The Guardian, Week of February 17, 2020
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Dissertation
DISSERTATION Titel der Dissertation “We’re Punk as Fuck and Fuck like Punks:”* Queer-Feminist Counter-Cultures, Punk Music and the Anti-Social Turn in Queer Theory Verfasserin Mag.a Phil. Maria Katharina Wiedlack angestrebter akademischer Grad Doktorin der Philosophie (Dr. Phil.) Wien, Jänner 2013 Studienkennzahl lt. Studienblatt: A 092 343 Studienrichtung lt. Studienblatt: Anglistik und Amerikanistik Betreuerin / Betreuer: Univ. Prof.in Dr.in Astrid Fellner Earlier versions and parts of chapters One, Two, Three and Six have been published in the peer-reviewed online journal Transposition: the journal 3 (Musique et théorie queer) (2013), as well as in the anthologies Queering Paradigms III ed. by Liz Morrish and Kathleen O’Mara (2013); and Queering Paradigms II ed. by Mathew Ball and Burkard Scherer (2012); * The title “We’re punk as fuck and fuck like punks” is a line from the song Burn your Rainbow by the Canadian queer-feminist punk band the Skinjobs on their 2003 album with the same name (released by Agitprop Records). Content 1. Introduction .......................................................................................................... 1 2. “To Sir With Hate:” A Liminal History of Queer-Feminist Punk Rock ….………………………..…… 21 3. “We’re punk as fuck and fuck like punks:” Punk Rock, Queerness, and the Death Drive ………………………….………….. 69 4. “Challenge the System and Challenge Yourself:” Queer-Feminist Punk Rock’s Intersectional Politics and Anarchism……...……… 119 5. “There’s a Dyke in the Pit:” The Feminist Politics of Queer-Feminist Punk Rock……………..…………….. 157 6. “A Race Riot Did Happen!:” Queer Punks of Color Raising Their Voices ..……………..………… ………….. 207 7. “WE R LA FUCKEN RAZA SO DON’T EVEN FUCKEN DARE:” Anger, and the Politics of Jouissance ……….………………………….…………. -
Lavoce's Directory
July 31, 2015 To Whom It May Concern: Promote Your Business with Lavoce’s Directory! Welcome to the preliminary edition of Lavoce’s Directory! Lavoce: We Are People Too, Inc. (Lavoce) is proud to present the first international directory for Goths, tattoo artists, sKateboarders, and others who live alternative lifestyles, or anyone whose clothing is outside the norm. This directory has more categories than any other online Goth directory. This is the most comprehensive directory available because being Goth affects all aspects of life. Our commitment is driven by the need to help Goths, and others who looK outside the norm, to feel safe to be themselves in their day-to-day jobs. This directory is the first and only directory of employers who hire people from alternative lifestyles. It has the potential to connect those who feel alone in this world to established organizations and areas of the world where Goths feel more accepted. It will build sustaining partnerships with existing organizations and revitalize the community by helping new organizations grow. Lavoce will also support Goth jobseeKers to promote job sKills training and worKplace etiquette. If you are seeing this, then you are an employer that seems open to hiring people from alternative lifestyles. I am writing to encourage your company to come forward as an openminded employer. The entries in this directory are gray because they have only been proposed but have not yet been confirmed or paid. I have included your company’s link in the first edition of this directory, but will need further information from you going forward. -
EBP-DA | Berkeley 1994: Paradise Lost Or Did the Drugs Just Finally Wear Off?
-----i EBP-DA | www.eastbaypunkda.com Berkeley 1994: Paradise Lost or Did The Drugs Just Finally Wear Off? And in fact he let me think, or rather ing another Berkeley that no longer exists, a tricked me into thinking that I was getting away Berkeley that perhaps no longer can exist. with it. Barely breathing and at that the same I wonder about such things when I see the time trying to appear so nonchalant that if he hangdog expressions of the beggars, the hol turned around it would look as though I just low-eyed longings of those who seek nothing Sometimes I wonder whatever became of happened to be walking by, I crept to within more elaborate than oblivion, the stooped Flam. He was the first good friend I made in two or three feet of him, until I could clearly shoulder despair of the dazed refugees whose Berkeley that summer of 1968, a veritable see the page he was perusing. home is a downtown doorway, the defiant, beanpole of a boy, with impossibly thick and I couldn't understand a word of it, howev forced exuberance of the career drunkards, the bushy hair that billowed out from his emaciated er. It was all in Latin. I let out a sigh of exas obliquely prying glances of the professional face in the shape of an enormous lightbulb. peration, simultaneously intending it to be a predators. Was it always like this? Did the He seldom if ever ventured out of his signal for Flam to turn around and greet me. -
Punk Record Labels and the Struggle for Autonomy 08 047 (01) FM.Qxd 2/4/08 3:31 PM Page Ii
08_047 (01) FM.qxd 2/4/08 3:31 PM Page i Punk Record Labels and the Struggle for Autonomy 08_047 (01) FM.qxd 2/4/08 3:31 PM Page ii Critical Media Studies Series Editor Andrew Calabrese, University of Colorado This series covers a broad range of critical research and theory about media in the modern world. It includes work about the changing structures of the media, focusing particularly on work about the political and economic forces and social relations which shape and are shaped by media institutions, struc- tural changes in policy formation and enforcement, technological transfor- mations in the means of communication, and the relationships of all these to public and private cultures worldwide. Historical research about the media and intellectual histories pertaining to media research and theory are partic- ularly welcome. Emphasizing the role of social and political theory for in- forming and shaping research about communications media, Critical Media Studies addresses the politics of media institutions at national, subnational, and transnational levels. The series is also interested in short, synthetic texts on key thinkers and concepts in critical media studies. Titles in the series Governing European Communications: From Unification to Coordination by Maria Michalis Knowledge Workers in the Information Society edited by Catherine McKercher and Vincent Mosco Punk Record Labels and the Struggle for Autonomy: The Emergence of DIY by Alan O’Connor 08_047 (01) FM.qxd 2/4/08 3:31 PM Page iii Punk Record Labels and the Struggle for Autonomy The Emergence of DIY Alan O’Connor LEXINGTON BOOKS A division of ROWMAN & LITTLEFIELD PUBLISHERS, INC. -
Send Cash, Checks, Or Money Orders Made Payable to “MUTANT POP RECORDS.” QTY
It’s the incredible free! MutantMutant PopPop AC Mailorder Catalog Well, Snorkel Bob and I survived our June trip around North America. We logged about 8500 miles and saw a lot of cool stuff, including a June 19 show in NYC featuring DIRT BIKE ANNIE and THE KUNG FU MONKEYS. It was a ton of fun! I’ll blab about the trip next time. First I need to try to sell you some records to keep this crappy label alive! The new Mutant Pop single is a faboo EP by Seattle’s amazing WANNA-BES. Originally from Longview, Washing- ton, home of fellow pop-punkers THE JIMMIES, THE WANNA-BES came into the MP orbit via James from MORAL CRUX, who heard them and urged them to send me a tape. Whew! THE WANNA- BES are definitely one of the most exciting three-chord bands doing their thing today! They have a simple formula, so simple that it’s brilliant: instead of trying to ape Joey Ramone’s voice, Chris Workman and the gang melds the enor- mous RAMONES poppy punk guitar sound with high quality, sweet vocals that sound like they would have been at home in the 1960s invasion of British pop. Not to far afield of GENERATION X or MORAL CRUX or some other punk band that can actually sing, in other words...Very crisp, clean vocals and harmonies over a big guitar roar. Like duh, why hasn’t anyone thought of doing that be- fore? They sound absolutely fantastic, appealing to fans of the classic three- chord punk sound without coming across like lame copycat rehash that has been heard five dozen times before.. -
Razorcake Issue #85 As A
RIP THIS PAGE OUT Through out 2014 we surveyed new subscribers asking how they heard about Razorcake and why they decided to order a subscription. The answers were varied, reflecting the If you wish to donate through the mail, uniqueness of the DIY punk experience. But there a couple please rip this page out and send it to: answers that were repeated. Razorcake/Gorsky Press, Inc. A somewhat common response to the first question was PO Box 42129 that they had been introduced to Razorcake through a friend. Los Angeles, CA 90042 So to all you friends out there: thank you! Keep up the good work. A word of mouth campaign is our dream. Your personal NAME: endorsement makes us proud. The leading response to the second question was that they ordered the subscription because they wanted to support the ADDRESS: magazine. Again: thank you! It is very much appreciated. Subscriptions and advertising is what keeps us afloat. We can’t physically fit anymore advertising into the magazine, but the world is full of people who have yet to subscribe. EMAIL: If you’re considering ordering a subscription but want to avoid the hassle, we’ve set up a self-renewing plan through Paypal. You sign up once and it automatically withdraws the DONATION money once a year. You never have to do anything ever again. AMOUNT: It can be found here– Razorcake/Gorsky Press, Inc., a California non-profit corporation, is http://www.razorcake.org/announcements/sign-up-for-a- registered as a charitable organization with the State of California’s Secretary of State, and has been granted official tax exempt status self-renewing-razorcake-subscription (section 501(c)(3) of the Internal Revenue Code) from the United States IRS. -
MUTANT POP Big Catalog
It’s the incredible free! MutantMutant PopPop Y Mailorder Catalog Hi again! Don’t forget to bookmark the web page: http://members.aol.com/mutantpop/index.html This month’s dose of joy is MP-30 VARIOUS ARTISTS “No Band Photo, Vol.1.” Yes, you read that right, no leather jacket boys on the sleeve, just a cool cartoon by Jeff Wilson, author of Sap. It looks swell and you get four little band photos inside along with my typical yeoman’s output of typos, so dry your little traditionalist eyes. Four bands for five bucks on two slabs of wonderful blue wax. THE FRATELLI’S are on side F, this is their first release ever. They’re four guys from Michigan and they deliver two uptempo, peppy, happy sounding cuts. “Nobody Likes Me Again” is the hit, an anthem for unpopular kids everywhere. THE FRATELLI’S fit into the puzzle next to bands like CARTER PEACE MISSION and THE KLOPECS, combining buzzing guitars and a warm, fuzzy ambiance with enough guitar grit to slide into the pages of Maximum Rocknroll. An excellent pop-punk band, I hope this is just the first of a series of FRATELLI’S stuff. Backing side F is side S. The big S stands for SPODIE and you certainly must know them by now. Their self-released “Pop Punk-a-Go Go” EP blows the doors off, their new split EP with PINCUSHION adds to their growing legacy. SPODIE is definitely the hardest of the four bands involved in this project, chas- ing it with two true-to-life relationship songs. -
Dpsqq [Mobile Ebook] Spy Rock Memories Online
dpsQq [Mobile ebook] Spy Rock Memories Online [dpsQq.ebook] Spy Rock Memories Pdf Free Larry Livermore audiobook | *ebooks | Download PDF | ePub | DOC Download Now Free Download Here Download eBook #1104326 in eBooks 2014-07-31 2014-07-31File Name: B00MBXW3SG | File size: 72.Mb Larry Livermore : Spy Rock Memories before purchasing it in order to gage whether or not it would be worth my time, and all praised Spy Rock Memories: 0 of 0 people found the following review helpful. Great Book!By Tim KriegerFor anyone that has wanted to get away from it all...and then start a record label, this book is for you! The Mendocino/Humboldt culture has never been examined so thoroughly and with such humor. Spyrock is the epicenter of that culture, especially true before legalization. The book is a fun ride. Interesting to get the back story on how Lookout Records was started and the beginning of Green Day. Great read.0 of 0 people found the following review helpful. EngrossingBy P. L.Well written. Poignant. Reveals a piece of punk rock history and much more.0 of 0 people found the following review helpful. enjoy.By R. J. Witheydo you lick stories. this book has them all. tldr:cityguy movs to not city and plenty of misadventures ensue. enjoy. Larry Livermore (Lookout Records, The Potatomen, The Lookouts) has spent the last few years writing a book and we couldn't be more excited to help with releasing it. Gabrielle Bell has also done really great cover art for it and its going to be out June 4th. -
Soundboard Magazine • Issue 9 • February/March 2020 Inside
FEBRUARY/MARCH 2020 ISSUE#9 THE JESUS FAIRIES RARE INTERVIEW INSIDE COMEDY IN SWANSEA WHAT’S THE PROBLEM? LARRY LIVERMORE THE BIGGER PICTURE JOE GIBB BEEN THERE, DONE THAT SWANSEA’S PSYCHEDELIC HEART Hobos Swansea A4 Advert.qxp_Layout 1 21/09/2018 13:37 Page 1 also official band Merchandise Socialable opening hourS: Mon - Fri: 11am - 5.30pm Saturday: 10am - 5.30pm hobo's Swansea hobos_swansea SOUNDBOARD MAGAZINE • ISSUE 9 • FEBRUARY/MARCH 2020 INSIDE... THE LOAD-IN . 4 QUICK INTERVIEW – THE JESUS FAIRIES . 5 RISING STARS – GG FEARN . 5 THE BIG READ – JOE GIBB . 7 CLASSIC WELSH ALBUM – BADFINGER . 10 ARTIST IN RESIDENCE – JANE SIMPSON . 11 COMEDY . 12 SOUNDWIRE COVER STORY – SOUNDWIRE . 14 PAGE 14 JACK SOUNDS . 16 RECORD REVIEWS . 18 Here are some of the places where you can pick up your copy: LIVE REVIEWS . 21 Derrick’s Music Square Peg Copper Bar NIGE . 22 Psicon Music Viva La Frida Noah’s Sin City Hen Dderwen Swansea Print Shop OH PEDRO . 22 Cinema & Co. Cadno Music Hoogah’s STUDENT LIFE . 23 Nat.Waterfront Museum Elysium bar The Bunkhouse Hobo’s The Garage Swansea Bay Records GIG GUIDE – FEBRUARY & MARCH . 24 Cover To Cover Uplands Tavern The Brunswick PSSSSTT!!! . 25 If you would like to consider supporting us by advertising, and stocking the magazine (you’ll get lots of people come to your place looking for it), CLOSE TO HOME – SWANSEA ON TOUR . 26 please contact [email protected]. THE BIGGER PICTURE – LARRY LIVERMORE . 27 ISSUE #10 ADVERTISING DEADLINE: ADVERTISING ROBOSCOPES . 30 13TH MARCH 2020 @SOUNDBOARDMAGAZINE THE LOAD-OUT . -
Cesura Acceso 1 2014.Pdf
It’s to do with meaning, which forces its way up like a root growing under a pavement – it breaks the paving stones. Many people would like these neat stones in a nice grid, but unfortunately there is this tree with all its pressures and necessities and you have to follow it.1 What we could not say openly we expressed in music 2 Slick lyric blocks history 3 6 EDITORIAL (VERSION) 16 TWO LETTERS ON HARMONY Sean Bonney 22 MY LIFE Anne Boyer 32 ITINERANT IDEA-ISM Seymour Wright 38 NOW IS THE ONLY PLACE WHERE THINGS CAN ACTUALLY HAPPEN: AN INTERVIEW WITH JOE MCPHEE Stevphen Shukaitis 52 TNOONA / TENDERNESS / SBN-A-1 66K Howard Slater 56 GHETTO THERMODYNAMICS Dhanveer Singh Brar 66 ELEGY, OR THE POETICS OF SURPLUS Commune Editions 76 A MUSICAL PUKING Alberto Savinio 80 HARDCORE TILL I DIE Kev Nickells 102 MEDIA, SECESSION AND RECESSION Anthony Iles & Eve Lear 138 CRUEL OPTIMISM OF THE WILL IN BAY AREA PUNK PRODUCTION Johanna Isaacson 162 THE SABOTAGE OF RENT Matteo Pasquinelli 174 THE FACTORY SONGS OF MR TOAD Martin Glaberman 178 AND SOMETIMES THE WHOLE ROOM WOULD BE SINGING: MUSIC, GENDER AND FACTORY LABOUR UNDER INDUSTRIAL CAPITALISM Emma Robertson, Michael Pickering & Marek Korczynski 200 AURAL CONTRACT: FORENSIC LISTENING AND THE REORGANIZATION OF THE SPEAKING-SUBJECT Lawrence Abu Hamdan 226 EXCURSIONS INTO THE NEGATIVE FIELD Simon Yuill 232 A LETTER TO THE EDITORS Iain Boal 251 CREDITS / CONTRIBUTORS EDITORIAL (VERSION) We cannot say what new structures will replace the ones we live with yet, because once we have torn shit down, we will inevitably see more and see differently and feel a new sense of wanting and being and becoming. -
Green Day: Rock Music and Class
GREEN DAY: ROCK MUSIC AND CLASS Olivia Roig A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of SELECT ONE: May 2016 Committee: Jeremy Wallach, Advisor Esther Clinton Dalton Anthony Jones Jeremy Wallach © 2016 Olivia Roig All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor The pop punk band Green Day is a surprisingly interesting source for a discussion of class. Despite their working class background, and their massive successes with Dookie in 1994, and American Idiot in 2004, Green Day performs many middle class values in their song lyrics, stage shows, and interviews. Using Chris McDonald’s book Rush: Rock Music and the Middle Class as a template, this paper analyzes Green Day’s performance of class through theories about social class in North America. Throughout Green Day’s career, there is a noticeable tension between wanting to stick to their working class roots and acknowledging their sudden and unexpected thrust into an upper class economic standing. Yet, despite skipping a middle class standing economically, their song lyrics, stage shows, and interviews articulate many middle class values such as individualism, professionalism, and the middle class family. iv For Grace Roig v ACKNOWLEDGMENTS I would like to thank my thesis committee, Professors Jeremy Wallach, Esther Clinton, and Dalton Jones for their help and comments. I would also like to thank my Dad, Bruce Roig, for his help and support. Last, but not least, I would like to thank the members of Green Day for 26 years of amazing music, without which this paper never could have been written. -
EBP-DA | in the Shadow of a Town Is Poisoned
EBP-DA | www.eastbaypunkda.com In The Shadow Of A Town Is Poisoned: It's common enough in rural northern California. Some strangers liquid chlorine stored on the Samoa peninsula, more than enough, show up, buy a piece ofland, build some kind of structure, and go into should it ever escape, to kill every living thing in Eureka . business. What newcomers to Eureka find both amazing and baffling is Nobody's sure exactly what their business .is. There are rumors that local people put up with such wholesale abuse. While there have and suspicions, and new people in town with shiny cars and lots of been movements aimed at either shutting down the mills or at least money in their pockets. forcing them to comply with state and federal regulations on toxic There's talk that the strangers are running some sort of illegal lab discharges, none of them have gotten anywhere. Both mills have been up there in the hills. An increasing number of kids seem to be turning in violation of the law since the day they opened, and aside from afew up with drug problems, and there are stories about gun-toting thugs token fines, nothing has ever happened to them. For years the roughing up anyone who gets too curious. Humboldt County Air Pollution Control District logged an average of Still, the local economy is doing better than it has in years, and 50 to lOOcomplaints every month about the odors emanating from the shopkeepers and businessmen are reluctant to wonder too much about pulp mills.