Report to the Australian Broadcasting Corporation
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Sasha Mackay Thesis
STORYTELLING AND NEW MEDIA TECHNOLOGIES: INVESTIGATING THE POTENTIAL OF THE ABC’S HEYWIRE FOR REGIONAL YOUTH Sasha Mackay Bachelor of Fine Arts (Hons), Creative Writing Production Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Creative Industries Faculty Queensland University of Technology 2015 Keywords Australian Broadcasting Corporation Heywire new media narrative identity public service media regional Australia storytelling voice youth Storytelling and new media technologies: investigating the potential of the ABC’s Heywire for regional youth i Abstract This thesis takes a case study approach to examine the complexity of audience participation within the Australian public service media institution, the Australian Broadcasting Corporation (ABC). New media technologies have both enabled and necessitated an increased focus on user created content and audience participation within the context of public service media (PSM) worldwide and such practices are now embedded within the remit of these institutions. Projects that engage audiences as content creators and as participants in the creation of their own stories are now prevalent within PSM; however, these projects represent spaces of struggle: a variety of institutional and personal agendas intersect in ways that can be fruitful though at other times produce profound challenges. This thesis contributes to the wider conversation on audience participation in the PSM context by examining the tensions that emerge at this intersection of agendas, and the challenges and potentials these produce for the institution as well as the individuals whose participation it invites. The case study for this research – Heywire – represents one of the first instances of content-related participation within the ABC. -
ANNUAL REPORT 2019 Revellers at New Year’S Eve 2018 – the Night Is Yours
AUSTRALIAN BROADCASTING CORPORATION ANNUAL REPORT 2019 Revellers at New Year’s Eve 2018 – The Night is Yours. Image: Jared Leibowtiz Cover: Dianne Appleby, Yawuru Cultural Leader, and her grandson Zeke 11 September 2019 The Hon Paul Fletcher MP Minister for Communications, Cyber Safety and the Arts Parliament House Canberra ACT 2600 Dear Minister The Board of the Australian Broadcasting Corporation is pleased to present its Annual Report for the year ended 30 June 2019. The report was prepared for section 46 of the Public Governance, Performance and Accountability Act 2013, in accordance with the requirements of that Act and the Australian Broadcasting Corporation Act 1983. It was approved by the Board on 11 September 2019 and provides a comprehensive review of the ABC’s performance and delivery in line with its Charter remit. The ABC continues to be the home and source of Australian stories, told across the nation and to the world. The Corporation’s commitment to innovation in both storytelling and broadcast delivery is stronger than ever, as the needs of its audiences rapidly evolve in line with technological change. Australians expect an independent, accessible public broadcasting service which produces quality drama, comedy and specialist content, entertaining and educational children’s programming, stories of local lives and issues, and news and current affairs coverage that holds power to account and contributes to a healthy democratic process. The ABC is proud to provide such a service. The ABC is truly Yours. Sincerely, Ita Buttrose AC OBE Chair Letter to the Minister iii ABC Radio Melbourne Drive presenter Raf Epstein. -
Migrant Settlement Outcomes SBS Response to Inquiry by the Joint Standing Committee on Migration February 2017
Migrant Settlement Outcomes SBS response to Inquiry by the Joint Standing Committee on Migration February 2017 Key Points • Assisting migrants to settle in Australia is at the heart of what SBS does, and is central to fulfilling SBS’s Charter obligations and purpose of inspiring greater understanding between diverse communities and contributing to the health of our vibrant and cohesive multicultural society. • SBS provides a broad range of programs and services to support migrant settlement in Australia, including through its many in-language radio programs, and particularly its practical in-language Settlement Guides. • SBS provides access to international and national news and current affairs on television and online in English as well as 35 other languages, helping migrants keep in touch with news directly from their country of origin. • SBS engages directly with migrant communities through partnerships with organisations and projects for young people, and is constantly looking for ways to strengthen these relationships. • SBS stands ready to play an even greater role in migrant settlement should funding permit – for example, by expanding the number of languages in which Settlement Guides are provided, and by further integrating our services with Government settlement programs. Introduction SBS welcomes the opportunity to submit to the Inquiry by the Joint Standing Committee on Migration into Migrant Settlement Outcomes (the Inquiry). Page 1 of 7 SBS is unique in the Australian media environment. Its function is to provide multilingual, multicultural and Indigenous radio, television and digital media services that inform, educate and entertain all Australians and, in doing so, reflect Australia’s multicultural society. In carrying out its function, SBS is strongly supportive of, and provides services, to migrants coming to Australia, with the aim of encouraging participation in Australian civic and economic life. -
The Rai Studio Di Fonologia (1954–83)
ELECTRONIC MUSIC HISTORY THROUGH THE EVERYDAY: THE RAI STUDIO DI FONOLOGIA (1954–83) Joanna Evelyn Helms A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music. Chapel Hill 2020 Approved by: Andrea F. Bohlman Mark Evan Bonds Tim Carter Mark Katz Lee Weisert © 2020 Joanna Evelyn Helms ALL RIGHTS RESERVED ii ABSTRACT Joanna Evelyn Helms: Electronic Music History through the Everyday: The RAI Studio di Fonologia (1954–83) (Under the direction of Andrea F. Bohlman) My dissertation analyzes cultural production at the Studio di Fonologia (SdF), an electronic music studio operated by Italian state media network Radiotelevisione Italiana (RAI) in Milan from 1955 to 1983. At the SdF, composers produced music and sound effects for radio dramas, television documentaries, stage and film operas, and musical works for concert audiences. Much research on the SdF centers on the art-music outputs of a select group of internationally prestigious Italian composers (namely Luciano Berio, Bruno Maderna, and Luigi Nono), offering limited windows into the social life, technological everyday, and collaborative discourse that characterized the institution during its nearly three decades of continuous operation. This preference reflects a larger trend within postwar electronic music histories to emphasize the production of a core group of intellectuals—mostly art-music composers—at a few key sites such as Paris, Cologne, and New York. Through close archival reading, I reconstruct the social conditions of work in the SdF, as well as ways in which changes in its output over time reflected changes in institutional priorities at RAI. -
CRA Canberradigitalregionaltr
MEDIA RELEASE 5 May 2010 Digital radio trial to begin in Canberra The number of commercial and SBS radio stations available to listeners in Canberra is set to increase with the announcement today by Commercial Radio Australia (CRA) and multicultural and multilingual broadcaster SBS that a regional trial of DAB+ digital radio would begin in Canberra in early July 2010. Commercial Radio Australia chief executive, Joan Warner said the first regional trial of DAB+ is the next step in making digital radio services available to all Australians. “The radio industry is committed to ensuring all Australians are able to access free to air radio broadcasting via digital technology. People living in regional Australia must have the same rights of access to digital radio as do those living in the five big cities. We do not want to see a nation of metropolitan digital 'haves ' and regional digital ' have nots' ." Ms Warner said. Through a digital radio trial many Canberra radio listeners will be able to experience digital quality audio, robust transmission and significantly improved functionality as part of digital broadcasting including more audio services, text and graphics on screen, plus pause and rewind on some receivers. “The Canberra trial will provide valuable firsthand experience for regional radio broadcasters in working with the DAB+ signal and increased functionality, while we continue to work to get the Federal Government to commit to allocating spectrum so that regional Australians will have the same right to digital radio as Australians living in metropolitan areas. The trial will also allow us to test how to ensure a signal can be received in a building such as Parliament House, a structure with both man-made and natural barriers,” said Ms Warner. -
Annual Report 2006-2007: Part 2 – Overview
24 international broadcasting then... The opening transmission of Radio Australia in December 1939, known then as “Australia Calling”. “Australia Calling… Australia Calling”, diminishing series of transmission “hops” announced the clipped voice of John Royal around the globe. For decades to come, through the crackle of shortwave radio. It was listeners would tune their receivers in the a few days before Christmas 1939. Overseas early morning and dusk and again at night broadcasting station VLQ 2—V-for-victory, to receive the clearest signals. Even then, L-for-liberty, Q-for-quality—had come alive signal strength lifted and fell repeatedly, to the impending terror of World War II. amid the atmospheric hash. The forerunner of Radio Australia broadcast Australia Calling/Radio Australia based itself in those European languages that were still in Melbourne well south of the wartime widely used throughout South-East Asia at “Brisbane Line” and safe from possible the end of in the colonial age—German, Dutch, Japanese invasion. Even today, one of Radio French, Spanish and English. Australia’s principal transmitter stations is located in the Victorian city of Shepparton. Transmission signals leapt to the ionosphere —a layer of electro-magnetic particles By 1955, ABC Chairman Sir Richard Boyer surrounding the planet—before reflecting summed up the Radio Australia achievement: down to earth and bouncing up again in a “We have sought to tell the story of this section 2 25 country with due pride in our achievements international broadcasting with Australia and way of life, but without ignoring the Television. Neither the ABC nor, later, differences and divisions which are inevitable commercial owners of the service could in and indeed the proof of a free country”. -
Press Release Potsdam Declaration
Press Release Potsdam 19.10.2018 Potsdam Declaration signed by 21 public broadcasters from Europe “In times such as ours, with increased polarization, populism and fixed positions, public broadcasters have a vital role to play across Europe.” A joint statement, emphasizing the inclusive rather than divisive mission of public broadcasting, will be signed on Friday 19th October 2018 in Potsdam. Cilla Benkö, Director General of Sveriges Radio and President of PRIX EUROPA, and representatives from 20 other European broadcasters are making their appeal: “The time to stand up for media freedom and strong public service media is now. Our countries need good quality journalism and the audiences need strong collective platforms”. The act of signing is taking place just before the Awards Ceremony of this year’s PRIX EUROPA, hosted by rbb in Berlin and Potsdam from 13-19 October under the slogan “Reflecting all voices”. The joint declaration was initiated by the Steering Committee of PRIX EUROPA, which unites the 21 broadcasters. Potsdam Declaration, 19 October 2018 (full wording) by the 21 broadcasters from the PRIX EUROPA Steering Committee: In times such as ours, with increased polarization, populism and fixed positions, public broadcasters have a vital role to play across Europe. It has never been more important to carry on offering audiences a wide variety of voices and opinions and to look at complex processes from different angles. Impartial news and information that everyone can trust, content that reaches all audiences, that offers all views and brings communities together. Equally important: Public broadcasters make the joys of culture and learning available to everyone, regardless of income or background. -
An Post Tv Licence Online
An Post Tv Licence Online Purposive and twilit Spense never overseen sidewards when Dwight reformulate his bicameralist. Diffusive Gasper festers untiringly while Jean-Pierre always nets his galliwasps dynamize in-house, he bullied so apostolically. Dylan remains know-nothing: she Indianizing her singularity aluminized too nowise? The full time television licence ireland will receive a tv licence either an post tv licence so Online programmes on the enquiry officer usually a hotel in some addresses. I've moved or improve no accident watch TV at my address How do I cancel my licence You we cancel our licence for you away longer. Best and worst shops Supermarkets Black Friday Online shopping Boxing Day and January sales. And postcode to improve your electricity provider is currently being directional, especially given off by post licence ireland will get prosecuted if you enjoy your faux fur really gonna have? Paying by post in direct debit there does a chin of options for this flush help. Scammers will continue to you receiving equipment and the tv online bills and programmes. If you don't have such licence and you whoever is of watching TV when an Enquiry. Cost Of Paying Tv Licence Monthly Squarespace. An Post blasts Facebook for hosting group with advice on. A TV licence should be purchased online at wwwtvlicenceie using MasterCard or. Yes rather who downloads or watches BBC programmes on demand including catch up TV on iPlayer must be covered by a TV Licence You also need but be covered by a TV Licence so watch or join live TV programmes on any channel including on iPlayer This applies to any device you use. -
Select Committee of Tynwald on the Television Licence Fee Report 2010/11
PP108/11 SELECT COMMITTEE OF TYNWALD ON THE TELEVISION LICENCE FEE REPORT 2010/11 REPORT OF THE SELECT COMMITTEE OF TYNWALD ON THE TELEVISION LICENCE FEE At the sitting of Tynwald Court on 18th November 2009 it was resolved - "That Tynwald appoints a Committee of three Members with powers to take written and oral evidence pursuant to sections 3 and 4 of the Tynwald Proceedings Act 1876, as amended, to investigate the feasibility and impact of withdrawal from or amendment of the agreement under which residents of the Isle of Man pay a television licence fee; and to report." The powers, privileges and immunities relating to the work of a committee of Tynwald are those conferred by sections 3 and 4 of the Tynwald Proceedings Act 1876, sections 1 to 4 of the Privileges of Tynwald (Publications) Act 1973 and sections 2 to 4 of the Tynwald Proceedings Act 1984. Mr G D Cregeen MHK (Malew & Santon) (Chairman) Mr D A Callister MLC Hon P A Gawne MHK (Rushen) Copies of this Report may be obtained from the Tynwald Library, Legislative Buildings, Finch Road, Douglas IM7 3PW (Tel 07624 685520, Fax 01624 685522) or may be consulted at www, ,tynwald.orgim All correspondence with regard to this Report should be addressed to the Clerk of Tynwald, Legislative Buildings, Finch Road, Douglas IMI 3PW TABLE OF CONTENTS 1. Introduction 1 2. The broadcasting landscape in the Isle of Man 4 Historical background 4 Legal framework 5 The requirement to pay the licence fee 5 Whether the licence fee is a UK tax 6 Licence fee collection and enforcement 7 Infrastructure for terrestrial broadcasting 10 Television 10 Radio: limitations of analogue transmission capability and extent of DAB coverage 13 3. -
Mapping the Information Environment in the Pacific Island Countries: Disruptors, Deficits, and Decisions
December 2019 Mapping the Information Environment in the Pacific Island Countries: Disruptors, Deficits, and Decisions Lauren Dickey, Erica Downs, Andrew Taffer, and Heidi Holz with Drew Thompson, S. Bilal Hyder, Ryan Loomis, and Anthony Miller Maps and graphics created by Sue N. Mercer, Sharay Bennett, and Michele Deisbeck Approved for Public Release: distribution unlimited. IRM-2019-U-019755-Final Abstract This report provides a general map of the information environment of the Pacific Island Countries (PICs). The focus of the report is on the information environment—that is, the aggregate of individuals, organizations, and systems that shape public opinion through the dissemination of news and information—in the PICs. In this report, we provide a current understanding of how these countries and their respective populaces consume information. We map the general characteristics of the information environment in the region, highlighting trends that make the dissemination and consumption of information in the PICs particularly dynamic. We identify three factors that contribute to the dynamism of the regional information environment: disruptors, deficits, and domestic decisions. Collectively, these factors also create new opportunities for foreign actors to influence or shape the domestic information space in the PICs. This report concludes with recommendations for traditional partners and the PICs to support the positive evolution of the information environment. This document contains the best opinion of CNA at the time of issue. It does not necessarily represent the opinion of the sponsor or client. Distribution Approved for public release: distribution unlimited. 12/10/2019 Cooperative Agreement/Grant Award Number: SGECPD18CA0027. This project has been supported by funding from the U.S. -
Leisure and Lifestyle
Practice guide Leisure and lifestyle Leisure and lifestyle programs are an important part of the psychological, social, emotional, spiritual, cognitive and physical well-being of aged care consumers. Supporting consumers to make choices and decisions which maximise their participation in leisure and social activities ensures that they are more likely to experience a sense of purpose and belonging, greater levels of engagement, stimulation and fulfilment. However, language barriers and cultural and religious differences can sometimes preclude consumers from participating in certain activities and lead to higher levels of social isolation and seclusion. To this end it is important that leisure and lifestyle programs take into consideration the cultural and linguistic needs of individual consumers and that, in the case of residential facilities, these programs reflect the diverse preferences and requirements of the resident population. Key Considerations . Ensure that consumers are able to communicate their preferences in their preferred language. Work with consumers and their families to determine which resources and/or equipment are appropriate to facilitate their recreational activities. Support consumers to remain engaged with existing community networks and clubs. Foster links with local community organisations that share the culture, language, religion and interests of consumers. Facilitate family and community involvement in activities. Integrate activities with local community events. Plan regular outings to places of significance to your consumers from culturally and linguistically diverse backgrounds. Ask consumers and/or their families which festivals and special days they would like to celebrate, and how they would like to observe these occasions. Acknowledge and observe cultural and religious days and festivals as preferred by individual consumers. -
4-Student-Notes-Media-Industries U2
Media Studies - TV Student Notes Media Industries You will need to consider: • how processes of production, distribution and circulation by organisations, groups and individuals in a global context • the specialised and institutionalised nature of media production, distribution and circulation • the significance of patterns of ownership and control, including conglomerate ownership, vertical integration and diversification • the significance of economic factors, including commercial and not-for-profit public funding, to media industries and their products • how media organisations maintain, including through marketing, varieties of audiences nationally and globally • the regulatory framework of contemporary media in the UK • how processes of production, distribution and circulation shape media products • the role of regulation in global production, distribution and circulation This should be linked where relevant to • social, • cultural, • economic, • political, • historical contexts. • the significance of different ownership and/or funding models in the television industry (i.e. whether media companies are privately or publicly owned, whether they are publicly or commercially funded etc.) • the growing importance of co-productions (including international co-productions) in the television industry today the way in which production values are shaped by economic factors • the impact of risk aversion on television production (e.g. in terms of the commissioning and financing of programmes) • the different sources of funding available to producers working in the television industry today Media Studies - TV 1 Media Studies - TV Student Notes The Bridge (iii/1) • ‘Bron/Broen/ The Bridge’: a Swedish/Danish co-production • Series 3, Episode 1 • Sat 21 Nov 2015 9pm BBC Four • Written by Hans Rosenfeldt • Original Network : SVT1 Sweden • DR1 Denmark • UK Broadcasters: BBC 4 • 3 seasons, 30 episodes • Production of series four has begun, with broadcasting scheduled for the spring of 2018.