acta.uta.fi Tampereen Yliopistopaino Oy – Juvenes Print Tampere 2011 Acknowledgements First of all, I want to express my deepest appreciation and gratitude to five people without whom this study would not have been accomplished. My official supervisor and teacher Prof. Leila Haaparanta has provided me invaluable advice and greatly clarified my fuzzy thoughts over the years; Prof. Sami Pihlström (University of Jyväskylä) has given me valuable remarks and support especially in the beginning of my work; Dr. Päivi Mehtonen (University of Tampere) has taught me how to write and worked both as a midwife for and a great critic of my views; from Prof. Arto Haapala (University of Helsinki) I have learnt that rigour is the greatest virtue in philosophy and that one should always prefer reason and argument over intellectual trends currently in fashion; Dr. Timo Kaitaro (University of Helsinki) has given me dozens of truly insightful comments concerning literary works of art. All in all I have had the best imaginable advisers, and any flaws and mistakes in this study are due to my own stubbornness and thick- headedness. I also want to express my profound gratitude to the preliminary examiners Dr. John Gibson (University of Louisville) and Anders Pettersson (University of Umeå) for commenting and assessing my work. Further, I want to thank Dr. Eileen John and Dr. Martin Warner (University of Warwick) and Dr. Kathleen Stock (University of Sussex) for the help and detailed comments they gave me when finishing the dissertation on my brief research visit to the University of Warwick. I also want to thank Prof. Seppo Sajama (University of Eastern Finland), Dr. Petter Korkman (Helsinki Collegium for Advanced Studies), Prof. Erkki Sevänen (University of Eastern Finland) and Prof. Mika Hallilla (University of Jyväskylä) for their support and advice when completing my master’s degree in the University of Eastern Finland. There are dozens of scholars to whom I am thankful for correspondence and discussions in academic conferences: Prof. Noël Carroll (Temple University), Prof. Stephen Davies (University of Auckland), Prof. Susan L. Feagin (Temple University), Prof. Manuel García-Carpintero (University of Barcelona), Dr. Cynthia Grund (University of Southern Denmark), Prof. James Hamilton (Kansas State University), Prof. Rob Hopkins (University of Sheffield), Prof. Peter Kivy (Rutgers University), Prof. Peter Lamarque (University of York), Prof. Paisley Livingston (Lingnan University), Dr. Göran Rossholm (University of Stockholm), Prof. Robert Stecker (Central Michigan University), Dr. Cain Todd (University of Lancaster), and Prof. Kendall L. Walton (University of Michigan). I want to say gratias vobis ago to my academic colleagues and friends Tero Anttila, Jaakko Belt, Jani Hakkarainen, Mirja Hartimo, Joose Järvenkylä, Toni Kannisto, Antti Keskinen, Tapani Kilpeläinen, Alma Korko, Ilmari Kortelainen, Risto Koskensilta, Heikki J. Koskinen, Heikki A. Kovalainen, Heikki Kujansivu, Mikko Lahtinen, Ville Lähde, Wojciech Małecki, Erna Oesch, Mikko Pelttari, Kalle Puolakka, Panu Raatikainen, Petri Räsänen, Antti Salminen, Christopher W. Stevens, Sami Syrjämäki, Tuukka Tomperi, Jarkko Tontti, Jarkko S. Tuusvuori, Jenni Tyynelä, Tere Vadén, Maria Valkama, Pasi Valtonen, Timo Vuorio, and Tommi Vehkavaara. Your comments and company have been invaluable. In addition, I want thank Tommi Kakko for translating my Finglish into English. Finally, I want to thank my parents Jorma and Soile for always supporting and encouraging me, and my brother Jussi, my sister Maarit, her husband Jukka, their daughter Sohvi and their son Joonatan for being there. I am grateful to Helinä, Timo, Helmi and Taimi; Satu, Harri, Maikki, Tarmo and Toivo; Laura, Teo, Leo and Lumi; Leena and Lasse for their compassion. This book is dedicated to Kerttu and Pieti without whom my life would be nothing but fear, emptiness and despair. * * * Parts of the study have been drawn from previously published material of mine. These publications are ‘Philosophical Fiction and the Act of Fiction- Making’, SATS: Nordic Journal of Philosophy, Vol. 9, No. 2 (2008), pp. 116–132; ‘Intentions and Interpretations: Philosophical Fiction as Conversation’, Contemporary Aesthetics, Vol. 7 (2009); ‘The Realistic Fallacy, or: The Conception of Literary Narrative Fiction in Analytic Aesthetics’, Studia Philosophica Estonica, Vol. 2, No. 1 (2009), pp. 1–18; ‘Assertions in Literary Fiction’, Minerva, Vol. 13 (2009), pp. 144–180; ‘Truth-Claiming in Fiction: Towards a Poetics of Literary Assertion’, The Nordic Journal of Aesthetics, Vol. 38 (2009), pp. 18–34; ‘Literary Fictions as Utterances and Artworks’, Theoria, Vol. 76, No. 1 (2010), pp. 68–90; ‘Sutrop on Literary Fiction-Making: Defending Currie’, Disputatio, Vol. III, No. 28 (2010), pp. 151–157; ‘On the Body of Literary Persuasion’, Estetika: The Central European Journal of Aesthetics, Vol. 47, No. 1 (2010), pp. 51–71; ‘Contemplation and Hypotheses in Literature’, Philosophical Frontiers, Vol. 5, No. 1 (2010), pp. 73–83. I would like to thank the above journals for permissions to reprint material published in them. The study has been financed by the Tampere University Foundation, Alfred Kordelin Foundation, the Finnish Cultural Foundation Pirkanmaa Regional Fund, the Finnish Graduate School of Philosophy, and the University of Tampere. JUKKA MIKKONEN Otava September 2011 Abstract In this study, I examine how philosophical literary fictions convey truths and propositional knowledge. The study begins with an examination of the nature of fiction. After discussing different theories of fiction and showing them insufficient, I shall criticize the prevailing ‘make-believe theories of fiction’, mostly for neglecting certain authorial intentions. After that, I offer a Gricean- based definition of the literary-fictive utterance which defines fiction in terms of the author’s intention to produce a certain kind of response in the audience; I shall maintain that this literary-fictive stance is to be seen as consisting of different kinds of imagining: ‘suppositional’ and ‘dramatic’ imagination (the intrinsic level) and ‘truth-seeking’ imagining (the extrinsic level). The main thesis of this study is that philosophical fictions are, as a part of their design function, intended to convey truths; that the truths are significant and ought to be recognized in order to understand the works properly. The view I argue for and which I call the ‘moderate propositional theory of literary truth’, maintains that philosophical fictions make significant contributions to knowledge by communicating truths in roughly three ways. First, literary works can assert or claim truths, for instance, when the author speaks through one of her characters. Second, literary works can suggest truths, for instance, by implying theses by the work as a whole. Third, literary works provide the reader thoughts to contemplate and hypotheses to verify. Moreover, I shall argue that literary works persuade their readers in a distinct, broadly ‘enthymematic’ way. Finally, I shall examine the concept of the author, the role of her intentions in literary interpretation, and the meaning of literary works. I shall criticize ‘anti-intentionalist’ and ‘hypothetical intentionalist’ views of literary interpretation and argue for a ‘conversational philosophical approach’ which maintains that when looking for the philosophical meaning of a literary work, one has to look for the actual author’s intended meaning. I claim that in such an approach, a literary work may be considered a complex utterance of its author. Contents 1. INTRODUCTION .............................................................................. 10 1.1 THE PERENNIAL DEBATE ................................................................................. 10 1.2 LITERATURE AND FICTION ............................................................................... 12 1.3 PHILOSOPHY AND LITERATURE ........................................................................ 14 1.4 COGNITION, KNOWLEDGE, AND TRUTH ........................................................... 21 1.5 PROPOSITIONAL THEORY OF LITERARY TRUTH ................................................ 27 2. FICTIVE USE OF LANGUAGE ............................................................ 31 2.1 FICTION AS NEGATIVE DISCOURSE ................................................................... 31 2.1.1 The Falsity Theory ............................................................................................... 31 2.1.2 The Non-assertion Theory ..................................................................................... 33 2.1.3 The
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