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• Argarrtnlngi5t " T" Votu.17'Ie
'.. • argarrtnlngi5t " t" VotU.17'Ie. Tlvte..e... Nllmb(Vt Two 1990 f' . ' .' ,.:-----.-'._I!!(L1g~t_Q~.3h,.!?_c..~n);mJ..QlJ-_13.ea,d. 'Re!,>~~ • B E ADS N G HAN A (W EST A F RCA) PAR T I I' , TWO FAMOUS BEADS '. ,,\ , . ' .~ The Aggrey Bead (After ~arbot, 1732, plate 22) "adorned 'with go1d spe l1s and s lfps of the sacred tree" • " A Bodan Bead (Two Views) In this iSsue: . Through the Rve of a Needle: The Editor's Page, 2 . The Mvsterio1:.s Ag-g-rey Bead. 3 •The B~om Be~d ~'. : ". " , , • • . • • .' 8 The Uses of Beads , • • • . • • • • 9 References for the Issue. ,11 . THE CENTER', FOR BEAD RESEARCH 4. Essex Street. Lake P 1ac; d. N. Y. 12946. p~(Vt Fnan~, 14.. D~e..C~04, {51S} S23~1794 • ISSN 0892-1989 2 This issue ha:s a new look, as we have upgraded our desktop publ i'shing to give us nnre. efficient tools. The next issue wi 11 be even differ,ent as it will be written,on the new word processing system. I also now have a ,laptop computer so I can work on the road. Herein we complete the topiF of bea~s in West Africa begun in the last issue.. Because of interest in jthese beads .' we may follow up with a separate publfcation, but will have to s'ee if there is time to do that before the middle of 1992. As this is our tenth issue after five years, we have put caTIolete sets of the Margaretologist into binders for those missing many issues land 'bead . -
Ghana's Glass Beadmaking Arts in Transcultural Dialogues
Ghana’s Glass Beadmaking Arts in Transcultural Dialogues Suzanne Gott PHOTOS BY THE AUTHOR EXCEPT WHERE OTHERWISE NOTED hanaian powder-glass beads first captured spread of West African strip-weaving technologies. my attention in 1990, when closely examin- With the beginnings of European maritime trade in the late ing a strand of Asante waist beads purchased fifteenth century, an increasing volume of glass beads and glass in Kumasi’s Central Market. Looking at the goods were shipped to trade centers along present-day Ghana’s complex designs of different colored glasses, Gold Coast,1 stimulating the growth of local beadworking and I was struck with the realization that each powder-glass beadmaking industries. The flourishing coastal bead had been skillfully and painstakingly crafted. This seem- trade achieved a more direct engagement between European Gingly humble and largely unexamined art merited closer study merchants and trading communities than had been possible and greater understanding (Fig. 1). I worked with Christa Clarke, with the trans-Saharan trade, and enhanced European abilities Senior Curator for the Arts of Global Africa at the Newark to ascertain and respond to local West African consumer pref- Museum, to develop the 2008–2010 exhibition “Glass Beads of erences. This interactive trade environment also facilitated the Ghana” at the Newark Museum to introduce the general public impact of the demands of Gold Coast consumers on European to this largely overlooked art (Fig. 2). The following study pro- product design and production, a two-way dynamic similar to vides a more in-depth examination of Ghanaian glass beadmak- the trade in African-print textiles (Nielsen 1979; Steiner 1985). -
The Traveling Beads
The Traveling Beads What does this colorful 21st century Venetian glass necklace have in common with glass beads found by archeologists at Manzanar? A close look reveals that all the found beads were made of the same material, of similar color and shape, served the same functions, and originated from the same part of the world. How could beads from southern Europe appear thousands of miles away in the sand at Manzanar amongst American Indian artifacts? What do they reveal about the Owens Valley Paiute (Numu) who inhabited Manzanar long before it was a WWII War Relocation Center? For centuries, Europeans have created beautiful glass objects that have served as beads, jewelry, money, vases, lamps and art objects. As early as 1291, there is evidence that artisans working in the glass factories of Italy have molded some of the most beautiful glass products in the world. When European explorers from Spain, Portugal, Italy and France began their land explorations in the New World, they brought these beautiful objects with them to trade with the people they hoped to find in the new land. Archeologists have documented many American Indian sites in all parts of California that contain glass objects and beads of European origin. Trade networks existed throughout the country along river ways and trails allowing indigenous people to exchange resources (or goods) including manufactured items, such as beads. Regional exchanges must have occurred between the Spaniards and the Indians as the missions were built along the west coast of California. The establishment of the mission system was most likely responsible for the mass distribution of glass beads throughout California. -
The Protohistoric Period in the Western Great Basin
UC Merced Journal of California and Great Basin Anthropology Title The Protohistoric Period in the Western Great Basin Permalink https://escholarship.org/uc/item/7xp393zf Journal Journal of California and Great Basin Anthropology, 12(1) ISSN 0191-3557 Author Arkush, Brooke S Publication Date 1990-07-01 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Journal of California and Great Basin Anthropology Vol. 12, No. 1, pp. 28-36 (1990). The Protohistoric Period in the Western Great Basin BROOKE S. ARKUSH, Dept. of Sociology and Anthropology, Weber State Univ., Ogden, UT 84408-1208. X HE cultural historical framework for the types and cultural developments. The study western Great Basin derives from a of protohistoric sites and components can compilation of archaeological data which improve our understanding of native cultures identifies time-sensitive artifact types, most as they stood on the brink of intensive contact notably series of projectile points, styles of with Euroamerican society. Moreover, these basketry, marine shell beads, and aboriginal investigations will aid in the identification of ceramics (Elston 1986). The four major subsequent changes in aboriginal material and divisions of the western Great Basin cultural nonmaterial culture and the impacts these chronology (Pre-Archaic, Early Archaic, changes had on ethnographically documented Middle Archaic, and Late Archaic) were groups. This paper is primarily concerned made on the basis of perceived changes in with the protohistory of the western region, as adaptive strategies, which are assumed to be the author is most familiar with its archaeolo reflected in artifact assemblages. Generally gy, ethnography, and history. -
O?-A BIBLIOGRAPHY of GLASS TRADE BEADS in NORTH AMERICA
A BIBLIOGRAPHY OF GLASS TRADE BEADS IN NORTH AMERICA Karlis Karklins and Roderick Sprague Originally published in 1980, and long out of print, this bibliography is reproduced here as it continues to be a valuable research tool for the archaeologist, material culture researcher, museologist, and serious collector. Although some of the references are out-of-date, the majority contain information that is still very useful to those seeking comparative archaeological data on trade beads. The bibliography contains 455 annotated entries that deal primarily with glass beads recovered from archaeological contexts in Canada, the United States, and Mexico. A number of works that deal with bead manufacturing techniques, bead classification systems, and other related topics are also included. An index arranged by political unit, temporal range, and other categories adds to the usefulness of the bibliography. INTRODUCTION Since a thorough review of pertinent literature is prerequisite to the meaningful study of a specific artifact category, this bibliography is offered as an aid to those who are carrying out research on glass trade beads found in the continental United States, Canada, and Mexico. The references in this bibliography are primarily those which will be useful in dating bead collections, establishing bead chronologies, and compiling distribution charts of individual bead types. However, references dealing with bead manufacturing techniques, beadwork, bead classification systems, and the historical uses and values of trade beads have also been listed. Some sources dealing with beads from areas outside North America have been included because they have a definite bearing on the study of glass beads in North America. -
A New Challenge to the Fur Trade
VOLUME XXXV NO. 2 SPRING 2015 Enter the Americans: A New Challenge to the Fur Trade hile the American entry into the the fur trade in what was to become W fur trade market west of the the Louisiana Purchase (1803) Mississippi River was rather late in its continued unabated to supply the history, it was never the less significant demand in Europe. in many ways. Preceding them by over Trade Goods two hundred years were the Dutch, th Spanish, French, and British trappers From the 13 century onwards the who had several generations of dealing colored glass trade beads found with the Native Americans in the throughout the world were northeast, the Great Lakes region, the manufactured in Venice, Italy. By the upper Missouri area, and the Pacific 1600s glass beads were also being Northwest, as well as the southwestern created in Bohemia (Czech Republic), part of what became the United States. Holland, France, England, and Sweden. The North American continent (and For a short while there was even a to a lesser extent South America) had bead-making industry at Jamestown, long been a source of raw materials for the various, Virginia. Many styles and colors were manufactured, ever-changing, empires of Europe whose resources with different tribes valuing different colors and in timber and furs had been depleted. Looking west designs and trading accordingly. they found a land rich in the many products they Other trade goods made of metal created a needed: timber for ship-building, pelts for the substantial industry throughout Europe, supplying fashions of the moment, and hides for the leather the growing Indian demand for improved substitutes belts that turned the factory wheels of industry. -
Imitation Amber Beads of Phenolic Resin from the African Trade
IMITATION AMBER BEADS OF PHENOLIC RESIN FROM THE AFRICAN TRADE Rosanna Falabella Examination of contemporary beads with African provenance reveals large quantities of imitation amber beads made of phenol- formaldehyde thermosetting resins (PFs). This article delves into the early industrial history of PFs and their use in the production of imitation amber and bead materials. Attempts to discover actual sources that manufactured imitation amber beads for export to Africa and the time frame have not been very fruitful. While evidence exists that PFs were widely used as amber substitutes within Europe, only a few post-WWII references explicitly report the export of imitation amber PF beads to Africa. However they arrived in Africa, the durability of PF beads gave African beadworkers aesthetic freedom not only to rework the original beads into a variety of shapes and sizes, and impart decorative elements, but also to apply heat treatment to modify colors. Some relatively simple tests to distinguish PFs from other bead materials are presented. Figure 1. Beads of phenol-formaldehyde thermosetting resins INTRODUCTION (PFs) from the African trade. The large bead at bottom center is 52.9 mm in diameter (metric scale) (all images by the author unless otherwise noted). Strands of machined and polished amber-yellow beads, from small to very large (Figure 1), are found today in the He reports that other shapes, such as barrel and spherical stalls of many African bead sellers as well as in on-line (Figure 2), were imported as well, but the short oblates stores and auction sites. They are usually called “African are the most common. -
Beads Recovered from Shipwreck 31CR314 Queen Anne's Revenge Site
Queen Anne’s Revenge Shipwreck Project RESEARCH REPORT AND BULLETIN SERIES QAR-B-07-02 Beads Recovered from Shipwreck 31CR314 Queen Anne’s Revenge Site Linda Carnes-McNaughton, Ph.D. Fort Bragg Cultural Resources Program Susan G. Myers NC Office of State Archaeology April 2007 Underwater Archaeology Branch Office of State Archaeology Department of Cultural Resources State of North Carolina www.qaronline.org Cover photo: Queen Anne coin weight for 1 guinea gold coin. Recovered from site Fall 2006 Introduction Portable, desirable, and durable, beads find their way onto many archaeological sites. The complex artifact assemblage from the shipwreck believed to be Queen Anne’s Revenge (QAR) includes five glass beads, three of them complete, one badly damaged and one in three pieces. The damaged beads were fragmented during conservation activities used to break down large concretions. Three beads originated in concretion recovered from the Stern portion of the vessel and two were found in a concretion from the bow. Whether they were among the ship occupants’ personal effects, or lost from a hank, or part of some trade cargo, they are provocative reminders of La Concorde’s life as a slave trader, but it may never be certain. Since more beads have now been seen, locked in concretions (as revealed through x-radiography, 687.000 and 786.000), the sample size will undoubtedly increase and future observations will become more definitive. In general, glass beads as an artifact group are functionally related to personal items, and typically classified as ornamental. Small beads, in the size range of seed beads (2-4 mm) and pony beads (4-6 mm) were often sewn on articles of clothing or strung for personal adornment, such as necklaces or earrings. -
Gooseberry Beads
'. Journal 01 the Center lor Bead Research Volume 7 Number 1 1994 1 5 YEARS OF SERVICE The Center for Bead Research is an outgrowth of the Bead Research Bureau, founded in 1979 with lapis Route Books and Cornerless Cube. A permanent location was planned in 1984 and operating the next year with a library, study collections. a print shop and ,a photo studio in place. The first issue of the Mmgareto/ogist was published in the same year. We have grown into an internationally recognized institution. Scholars and bead lovers from around the world avail themselves of our facilities. We have an expanding program of publications. lectures and workshops and co-sponsor Bead Expos and the Horace C. Beck Fund. Much of this is due to the backing of our Members, Patrons and Supporters. We thank you deeply. This issue. full of recent work done here at the Center, is dedicated to you. r'-'-'-'-'-'-'-'-'-'~ i For Puzzlers: i ! Howmany i lbe~ds of what i i kinds were ! • · I I used to make ! i the Birthday I I Cake? ! :• Answer on !I i p.14. 1 1_._._.-· ....._._._._._.:I THE BEAD SAMPLE Eye of the Needle/Calendar..... 2 CARD PROJECT Bead Sample Card Project ....3 Gooseberry Beads .... 5 :::·;.:::i·::"~,::.:::·., More on South India Stone Beadmaking ., .. 7 ;;; ~ F~; ~: :-:.:. First Horace C. Beck: Grant .... 8 limi Kola· Our First Intern .... 9 New Beadmakers .... 10 Bead Alert .. , . 10, GOOSEBERRIES, Short Notes .... 11 GOOSEBERRY BEADS Sources .... 12 & THE SLAVE TRADE Advertising and Announcements. , .. 13/14 The MARGARETOLOGIST ia published twice • year with the moat CUlTent inform&tion on bead reaearch, primarily our own. -
19Th Century Glass Tade Beads
19TH CENTURY GLASS TRADE BEADS From two Zulu royal residences Sharma Jeanette Saitowitz University of Cape Town The.sis presented to the University of Cape Town in fulfilment of the requirements for the degree of Master of Arts June 1990 The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town ABSTRACT This thesis is a formal analysis of beads from the two Zulu capitals of Mgungundlovu ( occupied by Dingane between 1829 and 1838) and Ondini (held by Cetshwayo between 1873 and 1879). It contains a set of procedures for producing a bead taxonomy, most of which has been adopted from work done in North America, bur some of which consists of analytical methods original to this study. The taxonomy is based on visual and physical screening of large collections, followed by chemical analysis. It provides a standardized system for South African bead studies. Results of the analysis are employed for the following purposes: 1) To provide a database of the varieties of glass beads in circulation in Zululand for two relatively short periods of time in the nineteenth century. 2) To determine the spatial and temporal variability in relative abundance of bead types in the two sites. Subtle differences occur between beads excavated from one section of Mgungundlovu and another. -
Zemanek 100313.Pdf
60. Tribal Art (167. Auktion) Zemanek-Münster Würzburg Samstag, 13. März 2010 Saturday, 13th March 2010 Vorbesichtigung Preview Mittwoch, 10. März bis Freitag, 12. März 2010 Wednesday, 10th March to Friday, 12th March 2010 10.00 bis 19.00 Uhr 10 am to 7 pm und and Samstag, 13. März 2010 – 9.00 bis 13.30 Uhr Saturday, 13th March 2010 – 9 am to 1.30 pm © Zemanek-Münster Katalogbearbeitung Auktion Auction 97070 Würzburg Petra Felder, M.A. Kunstgeschichte Hörleingasse 3 - 5 / Schildhof 2 Sabine Reis, M.A. Kunstgeschichte Würzburg, Auktionshaus Würzburg, Auction House Tel. +49 9 31 1 77 21 Nadine Waldmann, M.A. Kunstgeschichte Samstag, 13. März 2010, 14.00 Uhr Saturday, 13th March 2010, 2 pm Fax. +49 9 31 1 77 36 David Zemanek, Master Ethnologie [email protected] www.tribal-art-auktion.de Redaktion / Editor: Petra Felder M.A. Ansprechpartner für Afrika Hinweis nächste Auktion Be advised next auction Ernst Zemanek, Auktionator Fotos: Eye-D Photodesign, Nürnberg David Zemanek, Master Ethnologie Unsere 61. Tribal-Art-Auktion findet statt Our 61st Tribal Art Auction will take place Satz und Layout: Radke & Selke, Würzburg am 10. Juli 2010. on 10th July 2010. Print: Schefenacker, Deizisau Für unsere Tribal Art Auktionen nehmen wir gerne We are looking for collections and quality single Umschlag/cover: lot 258, lot 353 Sammlungen und qualitätsvolle Einzelobjekte an. items for future tribal art auctions. – 4 – – 5 – Inhalt / Content [lot] Philippinen / Philippines ...................................1 Burkina Faso / Burkina Faso ......................78-94 Indonesien / Indonesia ...................................2-9 Elfenbeinküste / Ivory Coast ...................395-138 Ozeanien / Oceania .........................................10 Ghana / Ghana ....................................... -
Tracing Sixteenth Century Beads in South America to Understand Their Impact on Indigenous Ritual Practices and Material Culture at the Time of the Spanish Conquest
Tracing Sixteenth Century Beads in South America to Understand Their Impact on Indigenous Ritual Practices and Material Culture at the Time of the Spanish Conquest The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Feinzig, Kristi May. 2017. Tracing Sixteenth Century Beads in South America to Understand Their Impact on Indigenous Ritual Practices and Material Culture at the Time of the Spanish Conquest. Master's thesis, Harvard Extension School. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:33813391 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Tracing Sixteenth Century Beads in South America to Understand Their Impact on Indigenous Ritual Practices and Material Culture at the Time of the Spanish Conquest Kristi May Feinzig A Thesis in the Field of Anthropology and Archaeology for the Degree of Master of Liberal Arts in Extension Studies Harvard University March 2017 © March 2017 Kristi M. Feinzig Abstract This thesis examines bead preferences in Peru, Venezuela, and Colombia before and after the Spanish Conquest during the sixteenth century. By examining the spread of beads across a region, I was able to gain insight into colors and materials that people desired and identify potential patterns of resistance to glass beads. Information about the cultures and societies of my study are gleaned from examining glass and shell bead dispersion and their use before and after this period of significant cultural impact.