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The Influence of Ottoman Turkish Textiles and Costume in Eastern Europe, with Particular Reference to Hungary
m^mt&'i HISTORY, TECHNOLOGY, AND ART MONOGRAPH 4 P.S. m Ro -co 664 ;c\j no. 4 ; co |o s- I The Influence of ico Ottoman Turkish Textiles and Costume in Eastern Europe Digitized by the Internet Archive in 2012 with funding from Royal Ontario Museum http://archive.org/details/influenceofottomOOgerv The Influence of Ottoman Turkish Textiles and Costume in Eastern Europe with particular reference to Hungary History, Technology, and Art Monograph 4 The Influence of Ottoman Turkish Textiles and Costume in Eastern Europe with particular reference to Hungary Veronika Gervers Royal Ontario Museum Publication date: 5 October 1982 Suggested citation: ROM HTA Monogr. Royal Ontario Museum Publications in History, Technology, and Art The Royal Ontario Museum publishes two series in the fields of history, technology, and art: Monographs, a numbered series of original publications, and Papers, a numbered series of primarily shorter original publications. All manuscripts considered for publication are subject to the scrutiny and editorial policies of the Art and Archaeology Editorial Board, and may be subject to review by persons outside the museum staff who are authorities in the particular field involved. Royal Ontario Museum Art and Archaeology Editorial Board Chairman/Editor: A. J. Mills Associate Editor: E. J. Keall Associate Editor: M. Allodi The late Dr. Veronika Gervers was Associate Curator in the Textile Department of the Royal Ontario Museum. Cover: Detail of an embroidered cover. Turkish. 17th century. See Figures 32 and 33. Canadian Cataloguing in Publication Data Gervers, Veronika, 1939-1979. The influence of Ottoman Turkish textiles and costume in Eastern Europe (History, technology and art. -
Turkish Style: a Short Review from Ottoman Clothing and Textile Design in Sixteen Century Miniatures
Current Trends in Fashion Technology & Textile Engineering ISSN: 2577-2929 Short Communication Curr Trends Fashion Technol Textile Eng Volume 1- Issue 5 - December 2017 DOI: 10.19080/CTFTTE.2017.01.555571 Copyright © All rights are reserved by Şükriye Yüksel Turkish Style: A Short Review from Ottoman Clothing and Textile Design in Sixteen Century Miniatures Şükriye Yüksel* İnönü Cad, İTÜ Gümüşsuyu Kampüsü, Turkey Submission: October 16, 2017; Published: December 04, 2017 *Corresponding author: Şükriye Yüksel, Textile Tech & Design, İnönü Cad, İTÜ Gümüşsuyu Kampüsü, No 65 Taksim, Beyoğlu, Turkey, Tel: ; Email: Abstract th In this presentation, by examination of the Turkish painting art in 16 century Ottoman thminiatures, which is the most important evidence of Turkish clothing style, to display the taste of Ottoman Turks’s clothing and the textile design in the history. Unique beauty of the textile design and printing details of the Ottoman Caftans in the 16 century miniature collection provide information about the style and technique of fabrics in the history. The aim of this presantation may be the inspiration and enlighment to the new gener- ation textile trends through past, especially driven from the samples of Turkish miniature art and expose admired colors and the design of historicKeywords: clothing. Fashion history; Miniature art; Ottoman textiles; Caftans Introduction and admired by the other Countries in the World [1]. Textiles used as diplomatic gifts, produced in the Ottoman Empire with the beauty of its unique design and colors (Figure 1-3). Figure 1: Nakkaş Osman painted, Selim II. in his royal tent, re- ceiving the commander of Ottoman Army in Belgrade. -
Spring Twenty Two Women's Headwear
SPRING 2022 SPRING TWENTY TWO WOMEN’S HEADWEAR & APPAREL DONE PROPER NH SPRING 2022 WOMEN THIS SEASON WE CELEBRATE THE NEW EXPLORERS. THE COLLECTION IS INSPIRED BY VINTAGE MILITARY AND WORKWEAR SILHOUETTES, BLENDED WITH SPRING THE JOYFUL RETRO AESTHETIC OF THE 1970’S. WOMEN 2022 WITH A PALETTE OF CLASSIC SEASONAL COLORS AND PRINTS, WE SET OUT TO DESIGN A RANGE THAT BALANCES STYLE THAT IS AT HOME ON CITY STREETS, OR THE ROADS LESS TRAVELED. SPRING 2022 2 SPRING 2022 3 RANCHER COLLECTION JO RANCHER RANCHER COLLECTION SPRING 2022 4 SPRING 2022 5 JO STRAW RANCHER RANCHER COLLECTION A NEW ICON | ELEGANT SILHOUETTE | PREMIUM DETAILS SPRING 2022 6 SPRING 2022 7 RENO FEDORA RANCHER COLLECTION REFINED AND RESPONSIBLY SOURCED | PREMIUM DETAILS AND FINISHES SPRING 2022 8 SPRING 2022 9 JO RANCHER RANCHER COLLECTION THE RANCHER REBORN | CRUELTY-FREE WOOL CONSTRUCTION SPRING 2022 10 SPRING 2022 11 JO RANCHER (10cm/4” Brim) XS-S-M-L (6_-7-7_-7_) • 100% wool felt • Metal headwear plaque • Adjustable Velcro strap under sweatband • Grosgrain outside band and brim taping DOVE WASHED NAVY/NAVY *BLACK 11035-DOVE 11035-WSNVY 11035-BLACK RANCHER COLLECTION BRASS 11035-BRASS PRODUCT PAGE JOANNA FELT HAT (10cm/4” Brim) XS-S-M-L (6_-7-7_-7_) • 100% wool felt • Grosgrain band • Metal headwear plaque • Adjustable Velcro strap under sweatband *BLACK PHOENIX ORANGE MOJAVE 10783-BLACK 10783-PHEOR 10783-MOJAV SPRING 2022 12 SPRING 2022 13 JOANNA PACKABLE HAT DUKE COWBOY HAT (7.5cm/3.5” Brim) (7.5cm/3” Brim) XS-S-M-L (6_-7-7_-7_) XS-S-M-L-XL (6¾-7-7¼-7½-7¾) • 100% wool felt • 100% wool felt • Grosgrain band • 5mm Grosgrain band • Metal headwear plaque • Metal headwear plaque • Adjustable Velcro strap under • D2 sweatband *BLACK MERMAID CASA BLANCA BLUE *BLACK COFFEE 10628-BLACK 10628-MERMD 10628-CABLB 10998-BLACK 10998-COFFE RENO FEDORA COHEN COWBOY (9cm/3. -
Textile Printing
TECHNICAL BULLETIN 6399 Weston Parkway, Cary, North Carolina, 27513 • Telephone (919) 678-2220 ISP 1004 TEXTILE PRINTING This report is sponsored by the Importer Support Program and written to address the technical needs of product sourcers. © 2003 Cotton Incorporated. All rights reserved; America’s Cotton Producers and Importers. INTRODUCTION The desire of adding color and design to textile materials is almost as old as mankind. Early civilizations used color and design to distinguish themselves and to set themselves apart from others. Textile printing is the most important and versatile of the techniques used to add design, color, and specialty to textile fabrics. It can be thought of as the coloring technique that combines art, engineering, and dyeing technology to produce textile product images that had previously only existed in the imagination of the textile designer. Textile printing can realistically be considered localized dyeing. In ancient times, man sought these designs and images mainly for clothing or apparel, but in today’s marketplace, textile printing is important for upholstery, domestics (sheets, towels, draperies), floor coverings, and numerous other uses. The exact origin of textile printing is difficult to determine. However, a number of early civilizations developed various techniques for imparting color and design to textile garments. Batik is a modern art form for developing unique dyed patterns on textile fabrics very similar to textile printing. Batik is characterized by unique patterns and color combinations as well as the appearance of fracture lines due to the cracking of the wax during the dyeing process. Batik is derived from the Japanese term, “Ambatik,” which means “dabbing,” “writing,” or “drawing.” In Egypt, records from 23-79 AD describe a hot wax technique similar to batik. -
All-Time Favorites
S W E A Jersey Cardigan Sweaters T E · Fabric: 100% pill-resistant acrylic R · Dyed-to-match buttons S · Reinforced stress areas All-time favorites · Elasticized rib-trim cuffs and bottom for shape retention 5912 Soft sweaters with staying power · Machine wash and dry 1970 Jersey Crewneck Cardigan (Female) · Full button-down front · No pockets Colors: Black, Brown, Cardinal, Green, Grey Heather, Lipstick, Mayfair, Mulberry, Navy, Spruce Green, White, Wine 1970 Sizes: Youth XXSY-XLY, Adult SA-3XLA 6305 Jersey V-Neck Cardigan · 5 buttons · No pockets 6305 Color: Navy Sizes: Youth XXSY-XLY, Adult SA-3XLA 5912 Two-Pocket Jersey V-Neck Cardigan · 5 buttons · Hemmed bottom Colors: Black, Brown, Cardinal, Charcoal Heather, Green, Grey Heather, Khaki, 5910 Lipstick, Mayfair, Mulberry, Nally Powder Blue, Navy, Purple, Spruce Green, White, Wine, Yellow Sizes: Youth XXSY-XLY, Adult SA-3XLA 5910 Jersey V-Neck Cardigan Vest · 4 buttons · No pockets Color: Navy Sizes: Youth XXSY-XLY, Adult SA-3XLA Our cozy sweaters and vests offer timeless styling and a consistent, dependable fit. Made from wear-tested yarns, Schoolbelles sweaters are Black Brown Cardinal both wonderfully soft and incredibly durable. They pair perfectly with Charcoal Green Grey Heather our polos or button-up shirts. For extra identity, add your school logo. Heather Khaki Lipstick Mayfair Nally Mulberry Navy Powder Blue Purple Spruce Green White Wine Yellow 6 7 schoolbelles.com | 1-888-637-3037 Schoolbelles School Uniforms S Jersey Pullover Sweaters W E 1995 Jersey Crewneck Long-Sleeve -
An Empirical Assessment of the Relationship Of
An International Multidisciplinary Journal, Ethiopia Vol. 7 (2), Serial No. 29, April, 2013:350-370 ISSN 1994-9057 (Print) ISSN 2070--0083 (Online) DOI: http://dx.doi.org/10.4314/afrrev.7i2.22 Adire in South-western Nigeria: Geography of the Centres Areo, Margaret Olugbemisola- Department of Fine and Applied Arts, Ladoke Akintola University of Technology, P. M. B 4000, Ogbomoso, Nigeria E-mail; [email protected] & Kalilu, Razaq Olatunde Rom - Department of Fine and Applied Arts, Ladoke Akintola University of Technology, P. M. B 4000, Ogbomoso, Nigeria E-mail; [email protected] Abstract Adire, the patterned dyed cloth is extant and is practiced in almost all Yoruba towns in Southwestern Nigeria. The art tradition is however preponderant in a few Yoruba towns to the extent that the names of these towns are traditionally inseparable with the Adire art tradition. With Western education, introduction of foreign religions, influence from other cultures, technique and technology, there is a shift in the producers of Adire, the training pattern, and even an evolution in the production centre. While Western education resulted in a shift from the hitherto traditional Copyright© IAARR 2013: www.afrrevjo.net 350 Indexed African Journals Online: www.ajol.info Vol. 7 (2) Serial No. 29, April, 2013 Pp.350-370 apprenticeship method to the study of the art in schools, unemployment gave birth to the introduction of training drives by government and non governmental parastatals. This study, a field research, is an appraisal of the factors that contributed to the vibrancy of the traditionally renowned centres, and how the newly evolved centres have in contemporary times contributed to the sustainability of the Adire art tradition. -
Fibres & Fabrics
BrIefInG fibres & fabrics By philippa watkIns European textiles are a strong force again. Their creativity and inventiveness, which has kept growing despite the years of difficulties and still prevailing uncertainties, is helping them out of crisis. Fabric Fairs such as MFS, Milano Unica and Première Vision were busy, maintaining the increase in visitors noted a year ago – even London’s little Textile Forum was buzzing with visitors. PV and Expofil recorded 53,065 visitors overall with EU visitors now accounting for 70%. Visitors from the US, whose economy has been showing signs of recovery, accounted for 5% and there was a surge in Asian visitors, mostly from Japan, South Korea and China. With buyers showing such interest, exhibitors were cautiously optimistic. Notable also are new techniques, and sheer craftsmanship, which create both a new PV Awards aesthetic as well as greater ‘sustainability’. There’s an air of responsibility, as the with a twist, masculine look. These fabrics industry works towards more sustainable are also printed – often in huge prints, and production. Use of water, for instance, is a double faced reversing print to plain. Italian serious issue, and new ways of water and Ratti, for instance, had a new ‘scuba’ cloth chemical free finishing are making headway – in a crêpe-type quality made with crêpe such as digital printing and laser technology. yarns, also printed, and Menta, always Even more spectacular is the development experimenting with extraordinary printing of new ways of finishing through ‘plasma’ techniques, had printed ribbed spacers. technology – one to really watch. While these fabrics have smooth volume, they are not flat – in fact nothing is quite PV AWArDs 2014 Trend area at Milano Unica flat. -
World History Final Exam Review Guide
World History Final Exam Review Guide Name: ____________________________________________________ Date: ____________ Hour: ____ THIS IS A MANDATORY STUDY GUIDE WORTH 15 POINTS, DUE THE DAY OF YOUR EXAM. IT MUST BE HANDWRITTEN. My exam is on __________________________, June __________ at ______________ AM. Much like the midterm, the exam consists of reading text, maps, and charts that will be interpreted. The exam also includes facts, concepts, and patterns that pertain to the civilizations and events we studied. All exams are challenging; you will have to study for this exam to do well. Please start to prepare early. Twenty minutes a day will go a long way toward your performance on the exam. Imperialism 1. List three reasons the Europeans sought to colonize Africa. (pg 774-76) a. b. c. 2. What is Social Darwinism and how did it justify imperialism?(pg 775) 3. What is a sphere of influence and how did it impact European countries? (pg 807) 4. How did spheres of influence impact China? (pg 808) 5. What was the main cause of the Opium War? (pg 806) 6. How were the Sepoy Mutiny and the Boxer Rebellion similar? (pg 793) 7. Define cash crop and explain its impact on lands colonized by Europeans. (pg 776) 8. What was Japan’s official policy toward foreigners in the early 1800s? (pg 547, 810) 9. What benefits did India offer to Great Britain during Imperialism? (pg 791) 10. Which European leader was known for exploiting and killing natives during African imperialism? (pg 774) 11. What was established at the Berlin Conference? (pg 776) 12. -
Confidential the District Solicitied 401 Suppliers and Received 9 Responses
BID TABULATION GARLAND INDEPENDENT SCHOOL DISTRICT Auction Title:168-20 Bid Rfq Softball Uniforms & Num:32339 Equipment *Confidential Ln # Award (Y/N) Reason Item Description Quantity UOM Supplier Price Extended Price 1 NA Dudley Thunder Heat Yellow Softballs 40 DZ SCHOOL SPECIALTY INC NB NB with Red stitching & NFHS STAMP #WT12YFP, core .47 – 12”, no subs district game ball Y PYRAMID SCHOOL PRODUCTS 62.00 2,480.00 AMERICA TEAM SPORTS 64.00 2,560.00 VARSITY BRANDS HOLDINGS CO 69.91 2,796.40 INC DAN CAREYS SPORTING GOODS 72.00 2,880.00 LTD *PRO PLAYER SUPPLY 83.97 3,358.80 2 NA Charcoal Badger Hooded Sweatshirt 15 ST SCHOOL SPECIALTY INC NB NB #1254 with two color lettering & pant #1277 open bottom no lettering, lettering & sizes to follow when order is placed, no subs fill-ins Y AMERICA TEAM SPORTS 34.00 510.00 RIDDELL ALL AMERICAN 34.45 516.75 DAN CAREYS SPORTING GOODS 38.57 578.55 LTD VARSITY BRANDS HOLDINGS CO 44.00 660.00 INC ROBIN BAUGH 45.00 675.00 *PRO PLAYER SUPPLY 46.95 704.25 3 NA Badger Hooded Sweatshirt #125400 & 10 ST SCHOOL SPECIALTY INC NB NB pant #147800 with two color lettering on sweatshirt & right leg of pant, sizes to follow when order is placed, no subs fill- ins Y AMERICA TEAM SPORTS 42.50 425.00 DAN CAREYS SPORTING GOODS 52.56 525.60 LTD ROBIN BAUGH 53.00 530.00 *PRO PLAYER SUPPLY 53.96 539.60 VARSITY BRANDS HOLDINGS CO 56.00 560.00 INC 4 NA Royal Blue Badger Hooded Sweatshirt 22 ST SCHOOL SPECIALTY INC NB NB #125400 & pant #147800 with "Colonel" "Softball" & "SG" "Softball" on pant in white, sizes to follow when -
Recording, Digital Restoration Andtextile Facsimile
RECORDING, DIGItaL RESTORatION AND TEXTILE FacsIMILE OF A VERDURE taPESTRY at MUSEO CERRALBO, MADRID Location: Stove room at Museo Cerralbo, Madrid Author: Anonymous Dated: 18th century Mesurements: 283 x 437 cm Materials: Wool and silk Description: Tapestry fragment with a central composition consisting in two birds (a ma- caw and a peacock), framed with a traditional verdure decoration of plants, flowers and trees aligned to the vanishing point, with a landscape of mountains and a stream in the distance. CONTENTS 1.The tapestry at the Cerralbo Museum 3 2. Moving the Tapestry 4 3. Photographic documentation before cleaning process 6 4. Condition Report 9 5. Treatment 13 6. Colour Digitalisation 15 7. Composite Image Stitching 18 8. Lucida 3D Scanner 19 9. Digital Restoration 22 10. Printing 25 11. Colour recovery 36 1. THE TAPESTRY AT THE CERRALBO MUSEUM The Cerralbo Museum was originally a palace, built in the 19th century by the Marquis of Cerralbo, established as both a family residence and a gallery in which to exhibit their collection. The Marquis donated his palace, along with its collections, to Patrimonio Nacional. Due to poor conditions, some pieces had to be removed from their original location within the palace. This was the case for this verdure tapestry which could be found hanging as a curtain ‘in order to create a dark and romantic atmosphere’. The Instituto del Patrimonio Cultural de España commissioned Factum Arte to make a facsimile that would hang in the tapestry’s original location. The project was divided into five steps: -Cleaning the original tapestry at the Real Fábrica de Tapices. -
1917-11-16 [P 12]
M tion of Women's CIntis, and Miss experiences In practical study of so- classes, for eocîîi] service workers; Nielsen and Vlggo Jacobaen. Thai Cornelia of Whittier cial conditions In New York as local conditions will be reviewed, sta- Bradford, House, RED CROSS HOME SERVICE City, VALHALLA ODD FELLOWS banquet will start at S o'clock and aA did Mrs. E. F. Spofford, who has been tistics gathered and general prepara- Jersey City. elaborate menu baa been Dr. Anna Howard Shaw will be the taking a course of Instruction in the tion made for effective handling of promised. I HAS INITIAL MEETING of home many cases whloh later will need the TOMORROW Besides members at th#* i. at mass also. The scope NIGHT many SUFFRAGISTS headliner tonight's meeting metropolis BANQUET as of this in the assembly chamber at the State service work was outlined, it attention department meeting last night there were several· The Initial meeting of the Red Valhalla No. Odd Fel- on "Woman touches the lires of families of all Among those present were repre- Lodge 275, from House. She will speak Cross home service department, held visitors General Morgan LodgreJ Patriots and War Service." Address- who are engaged In the nation's serv- sentatives from the Board of Educa- lows, at its meeting last con- of South and Essex last night at St. Peter's parish house, night Amboy County j es The of looking after tion, Board of Health, City Poor De- also will be made by Congressman was was re- ice. necessity ferred the second on three Lodge of Ra.hway. -
Checklist for Textiles U.S.A
THE MUSEUM OF MODERN ART 11 WEST 53 STREET, NEW YORK 19, N. Y. TELEPHONE: CIRCLE 5-8900 No. &• TENTATIVE AND CONFIDENTIAL CHECKLIST FOR TEXTILES U.S.A. Home Furnishings Category Anderson Studio of Handweaving - East Gloucester, Massachusetts. Drapery material. Cotton, viscose and Jute. Designed by Beatrice Anderson, 1951*. Thelma Becherer - West Franklin, New Hampshire. Tapestry. Handwoven of green, yellow and clear "velon" plastic, with dried horsetails and cattails. Plain weave. 1956. Monica Bella Broner, Tapestry. "Fur Weave." Wool, cotton and fur strips, 195^• Bill Carter and Dodie Childs - Chicago, Illinois. Roll Shade, Handwoven matchstick bamboo across multicolored and textured cotton, wool and metallic yarn warp, 1955* Arundell Clarke Drapery fabric. "Strocm Draden". Handscreened white print on trans parent white silk. Designed by Pierre Kleykamp, 1955. Drapery fabric, "Primitive Forms." Handscreened black print on brown cotton. Designed by Baldwin-Machado, 1950, Drapery fabric. "10,000 B.C." Cotton jacquard, charcoal on white. Designed by Naomi Raymond, 1952. Cohn-Hall-Marx Co, (For Colvin, see Bertha Schaefer Callery - Page 3.) Upholstery fabric, Saran and metal, novelty weave. Brown, 1955. Fazakas Fabrics, Inc. Drapery fabric, "Hit & Miss," Black spray on white cotton batiste, Designed by DoneIda Fazakas, 1950, Qeraldine Punk - Lancaster, Pennsylvania, Window ahade, Handwoven red and rust cotton and rayon warp. Banana bark and coconut cord weft. 1950, Screen, Handwoven in Puerto Rico, White string warp,, white jnaguey and coconut sliver weft, 19^8, % Ginstrom - Cedar Falls, Iowa. Screen. "Scallops." Handwoven, handtied openwork; all linen panel. 1955. folding Decorative Fabrics. Drapery fabric. "Torero-Vermilion 33." Silk screened cotton sateen. Designed by Otto and Grete Wollner,1955» LiUy E.