Cotswold Auction Company Bingham Hall King Street Cirencester Antiques & Interiors Gloucestershire GL7 1JT Started Apr 11, 2014 10Am BST United Kingdom

Total Page:16

File Type:pdf, Size:1020Kb

Cotswold Auction Company Bingham Hall King Street Cirencester Antiques & Interiors Gloucestershire GL7 1JT Started Apr 11, 2014 10Am BST United Kingdom Cotswold Auction Company Bingham Hall King Street Cirencester Antiques & Interiors Gloucestershire GL7 1JT Started Apr 11, 2014 10am BST United Kingdom Lot Description 1 Toshiba LCD colour television, Sony DVD player on black glass and metal television stand 2 Quantity of decorative prints, teddy bear, quantity of books and other collectables (1 box) 3 Quantity of glass, part tea-set and some wooden items (3 boxes) 3A A large framed photograph, of a sculpture, in large gilt rectangular frame 4 A quantity of decorative items to include Chinese vase, silver-plate, candlesticks and other items (1 box) 5 A quantity of decorative items to include ceramic jugs, teapots, ceramic models and other items (1 box) 6 A quantity of decorative items to include table lamp, assorted ceramics and glass, table mats (2 boxes) 7 Victorian jug, Devonshire pottery and other items (1 box) 8 A quantity of Bells tumblers, other glass, pewter, oil lamp, ceramic vase, etc (2 boxes) 9 A quantity of desk lights, shades, modern barometer, a Mills' episcope in a tin (10 items) 9A Black and white print"The Amesbury Champion Coursing Meeting" framed 10 A quantity of decorative ceramics, glass, wooden items, etc. (1 box) 11 A hand-coloured map "Les Isles Britanniques", another black and white map and a quantity of decorative prints and pictures (15) 12 A quantity of assorted tins, in leather suitcases (2) and a quantity of assorted magazines including No.1 (1 bag) 13 Small quantity of metalware to include candlestick, ashtrays and salt and pepper pots (1 box) 14 A quantity of assorted prints (9) 15 A quantity of assorted prints and pictures (8) 16 A quantity of stainless steel, to include spoons and some silver-plate (1 box) 17 Oil on canvasTimothy Vivian "Predetory Cloud" 2006Clouds in landscapeanother Timothy Vivian oil and a quantity of prints (5) 18 A quantity of assorted linen (1 box) 19 Taxidermic specimen, fox in glass and wooden case (af) 20 A quantity of decorative ceramics to include oriental ginger jar, plates, etc. (3 boxes and a jar) 21 A quantity of decorative prints and maps (5) 22 A quantity of decorative ceramics, glass and other items (2 boxes) 23 A quantity of LPs (2 boxes) 24 A model ship, various wicker items, cushions, table lamps and decorative items (2 boxes) 25 Various watercolours, pastel drawing and two wax stick dolls (4) 26 Trouser press, circular gilt framed mirror, another two mirrors and other items (5) 27 A quantity of wood carving tools and a quantity of brass items (3 boxes) 28 Three colour prints 29 A quantity of assorted prints and pictures and two mirrors (4) 30 Two gilt framed mirrors 31 Assorted textiles, Wedgwood Jasperware, Monopoly board game and other items (2 boxes) 32 A modern dressmakers dummy 33 Dunlop golfing bag and a hardwood floor polisher (2) 34 Victorian cast-iron fire surround, foliate decorated 35 A large collection and quantity of decorative ceramics, glass, weighing scales, bags, boxes, etc. (5 boxes) 36 Two modern mirrors and a woolwork tapestry picture (3) 37 A small safe 38 A quantity of hardback books, various titles (3 boxes) 39 A quantity of assorted books on travel and other titles (3 boxes) 40 A quantity of assorted books (2 boxes) 41 A quantity of assorted prints and pictures (1 box) 42 A quantity of assorted prints and pictures (8) 43 A quantity of assorted books to include items on The Cotswolds, etc. (1 box) 44 A quantity of assorted hardback and softback books, various titles (3 boxes) 45 A quantity of 'Beryl' Woods Ware (1 box) 46 A quantity of assorted table lamps (2 boxes) 47 A quantity of Folio Society books and others (1 box) 48 A quantity of assorted books, various titles (3 boxes) 49 A quantity of assorted books on cooking, travel, etc. (1 box) 50 A quantity of assorted books (3 boxes) 51 A quantity of assorted books (4 boxes) 52 A quantity of assorted books, various titles (6 boxes) 53 A quantity of assorted hardback books (2 boxes) 54 A quantity of assorted books (3 boxes) 55 A quantity of assorted books and magazines (4 boxes) 56 A quantity of assorted books (5 boxes) 57 A quantity of assorted books (4 boxes) 58 A quantity of assorted books and maps (4 boxes) 59 A quantity of assorted books (5 boxes) 60 Large quantity of wine racks 60A Large stone trough, three staddlestone bases and other items (7) 60B Old cast iron water pump 60C A quantity of wine racks (5) 60D A Gorenje fridge/freezer and an ironing board 60E Metal garden table and four matching chairs with cushions and matching parasol 61 A modern oak bureau with fitted interior, with a two-shelf bookcase below with sliding doors, 84cm wide and contents (books) 62 A modern dressing chest with mirrorback and five long drawers, 82cm A nest of three occasional tables, with inset leather tops, a small drop-flap table on lyre supports and a rectangular upholstered-top stool 63 (3) 64 Two oak open bookcases, small oak chest of three drawers, a book rack and a wooden table lamp (4) 65 A Victorian ebonised carved oak window seat, with foliate carved back, on carved square legs, 120cm long Reproduction oak dresser, with two open shelves to platerack, two moulded front frieze drawers, on turned legs with pot board below, 66 92cm wide 67 An oak refectory table, on turned bulbous twin supports, united by central stretcher, 183cm long 67A A reproduction mahogany oval framed cheval mirror, with turned supports to a platform base with two drawers on short cabriole legs 67B Set of five Windsor wheelback dining chairs 68 A modern black rocking horse, with harness and saddle, complete with stand, 130cm long A rectangular stool with floral needlework top and cabriole legs, another stool and a pair of footstools with a folding-top occasional table 69 with tapestry panel (5) 70 A rectangular-top coffee table, with moulded wavy edge, on carved legs with shelf below, 120cm long 71 A mahogany framed full tester four-poster double bed, with reeded and lotus leaf carved columns, 152cm wide 72 An electric flame effect convector fire, complete with marble surround and mantelpiece 73 A modern rectangular coffee table, with bevelled glass panel top, on turned legs with cane panel shelf below, 134cm long 74 Two Victorian upholstered circular revolving-top piano stools, carved rosewood and mahogany (2) 75 A Persian design wool carpet, with deep blue field and pink surround within borders, 343 x 461cm 76 A long Chesterfield sofa, with studded pink upholstery, on turned legs with castors, 216cm long 77 A brass double bedstead, with open rail head and tail boards on castors, 153cm wide 78 A small Persian design wool rug, two cushions and a Persian design runner, 81 x 365cm 79A A Persian design wool rug, the triple central medallions within a cream field and multiple borders, 125 x 215cm A cane conservatory three-piece suite, comprising:- three-seater sofa, pair of armchairs with loose cushions, a smoky glass top coffee 80 table (4) 81 A signs of the Zodiac square top occasional table, together with an oriental carved table lamp with shade (2) An Edwardian circular top mahogany occasional table, with undershelf, together with a square-topped pine jardiniere stand with 82 undershelf (2) 83 19th century oak circular top tripod table, 55cm diameter together with a carved eastern circular top occasional table, 38cm (2) Early 19th century mahogany towel rail, an oak three-tier smoker's companion and an oak stickstand with three walking canes and an 84 aluminium shooting stick (7) 85 A brass standard lamp with a spiral column and circular foot with shade and another with reeded column (2) An Edwardian mahogany single bed, with slatted head, on castors, 92cm wide together with a contemporary iron bedstead with rails, 86 138cm wide (2) 86A Pair Dunlopillo single beds 87 A Victorian white painted iron bed with decorative foliate decoration, on castors, 122cm wide 88 A modern pine single bed, with moulded domed head and tail boards, mattress with a box base, 78cm wide 89 An old oak dresser, with two open shelf platerack, two frieze drawers with pot board and surround below, 134cm wide 90 A modern oak filing cabinet of four drawers, 48cm wide A modern pine cupboard with frieze drawer, on castors, a late Victorian ebonised table inset with decorative ceramic fragments and a 91 small narrow chest of four drawers (4) A late Victorian tile-back marble-top washstand with two frieze drawers, pot cupboard and open shelves below, on turned legs and 92 castors, 92cm wide together with a white painted towel rail and a canework circular box (3) 93 Pair modern bar chairs, the solid seats on square legs united by stretchers A nest of three occasional tables, with another, a rush seated stool with undershelf and a small circular-top wine table together with a 94 folding tray-top table (5) 94A A 1960's(?) rectangular coffee table on trestle supports 95 A modern wood grain-effect folding kitchen table, with four chairs, with slatbacks and solid seats 96 An old child's school desk, the hinged slope enclosing compartment, together with a child's chair with solid seat (2) 97 A modern white painted three-drawer chest together with a small white corner open shelf and an ottoman (3) A modern dark stained rectangular coffee table, with open shelf below, 120cm long together with an Indian hardwood rectangular-top 98 coffee table on bulbous supports, 20cm long A modern rectangular coffee table with smoky glass top, shelf below, 88cm long together with an oak framed firescreen with floral 99 tapestry panel and a folding triple dressing table mirror (3) A G-Plan tile-top occasional table,
Recommended publications
  • Colour, Form and Light Fun: Artistic Glass in Architecture
    ALINA BUDZYńSKA* COLOUR, FORM AND LIGHT FUN: ARTISTIC GLASS IN ARCHITECTURE FORMA, KOLOR A zabawy światłem CZYLI SZKŁO ARTYSTYCZNE W ARCHITEKTURZE A b s t r a c t Art glass has a privileged position in the architectural space. This is due to its basic property of transparency, and its close relationship with light as a factor which deter- mines form, texture and colour. Therefore playing with architectural glass in archi- tecture is related to the most fundamental matters. This article presents several issues related to the effect of art glass on the architectural space. Each of the façade glass examples has been made using a different technique. Keywords: art glass, glass façade S t r e s z c z e n i e Użycie szkła artystycznego bywa pretekstem do różnorakich gier i zabaw w przestrze- ni architektonicznej. W artykule przytoczono kilka przykładów budowania przegro- dy szklanej przy zastosowaniu różnych technik monolitycznego szkła artystycznego. Każda z realizacji stanowi swoisty przykład możliwości estetycznych i kompozycyj- nych szkła w powiązaniu z funkcją w przestrzeni. Słowa kluczowe: szkło artystyczne, fasada szklana * M.Sc. Arch., M.Sc. art., Alina Budzyńska, Department of Drawing, Painting and Sculpture, Faculty of Architecture, Technical University of Wroclaw. 65 Fun is fundamental to the creative process. The pleasure that one takes in creation, the freedom and unpredictability of the result lead to freeing the creativity of the artist. When having fun, we are more willing to experiment and find it easier to tackle difficult tasks. We are more open to applying original solutions which we would normally feel were impractica- ble, and which could well prove to be the best solutions once the technical details have been fine-tuned.
    [Show full text]
  • Fine Glass, Paperweights and British & European Ceramics
    FINE GLASS, PAPERWEIGHTS AND BRITISH & EUROPEAN CERAMICS Thursday 3 November 2016 Knightsbridge, London FINE GLASS, PAPERWEIGHTS AND BRITISH & EUROPEAN CERAMICS Thursday 3 November 2016 at 10.30am Knightsbridge, London VIEWING BIDS ENQUIRIES CUSTOMER SERVICES Sunday 30 October +44 (0) 20 7447 7447 Glass Monday to Friday 8.30am to 6pm 11am-3pm +44 (0) 20 7447 7401 fax John Sandon +44 (0) 20 7447 7447 Monday 31 October To bid via the internet please +44 (0) 20 7468 8244 9am-4.30pm visit bonhams.com [email protected] Please see page 2 for bidder Tuesday 1 November information including after-sale 9am-4.30pm Please note that telephone Simon Cottle collection and shipment Wednesday 2 November bidding is only available on +44 (0) 20 7468 8383 9am-4.30pm lots with the low estimate in [email protected] IMPORTANT INFORMATION excess of £500. Bids should be The United States Government SALE NUMBER submitted no later than 4pm on British Ceramics has banned the import of ivory 23586 the day prior to the sale. New Fergus Gambon into the USA. Lots containing bidders must also provide proof +44 (0) 20 7468 8245 ivory are indicated by the symbol CATALOGUE of identity when submitting bids. [email protected] Ф printed beside the lot number £25.00 Failure to do this may result in in this catalogue. your bid not being processed. European Ceramics Sophie von der Goltz LIVE ONLINE BIDDING IS +44 (0) 20 7468 8349 AVAILABLE FOR THIS SALE [email protected] Please email [email protected] with ‘live bidding’ in the subject Administrator line 48 hours before the auction Anna Burnside to register for this service +44 (0) 20 7393 3975 [email protected] General Enquiries [email protected] [email protected] Bonhams 1793 Limited Bonhams International Board Bonhams UK Ltd Directors Registered No.
    [Show full text]
  • Ausglass Magazine a Quarterly Publication of the Australian Association of Glass Artists Aus Ass
    Ausglass Magazine A Quarterly Publication of the Australian Association of Glass Artists aus ass POST CONFERENCE EDITION Registered by Australia Post Publication No. NBG1569 1991 CONTENTS Introduction 3 An Historical Context - by Sylvia Kleinert 5 ausglass The Contemporary Crafts Industry: magazine Its Diversity - by John Odgers u Contemporary Glass - Are We Going the Right Way? - by Robert Bell 15 Dynamic Learning - A Quality Approach to Quality Training - by Richard Hames 17 POST CONFERENCE The Getting of Wisdom: the gaining of EDmON 1991 skills and a philosophy to practice Session 1 - Cedar Prest 20 Session 2 - Bridget Hancock 22 Session 3 - Richard Morrell 23 Session 4 - Anne Dybka 24 New Editorial Committee: Fostering the Environment for Professional Practice - by Noel Frankham 27 Editor Technique and Skill: its use. development Bronwyn Hughes and importance in contemporary glass ­ Letters and correspondence to by Klaus Moje 32 Challenges in Architectural Glass - by Maureen Cahill 35 50 Two Bays Road, Ethics and Survival - by WtuTen Langley 42 Mt. Eliza, VIC. 3930. When is a Chihuly a Billy Morris? - by Tony Hanning 43 Phone: Home - (03) 787 2762 Production Line: A Means to an End - by Helen Aitken-Kuhnen 47 The Artist and the Environment - by Graham Stone 49 Editorial Committee Working to a Brief- Bronwyn Hughes Chairperson Working to a Philosophy - by Lance Feeney 51 Jacinta Harding Secretary A Conflict of Interest - by Elizabeth McClure 53 Mikaela Brown Interstate & The Gift - Contemporary Making - by Brian Hirst 55 O.S. Liaison Meeting Angels: Reconciling Craft Practice Carrie Westcott and Theory - by Anne Brennan 57 Advertising Kim Lester Function? - by Grace Cochrane 6S Juliette Thornton Internationalism in Glass ­ Distnbution Bronwyn Hughes Too Much Common Ground - by Susanne Frantz 67 David Hobday Board Gerie Hermans Members Graham Stone President: Elizabeth McClure FRoNT COVER: C/o Glass Workshop, The Crowning of the new President.
    [Show full text]
  • WINDOW to WONDERS Any Dinner Party Island of Murano
    design. The wide variety of objects makes it easy to find one that perfectly fits the bill. The dining table can be transformed by Murano glassware: goblets, tumblers and flutes will elevate any dinner party while decorative bowls and plates provide colour and a talking point. Murano glass can also enrich more private spaces. Add a touch of glamour to a bathroom with Murano glass mirrors whose appliqués can sublimely illuminate the room. However, Murano glass doesn’t only mean decorative objects. Beads, initially designed for rosary beads, were produced from the very beginning on the island. Today the glass beaded necklaces, bracelets, rings and pins are highly original and precious jewels that will add colour and elan for women of all ages. Whether to complement a special outfit or for a discerning gift idea, these fashion accessories are timeless creations, and perfect for any significant event or anniversary. Murano glass creations are excellent wedding gifts for both the bride and the groom that will be appreciated long after the day. Murano celebrates its history at the Museo del Vetro in the Palazzo Giustinian, which holds displays on the history of glassmaking and objects dating back centuries. Some of the older factories also have museums. A little nearer to home are the treasures to be found at The Artisan Studio in Salisbury’s Fisherton Street. Owner Juliette Scott sources her homewares and jewellery range from sisters Serena & Carlotta whose family are among the last master glassmakers on the The dining table can be transformed by Murano glassware: goblets, tumblers and flutes will elevate WINDOW TO WONDERS any dinner party island of Murano.
    [Show full text]
  • Vasart Glass Bowl Mottled Pink and White with Typical
    1. VASART GLASS BOWL MOTTLED PINK AND WHITE WITH TYPICAL WHORL DECORATION, TOGETHER WITH AN YSART THISTLE SHAPED GLASS VASE MOTTLED PINK AND OPAQUE WHITE WITH TYPICAL WHORL DECORATION 2. VASART THISTLE SHAPED GLASS VASE MOTTLED GREEN GLASS WITH SILVER INCLUSIONS, TOGETHER WITH A VASART GLASS VASE MOTTLED PINK AND YELLOW WITH SILVER COLOURED INCLUSIONS 3. VASART GLASS VASE MOTTLED PINK AND GREEN WITH TYPICAL BAND OF WHORLS, TOGETHER WITH A MONART MOTTLED GREEN GLASS VASE WITH GOLD AND SILVER COLOURED INCLUSIONS 4. MONART GLASS VASE MOTTLED BLUE GLASS WITH GOLD COLOURED INCLUSIONS 5. MONART GLASS BOWL MOTTLED BLUE GLASS WITH SILVER COLOURED INCLUSIONS AND FOLDED OVER RIM 6. EDWARD VII GOLD SOVEREIGN 1905 7. VICTORIAN GOLD SOVEREIGN DATED 1899 8. GEORGE V GOLD SOVEREIGN DATED 1913 9. GEORGE V GOLD SOVEREIGN DATED 1912 10. GEORGE V GOLD SOVEREIGN DATED 1913 11. GEORGE V GOLD SOVEREIGN DATED 1912 12. TWO GOLD HALF SOVEREIGNS - EDWARD VII DATED 1909 AND GEORGE V DATED 1913 13. DOUBLE STRAND CIRO PEARL NECKLACE WITH YELLOW METAL CLASP, STAMPED 9CT 14. YELLOW METAL OPEN FACED POCKET WATCH IN ORIGINAL FITTED CASE, THE DIAL INSCRIBED WALTHAM USA, WITH ROMAN NUMERAL DIAL AND SUBSIDIARY SECONDS DIAL 15. COLLECTION OF ASSORTED COSTUME JEWELLERY TO INCLUDE COMPACT, KOMAI STYLE BUTTONS, NECKLACES, BROOCHES, ETC. 16. A 9CT GOLD SIGNET RING, TOGETHER WITH A 9CT GOLD AND OPAL SET DRESS RING 17. A 9CT GOLD WEDDING RING, 18CT GOLD WEDDING RING, 18CT GOLD DRESS RING (LACKING TWO STONES), YELLOW METAL SIGNET RING 18. SAPPHIRE AND DIAMOND FIVE STONE RING SET TO YELLOW METAL BAND STAMPED 18CT 19.
    [Show full text]
  • Technical Research Bulletin
    Technical Research Bulletin Volume 8 2014 SUMMARY A Venetian enamelled and gilded goblet (WB.55) is part of Technical study of a the collection bequeathed to the British Museum by Baron Ferdinand Rothschild in 1898. Conservation treatment in 1994 provided the rare Venetian turquoise opportunity to remove a small sample containing some opaque white as well as rare turquoise glass. These fragments were analysed glass goblet from the using scanning electron microscopy with energy dispersive X-ray spectrometry and by laser ablation inductively coupled plasma mass Waddesdon Bequest spectrometry. Further analyses were carried out on the enamels and blue glass knop of the goblet using surface X-ray fluorescence. Dora Thornton, Ian Freestone, William This contribution locates the object in the context of Venetian glass of the Renaissance as well as the history of collecting. The Gudenrath, Martina Bertini, Andrew conservation history and the processes employed to conserve the Meek and Denise Ling object prior to its redisplay in the new Waddesdon Gallery at the British Museum in 2015 are described. Careful macroscopic and microscopic observations are combined with the chemical analyses to outline a comprehensive chaîne opératoire for the object. Technically, it is fully consistent with current understanding of glass production in Venice in the late fifteenth century. The goblet The Venetian turquoise goblet (WB.55), which is the focus of this contribution, is one of the finest Renaissance glasses to be seen anywhere in the world, Figure 1. It came to the British Museum as part of the Waddesdon Bequest, a treas- ury collection formed over two generations by Baron Anselm de Rothschild of Frankfurt and Vienna, and his son Baron Ferdinand Rothschild, MP.
    [Show full text]
  • Tuesday 10Th December 2019
    For Sale by Auction to be held at St Edmund’s Court, Okehampton Street, Exeter 01392 413100 th Tuesday 10 December 2019 Ceramics and Glass, Works of Art, Collectables, Silver & Books, Pictures & Furniture Sale Commences at 10.00am Buyersyeer are reminded to check the ‘Saleroom Notice’ for information regarding WITHDRAWN LOTS and EXTRA LOTS SALE REFERENCE EX240 O n View: Saturday 7th December Order of Sale: Ceramics, Glass Lots 1-123 9am - 12noon Silver Lots 124-178 Pictures, Prints, Maps Lots 184-220 Monday 9th December Works of Art, Collectables, 9am -7pm Books, etc Lots 225-368 Furniture Lots 369-487 Morning of sale from 9am. W: www.bhandl.co.uk Catalogue £1.50 E: [email protected] Follow us on Twitter: @BHandL Tuesday 10th December 2019 Sale commences at 10am CERAMICS and GLASS 1 . A Whitefriars grey glass vase, together 9 . A set of six Waterford crystal whiskey with a Murano glass vase and three other tumblers, together with three sherry decorative glass items. glasses, four similar glasses, six cranberry glass wine glasses a Georgian pedestal 2 . Four ale glasses and a funnel one of jug, (damaged), etc. wrythen moulded form on a domed foot, £100-£150 (Plus 25.2% BP*). another of trumpet shaped form engraved with hops and barley, two others and a 10 . A harlequin set of late 18th century wrythen moulded funnel. English ale glasses with wrythen decoration on circular bases. (11). 3 . A pair of Victorian cranberry Jack in the £200-£300 (Plus 25.2% BP*). Pulpit vases. 11 . Five pieces of Nailsea and other glass 4 .
    [Show full text]
  • Blue Enamel on Glass: an Investigation Into Microfracturing and Material Loss of 17Th Century Copper and Cobalt Blue Enamel
    University of Amsterdam Conservation and Restoration of Cultural Heritage – Glass, Ceramics And Stone Master’s Thesis 16843 words Blue enamel on glass: an investigation into microfracturing and material loss of 17th century copper and cobalt blue enamel Student: Roy van der Wielen 10757716 Supervisor: Mandy Slager Second assessor: Ellen Jansen 20-6-2017 All images made by Roy van der Wielen, unless specified otherwise Blue enamel on glass: an investigation into microfracturing and material loss of 17th century copper- and cobalt blue enamel Table of contents Abstract 3 Samenvatting 4 Introduction 5 Chapter one - technical art historical context 9 Chapter two – description of investigated degradation phenomena 22 Chapter three - current state of knowledge 34 Chapter four – corroboration of hypothesis 39 Chapter five – gas inclusions, surface pits and microfractures 49 Chapter six – conclusions 65 Acknowledgements 67 Bibliography 68 Appendix I Archival images 71 Appendix II FT-IR analysis applied tape 75 Appendix III historical sources and their inter-relation 79 Appendix IV unquantified xrf-spectrum Corning glass standard “D” and quantification table 80 Van der Wielen UvA 2 Blue enamel on glass: an investigation into microfracturing and material loss of 17th century copper- and cobalt blue enamel Blue enamel on glass: an investigation into microfracturing and material loss of 17th century copper and cobalt blue enamel Abstract The Rijksmuseum Amsterdam owns a collection of fractured 17th century enamelled glass panels that have been mended with clear tape consisting of a cellophane carrier and rubber adhesive. In many cases, this tape has been applied over the decorated side and has yellowed and shrunk.
    [Show full text]
  • Pilkington Glass Handbook 2014 Covers the Range of Products As It Applied in May 2014
    July 2014 Glass Handbook 2014 CE marking confirms that a product complies with its relevant harmonised European Norm. The CE marking label for each product, including declared values, can be found at www.pilkington.com/CE Pilkington Polska Sp. z o.o. 24, Portowa str., 27-600 Sandomierz, Poland tel.: +48 15 832 30 41, fax: +48 15 832 39 25 www.pilkington.pl Glass Handbook 2014 Glass Handbook 2014 Introduction Solar Control Thermal Insulation Fire Protection Noise Control Safety / Security Self-cleaning Decoration Glass Systems Special Applications Contents Introduction . 7 1 . Solar Control . 15 1.1. Pilkington Arctic Blue™ . 20 1.2. Pilkington Eclipse Advantage™ . 24 1.3. Pilkington EverGreen™ . 38 1.4. Pilkington Optifloat™ ...............................Tint 42 1.5. Pilkington Reflite™ . 54 1.6. Pilkington Solar-E™ . 60 1.7. Pilkington Suncool™ and Pilkington Suncool™ OW . 64 1.8. Pilkington Suncool Optilam™ 65/59 . 64 1.9. Pilkington Suncool™ Pro T . 64 1.10. Pilkington SunShade™ Silver . 94 2 . Thermal Insulation . 97 2.1. Pilkington Insulight™ . 100 2.2. Pilkington K Glass™ N . 102 2.3. Pilkington Optifloat™ .............................Clear . 106 2.4. Pilkington Optitherm™ GS . 110 2.5. Pilkington Optitherm™ ...............................S1 110 2.6. Pilkington Optitherm™ ...............................S3 110 2.7. Pilkington Spacia™ . 117 3 . Fire Protection . 121 3.1. Pilkington Pyroclear® . 128 3.2. Pilkington Pyrodur® . 131 3.3. Pilkington Pyroshield™ ..............................2 . 135 3.4. Pilkington Pyrostop® . 139 4 . Noise Control . 145 4.1. Pilkington Insulight™ ..............................Phon 160 4.2. Pilkington Optiphon™ . 164 5 . Safety/Security . 169 5.1. Pilkington Optilam™ (safety glass) ......................... 177 5.2. Pilkington Optilam™ (security glass) .......................
    [Show full text]
  • Colour, Form and Light Fun: Artistic Glass in Architecture
    ALINA BUDZYńSKA* COLOUR, FORM AND LIGHT FUN: ARTISTIC GLASS IN ARCHITECTURE FORMA, KOLOR A zabawy światłem CZYLI SZKŁO artystyczne W ARCHITEKTURZE A b s t r a c t Art glass has a privileged position in the architectural space. This is due to its basic property of transparency, and its close relationship with light as a factor which deter- mines form, texture and colour. Therefore playing with architectural glass in archi- tecture is related to the most fundamental matters. This article presents several issues related to the effect of art glass on the architectural space. Each of the façade glass examples has been made using a different technique. Keywords: art glass, glass façade S treszczenie Użycie szkła artystycznego bywa pretekstem do różnorakich gier i zabaw w przestrze- ni architektonicznej. W artykule przytoczono kilka przykładów budowania przegro- dy szklanej przy zastosowaniu różnych technik monolitycznego szkła artystycznego. Każda z realizacji stanowi swoisty przykład możliwości estetycznych i kompozycyj- nych szkła w powiązaniu z funkcją w przestrzeni. Słowa kluczowe: szkło artystyczne, fasada szklana * M.Sc. Arch., M.Sc. art., Alina Budzyńska, Department of Drawing, Painting and Sculpture, Faculty of Architecture, Technical University of Wroclaw. 65 Fun is fundamental to the creative process. The pleasure that one takes in creation, the freedom and unpredictability of the result lead to freeing the creativity of the artist. When having fun, we are more willing to experiment and find it easier to tackle difficult tasks. We are more open to applying original solutions which we would normally feel were impractica- ble, and which could well prove to be the best solutions once the technical details have been fine-tuned.
    [Show full text]
  • Institute of Archaeology
    UCL Institute of Archaeology ARCL0099 Archaeological Glass and Glazes 15 credit module in Term II, 2019-20 Lectures Mondays 09.00-11.00, Room B13 Optional museum visits on specified Thursday mornings Assessment submission deadlines 28 February, 20 April Assessment return target dates: 16 March, 14 May Co-ordinator: Ian Freestone [email protected] 020 7679 (2)7498 Office Hours: Monday 13.30-16.00, Room 210 Please see the last page of this document for important information about submission and marking procedures, or links to the relevant webpages. ARCL0099 Archaeological Glass and Glazes 1 OVERVIEW Short description The module outlines the development of the production of glass and glazes from the Bronze Age through to the early modern period, with examples from a wide range of periods and cultures. All aspects of glass production are considered from raw materials through to the fabrication of beads, vessels and windows. Attention is drawn to the relationship between form and technology and the development of glassmaking ingredients over time. Particular emphasis is placed upon the chemical composition of glass, how and why it changes with time, and how it can be used to address problems such as provenance and dating. The course is well illustrated with examples of glass working from the literature, experimental archaeology and ethnographic observations. While archaeometric analyses form a key element of the course they are introduced in a user friendly way so that they are understandable by participants with an arts/humanities background. 2 ARCL0099 Course Schedule (Term 2, 2019-20, Mondays 09.00-11.00) Week Title Contents 1.
    [Show full text]
  • APPENDIX IV.C Cultural Resources Study
    APPENDIX IV.C Cultural Resources Study VIA EMAIL May 13, 2008 Mr. Dale Goldsmith Armbruster & Goldsmith, LLP 10940 Wilshire Blvd, #2100 Los Angeles, CA 90024 Re: Historic Resources Assessment and Impacts Analysis for Wilshire-La Brea project, Los Angeles, CA Dear Mr. Goldsmith: We have been asked to provide an historic resources assessment to evaluate potential impacts of the proposed new mixed-use development at Wilshire-La Brea on adjacent and nearby historical resources. This assessment evaluates buildings on the project site, as well as those that may be adjacent and nearby for historic significance, under applicable statutes and regulations of the California Environmental Quality Act (CEQA), National Register of Historic Resources (National Register), California Register of Historical Resources (California Register), and City of Los Angeles Historic-Cultural Monument (HCM) program. INTRODUCTION The proposed project site entails the square block bounded by Wilshire Boulevard to north, S. Sycamore Avenue to east, W. 8th Street to south, and S. La Brea Avenue to west (hereinafter “subject property” or “project site”) (Attachment A – Figure 1). The project site is partially occupied by two buildings, 752 S. La Brea Avenue (Metroplaza Mall) and 5220 Wilshire Boulevard (Wilshire Grace Church), with the rest of site developed as surface parking lots.1 The following evaluation establishes the regulatory setting, including a summary of local, state and national historical resource designations in the area surrounding the proposed project site. This is followed by an assessment of potential direct and indirect impacts and identification of feasible mitigation measures to reduce impacts to a less than significant level.
    [Show full text]