EBP-DA | in the Shadow of a Town Is Poisoned

Total Page:16

File Type:pdf, Size:1020Kb

EBP-DA | in the Shadow of a Town Is Poisoned EBP-DA | www.eastbaypunkda.com In The Shadow Of A Town Is Poisoned: It's common enough in rural northern California. Some strangers liquid chlorine stored on the Samoa peninsula, more than enough, show up, buy a piece ofland, build some kind of structure, and go into should it ever escape, to kill every living thing in Eureka . business. What newcomers to Eureka find both amazing and baffling is Nobody's sure exactly what their business .is. There are rumors that local people put up with such wholesale abuse. While there have and suspicions, and new people in town with shiny cars and lots of been movements aimed at either shutting down the mills or at least money in their pockets. forcing them to comply with state and federal regulations on toxic There's talk that the strangers are running some sort of illegal lab discharges, none of them have gotten anywhere. Both mills have been up there in the hills. An increasing number of kids seem to be turning in violation of the law since the day they opened, and aside from afew up with drug problems, and there are stories about gun-toting thugs token fines, nothing has ever happened to them. For years the roughing up anyone who gets too curious. Humboldt County Air Pollution Control District logged an average of Still, the local economy is doing better than it has in years, and 50 to lOOcomplaints every month about the odors emanating from the shopkeepers and businessmen are reluctant to wonder too much about pulp mills. Again nothing happened, except for vague promises 'that the source of the new cash flowing into their tills. there would be further"testing for pulp mill odors ." Testing? As more People downstream notice that their water tastes a little funny, than one aggrieved resident put it, "Have they ever heard of noses?" and there are unpleasant smells coming from that mysterious building, All but the hopelessly naive have given up hope that local But money changes hands, a few threats get passed around, and they government will ever move against the mills for the simple reason that decide to keep their complaints to themselves. local government is awholly owned subsidiary of pulp-producing Eventually, things get out of hand. A gun fight erupts, some kid corporate interests. So, too, is nearby Humboldt State University, overdoses, or maybe the lab blows up. The feds swoop down on the whose forestry, business, and economics departments have been site and confirm what everyone suspected: that the strangers were especially willing, in exchange for cold hard cash, to produce "studies" producing vast quantities of amphetamine or some other less than giving the pulp industry a glowingly clean bill of health. desirable chemical. If they haven't gotten away, they're hauled off to One of the most egregious of these was the ingenuously titled jail, and the public is left footing the bill for cleaning up a dangerous "Contributions of the Pulp Industry to HumboldtCounty"by Professor toxic waste site. John Grobey, in which he cites the amount of wages paid by L-P and That's the way it works when illegal business is involved, but Simpson, and therippleeffectofthose wages on other local businesses what if the mysterious strangers are producing a commodity that's as sufficient justification for permitting the mills to go on with their completely legal? And if the money generated is in quantities large dirty business . enough to buy off or intimidate an entire town? And if when you call Because a significant number of people are benefitting financially the police or the district attorney or tl1e health or environmental from the mills, he contends, the rest of the citizenry should be willing, protection authorities, they just shrug and say there's nothing they can even happy, to allow their environmental degradation and destruction do? to continue. But is Eureka really getting a good bargain out of this? Then you'd be talking about Eureka, a town of 25,000 on the Let's look a little more closely. isolated north coast of California, which for the past 27 years has One of Grobey 's arguments in favorof the pulp mills is that their functioned as a labor pool and toxic dump for two out-of-state timber wages are far higher than those offered by any other local industries. corporations. Ever since its founding in 1850, Eureka has been the This is true; some pulp mill workers earn in excess of $50,000, center of the north coast logging and lumber milling industry, but in extraordinarily good pay for relatively unskilled manufacturing work. 1965, a new kind of mill came to town. Georgia-Pacific and Crown­ But it's worth noting that the pulp mills have never employed more Simpson both erected immense pulp producing facilities on the than 1300 workers between them. That may sound like a lot in a town Samoa peninsula, a narrow sand spit that juts out into Humboldt Bay of25,000, but bear in mind that only about half of them live in Eureka. just across the' water from central Eureka. So what you've got is a situation where the entire population of a city Various corporate acquisitions and divestitures have left_the is expected to endure systematic poisoning so that about700 people mills in the hands of Louisiana-Pacific and Simpson, but the product can earn an above-average wage. remains the same: a constant stream of air and water borne effluent :Using the same logic, we should welcome methamphetamine that has turned the picturesque and historic town of Eureka into a foul­ labs into our midst because they produce a great deal of wealth, wealth smelling, health-endangering sinkhole of pollution and corruption. which could be expected to trickle down to other local businesses and Eureka should be famous for its waterfront, for its wonderfully workers. But we don't, because we as a society have determined that preserved Old Town, for its wealth of ornate Victorian architecture, the damage done by such enterprises outweighs the benefits they for its spectacular setting between mountains and sea shore, but produce. Any dispassionate study of the pulp mills, i.e., one not instead it evokes one image above all others: the towering clouds of funded by the pulp mills, should reach a similar conclusion. noxious fumes that rise from twin sets of smokestacks, frequently The fact is that while the pulp industry has generated a great deal blocking out the sun and turning the simple act of breathing into an of wealth in Humboldt County, the preponderance of it has immediately unpleasant and dangerous chore. left Humboldt County. Neither or he pulp-producing corporations is Spectacular as they are, the toxic clouds that billow skyward locally owned. Furthermore, the prosperity enjoyed by a relatively twenty-four hours a day, three hundred and sixty-five days a year, small number of pulp mill workers has not spread itself around very represent only the tip of the iceberg. Even more damaging may be the well; Humboldt County as a whole has a standardofliving considerab!y 25 million gallons of untreated waste water dumped every day into the below the national average. Pacific Ocean and which have virtually destroyed one of California'.s Why this might be so becomes clear .when we examine what richest fisheries . Perhaps most frightening of all are the 1600 tons of EBP-DA | www.eastbaypunkda.com The Pulp Mills Who Profits and Who Pays? Humboldt County has given up in exchange for the largely illusory the electric wiring required by new industrial development are largely prosperity of the pulp industry. Clean air and clean water are subsidized by taxpayers as well. Take, for example, the notorious themselves resources upon which no exact price can be put, but we Professor Grobey's 1973 recommendation that Humboldt County know from experience that their absence devalues every aspectoflife spend $39,000,000 (nearly $100,000,000 in today· s dollars) to improve in a community, not just esthetically, but materially as well. As one local roads for the benefit of timber haulers. EPA study put it: In sum, Eureka and Noxious odors can ruin personal and Humboldt County residents are not community pride, interfere with human only being poisoned, they are being relations, discourage capital improvements, asked, or more accurately, told to pay lower socio-economic status, and damage a for the privilege. The fact that community's reputation. Economically, they can stifle growth and development of a Humboldt County suffers a cancer rate community . Both industry and labor prefer 27% higher than California as a whole to locate in a desirable area ... and 16% above the national rate is not Tourists also shun such areas. The resulting merely a depressing statistic, it also decline in property values, tax revenues, payrolls, and sales can be disastrous to a represents an enormous expense that community. must be be met by insurance customers Although this particular study was and taxpayers, even though there is not made in Eureka, I have seldom seen a little doubt of the source of those excess better analysis of what has happened to that cancer cases. When it comes to specific town. One need only look at the shoddy, respiratory ailments , the figures are tasteless sprawl of recent development for even grimmer: California Health examples of ruined personal and Services report that deaths from asthma, community pride. Eureka's foul-smelling emphysema, and lung cancer are all air and its legendarily corrupt politics have about 60% above normal. lowered its socio-economic reputation to Whether we speak of the the point where it is the butt of jokes up and most visible forms of pollution like the down the north coast.
Recommended publications
  • Dissertation
    DISSERTATION Titel der Dissertation “We’re Punk as Fuck and Fuck like Punks:”* Queer-Feminist Counter-Cultures, Punk Music and the Anti-Social Turn in Queer Theory Verfasserin Mag.a Phil. Maria Katharina Wiedlack angestrebter akademischer Grad Doktorin der Philosophie (Dr. Phil.) Wien, Jänner 2013 Studienkennzahl lt. Studienblatt: A 092 343 Studienrichtung lt. Studienblatt: Anglistik und Amerikanistik Betreuerin / Betreuer: Univ. Prof.in Dr.in Astrid Fellner Earlier versions and parts of chapters One, Two, Three and Six have been published in the peer-reviewed online journal Transposition: the journal 3 (Musique et théorie queer) (2013), as well as in the anthologies Queering Paradigms III ed. by Liz Morrish and Kathleen O’Mara (2013); and Queering Paradigms II ed. by Mathew Ball and Burkard Scherer (2012); * The title “We’re punk as fuck and fuck like punks” is a line from the song Burn your Rainbow by the Canadian queer-feminist punk band the Skinjobs on their 2003 album with the same name (released by Agitprop Records). Content 1. Introduction .......................................................................................................... 1 2. “To Sir With Hate:” A Liminal History of Queer-Feminist Punk Rock ….………………………..…… 21 3. “We’re punk as fuck and fuck like punks:” Punk Rock, Queerness, and the Death Drive ………………………….………….. 69 4. “Challenge the System and Challenge Yourself:” Queer-Feminist Punk Rock’s Intersectional Politics and Anarchism……...……… 119 5. “There’s a Dyke in the Pit:” The Feminist Politics of Queer-Feminist Punk Rock……………..…………….. 157 6. “A Race Riot Did Happen!:” Queer Punks of Color Raising Their Voices ..……………..………… ………….. 207 7. “WE R LA FUCKEN RAZA SO DON’T EVEN FUCKEN DARE:” Anger, and the Politics of Jouissance ……….………………………….………….
    [Show full text]
  • LE CORDON BLEU- Prospectus
    culinary arts & hospitality management institute wellington • new zealand Bonjour & Welcome to Le Cordon Bleu New Zealand, one of our newest and brightest Culinary Arts and Hospitality training institutions in the world. Founded in Paris in 1895, and now with over 50 schools in 20 Being a student at Le Cordon Bleu is not only about studying countries and with students from over 80 different nationalities, to realize one’s dreams, it is the pathway to becoming one of the Le Cordon Bleu will be celebrating its 120th anniversary in 2015. future stars of this amazing industry. Our much sought after Excellence, passion, creativity, knowledge and history are the values Alumni, located throughout the world, have consistently reached to describe one of the world’s only global educators in the culinary levels of near-perfection and standing that truly reflects and arts, hospitality and tourism management sector. honours the dedication, passion and knowledge taught throughout our global hospitality network. Le Cordon Bleu New Zealand is dedicated to preserving and passing on the mastery and application of the Culinary Arts We invite you to start your journey at Le Cordon Bleu and we through Culinary Certificates, Diplômes, Le Grand Diplôme – look forward to sharing your dreams, seeing your successes and our highest culinary award – through to our unique and globally welcoming you to our family. recognised Bachelor of Culinary Arts and Business Degree. Our reputation as one of the world’s premier culinary training institutes has endured by actively keeping our courses up-to-date and industry relevant, using innovative new technologies, partnered with some of the world’s greatest Chef lecturers.
    [Show full text]
  • Paul and Julia Child: a Timeline
    by WILLIAM BROWN and DOUG FREW directed by WILLIAM BROWN STUDY GUIDE prepared by Maren Robinson, Dramaturg This Study Guide for To Master the Art was prepared by Maren Robinson and edited by edited by Karen A. Callaway and Lara Goetsch for TimeLine Theatre, its patrons and educational outreach. Please request permission to use these materials for any subsequent production. © TimeLine Theatre 2010 — STUDY GUIDE — Table of Contents About the Playwrights .................................................................................................. 3 The Interview: William Brown ..................................................................................... 3 The People: Julia and Paul Child ................................................................................. 6 The Childs in Paris and Beyond ................................................................................... 9 Paul and Julia Child: A Timeline ............................................................................... 10 Other Players .............................................................................................................. 12 The Organizations ....................................................................................................... 15 The Locations .............................................................................................................. 16 The Context ................................................................................................................. 17 Post-War France: A Timeline
    [Show full text]
  • I Love to Eat by James Still in Performance: April 15 - June 27, 2021
    Commonweal Theatre Company presents I Love To Eat by James Still In performance: April 15 - June 27, 2021 products and markets. Beard nurtured a genera- tion of American chefs and cookbook authors who have changed the way we eat. James Andrew Beard was born on May 5, 1903, in Portland, Oregon, to Elizabeth and John Beard. His mother, an independent English woman passionate about food, ran a boarding house. His father worked at Portland’s Customs House. The family spent summers at the beach at Gearhart, Oregon, fishing, gathering shellfish and wild berries, and cooking meals with whatever was caught. He studied briefly at Reed College in Portland in 1923, but was expelled. Reed claimed it was due to poor scholastic performance, but Beard maintained it was due to his homosexuality. Beard then went on the road with a theatrical troupe. He lived abroad for several years study- ing voice and theater but returned to the United States for good in 1927. Although he kept trying to break into the theater and movies, by 1935 he needed to supplement what was a very non-lucra- Biography tive career and began a catering business. With From the website of the James Beard Founda- the opening of a small food shop called Hors tion: jamesbeard.org/about d’Oeuvre, Inc., in 1937, Beard finally realized that his future lay in the world of food and cooking. nointed the “Dean of American cookery” by In 1940, Beard penned what was then the first Athe New York Times in 1954, James Beard major cookbook devoted exclusively to cock- laid the groundwork for the food revolution that tail food, Hors d’Oeuvre & Canapés.
    [Show full text]
  • Lavoce's Directory
    July 31, 2015 To Whom It May Concern: Promote Your Business with Lavoce’s Directory! Welcome to the preliminary edition of Lavoce’s Directory! Lavoce: We Are People Too, Inc. (Lavoce) is proud to present the first international directory for Goths, tattoo artists, sKateboarders, and others who live alternative lifestyles, or anyone whose clothing is outside the norm. This directory has more categories than any other online Goth directory. This is the most comprehensive directory available because being Goth affects all aspects of life. Our commitment is driven by the need to help Goths, and others who looK outside the norm, to feel safe to be themselves in their day-to-day jobs. This directory is the first and only directory of employers who hire people from alternative lifestyles. It has the potential to connect those who feel alone in this world to established organizations and areas of the world where Goths feel more accepted. It will build sustaining partnerships with existing organizations and revitalize the community by helping new organizations grow. Lavoce will also support Goth jobseeKers to promote job sKills training and worKplace etiquette. If you are seeing this, then you are an employer that seems open to hiring people from alternative lifestyles. I am writing to encourage your company to come forward as an openminded employer. The entries in this directory are gray because they have only been proposed but have not yet been confirmed or paid. I have included your company’s link in the first edition of this directory, but will need further information from you going forward.
    [Show full text]
  • Experiential Blues Identity
    Experiential Blues Identity: Analyzing racial categories of difference in a Philadelphia blues club Kate Edmundson Senior Thesis Anthropology Department Haverford College April 18, 2003 Abstract The individual’s proper experience of blues music and other ‘African American’ music according to his or her race has been the subject of a controversial 20th century debate. The black arts movement of the 1960s gave impetus to the popular black nationalistic notion that blues music belongs exclusively to African Americans. Subsequent anti-essentialist and pluralistic theories have problematized the black essentialist notion of racial ownership of music. The work presented below, an ethnographic study of Warmdaddy’s in Philadelphia examines two evenings of blues culture at that blues club. My findings indicate that neither of the traditional poles of the black music debate, essentialism and anti-essentialism, adequately describes the experience of blues music for Blacks and Whites who participate in it. Table of Contents Acknowledgements………………………………………………………...1 1) Introduction……………………………………………………………..2 2) Blues: Historical background………………………………………..…5 3) Philadelphia: Cultural and Racial Dynamics………………...…….…7 4) Warmdaddy’s – A data narrative……………………………………….9 I- Location and General Description………………………………...9 II- Tuesday Night……………………………………………………12 III- Monday Night…………………………………………………...15 IV- Monday vs. Tuesday: A Data Analysis………………………....20 5) Black Music Ideology: The Black Nationalism Approach…………...24 6) Pluralism: Towards a Warmdaddy’s Blues Meaning………………...30 7) Conclusion……………………………………………………………….43 Appendix 1………………………………………………………………..…45 Appendix 2…………………………………………………………………..46 Works Cited/Referenced………………………………………………….....47 Acknowledgements I feel endlessly lucky to have had such a broad support network while creating this thesis. I would like to extend my thanks first to Jimmy Pritchard, my informant and friend at Warmdaddy's.
    [Show full text]
  • EBP-DA | Berkeley 1994: Paradise Lost Or Did the Drugs Just Finally Wear Off?
    -----i EBP-DA | www.eastbaypunkda.com Berkeley 1994: Paradise Lost or Did The Drugs Just Finally Wear Off? And in fact he let me think, or rather ing another Berkeley that no longer exists, a tricked me into thinking that I was getting away Berkeley that perhaps no longer can exist. with it. Barely breathing and at that the same I wonder about such things when I see the time trying to appear so nonchalant that if he hangdog expressions of the beggars, the hol­ turned around it would look as though I just low-eyed longings of those who seek nothing Sometimes I wonder whatever became of happened to be walking by, I crept to within more elaborate than oblivion, the stooped­ Flam. He was the first good friend I made in two or three feet of him, until I could clearly shoulder despair of the dazed refugees whose Berkeley that summer of 1968, a veritable see the page he was perusing. home is a downtown doorway, the defiant, beanpole of a boy, with impossibly thick and I couldn't understand a word of it, howev­ forced exuberance of the career drunkards, the bushy hair that billowed out from his emaciated er. It was all in Latin. I let out a sigh of exas­ obliquely prying glances of the professional face in the shape of an enormous lightbulb. peration, simultaneously intending it to be a predators. Was it always like this? Did the He seldom if ever ventured out of his signal for Flam to turn around and greet me.
    [Show full text]
  • EVERLYPEDIA (Formerly the Everly Brothers Index – TEBI) Coordinated by Robin Dunn & Chrissie Van Varik
    EVERLYPEDIA (formerly The Everly Brothers Index – TEBI) Coordinated by Robin Dunn & Chrissie van Varik EVERLYPEDIA PART 2 E to J Contact us re any omissions, corrections, amendments and/or additional information at: [email protected] E______________________________________________ EARL MAY SEED COMPANY - see: MAY SEED COMPANY, EARL and also KMA EASTWOOD, CLINT – Born 31st May 1930. There is a huge quantity of information about Clint Eastwood his life and career on numerous websites, books etc. We focus mainly on his connection to The Everly Brothers and in particular to Phil Everly plus brief overview of his career. American film actor, director, producer, composer and politician. Eastwood first came to prominence as a supporting cast member in the TV series Rawhide (1959–1965). He rose to fame for playing the Man with No Name in Sergio Leone’s Dollars trilogy of spaghetti westerns (A Fistful of Dollars, For a Few Dollars More, and The Good, the Bad and the Ugly) during the 1960s, and as San Francisco Police Department Inspector Harry Callahan in the Dirty Harry films (Dirty Harry, Magnum Force, The Enforcer, Sudden Impact and The Dead Pool) during the 1970s and 1980s. These roles, along with several others in which he plays tough-talking no-nonsense police officers, have made him an enduring cultural icon of masculinity. Eastwood won Academy Awards for Best Director and Producer of the Best Picture, as well as receiving nominations for Best Actor, for his work in the films Unforgiven (1992) and Million Dollar Baby (2004). These films in particular, as well as others including Play Misty for Me (1971), The Outlaw Josey Wales (1976), Pale Rider (1985), In the Line of Fire (1993), The Bridges of Madison County (1995) and Gran Torino (2008), have all received commercial success and critical acclaim.
    [Show full text]
  • Paul Weller Wild Wood
    The Venus Trail •Flying Nun-Merge Paul Weller Wild Wood PAUL WELLER Wild Wood •Go! Discs/London-PLG FAY DRIVE LIKE JEHU Yank Crime •Cargo-Interscope FRENTE! Marvin The Album •Mammoth-Atlantic VOL. 38 NO.7 • ISSUE #378 VNIJ! P. COMBUSTIBLE EDISON MT RI Clnlr SURE THING! MESSIAH INSIDE II The Grays On Page 3 I Ah -So-Me-Chat In Reggae Route ai DON'T WANT IT. IDON'T NEED IT. BUT ICAN'T STOP MYSELF." ON TOUR VITH OEPECHE MOUE MP.'i 12 SACRAMENTO, CA MAJ 14 MOUNTAIN VIEV, CA MAI' 15 CONCORD, CA MA,' 17 LAS, VEGAS, NV MAI' 18 PHOENIX, AZ Aff.q 20 LAGUNA HILLS, CA MAI 21 SAN BERNARDINO, CA MA,' 24 SALT LAKE CITY, UT NOTHING MA,' 26 ENGLEVOOD, CO MA,' 28 DONNER SPRINGS, KS MA.,' 29 ST. LOUIS, MO MP, 31 Sa ANTONIO, TX JUNE 1HOUSTON. TX JUNE 3 DALLAS, TX JUNE 5BILOXI, MS JUNE 8CHARLOTTE, NC JUNE 9ATLANTA, GA THE DEBUT TRACK ON COLUMBIA .FROM THE ALBUM "UNGOD ." JUNE 11 TILE ,' PARX, IL PROOUCED 81.10101 FRYER. REN MANAGEMENT- SIEVE RENNIE& LARRY TOLL. COLI MI-31% t.4t.,• • e I The Grays (left to right): Jon Brion, Jason Falkner, Dan McCarroll and Buddy Judge age 3... GRAYS On The Move The two started jamming together, along with the band's third songwriter two guys who swore they'd never be in aband again, Jason Falkner and Buddy Judge and drummer Dan McCarron. The result is Ro Sham Bo Jo Brion sure looked like they were having agreat time being in the Grays (Epic), arecord full of glorious, melodic tracks that owe as much to gritty at BGB's earlier this month.
    [Show full text]
  • Punk Record Labels and the Struggle for Autonomy 08 047 (01) FM.Qxd 2/4/08 3:31 PM Page Ii
    08_047 (01) FM.qxd 2/4/08 3:31 PM Page i Punk Record Labels and the Struggle for Autonomy 08_047 (01) FM.qxd 2/4/08 3:31 PM Page ii Critical Media Studies Series Editor Andrew Calabrese, University of Colorado This series covers a broad range of critical research and theory about media in the modern world. It includes work about the changing structures of the media, focusing particularly on work about the political and economic forces and social relations which shape and are shaped by media institutions, struc- tural changes in policy formation and enforcement, technological transfor- mations in the means of communication, and the relationships of all these to public and private cultures worldwide. Historical research about the media and intellectual histories pertaining to media research and theory are partic- ularly welcome. Emphasizing the role of social and political theory for in- forming and shaping research about communications media, Critical Media Studies addresses the politics of media institutions at national, subnational, and transnational levels. The series is also interested in short, synthetic texts on key thinkers and concepts in critical media studies. Titles in the series Governing European Communications: From Unification to Coordination by Maria Michalis Knowledge Workers in the Information Society edited by Catherine McKercher and Vincent Mosco Punk Record Labels and the Struggle for Autonomy: The Emergence of DIY by Alan O’Connor 08_047 (01) FM.qxd 2/4/08 3:31 PM Page iii Punk Record Labels and the Struggle for Autonomy The Emergence of DIY Alan O’Connor LEXINGTON BOOKS A division of ROWMAN & LITTLEFIELD PUBLISHERS, INC.
    [Show full text]
  • Bill Bailey Vs
    TheOnce:ler Of L&Ytonville Bill Bailey Vs. TheLorax MnCity� The Death (Or Was It Murder?) Of Detroit Berlin: Now Let's Tear Down Some Of Our OwnWal ls EmeraldTriangle . & San Francisco News + Northern California Punk Rock: Tons of Totally Crucial Coverage Along WithPages And. Pages Of Insignificant Fluff, Gossip & Mondo DestructoReviews .. EBP-DA | www.eastbaypunkda.com � '-.;._ -� 'Jl t.\.,._�� �- 1· / E:T. -· -...,,,.. �--- ....__� -..._ . .l'. Adventure .., CIADru& Wars: The Continues economies of sever:tJ Latin :-';m :un�ies, an hanced much.l=- p eri�an co d fi h new development m US cities Miami, New , and Lofi--==- -..: Ietnam as O UCM un, et S L I hke York y· W S Angeles. It a1so helped the CIA 10 pursue its regime· of terrorism and. I Ullm'<n1ioo uom,d <h• globe. - D 0 t All Q Vef Agalll... • . ey If ��t trouble _lay ahead for the c ociiliie kmgpi'"iisofLangl , _ Virginia. Inspired by the ,American free enter system, _ Remember Vietnam? Probably not. you're a student, you/ prise If j thousands of entrepeneuni real.1zed that there was r00m them in might have heard about it in history class, which almost guarantees,, for -'I :- � the marketpl e. Anyone with the for a p lan et IO -- you don't have any idea what it was about. you're old enough, ac money e tick �� that �ogota and the cluitzpah to bl way :::,,,--- to have been around when it was happening, even if you were one ofl' . �ff his or her past customs ms to was on the way to t fortune.
    [Show full text]
  • Everly Solo Years Discography
    CHRONOLOGY OF DON & PHIL EVERLY'S SOLO RECORDINGS 1956 TO DATE SHOWS RECORDING DATE (UK STYLE), MASTER NUMBER, INITIAL 45/CD SINGLE, FIRST VINYL LP AND PRINCIPLE CD RELEASES. ALBUM TRACKS (FIRST TIME ONLY - REPEATS NOT SHOWN) HIGHLIGHTED, WHERE APPLICABLE IN DON OR PHIL COLOUR FOR IDENTIFICATION. VINYL RECORD NUMBERS ARE USA UNLESS OTHERWISE STATED. THE LIST INCLUDES SOLO TRACKS APPEARING ON ALBUMS ATTRIBUTED TO 'THE EVERLY BROTHERS'. SEE ALSO THE WB & RCA LISTS. KEY TO INITIAL VINYL ABLUMS: KEY TO (PRIMARY - IN NO ORDER) CDs: CHRISTMAS WITH THE EBs - W/WS 1483 1. THE COMPLETE CADENCE RCORDINGS 1957-1960 - Varése Saraband 302 066 217 2 BEAT'N' SOUL - W/WS 1605 2. ROCK 'N' SOUL/BEAT 'N' SOUL - WB 5046-75828-2 TWO YANKS IN ENGLAND - W/WS 1646 3. BEST OF THE EBs - RARE SOLO CLASSICS - CURB D2-77472 THE HIT SOUND OF THE EBs - W/WS 1676 4. STORIES WE COULD TELL - (BMG ONE WAY) OW 34509 THE EVERLY BROTHERS SING - W/WS 1708 5. 20 CLASSIC TRACKS - (EAGLE MASTERS) EAB CD 032 ROOTS - WS 1752 6. PERFECT HARMONY - EVYCD 47004 THE NEW ALBUM - K56415 (UK only) 7. don EVERLY/SUNSET TOWERS - Raven RVCD-74 don EVERLY - ODE SP-77005 8. PHIL EVERY - THE LONDON SESSIONS - SEQUEL - NEX CD 164 STORIES WE COULD TELL - LSP-4620 9. PHIL EVERLY - THE SOLO YEARS - CASTLE SELECT - SELCD 546 STAR SPANGLED SPRINGER - RCA APL1-0092 10. BROTHER JUKE BOX - MAGNUM CDSD 002 SUNSET TOWERS - ODE SP-77023 11. PHIL EVERLY - BGD RECORD BGOCD 199 PHIL'S DINER - PYE 12104 *1 12.
    [Show full text]