GET 52731 LES MCCANN Layers LP

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Starting in the late 60s, jazz music started to take an interesting, and very soulful turn. Influenced by the funk of the day – from James Brown to Sly & The Family Stone – the artform, generally not considered a funky musical genre, started to stretch out and fit into the times. It was a fertile era, and to reciprocate, funk, soul and groovy rock fans started to discover accomplished, SIDE A: SONGS FROM BOSTON open-minded jazz artists like Les McCann, whose tunes made Sometimes I Cry sense to their ears, even if bebop hadn’t grabbed them. Let’s Gather This incredible album – long a favorite of forward-thinking Anticipation hip-hop producers and DJs – washes over listeners from the first chords of the incredible album opener, “Sometimes I Cry,” The Dunbar High School Marching Band led by McCann’s array of analog synthesizers and backed by an Soaring (At Dawn) Part I excellent rhythm section (Donald Dean on drums; Ralph McDonald on percussion and Jimmy Rowser on bass). Truth be told, highlights are hard to pick out, but fans never go SIDE B: SONGS FROM MY CHILDHOOD long without returning to the fuzzed-out funk of “The Harlem The Harlem Buck Dance Strut Buck Strut Dance,” “Let’s Play (Til Mom Calls)” and “It Never Stopped In My Hometown.” These keyboard-drenched grooves Interlude sat alongside record stacks brimming with Stevie Wonder, Before I Rest Funkadelic, Marvin Gaye’s 70s soul and, of course, Miles Davis’ space funk experiments of the era (like Bitches Brew). Let’s Play (’Til Mom Calls) It Never Stopped In My Home Town Whether you’re new to Layers or just updating a well-loved and heavily worn-out copy, throw this one on, light one up and lose Soaring (At Dawn) Part II yourself for an hour…or even a couple days, if you have the option. ARTIST: Les McCann TITLE: Layers CATALOG: GET52731-LP UPC: 6 64425 27311 3 STREET: 02/16/18 getondown.com • facebook.com/getondown • twitter.com/getondowntweets • youtube.com/getondowntv.

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Blackworld 19740400
5TONY BROOK VOLUME ONE : NUMBER ONE APRIL 1974 Su ....... _HAT ... IIW!-.. WE'RE il A IilI OUT III... I PURE SOIL -)i:ihli!!i~S i '"'iiiiiii iiii!!i!iiiiii~ ~iiiiiiii ~-----EDITORIAL :,,,ii~i--- !j:::;::::::i!i): iiiii " l:::::' ...... History is being made on columns of others. At all the campus of the State times we will strive to be University of New York at short on rhetoric, of which Stony Brook today. we have had enough, and This edition of the Stony long on information on Brook Blackworld marks which our black brothers the first time that our black and sisters can make the community has moved to many important decisions establish, develop, and which affect our lives here. maintain communications at Stony brook, and in our with all of its segments on individual communities. on an on-going basis. We will welcome all cri- far as space We start modestly, but ticisms, and as allows, we will print your our hopes are high. It is our intention to pro- letters to the editor. duce a black newspaper of We will plead our cause, the highest calibre. Ac- and support all efforts for curacy in our reporting will change here atStony Brook. be our constant guide. If In the words of Frederick you read it in the Black- Douglass written more than world, it is indeed so. At 120 years ago: the same time we aim to be, "It is neither a reflection informative, readable, and on the fidelity, nor the dis- reflective of the interests, paragement of the ability needs, and concerns of e- of our friends, and fellow very black man and woman laborers, to assert what on campus regardless of common sense affirms and status.
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Arturo O'farrill Ron Horton Steve Potts Stan Getz
SEPTEMBER 2015—ISSUE 161 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM GARY BARTZ musical warrior ARTURO RON STEVE STAN O’FARRILL HORTON POTTS GETZ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East SEPTEMBER 2015—ISSUE 161 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Arturo O’Farrill 6 by russ musto [email protected] Andrey Henkin: [email protected] Artist Feature : Ron Horton 7 by sean fitzell General Inquiries: [email protected] On The Cover : Gary Bartz 8 by james pietaro Advertising: [email protected] Encore : Steve Potts by clifford Allen Editorial: 10 [email protected] Calendar: Lest We Forget : Stan Getz 10 by george kanzler [email protected] VOXNews: LAbel Spotlight : 482 Music by ken waxman [email protected] 11 Letters to the Editor: [email protected] VOXNEWS 11 by katie bull US Subscription rates: 12 issues, $35 International Subscription rates: 12 issues, $45 In Memoriam 12 by andrey henkin For subscription assistance, send check, cash or money order to the address above or email [email protected] Festival Report 13 Staff Writers David R. Adler, Clifford Allen, CD Reviews 14 Fred Bouchard, Stuart Broomer, Katie Bull, Thomas Conrad, Ken Dryden, Donald Elfman, Miscellany 39 Brad Farberman, Sean Fitzell, Kurt Gottschalk, Tom Greenland, Event Calendar Alex Henderson, Marcia Hillman, 40 Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Russ Musto, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman Alto saxophonist Gary Bartz (On The Cover) turns 75 this month and celebrates with two nights at Dizzy’s Club.
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Harold MABERN: Teo MACERO
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Harold MABERN: "Workin' And Wailin'" Virgil Jones -tp,flh; George Coleman -ts; Harold Mabern -p; Buster Williams -b; Leo Morris -d; recorded June 30, 1969 in New York Leo Morris aka Idris Muhammad 101615 A TIME FOR LOVE 4.54 Prest PR7687 101616 WALTZING WESTWARD 9.26 --- 101617 I CAN'T UNDERSTAND WHAT I SEE IN YOU 8.33 --- 101618 STROZIER'S MODE 7.58 --- 101619 BLUES FOR PHINEAS 5.11 --- "Greasy Kid Stuff" Lee Morgan -tp; Hubert Laws -fl,ts; Harold Mabern -p; Boogaloo Joe Jones -g; Buster Williams -b; Idriss Muhammad -d; recorded January 26, 1970 in New York 101620 I WANT YOU BACK 5.30 Prest PR7764 101621 GREASY KID STUFF 8.23 --- 101622 ALEX THE GREAT 7.20 --- 101623 XKE 6.52 --- 101624 JOHN NEELY - BEAUTIFUL PEOPLE 8.33 --- 101625 I HAVEN'T GOT ANYTHING BETTER TO DO 6.04 --- "Remy Martin's New Years Special" James Moody Trio: Harold Mabern -p; Todd Coleman -b; Edward Gladden -d; recorded December 31, 1984 in Sweet Basil, New York it's the rhythm section of James Moody Quartet 99565 YOU DON'T KNOW WHAT LOVE IS 13.59 Aircheck 99566 THERE'S NO GREEATER LOVE 10.14 --- 99567 ALL BLUES 11.54 --- 99568 STRIKE UP THE BAND 13.05 --- "Lookin' On The Bright Side" Harold Mabern -p; Christian McBride -b; Jack DeJohnette -d; recorded February and March 1993 in New York 87461 LOOK ON THE BRIGHT SIDE 5.37 DIW 614 87462 MOMENT'S NOTICE 5.25 --- 87463 BIG TIME COOPER 8.04 --- 87464 AU PRIVAVE
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1 The TENORSAX of GEORGE HOLMES TATE “BUDDY” Solographer: Jan Evensmo Last update: Jan. 4, 2020 2 Born: Sherman, Texas, Feb. 22, 1914 Died: Chandler, Arizona, Feb. 10, 2001 Introduction: We became familiar with Buddy Tate very early through his recordings with Count Basie. I met him once, many years ago, at the Molde International Jazz Festival. He was a very kind man, and when he realized I was doing some useful work on ja zz tenor saxophone, he invited me to his hotel room for whisky. We had a very nice time together in the light summer night of Norway! Early history: His brother, a saxophonist, gave Buddy an alto in 1925. Two years later began gigging with McCloud's Night Owls (led by his cousin, trumpeter Roy McCloud). In 1929 played for several months in Wichita Falls with the St. Louis Merrymakers, later that year joined Troy Floyd's Band in San Antonio. Briefly with Gene Coy's Band, then with Terrence Holder's 12 Clouds of Joy from 1930-33. Worked with E. J. Malone and his Rhythm Kings (early 1933), Wesley Smiths' Band, ‘Tan Town Topics’, and Ethel May's Band before joining Count Basie in Little Rock, Arkansas (ca. July 1934). From late 1934 until early summer 1935 with Andy Kirk, played with band at Wiley College, Texas, then long spell with Nat Towles until joining Count Basie in spring 1939. Remained with Basie until September 1948, brief return in early 1949, then for the rest of that year worked mostly with Hot Lips Page, occasionally with Lucky Millinder.
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Les Mccann Layers Mp3, Flac, Wma
Les McCann Layers mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Layers Country: US Released: 2002 Style: Fusion, Contemporary Jazz MP3 version RAR size: 1979 mb FLAC version RAR size: 1725 mb WMA version RAR size: 1649 mb Rating: 4.7 Votes: 645 Other Formats: RA AIFF AAC WMA AUD VQF AC3 Tracklist 1 Sometimes I Cry 5:21 2 Let's Gather 1:13 3 Anticipation 0:52 4 The Dunbar High School Marching Band 6:06 5 Soaring (At Dawn) Part 1 5:53 6 The Harlem Buck Strut Dance 5:55 7 Interlude 0:35 8 Before I Rest 3:41 9 Let's Play (Til Mom Calls) 4:27 10 It Never Stopped In My Home Town 1:49 11 Soaring (At Sunset) Part 2 8:01 Companies, etc. Phonographic Copyright (p) – Atlantic Recording Corporation Copyright (c) – Collectables Records Corp. Distributed By – Collectables Records Corp. Manufactured By – Rhino Entertainment Company Licensed From – Atlantic Recording Corporation Recorded At – Regent Sound Studios, New York City Credits Arranged By, Conductor – Les McCann Bells, Percussion – Jimmy Rowser Congas, Bells, Percussion – Ralph MacDonald Congas, Bongos, Wood Block, Bells – Buck Clarke Double Bass – Jimmy Rowser (tracks: 1, 5) Drums, Bells, Percussion – Donald Dean Electric Bass – Jimmy Rowser (tracks: 2, 4, 6) Engineer, Remix – Bob Liftin Piano, Electric Piano, Synthesizer [Arp], Clavinet, Drums, Timpani – Les McCann Producer – Joel Dorn Producer [Production Associate] – Jack Shaw Notes Originally released as Atlantic 1646 in 1973 Barcode and Other Identifiers Barcode: 0 90431 63662 6 Other versions Category Artist Title (Format) Label Category Country Year SD 1646 Les McCann Layers (LP, Album) Atlantic SD 1646 US 1974 Layers (LP, Album, SD 1646 Les McCann Atlantic SD 1646 US 1973 Promo) Layers (LP, Album, SD 1646 Les McCann Atlantic SD 1646 Canada 1973 Gat) ATL 50 042 Les McCann Layers (LP, Album) Atlantic ATL 50 042 Germany 1974 Rhino Entertainment R2 71280 Les McCann Layers (CD, Album) R2 71280 US 1993 Company Related Music albums to Layers by Les McCann Chic - Chic / C'est Chic Barbara & Ernie - Prelude To..
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Gets Closer Look NEW YORK -Top Executives WASHINGTON - Failure of Court Judge June L
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Jazz at Newport 1958
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Clark Terry Discography
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Download the TENORSAX of JEAN BAPTISTE ILLINOIS JACQUET
1 The TENORSAX of JEAN BAPTISTE ILLINOIS JACQUET Solographer: Jan Evensmo Last update: Dec. 20, 2020 2 Born: Broussard, Louisiana, Oct. 30, 1919 Died: NYC. July 22, 2004 Introduction: Illinois Jacquet was a tenorsax favourite in our younger days, and his strong extrovert tenorsax performances, whether with JATP or with Count Basie’s orga n, increased our teenager hormones dramatically and was used as good ba ckground for our lovemaking. Later we realized that he was one of the best, original and creative tenorsax player in jazz history, and his active career lasted for m ore tha n sixty years. I met him once, in New York, when he kindly invited me out for an unforgettable day before he drove me to the airport. I repaid some of his hospitality by helping him mowing his grass lane! History: Grew up in Houston, Texas. Played altosax with Lionel Proctor, Bob Cooper and Milton Larkins in the late 1930s, and in 1941 he moved to the West Coast with Floyd Ray's Jump Band. He then joined Lionel Hampton, where he switched to tenorsax and became well known through his solo on Hampton’s “Flying Home” (1942). After leaving Hampton he joined Cab Calloway (1943-44), recorded with Jazz At The Philharmonic and appeared in the film “Jammin’ The Blues” (both in 1944). Worked with Count Basie (1945-46). From 1950 he toured as a principal soloist with JATP and occasionally led his own groups (ref. The New Grove Dictionary of Jazz). 3 ILLINOIS JACQUET SOLOGRAPHY LIONEL HAMPTON AND HIS ORCHESTRA Chi.
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