DOCSLIB.ORG

The Baptized Muse: Early Christian Poetry As Cultural Authority

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Baptized Muse: Early Christian Poetry As Cultural Authority THE BAPTIZED MUSE The Baptized Muse Early Christian Poetry as Cultural Authority KARLA POLLMANN 1 3 Great Clarendon Street, Oxford, OX2 6DP, United Kingdom Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries © Karla Pollmann 2017 The moral rights of the author have been asserted First Edition published in 2017 Impression: 1 Some rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, for commercial purposes, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by licence or under terms agreed with the appropriate reprographics rights organization. This is an open access publication, available online and distributed under the terms of a Creative Commons Attribution – Non Commercial – No Derivatives 4.0 International licence (CC BY-NC-ND 4.0), a copy of which is available at http://creativecommons.org/licenses/by-nc-nd/4.0/. Enquiries concerning reproduction outside the scope of this licence should be sent to the Rights Department, Oxford University Press, at the address above Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016, United States of America British Library Cataloguing in Publication Data Data available Library of Congress Control Number: 2016952147 ISBN 978–0–19–872648–7 Printed in Great Britain by Clays Ltd, St Ives plc Links to third party websites are provided by Oxford in good faith and for information only. Oxford disclaims any responsibility for the materials contained in any third party website referenced in this work. Acknowledgements My interest in early Christian poetry began with my PhD work on the anonymous Carmen adversus Marcionitas (published Göttingen 1991), supervised and exam- ined by the classicist Siegmar Döpp and the historical theologian Wilhelm Geerlings, both then at the Ruhr-Universität Bochum, Germany. It is a Christian didactic poem which is as intricate as it is unknown. Its author cannot be determined and its controversially debated time of origin was located by me into the early fifth century at the very earliest. From then onwards this area of research has never ceased to fascinate me. This volume presents a collection of articles containing some of the ensuing fruits of my further studies in the field of early Christian poetry over the last two decades in a revised and updated form. The Principal’s Fund of the University of St Andrews, Scotland, gave a generous award to allow for the translation of six of the contributions in this volume from German into English. I am much indebted to Alastair Matthews and Madeleine Brook for their hard and diligent work with translating the sometimes very technical German. Their astute and critical minds not only helped to clarify some of the original statements but also removed a few factual infelicities. I am very grateful to Professor Irmgard Männlein-Robert and to the SFB 923 ‘Threatened Orders’ who invited me to spend the summer of 2014 as a visiting professor at the University of Tübingen, and generously funded two research assistants, Therese Hellmich and Sarah Blessing. I owe deep-felt thanks to both of them, as well as to Thomas G. Duncan, University of St Andrews, and my PhD student Lorenzo Livorsi, Universities of Kent, and then Reading, for helping me with various stages of finalizing this manuscript. Natur- ally all remaining errors are my own. Some of these chapters have in the meantime become ‘classics’ (such as Chapter 4), while others are more the coveted gems of connoisseurs (like Chapter 6 and 9). By offering these and selected other studies, all of them now in English, updated in line with recent scholarship, and with a few corrections—partly also following suggestions made by reviewers—added where necessary, this volume will make these chapters more widely and easily accessible to the academic community. As this research interest has accompanied me throughout my entire aca- demic career, it seems appropriate to acknowledge some of the people that have supported and inspired me on this academic journey. Professor Siegmar Döpp was the first to introduce me to the exciting and intricate field of early Christian poetry. He taught me to ask critical, imaginative, and unbiased questions and discover intellectually valid and exciting connections in vi Acknowledgements unexpected areas. For this I am most grateful, as for his kindness, good sense of humour, contagious enthusiasm, and high academic ethics. This is also true of the late Professor Wilhelm Geerlings whose wit and creative imagination were unparalleled. Further important academic influences were the late Profes- sors Manfred Fuhrmann (Classics, formerly Konstanz) and Reinhart Herzog (Classics, formerly Konstanz) to whose ground-breaking works in this field all my contributions owe more than can be made explicit. Among the many marvellous colleagues by whom I have been inspired and with whom I have shared thoughts, I wish to highlight Angelo di Berardino (Rome), Jan den Boeft (Leiden), Jean-Louis Charlet (Aix-en-Provence), Catherine Conybeare (Bryn Mawr), Jacques Fontaine (Paris), Roger Green (Glasgow), Hildegund Müller (Notre Dame), Willemien Otten (Chicago), Roberto Palla (Urbino), Kurt Smolak (Vienna), the late Basil Studer (San Anselmo, Rome), Mark Vessey (University of British Columbia), Dorothea Weber (Salzburg), Klaus Zelzer, and the late Michaela Zelzer (both Vienna). I am aware that there are numerous others who remain unnamed. I am grateful for permission from the publishers to reprint, partly in translated form, the articles that were originally published by other presses: 1. ‘Tradition and Innovation. The Transformation of Classical Literary Genres in Christian Late Antiquity’ (= in: J. Ulrich et al. (eds), Invention, Rewriting, Usurpation. Discursive Fights over Religious Traditions in Antiquity (Frankfurt a.M.: Peter Lang Verlag, 2012), 103–20). 2. ‘The Test Case of Epic Poetry in Late Antiquity’ (= ‘Das Epos in der Spätantike’, in: J. Rüpke (ed.), Von Göttern und Menschen erzählen (Stuttgart: Franz Steiner Verlag, 2001), 93–129). 3. ‘Reappropriation and Disavowal: Pagan and Christian Authorities in Cassiodorus and Venantius Fortunatus’ (= in: J. Frishman/W. Otten/ G. Rouwhorst (eds), Religious Identity and the Problem of Historical Foundation (Leiden: Brill, 2005), 289–316). 4. Sex and Salvation in the Vergilian Cento of the Fourth Century (= in: R. Rees (ed.), Memento Romane: Vergil in the Fourth Century (London: Bristol Classical Press, an imprint of Bloomsbury Publishing Plc, 2004), 79–96). 5. ‘Versifying Authoritative Prose: Poetical Paraphrases of Eucherius of Lyon by Venantius Fortunatus, Walafrid Strabo, and Sigebert of Gembloux’ (= ‘Poetry and Suffering: Metrical Paraphrases of Eucherius of Lyons’ Passio Acaunensium Martyrum’,inW.OttenandK.Pollmann(eds),Poetry and Exegesis in Premodern Latin Christianity (Leiden: Brill, 2007), 293–313). 6. ‘Jesus Christ and Dionysus: Rewriting Euripides in the Byzantine Cento Christus Patiens’ (= ‘Jesus Christus und Bacchus. Überlegungen zu dem griechischen Cento Christus patiens’, Jahrbuch für Österreichische Acknowledgements vii Byzantinistik 47 (1997), 87–106; Verlag der Österreichischen Akademie der Wissenschaften). 7. ‘Culture as Curse or Blessing? Prudentius and Avitus on the Origin of Culture’ (= ‘Varia rerum novitate (Prud. C. Symm. 2,329): Zwei frühchristliche Kulturentstehungslehren bei Prudentius und Avitus’,in V. Panagl (ed.), La poesia tardoantica e medioevale (Alessandria: Edizioni dell’Orso, 2007), 53–71). 8. ‘Christianity as Decadence or Progress in Pseudo-Hilary’s Paraphrastic Verse Summary of the History of Salvation’ (= ‘Populus surgit melior? Dekadenz und Fortschritt im pseudo-hilarianischen Doppelgedicht Metrum in Genesin-Carmen de Evangelio’, in: H. Harich- Schwarzbauer/P. Schierl (eds), Lateinische Poesie der Spätantike (Basel: Schwabe Verlag, 2009), 179–95). 9. ‘How Far Can Sainthood Go? St Martin of Tours in Two Hagiograph- ical Epics of Late Antiquity’ (= ‘Kontiguität und Eklipse: Zwei Auffas- sungen von Heiligkeit im hagiographischen Epos der lateinischen Spätantike’, in: Th. Kobusch/M. Erler (eds), Metaphysik und Religion (Munich/Leipzig: K. G. Saur, 2002; later taken over by Walter de Gruyter Verlag), 611–38). 10. ‘Conclusion: Authority as a Key to Understanding Early Christian Poetry’ (= ‘Authority and Arguments in Christian Poetry of Latin Late Antiquity’, Hermes 141 (2013), 309–33; Franz Steiner Verlag). Karla Pollmann Reading December 2016 Contents Introduction: How to Approach Early Christian Poetry 1 PART I. THE POETICS OF AUTHORITY IN EARLY CHRISTIAN POETRY 1. Tradition and Innovation: The Transformation of Classical Literary Genres in Christian Late Antiquity 19 2. The Test Case of Epic Poetry in Late Antiquity 37 3. Reappropriation and Disavowal: Pagan and Christian Authorities in Cassiodorus and Venantius Fortunatus 76 PART II. CHRISTIAN AUTHORITY AND POETIC SUCCESSION 4. Sex and Salvation in the Vergilian Cento of the Fourth Century 101 5. Versifying Authoritative Prose: Poetical Paraphrases of Eucherius of Lyon by Venantius Fortunatus, Walafrid Strabo, and Sigebert of Gembloux 120 6. Jesus Christ and Dionysus: Rewriting Euripides in the Byzantine Cento Christus
Load more

Recommended publications
  • OCCIDENTAL MYTHOLOGY INTRODUCTION 5 Gone, Who Art Gone to the Yonder Shore, Who at the Yonder Shore Tide and Was Followed by the Victories of Rome
    Aiso BY JOSEPH CAMPBELL The Masks of God: Oriental Mythology JOSEPH CAMPBELL The Masks of God: Primitive Mythology The Hero with a Thousand Faces A Skcleton Key to Finncgans Wake THE (WITH HENRY MORTON ROBINSON) EDITED BY JOSEPH CAMPBELL MASKS OF 60D: The Portafale Arabian Nights OCCIDENTAL MYTHOLOGY LONDON SECK.ER & WARBURG : 1965 + + + » + * 4444 + * t »4-*-4t* 4+4-44444 »+•» 4- Copyright (c) 1964 by Joseph Campbell All rights reserved CONTENTS First published in England 1965 by Martin Secker & Warburg Limited » + «4+4+444+44 14 Carlisle Street, Soho Square W. l PART ONE: THE..AGE OF THE The Scripture quotations in this publication are from the Revised Standard Version of the Bible, copyrighted 1946 and 1952 by the Di- GODDESS Introduction. Myth and Ritual: East vision of Christian Education, National Council of Churches, and used by permission. and West 9 Chapter 1. The Serpent's Bride 9 The author wishes to acknowledge \vith gratitude ihe 17 generous support of his researches by the Bollingen Foundation i. The Mother Goddess Eve n. 31 The Gorgon's Blood 34 m. Ultima Thule Printed in England by IV. Mother Right D. R. Hillman & Son Ltd 42 Frome Chapter 2. The Consort of the Bull 42 45 i. The Mother of God 54 ir. The Two Queens 72 m. The Mother of the Minotaur iv. The Victory of the Sons of Light PART TWO: THE AGE OF HERDES Chapter 3. Gods and Heroes of the Levant: 1500-500 B.C. 95 i. The Book of the Lord The 95 n. Mythological Age The Age 101 m.
    [Show full text]
  • UPPSALA UNIVERSITY Department of Theology Master Programme In
    UPPSALA UNIVERSITY Department of Theology Master Programme in Religion in Peace and Conflict Master thesis, 15 hp Spring, 2018 Supervisor: Assistant Professor Håkan Bengtsson NEVER AGAIN THESSALONIKI – AUSCHWITZ : THE FIRST MEMORY WALK FOR THE JEWS OF SALONICA AND THE REACTIONS OF THE LOCAL PRESS. A CRITICAL DISCOURSE ANALYSIS (CDA) AND REFLECTION. GEORGIA GLEOUDI 0 Never Again Thessaloniki-Auschwitz The First Memory Walk for the Jews of Salonica and the reactions of the Local Press. A Critical Discourse Analysis (CDA) and reflection. Student Name: Georgia Gleoudi Program: MA in Religion in Peace and Conflict (60 credits) Supervisor: Dr Håkan Bengtsson The poster for the Memory Walk in 19th March 2018, 5 years after the first Memory Walk. 1 Table of Contents Table of Contents ...................................................................................................................... 2 Abstract: ................................................................................................................................ 3 Key – words: .......................................................................................................................... 3 Acknowledgements: .............................................................................................................. 4 Introduction ............................................................................................................................... 5 Background: ......................................................................................................................
    [Show full text]
  • Unforgettable Landscapes
    Unforgettable Landscapes: Attachments to the Past in Hellenistic Armenia Lori Khatchadourian Historical cartographers are quintessential memory specialists. Given the task of determining the relative importance of one hamlet, village, town, or city from another, those who map the past exercise the right to erase the memory of a place itself, along with the memories of the peoples, histories, and monuments through which that place was constituted. As reviewers of the Barrington Atlas of the Greek and Roman World recently wrote, “all maps—in one way or another, aggressively or unconsciously—‘lie’ to us” (Alcock, Dey and Parker 2001, 458). This discriminating duty of the cartographer, when paired with the narrow approach of traditional classical scholarship on the Near East during the Hellenistic era (ca. 323-31 BC), has resulted in rather peculiar maps of the period: undiscovered places that are mentioned in Greek and Roman sources are marked, while archaeological sites whose names do not appear in this particular body of literature are not. The dominant narrative concerning the Hellenistic Near East has radically privileged cities thought to have been havens of Hellenism, due to the celebrated works of Greek art their inhabitants produced. For the student of classical archaeology, the likely impression of the Near East in the enigmatic period between the collapse of the Persian Empire and the rise of the Roman Empire is like that of a photograph with well-focused, fore grounded, Hellenized hubs—such as Pergamon, Antioch, Ephasos—set against a soft-focused, hazy background of 1 places that were perhaps touched by the ripple effects of Hellenism, or stagnantly persisted as vestigially Persian.
    [Show full text]
  • Advent Poems to Ponder07.P65
    ○○○○ ADVENT POETRY COMPANION ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Advent Poetry Companion: Poems for Prayer and Pondering How to pray with poetry Using poetry as a companion for prayer can be a rich and engaging endeavor. Poetry as an art form uses the cadences of the spoken word, the nuances of language, the signals of punctuation and the employment of metaphors to invite the listener into participation in the unfolding of layers of meaning. Words can provide a bridge to experiences that are beyond words. “Prepare in the This Advent, we have prepared an Advent Poetry Companion which offers an additional resource for your Advent journey. This companion provides poems wilderness a that can enrich and deepen the meaning of this liturgical season. ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ The prayers and liturgical readings of the Advent season are rich in meaning, symbolism, and prophetic themes. Poetry provides a beautiful way to explore highway for our and express these themes and probe more deeply the mystery of the incarna- God.” tion. Below are some simple suggestions for engaging poetry as a means of leading -Isaiah 40:3 you into prayer: 1. Seek a quiet space where you can minimize interruptions and take a few moments to enter into the silence. Let yourself sink deeply into the quiet. Invite God in. 2. Read just the title of the poem and ponder what this encounter might be about. 3. Read the poem aloud. Pay attention to the words, the sounds, the punctuation and what you are hearing in the poem. 4. Now read the poem silently and slowly letting the poem reveal new truths.
    [Show full text]
  • Ransom Is a Story of Vengeance Clashing with Grief.’ Discuss
    ‘Ransom is a story of vengeance clashing with grief.’ Discuss. In his lyrical novel, Ransom, David Malouf reimagines the final book of The Iliad, and in doing so, highlights the futility of countering grief with vengeance. He asserts the pointlessness of such vengeful actions, examines the role of the ‘rough world of men’ in creating it, and notes its cyclic nature, leaving many readers disheartened. However, Malouf also demonstrates how grief can be overcome with honourable actions. Malouf demonstrates to readers the uselessness of trying to assuage grief with acts of revenge. He introduces this concept right from the outset of the novel through his characterisation of Achilles. Malouf moves away from the traditional portrayal of Achilles as the most formidable of the Greeks and instead describes him as hollow and like a dead man. This new perspective of Achilles depicts him as lacking balance and feeling trapped in a clogging grey web due to his grief over the death of his soulmate Patroclus. Once Malouf describes Achilles’ barbaric actions in dragging around the corpse of Patroclus’ killer, Hector, it becomes clear to readers that Achilles is attempting to assuage his grief with violence and brutal, callous actions. Malouf uses imagery to depict Achilles as already dead himself as he continues to desecrate Hector’s body, by describing him as caked with dust like a man who has walked out of his grave. Thus, Malouf asserts how Achilles’ act of revenge has only wasted his spirit and left him feeling that it was never enough; being unable to overcome his pain at the loss of his friend.
    [Show full text]
  • Compact Discs by 20Th Century Composers Recent Releases - Spring 2020
    Compact Discs by 20th Century Composers Recent Releases - Spring 2020 Compact Discs Adams, John Luther, 1953- Become Desert. 1 CDs 1 DVDs $19.98 Brooklyn, NY: Cantaloupe ©2019 CA 21148 2 713746314828 Ludovic Morlot conducts the Seattle Symphony. Includes one CD, and one video disc with a 5.1 surround sound mix. http://www.tfront.com/p-476866-become-desert.aspx Canticles of The Holy Wind. $16.98 Brooklyn, NY: Cantaloupe ©2017 CA 21131 2 713746313128 http://www.tfront.com/p-472325-canticles-of-the-holy-wind.aspx Adams, John, 1947- John Adams Album / Kent Nagano. $13.98 New York: Decca Records ©2019 DCA B003108502 2 028948349388 Contents: Common Tones in Simple Time -- 1. First Movement -- 2. the Anfortas Wound -- 3. Meister Eckhardt and Quackie -- Short Ride in a Fast Machine. Nagano conducts the Orchestre Symphonique de Montreal. http://www.tfront.com/p-482024-john-adams-album-kent-nagano.aspx Ades, Thomas, 1971- Colette [Original Motion Picture Soundtrack]. $14.98 Lake Shore Records ©2019 LKSO 35352 2 780163535228 Music from the film starring Keira Knightley. http://www.tfront.com/p-476302-colette-[original-motion-picture-soundtrack].aspx Agnew, Roy, 1891-1944. Piano Music / Stephanie McCallum, Piano. $18.98 London: Toccata Classics ©2019 TOCC 0496 5060113444967 Piano music by the early 20th century Australian composer. http://www.tfront.com/p-481657-piano-music-stephanie-mccallum-piano.aspx Aharonian, Coriun, 1940-2017. Carta. $18.98 Wien: Wergo Records ©2019 WER 7374 2 4010228737424 The music of the late Uruguayan composer is performed by Ensemble Aventure and SWF-Sinfonieorchester Baden-Baden. http://www.tfront.com/p-483640-carta.aspx Ahmas, Harri, 1957- Organ Music / Jan Lehtola, Organ.
    [Show full text]
  • A Resource Guide for Studying and Appropriating the Psalms
    Leaven Volume 7 Issue 3 I Lift Up My Soul Article 10 1-1-1999 I Lift Up My Soul: A Resource Guide for Studying and Appropriating the Psalms Paul Watson Follow this and additional works at: https://digitalcommons.pepperdine.edu/leaven Part of the Biblical Studies Commons, Christianity Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Recommended Citation Watson, Paul (1999) "I Lift Up My Soul: A Resource Guide for Studying and Appropriating the Psalms," Leaven: Vol. 7 : Iss. 3 , Article 10. Available at: https://digitalcommons.pepperdine.edu/leaven/vol7/iss3/10 This Resource Guide is brought to you for free and open access by the Religion at Pepperdine Digital Commons. It has been accepted for inclusion in Leaven by an authorized editor of Pepperdine Digital Commons. For more information, please contact [email protected], [email protected], [email protected]. Watson: I Lift Up My Soul: A Resource Guide for Studying and Appropriatin 160 Leaven, Summer, 1999 ILift Up My Soul: A Resource Guide for Studying and Appropriating the Psal By Paul Watson We are experiencing among our not to suggest that oldel"'tesources the new Interpretation Biblical people a renewed and increased are not also valuable); and third, Studies series. Intended for use in interest in the psalms, which is most that they be readable and accessible congregational Bible classes, this is encouraging. We are turning to the to any serious student of the psalms. a ten-unit study guide. The first two psalms in many different settings-- I hope that you will find these units provide a general overview of in classes and small groups, in the resources as helpful and insightful the psalms; the remaining eight pulpit, in private devotional mo- as I have.
    [Show full text]
  • PDF Hosted at the Radboud Repository of the Radboud University Nijmegen
    PDF hosted at the Radboud Repository of the Radboud University Nijmegen The following full text is a publisher's version. For additional information about this publication click this link. http://hdl.handle.net/2066/166705 Please be advised that this information was generated on 2021-09-29 and may be subject to change. Epic Architecture: Architectural Terminology and the Cities of Bethlehem and Jerusalem in the Epics of Juvencus and Proba* Roald DIJKSTRA Soon after Constantine’s seizure of power, splen- pear as classical as possible while treating biblical did basilicas were built in Rome and the Holy content, he omitted many references to Jewish Land.1 Constantine had created the conditions culture, including topographical details.4 He necessary for the emergence of a rich Christian was anxious not to alienate his Rome-oriented architecture. At the same time, Christian po- audience in a poem that was a daunting liter- etry now also fully emerged. The first classiciz- ary innovation. Words referring to the world of ing yet openly Christian poets – Juvencus and architecture, however, are certainly not absent Proba – took the Roman epic tradition and in from his epic.5 Most of them can be explained particular Vergil as their main literary examples. by remarks in the biblical text of the gospels: In this tradition – and also in Rome’s national they either denote (groups of) dwellings, graves, epic the Aeneid – monuments played an impor- ‘spiritual’ buildings outside the world of earthly tant role.2 Moreover, the Aeneid ultimately told realia, or function as building metaphors. the story of the foundation of Rome.
    [Show full text]
  • SEDULIUS, the PASCHAL SONG and HYMNS Writings from the Greco-Roman World
    SEDULIUS, THE PASCHAL SONG AND HYMNS Writings from the Greco-Roman World David Konstan and Johan C. ! om, General Editors Editorial Board Brian E. Daley Erich S. Gruen Wendy Mayer Margaret M. Mitchell Teresa Morgan Ilaria L. E. Ramelli Michael J. Roberts Karin Schlapbach James C. VanderKam Number 35 SEDULIUS, THE PASCHAL SONG AND HYMNS Volume Editor Michael J. Roberts SEDULIUS, THE PASCHAL SONG AND HYMNS Translated with an Introduction and Notes by Carl P. E. Springer Society of Biblical Literature Atlanta SEDULIUS, THE PASCHAL SONG AND HYMNS Copyright © 2013 by the Society of Biblical Literature All rights reserved. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or by means of any information storage or retrieval system, except as may be expressly permit- ted by the 1976 Copyright Act or in writing from the publisher. Requests for permission should be addressed in writing to the Rights and Permissions O! ce, Society of Biblical Literature, 825 Houston Mill Road, Atlanta, GA 30329 USA. Library of Congress Cataloging-in-Publication Data Sedulius, active 5th century. The Paschal song and hymns / Sedulius ; translated with an introduction >and notes by Carl P. E. Springer. p. cm. — (Society of Biblical Literature. Writings from the Greco-Roman world ; volume 35) Text in Latin and English translation on facing pages; introduction and >notes in English. Includes bibliographical references and index. ISBN 978-1-58983-743-0 (paper binding : alk. paper) — ISBN 978-1-58983-744-7 (electronic format) — ISBN 978-1-58983-768-3 (hardcover binding : alk.
    [Show full text]
  • City of Atlanta 2016-2020 Capital Improvements Program (CIP) Community Work Program (CWP)
    City of Atlanta 2016-2020 Capital Improvements Program (CIP) Community Work Program (CWP) Prepared By: Department of Planning and Community Development 55 Trinity Avenue Atlanta, Georgia 30303 www.atlantaga.gov DRAFT JUNE 2015 Page is left blank intentionally for document formatting City of Atlanta 2016‐2020 Capital Improvements Program (CIP) and Community Work Program (CWP) June 2015 City of Atlanta Department of Planning and Community Development Office of Planning 55 Trinity Avenue Suite 3350 Atlanta, GA 30303 http://www.atlantaga.gov/indeex.aspx?page=391 Online City Projects Database: http:gis.atlantaga.gov/apps/cityprojects/ Mayor The Honorable M. Kasim Reed City Council Ceasar C. Mitchell, Council President Carla Smith Kwanza Hall Ivory Lee Young, Jr. Council District 1 Council District 2 Council District 3 Cleta Winslow Natalyn Mosby Archibong Alex Wan Council District 4 Council District 5 Council District 6 Howard Shook Yolanda Adreaan Felicia A. Moore Council District 7 Council District 8 Council District 9 C.T. Martin Keisha Bottoms Joyce Sheperd Council District 10 Council District 11 Council District 12 Michael Julian Bond Mary Norwood Andre Dickens Post 1 At Large Post 2 At Large Post 3 At Large Department of Planning and Community Development Terri M. Lee, Deputy Commissioner Charletta Wilson Jacks, Director, Office of Planning Project Staff Jessica Lavandier, Assistant Director, Strategic Planning Rodney Milton, Principal Planner Lenise Lyons, Urban Planner Capital Improvements Program Sub‐Cabinet Members Atlanta BeltLine,
    [Show full text]
  • Design and Control of a Personal Assistant Robot Yang Qian
    Design and Control of a Personal Assistant Robot Yang Qian To cite this version: Yang Qian. Design and Control of a Personal Assistant Robot. Other. Ecole Centrale de Lille, 2013. English. NNT : 2013ECLI0005. tel-00864692 HAL Id: tel-00864692 https://tel.archives-ouvertes.fr/tel-00864692 Submitted on 23 Sep 2013 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. N° d’ordre : 219 ECOLE CENTRALE DE LILLE THESE Présentée en vue d’obtenir le grade de DOCTEUR En Automatique, Génie Informatique, Traitement du Signal et Image Par QIAN Yang DOCTORAT DELIVRE PAR L’ECOLE CENTRALE DE LILLE Titre de la thèse : Conception et Commande d’un Robot d’Assistance à la Personne Design and Control of a Personal Assistant Robot Soutenue le 04 Juillet 2013 devant le jury d’examen : Président Saïd MAMMAR Professeur, Université d'Evry Val d'Essonne, Evry Rapporteur Nacer K.M’SIRDI Professeur, Polytech Marseille, Marseille Rapporteur Daniel SIDOBRE Maître de Conférences, HDR, Université Paul Sabatier, Toulouse Rapporteur Jianming YANG Professeur, Meijo University, Japon Membre Belkacem Ould Boumama Professeur, Polytech Lille, Lille Membre Qiang ZHAN Professeur, Beihang University, Chine Directeur de thèse Ahmed RAHMANI Maître de Conférences, HDR, Ecole Centrale de Lille, Lille Thèse préparée dans le Laboratoire d’Automatique, Génie Informatique et Signal L.A.G.I.S.
    [Show full text]
  • The Principal Works of St. Jerome by St
    NPNF2-06. Jerome: The Principal Works of St. Jerome by St. Jerome About NPNF2-06. Jerome: The Principal Works of St. Jerome by St. Jerome Title: NPNF2-06. Jerome: The Principal Works of St. Jerome URL: http://www.ccel.org/ccel/schaff/npnf206.html Author(s): Jerome, St. Schaff, Philip (1819-1893) (Editor) Freemantle, M.A., The Hon. W.H. (Translator) Publisher: Grand Rapids, MI: Christian Classics Ethereal Library Print Basis: New York: Christian Literature Publishing Co., 1892 Source: Logos Inc. Rights: Public Domain Status: This volume has been carefully proofread and corrected. CCEL Subjects: All; Proofed; Early Church; LC Call no: BR60 LC Subjects: Christianity Early Christian Literature. Fathers of the Church, etc. NPNF2-06. Jerome: The Principal Works of St. Jerome St. Jerome Table of Contents About This Book. p. ii Title Page.. p. 1 Title Page.. p. 2 Translator©s Preface.. p. 3 Prolegomena to Jerome.. p. 4 Introductory.. p. 4 Contemporary History.. p. 4 Life of Jerome.. p. 10 The Writings of Jerome.. p. 22 Estimate of the Scope and Value of Jerome©s Writings.. p. 26 Character and Influence of Jerome.. p. 32 Chronological Tables of the Life and Times of St. Jerome A.D. 345-420.. p. 33 The Letters of St. Jerome.. p. 40 To Innocent.. p. 40 To Theodosius and the Rest of the Anchorites.. p. 44 To Rufinus the Monk.. p. 44 To Florentius.. p. 48 To Florentius.. p. 49 To Julian, a Deacon of Antioch.. p. 50 To Chromatius, Jovinus, and Eusebius.. p. 51 To Niceas, Sub-Deacon of Aquileia.
    [Show full text]