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SBS World Movies Feb 7
b WEEK 7: Sunday, 7 February - 13 February 2021 ALL MARKETS Start Consumer Closed Date Genre Title TV Guide Text Country of Origin Language Year Repeat Classification Subtitles Time Advice Captions When master thief Lupin III discovers that the money he robbed from a casino is counterfeit, he goes to Cagliostro, rumoured to be the source of the forgery. 2021-02-07 0600 Family The Castle Of Cagliostro There he discovers a beautiful princess, Clarisse, who's being forced to marry JAPAN English-100 1979 RPT PG Y the count. In order to rescue Clarisse and foil the count, Lupin teams up with his regular adversary, Inspector Zenigata, and fellow thief Fujiko Mine. When Edward Bloom (Albert Finney) becomes ill, his son, William (Billy Crudup), travels to be with him. William has a strained relationship with Edward because his father has always told exaggerated stories about his life, Feb 2021-02-07 0800 Romance Big Fish and William thinks he's never really told the truth. Even on his deathbed, USA English-100 2003 RPT PG a v Y Fantasy(ies) Edward recounts fantastical anecdotes. When William, who is a journalist, starts to investigate his father's tales, he begins to understand the man and his penchant for storytelling. Sybylla Melbyn (Judy Davis) is the eldest daughter of an impoverished New South Wales farming family. Bold and determined, Sybylla dreams of 2021-02-07 1020 Drama My Brilliant Career succeeding as an acclaimed writer. But in a time of sexist ignorance and AUSTRALIA English-100 1979 RPT G bigotry, Sybylla has frequent clashes with procrustean conformists. -
Bullet in the Head
JOHN WOO’S Bullet in the Head Tony Williams Hong Kong University Press The University of Hong Kong Pokfulam Road Hong Kong www.hkupress.org © Tony Williams 2009 ISBN 978-962-209-968-5 All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without prior permission in writing from the publisher. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Condor Production Ltd., Hong Kong, China Contents Series Preface ix Acknowledgements xiii 1 The Apocalyptic Moment of Bullet in the Head 1 2 Bullet in the Head 23 3 Aftermath 99 Appendix 109 Notes 113 Credits 127 Filmography 129 1 The Apocalyptic Moment of Bullet in the Head Like many Hong Kong films of the 1980s and 90s, John Woo’s Bullet in the Head contains grim forebodings then held by the former colony concerning its return to Mainland China in 1997. Despite the break from Maoism following the fall of the Gang of Four and Deng Xiaoping’s movement towards capitalist modernization, the brutal events of Tiananmen Square caused great concern for a territory facing many changes in the near future. Even before these disturbing events Hong Kong’s imminent return to a motherland with a different dialect and social customs evoked insecurity on the part of a population still remembering the violent events of the Cultural Revolution as well as the Maoist- inspired riots that affected the colony in 1967. -
MIYAKI Yukio (GONG Muduo) 宮木幸雄(龔慕鐸)(B
MIYAKI Yukio (GONG Muduo) 宮木幸雄(龔慕鐸)(b. 1934) Cinematographer Born in Kanagawa Prefecture, Miyaki joined Ari Production in 1952 and once worked as assistant to cinematographer Inoue Kan. He won an award with TV programme Kochira Wa Shakaibu in Japan in 1963. There are many different accounts on how he eventually came to work in Hong Kong. One version has it that he came in 1967 with Japanese director Furukawa Takumi to shoot The Black Falcon (1967) and Kiss and Kill (1967) for Shaw Brothers (Hong Kong) Ltd. Another version says that the connection goes back to 1968 when he helped Chang Cheh film the outdoor scenes of Golden Swallow (1968) and The Flying Dagger (1969) in Japan. Yet another version says that he signed a contract with Shaws as early as 1965. By the mid-1970s, under the Chinese pseudonym Gong Muduo, Miyaki worked as a cinematographer exclusively for Chang Cheh’s films. He took part in over 30 films, including The Singing Thief (1969), Return of the One-armed Swordsman (1969), The Invincible Fist (1969), Dead End (1969), Have Sword, Will Travel (1969), Vengeance! (1970), The Heroic Ones (1970), The New One-Armed Swordsman (1971), The Anonymous Heroes (1971), Duel of Fists (1971), The Deadly Duo (1971), Boxer from Shantung (1972), The Water Margin (1972), Trilogy of Swordsmanship (1972), The Blood Brothers (1973), Heroes Two (1974), Shaolin Martial Arts (1974), Five Shaolin Masters (1974), Disciples of Shaolin (1975), The Fantastic Magic Baby (1975), Marco Polo (1975), 7-Man Army (1976), The Shaolin Avengers (1976), The Brave Archer (1977), The Five Venoms (1978) and Life Gamble (1979). -
Los Cinco Venenos De Shaolin
Los cinco venenos de shaolin Os 5 venenos do shaolin Dvdrip COMBATE MORTAL,,"A VOLTA DOS CINCO VENENOS"殊死搏斗. más info aquí: Escena de la. Filmes Incrivel. Los cinco venenos by Chang Cheh () CASTELLANO retorno de los 5 venenos la pueden poner por favor se los agradeceria de corazón. Los Cinco Venenos fue la respuesta de Shaw Brothers ante esta nueva “Los Vengadores de Shaolin“, etc son algunas de sus mayores. Los Cinco Venenos - (Wu Du (Five Deadly Venoms)); dirigida por Cheh Chang en también conocida como Los Cinco Venenos Mortales. Chien Sun, Feng. Además de esto, Los cinco venenos cuenta con un guión muy otros films emblemáticos como Las 36 cámaras de Shaolin (Shao Lin san shi. Cinerama Presents: IT´S A CULT por César del Campo de Acuña Dirección: Chang Cheh. País: Hong Kong. Año: Duración: El anciano maestro de kung-fu de la Casa de los Cinco Venenos encarga a su último alumno la búsqueda de sus cinco alumnos más Shaolin invencible. Descubre todo sobre la película Los cinco venenos. Trailers, vídeos, fotos, sinópsis, críticas de cine Toda la información y mucho más en Action · The final student of a dying martial arts master is instructed to locate the previous five students and defeat any evil ones among them. Argentina, Los cinco venenos mortales. Brazil, Os Cinco Venenos de Shaolin. Spain (video Greece (transliterated ISO-LATIN-1 title), Ta 5 liontaria tou shaolin. Download: COMBATE MORTAL,,"A VOLTA DOS CINCO VENENOS"殊死搏斗,Artes marciais,lutas, LU FENG,3 · Lyrics · Os 5 Venenos de Shaolin. Los Cinco Venenos / The Five Venoms - Idioma Esp Shaw brothers Clasico Remasterzada [IMG] [IMG] Sinopsis: El anciano maestro de. -
ALSO LIKE LIFE: the FILMS of HOU HSIAO-HSIEN New Addition: Hou Hsiao-Hsien in Conversation at BFI Southbank – Monday 14 September
ALSO LIKE LIFE: THE FILMS OF HOU HSIAO-HSIEN New addition: Hou Hsiao-Hsien In Conversation at BFI Southbank – Monday 14 September Thursday 13 August 2015, London The BFI is delighted to announce that one of the leading figures of the Taiwanese New Wave Hou Hsiao-Hsien, whose latest film The Assassin won Best Director at this year’s Cannes Film Festival, will make a very rare visit to the UK to take part in an In Conversation event at BFI Southbank. The event, which takes place on Monday 14 September, is part of Also Life Life: The Films of Hou Hsiao- Hsien, a major retrospective celebrating Hou’s work, which takes place from 2 Sept – 6 Oct 2015 at BFI Southbank. Hou-Hsiao-Hsien has helped put Taiwanese cinema on the international map with work that explores the island’s rapidly changing present as well as its turbulent, often bloody past, and is one of the best examples in world cinema of a director who found his own distinctive style and voice while working on the job. The season will kick off with Cute Girl (1980), Cheerful Wind (1981) and The Green Green Grass of Home (1982), all starring Hong Kong pop star Kenny Bee; these early films offer a mixture of comedy and romance and begin to show Hou’s interest in Taiwan’s regional differences, a key theme of his later films. Hou’s other early films such as The Sandwich Man (1983) and The Boys from Fengkuei (1983) dramatised engaging life stories – including his own in The Time to Live and the Time to Die (1985). -
Die Filme John Woos Und Die Entwicklung Des Hongkong-Kinos
Die Filme John Woos und die Entwicklung des Hongkong-Kinos. Mit einer annotierten Mediographie. Diplomarbeit im Fach Medienwissenschaft Studiengang Öffentliche Bibliotheken der Fachhochschule Stuttgart – Hochschule für Bibliotheks- und Informationswesen Petra Peuker Erstprüfer: Dr. Manfred Nagl Zweitprüfer: Dr. Horst Heidtmann Angefertigt in der Zeit vom 09. Juli 1999 bis 11. Oktober 1999 Stuttgart, Oktober 1999 Schlagwörter und Abstract John Woo John Woo Hongkong Hong Kong Kino Cinema Kungfu Martial Arts Der Citywolf A Better Tomorrow Blast Killer The Killer Im Körper des Feindes Face/Off Die vorliegende Arbeit befaßt sich mit dem chinesischen Regisseur John Woo. Anhand seiner Werke sollen die wichtigsten Strömungen und Ent- wicklungen im Hongkong-Kino dargestellt werden, wie zum Beispiel die Martial-Arts-Filme in den Siebziger Jahren, die Regisseure der „Neuen Welle“ Anfang der Achtziger Jahre und besonders Woos eigene Leistung, die Neuorientierung des Gangsterfilms. Außerdem beinhaltet diese Arbeit eine annotierte Mediographie, mit aus- gewählten Medien zum Thema Hongkong-Kino und John Woo. This paper reports on the Chinese director John Woo. The most important developments in Hong Kong Cinema are shown by means of his movies, such as the martial arts movies in the seventies, the directors of the „New Wave“ at the beginning of the eighties and especially Woos own achieve- ment, the re-orientation of the gangstermovie. This paper also contains an annotated listing of media dealing with the Hong Kong Cinema and John Woo. 2 Inhaltsverzeichnis -
Martial Arts Cinema and Hong Kong Modernity
Martial Arts Cinema and Hong Kong Modernity Aesthetics, Representation, Circulation Man-Fung Yip Hong Kong University Press Th e University of Hong Kong Pokfulam Road Hong Kong www.hkupress.org © 2017 Hong Kong University Press ISBN 978-988-8390-71-7 (Hardback) All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any infor- mation storage or retrieval system, without prior permission in writing from the publisher. An earlier version of Chapter 2 “In the Realm of the Senses” was published as “In the Realm of the Senses: Sensory Realism, Speed, and Hong Kong Martial Arts Cinema,” Cinema Journal 53 (4): 76–97. Copyright © 2014 by the University of Texas Press. All rights reserved. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Paramount Printing Co., Ltd. in Hong Kong, China Contents Acknowledgments viii Notes on Transliteration x Introduction: Martial Arts Cinema and Hong Kong Modernity 1 1. Body Semiotics 24 2. In the Realm of the Senses 56 3. Myth and Masculinity 85 4. Th e Diffi culty of Diff erence 115 5. Marginal Cinema, Minor Transnationalism 145 Epilogue 186 Filmography 197 Bibliography 203 Index 215 Introduction Martial Arts Cinema and Hong Kong Modernity Made at a time when confi dence was dwindling in Hong Kong due to a battered economy and in the aft ermath of the SARS epidemic outbreak,1 Kung Fu Hustle (Gongfu, 2004), the highly acclaimed action comedy by Stephen Chow, can be seen as an attempt to revitalize the positive energy and tenacious resolve—what is commonly referred to as the “Hong Kong spirit” (Xianggang jingshen)—that has allegedly pro- pelled the city’s amazing socioeconomic growth. -
Hou Hsiao-Hsien E O Cinema De Memórias Fragmentadas 侯 Hou Hsiao-Hsien 孝 E O Cinema De Memórias Fragmentadas 賢
侯 孝 賢 Hou Hsiao-Hsien e o cinema de memórias fragmentadas 侯 Hou Hsiao-Hsien 孝 e o cinema de memórias fragmentadas 賢 CCBB São Paulo 9 a 26 dez 2010 Rio de Janeiro 14 dez 2010 a 9 jan 2011 Brasília 2 a 16 jan 2011 Figura central do novo cinema taiwanês, Hou Hsiao- -Hsien, nascido na China e criado em Taiwan, iniciou sua carreira como diretor em 1980. Dos primeiros filmes, mais comerciais, passou para os de memórias pessoais e outros sobre a memória de seu país de adoção, consolidando atualmente um estilo visual e narrativo dos mais sofistica- dos da história do cinema. Tais filmes conferiram a Hou Hsiao-Hsien o reconhecimento da crítica e das curadorias de importantes festivais e vêm, desta forma, consagrando o cineasta como um dos maiores mestres da cinematografia mundial contemporânea. Ao realizar Hou Hsiao-Hsien e o cinema de memórias fragmentadas, o Centro Cultural Banco do Brasil reconhece a importância deste cineasta e proporciona ao público de São Paulo, do Rio de Janeiro e de Brasília a oportunidade de conferir toda a sua filmografia, em retrospectiva que abarca 17 filmes em longa-metragem – todos inéditos no circuito comercial brasileiro –, além do curta-metragem O bonecão do filhinho (Son’s Big Doll / Er zi de da wan’ou), que integra O homem-sanduíche (The Sandwich Man / Er zi de da wan’ou, 1983), um dos filmes-chave na renovação do cinema taiwanês. A mostra constitui uma valiosa oportunidade para os que procuram acompanhar o desenvolvimento do audio- visual contemporâneo e conferir propostas instigantes e de grande apuro estético. -
Va.Orgjackie's MOVIES
Va.orgJACKIE'S MOVIES Jackie starred in his first movie at the age of eight and has been making movies ever since. Here's a list of Jackie's films: These are the films Jackie made as a child: ·Big and Little Wong Tin-Bar (1962) · The Lover Eternal (1963) · The Story of Qui Xiang Lin (1964) · Come Drink with Me (1966) · A Touch of Zen (1968) These are films where Jackie was a stuntman only: Fist of Fury (1971) Enter the Dragon (1973) The Himalayan (1975) Fantasy Mission Force (1982) Here is the complete list of all the rest of Jackie's movies: ·The Little Tiger of Canton (1971, also: Master with Cracked Fingers) · CAST : Jackie Chan (aka Chen Yuen Lung), Juan Hsao Ten, Shih Tien, Han Kyo Tsi · DIRECTOR : Chin Hsin · STUNT COORDINATOR : Chan Yuen Long, Se Fu Tsai · PRODUCER : Li Long Koon · The Heroine (1971, also: Kung Fu Girl) · CAST : Jackie Chan (aka Chen Yuen Lung), Cheng Pei-pei, James Tien, Jo Shishido · DIRECTOR : Lo Wei · STUNT COORDINATOR : Jackie Chan · Not Scared to Die (1973, also: Eagle's Shadow Fist) · CAST : Wang Qing, Lin Xiu, Jackie Chan (aka Chen Yuen Lung) · DIRECTOR : Zhu Wu · PRODUCER : Hoi Ling · WRITER : Su Lan · STUNT COORDINATOR : Jackie Chan · All in the Family (1975) · CAST : Linda Chu, Dean Shek, Samo Hung, Jackie Chan · DIRECTOR : Chan Mu · PRODUCER : Raymond Chow · WRITER : Ken Suma · Hand of Death (1976, also: Countdown in Kung Fu) · CAST : Dorian Tan, James Tien, Jackie Chan · DIRECTOR : John Woo · WRITER : John Woo · STUNT COORDINATOR : Samo Hung · New Fist of Fury (1976) · CAST : Jackie Chan, Nora Miao, Lo Wei, Han Ying Chieh, Chen King, Chan Sing · DIRECTOR : Lo Wei · STUNT COORDINATOR : Han Ying Chieh · Shaolin Wooden Men (1976) · CAST : Jackie Chan, Kam Kan, Simon Yuen, Lung Chung-erh · DIRECTOR : Lo Wei · WRITER : Chen Chi-hwa · STUNT COORDINATOR : Li Ming-wen, Jackie Chan · Killer Meteors (1977, also: Jackie Chan vs. -
University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Film Studies Hong Kong Cinema Since 1997: The Response of Filmmakers Following the Political Handover from Britain to the People’s Republic of China by Sherry Xiaorui Xu Thesis for the degree of Doctor of Philosophy December 2012 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES Film Studies Doctor of Philosophy HONG KONG CINEMA SINCE 1997: THE RESPONSE OF FILMMAKERS FOLLOWING THE POLITICAL HANDOVER FROM BRITAIN TO THE PEOPLE’S REPUBLIC OF CHINA by Sherry Xiaorui Xu This thesis was instigated through a consideration of the views held by many film scholars who predicted that the political handover that took place on the July 1 1997, whereby Hong Kong was returned to the sovereignty of the People’s Republic of China (PRC) from British colonial rule, would result in the “end” of Hong Kong cinema. -
OFFICIAL RECORD of PROCEEDINGS Wednesday, 28
LEGISLATIVE COUNCIL ─ 28 May 2003 6877 OFFICIAL RECORD OF PROCEEDINGS Wednesday, 28 May 2003 The Council met at half-past Two o'clock MEMBERS PRESENT: THE PRESIDENT THE HONOURABLE MRS RITA FAN HSU LAI-TAI, G.B.S., J.P. THE HONOURABLE KENNETH TING WOO-SHOU, J.P. THE HONOURABLE JAMES TIEN PEI-CHUN, G.B.S., J.P. DR THE HONOURABLE DAVID CHU YU-LIN, J.P. THE HONOURABLE CYD HO SAU-LAN THE HONOURABLE ALBERT HO CHUN-YAN IR DR THE HONOURABLE RAYMOND HO CHUNG-TAI, J.P. THE HONOURABLE LEE CHEUK-YAN THE HONOURABLE MARTIN LEE CHU-MING, S.C., J.P. THE HONOURABLE ERIC LI KA-CHEUNG, J.P. DR THE HONOURABLE DAVID LI KWOK-PO, G.B.S., J.P. THE HONOURABLE FRED LI WAH-MING, J.P. DR THE HONOURABLE LUI MING-WAH, J.P. THE HONOURABLE NG LEUNG-SING, J.P. 6878 LEGISLATIVE COUNCIL ─ 28 May 2003 THE HONOURABLE MARGARET NG THE HONOURABLE MRS SELINA CHOW LIANG SHUK-YEE, G.B.S., J.P. THE HONOURABLE JAMES TO KUN-SUN THE HONOURABLE CHEUNG MAN-KWONG THE HONOURABLE HUI CHEUNG-CHING, J.P. THE HONOURABLE CHAN KWOK-KEUNG THE HONOURABLE CHAN YUEN-HAN, J.P. THE HONOURABLE BERNARD CHAN, J.P. THE HONOURABLE CHAN KAM-LAM, J.P. THE HONOURABLE MRS SOPHIE LEUNG LAU YAU-FUN, S.B.S., J.P. THE HONOURABLE LEUNG YIU-CHUNG THE HONOURABLE SIN CHUNG-KAI THE HONOURABLE ANDREW WONG WANG-FAT, J.P. DR THE HONOURABLE PHILIP WONG YU-HONG THE HONOURABLE WONG YUNG-KAN THE HONOURABLE JASPER TSANG YOK-SING, G.B.S., J.P. -
NETFLIX – CATALOGO USA 20 Dicembre 2015 1. 009-1: the End Of
NETFLIX – CATALOGO USA 20 dicembre 2015 1. 009-1: The End of the Beginning (2013) , 85 imdb 2. 1,000 Times Good Night (2013) , 117 imdb 3. 1000 to 1: The Cory Weissman Story (2014) , 98 imdbAvailable in HD on your TV 4. 1001 Grams (2014) , 90 imdb 5. 100 Bloody Acres (2012) , 1hr 30m imdbAvailable in HD on your TV 6. 10.0 Earthquake (2014) , 87 imdb 7. 100 Ghost Street: Richard Speck (2012) , 1hr 23m imdbAvailable in HD on your TV 8. 100, The - Season 1 (2014) 4.3, 1 Season imdbClosed Captions: [ Available in HD on your TV 9. 100, The - Season 2 (2014) , 41 imdbAvailable in HD on your TV 10. 101 Dalmatians (1996) 3.6, 1hr 42m imdbClosed Captions: [ 11. 10 Questions for the Dalai Lama (2006) 3.9, 1hr 27m imdbClosed Captions: [ 12. 10 Rules for Sleeping Around (2013) , 1hr 34m imdbAvailable in HD on your TV 13. 11 Blocks (2015) , 78 imdb 14. 12/12/12 (2012) 2.4, 1hr 25m imdbClosed Captions: [ Available in HD on your TV 15. 12 Dates of Christmas (2011) 3.8, 1hr 26m imdbClosed Captions: [ Available in HD on your TV 16. 12 Horas 2 Minutos (2012) , 70 imdb 17. 12 Segundos (2013) , 85 imdb 18. 13 Assassins (2010) , 2hr 5m imdbAvailable in HD on your TV 19. 13 Going on 30 (2004) 3.5, 1hr 37m imdbClosed Captions: [ Available in HD on your TV 20. 13 Sins (2014) 3.6, 1hr 32m imdbClosed Captions: [ Available in HD on your TV 21. 14 Blades (2010) , 113 imdbAvailable in HD on your TV 22.