Balboa Park, 1909-1911 the Rise and Fall of the Olmsted Plan
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George White Marston Document Collection
http://oac.cdlib.org/findaid/ark:/13030/c8bk1j48 Online items available George White Marston Document Collection Finding aid created by San Diego City Clerk's Archives staff using RecordEXPRESS San Diego City Clerk's Archives 202 C Street San Diego, California 92101 (619) 235-5247 [email protected] http://www.sandiego.gov/city-clerk/inforecords/archive.shtml 2019 George White Marston Document George W. Marston Documents 1 Collection Descriptive Summary Title: George White Marston Document Collection Dates: 1874 to 1950 Collection Number: George W. Marston Documents Creator/Collector: George W. MarstonAnna Lee Gunn MarstonGrant ConardAllen H. WrightA. M. WadstromW. C. CrandallLester T. OlmsteadA. S. HillF. M. LockwoodHarry C. ClarkJ. Edward KeatingPhilip MorseDr. D. GochenauerJohn SmithEd FletcherPatrick MartinMelville KlauberM. L. WardRobert W. FlackA. P. MillsClark M. FooteA. E. HortonA. OverbaughWilliam H. CarlsonH. T. ChristianE. F. RockfellowErnest E. WhiteA. MoranA. F. CrowellH. R. AndrewsGrant ConardGeorge P. MarstonRachel WegeforthW. P. B. PrenticeF. R. BurnhamKate O. SessionsMarstonGunnWardKlauberMartinFletcherSmithGochenauerMorseKeatingClarkLockwoodHillOlmsteadCrandalWadstromFlackMillsKeatingFooteLockwoodWrightChristianCarlsonConardSpaldingScrippsKellyGrantBallouLuceAngierWildeBartholomewSessionsBaconRhodesOlmsteadSerranoClarkHillHallSessionsFerryWardDoyleCity of San DiegoCity Clerk, CIty of San DiegoBoard of Park CommissionersPark DepartmentMarston Campaign CommitteeThe Marston CompanyMarston Co. StoreMarston for MayorPark -
The Making of the Panama-California Exposition, 1909-1915 by Richard W
The Journal of San Diego History SAN DIEGO HISTORICAL SOCIETY QUARTERLY Winter 1990, Volume 36, Number 1 Thomas L. Scharf, Editor The Making of the Panama-California Exposition, 1909-1915 by Richard W. Amero Researcher and Writer on the history of Balboa Park Images from this article On July 9, 1901, G. Aubrey Davidson, founder of the Southern Trust and Commerce Bank and Commerce Bank and president of the San Diego Chamber of Commerce, said San Diego should stage an exposition in 1915 to celebrate the completion of the Panama Canal. He told his fellow Chamber of Commerce members that San Diego would be the first American port of call north of the Panama Canal on the Pacific Coast. An exposition would call attention to the city and bolster an economy still shaky from the Wall Street panic of 1907. The Chamber of Commerce authorized Davidson to appoint a committee to look into his idea.1 Because the idea began with him, Davidson is called "the father of the exposition."2 On September 3, 1909, a special Chamber of Commerce committee formed the Panama- California Exposition Company and sent articles of incorporation to the Secretary of State in Sacramento.3 In 1910 San Diego had a population of 39,578, San Diego County 61,665, Los Angeles 319,198 and San Francisco 416,912. San Diego's meager population, the smallest of any city ever to attempt holding an international exposition, testifies to the city's extraordinary pluck and vitality.4 The Board of Directors of the Panama-California Exposition Company, on September 10, 1909, elected Ulysses S. -
Written Historical and Descriptive Data Hals Ca-131
THE GEORGE WHITE AND ANNA GUNN MARSTON HOUSE, HALS CA-131 GARDENS HALS CA-131 3525 Seventh Avenue San Diego San Diego County California WRITTEN HISTORICAL AND DESCRIPTIVE DATA HISTORIC AMERICAN LANDSCAPES SURVEY National Park Service U.S. Department of the Interior 1849 C Street NW Washington, DC 20240-0001 HISTORIC AMERICAN LANDSCAPES SURVEY THE GEORGE WHITE AND ANNA GUNN MARSTON HOUSE, GARDENS (The Marston Garden) HALS NO. CA-131 Location: 3525 Seventh Avenue, San Diego, San Diego County, California Bounded by Seventh Avenue and Upas Street, adjoining the northwest boundary of Balboa Park in the City of San Diego, California 32.741689, -117.157756 (Center of main house, Google Earth, WGS84) Significance: The George Marston Gardens represent the lasting legacy of one of San Diego’s most important civic patrons, George Marston. The intact home and grounds reflect the genteel taste of the Marston Family as a whole who in the early 20th century elevated landscape settings, by example, toward city beautification in the dusty, semi-arid, coastal desert of San Diego. The Period of Significance encompasses the full occupancy of the Marston Family from 1905-1987, which reflects the completion of the house construction in 1905 to the death of daughter Mary Marston in 1987. George White Marston (1850-1946) and daughter Mary Marston (1879-1987) are the two notable family members most associated with the design and implementation of the Marston House Gardens, et al. The George W. Marston House (George White and Anna Gunn Marston House) was historically designated by the City of San Diego on 4 December 1970, Historic Site #40. -
C100 Brochure
THE COMMITTEE 1915-1916 OF ONE HUNDRED he Panama-California Exposition, held in Balboa Park during 1915-1916, introduced Working to preserve Balboa Park’s historic TSpanish Colonial Revival architecture to architecture,10 gardens, and public 0 spaces since 1967 Southern California and to millions of visitors. The El Prado grouping, connected by arcades, was dubbed a “Dream City” by the press. The California Building, its tower and quadrangle, the Spreckels Organ Pavilion, the Botanical Building, the plazas, SAFE ZONE: gardens and the many “temporary” buildings along All critical elements (text, images, graphic elements, El Prado have thrilled San Diegans for one hundred logos etc.) must be kept inside the blue box. All text should have an 0.0625 inch spacing from the fold lines. years. Exposition buildings had begun to deteriorate as early as 1922, when George Marston appealed to TRIMMING ZONE: the public for funds in his letter to the editor of the Please allow 0.125 inches cutting tolerance around San Diego Union: your card. We recommend no borders due to shifting in the cutting process, borders may appear uneven. BLEED ZONE 0.125 inches: WhyCOVER should the park buildings be saved? Make sure to extend the background images or colors Were they not built as temporary structures, all the way to the edge of the black outline. without any thought of being retained after FOLD LINES: the Exposition period? … the community “OUTSIDEhas grown slowly into conviction that what we have there in Balboa Park—which is IMPORTANT something more than mere buildings— Please send artwork without blue, purple, black and gray frames. -
San Diego History Center Is a Museum, Education Center, and Research Library Founded As the San Diego Historical Society in 1928
The Journal of San Diego Volume 61 Winter 2015 Numbers 1 • The Journal of San Diego History Diego San of Journal 1 • The Numbers 2015 Winter 61 Volume History Publication of The Journal of San Diego History is underwritten by a major grant from the Quest for Truth Foundation, established by the late James G. Scripps. Additional support is provided by “The Journal of San Diego History Fund” of the San Diego Foundation and private donors. The San Diego History Center is a museum, education center, and research library founded as the San Diego Historical Society in 1928. Its activities are supported by: the City of San Diego’s Commission for Arts and Culture; the County of San Diego; individuals; foundations; corporations; fund raising events; membership dues; admissions; shop sales; and rights and reproduction fees. Articles appearing in The Journal of San Diego History are abstracted and indexed in Historical Abstracts and America: History and Life. The paper in the publication meets the minimum requirements of American National Standard for Information Science-Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984. Front Cover: Clockwise: Casa de Balboa—headquarters of the San Diego History Center in Balboa Park. Photo by Richard Benton. Back Cover: San Diego & Its Vicinity, 1915 inside advertisement. Courtesy of SDHC Research Archives. Design and Layout: Allen Wynar Printing: Crest Offset Printing Editorial Assistants: Travis Degheri Cynthia van Stralen Joey Seymour The Journal of San Diego History IRIS H. W. ENGSTRAND MOLLY McCLAIN Editors THEODORE STRATHMAN DAVID MILLER Review Editors Published since 1955 by the SAN DIEGO HISTORICAL SOCIETY 1649 El Prado, Balboa Park, San Diego, California 92101 ISSN 0022-4383 The Journal of San Diego History VOLUME 61 WINTER 2015 NUMBER 1 Editorial Consultants Published quarterly by the San Diego History Center at 1649 El Prado, Balboa MATTHEW BOKOVOY Park, San Diego, California 92101. -
Committee of 100 Newsletter
SPRING 2010 www.C100.org PRESIDENT’S MESSAGE I hope you will join us at our annual luncheon, where we’ll present the 2010 Gertrude Gilbert and Bertram Grosvenor Goodhue Awards. Our Guest Speaker, Dr. Eric Blinman, received his academic training in anthropology and archaeology at UC Berkeley and Washington State University. Dr. Blinman, left, is probably best known for his research $$ Please Donate Now $$ on pottery and textiles and Our Mayor Jerry Sanders has given us this for his participation in once-in-a-century opportunity to recreate the OAS educational programs magnifi cent public square that the Plaza de throughout New Mexico. His talk is entitled — Panama was meant to be. Edgar Lee Hewett and San Diego: The Committee of One Hundred and Balboa A Man of Opportunity Park Alliance fully support the Plaza restora- Despite his many accomplishments Edgar Lee tion and new tram system. San Diego can Hewett has been surprisingly forgettable. He began have a world-class Plaza de Panama by with a career in education and became an advocate 2015, the Centennial of the 1915 Exposition, if we can raise the needed funds. for North American archaeology, especially the archaeology of the West and of Central America. Please specify “Plaza de Panama” on your To characterize him as a missionary is an check for any amount and send it to: understatement. In the early 20th century he cajoled, encouraged, supported, and seeded institutions THE COMMITTEE OF ONE HUNDRED throughout the western states. Hewett brought his Balboa Park Administration Building unfettered vision to the exhibits of the 1915 Panama- 2125 Park Boulevard San Diego, CA 92103-4753 California Exposition, marshaling his network of people and resources to amaze, enthrall, and educate 100% of your contribution by check will an appreciative public. -
Historical Resources Research Report for 1050 Cypress Avenue, San
Historical Resources Research Report for 1050 Cypress Avenue, San Diego, California for the City of San Diego, Historical Resources Board October 2017 by Ginger Weatherford, MPS for Aaron Cate and Sarah Dixon, Owners State of California - The Resources Agency Primary # DEPARTMENT OF PARKS AND RECREATION HRI # PRIMARY RECORD Trinomial NRHP Status Code Other Listings Review Code Reviewer Date Page 1 of 10 *Resource Name or #: (Assigned by recorder) Charles and Audala Edwards, Jr./Reuben C. Haas House P1. Other Identifier: 1050 Cypress Avenue *P2. Location: Not for Publication Unrestricted *a. County San Diego and (P2c, P2e, and P2b or P2d. Attach a Location Map as necessary.) *b. USGS 7.5' Quad Point Loma Date 2015 T 16S ; R 3W ; ¼ of ¼ of Sec 25 ; B.M. San Bernardino c. Address 1050 Cypress Avenue City San Diego Zip 92103 d. UTM: (Give more than one for large and/or linear resources) Zone 11 , 485581 mE/ 3622977 mN e. Other Locational Data: (e.g., parcel #, directions to resource, elevation, decimal degrees, etc., as appropriate) APN: 452-133-07-00, Decimal Degrees: 32.7445°N, 117.1539°W (32°, 44', 40.3" N; 117°, 9', 14.1" W) The East 10 feet of the South 85 feet of Lot 14, the South 85 feet of Lots 15 and 16 and the West 5 feet of the South 85 feet of Lot 17 in Block 216, University Heights, in the City of San Diego, County of San Diego, State of California, according to Amended Map made by G. A. d’Hemecourt in Book 8, Page 36, et seq of Lis Pendens, in the Office of the County Recorder of San Diego County. -
Colonel DC Collier
Colonel D.C. Collier “An Inspiration to the Citizens of Today” By Richard Amero The gregarious and confident Colonel David Charles Collier (1871-1934) was a lawyer, real-estate developer, public servant, amateur archeologist, dabbler in minerals, and consultant in the holding of expositions.1 On October 11, 1936, in the second year of the California Pacific International Exposition, San Diego honored his memory by placing a plaque on the west wall of the California Quadrangle in Balboa Park.2 Designed by sculptor Frederick W. Schweigardt, it shows Collier in the process of signing his name, an image used by the colonel in numerous real estate ads. Beneath the salutation, “Yours for California,” and Collier’s signature are the words: COLONEL DAVID CHARLES COLLIER David C. Collier portrait - nd ©SDHC A man of vision - a dynamic leader - a OP 7831. developer and builder A great and lovable character The creative genius of the Panama-California Exposition of 1915 An inspiration to the citizens of today.3 Collier was one of San Diego’s best known characters at the turn of the twen- tieth century.4 He had a strapping figure, a leonine mane of hair, and flamboyant clothes. After returning from a visit to Brazil in 1912, he appeared at public meet- ings booted and spurred, with a striped poncho made of alpaca hair, a wide belt with knife attached, and an enormous sombrero on his head.5 He most often wore a five-gallon Stetson hat, a No. 18 turndown collar, and a Windsor tie, causing a New York reporter to ask, “Is he real or is this just theatrical makeup for a West- Richard Amero, a graduate of Bard College, New York, has become an adopted San Diegan. -
The San Diego Expositions and Modern Spanish Heritage in the Southwest, 1880–1940
New Mexico Historical Review Volume 78 Number 4 Article 2 10-1-2003 Peers of their White Conquerors: The San Diego Expositions and Modern Spanish Heritage in the Southwest, 1880–1940 Matthew Bokovoy Follow this and additional works at: https://digitalrepository.unm.edu/nmhr Recommended Citation Bokovoy, Matthew. "Peers of their White Conquerors: The San Diego Expositions and Modern Spanish Heritage in the Southwest, 1880–1940." New Mexico Historical Review 78, 4 (2003). https://digitalrepository.unm.edu/nmhr/vol78/iss4/2 This Article is brought to you for free and open access by UNM Digital Repository. It has been accepted for inclusion in New Mexico Historical Review by an authorized editor of UNM Digital Repository. For more information, please contact [email protected]. Peers of Their White Conquerors THE SAN DIEGO EXPOSITIONS AND MODERN SPANISH HERITAGE IN THE SOUTHWEST, 1880-1940 Matthew Bokovoy , n interest in mission ruins and Indian relics has been known to lead to Aan interest in Mexicans and Indians," wrote Carey McWilliams with some despair in North From Mexico: The Spanish-Speaking People of the United States, his 1949 book about the U.S.-Mexican Borderlands. He be lieved a southwestern cultural history could become an agent for national civil rights and cultural pluralism.! In this intriguing statement, McWilliams referred to the public culture in southern California and the Southwest, a regional tradition he defined as the Spanish "fantasy heritage." That cul tural construction was the myth created by White Californians to interpret the historical legacy of Indians, Spaniards, and Mexicans in the Southwest. Mostly inaccurate, ahistorical, and suffused with excessive sentimentality and romanticism, the fantasy heritage was the cultural gloss for the eco nomic development and promotion of southern California. -
Seventh Avenue Walking Tour
Nestled into Balboa Park’s northwest corner, the 3500 block of Seventh Avenue is one of San Diego’s best-kept secrets. This lush tract looked very different – vacant, dusty and studded with chaparral – in 1886, when it became Thomas T. Crittenden’s Addition. In 1903, George White Marston, a successful merchant and visionary civic leader, bought ten acres on the east side of Crittenden’s Addition for his extended family’s estates. Today, five of those acres belong to the George Marston House & Gardens. Within two decades, this subdivision was transformed into a fine collection of thoughtfully landscaped Arts & Crafts houses created for the Marstons and other prominent San Diegans who were eager to live indoors and out and to blend their hidden street into the evolving City Park. Being leading citizens of the day, they helped produce major civic projects, including the two international expositions. The block represents an important slice of San Diego’s architectural history, with the strong imprint of architect Irving J. Gill. We can see Gill’s buildings change from variations on the English Arts & Crafts style in brick to the horizontal Prairie Style with wide, sheltering eaves to geometric Early Modernism devoid of surface ornament. Gill designed two residences alone (one, the Thomas and Margaret Hamilton House, was demolished for a residential tower) and six others in partnership with another influential architect, William S. Hebbard. Nationally acclaimed planners and landscape architects such as John Nolen, Samuel Parsons, Jr., and Thomas D. Church worked on this block, usually hired by George Marston. Also heavily involved was Marston’s friend, horticulturist Kate Sessions, who is considered the “Mother of Balboa Park.” Original plantings, many still extant, came primarily from Ernest Benard, a prominent nurseryman, whose business was located in Mission Valley, though the California pepper trees that originally lined the street (as seen in the cover photo) were later changed to jacarandas. -
Sol Price and the Founders of Fedmart and Price Club
The Journal of Volume 56 Fall 2010 Number 4 • The Number Journal of San Diego History 2010 56 Fall Volume San Diego History Publication of The Journal of San Diego History is underwritten by a major grant from the Quest for Truth Foundation, established by the late James G. Scripps. Additional support is provided by “The Journal of San Diego Fund” of the San Diego Foundation and private donors. The San Diego History Center is a museum, education center, and research library founded as the San Diego Historical Society in 1928. Its activities are supported by: the City of San Diego’s Commission for Arts and Culture; the County of San Diego; individuals; foundations; corporations; fund raising events; PRESERVE A SAN DIEGO TREASURE membership dues; admissions; shop sales; and rights and reproduction fees. Your $100 contribution will help to create an endowment for Articles appearing in The Journal of San Diego History are abstracted and indexed in Historical Abstracts and America: History and Life. The Journal of San Diego History The paper in the publication meets the minimum requirements of American Please make your check payable to The San Diego Foundation. Indicate on National Standard for Information Science-Permanence of Paper for Printed the bottom of your check that your donation is for The Journal of San Diego Library Materials, ANSI Z39.48-1984. History Fund. The San Diego Foundation accepts contributions of $100 and up. Your contribution is tax-deductible. The San Diego Foundation 2508 Historic Decatur Road, Suite 200 San Diego, CA 92106 (619) 235-2300 or (858) 385-1595 [email protected] Cover: A collage of photos featuring Sol Price and the founders of FedMart and Price Club. -
The Art Traveler Guide: a Portrait of Balboa Park Copyright ©2016 Save Our Heritage Organisation Edited by Alana Coons.Text by Ann Jarmusch
THE ART TRAVELER GUIDE A PORTRAIT OF BALBOA PARK 1 THE ART TRAVELER GUIDE A PORTRAIT OF BALBOA PARK ON THE COVER: “Mr. Goodhue’s Dream” (detail of Cabrillo Bridge and the California State Building) by RD Riccoboni®, a.k.a. the Art Traveler. He created all the paintings reproduced in this guide in acrylic on canvas or paper, working in Balboa Park and his San Diego studio (2006-2014). Paintings from Beacon Artworks Collection, ©RD Riccoboni. www.rdriccoboni.com MR. GOODHUE’S DREAM Acrylic on canvas, 2012 | 16 x 20 inches The Art Traveler Guide: A Portrait of Balboa Park Copyright ©2016 Save Our Heritage Organisation Edited by Alana Coons.Text by Ann Jarmusch. All rights reserved. No part of this book, either text or image may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without prior written permission of the publisher. Published by Our Heritage Press, 2476 San Diego Avenue, San Diego, CA 92110 ISBN-13 978-0-9800950-5-0 ISBN-10 0-9800950-5-0 THE ART TRAVELER GUIDE A PORTRAIT OF BALBOA PARK Paintings by RD Riccoboni Forward✥ by ✥ Bruce ✥ Coons Executive Director, Save Our Heritage Organisation Alana Coons, Editor Ann Jarmusch, Writer Martina Schimitschek, Designer Will Chandler and Michael Kelly, Editorial Consultants Second Edition An Our Heritage Press publication to commemorate the Centennial of the 1915 Panama-California Exposition, and to promote the preservation and celebration of historic Balboa Park in the heart of San Diego. Table of Contents Forward by Bruce Coons, Executive Director, Save Our Heritage Organisation ........