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Alternative Titles Index
VHD Index - 02 9/29/04 4:43 PM Page 715 Alternative Titles Index While it's true that we couldn't include every Asian cult flick in this slim little vol- ume—heck, there's dozens being dug out of vaults and slapped onto video as you read this—the one you're looking for just might be in here under a title you didn't know about. Most of these films have been released under more than one title, and while we've done our best to use the one that's most likely to be familiar, that doesn't guarantee you aren't trying to find Crippled Avengers and don't know we've got it as The Return of the 5 Deadly Venoms. And so, we've gathered as many alternative titles as we can find, including their original language title(s), and arranged them in alphabetical order in this index to help you out. Remember, English language articles ("a", "an", "the") are ignored in the sort, but foreign articles are NOT ignored. Hey, my Japanese is a little rusty, and some languages just don't have articles. A Fei Zheng Chuan Aau Chin Adventure of Gargan- Ai Shang Wo Ba An Zhan See Days of Being Wild See Running out of tuas See Gimme Gimme See Running out of (1990) Time (1999) See War of the Gargan- (2001) Time (1999) tuas (1966) A Foo Aau Chin 2 Ai Yu Cheng An Zhan 2 See A Fighter’s Blues See Running out of Adventure of Shaolin See A War Named See Running out of (2000) Time 2 (2001) See Five Elements of Desire (2000) Time 2 (2001) Kung Fu (1978) A Gai Waak Ang Kwong Ang Aau Dut Air Battle of the Big See Project A (1983) Kwong Ying Ji Dut See The Longest Nite The Adventures of Cha- Monsters: Gamera vs.
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PRESS RELEASE FOR IMMEDIATE RELEASE (Total: 4 pages) 10th Asian Film Awards Hong Kong action choreographer-director YUEN Wo-ping and Venerable Japanese Actress KIKI Kirin To Receive Lifetime Achievement Award (March 3, 2016, Hong Kong/Tokyo) Organized by the Asian Film Awards Academy (AFA Academy), the 10th Asian Film Awards (AFA) will present the Lifetime Achievement Award to veteran Hong Kong action choreogra- pher-director YUEN Wo-ping and venerable Japanese actress Kiki Kirin at the AFA Ceremony on March 17, 2016 (Thursday) at The Venetian Theatre of The Venetian® Macao, one of the most luxurious entertainment venues in Greater China. Previous AFA Lifetime Achievement Award recipients in- clude Korean director IM Kwon-taek, Taiwanese director HOU Hsiao- hsien, Hong Kong director Ann HUI, Hong Kong producer Raymond CHOW, Indian actor Amitabh BACHCHAN and Japanese director YAMADA Yoji. The AFA’s Lifetime Achievement Award recognizes film professionals who inspire excellence in others, and in their lifetimes have KIKI Kirin (Actress) made fundamental achievements and lasting impact of outstanding artistic, cultural and commercial significance in Asian cinema. “It is an honor for the Asian Film Awards to present the Lifetime Achievement Awards to master Chinese martial arts choreographer and director Yuen Wo-ping, and revered Japanese actress Kiki Kirin, both of whom have made great contributions to Asian cinema,” said Dr. Wilfred Wong, Chairman of the AFA Academy, “Master Yuen has brought Chinese martial arts to new heights through his constant innovation and creativity in action films that he has made over a decades-long career in Hong Kong, China and internationally.
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Episode 63 – Donnie Yen | whistlekickMartialArtsRadio.com Jeremy Lesniak: Hey, there, everyone its episode 63 of whistlekick Martial Arts Radio, the only place to hear the best conversations about the martial arts, like today’s episode all about famed martial arts actor, Donnie Yen I'm the founder here at whistlekick, but I’m better known as your host, Jeremy Lesniak. whistlekick, in case you don’t know, makes the world's best sparring gear and some awesome apparel and accessories for you traditional martial artists. I'd like to welcome our new listeners and thank all of you returning fans. If you're not familiar with our products, you can learn more about them at whistlekick.com. All of our past podcast episodes, show notes and a lot more are at whistlekickmartialartsradio.com. Today’s episode also has a full transcript with lots of photos, videos and links on the website. If you’re listening from a computer, you might want to follow along with everything we’ve posted. And while you're over there, go ahead and sign up for our newsletter. We offer exclusive content to subscribers and it's the only place to find out about upcoming guests. Episode 63 – Donnie Yen | whistlekickMartialArtsRadio.com Donnie Yen, as we all know, is all over Hollywood these days. Of his 69 acting credits, 22 are from 2010 or after. But who is he? Where did he come from and how did he become the most sought-after martial arts actor in the US in such a short time. Well, I’ll tell you.
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ISSUE 10 EDITORS Fall 2020 Paul Bowman ISSN 2057-5696 Benjamin N. Judkins MARTIAL ARTS STUDIES EDITORIAL PAUL BOWMAN & BENJAMIN N. JUDKINS Five Years and Twelve Months that Changed the Study of Martial Arts Forever ABOUT THE JOURNAL Martial Arts Studies is an open access journal, which means that all content is available without charge to the user or his/her institution. You are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles in this journal without asking prior permission from either the publisher or the author. The journal is licensed under a Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International License. Original copyright remains with the contributing author and a citation should be made when the article is quoted, used or referred to in another work. C b n d Martial Arts Studies is an imprint of Cardiff University Press, an innovative open-access publisher of academic research, where ‘open-access’ means free for both readers and writers. cardiffuniversitypress.org Journal DOI 10.18573/ISSN.2057-5696 Issue DOI 10.18573/mas.i10 Accepted for publication 30 October 2020 Martial Arts Studies Journal design by Hugh Griffiths MARTIAL issue 10 ARTS STUDIES FALL 2020 1 Editorial Five Years and Twelve Months that Changed the Study of Martial Arts Forever Paul Bowman and Benjamin N. Judkins ARTICLES 9 Tàolù – The Mastery of Space Daniel Mroz 23 Marx, Myth and Metaphysics China Debates the Essence of Taijiquan Douglas Wile 40 Rural Wandering Martial Arts Networks and Invulnerability Rituals in Modern China Yupeng Jiao 51 The Construction of Chinese Martial Arts in the Writings of John Dudgeon, Herbert Giles and Joseph Needham Tommaso Gianni 66 The Golden Square Dojo and its Place in British Jujutsu History David Brough 73 Wrestling, Warships and Nationalism in Japanese-American Relations Martin J.
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King's Research Portal
King’s Research Portal DOI: 10.18573/j.2017.10096 Document Version Publisher's PDF, also known as Version of record Link to publication record in King's Research Portal Citation for published version (APA): Wong, W. (2017). Synthesizing Zhenshi (Authenticity) and Shizhan (Combativity): Reinventing Chinese Kung Fu in Donnie Yen’s Ip Man Series. Martial Arts Studies Journal, (3), 71-88. https://doi.org/10.18573/j.2017.10096 Citing this paper Please note that where the full-text provided on King's Research Portal is the Author Accepted Manuscript or Post-Print version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version for pagination, volume/issue, and date of publication details. And where the final published version is provided on the Research Portal, if citing you are again advised to check the publisher's website for any subsequent corrections. General rights Copyright and moral rights for the publications made accessible in the Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognize and abide by the legal requirements associated with these rights. •Users may download and print one copy of any publication from the Research Portal for the purpose of private study or research. •You may not further distribute the material or use it for any profit-making activity or commercial gain •You may freely distribute the URL identifying the publication in the Research Portal Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim.
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Synthesizing Zhenshi (Authenticity) and Shizhan (Combativity) Reinventing Chinese Kung Fu in Donnie Yen’S Ip Man Series (2008-2015) WAYNE WONG
Wayne K. T. Wong is a joint PhD student at the Department of CONTRIBUTOR Comparative Literature at The University of Hong Kong and the Film Studies Department at King’s College London. His research interests include martial arts cinema, action cinema, and digital culture. He is currently researching the transformation of kung fu cinema amid the hegemonic presence of Chinese cinema and Hollywood. This essay was presented at the 2016 Martial Arts and Society Conference in Cologne, Germany. Synthesizing Zhenshi (Authenticity) and Shizhan (Combativity) Reinventing Chinese Kung Fu in Donnie Yen’s Ip Man series (2008-2015) WAYNE WONG DOI ABSTRACT 10.18573/j. 2017.10096 This article argues that Donnie Yen’s Ip Man series (2008-2015) synthesizes two predominant unarmed, hand-to-hand combat traditions of Hong Kong martial arts cinema – what I call zhenshi (真實; authenticity) and shizhan (實戰; combativity), represented by the series of kung fu films featuring Kwan KEYWORDs Tak-hing as the legendary Wong Fei-hung and the martial arts action films of Bruce Lee respectively. Despite kung fu cinema’s shizhan, zhenshi, wen-wu, claim to ‘realism’ since its conception in the 1949, there is a kung fu cinema, martial arts strong suppression of wu (武; the martial) in the genre’s action action, authenticity, action aesthetics due to the elevation of wen (文; the literary and the aesthetics. artistic) in traditional Chinese culture. By exposing the inherent contradictions within kung fu cinema and incorporating of CITATION combative action aesthetics derived from Bruce Lee’s martial arts philosophy and wing chun principles – what I call kuai ( Wong, Wayne.
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Tae Kwon Do Kampfsport-Filme
TTaaee KKwwoonn DDoo KKaammppffssppoorrtt--FFiillmmee www.Carbon-Sport.de www.Carbon-Music.de Kampfsport-Filme / Eastern: Eastern (von englisch east: Osten) ist ein beliebtes Filmgenre das sich mit asiatischer Kampfkunst und der dazugehörigen Philosophie beschäftigt. Eastern werden auch als Kampfsport-Filme oder auch Kung Fu-Filme (mit denen alles begann) bezeichnet. Eastern gibt es bereits seit dem Anfang der Filmgeschichte. Die ersten Eastern stammen aus Asien, seit den 80er Jahren gibt es allerdings auch viele amerikanische Eastern. Eastern lassen sich wiederum in mehrere Sub-Genres unterteilen: Martial-Arts-Filme: Filme, die mit einem Schwerpunkt auf die Darstellung von Kampfszenen unter das Genre des Actionfilms oder auch Action-Komödie fallen. Dazu zählen Kung- Fu- (Shaolin Kung Fu-), Tae Kwon Do-, Karate-, Muay Thai- und Kickbox-Filme. Kung Fu-Filme sind hier deutlich in der Überzahl und mit ihnen fing alles an. Ninja-Filme: Filme, in denen Ninjas vorkommen. Ninja (von japanisch Ninja = Jemand im Geheimen), ein Schattenkrieger des vorindustriellen Japans, der als Kundschafter, Spion, Saboteur oder Meuchelmörder eingesetzt wurde. Er ist neben dem Samurai eine der gefürchtetsten und gleichzeitig am meisten bewunderten Gestalten des alten Japan. Die Kampfsportart der Ninja nennt man Ninjutsu. Samurai-Filme: Filme, in denen Samurai vorkommen. Die Samurai oder auch Bushi genannt, waren Mitglieder des Kriegerstandes im vorindustriellen Japan. Ninja-Filme erfreuen sich aber einer größeren Beliebtheit, da der Ninja ein geheimnisvoller und mystischer Schattenkrieger ist. Ein willenloses Werkzeug seines Herrn, der aus dem Nichts auftauchte, seinen Auftrag erfüllte und unerkannt abtauchte. Dieses unerkannte Operieren und die Ausübung als Meuchelmörder ist der Grund für den Gegensatz des „ehrvollen“, adligen Samurai und des „ehrlosen“, gefürchteten Ninja.
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Man of Tai Chi
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Action Packed Kungfu Movies (250+) [B][I]Dragon Fighter (2003)[/I
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ISSUE EDITORS Winter 2016 Paul Bowman ISSN 2057-5696 Benjamin N
ISSUE EDITORS Winter 2016 Paul Bowman ISSN 2057-5696 Benjamin N. Judkins MARTIAL ARTS STUDIES THE DEFINITION OF PINK GLOVES STILL MARTIAL ARTS STUDIES GIVE BLACK EYES Paul Bowman CHANNON & PHIPPS TAOLU GONG AND FA IN DANIEL MROZ CHINESE MARTIAL ARTS TIMOTHY J. NULTY APPLIED LINGUISTICS, PERFORMANCE THEORY & MUHAMMAD ALI’S JAPANESE FAILURE JARED MIRACLE SYNTHESIZING ZHENSHI NEWS OF (AUTHENTICITY) & SHIZAN THE DUELS (COMBATIVITY) ALEXANDER HAY WAYNE WONG ABOUT THE JOURNAL Martial Arts Studies is an open access journal, which means that all content is available without charge to the user or his/her institution. You are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles in this journal without asking prior permission from either the publisher or the author. C b n d The journal is licensed under a Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International License. Original copyright remains with the contributing author and a citation should be made when the article is quoted, used or referred to in another work. Martial Arts Studies is an imprint of Cardiff University Press, an innovative open-access publisher of academic research, where ‘open-access’ means free for both readers and writers. cardiffuniversitypress.org Journal DOI 10.18573/ISSN.2057-5696 Issue DOI 10.18573/n.2017.10091 Martial Arts Studies Journal design and production by Hugh Griffiths MARTIAL issue 3 ARTS STUDIES WINTER 2016 1 Editorial Benjamin N. Judkins and Paul Bowman 6 The Definition of Martial Arts Studies ARTICLES Paul Bowman 24 Pink Gloves Still Give Black Eyes Exploring ‘Alternative’ Femininity in Women’s Combat Sports Alex Channon and Catherine Phipps 38 Taolu Credibility and Decipherability in the Practice of Chinese Martial Movement Daniel Mroz 50 Gong and Fa in Chinese Martial Arts Timothy J.
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