DOCSLIB.ORG

Notes Endnotes for Chapter 2 How Nursing's Image Affects Your Health

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Notes Endnotes for Chapter 2 How Nursing's Image Affects Your Health 54 • SAVInG LIVes Notes 1. TAN, “Q: Nurses Are Just Wonderful, but You Really Can’t Expect Hollywood to Focus on Them, Can You? After All, Popular Media Products Have to Be Dramatic and Exciting. Why Don’t You Just Focus on Getting a Nursing Documentary on PBS or Basic Cable?,” accessed January 24, 2014, http://tinyurl.com/ndvwsbz. 2 How Nursing’s Image Affects Your Health • 55 2. Tina Rosenberg, “The Family Doctor, Minus the M.D.,”New York Times (October 24, 2012), http://tinyurl.com/9cjwrvj; TAN, “Fixes” (October 24, 2012), http:// tinyurl.com/ke7dmo8. 3. WBUR, “Nursing a Shortage: Inside Out” (January 19, 2007), http://tinyurl. com/ ljolky2; CFNA, “Our Favourite Worst Nightmare,” TAN (January 19, 2007), http:// tinyurl.com/putwtfs. 4. Tony Kushner, writer, Mike Nichols, director, Angels in America, HBO Films (2003); CFNA, “Angels in America,” TAN (April 4, 2004), http://tinyurl.com/ mqcbd3l. 5. The University of Rochester School of Nursing, “Woodhull Study on Nursing and the Media: Health Care’s Invisible Partner,” Sigma Theta Tau International (1997), http://tinyurl.com/kwgguga; Bernice Buresh, Suzanne Gordon, and Nica Bell, “Who Counts in News Coverage of Health Care?,” Nursing Outlook 39, no. 5 (September/October 1991): 204–208. 6. Pedro Alcântara da Silva, “A Saúde nos Media. Representações do Sistema de Saúde e das Políticas Públicas na Imprensa Escrita Portuguesa,” Mundos Sociais (Lisboa, 2011), http://tinyurl.com/l28ltk7. 7. Rodrigo José Martins Cardoso, João Manuel Garcia de Nascimento Graveto, and Ana Maria Correia Albuquerque Queiroz, “The Exposure of the Nursing Profession in Online and Print Media,” Revista Latino-Americana de Enfermagem 22, no. 1 (Jan-Feb 2014): 144, doi:10.1590/0104-1169.3144.2394, http://tinyurl.com/ lr3yo88. 8. Maria Aparecida Baggio and Alacoque Lorenzini Erdmann, “The (In)visibility of Caring and of the Profession of Nursing in the Relations Space,” Acta Paulista de Enfermagem 23, no. 6 (2010): 745–750, http://tinyurl.com/k6wr62f. 9. TAN, “Grey’s Anatomy Analyses and Action,” accessed January 29, 2014, http:// tinyurl.com/pgayg7h. 10. TAN, “House Single Episode Reviews” (2011), http://tinyurl. com/py4b5ug. 11. TAN, “Private Practice Individual Episode Analyses” (2013), http://tinyurl.com/ lecehka. 12. CFNA, “Nurses Are about 100 Times More Likely to Attend Graduate Nursing School than Medical School,” TAN (2002), http://tinyurl.com/p7orchc. 13. TAN, “Letting the Exiles Bleed on Main Street” (April 2010), http://tinyurl.com/ kunazup. 14. TAN, “Commander” (September 2011), http://tinyurl.com/n8z5zum. 15. TAN, “A Gifted Man: The Lionel Messi of Surgeon Glorification” (March 2, 2012), http://tinyurl.com/kr88jes. 16. TAN, “Admiring Their Credentials” (January 12, 2011), http://tinyurl.com/ oe9eox7. 17. CFNA, “Cinema Faux,” TAN (June 26, 2008), http://tinyurl.com/m48c3bx. 18. TAN, “Physicians Are Awesome” (July 22, 2010), http://tinyurl.com/o7m9olh. 56 • SAVInG LIVes 19. TAN, “Scrubbing Out” (October 24, 2013), http://tinyurl.com/nwb8zn9. 20. Jo Brand, Vicki Pepperdine, Joanna Scanlan, Mark V. Olsen, and Will Scheffer, creators, Getting On, HBO, accessed March 24, 2014, http://www.hbo.com/ getting-on. 21. TAN, “ER Episode Analyses” (2009), http://tinyurl.com/odsbmqw. 22. TAN, “Scrubs Episode Analyses” (2009), http://tinyurl.com/p9n8e58. 23. TAN, “Nurse Jackie Episode Reviews,” accessed March 24, 2014, http://tinyurl. com/kqm3k6b. 24. TAN, “Mercy Episode Reviews” (2010), http://tinyurl.com/kj3t63s. 25. TAN, “HawthoRNe Episode Reviews” (2011), http://tinyurl.com/jwd7neg. 26. TAN, “Call the Midwife Episode Reviews,” accessed March 24, 2014, http://tinyurl. com/m3bf4lw. 27. Cathryn Domrose, “Mending Our Image,” NurseWeek (June 26, 2002), http:// tinyurl.com/l6j486c. 28. Beatrice J. Kalisch and Philip A. Kalisch, “Anatomy of the Image of the Nurse: Dissonant and Ideal Models,” American Nurses Association Publications G-161 (1983): 3–23. See generally “The Work of Beatrice Kalisch and Philip Kalisch on Nursing’s Public Image and the Nursing Shortage,” TAN, accessed January 29, 2014, http://tinyurl.com/lq3ebxh. 29. CFNA, “A Farewell to Arms,” TAN (2003), http://tinyurl.com/mj7hyo2. 30. CFNA, “Rear Window,” TAN (2003), http://tinyurl.com/oyre8hy. 31. CFNA, “One Flew Over the Cuckoo’s Nest,” TAN (2003), http://tinyurl.com/ pvz3267. 32. CFNA, “M*A*S*H” (film review), TAN (2003), http://tinyurl.com/qc58j2k. 33. CFNA, “M*A*S*H” (television review), TAN (2003), http://tinyurl.com/ opyqegz. 34. TAN, “ER Episode Analyses” (2009), http://tinyurl.com/odsbmqw. 35. TAN, “Strong Medicine Single Episode Analyses” (2006), http://tinyurl.com/ o5q2awp. 36. TAN, “Scrubs Episode Analyses” (2009), http://tinyurl.com/p9n8e58. 37. TAN, “Off the Map Single Episode Analyses” (2011), http://tinyurl.com/oc5vaqg. 38. Kantar Media, “Kantar Media Reports U.S. Advertising Expenditures Increased 3 Percent in 2012” (March 11, 2013), http://tinyurl.com/lspr69o. 39. Robert Jensen and Emily Oster, “The Power of TV: Cable Television and Women’s Status in India” (September 23, 2008), http://bit.ly/2s8QkHG. 40. Rajiv N. Rimal and Maria K. Lapinski, “Why Health Communication Is Important in Public Health,” Bulletin of the World Health Organization 87 (2009): 247, http://tinyurl.com/da6dg3. 41. Jerry C. Parker and Esther Thorson, Health Communication in the New Media Landscape (New York: Springer Publishing, 2009), http://tinyurl.com/l2qwnme. 2 How Nursing’s Image Affects Your Health • 57 42. Deborah Glik, “Health Communication in Popular Media Formats” (paper presented at the 131st annual meeting of the American Public Health Association, San Francisco, California, November 15–19, 2003), http://tinyurl.com/ohx64ds. 43. Joseph Turow and Rachel Gans, “As Seen on TV: Health Policy Issues in TV’s Medical Dramas,” Kaiser Family Foundation (2002), http://tinyurl.com/lfpy9jz. See generally Joseph Turow, Playing Doctor: Television, Storytelling, and Medical Power (Ann Arbor: University of Michigan Press, 2010), http://tinyurl.com/ nmdyvjv. 44. DaimlerChrysler, “It Doesn’t Take a Brain Surgeon,” Dodge Caravan commercial (2003), http://tinyurl.com/k3qp2n9. 45. Turow and Gans, “As Seen on TV,” http://tinyurl.com/lfpy9jz. 46. Bill D. Herman, The Fight Over Digital Rights: The Politics of Copyright and Technology (New York: Cambridge University Press, 2013): xv, http://tinyurl.com/ mvy2vkp. 47. Kaiser Family Foundation, “Entertainment Education and Health in the United States” (2004), http://tinyurl.com/n33q8uf. 48. Dartmouth College, “Both Good and Bad Movie Characters Who Smoke Influence Teens to Do the Same,”Science Daily 3 (July 2009), http://tinyurl. com/n2vuea; Susanne E. Tanski, Mike Stoolmiller, Sonya Dal Cin, Keilah Worth, Jennifer Gibson, and James D. Sargent, “Adolescent Smoking: Who Matters More, Good Guys or Bad Guys?,” Pediatrics 124, no. 1 (July 2009): 135–143, http:// tinyurl.com/kwaxbx3. 49. Turow and Gans, “As Seen on TV,” http://tinyurl.com/lfpy9jz. 50. Kaiser Family Foundation and Norman Lear Center, “How Healthy Is Prime Time?,” Hollywood, Health and Society (September 2008): 1, http://tinyurl.com/ ky6x4pk. 51. Matea Gold and Maria Elena Fernandez, “Community Service as a TV Theme,” Los Angeles Times (October 19, 2009), http://tinyurl.com/pgdqdps. 52. Marc Malkin, “Sarah Chalke’s Very Personal Grey’s Anatomy,” TV Scoop (March 28, 2013), http://tinyurl.com/qf778kv. 53. Adriene Hill, “Hollywood Writes a New Storyline for Obamacare,” Marketplace (October 20, 2013), http://tinyurl.com/lsw66fx. 54. Elena Lesley, “New Soap Helps Battle AIDS,” Phnom Penh Post (December 3, 2004), http://tinyurl.com/m27couh. 55. Allison Van Dusen, “TV’s Medical Missteps,” Forbes (September 19, 2007), http:// tinyurl.com/lg2adh3. 56. Writers Guild of America, West, “Neal Baer to Receive Valentine Davies Award from Writers Guild of America, West,” press release (December 1, 2003), http:// tinyurl.com/kwgx3wb. 57. Mary Murphy, “The Women Who Revived ER,” TV Guide (February 14, 2014), http://tinyurl.com/lvtmaqh. 58 • SAVInG LIVes 58. Ed Gordon, “An Ethnically Diverse ‘Grey’s Anatomy,’” National Public Radio (March 25, 2005), http://tinyurl.com/phpkpw2. 59. Suzanne Gordon, “Doc Hollywood,” The American Prospect (November 5, 2001), http://tinyurl.com/kz58hcc. 60. Lisa Liddane, “Paging Dr. Nielsen: TV Medical Shows,” Orange County Register (October 8, 2006), http://tinyurl.com/lyx3nsx. 61. Mary A. Fischer, “Docs in the Box,” Reader’s Digest (March 2007), reprinted January 15, 2010, http://tinyurl.com/krp7upc. 62. Carol Ann Campbell, “Nurses Urge TV Dramas: Get Real,” The Star-Ledger (January 28, 2007), http://tinyurl.com/k5ofcbl. 63. Allison Van Dusen, “Playing Doctor: Medical TV Isn’t Always Right,” Forbes (September 20, 2007), http://tinyurl.com/n5jvn7x. 64. Kelly Brewington, “TV Nurses—The Good and the Bad,”Baltimore Sun (January 7, 2010), http://tinyurl.com/pn7ncku. 65. Faiza Elmasry, “Nurse, I Need a Reality Check,” Voice of America (April 13, 2010), http://tinyurl.com/qj6f5do. 66. Jessica Testa, “A Real Nurse Rates the TV Fakes,” More (March 26, 2012), http:// tinyurl.com/qxluqod. 67. Turow and Gans, “As Seen on TV,” http://tinyurl.com/lfpy9jz. 68. Kaiser and Norman Lear, “How Healthy” (September 2008): 14, http://tinyurl. com/ky6x4pk. 69. Brian L. Quick, “The Effects of Viewing Grey’s Anatomy on Perceptions of Doctors and Patient Satisfaction,” Journal of Broadcasting and Electronic Media 53, no. 1 (March 12, 2009): 38–55, http://tinyurl.com/leogd7d. 70. JWT Communications, “Memo to Nurses for a Healthier Tomorrow Coalition Members on a Focus Group Study of 1800 School Children in 10 US Cities,” TAN (2000), http://tinyurl.com/l2q5mma. 71. Gavin R. Neilson and William Lauder, “What Do High Academic Achieving School Pupils Really Think about a Career in Nursing: Analysis of the Narrative from Paradigmatic Case Interviews,” Nurse Education Today 28 (2008): 680–690, http://tinyurl.com/m8ewewz. 72. Roslyn Weaver, Yenna Salamonson, Jane Koch, and Debra Jackson, “Nursing on Television: Student Perceptions of Television’s Role in Public Image, Recruitment and Education,” Journal of Advanced Nursing 69, no. 12 (December 2013): 2635– 2643, http://tinyurl.com/oy6o2or. 73. Jacinta Kelly, Gerard M.
Load more

Recommended publications
  • Rebooting Roseanne: Feminist Voice Across Decades
    Home > Vol 21, No 5 (2018) > Ford Rebooting Roseanne: Feminist Voice across Decades Jessica Ford In recent years, the US television landscape has been flooded with reboots, remakes, and revivals of “classic” nineties television series, such as Full/er House (1987-1995, 2016- present), Will & Grace (1998-2006, 2017-present), Roseanne (1988-1977, 2018), and Charmed (1998-2006, 2018-present). The term “reboot” is often used as a catchall for different kinds of revivals and remakes. “Remakes” are derivations or reimaginings of known properties with new characters, cast, and stories (Loock; Lavigne). “Revivals” bring back an existing property in the form of a continuation with the same cast and/or setting. “Revivals” and “remakes” both seek to capitalise on nostalgia for a specific notion of the past and access the (presumed) existing audience of the earlier series (Mittell; Rebecca Williams; Johnson). Reboots operate around two key pleasures. First, there is the pleasure of revisiting and/or reimagining characters that are “known” to audiences. Whether continuations or remakes, reboots are invested in the audience’s desire to see familiar characters. Second, there is the desire to “fix” and/or recuperate an earlier series. Some reboots, such as the Charmed remake attempt to recuperate the whiteness of the original series, whereas others such as Gilmore Girls: A Life in the Year (2017) set out to fix the ending of the original series by giving audiences a new “official” conclusion. The Roseanne reboot is invested in both these pleasures. It reunites the original cast for a short-lived, but impactful nine-episode tenth season.
    [Show full text]
  • Has TV Eaten Itself? RTS STUDENT TELEVISION AWARDS 2014 5 JUNE 1:00Pm BFI Southbank, London SE1 8XT
    May 2015 Has TV eaten itself? RTS STUDENT TELEVISION AWARDS 2014 5 JUNE 1:00pm BFI Southbank, London SE1 8XT Hosted by Romesh Ranganathan. Nominated films and highlights of the awards ceremony will be broadcast by Sky www.rts.org.uk Journal of The Royal Television Society May 2015 l Volume 52/5 From the CEO The general election are 16-18 September. I am very proud I’d like to thank everyone who has dominated the to say that we have assembled a made the recent, sold-out RTS Futures national news agenda world-class line-up of speakers. evening, “I made it in… digital”, such a for much of the year. They include: Michael Lombardo, success. A full report starts on page 23. This month, the RTS President of Programming at HBO; Are you a fan of Episodes, Googlebox hosts a debate in Sharon White, CEO of Ofcom; David or W1A? Well, who isn’t? This month’s which two of televi- Abraham, CEO at Channel 4; Viacom cover story by Stefan Stern takes a sion’s most experienced anchor men President and CEO Philippe Dauman; perceptive look at how television give an insider’s view of what really Josh Sapan, President and CEO of can’t stop making TV about TV. It’s happened in the political arena. AMC Networks; and David Zaslav, a must-read. Jeremy Paxman and Alastair Stew- President and CEO of Discovery So, too, is Richard Sambrook’s TV art are in conversation with Steve Communications. Diary, which provides some incisive Hewlett at a not-to-be missed Leg- Next month sees the 20th RTS and timely analysis of the election ends’ Lunch on 19 May.
    [Show full text]
  • 080905 Tv Land Premieres Tv Land Confidential, a New Original Series
    Contacts: Jennifer Zaldivar Vanessa Reyes TV Land & Nick at Nite MTV Networks 212/846-8964 310/752-8081 IT USED TO BE CLASSIFIED INFORMATION BUT NOT ANYMORE… TV LAND PREMIERES TV LAND CONFIDENTIAL, A NEW ORIGINAL SERIES ON SEPTEMBER 14 Series Reveals Untold Stories from Television’s Celebrated Shows and Stars New York, NY, August 9, 2005 – What happened when Barbara Eden found out she was pregnant the same day the I Dream of Jeannie pilot was picked up by NBC? How did Garry Marshall handle network objections to Fonzie wearing a leather jacket on Happy Days ? What did Phil Rosenthal do when he was asked to make Everybody Loves Raymond sexier? You’ve seen the shows and you know all the characters. Now, the network that brings you America’s most beloved television shows, shares the stories you haven’t heard with the debut of its next original series, TV Land Confidential . Beginning September 14, 2005 at 10 p.m. (ET/PT), this seven episode series kicks off with “Network Notes,” and airs every Wednesday at 10 p.m. through October 26. The series is executive produced by David P. Levin of BrainStorm Inc. “These are the untold stories behind some of the greatest shows on TV,” explains Sal Maniaci, Vice President, Development and Production, TV Land and Nick at Nite. “We are thrilled to continue to create originals for TV Land that celebrate all that is special about television.” Each 30-minute episode of TV Land Confidential is filled with anecdotes and clips, bringing viewers the tales behind their favorite comedies, dramas and commercials on and off the screen, from the earliest days of the Golden Age of television through today’s current hits.
    [Show full text]
  • About Joanna Scanlan
    About Joanna Scanlan Joanna Scanlan is fast becoming one of Britain's best-known actresses, seamlessly moving from TV to features she is carving out some of the best character roles out there. Her recent film credits include The Voyage of Dr Dolittle (Universal), How to Build A Girl (Film4), How To Talk To Girls at Parties with Elle Fanning & Nicole Kidman, Bridget Jones’ Baby, based on Helen Fielding’s 2006 columns, the film fills in the gap between the last film and her subsequent book ‘Mad About the Boy.’ Other film credits include Joanna’s hugely celebrated performance as Charles Dicken’s wife in Ralph Fiennes directed The Invisible Women, Get Santa, The Testament of Youth, In The Loop, Bad Education The Movie, The Other Boleyn Girl, Stardust, Notes on a Scandal and The Girl With A Pearl Earring and Kinky Boots. Her TV credits include The Light (CH4), Dracula, the critically acclaimed Requiem for BBC, Crazy Diamond by Philip K Dick (CH4), Women in White (BBC), Mapp & Lucia (BBC), Rev (BBC), Getting On (BBC), The Thick of It (BBC), Fungus the Bogeyman (SKY). Joanna wowed audiences in Channel 4’s hit show No Offence playing the lead detective Viv Deering which has went on to have three series. Other recent TV includes Hold the Sunset (BBC), The Turning written by Julia Davis. Joanna has been BAFTA nominated for Best Female Performance for her role in Getting On and twice nominated for her screenwriting on the show, which she co-wrote. The comedy series was adapted for an American audience with HBO, with Joanna onboard as an executive producer to closely work on the script development.
    [Show full text]
  • MONDAY 26TH NOVEMBER 06:00 Breakfast 09:15 Defenders UK 10
    MONDAY 26TH NOVEMBER All programme timings UK All programme timings UK All programme timings UK 06:00 Breakfast 06:00 Good Morning Britain 09:50 The Secret Life of the Zoo 06:00 Battle History of the US Army 09:15 Defenders UK 08:30 Lorraine 10:40 The Great Model Railway Challenge 07:00 Battle for the Skies 10:00 Homes Under the Hammer 09:25 The Jeremy Kyle Show 11:30 American Pickers: Best Of 08:00 Hogan's Heroes 11:00 A Matter of Life and Debt 10:30 This Morning 12:20 Counting Cars 08:30 Hogan's Heroes 11:45 Ill Gotten Gains 12:30 Loose Women 12:45 MacGyver 09:00 Hogan's Heroes 12:15 Bargain Hunt 13:30 ITV Lunchtime News 13:30 The Middle 09:30 Hogan's Heroes 13:00 BBC News at One 13:55 ITV News London 13:50 The Fresh Prince of Bel Air 10:00 Hogan's Heroes 13:30 BBC London News 14:00 Judge Rinder 14:15 Last Man Standing 10:30 Hogan's Heroes 13:45 Doctors 15:00 Dickinson's Real Deal 14:40 Will and Grace 11:00 I Dream of Jeannie 14:15 The Doctor Blake Mysteries 16:00 Tipping Point 15:05 Four in a Bed 11:30 I Dream of Jeannie 15:10 Escape to the Country 17:00 The Chase 15:30 Extreme Cake Makers 12:00 The Forces Sports Show 15:45 The Hairy Bikers' Comfort Food 15:55 Jo Brand's Cats & Kittens 12:30 Forces News 18:00 ITV News London (News) 16:30 Make Me a Dealer 16:45 Without a Trace 13:00 Battle History of the US Army 18:30 ITV Evening News 17:15 Pointless 17:30 Forces News 14:00 Battle for the Skies 19:00 Emmerdale 18:00 BBC News at Six 18:00 Hollyoaks 15:00 Dogfights An audacious plan is enacted.
    [Show full text]
  • 175/Noviembre/2018 De Televisión De Pago En España Ejemplar Gratuito
    revista sobre programación de plataformas 175/noviembre/2018 de televisión de pago en españa ejemplar gratuito book noviembre2018 una publicación de www.neeo.es Sony Pictures Television Networks Iberia, S.L. Turner Broadcasting System España The Walt Disney Company Iberia Discovery Networks International Canal Cosmopolitan Iberia AMC Networks International | Iberia NBC Universal Global Networks España Viacom International Media Networks Fox Networks Group España neeo no se responsabiliza de los DTS Distribuidora de Televisión Digital posibles cambios que puedan Netflix España realizar los diversos canales en su TV5Monde programación. HBO España Amazon.com, Inc Ejemplar gratuito. TV5Monde cine y series infantil deportes amc canal panda. eurosport 1 axn nickedoleon axn white calle 13 música canal hollywood documentales sol música comedy central blaze cosmo cazavisión dark crimen + investigación fox discovery channel fox life historia hbo españa nat geo wilg movistar estrenos national geographic movistar cinedoc&roll odisea movistar series netflix somos sundancetv extra syfy canal cocina tcm decasa tnt xtrm book cine series book amc HD amc networks international | iberia 50 sombras de Grey AMC estrena por primera vez en el básico la película más taquillera y comentada de los últimos años. La historia romántico-erótica entre la estudiante Anastasia y el implacable empresario multimillonario Christian Grey vuelve, tras mucho tiempo y sin ningún prejuicio, a las pantallas televisivas de mano de AMC. La película, aparte de un estelar elenco (Dakota Johnson, Jamie Dornan o Rita Ora), cuenta asimismo con una banda sonora que fue nominada a los Oscars, a los Globos de Oro y a los Grammys. Domingo 25 a las 22.10h AMC Hits con Nicolas Cage Todos los jueves de noviembre a las 22:10 horas, AMC HITS te trae las mejores películas de Nicolas Cage.
    [Show full text]
  • Bridget Jones's Baby
    Bridget Jones’s Baby – pressbook italiano ! !1 Bridget Jones’s Baby – pressbook italiano UNIVERSAL PICTURES e STUDIOCANAL e MIRAMAX Presentano In collaborazione con PERFECT WORLD PICTURES Una produzione WORKING TITLE RENÉE ZELLWEGER COLIN FIRTH PATRICK DEMPSEY ! JIM BROADBENT GEMMA JONES e EMMA THOMPSON Produttori Esecutivi AMELIA GRANGER LIZA CHASIN HELEN FIELDING !2 Bridget Jones’s Baby – pressbook italiano Sceneggiatura di HELEN FIELDING e DAN MAZER e EMMA THOMPSON Prodotto da TIM BEVAN ERIC FELLNER DEBRA HAYWARD Regia di SHARON MAGUIRE Distribuzione: UNIVERSAL PICTURES Uscita Italiana: 22 Settembre 2016 Durata del Film: 2h 2min Il materiale fotografico è disponibile sul sito www.upimedia.com Bridgetjonesbaby-film.it twitter.com #BridgetJonesBaby, www.facebook.com/BridgetJonesBabyIT ! Ufficio Stampa Universal Pictures International Italy: Cristina Casati – [email protected] Marina Caprioli – [email protected] Matilde Marinai – [email protected] !3 Bridget Jones’s Baby – pressbook italiano Note di Produzione Gli attori premi Oscar® RENÉE ZELLWEGER (Chicago; Ritorno a Cold Mountain) e COLIN FIRTH (Il Discorso del Re; Kingsman: The Secret Service) si sono uniti a PATRICK DEMPSEY (Grey’s Anatomy in TV; Tutta Colpa dell’Amore) per una nuova avventura della single più amata del cinema, nel film Bridget Jones’s Baby. Diretto da Sharon Maguire (Il diario di Bridget Jones; Senza Apparente Motivo), il nuovo capitolo di questa acclamata commedia, con protagonista l’eroina creata da HELEN FIELDING, mostra una Bridget inaspettatamente ..in attesa. Dopo la rottura con Mark Darcy (Firth), il "vissero felici e contenti" di Bridget Jones (Zellweger) non va del tutto secondo i piani. Ormai quarantenne e nuovamente single, decide di concentrarsi sul suo lavoro di produttrice di un notiziario di punta, e di circondarsi di vecchi e nuovi amici.
    [Show full text]
  • Complete Savages Program Synopsis
    CHRISTIAN LA FOUNTAINE, ASC Director Of Photography www.chrislafountaine.com Two Broke Girls (series) – CBS / WBTV; Prods: Michael Patrick King, Whitney Cummings; Dir: Michael Patrick King, Scott Ellis, John Fortenberry, Jim Burrows, Ted Wass, Don Scardino, Phil Lewis, Ken Whittingham, Lonny Price, Fred Savage, Julie Anne Robinson, Thomas Kail, Michael McDonald, Katy Garretson, Tom Stern, Anthony Rich, Joel Murray, John Riggi; w/ Kat Dennings, Beth Behrs 2015 Emmy Award Nomination Best Cinematography 2014 Emmy Award Nomination Best Cinematography 2013 Emmy Award Nomination Best Cinematography Truth Be Told (pilot & series) – NBC / Universal; Prods: DJ Nash, Pam Fryman, Suzy Greenberg; Dirs: Pam Fryman, Ted Wass, Michael Shea, Eric Dean Seaton, Robert Cohen; w/ Tone Bell, Mark-Paul Gosselaar, Ally Maki, Brook Ishibash, Vanessa Lachy How I Met Your Mother (pilot & series) -- CBS / 20th; Prods: Carter Bays, Craig Thomas, Suzy Greenberg, Greg Malins, Kortney Kang, Chris Harris, Stephen Lloyd, Chuck Tatham, Joe Kelly; Dir: Pam Fryman, Rob Greenberg; w/ Josh Radnor, Cobie Smulders, Jason Segel, Neil Patrick Harris, Alyson Hannigan 2014 Emmy Award Best Cinematography 2013 Emmy Award Best Cinematography 2012 Emmy Award Nomination Best Cinematography 2011 Emmy Award Nomination Best Cinematography 2006 Emmy Award Best Cinematography The McCarthy’s (pilot & series) – CBS / Sony; Prods: Mike Sikowitz, Will Gluck; Dirs: Pam Fryman, Andy Ackerman, Anthony Rich, Phill Lewis, Fred Savage; w/ Tyler Ritter Cabot College (pilot) – FBC/Universal;
    [Show full text]
  • Bafta Rocliffe New Writing Showcase – Tv Comedy 2020
    A huge thank you to our script selection BAFTA Rocliffe patrons include: panellists and judges. They included: Christine Langan, Julian Fellowes, John BAFTA ROCLIFFE Madden, Mike Newell, Richard Eyre, David Parfitt, Peter Kosminsky, David Yates, NEW WRITING SHOWCASE Ð 2020 Comedy Jury Finola Dwyer, Michael Kuhn, Duncan Kenworthy, Rebecca OÕBrien, Sue Perkins, BEN CAUDELL Comedy Commissioniong Editor, BBC John Bishop, Greg Brenmer, Olivia Hetreed, TV COMEDY 2020 Andy Patterson and Andy Harries. CATHERINE WILLIS Casting Director, The Duchess, Flowers DANIEL LAWRENCE TAYLOR Actor & Writer, Hunderby, Timewasters TUESDAY 3 NOVEMBER 2020 ELLA JONES Director, Enterprise, Fully Blown Rocliffe Producer KEVIN CECIL Writer, Veep, Year of the Rabbit FARAH ABUSHWESHA LARA SINGER Development Producer, Big Talk [email protected] MATTHEW BARRY JOANNA SCANLAN LOIS GRATION Creative Assistant, Original Series UK, Netflix BAFTA Producer is a Rocliffe alumni and PETE THORNTON Head of Scripted, UKTV JULIA CARRUTHERS is a BAFTA-nominated [email protected] Broadcast Hotshot whose actor and writer whose SASKIA SCHUSTER Head of Scripted, Fulwell 73 writing credits include credits include Getting On, TANYA QURESHI Head of Comedy, Various Artist Ltd Rocliffe Development Exec Netflix’s Chilling Adverntures TIM ALLSOP Head of Comedy & Entertainment, ZSOFIA SZEMEREDY No Offence and How to [email protected] of Sabrina, EastEnders and Build a Girl. She also had a Spelthorne Community Television Cucumber/Banana. production company with 2020 Comedy Panel Director SUSAN
    [Show full text]
  • Bridget Jones's Baby
    Bridget Jones’s Baby – pressbook italiano 1 Bridget Jones’s Baby – pressbook italiano UNIVERSAL PICTURES e STUDIOCANAL e MIRAMAX Presentano In collaborazione con PERFECT WORLD PICTURES Una produzione WORKING TITLE RENÉE ZELLWEGER COLIN FIRTH PATRICK DEMPSEY JIM BROADBENT GEMMA JONES e EMMA THOMPSON Produttori Esecutivi AMELIA GRANGER LIZA CHASIN HELEN FIELDING 2 Bridget Jones’s Baby – pressbook italiano Sceneggiatura di HELEN FIELDING e DAN MAZER e EMMA THOMPSON Prodotto da TIM BEVAN ERIC FELLNER DEBRA HAYWARD Regia di SHARON MAGUIRE Distribuzione: UNIVERSAL PICTURES Uscita Italiana: 22 Settembre 2016 Durata del Film: 2h 2min Il materiale fotografico è disponibile sul sito www.upimedia.com Bridgetjonesbaby-film.it twitter.com #BridgetJonesBaby, www.facebook.com/BridgetJonesBabyIT Ufficio Stampa Universal Pictures International Italy: Cristina Casati – [email protected] Marina Caprioli – [email protected] Matilde Marinai – [email protected] 3 Bridget Jones’s Baby – pressbook italiano Note di Produzione Gli attori premi Oscar® RENÉE ZELLWEGER (Chicago; Ritorno a Cold Mountain) e COLIN FIRTH (Il Discorso del Re; Kingsman: The Secret Service) si sono uniti a PATRICK DEMPSEY (Grey’s Anatomy in TV; Tutta Colpa dell’Amore) per una nuova avventura della single più amata del cinema, nel film Bridget Jones’s Baby. Diretto da Sharon Maguire (Il diario di Bridget Jones; Senza Apparente Motivo), il nuovo capitolo di questa acclamata commedia, con protagonista l’eroina creata da HELEN FIELDING, mostra una Bridget inaspettatamente ..in attesa. Dopo la rottura con Mark Darcy (Firth), il "vissero felici e contenti" di Bridget Jones (Zellweger) non va del tutto secondo i piani. Ormai quarantenne e nuovamente single, decide di concentrarsi sul suo lavoro di produttrice di un notiziario di punta, e di circondarsi di vecchi e nuovi amici.
    [Show full text]
  • 1 News and Comic Affairs the Audience Reception of British
    News and Comic Affairs The audience reception of British Television Political Comedy 1962-2012 Matthew Crowder Royal Holloway, University of London A thesis submitted for the degree of Doctor of Philosophy Department of Media Arts April 2015 1 Declaration of Authorship I, Matthew Crowder, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. This thesis has not been submitted for a degree, either in the same or different form, to this or any other University. Signed: ______________________ Date: ________________________ 2 Abstract This thesis researches the reception of British television political comedy from 1962 to 2012, exploring the continuities and contrasts in viewers’ definitions, interpretations and evaluations of the genre. Television comedy scholarship has privileged the text but this first in-depth study of British political comedy conceptualises television genre as a cultural category, and adopts the method of qualitative historical reception research to explore the different ways that viewers have written about the genre. Political comedy's reception is dominated by discourses of power, and the genre’s comedic references to news and current affairs are consistently invoked in accounts of its effects upon everyday life. The research highlights viewers’ emotive responses in four case studies that place pleasure and displeasure, cultural distinctions, and social affiliations in their historical contexts, arguing that judgments about political comedy’s value, meaning and social effects are related to hierarchies of aesthetics and taste, and their relationship to public issues defined as socially significant. The chapter on That Was The Week That Was discusses beliefs that irreverent comedy could affect British institutions.
    [Show full text]
  • PRODUCTION BIOS JACK GROSSBART (Executive Producer)
    ‘SURPRISED BY LOVE’ PRODUCTION BIOS JACK GROSSBART (Executive Producer) – Jack Grossbart is an independent producer who has produced nearly 40 telefilms in the last 20 years. Partnered with Linda Kent in Grossbart Kent Productions, they have produced “Heartless,” starring Melanie Griffith for CBS and Lifetime’s “Why I Wore Lipstick to my Mastectomy,” starring Sarah Chalke, for which they received the 2007 Gracie Award, were finalists for the 2007 Humanitas Prize and received a 2007 Emmy® nomination for Outstanding Made for Television Movie. Before forming Grossbart Kent Productions, Grossbart was partnered with Joan Barnett in Grossbart/Barnett Productions for 15 years and produced telefilms for CBS, NBC, ABC and HBO, as well as some of the newly emerging cable channels. Among their productions have been “Any Mother’s Son,” “The Marriage Fool” starring Walter Matthau and Carol Burnett, “Unforgivable” starring John Ritter, the award-winning “Something to Live For: The Alison Gertz Story” starring Molly Ringwald, “Leave of Absence” starring Brian Dennehy and Jacqueline Bisset, “Last Wish” starring Patty Duke and Maureen Stapleton and HBO’s “The Comrades of Summer” starring Joe Mantegna. Grossbart executive produced the Emmy® nominated miniseries “Echoes in the Darkness,” based on the best-selling Joseph Wambaugh book, “The Preppie Murder,” starring William (Billy) Baldwin and Lara Flynn Boyle, “Rockabye” and “I Was a Mail Order Bride,” both starring Valerie Bertinelli. He also executive produced the Hallmark Channel Original Movie’s “Edge of the Garden” and “Smart Cookies,” as well as the Hallmark Movie Channel Original “After All These Years.” In the half-hour series arena, Grossbart executive produced the Bertinelli series “Sydney” for CBS and “Café Americain” for NBC.
    [Show full text]