FINAL Press Release L'ermitage Foundation Presents Cellists
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Dartmouth Symphony Orchestra Student Showcase Filippo Ciabatti, Conductor
presents Dartmouth Symphony Orchestra Student Showcase Filippo Ciabatti, conductor Alyssa Gao, violin Betty Kim, violin Richard Lu, cello Funded in part by the Roesch Family Fund in support of Instrumental Ensembles and gifts from Friends of the Dartmouth Symphony Orchestra. Spaulding Auditorium’s Hamburg Steinway concert grand piano was purchased with generous gifts from Members of the Hopkins Center and Members of the Hood Museum of Art; the class of 1942, in memory of Allan Dingwall ’42; and anonymous donors. Sat, Oct 5, 7:30 pm 2019 • Spaulding Auditorium • Dartmouth College Program Violin Concerto in D Major, Op. 35 Pyotr Ilyich Tchaikovsky (1840–1893) Alyssa Gao, violin I. Allegro moderato II. Canzonetta: Andante III. Finale: Allegro vivacissimo Intermission Tzigane Maurice Ravel (1875–1937) Betty Kim, violin Variations on a Rococo Theme, Op. 33 Pyotr Ilyich Tchaikovsky (1840–1893) Richard Lu, cello I. Moderato assai quasi Andante—Thema: Moderato semplice II. Var. I: Tempo della Thema III. Var. II: Tempo della Thema IV. Var. III: Andante V. Var. IV: Allegro vivo VI. Var. V: Andante grazioso VII. Var. VI: Andante VIII. Var. VII: Andante sostenuto IX. Var. VIII e Coda: Allegro moderato con anima Program Notes Violin Concerto in D Major, Op. 35 months, becoming very depressed. The concerto’s Pyotr Illyich Tchaikovsky future seemed catastrophic. Things began to look up In early 1878, Tchaikovsky’s patron Nadezhda when, on December 4, 1881, Adolf Brodsky, the second von Meck gave the composer money to use for an dedicatee, premiered the work in Vienna and wrote, extended holiday. She felt that his failed marriage in “One can play the concerto again and again and never 1877 and suicide attempt by drowning in the Moscow be bored. -
Program 1,5,6
AMERICAN GUILD OF ORGANISTS LOS ANGELES CHAPTER We appreciate the generosity of our subscribers who make it possible to present our programs without charge. BENEFACTORS Robert Bottoms Richard Kirtland GRAND PATRONS William Beck Russell G. Schertle & Manuel J. Rosales PATRON Stewart Foster SPONSORS Namhee Han, Ph.D, D.M.A. Jack Le Van Dr. James Vail Los Angeles Chapter Nancy and Stowell Werden Vivian P. McCormick & Thomas H. McCage, Jr. American Guild of Organists Zeljko Marasovich, Dean ! Philip Smith, Sub-Dean DONORS Dr. William Wunsch, Secretary ! Douglas Herbst, Treasurer Good Samaritan Hospital - All Souls Chapel Charles and Maxine Brechbiel Elfrieda Baum Gregory Casserly Nelson Dodge Roger A. House Christian Herrmann Jr., M.D. Skinner Organ Company Thompson Howell Dr. Debora L. Huffman Year: 1928 Dr. James Hurd Rick Jackson presents Opus: 701 Kenneth Kukuk Greg Larkin 2 manuals / 12 stops / 6 ranks / 378 pipes Bob Menzies Ty Woodward John S. Mitchell Gary & Marjie Toops Great Mark E. Villalobos & Douglas Herbst James Walker 8' Diapason 61 Dr. William and Mary Lee Mistretta Patricia L. Teele Concert of Christmas Music 8' Rohrflote (sw) Cherry Rhodes and Ladd Thomas David E. York 8' Salicional (sw) 8' Voix Celeste (sw) 4' Flute (sw) CONTRIBUTORS Monday, December 3, 2012 Swell Richard & Leslee Amenta Andrea Anderson David J. Billeter 8' Rohrflote 61 Geraldine Biggs McGrath Linus H. Bittner, Jr. Malcom Cole 8:00 p.m. 8' Salicional 61 Dr. Christoph Bull Fr. John E. Crean Sylvia Crowell 8' Voix Celeste 61 Dr. Harold Daugherty, Jr. Jane A. Downs Connie Grisham 4' Flute 61 Wilbur Held Tabitha Henken Mark C. -
Schloss Konzerte
Eintritt Einzelkarten: € 22,- / erm. € 18,70 Liebe Freundinnen Schüler und Studenten € 5,50 | Abonnement für sechs SCHLOSS Konzerte: € 112,- | € 30,- Schüler und Studenten und Freunde der Abonnementbestellung: Kreis Coesfeld | Burg Vischering SCHLOSS NORDKIRCHEN Berenbrock 1 | 59348 Lüdinghausen Schloß 1 ◆ 59394 Nordkirchen KONZERTE klassischen Musik, Tel: 02591 / 79 90 15, Fax: 02591 / 79 90 29 Tel.: +49 (0)2591 / 79 90 - 0 im Rahmen unserer Schlosskonzertreihe können Sie im Jahr 2020 E-Mail: [email protected] [email protected] NORDKIRCHEN wieder unvergessliche Live-Erlebnisse genießen. Denn wir haben Verkauf von Abos und Einzelkarten sowie Bitte beachten Sie: für Sie ein abwechslungsreiches Programm zusammengestellt, Vorbestellung von Einzelkarten: Die Konzerte finden in der Oranienburg westlich des Hauptschlosses statt. das von Barock über Wiener Klassik bis hin zu anspruchsvollen Tourist Information Nordkirchen Schloßstraße 11 | 59394 Nordkirchen Bildnachweise: Pop-Interpretationen reicht, aber natürlich auch beliebte Meis- Guadagnini Trio Cara Gutman | Ensemble 4.1 Frank Jerke | Noga Quartet Reinicke terwerke der Klassik umfasst und so für jede Publikumsgenera- Tel: 02596 / 917 - 500 | E-Mail: [email protected] Artists | Duo Brüggen Nicolas Lanze | Katona Twins Peter Goodbody tion ein ganz besonderes Highlight bietet. Immer aber können Konstantin Manaev Christian Jädkez wir dabei herausragende Interpreten begrüßen, die sowohl auf den großen deutschen Podien als auch auf dem internationalen Parkett begeistern. Es ist uns auch wieder eine Freude und Ehre, das Festival „summerwinds münsterland“ im Sommer mit einem Konzert zu Gast zu haben. Für Schüler und Studenten haben wir ein besonderes Angebot: Der Eintritt kostet pro Konzert € 5,50 und das Abo € 30,-. Zugleich laden wir das junge Publikum mit dem Gastspiel der Katona Twins am 22. -
24 June 2016 Page 1 of 19 SATURDAY 18 JUNE 2016 4:27 AM Pachelbel, Johann (1653-1706) SAT 01:00 Through the Night (B07gbffm) Canon in D Major Arr
Radio 3 Listings for 18 – 24 June 2016 Page 1 of 19 SATURDAY 18 JUNE 2016 4:27 AM Pachelbel, Johann (1653-1706) SAT 01:00 Through the Night (b07gbffm) Canon in D major arr. for 3 violins Myung-Whun Chung conducts Bruch and Mahler Members of the Polish Radio National Symphony Orchestra in Katowice Jonathan Swain presents a performance of Bruch's 1st Violin Concerto with Gil Shaham and Mahler's 5th Symphony. Myung- 4:33 AM Whun Chung conducts the Radio France Philharmonic. Bizet, Georges [1838-1875] (compiled by Ernest Guiraud) L'Arlesienne - suite no.2 1:01 AM Slovenian Radio and Television Symphony Orchestra, Marko Bruch, Max (1838-1920) Munih (conductor) Violin Concerto No.1 in G minor (Op.26) Gil Shaham (violin), Radio France Philharmonic Orchestra, 4:47 AM Myung-Whun Chung (conductor) Geminiani, Francesco (1687-1762) Concerto Grosso in G minor 1:26 AM Academy of Ancient Music, Andrew Manze (director/violin) Bach, Johann Sebastian (1685-1750) Gavotte en Rondeau from the Partita No.3 in E major (BWV 4:55 AM 1006) Stravinsky, Igor [1882-1971] Gil Shaham (violin) Fireworks (Op.4) BBC Symphony Orchestra, Jiri Belohlavek (conductor) 1:30 AM Mahler, Gustav (1860-1911) 5:01 AM Symphony no. 5 in C sharp minor Handel, Georg Frideric (1685-1759) Radio France Philharmonic Orchestra, Myung-Whun Chung Overture and prelude to act II of Acis and Galatea K.566 (conductor) Norwegian Radio Orchestra, Andrew Manze (Conductor) 2:43 AM 5:11 AM Bizet, Georges (1838-1875) Telemann, Georg Philipp (1681-1767) Overture to Carmen Suite for strings and continuo (TWV.55:g1) in G minor 'La Radio France Philharmonic Orchestra, Myung-Whun Chung Musette' (conductor) B'Rock 2:46 AM 5:25 AM Mendelssohn, Felix (1809-1847) Stenhammar, Wilhelm (1871-1927) Meeresstille und gluckliche Fahrt - overture (Op.27) Ithaka (Op.21) Orchestre National de France, Riccardo Muti (conductor) Peter Mattei (baritone), Swedish Radio Symphony Orchestra, Manfred Honeck (conductor) 3:01 AM Purcell, Henry (1659-1695) 5:35 AM Sonata No.9 for 2 violins and continuo in F major (Z.810) Strauss, Johann, II (1825-1899), arr. -
Benjamin Britten in the Music Culture of the Soviet Union in the 1960S (To the 100Th Anniversary of the Composer's Birth)
International Journal of Humanities and Social Science Vol. 3 No. 14 [Special Issue - July 2013] Benjamin Britten in the Music Culture of the Soviet Union in the 1960s (to the 100th Anniversary of the Composer's Birth) Alexander Rossinsky Department of Art Altai State University Russia Ekaterina Vorontsova Department of History Altai State University Russia Abstract The period of the 1960-s was difficult and controversial. Former allies of the anti-Hitler coalition turned to be on different sides of the acute ideological struggle which nearly led to the world war. Tremendous work was carried by artists, musicians who united disparate peoples into the community calling for the universal values. The central place in such the sphere of music belongs to one of the greatest composers of the 20th century, Benjamin Britten. Together with the Soviet musicians he pushed the world back from the sharp ideological confrontation. Keywords: B.Brittten, P.Pears, USSR, M.Rostropovich, G.Vishnevskaya, D.Shostakovich, symphonic and chamber music. The events unfolding in the world, which had survived the most destructive war in the history of human civilization, were dramatic and characterised by multi-vector directions of their development. The countries that joined the anti-Hitler coalition in the 40s, in the 60s were experiencing the peak of their ideological hostility, teetering on the verge of unleashing the third world war. At the same time, the Soviet Union, headed the unpredictable and highly controversial leader Nikita Khrushchev, pursued a policy of flirtations with liberalism in an attempt to overcome the cult of personality of Joseph Stalin and remove the notorious “Iron Curtain”, which for decades had protected the USSR from Western influence. -
String Concert Academy
STRING CONCERT ACADEMY Leonid Gorokhov Cello The Russian cellist Leonid Gorokhov studied at the St. Petersburg Conservatoire with Anatoli Nikitin and took part in masterclasses with Daniil Shafran. Winner of Concertino Praga (First Prize) and Paris Chamber Music Competition (Premier Grand Prix), Leonid Gorokhov is the only Russian cellist to be awarded the Grand Prix and the First Prize of the Geneva Concours (1986). In 1995 the European Association for Encouragement of the Arts awarded the Cultural Achievement Prize to Leonid Gorokhov for exceptional talent and outstanding artistic accomplishment. In 1991, Leonid Gorokhov appeared as soloist with the St. Petersburg Philharmonic conducted by Lord Menuhin; their strong musical rapport led to further concerto engagements with the Bergen, Berlin & Royal Philharmonic Orchestra, English Symphony Orchestra, Sinfonia Varsovia and the Zurich Tonhalle. In 1995, he made a triumphant return to Russia in performances of the Elgar Cello Concerto with the Philharmonia Hungarica, again conducted by Lord Menuhin. Apart from his work as a soloist, he is a founder member of the Hermitage String Trio (playing with Boris Garlitsky, violin, and Alexander Zemstov, viola) and plays regularly as a duo with the pianists Nikolai Demidenko, Niklas Sivelov and Kathryn Stott. Duo recitals have included the Båstad, Belfast, Eilat Winter, Oslo Chamber Music and Petworth Festivals, Munich and Wigmore Hall. Recent engagements have included the Elgar concerto with the Enescu Philharmonic in Bucharest and the Walton Concerto with the Philharmonia Orchestrain the UK. In Australia, his residence at the Townsville Festival found him playing a wide variety of chamber music; in Russia he has performed the rarely played Davidoff Concerto No 2 with the St. -
Cpo 555 234–2 Booklet.Indd 1 22.11.2019 09:46:40 Łukasz Borowicz (© Photo: Katarzyna Zalewska)
Mieczysław Weinberg Cello Concerto op. 43 · Fantasy op. 52 Concertino op. 43bis Raphael Wallfisch Kristiansand Symphony Orchestra Łukasz Borowicz cpo 555 234–2 Booklet.indd 1 22.11.2019 09:46:40 Łukasz Borowicz (© Photo: Katarzyna Zalewska) cpo 555 234–2 Booklet.indd 2 22.11.2019 09:46:40 VOICES IN THE WILDERNESS CELLO CONCERTOS BY EXILED JEWISH COMPOSERS Mieczysław Weinberg (1919–1996) Cello Concerto 33'19 op. 43 1 Adagio 7'53 2 Moderato 5'47 3 Allegro 9'47 4 Allegro 9'52 5 Fantasy op. 52 (1954) 17'08 16'30 Concertino op. 43bis 6 Adagio 4'35 7 Moderato espressivo 3'23 8 Allegro vivace 8'32 T.T.: 67'02 Raphael Wallfisch, Violoncello Kristiansand Symphony Orchestra Łukasz Borowicz, Conductor cpo 555 234–2 Booklet.indd 3 22.11.2019 09:46:40 Anmerkungen des Cellisten Mieczysław Weinberg kam am 8. Dezember 1918 auf die Welt, keinen ganzen Monat, nachdem Polen Dem reichhaltigen und vielgestaltigen Repertoire un- seine Unabhängigkeit wiedergewonnen hatte. Er wuchs serer neuen Serie »Cellokonzerte jüdischer Komponisten in Warschau auf, einer Stadt, die zu 2/3 von Polen be- im Exil« fühle ich mich emotional sehr eng verbunden. wohnt war und zu 1/3 von Juden, die sich immer stärker Ich halte es als Cellist für eine Lebensaufgabe, mich als Polen fühlten, ähnlich wie er. Niemals leugnete er für die Musik jüdischer Komponisten zu engagieren, die seine jüdischen Wurzeln, aber bis ans Ende seines Le- das infame Dritte Reich zum Schweigen verurteilte und bens drängte er darauf, dass man ihn als Mieczysław die aus ihrer Heimat fliehen mussten, um zu überleben. -
Alexander Mndoyants Piano SMCCD 0251 DDD/STEREO TT: 72.44 Wolfgang Amadeus Mozart (1756 – 1791) Piano Sonata in C Minor, KV 457 1 1
Mozart • Beethoven Mendelssohn • Brahms Chopin • Scriabin • Shostakovich Alexander Mndoyants piano SMCCD 0251 DDD/STEREO TT: 72.44 Wolfgang Amadeus Mozart (1756 – 1791) Piano Sonata in C minor, KV 457 1 1. Allegro . 8.35 2 2. Adagio . 7.57 3 3. Molto allegro . 4.53 Ludwig van Beethoven (1770 – 1827) 4 6 Ecossaises in E flat major, WoO 83 . 2.14 Felix Mendelssohn (1809 – 1847) 5 Variations sérieuses in D minor, op. 54. 11.02 Johannes Brahms (1833 – 1897) 6 Variations on a Theme by Robert Schuman in F sharp minor, op. 9 . 15.34 Frédéric Chopin (1810 – 1849) 7 Scherzo No. 2 in B flat minor, op. 31 . .9.42 Alexander Scriabin (1872 – 1915) 8 Piano Sonata No. 9, op. 68 . 8.09 Dmitry Shostakovich (1906 – 1975) Prelude and Fugue in D flat major, op. 87 No. 15 9 1. Prelude . .2.50 10 2. Fugue . 1.46 Alexander Mndoyants, piano Recorded in 1994 ( 1 – 3 ), 1987 ( 4 , 7 ), 1988 ( 5 , 6 ), 1980 ( 8 ), 1986 ( 9 , 10 ) Sound directors: Elena Dneprovskaya ( 1 – 3 , 8 – 10 ), Vladimir Koptsov( 4 – 7 ) Mastering: Ruslana Oreshnikova. Design: Alexey Gnisyuk Executive producer: Eugene Platonov © & ℗ 2019 The Moscow Tchaikovsky Conservatory. All rights reserved 2 Alexander Mndoyants Professor of the Moscow State Tchaikovsky Conservatory and the Central Music School of the Moscow Conservatory. Honored Artist of Russia. He began to study music at the age of six. In 1956, he entered the Tchaikovsky Secondary Music School of the Yerevan State Conservatory. From 1960 to 1968, he studied at the Central Music School of the Moscow State Tchaikovsky Conservatory. -
La Traviata Dido and Aeneas / Bluebeard's Castle Sondra
La Traviata GIUSEPPE VERDI September 13 – 28, 2014 Production made possible by generous gifts from The Milan Panic Family and Barbara Augusta Teichert. Special underwriting support from Joyce and Aubrey Chernick. HENRY PURCELL / Dido and Aeneas / Bluebeard’s Castle BÉLA BARTÓK October 25 – November 15, 2014 Production made possible by the generous support of the Tarasenka Pankiv Fund (Tara Colburn). Support for the guest conductor provided by the Beatrix F. Padway and Nathaniel W. Finston Conductors Fund. Sondra Radvanovsky in Recital November 8, 2014 DANIEL CATÁN / Florencia en el Amazonas MARCELA FUENTES-BERAIN November 22 – December 20, 2014 Underwriting support from the Jane and Peter Hemmings Production Fund, a gift from the Flora L. Thornton Trust. Original production supported by Edward E. and Alicia Garcia Clark, an Anonymous Donor, AT&T, and Drs. Dennis and Susan Carlyle. THE FIGARO TRILOGY JOHN CORIGLIANO / The Ghosts of Versailles WILLIAM M. HOFFMAN February 7 – March 1, 2015 Production made possible in part by a generous gift from the Ann and Gordon Getty Foundation. T H E F I G A R O T R I L O G Y The Barber of Seville GIOACHINO ROSSINI February 28 – March 22, 2015 Production made possible by generous funding from The Seaver Endowment and from The Alfred and Claude Mann Fund, in honor of Plácido Domingo. Noah’s Flood BENJAMIN BRITTEN March 6 – 7, 2015, at the Cathedral of Our Lady of the Angels Production made possible with generous underwriting support from the Dan Murphy Foundation. T H E F I G A R O T R I L O G Y The Marriage of Figaro WOLFGANG AMADEUS MOZART March 21 – April 12, 2015 Production made possible by a generous gift from The Carol and Warner Henry Production Fund for Mozart Operas. -
This Month's Other Highlights
The World’s Leading Classical Music Label MARCH 2021 Peter Breiner © Gulnara Samojlova This Month’s Other Highlights Eight titles include World Premiere Recordings! All album covers and artwork PDFs are available for download on the Naxos Wiki © 2021 Naxos Rights US, Inc. • Contact Us: [email protected] www.naxos.com • www.NaxosMusicGroup.com • www.naxosmusiclibrary.com • blog.naxos.com NEW ON NAXOS | MARCH 2021 WORLD PREMIERE RECORDINGS 8.574257 Playing Time: 86:01 Price Code: NXP Release Date: 7 47313 42577 8 12 Mar 2021 Peter Breiner © Gulnara Samojlova (b. 1957) Click button to listen to an extract from Peter BREINER We Reached This Far A Journey Calm Romantic Piano Music, Vol. 2 LISTEN Peter Breiner, Piano Royal Philharmonic Orchestra Key Features: Slovak-born Peter Breiner is one of the world’s most versatile • One of the world’s most performed composer/arrangers and musicians. He is an acclaimed pianist, arranger and conductor with described as ‘a personification of music’ in theSlovak Spectator, compositions that are universally admired, and whose Beatles Go this new release follows Peter Breiner’s Caressing Your Soul Baroque album (8.555010) has to date sold a quarter of a million (8.574256), released October 2020. Slovak Dances, Naughty copies. In the second of Breiner’s Calm Romantic Piano Music series and Sad is also available on 8.574184-85, in which Classical CD (Volume 1 is on 8.574256), he again achieves the rare feat of fusing Choice commented: ‘The music is full of colour and invention and, melodic beauty with genuine musical expression. -
Liszt and Russia" TABLE of CONTENTS by Dmitry Rachmanov, Host
Founded in 1964 Volume 31, Number 2 An officiAl publicAtion of the AmericAn liszt society, inc. 2016 Festival: "Liszt and Russia" TABLE OF CONTENTS by Dmitry Rachmanov, host The theme of the American Liszt Society’s 2016 festival and conference is “Liszt and Russia.” The festival is being presented by the Department of Music at California State 1 "Liszt and Russia" University, Northridge, June 2 - 5. 2016 ALS Festival/Conference, The genesis of the festival theme goes back to Liszt’s tours of Russia in the 1840s by Dmitry Rachmanov and his contacts with Russian musicians. Liszt’s influence and support of music and musicians in Russia lasted throughout his mature life. This opens a fertile ground of 2 President's Message exploration of Franz Liszt’s legacy and lasting mark on Russian musical culture and musicians. Liszt’s impact on Russian music history and its development is hard to overestimate; during his heyday as the world's preeminent piano virtuoso, he made 3 Letter from the Editor three tours of Russia (1842 - 1847), leaving an indelible and powerful impression in all circles of Russian society. Subsequently, many Russian musicians made their pilgrimage to visit Liszt in Weimar and other places where he resided. On his part, 4 2016 ALS Festival Schedule Liszt encouraged and supported many Russian composers by performing their music, making piano transcriptions of their works, and popularizing them in other ways. The festival will feature eclectic and stimulating programming. Special events 5 A Conversation with include solo recitals by the most recent Van Cliburn Gold Medalist, Vadym Dmitry Rachmanov Kholodenko, with works by Liszt and Scriabin; the Italian pianist Antonio Pompa- Baldi, one of ALS's regular featured artists, performing works by Liszt and Anton Rubinstein; and a senior professor of the Moscow Conservatory, Mikhail Voskresensky, 8 In Memoriam: Maurice Hinson, presenting music by Liszt, Borodin, Glinka-Balakirev, Tchaikovsky, Medtner, and by Wesley Roberts Prokofiev. -
A P P L Ic a N T G U Id E B O O K 2 0 2 1 -2 0 2 2 a C a D E M Ic Y E
R A K E O Y O C GNESIN RUSSIAN I B E M D E I D U A G ACADEMY OF C T A N 2 A 2 C 0 I MUSIC 2 L - P 1 P 2 A 0 Information for international students 2 applying for full fee paying programmes BE PART OF OUR COMMUNITY Y M The Academy was founded February 15, 1895. One of the oldest musical E educational institutions in Russia; D It has a a unique school-college-university system for training music A C specialists; A The Academy is made up of the Children’s music school, Gnesin College T of Music, College of Jazz and Popular Music Studies, and Academy; U ·About 3000 students study here; O ·We offer a wide range of study programmes, including classical music, B folk music, jazz and pop, music-related theoretical ones, music A management, etc.; ·The Academy is a member of the European Association of Conservatoires; ·Our Academy is aparticularly valuable object ofcultural heritage of the peoples of the Russia; Our Academy is the first Russian university to establish a UNESCO Chair (Music Mastery and Contemporary Performance). I don’t like an exaggerated manner either in playing or movements, and consider simplicity to be the highest achievement. I teach my students to be tempered by a sense of proportion, and I R E often tell them that haste and fussiness are B M E arch-enemies of the player. M E R Elena Fabianovna Gnesina - founder of Gnesin Academy Vocational Secondary Education (College Education) can be applied for by music school graduates (the average age of college students is 14-18 years old); fluent Russian is required; preparation courses for college admission are offered; 3 years and 10 months of full-time study duration L S E Educational programmes A 53.02.02 Jazz and Pop Instrumental Performance.