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Particpant Bios
CAAP Artist Lab Participants BIOGRAPHIES LENA CRUZ Lena is a graduate of the Western Australian Academy of Performing Arts. Theatre highlights include her debut as Jenny in The Threepenny Opera for Western Australian Opera, Lady Macbeth in Macbeth for Bell Shakespeare, Mother Courage for Belvoir, Monkey- Journey to the West for Theatre of Image, Miss Bell in Fame, Hair, and creating the role of Cynthia in the original production of Priscilla, Queen of the Desert the Musical. Most recently, she has appeared in STC’s The Wharf Revue. Film and television highlights include starring as Rory Van Dyke in The Wannabes, Margarita in The Night We Called it A Day, Cassandra in Upskirt, Sofia Martinez in Shortland Street, Pet in Bargain Coast, Jody Lim in Dirt Game, Comedy Inc, Watch With Mother, All Saints, The Very Trevor Ashley Show, and Kiki and Kitty. She has co- written and co-starred in the cabarets The Singer’s Guide To The Universe, About Face, and one-woman shows I’m A Stranger Here Myself directed by Tony Sheldon and Bitter Sweet, for which she was nominated for the Sydney Fringe Festival Drum Media Show-Stopping Individual Performance Award and the Best Of People’s Choice Award. HAPPY FERAREN Happy Feraren is a Filipino actor and improviser based in Sydney with 11 years experience. She has performed in over 500 shows in a wide range of improvisational theatre formats both locally and internationally (including Manila, Sydney, Hong Kong, Amsterdam, Chicago and New York). In the Philippines, she began as a presenter for national radio and television as well as live events and was a supporting actor in the feature film ‘My Candidate’. -
The Australian Theatre Family
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sydney eScholarship A Chance Gathering of Strays: the Australian theatre family C. Sobb Ah Kin MA (Research) University of Sydney 2010 Contents: Epigraph: 3 Prologue: 4 Introduction: 7 Revealing Family 7 Finding Ease 10 Being an Actor 10 Tribe 15 Defining Family 17 Accidental Culture 20 Chapter One: What makes Theatre Family? 22 Story One: Uncle Nick’s Vanya 24 Interview with actor Glenn Hazeldine 29 Interview with actor Vanessa Downing 31 Interview with actor Robert Alexander 33 Chapter Two: It’s Personal - Functioning Dysfunction 39 Story Two: “Happiness is having a large close-knit family. In another city!” 39 Interview with actor Kerry Walker 46 Interview with actor Christopher Stollery 49 Interview with actor Marco Chiappi 55 Chapter Three: Community −The Indigenous Family 61 Story Three: Who’s Your Auntie? 61 Interview with actor Noel Tovey 66 Interview with actor Kyas Sheriff 70 Interview with actor Ursula Yovich 73 Chapter Four: Director’s Perspectives 82 Interview with director Marion Potts 84 Interview with director Neil Armfield 86 Conclusion: A Temporary Unity 97 What Remains 97 Coming and Going 98 The Family Inheritance 100 Bibliography: 103 Special Thanks: 107 Appendix 1: Interview Information and Ethics Protocols: 108 Interview subjects and dates: 108 • Sample Participant Information Statement: 109 • Sample Participant Consent From: 111 • Sample Interview Questions 112 2 Epigraph: “Happy families are all alike; every unhappy family is unhappy in its own way. Everything was in confusion in the Oblonsky’s house. The wife had discovered that the husband was carrying on an intrigue with a French girl, who had been a governess in their family, and she had announced to her husband that she could not go on living in the same house with him. -
MINERVA THEATRE Feasibility Study – Executive Summary
MINERVA THEATRE Feasibility Study – Executive Summary MINERVA THEATRE – FEASIBILITY STUDY EXECUTIVE SUMMARY Create NSW City of Sydney Minerva Theatre Feasibility Study – Executive Summary December 2020 Hawkridge Entertainment Services Tim Long Managing Director Nick Tobin Managing Director, Networked Urban Solutions Disclaimer This report (Study) has been produced independently by Hawkridge Entertainment Services (HES) on the request of Create NSW and the City of Sydney. The information, statements, statistics and commentary (together the ‘Information’) contained in this study have been prepared by HES from publicly available material and from discussions held with stakeholders. HES does not express an opinion as to the accuracy or completeness of the information provided, the assumptions made by the parties that provided the information or any conclusions reached by those parties. HES have based this Report on information received or obtained, on the basis that such information is accurate and, where it is represented to HES as such, complete. The Information contained in this Report has not been subject to an audit. Hawkridge Entertainment Services Specialist consultants in the entertainment, sports, arts and venue industries Sydney | Melbourne | Perth | Singapore Page | 2 MINERVA THEATRE – FEASIBILITY STUDY EXECUTIVE SUMMARY Executive Summary The Minerva Theatre Feasibility Study was jointly commissioned by the City of Sydney Council and Create NSW, with the principal aim of investigating whether: 1. a refurbished Minerva Theatre would be a viable performance space in the Sydney market; and 2. there is market interest in reinstating the Minerva as a theatre. The study indicates that reinstatement of the Minerva as a commercially operated theatre is a viable proposition. -
Trust News in Its One Stamped Addressed Envelope Will 4 - Los Trios Ringbarkus, Footbridge Present Form
SN 0314-0598 DECEMBER, 1984, VOL. 8, NO. 8 ALVIN AILEY Although the company performs works by that time. An added bonus for Members is AMERICAN DANCE other choreographers it is Ailey's own that they will be sent a voucher which can THEATER works which give the company its unique be exchanged for a complimentary soul and style. Ailey's work alone provides programme at the theatre on the the repertoire with a great diversity for his performance day. The programme will be choreography has gone through almost a splendid souvenir edition valued at as many phases or periods as Picasso's $4.00. As one programme will be provided paintings. per Member, those booking for Member This diversity has always required a friends should also quote their name and special breed of dancer, one who can AETT number on the booking coupon. master a spectrum of styles and the split The company will present two second switch from one to another. For programmes but at this stage repertoire the dar,cer there is the rare opportunity to has not been confirmed. Those who wish duvelop an unparalleled versatility. For to see two programmes should reserve the audience there is the unexpected tickets on the same day each week exposure to the panorama of modern (Tuesday to Saturday). Your booking dance. It all adds up to success which the coupon is enclosed. Alvin Ailey American Dance Theater has Members who are subscribers to the in abundance. Since 1962 and the first Australian Ballet will be notified State Department sponsored tours the separately by The Australian Ballet and audience attendance figures and should book through the Ballet in order to response have been overwhelming. -
Seaborn Broughton & Walford Foundation Newsletter
Seaborn Broughton & Walford Foundation Newsletter Suite 10, 20 Young Street Neutral Bay NSW 2089 Phone - 9955 5444 Email –[email protected] For bookings please call Carol Martin -on 9955 5444 Monday to Thursday – 10.00am – 4.00pm Volume Number Issue Number Date 25 1 23rd January 2017 Chairman’s Letter announced nearly $300,000 in grants. Last year’s Dear Friends recipients included the Griffin Theatre Company, Sport For Jove, the Seymour Centre, the Hayes On behalf of the Board, Staff and volunteers at the Theatre, Monkey Baa, Outhouse Theatre, Red Line at Seaborn, Broughton & Walford Foundation may I extend the Old Fitzroy, Critical Stages, Powerhouse Youth our very best wishes to you for the New Year. May 2017 Theatre, National Theatre of Parramatta, Sydney bring good health, much happiness and many fine Critics Awards, Currency House and the State Opera performances. of South Australia to assist in completing their four- Last year ended on a high note for the Foundation and year project to produce Australian composer George our loyal Friends. Following the relocation to our new Palmer’s opera Cloudstreet, a critically-acclaimed premises in Neutral Bay, we are now optimistic about world premiere based on Tim Winton’s novel. the exciting opportunities that are emerging as we work Warm congratulations also go to Francesca Savige to support the Australian performing arts in 2017. and Shaun Rennie who won this year’s Sandra Bates Director’s Awards, a prize offering mentoring and Since the last Newsletter, we have achieved a number of directing experience for emerging theatre directors milestones: the celebration of three decades of at the Ensemble Theatre in Kirribilli. -
Oedipus Schmoedipus
Presented by Arts House, Belvoir and post post Oedipus Schmoedipus Arts House, Warning: Violence, blood, death and suicide scenes, loud noises, strobe lighting and coarse language. North Melbourne Town Hall Suitable for ages 16+ Oedipus Schmoedipus has been supported by the Australian Wed 6 – Sun 10 May 2015 Government through the Australia Council for the Arts, its arts funding and advisory body; Belvoir; Performing Lines; and the 1hr 10min, no interval City of Melbourne through Arts House. Post-Show Q&A Thu 7, 8.50pm artshouse.com.au postpresentspost.com Creative Team post Written by post Zoë Coombs Marr, post‘s work often deals with the political; Mish Grigor & Natalie Rose it attempts to engage with issues of control, after Aeschylus, Anon, Barrie, Behn, gender, identity and politics in ways that Boucicault, Büchner, Chekhov, Euripides, are funny, engaging and accessible (but not Gogol, Goldsmith, Gorky, Hugo, Ibsen, always). post are concerned with the moment Jonson, Marlowe, Mayakovsky, Molière, of theatre, live connection and the truly Pirandello, Plautus, Racine, Seneca, absurd, drag, imposters, impressions, bad Shakespeare, Sophocles, Strindberg, Voltaire, acting, boy genii, The Biggest Loser, birth, Wedekind, Wilde et al death, auditions, shamans, epitaphs, avatars, and those nightmares where you have to give Directors Zoë Coombs Marr & Mish Grigor a speech, but haven’t got any pants on. Set & Costume Designer Robert Cousins Lighting Designer Matthew Marshall post’s works include Oedipus Schmoedipus Lighting Realiser/Head Electrician -
0 Seaborn Broughton & Walford Foundation Newsletter
0 Seaborn Broughton & Walford Foundation Newsletter Suite 10, 20 Young Street Neutral Bay NSW 2089 Phone - 9955 5444 Email –[email protected] For bookings please call Carol Martin -on 9955 5444 Monday to Thursday – 10.00am – 4.00pm Volume Number Issue Number Date 26 1 20th February 2018 PRESIDENT ’ S LETTER The audience of children & delegates adored the show. Thank you from the bottom of our hearts for all your Dear Friends support. Eva.” And from Ian Phipps producer of the The cicadas are singing outside the Foundation’s Sydney Theatre Awards. ‘On behalf of the critics panel of premises in Neutral Bay, an unmistakable sign of Sydney the Sydney Theatre Awards: and in fact from the entire summertime. I do hope that you all enjoyed a wonderful Sydney theatre community, may I say thank you again Christmas holiday, a memorable festive season and a to the Foundation for their generosity and ongoing Happy New Year. The Festival of Sydney, with its support. Without the grant from the Foundation, we imaginative smorgasbord of local and international events would not be able to hold an awards ceremony nor have has drawn to a close, and Carol Martin has a long list of beautiful framed certificates to present to the award theatrical treats for you to enjoy in 2018. winners.’ And from Kay Yasugi, puppeteer and General Please read the list carefully and book early as the limited Secretary of UNIMA Australia, the Puppetry number of good seats we acquire for the Foundation organisation of Australia: ‘Thank you very much for my Friends are usually very popular. -
Poppie Nongena Enthralling Musical Theatre
FEBRUARY,1985 Vol 9 No 1 ISSN 0314 - 0598 New David Williamson Play SONS OF KANE BY DAVID WILLIAMSON Directed by David Williamson Set and costume design by Shaun Gurton Cast: Noel Ferrier, John Gregg, Max Cullen, Sandy Gore, Libby Clark and Genevieve Picot Theatre Royal t is now almost four years since David I Williamson's last play THE PERFEC TIONIST was premiered and in that time he has been working in other media creating a screenplay of THE PERFEC TIONIST and writing THE LAST BASTION for television. But the attrac tion of the theatre was too great for him to stay away from live performance for long and a chance conversation with journalists in a pub one night provided the inspiration for a new play. SONS OF KANE is about crime and cor ruption, an issue on which David Williamson has not focused his attention since THE REMOVALISTS in 1981 Poppie Nongena (coincidentally to be remounted at Phillip Street Theatre later this month). The Enthralling Musical Theatre managing editor of a big newspaper em pire (played by John Gregg) uncovers Based on a novel by Elsa Joubert critic of The Guardian newspaper as one clear evidence that an honest cop has Written for the stage by Elsa Joubert and of the most impressive pieces of drama to been moved out of the force because he's Sandra Kotze emerge from South Africa in the past too much trouble. The idealism of youth Directed by Hilary Blecher decade, this production has taken Lon is rekindled and he brings in one of his Music by Sophie Mgcina don and New York by storm, collecting a friends (played by Max Cullen) whose Designed by Douglas Heap Lighting design by James Baird number of awards, including the career has taken a downturn to in Cast: Thulia Dumakude, Sophie Mgcina, prestigious Obie (for Outstanding vestigate the whole affair. -
Every Breath Written & Directed by BENEDICT ANDREWS Set & Costume Designer ALICE BABIDGE Lighting Designer NICK SCHLIEPER Composer OREN AMBARCHI
Media Release February 2012 Belvoir presents Every Breath Written & Directed by BENEDICT ANDREWS Set & Costume Designer ALICE BABIDGE Lighting Designer NICK SCHLIEPER Composer OREN AMBARCHI With JOHN HOWARD SHELLY LAUMAN ELOISE MIGNON ANGIE MILLIKEN DYLAN YOUNG BELVOIR ST THEATRE | UPSTAIRS 24 MARCH – 29 APRIL In 2012, critically acclaimed Australian theatre and opera director Benedict Andrews will add another title to his résumé: playwright. Andrews is making a highly anticipated return to Belvoir to direct his own play, Every Breath, for its world premiere. Andrews has created dozens of thrilling productions in an internationally successful career. He has been the recipient of numerous Best Director awards, both in Sydney and Europe. As well as Every Breath, Andrews‟ The Marriage of Figaro for Opera Australia is now playing at the Sydney Opera House, Gross und Klein (Sydney Theatre Company) is set to tour Europe, and his production of Caligula opens in May at the English National Opera. Despite such an international focus, Andrews relishes the opportunity to return to Belvoir. „I always enjoy returning to Belvoir,‟ he says. „I love the theatre‟s special intimacy… I‟m very pleased that Every Breath will come into the world there…‟ Every Breath features a stellar cast. Popular screen actor John Howard returns to the Sydney stage for the first time in over a decade, alongside Angie Milliken, who also returns to the Sydney theatre scene for the first time in nearly as long. Shelly Lauman (As You Like It) treads the Belvoir boards once again and is joined by Eloise Mignon (The Wild Duck) and Dylan Young (The Seagull). -
25 Belvoir Street
COVER1:2 IF YOU’RE GOING TO TELL PEOPLE THE TRUTH, YOU’D BETTER MAKE THEM LAUGH. OTHERWISE THEy’LL KILL YOU. GEORGE BERNARD SHAW 2 2012 Season BURIED ciTY I’M YOUR MAN THYESTES BABYTEETH EVERY BREATH FOOD STRANGE INTERLUDE OLD MAN DEATH OF A SALESMAN CONVERSATION PIECE PRIVATE LIVES MEDEA BEAUTIFUL ONE DAY DON’T TAKE YOUR LOVE TO TOWN THE THEATRE IS THE ONLY INSTITUTION IN THE WORLD WHICH HAS BEEN DYING FOR FOUR THOUSAND YEARS AND HAS NEVER SUCCUMBED. JOHN STEINBECK 4 Contents Ralph’s Message 6 CARRIAGEWORKS Thyestes 10 UPstairs Buried City 12 Babyteeth 14 Every Breath 16 Strange Interlude 18 Death of a Salesman 20 Conversation Piece 22 Private Lives 24 Beautiful One Day 26 DowNstairs I’m Your Man 30 Food 32 Old Man 34 Medea 36 Don’t Take Your Love to Town 38 Sunday Forum 40 Subscribe 41 Belvoir Loyalty Program & 30-Down Club 43 How to Book 44 Prizes for Early Subscribers 46 Single Tickets 47 General Information 48 Thank You 52 2012 Season Calendar 54 Subscription Booking Form Dear Friends, When I sat down to write a note for our shows virtually sold out to subscribers season book at this time last year, I really before they went on sale to the general had no idea what lay ahead of us. To tell public, and others just after they had the truth we were making it up as we opened. Hopefully you’ll all like our 2012 went along – programming the season Season just as much. If so, buying a by gut instinct, bluffing our way through. -
Seaborn Broughton & Walford Foundation Newsletter
Seaborn Broughton & Walford Foundation Newsletter 925 Botany Rd Rosebery NSW 2018 Phone - 9955 5444 Email – [email protected] For bookings please call Carol Martin -on 9955 5444 Monday to Thursday - 10am - 4pm Volume Number Issue Number Date 22 1 16th January 2014 Chairman’s Letter (incorporating Nan’s Letter Space) Dear Friends Congratulations to playwright Reg Cribb who won On behalf of the Board and Staff of the SBW Foundation the $20,000 award for his play Buried Country. may I wish you, your family and friends a Happy New This joyous, irreverent, theatrical and musical Year. May your 2014 be brimful of good health and journey is based on the story of Jimmy Little and theatrical delights. other indigenous country and Western pioneers such as Bobby Mcleod and boxer Lionel Rose who fought FESTIVAL OF SYDNEY: January is a vibrant month in to be accepted on their own terms. Reg has a the Sydney performing arts calendar. The Sydney Festival background as an actor and musician. His plays have has burst onto the scene with a dazzling choice of been performed nationally and internationally have engaging and provocative productions, events, free won many awards including the Rodney Seaborn performances and installations. I have been impressed by Playwrights Award in 2010. We were most gratified the enthusiasm of Festival Director Lieven Bertels and his to hear Reg’s acceptance speech: ‘The Rodney team who have organized an eclectic array of Seaborn Award is going to allow me to craft and entertainment, with a Festival Village in Hyde Park and a hone Buried Country into the stageworthy piece it schedule catering for all ages and tastes. -
Seaborn Broughton & Walford Foundation Newsletter
Seaborn Broughton & Walford Foundation Newsletter 925 Botany Rd Rosebery NSW 2018 Phone - 9955 5444 Email – [email protected] For bookings please call Carol Martin -on 9955 5444 Monday to Thursday - 10am - 4pm Volume Number Issue Number Date 21 1 31st January 2013 Nan’s Letter Space Dear Friends On behalf of the Board, Staff and Volunteers of the Although Billie Brown AM had once humorously SBW Foundation, I extend our very best wishes to you described himself as ‘a sweaty old character actor’, for a very Happy New Year. However, these New Year he was, in fact, a significant presence whether on greetings are tempered with profound sadness as we stage, in film or television. Those of us who saw his pay tribute to the late Dr Peter William Stafford performances in The Judas Kiss and The Histrionic Broughton who passed away on 11th December 2012 in realized we were watching great, unforgettable acting his 91st year. A distinguished founding Director of the at its towering best. The work of many fine actors Seaborn, Broughton & Walford Foundation and a dear will inevitably fade into the mists of time but Billie cousin of Dr Rodney Seaborn, Peter was a generous Brown will shine on as true stars do. donor and great supporter of our Foundation and its activities. Despite bouts of ill health in recent years, The Sydney Theatre Awards were also held this Peter regularly attended functions with his wife month. Among the many winners were Belvoir’s Deirdre. He will be greatly missed. We extend our Medea for best Direction (Anne-Louise Sarks) Best deepest sympathies to Deirdre, and to Peter’s brother, Actress (Blazey Best) Best New Australian Work, Philip, and family.