Luke Mullins

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LUKE MULLINS Television: The Spanish Princess William Compton Norma Bailey Starz New Blood Alex Bill Eagles BBC Reef Doctors Will Colin Budds Network Ten Satisfaction Paolo Ken Cameron Satisfaction Productions Blue Heelers Travis Young Chris Langman Seven Network Medical Defence Australia Deana Raye Screentime/ABC-TV Film: Riot Peter de Waal Jeffrey Walker Werber Film Productions Holding the Man Richard Neil Armfield Screen Australia The Wilding Adam Grant Scicluna Happening Films Neon Skin Dale Grant Scicluna Happening Films Theatre: Rosencratz & Guildernstern are Dead Hamlet David Levaux The Old Vic The Glass Menagerie Tom Eamon Flack Belvoir St and Malthouse Theatres Waiting for Godot Lucky Andrew Upton Beckett Festival / The Barbican, London Endgame Clov Sam Strong Melbourne Theatre Company Night on Bald Mountain Denis Craig Matt Lutton Malthouse Theatre The Glass Menagerie Tom Eamon Flack Belvoir St Theatre I Heart John Mcenroe John McEnroe Clare Watson Theatreworks Angels in America Prior Eamon Flack Belvoir St Theatre Little Mercy Roger Summers/Mrs Trentham Declan Greene Sydney Theatre Company/Sisters Grimm Night Maybe Director Luke Mullins Stuck Pigs Squealing / Theatreworks Small and Tired Orestes Kit Brookman Belvoir St Theatre - Downstairs Waiting for Godot Lucky Andrew Upton Sydney Theatre Company Death of a Salesman Bernard / Howard Simon Stone Belvoir St Theatre Long Days Journey Into Night Edmund Andrew Upton Sydney Theatre Company The War of The Roses Various Benedict Andrews Sydney Festival/Perth International Arts Fest. Thom Pain (Based on Nothing) Thom Pain Sam Strong Arts Radar/B Sharp Citizens Yusuf Pamela Rabe Sydney Theatre Company Gallipoli Various Nigel Jamieson Sydney Theatre Company Soldiers Jim Lewis Tim Maddock Sydney Theatre Company The Season at Sarsaparilla Ron Suddards Benedict Andrews Sydney Theatre Company/Melbourne TC The History Boys Scripps Peter Evans Melbourne Theatre Company Tales from the Vienna Woods Various Jean-Pierre Mignon Sydney Theatre Company The Eisteddfod Abolone Chris Kohn New York Fringe Festival Cloud 9 Betty/Edward Kate Cherry Melbourne Theatre Company Luke Mullins 1 Markham Froggatt & Irwin Limited Registered Ofﬁce: Bank Gallery, High Street, Kenilworth, Warwickshire, CV8 1LY Registered in England No. 7268133 VAT Registration No. 993 055 789 Members of the PMA AWARDS: 2013 2014 Helpmann Award - WAITING FOR GODOT 2008 Green Room Award, Best Supporting Actor - THE SEASON AT SARSAPARILLA 2004 Melbourne International Festival Award - UNCLE SEMOLINA & FRIENDS FESTIVAL OF SMALL PIECES 2004 Green Room Nomination, Best Actor - MISHIMA IN THE CITY: DUETS OF DESIRE 2004 Green Room Nomination, Best Actor - THE EISTEDDFOD 2003 Green Room Nomination, Best Supporting Actor - CLOUD 9 TRAINING BA (Drama) Victorian College of the Arts (2001) Luke Mullins 2 Markham Froggatt & Irwin Limited Registered Ofﬁce: Bank Gallery, High Street, Kenilworth, Warwickshire, CV8 1LY Registered in England No. 7268133 VAT Registration No. 993 055 789 Members of the PMA.

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Particpant Bios
CAAP Artist Lab Participants BIOGRAPHIES LENA CRUZ Lena is a graduate of the Western Australian Academy of Performing Arts. Theatre highlights include her debut as Jenny in The Threepenny Opera for Western Australian Opera, Lady Macbeth in Macbeth for Bell Shakespeare, Mother Courage for Belvoir, Monkey- Journey to the West for Theatre of Image, Miss Bell in Fame, Hair, and creating the role of Cynthia in the original production of Priscilla, Queen of the Desert the Musical. Most recently, she has appeared in STC’s The Wharf Revue. Film and television highlights include starring as Rory Van Dyke in The Wannabes, Margarita in The Night We Called it A Day, Cassandra in Upskirt, Sofia Martinez in Shortland Street, Pet in Bargain Coast, Jody Lim in Dirt Game, Comedy Inc, Watch With Mother, All Saints, The Very Trevor Ashley Show, and Kiki and Kitty. She has co- written and co-starred in the cabarets The Singer’s Guide To The Universe, About Face, and one-woman shows I’m A Stranger Here Myself directed by Tony Sheldon and Bitter Sweet, for which she was nominated for the Sydney Fringe Festival Drum Media Show-Stopping Individual Performance Award and the Best Of People’s Choice Award. HAPPY FERAREN Happy Feraren is a Filipino actor and improviser based in Sydney with 11 years experience. She has performed in over 500 shows in a wide range of improvisational theatre formats both locally and internationally (including Manila, Sydney, Hong Kong, Amsterdam, Chicago and New York). In the Philippines, she began as a presenter for national radio and television as well as live events and was a supporting actor in the feature film ‘My Candidate’.
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The Australian Theatre Family
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sydney eScholarship A Chance Gathering of Strays: the Australian theatre family C. Sobb Ah Kin MA (Research) University of Sydney 2010 Contents: Epigraph: 3 Prologue: 4 Introduction: 7 Revealing Family 7 Finding Ease 10 Being an Actor 10 Tribe 15 Defining Family 17 Accidental Culture 20 Chapter One: What makes Theatre Family? 22 Story One: Uncle Nick’s Vanya 24 Interview with actor Glenn Hazeldine 29 Interview with actor Vanessa Downing 31 Interview with actor Robert Alexander 33 Chapter Two: It’s Personal - Functioning Dysfunction 39 Story Two: “Happiness is having a large close-knit family. In another city!” 39 Interview with actor Kerry Walker 46 Interview with actor Christopher Stollery 49 Interview with actor Marco Chiappi 55 Chapter Three: Community −The Indigenous Family 61 Story Three: Who’s Your Auntie? 61 Interview with actor Noel Tovey 66 Interview with actor Kyas Sheriff 70 Interview with actor Ursula Yovich 73 Chapter Four: Director’s Perspectives 82 Interview with director Marion Potts 84 Interview with director Neil Armfield 86 Conclusion: A Temporary Unity 97 What Remains 97 Coming and Going 98 The Family Inheritance 100 Bibliography: 103 Special Thanks: 107 Appendix 1: Interview Information and Ethics Protocols: 108 Interview subjects and dates: 108 • Sample Participant Information Statement: 109 • Sample Participant Consent From: 111 • Sample Interview Questions 112 2 Epigraph: “Happy families are all alike; every unhappy family is unhappy in its own way. Everything was in confusion in the Oblonsky’s house. The wife had discovered that the husband was carrying on an intrigue with a French girl, who had been a governess in their family, and she had announced to her husband that she could not go on living in the same house with him.
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MINERVA THEATRE Feasibility Study – Executive Summary
MINERVA THEATRE Feasibility Study – Executive Summary MINERVA THEATRE – FEASIBILITY STUDY EXECUTIVE SUMMARY Create NSW City of Sydney Minerva Theatre Feasibility Study – Executive Summary December 2020 Hawkridge Entertainment Services Tim Long Managing Director Nick Tobin Managing Director, Networked Urban Solutions Disclaimer This report (Study) has been produced independently by Hawkridge Entertainment Services (HES) on the request of Create NSW and the City of Sydney. The information, statements, statistics and commentary (together the ‘Information’) contained in this study have been prepared by HES from publicly available material and from discussions held with stakeholders. HES does not express an opinion as to the accuracy or completeness of the information provided, the assumptions made by the parties that provided the information or any conclusions reached by those parties. HES have based this Report on information received or obtained, on the basis that such information is accurate and, where it is represented to HES as such, complete. The Information contained in this Report has not been subject to an audit. Hawkridge Entertainment Services Specialist consultants in the entertainment, sports, arts and venue industries Sydney | Melbourne | Perth | Singapore Page | 2 MINERVA THEATRE – FEASIBILITY STUDY EXECUTIVE SUMMARY Executive Summary The Minerva Theatre Feasibility Study was jointly commissioned by the City of Sydney Council and Create NSW, with the principal aim of investigating whether: 1. a refurbished Minerva Theatre would be a viable performance space in the Sydney market; and 2. there is market interest in reinstating the Minerva as a theatre. The study indicates that reinstatement of the Minerva as a commercially operated theatre is a viable proposition.
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Oedipus Schmoedipus
Presented by Arts House, Belvoir and post post Oedipus Schmoedipus Arts House, Warning: Violence, blood, death and suicide scenes, loud noises, strobe lighting and coarse language. North Melbourne Town Hall Suitable for ages 16+ Oedipus Schmoedipus has been supported by the Australian Wed 6 – Sun 10 May 2015 Government through the Australia Council for the Arts, its arts funding and advisory body; Belvoir; Performing Lines; and the 1hr 10min, no interval City of Melbourne through Arts House. Post-Show Q&A Thu 7, 8.50pm artshouse.com.au postpresentspost.com Creative Team post Written by post Zoë Coombs Marr, post‘s work often deals with the political; Mish Grigor & Natalie Rose it attempts to engage with issues of control, after Aeschylus, Anon, Barrie, Behn, gender, identity and politics in ways that Boucicault, Büchner, Chekhov, Euripides, are funny, engaging and accessible (but not Gogol, Goldsmith, Gorky, Hugo, Ibsen, always). post are concerned with the moment Jonson, Marlowe, Mayakovsky, Molière, of theatre, live connection and the truly Pirandello, Plautus, Racine, Seneca, absurd, drag, imposters, impressions, bad Shakespeare, Sophocles, Strindberg, Voltaire, acting, boy genii, The Biggest Loser, birth, Wedekind, Wilde et al death, auditions, shamans, epitaphs, avatars, and those nightmares where you have to give Directors Zoë Coombs Marr & Mish Grigor a speech, but haven’t got any pants on. Set & Costume Designer Robert Cousins Lighting Designer Matthew Marshall post’s works include Oedipus Schmoedipus Lighting Realiser/Head Electrician
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Every Breath Written & Directed by BENEDICT ANDREWS Set & Costume Designer ALICE BABIDGE Lighting Designer NICK SCHLIEPER Composer OREN AMBARCHI
Media Release February 2012 Belvoir presents Every Breath Written & Directed by BENEDICT ANDREWS Set & Costume Designer ALICE BABIDGE Lighting Designer NICK SCHLIEPER Composer OREN AMBARCHI With JOHN HOWARD SHELLY LAUMAN ELOISE MIGNON ANGIE MILLIKEN DYLAN YOUNG BELVOIR ST THEATRE | UPSTAIRS 24 MARCH – 29 APRIL In 2012, critically acclaimed Australian theatre and opera director Benedict Andrews will add another title to his résumé: playwright. Andrews is making a highly anticipated return to Belvoir to direct his own play, Every Breath, for its world premiere. Andrews has created dozens of thrilling productions in an internationally successful career. He has been the recipient of numerous Best Director awards, both in Sydney and Europe. As well as Every Breath, Andrews‟ The Marriage of Figaro for Opera Australia is now playing at the Sydney Opera House, Gross und Klein (Sydney Theatre Company) is set to tour Europe, and his production of Caligula opens in May at the English National Opera. Despite such an international focus, Andrews relishes the opportunity to return to Belvoir. „I always enjoy returning to Belvoir,‟ he says. „I love the theatre‟s special intimacy… I‟m very pleased that Every Breath will come into the world there…‟ Every Breath features a stellar cast. Popular screen actor John Howard returns to the Sydney stage for the first time in over a decade, alongside Angie Milliken, who also returns to the Sydney theatre scene for the first time in nearly as long. Shelly Lauman (As You Like It) treads the Belvoir boards once again and is joined by Eloise Mignon (The Wild Duck) and Dylan Young (The Seagull).
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25 Belvoir Street
COVER1:2 IF YOU’RE GOING TO TELL PEOPLE THE TRUTH, YOU’D BETTER MAKE THEM LAUGH. OTHERWISE THEy’LL KILL YOU. GEORGE BERNARD SHAW 2 2012 Season BURIED ciTY I’M YOUR MAN THYESTES BABYTEETH EVERY BREATH FOOD STRANGE INTERLUDE OLD MAN DEATH OF A SALESMAN CONVERSATION PIECE PRIVATE LIVES MEDEA BEAUTIFUL ONE DAY DON’T TAKE YOUR LOVE TO TOWN THE THEATRE IS THE ONLY INSTITUTION IN THE WORLD WHICH HAS BEEN DYING FOR FOUR THOUSAND YEARS AND HAS NEVER SUCCUMBED. JOHN STEINBECK 4 Contents Ralph’s Message 6 CARRIAGEWORKS Thyestes 10 UPstairs Buried City 12 Babyteeth 14 Every Breath 16 Strange Interlude 18 Death of a Salesman 20 Conversation Piece 22 Private Lives 24 Beautiful One Day 26 DowNstairs I’m Your Man 30 Food 32 Old Man 34 Medea 36 Don’t Take Your Love to Town 38 Sunday Forum 40 Subscribe 41 Belvoir Loyalty Program & 30-Down Club 43 How to Book 44 Prizes for Early Subscribers 46 Single Tickets 47 General Information 48 Thank You 52 2012 Season Calendar 54 Subscription Booking Form Dear Friends, When I sat down to write a note for our shows virtually sold out to subscribers season book at this time last year, I really before they went on sale to the general had no idea what lay ahead of us. To tell public, and others just after they had the truth we were making it up as we opened. Hopefully you’ll all like our 2012 went along – programming the season Season just as much. If so, buying a by gut instinct, bluffing our way through.
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Angels in America
Angels in America Part One Millennium Approaches Part Two Perestroika Belvoir presents Angels in America A Gay Fantasia on National Themes Part One Millennium Approaches Part Two Perestroika By TONY KUSHNER Director EAMON FLACK This production of Angels in America opened at Belvoir St Theatre on Saturday 1 June 2013. It transferred to Theatre Royal, Sydney, on Thursday 18 July 2013. Set Designer With MICHAEL HANKIN The Angel / Emily Costume Designer PAULA ARUNDELL MEL PAGE Louis Ironson Lighting Designer MITCHELL BUTEL NIKLAS PAJANTI Roy M. Cohn Associate Lighting Designer MARCUS GRAHAM ROSS GRAHAM Harper Amaty Pitt Composer AMBER McMAHON ALAN JOHN Prior Walter Sound Designer LUKE MULLINS STEVE FRANCIS Rabbi Isidor Chemelwitz / Hannah Assistant Director Porter Pitt / Ethel Rosenberg / Aleksii SHELLY LAUMAN ROBYN NEVIN Fight Director Belize / Mr Lies SCOTT WITT DEOBIA OPAREI American Dialect Coach Joseph Porter Pitt PAIGE WALKER-CARLTON ASHLEY ZUKERMAN Stage Manager All other characters are played by MEL DYER the company. Assistant Stage Manager ROXZAN BOWES Angels in America is presented by arrangement with Hal Leonard Australia Pty Ltd, on behalf of Josef Weinberger Ltd of London. Angels in America was commissioned by and received its premiere at the Eureka Theatre, San Francisco, in May 1991. Also produced by Centre Theatre Group/ Mark Taper Forum of Los Angeles (Gordon Davidson, Artistic Director/Producer). Produced in New York at the Walter Kerr Theatre by Jujamcyn Theatres, Mark Taper Forum with Margo Lion, Susan Quint Gallin, Jon B. Platt, The Baruch-Frankel-Viertel Group and Frederick Zollo in association with Herb Alpert. PRODUCTION THANKS José Machado, Jonathon Street and Positive Life NSW; Tia Jordan; Aku Kadogo; The National Association of People with HIV Australia.
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Chloe Armstrong
SHANAHAN DALE FERGUSON | Designer Dale graduated from the National Institute of Dramatic Art in with a Diploma of Dramatic Art, Design in 1989 and a Bachelor of Dramatic Art, Design in 2002. He was Resident Designer at the Queensland Theatre Company from 1990 to 1994 and Resident Designer at the Melbourne Theatre Company from 1995 to 1998 THEATRE Year Production/Position Director Company 2020 EMERALD CITY Sam Strong Queensland Theatre Company Designer 2019 COSI Sarah Goodes Sydney Theatre Company Set Designer 2019 L’APPARTEMENT Joanna Murray-Smith Queensland Theatre Company Designer 2018 COUNTING AND CRACKING Eamon Flack Belvoir St Theatre Set and Costume Designer 2018 AN IDEAL HUSBAND Dean Bryant Melbourne Theatre Company Set and Costume Designer 2018 THE DRESSMAKER Suzanne Chaundy Monash University Theatrical, Scenic and Set Designer Alexander Theatre 2018 BROTHER’S WRECK Jada Alberts Malthouse Theatre Set and Costume Designer 2018 SAMI IN PARADISE Eamon Flack Belvoir St Theatre Set and Costume Designer Shanahan Management Pty Ltd PO Box 1509 | Darlinghurst NSW 1300 Australia | ABN 46 001 117 728 Telephone 61 2 8202 1800 | Facsimile 61 2 8202 1801 | [email protected] SHANAHAN 2017 DI & VIV & ROSE Marion Potts Melbourne Theatre Company Designer 2017 BORN YESTERDAY Dean Bryant Melbourne Theatre Company Set and Costume Designer 2017 AWAY Matthew Lutton Sydney Theatre Company Designer 2016 THE BEAST Simon Phillips Ambassador Theatre Group Designer 2016 SKYLIGHT Dean Bryant Melbourne Theatre Company Designer 2016 THE BLIND GIANT IS DANCING
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P: 9349 8200 E: [email protected]
JNC Randwick JNC Bondi Junction JNC Maroubra 2 Albert St 59 Newland St Shop 2, 669-673 Anzac Parade (near cnr Avoca St) (Next to Clementson Park) (Shopfront near Bowen Library) Randwick NSW 2031 Maroubra NSW 2035 Bondi Junction NSW 2022 P: 9349 8200 E: [email protected] www.jnc.org.au This directory has been created to provide information for residents of the Randwick & Waverley Local Government Areas. If you have any updates or know of any other services we could include in this directory please call us. : The Junction Neighbourhood Centre ARTS AND CRAFTS Arts and Crafts Courses City East Community College Offer a range of courses in arts and crafts including ceramics, pottery, sculpture, drawing, painting, photography, jewellery making, furniture restoration, knitting, sewing, dressmaking, screen printing, patchwork quilting and cooking. Course brochure is available on request. When: Courses range from one session held on one day to eight sessions held over eight weeks. All offered during the school terms. Where: Various Eastern suburbs locations, generally Bondi, Bronte, Coogee or Randwick Cost: Concessions for Seniors Card and Health Care Card holders. There may be additional materials or tools costs for some courses. Enrol: By website, post, phone or in person at 96 Bondi Road, Bondi Junction Phone: 9387 7400 Website: www.cityeastcc.com.au Art Exhibition Trips Junction Neighbourhood Centre, Randwick When: Once a month. Check website or email for details. Where: Meet at 2 Albert Street, Randwick Phone: 9349 8200 Email: [email protected] Website: www.jnc.org.au Arts and Crafts Classes for Seniors Coast Centre for Seniors Offers low cost classes for seniors aged over 55, in the following activities: sketching and watercolours; calligraphy; mosaics and beading.
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The National Voice 2017
The National Voice 2017 An annual analysis of theatre programming trends INTRODUCTION The Australian Writers’ Guild’s The National Voice is an annual survey and analysis of programming trends across 10 of Australia’s major theatre companies. Undertaken by the Playwrights’ Committee of the Australian Writers’ Guild, The National Voice is an assessment of how successfully these companies, as artistic leaders in our community, commit to producing the work of Australian playwrights in all its diversity and many forms, and to model equity in programming. This report, on the programs released for 2017, marks the third issue of The National Voice. As well as giving us a snapshot of 2017, by comparing this year’s report to those of 2016 and 2015, we can start to get a clearer picture of the trends at play in Australia’s theatre culture, insofar as they fall within the report’s frame of reference. In 2017, 95 shows have been surveyed across 10 companies, including the state theatre companies: Sydney Theatre Company, Melbourne Theatre Company, Queensland Theatre, State Theatre Company of South Australia and Black Swan State Theatre Company. Also included are Belvoir St Theatre, Malthouse Theatre, Ensemble Theatre, Griffin Theatre Company and La Boite Theatre Company. For statistical purposes, the research focused on the main stage programs of these companies. Education, independent or profit-share programs that fall outside the main subscription offerings have been excluded from the reports, as have very short stand-up comedy seasons, which augment or accompany main stage programming rather than comprise the company’s core business.
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The Pirates of Penzance - Return Sydney Season
DEC/ JAN, 1985/ 6 Vol 9 No 11 ISSN 0314 - 0598 A publication of the Australian Elizabethan Theatre Trust The Pirates Of Penzance - Return Sydney Season THE PIRATES OF PENZANCE by ollowing an Australia-wide tour the to the irreverent send-up as originally en Gilbert and Sullivan FVictoria State Opera/ Australian Eliza visaged by Gilbert and Sullivan who were Reproduced by Craig Schaefer after the bethan Theatre Trust co-production of the Monty Python of their day. In addi New York Shakespeare Festival produc THE PIRATES OF PENZANCE returns tion, the music, while faithful to the tion to Sydney in January and will play in the original tunes, is presented in a modern Cast: Jon English, Simon Gallaher, June Lyric Theatre, Entertainment Centre. This style, complete with synthesisers. " Bronhill, Dennis Olsen, Rosemary Boyle venue will give the scope to present the Jon English, Simon Gallaher and June and Tim Tyler production on a much larger scale than Bronhill will return with the production. Lyric Theatre, Entertainment Centre was possible within the limited staging They will be joined by Dennis Olsen as the facilities of the Regent Theatre. Major General, Tim Tyler as the Police "It was such a joyous romp it won cheers Sergeant and Rosemary Boyle as Mabel. The Australian production of THE Prime seats have been held for and a thunderous standing ovation . PIRATES OF PENZANCE is based on bursts with outrageous fun, often pure Members for the matinee and evening per the New York Shakespeare Festival's pro formances on Saturday, January 4 and the slapstick but done with such speed and duction which was first performed in Cen vigor that audience laughter is almost non Monday and Tuesday evening perfor tral Park four years ago with Kevin Kline mances on January 6 and 7.
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Riverside Theatres Thank You Writer's Note Cast Creative
I have spoken. To have this truth spoken CAST WRITER’S NOTE aloud on a stage so close to where their ordeal took place can certainly only be CORAL Since I began consulting with more than Riverside Productions understood by those who have been through CHRISTINE ANU thirty former inmates of Girls Training School ALANA it, but is a significant historical and cultural MAREE (GTS), Parramatta to write Parramatta Girls, achievement for Riverside Theatres, an act VALENTINE HOLLY AUSTIN the Parliament of Australia has undertaken Playwright of community reconciliation and retribution the 2004 Senate Committee ‘Report on JUDI which is at the heart of all works of art, and I Forgotten Australians’, the 2009 report In 2013 her play Grounded won three Australian ANNIE BYRON acknowledge Camilla Rountree, Robert Love ‘Lost Innocents and Forgotten Australians Writer’s Guild Awards – in Youth and Community LYNETTE and this dedicated cast and creative team VANESSA DOWNING Revisited’ and, on Monday 16th November, PARRAMATTA Theatre, the David Williamson Award for for their commitment to it. Excellence in Theatre Writing, and the Major 2009, a National apology by then Prime MELANIE Minister Kevin Rudd and then leader of the I would like to warmly acknowledge the AWGIE for 2013. Her play Ear to the Edge ANNI FINSTERER Opposition Malcolm Turnbull, acknowledged ongoing support and my inestimable of Time won the International STAGE Script GAYLE esteem for former inmate Bonney Djuric By Alana Valentine Competition for best new play about science the often destructive treatment of children in SANDY GORE who I continue to work with as part of the and technology in 2012, judged by an esteemed institutional care in Australian history.
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