Old Humphrey's Walks in London and Its Neighbourhood (1854)
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The Phenomenon of the Kentucky Burden in the Writing of James Still, Jesse Stuart, Allen Tate, and Robert Penn Warren
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 5-2005 Their Old Kentucky Home: The Phenomenon of the Kentucky Burden in the Writing of James Still, Jesse Stuart, Allen Tate, and Robert Penn Warren Christian Leigh Faught University of Tennessee, Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the English Language and Literature Commons Recommended Citation Faught, Christian Leigh, "Their Old Kentucky Home: The Phenomenon of the Kentucky Burden in the Writing of James Still, Jesse Stuart, Allen Tate, and Robert Penn Warren. " Master's Thesis, University of Tennessee, 2005. https://trace.tennessee.edu/utk_gradthes/4557 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Christian Leigh Faught entitled "Their Old Kentucky Home: The Phenomenon of the Kentucky Burden in the Writing of James Still, Jesse Stuart, Allen Tate, and Robert Penn Warren." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Arts, with a major in English. Allison R. Ensor, Major Professor We have read this thesis and recommend its acceptance: Mary E. Papke, Thomas Haddox Accepted for the Council: Carolyn R. -
Band's Former Manager and Creative Consultant, De- "We Were Just 'Watch and See,' " He Says
"When we put the last record out, iTunes were prob- ably the fifth or sixth account," he says. "To come back on this record and have them be the No. 1 account in America, that's probably one of the biggest, most sig- nificant differences." At iTunes, digital album pre- orders began May 6, when "Violet Hill" became available as a download, with consumers able to secure a bonus track to be de- livered with it on album release day. The street date version of the album via iTunes will have a different exclusive bonus track, plus an exclusive music video. Holmes also cites the growth of YouTube as a new factor. "So that's a part of your marketing plan now, which it wouldn't have been three -and -a -half years ago. I was cleaning my desk out recently and found an old MySpace marketing plan when they'd come to us on the last record, [when] they had about 400,000 members. We did a big promotion with them, but it's funny looking back that that was a new platform, and social networking in general was not part of your mar- keting plan. Now it's a major part." But the Coldplay manager regards the retail arena as no less vital. "It's just as important to me. People still buy CDs, and Coldplay are one of those artists where a lot of the fans want to own the CD, they want We all had our corner office in a big tower block, but the whole package." there was no vibe. -
LONDON the DORCHESTER Two Day Itinerary: Old Favourites When It Comes to History, Culture and Architecture, Few Cities Can Compete with London
LONDON THE DORCHESTER Two day itinerary: Old Favourites When it comes to history, culture and architecture, few cities can compete with London. To look out across the Thames is to witness first-hand how effortlessly the city accommodates the modern while holding onto its past. Indeed, with an abundance of history to enjoy within its palaces and museums and stunning architecture to see across the city as a whole, exploring London with this one-day itinerary is an irresistible prospect for visitors and residents alike. Day One Start your day in London with a visit to Buckingham Palace, just 20 minutes’ walk from the hotel or 10 minutes by taxi. BUCKINGHAM PALACE T: 0303 123 7300 | London, SW1A 1AA Buckingham Palace is the 775-room official residence of the Royal Family. During the summer, visitors can take a tour of the State Rooms, the Royal Mews and the Queen’s Gallery, which displays the Royal Collection’s priceless artworks. Changing the Guard takes place every day at 11am in summer (every other day in winter) for those keen to witness some traditional British pageantry. Next, walk to Westminster Abbey, just 15 minutes away from the Palace. WESTMINSTER ABBEY T: 020 7222 5152 | 20 Dean’s Yard, London, SW1P 3PA With over 1,000 years of history, Westminster Abbey is another London icon. Inside its ancient stone walls, 17 monarchs have been laid to rest over the course of the centuries. Beyond its architectural and historical significance, the Abbey continues to be the site in which new monarchs are crowned, making it an integral part of London’s colourful biography. -
Talking Books Catalogue
Aaronovitch, Ben Rivers of London My name is Peter Grant and until January I was just another probationary constable in the Metropolitan Police Service. My only concerns in life were how to avoid a transfer to the Case Progression Unit and finding a way to climb into the panties of WPC Leslie May. Then one night, I tried to take a statement from a man who was already dead. Ackroyd, Peter The death of King Arthur An immortal story of love, adventure, chivalry, treachery and death brought to new life for our times. The legend of King Arthur has retained its appeal and popularity through the ages - Mordred's treason, the knightly exploits of Tristan, Lancelot's fatally divided loyalties and his love for Guenever, the quest for the Holy Grail. Adams, Jane Fragile lives The battered body of Patrick Duggan is washed up on a beach a short distance from Frantham. To complicate matters, Edward Parker, who worked for Duggan's father, disappeared at the same time. Coincidence? Mac, a police officer, and Rina, an interested outsider, don't think so. Adams,Jane The power of one Why was Paul de Freitas, a games designer, shot dead aboard a luxury yacht and what secret was he protecting that so many people are prepared to kill to get hold of? Rina Martin takes it upon herself to get to the bottom of things, much to the consternation of her friend, DI McGregor. ADICHIE, Chimamanda Ngozi Half of a Yellow Sun The setting is the lead up to and the course of Nigeria's Biafra War in the 1960's, and the events unfold through the eyes of three central characters who are swept along in the chaos of civil war. -
Plaintiff's Declarations
COWAN, LIEBOWITZ & LATMAN, P.C. 1133 AVENUE OF THE AMERICAS NEW YORK, NY 10036-6799 (212) 790-9200 Attorneys for Plaintiff CAPITOL RECORDS, LLC UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK ---------------------------------------------------------------- )( CAPITOL RECORDS, LLC, 12 Civ. 0095 (RJS) Plaintiff, DECLARATION OF -against- ALASDAIR J. McMULLAN REDIG! INC., Defendant. ----------------------------------------------------------------x ALASDAIR J. McMULLAN, pursuant to 28 U.S.c. § 1746, declares as follows: 1. I am Executive Vice-President of Legal Affairs for EMI Music North America ("EM!"), where I have been employed since 1995. I supervise litigation for EMI and its record label affiliates, including Plaintiff Capitol Records, LLC (formerly Capitol Records, Inc.) ("Capitol"). I make this declaration in support of Capitol's motion for a preliminary injunction. I have knowledge of the facts set forth herein based on my personal knowledge as well as review of EMI's and Capitol's books and records and other documents referenced herein. If called upon to do so, I could and would testify competently to the matters stated herein. Capitol's Business and Ownership of Copyrights 2. Capitol is a well known record company engaged in producing, manufacturing, distributing, selling, licensing and facilitating the distribution and sale of sound recordings. 3. Capitol is the copyright owner or owner of exclusive rights (by way of agreement) with respect to an extensive and diverse catalog of sound recordings first fixed after February IS, 1972 (the "Copyrighted Recordings"), including those of such famous recording artists as Coldplay, Norah Jones, Katy Perry and Lily Allen, to name just some. Under the Copyright Act, Capitol enjoys the exclusive rights to reproduce, distribute to the public and publicly perform (by digital means) the Copyrighted Sound Recordings, and to authorize or license others to do so. -
Ye Intruders Beware: Fantastical Pirates in the Golden Age of Illustration
YE INTRUDERS BEWARE: FANTASTICAL PIRATES IN THE GOLDEN AGE OF ILLUSTRATION Anne M. Loechle Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy in the Department of the History of Art Indiana University November 2010 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Doctoral Committee _________________________________ Chairperson, Sarah Burns, Ph.D. __________________________________ Janet Kennedy, Ph.D. __________________________________ Patrick McNaughton, Ph.D. __________________________________ Beverly Stoeltje, Ph.D. November 9, 2010 ii ©2010 Anne M. Loechle ALL RIGHTS RESERVED iii Acknowledgments I am indebted to many people for the help and encouragement they have given me during the long duration of this project. From academic and financial to editorial and emotional, I was never lacking in support. I am truly thankful, not to mention lucky. Sarah Burns, my advisor and mentor, supported my ideas, cheered my successes, and patiently edited and helped me to revise my failures. I also owe her thanks for encouraging me to pursue an unorthodox topic. From the moment pirates came up during one of our meetings in the spring of 2005, I was hooked. She knew it, and she continuously suggested ways to expand the idea first into an independent study, and then into this dissertation. My dissertation committee – Janet Kennedy, Patrick McNaughton, and Beverly Stoeltje – likewise deserves my thanks for their mentoring and enthusiasm. Other scholars have graciously shared with me their knowledge and input along the way. David M. Lubin read a version of my third chapter and gave me helpful advice, opening up to me new ways of thinking about Howard Pyle in particular. -
In and Around Buckingham Palace
MY BABA’s In and Around BuckinghamBy Nanny Anita Palace There are so many wonderful things to do in St. James’s Directions: and Green Park that are not included in this trail, so feel free to use this a base in which This trail starts on Buckingham you can go off and explore the Palace Road by the Royal Mews surrounding area. and finishes at the other end of The Mall by Admiralty Arch. • Start at the Royal Mews located on Buckingham Palace Road; if you do go in for a visit then you will exit further along Buckingham Palace Road. Either way, continue down the road until you come to Buckingham Palace. • Head into St. James’s Park and follow The Mall down to Admiralty Arch. • Walking down The Mall there are St. James’s Palace and The Mall Galleries on your left. • Towards the end of the Mall, on the right, is The Household Cavalry Museum. If you are planning to be there in time to see the changing of the guards, be aware that it will become extremely busy and the whole process takes around 45 minutes. For more fun things to do visit the My Baba blog at www.mybaba.com or tweet your trail @ mybabatweets INFORMATION For Attractions ATTRACTION OPENING TIMES COST February, March, November Adult 8.75 Royal Mews 10am-4pm Under 17s 5.40 April-October Under 5s free 10am-5pm Open during the sum- Adult 19.75 mer only: check their Buckingham Under 17s 11.25 website for details. Palace Under 5s free Adults 3.00 Daily 10am-5pm Mall Galleries Under 18s free April-October Adults 7.00 10am-6pm Household Calvary Child 5.00 November-March Museum Under 5s free 10am-5pm N.B Security into these attractions is very tight and you will be subject to airport style checks. -
Report of the Royal Trustees on the Sovereign Grant Review 2016
Sovereign Grant Act 2011: Report of the Royal Trustees on the Sovereign Grant Review 2016 November 2016 Sovereign Grant Act 2011: Report of the Royal Trustees on the Sovereign Grant Review 2016 Presented to Parliament pursuant to section 7(4) of the Sovereign Grant Act 2011 November 2016 This document is available in large print, audio and braille on request. Please call +44 (0)20 7270 5000 or email public. [email protected] © Crown copyright 2016 You may re-use this information (excluding logos) free of charge in any format or medium, under the terms of the Open Government Licence v.3.0. To view this licence visit www.nationalarchives.gov.uk/doc/open-government- licence/version/3/ or email [email protected] Where third party material has been identified, permission from the respective copyright holder must be sought. This publication is available at www.gov.uk/government/ publications Any enquiries regarding this publication should be sent to us at [email protected] ISBN 978-1-911375-36-4 PU1988 Printed on paper containing 75% recycled fibre content minimum Contents Page Chapter 1 Introduction 3 Chapter 2 Sovereign Grant Act 2011 5 Chapter 3 Sovereign Grant Review 2016 7 Chapter 4 Review of the financial management of the Sovereign Grant 9 2012-2016 Chapter 5 Expected costs for the next 5 year period 2016-2021 11 Chapter 6 Buckingham Palace reservicing 13 Chapter 7 Conclusions of the Sovereign Grant Review 19 Annex A Summary of Sovereign Grant income and expenditure 2012- 21 2016 1 1 Introduction 1.1 Since 1760, when George III agreed to surrender the net income of the Crown Estate to the Exchequer in return for a fixed annual payment, the government has provided financial support to the Sovereign. -
Caves of Missouri
CAVES OF MISSOURI J HARLEN BRETZ Vol. XXXIX, Second Series E P LU M R I U BU N S U 1956 STATE OF MISSOURI Department of Business and Administration Division of GEOLOGICAL SURVEY AND WATER RESOURCES T. R. B, State Geologist Rolla, Missouri vii CONTENT Page Abstract 1 Introduction 1 Acknowledgments 5 Origin of Missouri's caves 6 Cave patterns 13 Solutional features 14 Phreatic solutional features 15 Vadose solutional features 17 Topographic relations of caves 23 Cave "formations" 28 Deposits made in air 30 Deposits made at air-water contact 34 Deposits made under water 36 Rate of growth of cave formations 37 Missouri caves with provision for visitors 39 Alley Spring and Cave 40 Big Spring and Cave 41 Bluff Dwellers' Cave 44 Bridal Cave 49 Cameron Cave 55 Cathedral Cave 62 Cave Spring Onyx Caverns 72 Cherokee Cave 74 Crystal Cave 81 Crystal Caverns 89 Doling City Park Cave 94 Fairy Cave 96 Fantastic Caverns 104 Fisher Cave 111 Hahatonka, caves in the vicinity of 123 River Cave 124 Counterfeiters' Cave 128 Robbers' Cave 128 Island Cave 130 Honey Branch Cave 133 Inca Cave 135 Jacob's Cave 139 Keener Cave 147 Mark Twain Cave 151 Marvel Cave 157 Meramec Caverns 166 Mount Shira Cave 185 Mushroom Cave 189 Old Spanish Cave 191 Onondaga Cave 197 Ozark Caverns 212 Ozark Wonder Cave 217 Pike's Peak Cave 222 Roaring River Spring and Cave 229 Round Spring Cavern 232 Sequiota Spring and Cave 248 viii Table of Contents Smittle Cave 250 Stark Caverns 256 Truitt's Cave 261 Wonder Cave 270 Undeveloped and wild caves of Missouri 275 Barry County 275 Ash Cave -
London the West
An Walking Tour of London The West End www.AudioSteps.com t How to get to the start al S B Buckingham Palace Tickets Royal ow JameFsl oSr S Phone 020 7766 7337 or www.royalcollection.org.uk Opera House t The start is outside the Westminster Tube Station entrance in Q N Covent t Theatre G ueens ve. ewp Museum Bridge St. - opposite Big Ben. ielgud y A Garden t A t ussell S esbur t or en R If you arrive by "tube", this is exit No 4. p t rd S t P ov London ol Shaf era 9 l t C den L G G ar S Transport yr lo W 39 45,46 St arrick S King SS G o The half way point is at Covent Garden (segment 32) and can be ar cester ne t t Paul's uthampt Museum Gt ic t Lei Lei our dour S P t ranb y W R 47,48 lac c Cour C Alber easily reached from Covent Garden Tube station in James St. up Lisle S es 32,33 indmill S e ter New Row er Bear St Leic. Sq 36,37 34,35 on e S Alternatively, you can hail a Taxi at most points along the route. t S t L T t S Empir an ro t M aiden Lane cader t er 38 M o est deon e a t O r 30,31 B and Leic G t edf tr i S R e ns ege A 49,50 try St Squar Irving St ar o The nt St ir S Coven rick Coliseum rd S S S P t ackville Sw t icc 39,40 William IV St B al R C 43,44 41,42 S A R lo adilly t ur o E egen ir lingt cademy w S adilly agle P cus trait M Route al A icc l Por a Legend Y lban t P C tiona r 26,27 28,29 hur Na t ar t S y i lternative route lac y n A O on A d y Ct t S Galler St Martin t James ch P t aller s A ld B y e P P b r tional G r inc Na l Directions to the next stop le ond S c lac Duncannon St 46 mar ade F es A ross D or 51,52 e 24,25 Charing Cross tary D P & M Commen e S uk rc 45 o t icc tnum ade ing C B 53,54v a e S rafalgar tion th er er S t di ason T e Street or pa k ll t Squar har Sta ele t S y A C Steps y S t Jam rc A ade Northumb Point of interest / t r erland A lingt es S Admir ve. -
Analysis of Instream Flows for the Sulphur River: Hydrology, Hydraulics & Fish Habitat Utilization
Analysis of Instream Flows for the Sulphur River: Hydrology, Hydraulics & Fish Habitat Utilization Final Report Volume I – Main Report Submitted to the US Army Corps of Engineers in fulfillment of Obligation No. W45XMA11296580 and TWDB Contract No. 2001-REC-015 Tim Osting, Ray Mathews and Barney Austin Surface Water Resources Division Texas Water Development Board July 2004 Executive Summary This report addresses potential impacts of water development projects to the hydrology, aquatic habitat and flood plain in the Sulphur River basin. Proposed main-channel reservoir projects in the basin have the potential to cause significant changes to the hydrological regime and information presented in this report will aid future planning efforts in determining the magnitude of the changes. Regional characteristics of the Sulphur River basin are presented along with historical stream flow records that are analyzed for changes in historical flow regime over time. Recent and historical studies of the fisheries of the lower Brazos River are reviewed and discussed. A total of five different analyses on two different datasets collected in the Sulphur River basin are presented. Two Texas A&M University (TAMU) studies were based upon fish habitat utilization data collected in two areas of the Sulphur River over one season. One area, downstream of the confluence of the North and South Sulphur Rivers, was channelized and the other area, downstream of the proposed Marvin Nichols I Reservoir site, was unchannelized. Two additional TAMU studies were based upon fish habitat utilization data collected in two areas (channelized and unchannelized) of the South Sulphur River near the proposed George Parkhouse I Reservoir site. -
The Cemeteries of London 202
Vaes: The Cemeteries of London 202 The Cemeteries of London Guy Vaes Translated from the French by Philip Mosley _____________________________________ Foreword The text that follows this foreword is Guy Vaes’s preface to his photo-essay, The Cemeteries of London (1978), a book dedicated to his widow Lydie and in memory of Stephen Geary (1779-1854), creator of the old Highgate Cemetery. When the author visited London’s Victorian cemeteries in the years preceding the publication of his book, most of these sites were in a sorry state of neglect and disrepair. The tide, however, was about to turn. In 1975 the Friends of Highgate Cemetery was formed, an association that Vaes mentions in his Preface and one that prompted others to follow in later years. In 1981 the architectural historian Hugh Meller published London Cemeteries: An Illustrated Guide and Gazeteer. Invoking the title of the celebrated 1960 Western film, Meller called the group of seven large private cemeteries ‘The Magnificent Seven’ [Abney Park, Brompton, Highgate, Kensal Green, Nunhead, Tower Hamlets, West Norwood]. All seven now belong to the National Federation of Cemetery Friends, though only Highgate and Kensal Green remain open for burials. Lying within the Royal Borough of Kensington and Chelsea, Brompton is run by the Royal Park Service. Abney Park, Nunhead, and Tower Hamlets are now natural woodland nature reserves. Despite restoration work—for instance, by 2001, of the Anglican chapel and fifty monuments at Nunhead—and the efforts of the friends’ associations, all of these sites remain in need of further care and funding. Highgate West is open only for guided tours; Highgate East is open to all.