Eligible Live Entertainment Venues in City of Sydney

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Eligible live entertainment venues in City of Sydney Licence number Licence name Suburb LIQC300225925 Bowlers Club of NSW Ltd SYDNEY LIQC300229025 NSW Masonic Club SYDNEY LIQH400100043 Agincourt Hotel SYDNEY LIQH400100345 Bank Hotel NEWTOWN LIQH400100418 Mary's Underground SYDNEY LIQH400100558 The Beresford Hotel SURRY HILLS LIQH400100892 Burdekin Hotel DARLINGHURST LIQH400101139 Cauliflower Hotel WATERLOO LIQH400101813 Dolphin Hotel SURRY HILLS LIQH400102038 The Arthouse Hotel SYDNEY LIQH400102283 Ivy SYDNEY LIQH400102992 Hollywood Hotel SURRY HILLS LIQH400103379 Lansdowne Hotel CHIPPENDALE LIQH400103654 Hotel Harry SURRY HILLS LIQH400103840 Mercantile Hotel THE ROCKS LIQH400103859 Bungalow 8 Hotel SYDNEY LIQH400103999 The Pyrmont Bridge Hotel PYRMONT LIQH400105576 The Coopers Hotel Newtown NEWTOWN LIQH400106106 Town Hall Hotel NEWTOWN LIQH400106750 Potts Point Hotel POTTS POINT LIQH400111592 Establishment Hotel SYDNEY LIQH400114362 The Chippendale Hotel CHIPPENDALE LIQH400115733 Cargo Bar DARLING HARBOUR LIQH440010063 Hard Rock Cafe Sydney DARLING HARBOUR LIQO600702585 Sydney Cricket and Sports Ground Trust MOORE PARK LIQO600702593 The Theatre Bar at the End of the Wharf DAWES POINT LIQO600702852 New Theatre NEWTOWN LIQO600703530 The State Theatre SYDNEY LIQO600779774 Opera Bar SYDNEY LIQO600779928 Belvoir Street Theatre SURRY HILLS LIQO600780101 Seymour Centre DARLINGTON LIQO600780144 Theatre Royal SYDNEY LIQO600780918 Sydney Town Hall SYDNEY LIQO624003547 Museum of Contemporary Art SYDNEY LIQO624003882 199 Cleveland Street REDFERN LIQO624004483 The Metro Theatre SYDNEY LIQO624004994 The Capitol Theatre HAYMARKET LIQO624006319 77 Nightclub DARLINGHURST LIQO624006816 Giant Dwarf Theatre SURRY HILLS LIQO624007029 The Stables Theatre DARLINGHURST LIQO624007855 Sydney Comedy Store MOORE PARK LIQO624008993 City Recital Hall SYDNEY LIQO624009218 Bobby's Boss Dogs and the Soda Factory SURRY HILLS LIQO624012000 Foundry616 ULTIMO LIQO624012301 VANGUARD NEWTOWN NEWTOWN LIQO624012499 Roslyn Packer Theatre Walsh Bay DAWES POINT Licence number Licence name Suburb LIQO624013940 Slide Lounge SURRY HILLS LIQO624013962 Eastside Arts - Paddington Uniting Church PADDINGTON LIQO624014677 The Carriageworks EVELEIGH LIQO624014759 Milky Lane Late Night POTTS POINT LIQO624014771 Oxford Art Factory DARLINGHURST LIQO624015108 Tatler Sydney DARLINGHURST LIQO624015403 The Elk Kings Cross POTTS POINT LIQO660010470 Genesian Theatre Company SYDNEY LIQO660031191 Golden Age Cinema SURRY HILLS LIQO660031672 Eternity Playhouse DARLINGHURST LIQO660031737 PACT Centre for Emerging Artists Incorporated ERSKINEVILLE LIQO660031787 Hayes Theatre Co ELIZABETH BAY LIQO660031905 107 Projects Inc REDFERN LIQO660032151 Parliament on King ERSKINEVILLE LIQO660032668 Grill'd Galeries SYDNEY LIQO660034312 Sydney Theatre School CHIPPENDALE LIQS220000065 King of the Mosh Pit ERSKINEVILLE .

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Sydney Theatre Company Wharf 1Theatre – Pier 4/5 Hickson Road, Walsh Bay Roslyn Packer Theatre – 22 Hickson Road
Sydney Theatre Company Wharf 1Theatre – Pier 4/5 Hickson Road, Walsh Bay Roslyn Packer Theatre – 22 Hickson Road TERMS & CONDITIONS FOR SCHOOL BOOKINGS: • The booking is made on behalf of the school and the school accepts liability to make the payment by the due date. • If a teacher leaves the school, it is their responsibility to inform the appropriate/replacement staff members of this booking agreement and details. • Full payment must be received 4 school weeks prior to the performance date. • Photographing, video recording or any other kind of recording during the performance is not permitted. • Student duty of care remains the responsibility of supervising teachers. Teachers are expected to discuss behavioural expectations and theatre etiquette with their students prior to the excusion. • In the instance that a school has a confirmed COVID case in the days prior to the event and as such cannot attend, the school is to contact Sydney Theatre Company as soon as possible. Sydney Theatre Company will issue a credit or refund for the value of booked tickets on the provision of confirmed COVID notice from NSW Health or other governing body Risk Management Checklist Thank you for arranging an excursion to a Sydney Theatre Company venue. The following information will assist you in developing an excursion risk management plan. Venue Information Wharf 1 Theatre: The Wharf, Pier 4 Hickson Rd Walsh Bay 2000 Wharf 2 Theatre: The Wharf, Pier 4 Hickson Rd Walsh Bay 2000 Roslyn Packer Theatre Walsh Bay: 22 Hickson Rd Walsh Bay 2000 Sydney Theatre Company has developed an Emergency Plan to cope with the most likely emergency scenarios for all venues operated by STC, including The Wharf Theatres and Roslyn Packer Theatre.
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Barry Humphries (1934 - ) 2
AUSTRALIAN EPHEMERA COLLECTION FINDING AID BARRY HUMPHRIES PERFORMING ARTS PROGRAMS AND EPHEMERA (PROMPT) PRINTED AUSTRALIANA JANUARY 2015 Barry Humphries was born in Melbourne on the 17th of February 1934. He is a multi-talented actor, satirist, artist and author. He began his stage career in 1952 in Call Me Madman. As actor he has invented many satiric Australian characters such as Sandy Stone, Lance Boyle, Debbie Thwaite, Neil Singleton and Barry (‘Bazza’) McKenzie - but his most famous creations are Dame Edna Everage who debuted in 1955 and Sir Leslie (‘Les’) Colin Patterson in 1974. Dame Edna, Sir Les and Bazza between them have made several sound recordings, written books and appeared in films and television and have been the subject of exhibitions. Since the 1960s Humphries’ career has alternated between England, Australia and the United States of America with his material becoming more international. Barry Humphries’ autobiography More Please (London; New York : Viking, 1992) won him the J.R. Ackerley Prize in 1993. He has won various awards for theatre, comedy and as a television personality. In 1994 he was accorded an honorary doctorate from Griffith University, Queensland and in 2003 received an Honorary Doctorate of Law from the University of Melbourne. He was awarded an Order of Australia in 1982; a Centenary Medal in 2001 for “service to Australian society through acting and writing”; and made a Commander of the Order of the British Empire for "services to entertainment" in 2007 (Queen's Birthday Honours, UK List). Humphries was named 2012 Australian of the Year in the UK. The Barry Humphries PROMPT collection includes programs, ephemera and newspaper cuttings which document Barry Humphries and his alter egos on stage in Australia and overseas from the beginning of his career in the 1950s into the 21st Century.
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Melbourne Suburb of Northcote
ON STAGE The Autumn 2012 journal of Vol.13 No.2 ‘By Gosh, it’s pleasant entertainment’ Frank Van Straten, Ian Smith and the CATHS Research Group relive good times at the Plaza Theatre, Northcote. ‘ y Gosh, it’s pleasant entertainment’, equipment. It’s a building that does not give along the way, its management was probably wrote Frank Doherty in The Argus up its secrets easily. more often living a nightmare on Elm Street. Bin January 1952. It was an apt Nevertheless it stands as a reminder The Plaza was the dream of Mr Ludbrook summation of the variety fare offered for 10 of one man’s determination to run an Owen Menck, who owned it to the end. One years at the Plaza Theatre in the northern independent cinema in the face of powerful of his partners in the variety venture later Melbourne suburb of Northcote. opposition, and then boldly break with the described him as ‘a little elderly gentleman The shell of the old theatre still stands on past and turn to live variety shows. It was about to expand his horse breeding interests the west side of bustling High Street, on the a unique and quixotic venture for 1950s and invest in show business’. Mr Menck was corner of Elm Street. It’s a time-worn façade, Melbourne, but it survived for as long as consistent about his twin interests. Twenty but distinctive; the Art Deco tower now a many theatres with better pedigrees and years earlier, when he opened the Plaza as a convenient perch for telecommunication richer backers.
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Trust News in Its One Stamped Addressed Envelope Will 4 - Los Trios Ringbarkus, Footbridge Present Form
SN 0314-0598 DECEMBER, 1984, VOL. 8, NO. 8 ALVIN AILEY Although the company performs works by that time. An added bonus for Members is AMERICAN DANCE other choreographers it is Ailey's own that they will be sent a voucher which can THEATER works which give the company its unique be exchanged for a complimentary soul and style. Ailey's work alone provides programme at the theatre on the the repertoire with a great diversity for his performance day. The programme will be choreography has gone through almost a splendid souvenir edition valued at as many phases or periods as Picasso's $4.00. As one programme will be provided paintings. per Member, those booking for Member This diversity has always required a friends should also quote their name and special breed of dancer, one who can AETT number on the booking coupon. master a spectrum of styles and the split The company will present two second switch from one to another. For programmes but at this stage repertoire the dar,cer there is the rare opportunity to has not been confirmed. Those who wish duvelop an unparalleled versatility. For to see two programmes should reserve the audience there is the unexpected tickets on the same day each week exposure to the panorama of modern (Tuesday to Saturday). Your booking dance. It all adds up to success which the coupon is enclosed. Alvin Ailey American Dance Theater has Members who are subscribers to the in abundance. Since 1962 and the first Australian Ballet will be notified State Department sponsored tours the separately by The Australian Ballet and audience attendance figures and should book through the Ballet in order to response have been overwhelming.
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This Document Has Been Prepared to Assist with the Approval Process for the State Significant Development Application for Sydney
This document has been prepared to assist with the approval process for the State Significant Development Application for Sydney Theatre Company’s STC50 Project, located at Wharf 4/5 Walsh Bay. This architectural report describes the proposed works and coordination items to comprehensively refurbish STC’s tenancy, to maintain and enhance a world class theatre asset for the next 50 years and beyond. HASSELL © 2016 02 Context SYDNEY THEATRE COMPANY Sydney Theatre Company was founded in December ‘Sydney Theatre Company exists 1978, and has recently celebrated 30 years at The _Stakeholder Consultation Report February 2015 Wharf. The heritage significance of the Wharf and the (HASSELL) to provide first class theatrical adaptive reuse Sulman Award winning architectural _STC50 Masterplan Report February 2013 (HASSELL) entertainment for the people of design by Vivian Fraser are inherently linked to the identity of STC. _Walsh Bay Precinct CMP (Clive Lucas and Partners, Sydney... theatre that is grand, December 1998) When STC moved into the Wharf in 1984 it presented _Wharf 4/5 Walsh Bay Conservation Management vulgar, intelligent, challenging 6 plays a year across two venues: the Drama Theatre Plan (Graham Brooks and Associates, March 2007) and fun’ at Sydney Opera House and the Wharf 1 Theatre. It now sells over 260,000 seats each year, presents up [Masterplanning Reports] to 16 productions across 4 venues, and tours regionally and internationally. All of this theatre is _ Better Theatre Report (Charcoalblue) Richard Wherrett, 1980 made out of the same workshop and production _ Sydney Theatre Company STC50 Master plan facilities as it was 30 years ago, and which are now at Building Services Compliance the end of their life and no longer fit for purpose.
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Seaborn Broughton & Walford Foundation Newsletter
Seaborn Broughton & Walford Foundation Newsletter Suite 10, 20 Young Street Neutral Bay NSW 2089 Phone - 9955 5444 Email –[email protected] For bookings please call Carol Martin -on 9955 5444 Monday to Thursday – 10.00am – 4.00pm Volume Number Issue Number Date 25 1 23rd January 2017 Chairman’s Letter announced nearly $300,000 in grants. Last year’s Dear Friends recipients included the Griffin Theatre Company, Sport For Jove, the Seymour Centre, the Hayes On behalf of the Board, Staff and volunteers at the Theatre, Monkey Baa, Outhouse Theatre, Red Line at Seaborn, Broughton & Walford Foundation may I extend the Old Fitzroy, Critical Stages, Powerhouse Youth our very best wishes to you for the New Year. May 2017 Theatre, National Theatre of Parramatta, Sydney bring good health, much happiness and many fine Critics Awards, Currency House and the State Opera performances. of South Australia to assist in completing their four- Last year ended on a high note for the Foundation and year project to produce Australian composer George our loyal Friends. Following the relocation to our new Palmer’s opera Cloudstreet, a critically-acclaimed premises in Neutral Bay, we are now optimistic about world premiere based on Tim Winton’s novel. the exciting opportunities that are emerging as we work Warm congratulations also go to Francesca Savige to support the Australian performing arts in 2017. and Shaun Rennie who won this year’s Sandra Bates Director’s Awards, a prize offering mentoring and Since the last Newsletter, we have achieved a number of directing experience for emerging theatre directors milestones: the celebration of three decades of at the Ensemble Theatre in Kirribilli.
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0 Seaborn Broughton & Walford Foundation Newsletter
0 Seaborn Broughton & Walford Foundation Newsletter Suite 10, 20 Young Street Neutral Bay NSW 2089 Phone - 9955 5444 Email –[email protected] For bookings please call Carol Martin -on 9955 5444 Monday to Thursday – 10.00am – 4.00pm Volume Number Issue Number Date 26 1 20th February 2018 PRESIDENT ’ S LETTER The audience of children & delegates adored the show. Thank you from the bottom of our hearts for all your Dear Friends support. Eva.” And from Ian Phipps producer of the The cicadas are singing outside the Foundation’s Sydney Theatre Awards. ‘On behalf of the critics panel of premises in Neutral Bay, an unmistakable sign of Sydney the Sydney Theatre Awards: and in fact from the entire summertime. I do hope that you all enjoyed a wonderful Sydney theatre community, may I say thank you again Christmas holiday, a memorable festive season and a to the Foundation for their generosity and ongoing Happy New Year. The Festival of Sydney, with its support. Without the grant from the Foundation, we imaginative smorgasbord of local and international events would not be able to hold an awards ceremony nor have has drawn to a close, and Carol Martin has a long list of beautiful framed certificates to present to the award theatrical treats for you to enjoy in 2018. winners.’ And from Kay Yasugi, puppeteer and General Please read the list carefully and book early as the limited Secretary of UNIMA Australia, the Puppetry number of good seats we acquire for the Foundation organisation of Australia: ‘Thank you very much for my Friends are usually very popular.
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Walsh Bay Kitchen Opens Its Doors to the Arts District
It’s Showtime – Walsh Bay Kitchen Opens its Doors to the Arts District Walsh Bay Kitchen has opened its doors to the heart of Sydney’s vibrant Arts District, with a sleek new fit out paying homage to its theatrical setting. The new dining venue is located on the site of the former Hickson Road Bistro at Roslyn Packer Theatre Walsh Bay. Locals, visitors and theatre goers alike will converge to sample delicious and innovative new Australian fare, with an Asian twist created by Head Chef, Kay Hwang. Chef Kay works closely with Sydney’s finest providores to feature the freshest and most interesting seasonal offerings presented with true culinary flair. The varied and innovative menu is sure to impress, whilst paying homage to perennial favourites. When working their way through the menu, guests can indulge in seared scallops, almond butter, squid ink, finger lime or wagyu flat iron, salsa verde and creamy potato or Jasmine tea smoked duck breast, parsnip, Korean BBQ sauce which is the house specialty. A new bar has also launched as part of the new dining venue, furnished with select cosy lounge chairs, complete with an impressive wine list, creative house cocktails and a signature sherry/digestives list. Through this, Walsh Bay Kitchen aim to create a unique space where people can meet and enjoy culinary delights, anticipating or reflecting upon the shows of the Roslyn Packer Theatre, Sydney Theatre Company’s (STC’s) Wharf Theatres or simply sharing the eclectic sights and sounds of Walsh Bay and the Sydney’s Arts Precinct. Walsh Bay Kitchen
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Poppie Nongena Enthralling Musical Theatre
FEBRUARY,1985 Vol 9 No 1 ISSN 0314 - 0598 New David Williamson Play SONS OF KANE BY DAVID WILLIAMSON Directed by David Williamson Set and costume design by Shaun Gurton Cast: Noel Ferrier, John Gregg, Max Cullen, Sandy Gore, Libby Clark and Genevieve Picot Theatre Royal t is now almost four years since David I Williamson's last play THE PERFEC TIONIST was premiered and in that time he has been working in other media creating a screenplay of THE PERFEC TIONIST and writing THE LAST BASTION for television. But the attrac tion of the theatre was too great for him to stay away from live performance for long and a chance conversation with journalists in a pub one night provided the inspiration for a new play. SONS OF KANE is about crime and cor ruption, an issue on which David Williamson has not focused his attention since THE REMOVALISTS in 1981 Poppie Nongena (coincidentally to be remounted at Phillip Street Theatre later this month). The Enthralling Musical Theatre managing editor of a big newspaper em pire (played by John Gregg) uncovers Based on a novel by Elsa Joubert critic of The Guardian newspaper as one clear evidence that an honest cop has Written for the stage by Elsa Joubert and of the most impressive pieces of drama to been moved out of the force because he's Sandra Kotze emerge from South Africa in the past too much trouble. The idealism of youth Directed by Hilary Blecher decade, this production has taken Lon is rekindled and he brings in one of his Music by Sophie Mgcina don and New York by storm, collecting a friends (played by Max Cullen) whose Designed by Douglas Heap Lighting design by James Baird number of awards, including the career has taken a downturn to in Cast: Thulia Dumakude, Sophie Mgcina, prestigious Obie (for Outstanding vestigate the whole affair.
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1 Sydney Theatre Company Annual Report 2014
Sydney Theatre Company Annual Report 2014 1 Kate Box, Melita Jurisic, Robert Menzies, Hugo Weaving, Ivan Donato, Eden Falk, Paula Arundell and John Gaden in Macbeth. Photo: Brett Boardman Aims of the Company To provide first class theatrical entertainment for the people of Sydney – theatre that is grand, vulgar, intelligent, challenging and fun. That entertainment should reflect the society in which we live thus providing a point of focus, a frame of reference, by which we come to understand our place in the world as individuals, as a community and as a nation. Richard Wherrett, 1980 Founding Artistic Director 5 2014 in Numbers ACTORS AND CREATIVES 237 EMPLOYED $350,791 C R 12TEACHING TIX OF TI KET P ICE TIX SAVINGS PASSED ON TO ARTISTS 733 4,877 SUNCORP TWENTIES CUSTOMERS EMPLOYED REGIONAL $20.834M AND INTERSTATE TOTAL TICKET PERFORMANCES INCOME EARNED WORLD 6PREMIERES 1,187 WEEKS PLAYWRIGHTS AVERAGE OF WORK 9 ON COMMISSION CAPACITY FOR ACTORS 6 7 David Gonski Andrew Chairman Upton In the last four annual reports, I have reported on work undertaken by the organisation to modernise operations and governance structures to best support the Company’s artistic aspirations into the Artistic Director future. Most recently, in 2013, I wrote about the security of 45 year leases over the Roslyn Packer Theatre (formerly Sydney Theatre) and James Duncan in The Long Way Home. Richard Roxburgh in Cyrano de Bergerac. our tenancy at The Wharf, and the subsequent winding up of New Photo: Lisa Tomasetti 2014 was a year that brought the Company together through thick Photo: Brett Boardman South Wales Cultural Management, the body that had previously and thin.
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Seaborn Broughton & Walford Foundation Newsletter
Seaborn Broughton & Walford Foundation Newsletter 925 Botany Rd Rosebery NSW 2018 Phone - 9955 5444 Email – [email protected] For bookings please call Carol Martin -on 9955 5444 Monday to Thursday - 10am - 4pm Volume Number Issue Number Date 22 1 16th January 2014 Chairman’s Letter (incorporating Nan’s Letter Space) Dear Friends Congratulations to playwright Reg Cribb who won On behalf of the Board and Staff of the SBW Foundation the $20,000 award for his play Buried Country. may I wish you, your family and friends a Happy New This joyous, irreverent, theatrical and musical Year. May your 2014 be brimful of good health and journey is based on the story of Jimmy Little and theatrical delights. other indigenous country and Western pioneers such as Bobby Mcleod and boxer Lionel Rose who fought FESTIVAL OF SYDNEY: January is a vibrant month in to be accepted on their own terms. Reg has a the Sydney performing arts calendar. The Sydney Festival background as an actor and musician. His plays have has burst onto the scene with a dazzling choice of been performed nationally and internationally have engaging and provocative productions, events, free won many awards including the Rodney Seaborn performances and installations. I have been impressed by Playwrights Award in 2010. We were most gratified the enthusiasm of Festival Director Lieven Bertels and his to hear Reg’s acceptance speech: ‘The Rodney team who have organized an eclectic array of Seaborn Award is going to allow me to craft and entertainment, with a Festival Village in Hyde Park and a hone Buried Country into the stageworthy piece it schedule catering for all ages and tastes.
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Seaborn Broughton & Walford Foundation Newsletter
Seaborn Broughton & Walford Foundation Newsletter 925 Botany Rd Rosebery NSW 2018 Phone - 9955 5444 Email – [email protected] For bookings please call Carol Martin -on 9955 5444 Monday to Thursday - 10am - 4pm Volume Number Issue Number Date 21 1 31st January 2013 Nan’s Letter Space Dear Friends On behalf of the Board, Staff and Volunteers of the Although Billie Brown AM had once humorously SBW Foundation, I extend our very best wishes to you described himself as ‘a sweaty old character actor’, for a very Happy New Year. However, these New Year he was, in fact, a significant presence whether on greetings are tempered with profound sadness as we stage, in film or television. Those of us who saw his pay tribute to the late Dr Peter William Stafford performances in The Judas Kiss and The Histrionic Broughton who passed away on 11th December 2012 in realized we were watching great, unforgettable acting his 91st year. A distinguished founding Director of the at its towering best. The work of many fine actors Seaborn, Broughton & Walford Foundation and a dear will inevitably fade into the mists of time but Billie cousin of Dr Rodney Seaborn, Peter was a generous Brown will shine on as true stars do. donor and great supporter of our Foundation and its activities. Despite bouts of ill health in recent years, The Sydney Theatre Awards were also held this Peter regularly attended functions with his wife month. Among the many winners were Belvoir’s Deirdre. He will be greatly missed. We extend our Medea for best Direction (Anne-Louise Sarks) Best deepest sympathies to Deirdre, and to Peter’s brother, Actress (Blazey Best) Best New Australian Work, Philip, and family.
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