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On the Shady Side: Escape the Heat to San Diego's Coolest Spots by Ondine Brooks Kuraoka
Publication Details: San Diego Family Magazine July 2004 pp. 28-29, 31 Approximately 1,400 words On the Shady Side: Escape the Heat to San Diego's Coolest Spots by Ondine Brooks Kuraoka During the dog days of summer, it’s tempting to hunker down inside until the temperature drops. Cabin fever can hit hard, though, especially with little ones. If we don’t have air conditioning we hit the mall, or stake out a booth at Denny’s, or do time at one of the wild pizza arcades when we’re desperate. Of course, we can always head to the beach. But we yearn for places where energetic little legs can run amok and avoid the burning rays. Luckily, there is a slew of family-friendly, shady glens nestled between the sunny stretches of San Diego. First stop: Balboa Park (www.balboapark.org ). The Secret is Out While you’re huffing a sweaty path to your museum of choice, the smiling folks whizzing by on the jovial red Park Tram are getting a free ride! Park in the lot at Inspiration Point on the east side of Park Blvd., right off of Presidents Way, and wait no longer than 15 minutes at Tram Central, a shady arbor with benches. The Tram goes to the Balboa Park Visitors Center (619-239-0512), where you can get maps and souvenirs, open daily from 9 a.m.. to 4 p.m. Continuing down to Sixth Avenue, the Tram then trundles back to the Pan American Plaza near the Hall of Champions Sports Museum. -
George White Marston Document Collection
http://oac.cdlib.org/findaid/ark:/13030/c8bk1j48 Online items available George White Marston Document Collection Finding aid created by San Diego City Clerk's Archives staff using RecordEXPRESS San Diego City Clerk's Archives 202 C Street San Diego, California 92101 (619) 235-5247 [email protected] http://www.sandiego.gov/city-clerk/inforecords/archive.shtml 2019 George White Marston Document George W. Marston Documents 1 Collection Descriptive Summary Title: George White Marston Document Collection Dates: 1874 to 1950 Collection Number: George W. Marston Documents Creator/Collector: George W. MarstonAnna Lee Gunn MarstonGrant ConardAllen H. WrightA. M. WadstromW. C. CrandallLester T. OlmsteadA. S. HillF. M. LockwoodHarry C. ClarkJ. Edward KeatingPhilip MorseDr. D. GochenauerJohn SmithEd FletcherPatrick MartinMelville KlauberM. L. WardRobert W. FlackA. P. MillsClark M. FooteA. E. HortonA. OverbaughWilliam H. CarlsonH. T. ChristianE. F. RockfellowErnest E. WhiteA. MoranA. F. CrowellH. R. AndrewsGrant ConardGeorge P. MarstonRachel WegeforthW. P. B. PrenticeF. R. BurnhamKate O. SessionsMarstonGunnWardKlauberMartinFletcherSmithGochenauerMorseKeatingClarkLockwoodHillOlmsteadCrandalWadstromFlackMillsKeatingFooteLockwoodWrightChristianCarlsonConardSpaldingScrippsKellyGrantBallouLuceAngierWildeBartholomewSessionsBaconRhodesOlmsteadSerranoClarkHillHallSessionsFerryWardDoyleCity of San DiegoCity Clerk, CIty of San DiegoBoard of Park CommissionersPark DepartmentMarston Campaign CommitteeThe Marston CompanyMarston Co. StoreMarston for MayorPark -
Casa Del Prado in Balboa Park
Chapter 19 HISTORY OF THE CASA DEL PRADO IN BALBOA PARK Of buildings remaining from the 1915 Panama-California Exposition, exhibit buildings north of El Prado in the agricultural section survived for many years. They were eventually absorbed by the San Diego Zoo. Buildings south of El Prado were gone by 1933, except for the New Mexico and Kansas Buildings. These survive today as the Balboa Park Club and the House of Italy. This left intact the Spanish-Colonial complex along El Prado, the main east-west avenue that separated north from south sections The Sacramento Valley Building, at the head of the Plaza de Panama in the approximate center of El Prado, was demolished in 1923 to make way for the Fine Arts Gallery. The Southern California Counties Building burned down in 1925. The San Joaquin Valley and the Kern-Tulare Counties Building, on the promenade south of the Plaza de Panama, were torn down in 1933. When the Science and Education and Home Economy buildings were razed in 1962, the only 1915 Exposition buildings on El Prado were the California Building and its annexes, the House of Charm, the House of Hospitality, the Botanical Building, the Electric Building, and the Food and Beverage Building. This paper will describe the ups and downs of the 1915 Varied Industries and Food Products Building (1935 Food and Beverage Building), today the Casa del Prado. When first conceived the Varied Industries and Food Products Building was called the Agriculture and Horticulture Building. The name was changed to conform to exhibits inside the building. -
Balboa Park Facilities
';'fl 0 BalboaPark Cl ub a) Timken MuseumofArt ~ '------___J .__ _________ _J o,"'".__ _____ __, 8 PalisadesBuilding fDLily Pond ,------,r-----,- U.,..p_a_s ..,.t,..._---~ i3.~------ a MarieHitchcock Puppet Theatre G BotanicalBuild ing - D b RecitalHall Q) Casade l Prado \ l::..-=--=--=---:::-- c Parkand Recreation Department a Casadel Prado Patio A Q SanD iegoAutomot iveMuseum b Casadel Prado Pat io B ca 0 SanD iegoAerospace Museum c Casadel Prado Theate r • StarlightBow l G Casade Balboa 0 MunicipalGymnasium a MuseumofPhotograph icArts 0 SanD iegoHall of Champions b MuseumofSan Diego History 0 Houseof PacificRelat ionsInternational Cottages c SanDiego Mode l RailroadMuseum d BalboaArt Conservation Cente r C) UnitedNations Bui lding e Committeeof100 G Hallof Nations u f Cafein the Park SpreckelsOrgan Pavilion 4D g SanDiego Historical Society Research Archives 0 JapaneseFriendship Garden u • G) CommunityChristmas Tree G Zoro Garden ~ fI) ReubenH.Fleet Science Center CDPalm Canyon G) Plaza deBalboa and the Bea Evenson Fountain fl G) HouseofCharm a MingeiInternationa l Museum G) SanDiego Natural History Museum I b SanD iegoArt I nstitute (D RoseGarden j t::::J c:::i C) AlcazarGarden (!) DesertGarden G) MoretonBay Ag T ree •........ ••• . I G) SanDiego Museum ofMan (Ca liforniaTower) !il' . .- . WestGate (D PhotographicArts Bui lding ■ • ■ Cl) 8°I .■ m·■ .. •'---- G) CabrilloBridge G) SpanishVillage Art Center 0 ... ■ .■ :-, ■ ■ BalboaPar kCarouse l ■ ■ LawnBowling Greens G 8 Cl) I f) SeftonPlaza G MiniatureRail road aa a Founders'Plaza Cl)San Diego Zoo Entrance b KateSessions Statue G) War MemorialBuil ding fl) MarstonPoint ~ CentroCu lturalde la Raza 6) FireAlarm Building mWorld Beat Cultura l Center t) BalboaClub e BalboaPark Activ ity Center fl) RedwoodBrid geCl ub 6) Veteran'sMuseum and Memo rial Center G MarstonHouse and Garden e SanDiego American Indian Cultural Center andMuseum $ OldG lobeTheatre Comp lex e) SanDiego Museum ofArt 6) Administration BuildingCo urtyard a MayS. -
Tapestry of Time
Tapestry of Time From the Friends of Balboa Park Updated November 2010 Table of Authors Letter from Our Founder, Betty Peabody 4, 5 Allen, Grace Bentley 93 Amos, Martha f. 28 Anderson, Phyllis D. 91 Atherton, Debra 105 Atherton, May 17 Bennett, Kay Mason 77 Benton, Mariella 30 Borthwick, Georgia 11 Brown, Margaret 70 Butler, Ardith Lundy 47 Butler, Colornel Richard D. 45 Butorac, Kathryn 84 Cardua, Harney M. Jr. 38 Cash, John C. 9 Conlee, Roger 108 Cooper, Barbara 99 Davies, Darlene G. 96 Davies, Vince 66 Dose, Betty Curtis 69 Dr. Rufus Anton Schneiders 56 Earnest, Sue Ph.D 20 Echis, Ellen Renelle 33 Ehrich, Nano Chamblin 75 Engle, Mrs. Margaret 86 Evenson, Bea 106 Faulconer, Thomas P. 13 Fisk, Linda L. 23 Fry, Lewis W. 58 Giddings, Annie & Donald 18 Green, Don 87 Hankins, Thelma Larsen 53 Herms, Bruce F. 63 Hertzman, Sylvia Luce 78 Howard, RADM J.L. 43 Johnson, Cecelia cox 98 Jones, Barbara S. 40 Kenward, Frances Wright 34, 51 Kirk, Sandra Jackson 104 Klauber, Jean R. 6 Klauber, Phil 14, 36 Klees, Bob 89 Kooperman, Evelyn Roy 102 Lathrop, Chester A. 88 Lee, CDR Evelyn L. Schrader 100 Logue, Camille Woods 72 Marston, Hamilton 25 McFall, Gene 31 McKewen, Barbara Davis 90 Meads, Betty 95 Menke, Pat & Bob 94 Minchin, Mrs. Paul 68 Minskall, Jane 35 Mitchell, Alfred R. 29 Moore, Floyd R. 101 Neill, Clarence T. “Chan” 67 Oberg, Cy 74 Pabst, Dick 42 Pabst, Katherine 50 Phair, Patti 92 Porter, Francis J. Jr. 85 Pyle, Cynthia Harris 97 Richardson, Joe 79 Roche, Francis 82 Roche, Merna Phillips 60 Sadler, Mary M. -
Art of Elan San Diego Air & Space Museum Athenaeum Music & Arts
FY17 ORGANIZATIONAL SUPPORT PROGRAM (OSP) CONTRACTORS Art of Elan San Diego Air & Space Museum Athenaeum Music & Arts Library San Diego Archaeological Center Bach Collegium San Diego San Diego Art Institute Balboa Park Cultural Partnership San Diego Automotive Museum Balboa Park Online Collaborative, Inc. San Diego Ballet California Ballet Association, Inc San Diego Center for Jewish Culture Camarada, Inc. San Diego Children's Choir Center for World Music San Diego Chinese Historical Society and Museum Choral Consortium of San Diego San Diego Civic Youth Ballet. Inc. City Ballet, Inc San Diego Dance Theater Classics for Kids, Inc. San Diego Guild of Puppetry, Inc Culture Shock Dance Troupe, Inc San Diego Hall of Champions Cygnet Theatre Company San Diego History Center Diversionary Theatre San Diego Junior Theatre Fern Street Community Arts, Inc San Diego Master Chorale Finest City Performing Arts, Inc. San Diego Model Railroad Museum Flying Leatherneck Historical Foundation San Diego Museum Council, Inc. Gaslamp Quarter Historical Foundation San Diego Museum of Art Intrepid Shakespeare Company San Diego Museum of Man Ion Theatre Company San Diego Musical Theatre Japanese Friendship Garden Society of San Diego San Diego Opera La Jolla Historical Society San Diego Repertory Theatre La Jolla Music Society San Diego Society of Natural History Balboa Park La Jolla Symphony and Chorus Association San Diego Symphony Orchestra Association Lambda Archives of San Diego San Diego Theatres, Inc Mainly Mozart, Inc. San Diego Watercolor Society Malashock Dance & Company San Diego Women's Chorus Maritime Museum Association of San Diego San Diego Writers, Ink Media Arts Center San Diego San Diego Youth Symphony and Conservatory Mingei International, Inc. -
Balboa Park, 1909-1911 the Rise and Fall of the Olmsted Plan
The Journal of San Diego History SAN DIEGO HISTORICAL SOCIETY QUARTERLY Winter 1982, Volume 28, Number 1 Edited by Thomas L. Scharf Balboa Park, 1909-1911 The Rise and Fall of the Olmsted Plan By Gregory Montes Copley Award, San Diego History Center 1981 Institute of History Images from this article BETWEEN 1868, the founding year of San Diego's City Park, now Balboa Park, and 1909, public open space protagonists and antagonists fought frequently over how to use the 1,400 acre tract. But as of 1909 it still was not clear which force would prevail in the long run. Due to San Diego's small population (39,000) and economy, caused mainly by its remote location in the southwesternmost United States, City Park represented somewhat of a draw by 1909. On the one hand, the relatively few, albeit vigorous, well-placed park supporters had managed to achieve since 1868 only about 100 acres of spotty, although pleasing landscaping, mainly in the southwest, northwest and southeast corners of City Park and construction of several long, winding boulevards throughout the tract.1 On the other hand, the park poachers had succeeded in permanently gaining only five acres for a non-park use, San Diego (or Russ) High School at the south side of City Park. Until 1909, public park protectors and town developers had not reached a consensus on how to proceed with City Park. Then came forward an idea which seemed to have something for both sides, more or less. The transformation of that proposal to reality brought divergent San Diegans together on some points and asunder on others. -
Robert F. Smith, Jr. Museum Management Symposium
Balboa Park Cultural Partnership Centro Cultural de la Raza House of Hospitality Japanese Friendship Garden Society of San Diego Mingei International Museum Museum of Photographic Arts Reuben H. Fleet Science Center San Diego Air & Space Museum San Diego Art Institute: Museum of the Living Artist San Diego Automotive Museum San Diego Hall of Champions Sports Museum San Diego Historical Society San Diego Junior Theatre San Diego Model Railroad Museum San Diego Museum of Art The Balboa Park Cultural Partnership San Diego Museum of Man presents San Diego Natural History Museum Spanish Village Art Center The Old Globe Timken Museum of Art Veterans Museum & Memorial Center WorldBeat Center Robert F. Smith, Jr. Zoological Society of San Diego Museum Management Symposium st 21 Century Leadership for Nonprofit Organizations The Partnership’s mission is to enrich the cultural life of San Diego by facilitating collaborative efforts among member institutions as well as between the Partnership and the community; to enable Balboa Park cultural institutions to achieve their full individual and collective potential; and to preserve and enhance the cultural assets of Balboa Park for future generations. November 19, 2007 9:00 a.m. to 11:00 a.m. James S. Copley Auditorium Balboa Park Cultural Partnership San Diego Museum of Art 1549 El Prado, Suite One San Diego, CA 92101 619.232.7502 www.bpcp.org Mr. Robert F. Smith, Jr. Robert F. Smith, Jr. Robert (Bob) F. Smith, Jr. was the co-founder and president of Museum Management Symposium Strategies & Teams, Inc., an international consulting company based in San Diego. Mr. Smith’s service to Balboa Park began when he Welcome was a young newsboy, selling daily papers at the California-Pacific Dr. -
Written Historical and Descriptive Data Hals Ca-131
THE GEORGE WHITE AND ANNA GUNN MARSTON HOUSE, HALS CA-131 GARDENS HALS CA-131 3525 Seventh Avenue San Diego San Diego County California WRITTEN HISTORICAL AND DESCRIPTIVE DATA HISTORIC AMERICAN LANDSCAPES SURVEY National Park Service U.S. Department of the Interior 1849 C Street NW Washington, DC 20240-0001 HISTORIC AMERICAN LANDSCAPES SURVEY THE GEORGE WHITE AND ANNA GUNN MARSTON HOUSE, GARDENS (The Marston Garden) HALS NO. CA-131 Location: 3525 Seventh Avenue, San Diego, San Diego County, California Bounded by Seventh Avenue and Upas Street, adjoining the northwest boundary of Balboa Park in the City of San Diego, California 32.741689, -117.157756 (Center of main house, Google Earth, WGS84) Significance: The George Marston Gardens represent the lasting legacy of one of San Diego’s most important civic patrons, George Marston. The intact home and grounds reflect the genteel taste of the Marston Family as a whole who in the early 20th century elevated landscape settings, by example, toward city beautification in the dusty, semi-arid, coastal desert of San Diego. The Period of Significance encompasses the full occupancy of the Marston Family from 1905-1987, which reflects the completion of the house construction in 1905 to the death of daughter Mary Marston in 1987. George White Marston (1850-1946) and daughter Mary Marston (1879-1987) are the two notable family members most associated with the design and implementation of the Marston House Gardens, et al. The George W. Marston House (George White and Anna Gunn Marston House) was historically designated by the City of San Diego on 4 December 1970, Historic Site #40. -
Advanced Scavenger Hunt
Balboa Park Scavenger Hunt AN EDUCATION PROGRAM OF FRIENDS OF BALBOA PARK Balboa Park History Balboa Park was originally built to host the Panama-California Exposition of 1915, celebrating the Earn your patch! opening of the Panama Canal. The Park was not intended to be permanent, but citizens rallied to preserve it. Over a century later, it remains one of San Diego's most beloved destinations. Your Mission Using the Balboa Park Map, follow the clues and riddles to learn even more about the park, its important buildings, museums, and institutions. Each “Hidden Treasure” will have a map number listed to help you narrow down your search. Good luck! Hidden Treasure #1 Hidden Treasure #2 Map number 11 Map letter A Many works of art from Spain can be found This garden was restored in 1962. inside this museum, and these Spanish artists can be found standing on the outside What is the name of this garden? of it. What club restored it? Hidden Treasure #3 Map letter H What are the last names of these three artists? This tropical oasis contains more than 1. 450 palms within 2 acres. 2. The original group of 3. Mexican Fan Palms date back to 1912. What is the name of this hidden spot? FRIENDS OF BALBOA PARK SCAVENGER HUNT Hidden Treasure #4 Hidden Treasure #6 Map number 22 Map number 15 The Spreckels Organ is the largest outdoor organ in the world! Who donated the organ to the City of San Diego, back in 1914? This spy was a dark secret when it first breathed air. -
History of the California Building and the San Diego Museum Of
CHAPTER 9 THE CALIFORNIA BUILDING: A CASE OF THE MISUNDERSTOOD BAROQUE AND THE HISTORY OF THE SAN DIEGO MUSEUM/ MUSEUM OF MAN by Richard W. Amero “My judgment is now clear and unfettered, and that dark cloud of ignorance has disappeared, which the continual reading of these detestable books of knight-errantry has cast over my understanding.” Miguel de Cervantes. Don Quixote, Book 2, Part 16. Very few people appear to have looked at the south facade of the California Building in San Diego's Balboa Park. H. K. Raymenton described it as Plateresque in style.[1] Trent Sanford thought it better than anything in Mexico or Spain.[2] William Templeton Johnson called it the finest Spanish- Renaissance facade in existence,[3] and Thomas E. Tallmadge hailed it as the best example of Churrigueresque architecture in the world.[4] An article in the San Diego Union, January 1, 1915, asserted the California Building was "copied in many essential details from the magnificent cathedral at Oaxaca, Mexico."[5] Christian Brinton repeated this suggestion in June of the same year.[6] After checking with Bertram Goodhue, who designed the California Building, C. Matlack Price referred to the comparison as "palpably absurd."[7] The Late-Renaissance Cathedral of Oaxaca, rebuilt in the early eighteenth century, has a compartmentalized facade with three horizontal tiers and five vertical bays which hold one principal and two lateral doorways, and is flanked by two squat, single-stage towers.[8] None of its details resemble those on the California Building. Carol Mendel declared the California Building facade was taken from the seventeenth to nineteenth-century late-Renaissance, Baroque, Neo- Classical facade of the Cathedral of Mexico in Mexico City.[9] If she had selected the mid-eighteenth century Sagrario Metropolitano, which adjoins the cathedral, she would have been closer to the truth, for this building's facade is an outstanding example of Mexican Ultra-Baroque, or, as it is generally known, Churrigueresque.[10] To George H. -
1935 California Pacific International Exposition Excerpts from San Diego’S Balboa Park by David Marshall, AIA February 17, 2009
1935 California Pacific International Exposition Excerpts from San Diego’s Balboa Park by David Marshall, AIA February 17, 2009 ■ Summary Still feeling the effects from the Great Depression in 1933, San Diego’s civic boosters be lieved that another expo sition in Balboa Park would help the economy and promote the city as a business and tourist destination. The 1935 California Pacific International Exposition, also known as America’s Exposition, was born. The new buildings were paid for in part by the first WPA funds allocated to an American city. Balboa Park was re-configured by San Diego architect Richard S. Requa who also oversaw the design and construction of many new buildings. The second exposition left behind a legacy of colorful stories with its odd and controversial exhibits and sideshow entertainment. America’s Exposition also provided visitors with early glimpses of a walking silver robo t and a strange electrical device known as a “television.” Only two years after it was first conceived, the 1935 California Pacific International Exposition opened on May 29, 1935. Like the first exposition, the 1935 fair was so successful it was extended for a second year. Opening ceremonies for the second season began when President Franklin D. Roosevelt pressed a gold t elegraph ke y in the White House to turn on the exposition’s lights. When the final numbers were tallied, the 1935-1936 event counted 6.7 million visitors – almost double the total of the 1915-1916 exposition. ■ Buildings Constructed for the 1935 Exposition House of Hospitality Courtyard. For this popular patio, architect Richard Requa literally carved o ut the center of the hangar-like 1915 Foreign Arts Building and opened it to the sky.