Various Trojan Records - Rude Boy Rumble Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Various Trojan Records - Rude Boy Rumble Mp3, Flac, Wma Various Trojan Records - Rude Boy Rumble mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Reggae / Funk / Soul Album: Trojan Records - Rude Boy Rumble Country: US Released: 2015 Style: Roots Reggae, Rocksteady, Funk MP3 version RAR size: 1973 mb FLAC version RAR size: 1275 mb WMA version RAR size: 1559 mb Rating: 4.6 Votes: 525 Other Formats: MP2 MMF MP4 MP1 MPC AAC FLAC Tracklist A1 –The Slickers Johnny Too Bad A2 –Alton Ellis Cry Tough A3 –The Upsetters Dollar In The Teeth A4 –Desmond Dekker & The Aces Shanty Town A5 –Dave Barker & The Upsetters Shocks Of Mighty A6 –The Dynamites Tribute To Drumbago (A.K.A. Last Call) B1 –Honey Boy Martin & The Voices Dreader Than Dread B2 –Henry Buckley Beware Of Rude Boys B3 –Max Romeo Wet Dream B4 –Dave & Ansel Collins Double Barrel B5 –The Chosen Few Do Your Thing B6 –The Upsetters Popcorn Companies, etc. Manufactured By – INgrooves Distributed By – INgrooves Notes Record Store Day - April 18, 2015 Release Limited Release of 3300 Barcode and Other Identifiers Barcode: 881034122339 Matrix / Runout (side-A etching): BMG 15009V-A Matrix / Runout (side-B etching): BMG 15009V-B Comments about Trojan Records - Rude Boy Rumble - Various Zuser Great compilation. Unfortunately the download card that comes with it is ripped at 123kbps or worse. Not sure why any record label or listener would do that on purpose. Related Music albums to Trojan Records - Rude Boy Rumble by Various Lee Perry - Africa Blood LP Dave Barker & The Upsetters - Conqueror Version 3 / My Mother Law Bob Marley & The Wailers - The Complete Upsetter Collection Dave Barker Meets The Upsetters - Prisoner Of Love Upsetters - Double Seven The Upsetters - The Good, The Bad And The Upsetters Lee Perry & Friends - Chapter 2 Of 'Words' Various - Celebration - The Best Of Reggae The Upsetters - Double Seven The Upsetters / Val Bennett - Dollar In The Teeth / Barbara.
Recommended publications
  • Characteristics of Music in Jamaica and Bob Marley
    CHARACTERISTICS OF MUSIC IN JAMAICA AND BOB MARLEY CHARACTERISTICS OF MUSIC IN JAMAICA ● The music of Jamaica Jamaican folk music encompasses as many genres of popular music, such as mento, ska, rocksteady, reggae, dub, dancehall, reggae and other styles associated fusion ● The Jamaican American musical culture mix musical elements, such as: -rhythm and blues - rock and roll -soul REGGAE Reggae is a music genre that was born in Jamaica in the mid-1960s It became really popular since 1970 The reggae music genre is characterized by slower than ska and rocksteady music The reggae guitar used to put emphasis on either the third pulse or to keep the line from the second to the fourth. Uses instruments like guitar, bass, drums, hammond organ guitar Bass Hammond organ drums BOB MARLEY Robert Nesta Marley Booker, better known as Bob Marley, was a musician, guitarist and composer Jamaican. Born on February 6, 1945, in Nine Mile (Saint Ann), Jamaica He died on 11 May 1981 to 36 years in Miami (Florida), United States He had 14 children: Damian Marley, Ziggy Marley, Stephen Marley, Ky-Mani Marley, Rohan Marley, Julian Marley, Cedella Marley, Isaac Marley, Stephanie Marley, Imani Carole Marley, Sharon Marley, Robbie Marley, Karen Marley, Makeda Marley Their record label was: Island Records, Tuff Gong, Beverley's, Studio One, Trojan Records, St. Claire, Universal His online page it´s: http://www.bobmarley.com You can watch this video, of Bob Marley, that it´s one of most famous songs: https://www.youtube.com/watch?v=2XiYUYcpsT4 Made by María Pajares .
    [Show full text]
  • Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984
    University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-18-2007 Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984 Caree Banton University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Banton, Caree, "Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984" (2007). University of New Orleans Theses and Dissertations. 508. https://scholarworks.uno.edu/td/508 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974 – 1984 A Thesis Submitted to the Graduate Faculty of the University of New Orleans In partial fulfillment of the Requirements for the degree of Master of Arts In History By Caree Ann-Marie Banton B.A. Grambling State University 2005 B.P.A Grambling State University 2005 May 2007 Acknowledgement I would like to thank all the people that facilitated the completion of this work.
    [Show full text]
  • The A-Z of Brent's Black Music History
    THE A-Z OF BRENT’S BLACK MUSIC HISTORY BASED ON KWAKU’S ‘BRENT BLACK MUSIC HISTORY PROJECT’ 2007 (BTWSC) CONTENTS 4 # is for... 6 A is for... 10 B is for... 14 C is for... 22 D is for... 29 E is for... 31 F is for... 34 G is for... 37 H is for... 39 I is for... 41 J is for... 45 K is for... 48 L is for... 53 M is for... 59 N is for... 61 O is for... 64 P is for... 68 R is for... 72 S is for... 78 T is for... 83 U is for... 85 V is for... 87 W is for... 89 Z is for... BRENT2020.CO.UK 2 THE A-Z OF BRENT’S BLACK MUSIC HISTORY This A-Z is largely a republishing of Kwaku’s research for the ‘Brent Black Music History Project’ published by BTWSC in 2007. Kwaku’s work is a testament to Brent’s contribution to the evolution of British black music and the commercial infrastructure to support it. His research contained separate sections on labels, shops, artists, radio stations and sound systems. In this version we have amalgamated these into a single ‘encyclopedia’ and added entries that cover the period between 2007-2020. The process of gathering Brent’s musical heritage is an ongoing task - there are many incomplete entries and gaps. If you would like to add to, or alter, an entry please send an email to [email protected] 3 4 4 HERO An influential group made up of Dego and Mark Mac, who act as the creative force; Gus Lawrence and Ian Bardouille take care of business.
    [Show full text]
  • The Dub Issue 29 October 2018
    1 Burning Spear by Ras Haile Mecael. Contact Ras Haile Mecael on Facebook or via the Art of Rastafari group on Facebook for other heart works. 2 Editorial Dub Cover photo – Instrument Of Jah mandala, Dubshack tent, One Love Festival 2018. Painting on slate by Mystys Myth, photo by Dan-I Dear Reader, Welcome to issue 28 for the month of Dan. Firstly, apologies to our regular writer Eric Denham, whose Alton Ellis piece should have appeared in the singer’s birth month of September. Afrikan History Season swings into full gear this month in Oxfordshire, with the opening of the Windrush Years exhibition at the Museum of Oxford and the conference on the legacies of Emperor Haile Selassie I. A huge thank you to the organisers of the One Love Festival and all the artists and performers for making us feel truly welcome. I hope the reviews do the event justice. As for local events, Reggae On Tap goes from strength to strength and new venture Enjoy Yourself starts this month at The Swan in Eynsham on a regular basis thanks to long time The Dub contributor Richie Roots. Finally a big thank you to Prince Jamo and Messenger Douglas for a pair of fantastic interviews, tune in next month for the first in our Tales From Birmingham. Welcome to The Dub Editor – Dan-I [email protected] The Dub is available to download for free every month at reggaediscography.blogspot.co.uk and rastaites.com The Dub magazine is not funded and has no sponsors. While this allows for artistic freedom, it also means that money for printing is very limited.
    [Show full text]
  • Anti-Blues Music, Dub and Racial Identity
    Dub is the new black: modes of identification and tendencies of appropriation in late 1970s post-punk Article (Accepted Version) Haddon, Mimi (2017) Dub is the new black: modes of identification and tendencies of appropriation in late 1970s post-punk. Popular Music, 36 (2). pp. 283-301. ISSN 0261-1430 This version is available from Sussex Research Online: http://sro.sussex.ac.uk/id/eprint/67704/ This document is made available in accordance with publisher policies and may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the URL above for details on accessing the published version. Copyright and reuse: Sussex Research Online is a digital repository of the research output of the University. Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. To the extent reasonable and practicable, the material made available in SRO has been checked for eligibility before being made available. Copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. http://sro.sussex.ac.uk 1 Mimi Haddon 29.01.2016 ‘Dub is the new black: modes of identification and tendencies of appropriation in late 1970s post-punk’ Abstract This article examines the complex racial and national politics that surrounded British post-punk musicians’ incorporation of and identification with dub-reggae in the late 1970s.
    [Show full text]
  • Samson and Moses As Moral Exemplars in Rastafari
    WARRIORS AND PROPHETS OF LIVITY: SAMSON AND MOSES AS MORAL EXEMPLARS IN RASTAFARI __________________________________________________________________ A Dissertation Submitted to the Temple University Graduate Board __________________________________________________________________ In Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY __________________________________________________________________ by Ariella Y. Werden-Greenfield July, 2016 __________________________________________________________________ Examining Committee Members: Terry Rey, Advisory Chair, Temple University, Department of Religion Rebecca Alpert, Temple University, Department of Religion Jeremy Schipper, Temple University, Department of Religion Adam Joseph Shellhorse, Temple University, Department of Spanish and Portuguese © Copyright 2016 by Ariella Y. Werden-Greenfield All Rights Reserved ii ABSTRACT Since the early 1970’s, Rastafari has enjoyed public notoriety disproportionate to the movement’s size and humble origins in the slums of Kingston, Jamaica roughly forty years earlier. Yet, though numerous academics study Rastafari, a certain lacuna exists in contemporary scholarship in regards to the movement’s scriptural basis. By interrogating Rastafari’s recovery of the Hebrew Bible from colonial powers and Rastas’ adoption of an Israelite identity, this dissertation illuminates the biblical foundation of Rastafari ethics and symbolic registry. An analysis of the body of scholarship on Rastafari, as well as of the reggae canon, reveals
    [Show full text]
  • Tony Chin Earl Zero Derrick Lara Papa Michigan Johnny Dread Anthony John Fully Fulwood Mellow Movement Iriemag.Com
    DEC 2015 CA 01.04 T R A X ROOTS / ROCK / REGGAE / RESPECT featuring HOUSE OF SHEM ARMY RAS D Z-MAN TONY CHIN EARL ZERO DERRICK LARA PAPA MICHIGAN JOHNNY DREAD ANTHONY JOHN FULLY FULWOOD MELLOW MOVEMENT IRIEMAG.COM CA ISSUE #01.04 / DECEMBER 2015 “ If you haven’t confidence in self, you are twice defeated in the race of life. With confidence, you have won even before you have started.” - Marcus Garvey Nicholas ‘Nico’ Da Silva Founder/Publisher & Editor in Chief IRIEMAG.COM MERCH. The Official ‘Rockers’ Tee from Irie Magazine Available in T-Shirts & Hoodies for Men/Women Two styles to choose from: Jamaica or Ethiopia IRIEMAG.COM House of Shem Derrick Lara Papa Michigan Ras D New Zealand Jamaica Jamaica Jamaica Army Fully Fulwood Tony Chin Johnny Dread U.S. Virgin Islands Jamaica Jamaica United States Earl Zero Anthony John Mellow Movement Z-Man United States Jamaica United States United States NZL HOUSE OF SHEM IRIEMAG.COM REGGAE HOUSE OF SHEM House Of Shem is an Aotearoa (New Zealand) based harmony trio comprised of Carl Perkins and his FOLLOW two sons, Te Omeka Perkins and Isaiah Perkins, who are each multi-instrumentalist and producers. House of Shem Formed 2005 in the rural area of Whanganui, the band embodies elements of roots reggae, pacific reggae and traditional maori music with relatable song-writing that connects powerfully with not only New Zealand and Australia audiences, but reggae listeners globally attracting fans from all Featured Album areas of the world. Since bursting onto the music scene with their debut album ‘Keep Rising’ in 2008, House of Shem has released three very successful Albums and built a rapidly growing loyal fan base.
    [Show full text]
  • An Investigation Into the Origin of Jamaican Ska Paul Kauppila San Jose State University, [email protected]
    San Jose State University SJSU ScholarWorks Faculty and Staff ubP lications Library January 2006 From Memphis to Kingston: An Investigation into the Origin of Jamaican Ska Paul Kauppila San Jose State University, [email protected] Follow this and additional works at: https://scholarworks.sjsu.edu/lib_pub Part of the Music Commons, and the Social and Behavioral Sciences Commons Recommended Citation Paul Kauppila. "From Memphis to Kingston: An Investigation into the Origin of Jamaican Ska" Social and Economic Studies (2006): 75-91. This Article is brought to you for free and open access by the Library at SJSU ScholarWorks. It has been accepted for inclusion in Faculty and Staff Publications by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. "FROM MEMPHIS TO KINGSTON": AN INVESTIGATION INTO THE ORIGIN OF JAMAICAN SKA Kauppila, Paul Social and Economic Studies; Mar/Jun 2006; 55, 1/2; ABI/INFORM Complete pg. 75 Social and Economic Studies 55: I & 2 (2006): 75-91 ISSN: 0037-7651 "F"ROM MEMPHIS TO KINGSTON": AN INVESTIGATION INTO THE ORIGIN OF" .JAMAICAN SKA F'AUL KAUPPILA ABSTRACT The distinguishing characteristic of most Jamaican popular music recordings, including reggae and its predecessor, ska, is an emphasis on the offbeat or afterbeat instead of on the downbeat as found in most American popular music. Many explanations have been proposed to explain this tendency. This study critically examines these theories through historical and musicological analyses and concludes that the prevalence of the downbeat is a mixture of Jamaican folk and African-American popular music influences in its earliest incarnation, but was later deliberately emphasized in an attempt to create a unique new musical style.
    [Show full text]
  • Wallop 10.99
    Recording Artist Recording Title Price !!! (chk Chk Chk) Wallop 10.99 (sandy) Alex G House Of Sugar 10.99 10CC I'm Not In Love - Essential Collection 5.99 1975 A Brief Inquiry Into Online Relationships 7.99 2pac The Best Of Part 1 - Thug 5.99 2pac The Best Of Part 2 - Life 6.99 2Pac Greatest Hits 11.99 2pac Loyal To The Game 6.99 65daysofstatic Replicr 2019 11.99 A Tribe Called Quest The Low End Theory 5.99 A Tribe Called Quest We Got It From Here Thank You 4 Your Service 11.99 A Tribe Called Quest The Best Of 4.99 A Tribe Called Quest Midnight Marauders 5.99 A Tribe Called Quest People's Instinctive Travels... 25th Anniversary 7.99 A Winged Victory For The Sullen The Undivided Five 9.99 Abba Gold - Greatest Hits- Always Oversticker 7.99 ABC The Lexicon Of Love 6.99 AC/DC Highway To Hell 9.99 AC/DC If You Want Blood You've Got It 9.99 AC/DC Stiff Upper Lip 7.99 AC/DC High Voltage 9.99 AC/DC Back In Black 9.99 AC/DC For Those About To Rock ( We Salute You) 9.99 Adele 21 10.99 Adele 25 10.99 Adele 19 7.99 Adrianne Lenker (Big Thief) Abysskiss 8.99 Aerosmith Young Lust - The Anthology 7.99 Agnes Obel Late Night Tales 10.99 Agnes Obel Philharmonics 7.99 Agnes Obel Citizen Of Glass 7.99 Agnes Obel Aventine 9.99 Agnostic Front Fet Loud! 11.99 Ags Connolly Wrong Again 10.99 Ags Connolly Nothin' Unexpected 10.99 A-ha Minor Earth Major Sky 19.99 Airbourne Boneshaker - Deluxe Limited 2cd 12.99 Al Green I'm Still In Love With You 8.99 Alanis Morissette The Collection 5.99 Albert King The Very Best Of 6.99 Albert King Born Under A Bad Sign 6.99 Aldous
    [Show full text]
  • CD) August 18, 2017
    PRODUCT INFO (CD) August 18, 2017 Artist Various Artists Title Doing Our Thing - More Soul From Jamdown 1970-1982 Label Cree Records / Bear Family Productions Catalog no. CCD1206 Price code: AH EAN-Code 5397102120626 Format 1-CD Digipac (4-sided) with 32-page booklet Genre Carribean, Reggae, Soul no. of tracks 17 61:55 mns. release date August 18, 2017 INFO: Second volume in Cree's CD/2-LP-series with Jamaican cover versions of US soul tunes A perfect companion to 'Sly & Robbie Present Taxi Gang In Disco Mix Style 1978-87' (CCD 1207 & CLP 1207) Compiled by reggae historian, Steve Barrow Fabulous selection featuring some of Jamaica's greatest ever singers, deejays, musicians and producers Artists include Dave Barker, BB Seaton, Junior Byles, Augustus Pablo, Glen Adams, Willie Lindo, Lloyd Charmers, Cedric Brooks, Richard Ace, a.o. Sleeve notes from Steve Barrow and Noel Hawks and superb photographs from Dave Hendley Available on compact disc and 180-gram vinyl (2-LP set) Cover versions have always been an integral part of Jamaican music and an indication of the wide-ranging influences on reggae and the versatility and adaptability of its artists, musicians and producers in their approach to music making. Anything and everything could be, and has been, incorporated into the mix over the years but it is what reggae's artists, producers and engineers did with their sources that make their cover versions so special and so vitally important; in many cases their versions have travelled so far from their starting point that they are virtually unrecognisable.
    [Show full text]
  • Order Form Full
    DUB/REGGAE ARTIST TITLE LABEL RETAIL ALPHA & OMEGA DUB MAGIC ZIONS GATE RM107.00 ALPHA & OMEGA DUB MAGIC ZIONS GATE RM107.00 ANDY, HORACE BEST OF: COLLIE WEED VOL. 2 CLOCKTOWER RM93.00 ANTHONY, PAD & FRANKIE JONES HELL IN THE DANCE LIVE & LEARN RM89.00 BROWN, DENNIS I DON'T KNOW A&A/ABRAHAM RM87.00 BURNING SPEAR TRAVELLING (1974-79) CLOCKTOWER RM93.00 CAMPBELL, AL FENCE TOO TALL LIVE & LEARN RM89.00 CAMPBELL, CORNELL MONEY LIVE & LEARN RM89.00 CLARKE, JOHNNY ORIGINALLY MR. CLARKE CLOCKTOWER RM93.00 CLARKE, JOHNNY ROCK WITH ME BABY CLOCKTOWER RM93.00 CULTURE HARDER THAN THE REST FRONTLINE RM93.00 DUB SYNDICATE DISPLACED MASTERS ON-U SOUND RM116.00 DUB SYNDICATE ONE WAY SYSTEM ON-U SOUND RM126.00 DUB SYNDICATE THE POUNDING SYSTEM ON-U SOUND RM116.00 DUB SYNDICATE TUNES FROM THE MISSING CHANNEL ON-U SOUND RM116.00 DUB TRIO IV ROIR RM105.00 GRAY, OWEN MEMORY LANE PIONEER RM81.00 HUSSEY, WINSTON GHETTOMAN PROBLEM LIVE & LEARN RM89.00 ISAACS, GREGORY I.O.U. RAS RM87.00 KELLY, PAT TRY TO REMEMBER SUPER POWER RM81.00 KING TUBBY 3XLP DUB BOX SET (W/SHIRT) CLOCKTOWER RM151.00 KING TUBBY AFRICAN LOVE DUB (1974 - 1979) CLOCKTOWER RM93.00 KING TUBBY CONTROLS A&A/ABRAHAM RM93.00 KING TUBBY EXPLOSIVE DUB CLOCKTOWER RM93.00 KING TUBBY MEETS ROCKERS UPTOWN CLOCKTOWER RM93.00 KING TUBBY MEETS THE UPSETTER AT THE GRASS ROOTS OF DUB GREENSLEEVES RM101.00 LEVY, BARRINGTON & BERES HAMMOND LIVE & LEARN PRESENTS LIVE & LEARN RM90.00 LITTLE JOHN CLARK'S BOOTY SUPER POWER RM81.00 LITTLE JOHN GIVE THE YOUTH A TRY LIVE & LEARN RM90.00 LOVINDEER JAM LIKE A JAMAICAN
    [Show full text]
  • Hugh Roy Wear You to the Ball / the Ball Mp3, Flac, Wma
    Hugh Roy Wear You To The Ball / The Ball mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Reggae Album: Wear You To The Ball / The Ball Country: US Style: Rocksteady MP3 version RAR size: 1705 mb FLAC version RAR size: 1606 mb WMA version RAR size: 1330 mb Rating: 4.8 Votes: 867 Other Formats: FLAC AHX MOD MP3 WAV VOX DXD Tracklist A –Hugh Roy* & John Holt Wear You To The Ball B –Earl Lindo* The Ball Credits Music By [Uncredited] – Tommy McCook & The Supersonics Barcode and Other Identifiers Matrix / Runout: DYNA - T I S - 009 SB Matrix / Runout: DYNA - T I S - 010 SB Label Code: TIS 009 Label Code: TIS 010 Other versions Category Artist Title (Format) Label Category Country Year Hugh Roy* & John Hugh Roy* & John Holt Holt With Tommy With Tommy McCook & Treasure none McCook & The The Supersonics / Earl none Jamaica 1970 Isle Supersonics / Earl Lindo* - Wear You To Lindo* The Ball / The Ball (7") Hugh Roy* & John Hugh Roy* & John Holt Holt With Tommy With Tommy McCook & Treasure none McCook & The The Supersonics / Earl none Jamaica Unknown Isle Supersonics / Earl Lindo* - Wear You To Lindo* The Ball / The Ball (7") Hugh Roy* And John Holt Hugh Roy* And Duke Reid / Earl Lindo* - Wear You none John Holt / Earl Greatest none Jamaica Unknown To The Ball / The Ball Lindo* Hits (7") Hugh Roy* & John Hugh Roy* & John Holt Holt With Tommy With Tommy McCook & Duke Reid none McCook & The The Supersonics / Earl Greatest none Jamaica Unknown Supersonics / Earl Lindo* - Wear You To Hits Lindo* The Ball / The Ball (7") Hugh Roy* And John Holt Hugh Roy*
    [Show full text]