A Guide for Advocating for Respectful Maternity Care
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Reference Sheet 1
MALE SEXUAL SYSTEM 8 7 8 OJ 7 .£l"00\.....• ;:; ::>0\~ <Il '"~IQ)I"->. ~cru::>s ~ 6 5 bladder penis prostate gland 4 scrotum seminal vesicle testicle urethra vas deferens FEMALE SEXUAL SYSTEM 2 1 8 " \ 5 ... - ... j 4 labia \ ""\ bladderFallopian"k. "'"f"";".'''¥'&.tube\'WIT / I cervixt r r' \ \ clitorisurethrauterus 7 \ ~~ ;~f4f~ ~:iJ 3 ovaryvagina / ~ 2 / \ \\"- 9 6 adapted from F.L.A.S.H. Reproductive System Reference Sheet 3: GLOSSARY Anus – The opening in the buttocks from which bowel movements come when a person goes to the bathroom. It is part of the digestive system; it gets rid of body wastes. Buttocks – The medical word for a person’s “bottom” or “rear end.” Cervix – The opening of the uterus into the vagina. Circumcision – An operation to remove the foreskin from the penis. Cowper’s Glands – Glands on either side of the urethra that make a discharge which lines the urethra when a man gets an erection, making it less acid-like to protect the sperm. Clitoris – The part of the female genitals that’s full of nerves and becomes erect. It has a glans and a shaft like the penis, but only its glans is on the out side of the body, and it’s much smaller. Discharge – Liquid. Urine and semen are kinds of discharge, but the word is usually used to describe either the normal wetness of the vagina or the abnormal wetness that may come from an infection in the penis or vagina. Duct – Tube, the fallopian tubes may be called oviducts, because they are the path for an ovum. -
The Meadow 2011 Literary and Art Journal
MEADOW the 2011 TRUCKEE MEADOWS COMMUNITY COLLEGE Reno, Nevada The Meadow is the annual literary arts journal published ev- Editor-in-Chief ery spring by Truckee Meadows Community College in Reno, Lindsay Wilson Nevada. Students interested in the literary arts, graphic design, and creative writing are encouraged to participate on Poetry Editors the Editorial Board. Visit www.tmcc.edu/meadow for infor- Erika Bein mation and submission guidelines. Look for notices around Joe Hunt campus, in The Echo student newspaper, or contact the Editor-in-Chief at [email protected] or through the English Fiction Editor department at (775) 673-7092. Mark Maynard See our website (listed above) for information on our annual Non-Fiction Editor Cover Design and Literary and Art Contests. Only TMCC Rob Lively students are eligible for prizes. Editorial Board At this time, The Meadow is not interested in acquiring rights David Anderson to contributors’ works. All rights revert to the author or art- Melissa Cosgrove ist upon publication, and we expect The Meadow to be ac- knowledged as original publisher in any future chapbooks or Andrew Crimmins books. John Dodge JoAnn Hoskins The Meadow is indexed in The International Directory of Little Theodore Hunt Magazines and Small Presses. Janice Huntoon Our address is Editor-in-Chief, The Meadow, Truckee Mead- Arian Katsimbras ows Community College, English Department, Vista B300, Rachel Meyer 7000 Dandini Blvd., Reno, Nevada 89512. Peter Nygard The views expressed in The Meadow are solely reflective of Tony Olsen the authors’ perspectives. TMCC takes no responsibility for Drew Pearson the creative expression contained herein. -
Ovarian Cancer and Cervical Cancer
What Every Woman Should Know About Gynecologic Cancer R. Kevin Reynolds, MD The George W. Morley Professor & Chief, Division of Gyn Oncology University of Michigan Ann Arbor, MI What is gynecologic cancer? Cancer is a disease where cells grow and spread without control. Gynecologic cancers begin in the female reproductive organs. The most common gynecologic cancers are endometrial cancer, ovarian cancer and cervical cancer. Less common gynecologic cancers involve vulva, Fallopian tube, uterine wall (sarcoma), vagina, and placenta (pregnancy tissue: molar pregnancy). Ovary Uterus Endometrium Cervix Vagina Vulva What causes endometrial cancer? Endometrial cancer is the most common gynecologic cancer: one out of every 40 women will develop endometrial cancer. It is caused by too much estrogen, a hormone normally present in women. The most common cause of the excess estrogen is being overweight: fat cells actually produce estrogen. Another cause of excess estrogen is medication such as tamoxifen (often prescribed for breast cancer treatment) or some forms of prescribed estrogen hormone therapy (unopposed estrogen). How is endometrial cancer detected? Almost all endometrial cancer is detected when a woman notices vaginal bleeding after her menopause or irregular bleeding before her menopause. If bleeding occurs, a woman should contact her doctor so that appropriate testing can be performed. This usually includes an endometrial biopsy, a brief, slightly crampy test, performed in the office. Fortunately, most endometrial cancers are detected before spread to other parts of the body occurs Is endometrial cancer treatable? Yes! Most women with endometrial cancer will undergo surgery including hysterectomy (removal of the uterus) in addition to removal of ovaries and lymph nodes. -
Echography of the Cervix and Uterus During the Proliferative and Secretory Phases of the Menstrual Cycle in Bonnet Monkeys (Macaca Radiata)
Journal of the American Association for Laboratory Animal Science Vol 53, No 1 Copyright 2014 January 2014 by the American Association for Laboratory Animal Science Pages 18–23 Echography of the Cervix and Uterus during the Proliferative and Secretory Phases of the Menstrual Cycle in Bonnet Monkeys (Macaca radiata) Uddhav K Chaudhari,1,* Siddnath M Metkari,2 Dhyananjay D Manjaramkar,2 Geetanjali Sachdeva,1 Rajendra Katkam,1 Atmaram H Bandivdekar,3 Abhishek Mahajan,4 Meenakshi H Thakur,4 and Sanjiv D Kholkute1 We undertook the present study to investigate the echographic characteristics of the uterus and cervix of female bonnet monkeys (Macaca radiata) during the proliferative and secretory phases of the menstrual cycle. The cervix was tortuous in shape and measured 2.74 ± 0.30 cm (mean ± SD) in width by 3.10 ± 0.32 cm in length. The cervical lumen contained 2 or 3 col- liculi, which projected from the cervical canal. The echogenicity of cervix varied during proliferative and secretory phases. The uterus was pyriform in shape (2.46 ± 0.28 cm × 1.45 ± 0.19 cm) and consisted of serosa, myometrium, and endometrium. The endometrium generated a triple-line pattern; the outer and central lines were hyperechogenic, whereas the inner line was hypoechogenic. The endometrium was significantly thicker during the secretory phase (0.69 ± 0.12 cm) than during the proliferative phase (0.43 ± 0.15 cm). Knowledge of the echogenic changes in the female reproductive organs of bonnet monkeys during a regular menstrual cycle may facilitate understanding of other physiologic and pathophysiologic changes. Ultrasound imaging is a noninvasive, atraumatic, and simple Materials and Methods method to assess various organs in humans and nonhuman pri- Animals and husbandry practices. -
Pieces of a Woman
PIECES OF A WOMAN Directed by Kornél Mundruczó Starring Vanessa Kirby, Shia LaBeouf, Molly Parker, Sarah Snook, Iliza Shlesinger, Benny Safdie, Jimmie Falls, Ellen Burstyn **WORLD PREMIERE – In Competition – Venice Film Festival 2020** **OFFICIAL SELECTION – Gala Presentations – Toronto International Film Festival 2020** Press Contacts: US: Julie Chappell | [email protected] International: Claudia Tomassini | [email protected] Sales Contact: Linda Jin | [email protected] 1 SHORT SYNOPSIS When an unfathomable tragedy befalls a young mother (Vanessa Kirby), she begins a year-long odyssey of mourning that touches her husband (Shia LaBeouf), her mother (Ellen Burstyn), and her midwife (Molly Parker). Director Kornél Mundruczó (White God, winner of the Prix Un Certain Regard Award, 2014) and partner/screenwriter Kata Wéber craft a deeply personal meditation and ultimately transcendent story of a woman learning to live alongside her loss. SYNOPSIS Martha and Sean Carson (Vanessa Kirby, Shia LaBeouf) are a Boston couple on the verge of parenthood whose lives change irrevocably during a home birth at the hands of a flustered midwife (Molly Parker), who faces charges of criminal negligence. Thus begins a year-long odyssey for Martha, who must navigate her grief while working through fractious relationships with her husband and her domineering mother (Ellen Burstyn), along with the publicly vilified midwife whom she must face in court. From director Kornél Mundruczó (White God, winner of the Prix Un Certain Regard Award, 2014), with artistic support from executive producer Martin Scorsese, and written by Kata Wéber, Mundruczó’s partner, comes a deeply personal, searing domestic aria in exquisite shades of grey and an ultimately transcendent story of a woman learning to live alongside her loss. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 NOTE TO USERS The original manuscript received by UMI contains pages with slanted print. Pages were microfilmed as received. This reproduction is the best copy available UMI WOMEN AND THE DYNAMIC INTERACTION OF TRADITIONAL AND CLINICAL MEDICINE ON THE BLACK SEA COAST OF TURKEY DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Sylvia Wing Onder, M. -
As Writers of Film and Television and Members of the Writers Guild Of
July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C. -
Caring for Yourself After Your Cone Biopsy of the Cervix | Memorial Sloan Kettering Cancer Center
PATIENT & CAREGIVER EDUCATION Caring for Yourself After Your Cone Biopsy of the Cervix This information explains how to care for yourself after a cone biopsy of your cervix. About Your Cone Biopsy of the Cervix Your cervix is the bottom part of your uterus. It connects your uterus to your vagina (see Figure 1). It’s the part of your uterus that dilates (opens) during childbirth. When you have your period, menstrual blood flows through your cervix to your vagina and out of your body. Figure 1. Uterus, cervix, and vagina Caring for Yourself After Your Cone Biopsy of the Cervix 1/3 During a cone biopsy, your doctor will remove a small, cone-shaped part of your cervix. They will study it under a microscope to look for abnormal cells. It usually takes about 4 to 6 weeks for your cervix to heal after this procedure. Caring for Yourself at Home In the first 24 hours after your procedure: Drink 8 to 12 (8-ounce) glasses of liquids. Eat well-balanced, healthy meals. The first 4 days after your procedure, you may have vaginal discharge that looks like menstrual bleeding. The amount varies for everyone. Over the next 2 to 3 weeks after your procedure, your vaginal discharge will become clear and watery and then will stop. Use sanitary pads for vaginal discharge. For 4 to 6 weeks after your procedure or until your doctor tells you your cervix is healed: Don’t put anything inside your vagina (such as tampons and douches) or have vaginal intercourse. Take showers instead of baths. -
Colposcopy of the Uterine Cervix
THE CERVIX: Colposcopy of the Uterine Cervix • I. Introduction • V. Invasive Cancer of the Cervix • II. Anatomy of the Uterine Cervix • VI. Colposcopy • III. Histology of the Normal Cervix • VII: Cervical Cancer Screening and Colposcopy During Pregnancy • IV. Premalignant Lesions of the Cervix The material that follows was developed by the 2002-04 ASCCP Section on the Cervix for use by physicians and healthcare providers. Special thanks to Section members: Edward J. Mayeaux, Jr, MD, Co-Chair Claudia Werner, MD, Co-Chair Raheela Ashfaq, MD Deborah Bartholomew, MD Lisa Flowers, MD Francisco Garcia, MD, MPH Luis Padilla, MD Diane Solomon, MD Dennis O'Connor, MD Please use this material freely. This material is an educational resource and as such does not define a standard of care, nor is intended to dictate an exclusive course of treatment or procedure to be followed. It presents methods and techniques of clinical practice that are acceptable and used by recognized authorities, for consideration by licensed physicians and healthcare providers to incorporate into their practice. Variations of practice, taking into account the needs of the individual patient, resources, and limitation unique to the institution or type of practice, may be appropriate. I. AN INTRODUCTION TO THE NORMAL CERVIX, NEOPLASIA, AND COLPOSCOPY The uterine cervix presents a unique opportunity to clinicians in that it is physically and visually accessible for evaluation. It demonstrates a well-described spectrum of histological and colposcopic findings from health to premalignancy to invasive cancer. Since nearly all cervical neoplasia occurs in the presence of human papillomavirus infection, the cervix provides the best-defined model of virus-mediated carcinogenesis in humans to date. -
The Data Driving Democracy Understanding How the Internet Is Transforming Politics and Civic Engagement
The Data Driving Democracy Understanding How the Internet Is Transforming Politics and Civic Engagement Christina Couch american academy of arts & sciences The Data Driving Democracy Understanding How the Internet Is Transforming Politics and Civic Engagement Christina Couch © 2020 by the American Academy of Arts & Sciences. All rights reserved. ISBN: 0-87724-130-9 This publication is available online at www.amacad.org/project/practice-democratic -citizenship. Suggested citation: Christina Couch, The Data Driving Democracy: Understanding How the Internet Is Transforming Politics and Civic Engagement (Cambridge, Mass.: American Academy of Arts and Sciences, 2020). Cover image: © iStock.com/400tmax. This paper is part of the American Academy’s Commission on the Practice of Democratic Citizenship. The statements made and views expressed in this publication are those held by the author and do not necessarily represent the views of the Officers and Members of the American Academy of Arts & Sciences. Please direct inquiries to: American Academy of Arts & Sciences 136 Irving Street Cambridge, MA 02138 Telephone: 617-576-5000 Fax: 617-576-5050 Email: [email protected] Web: www.amacad.org Contents v Summary 1 Introduction and Context 3 Report Goals and Methodology 5 Data for Digital Age Democracy 11 Key Insights: What Can These Data Tell Us? 27 Barriers and Challenges 27 Data Access 29 Ethical Challenges 31 Research Infrastructure Insufficiencies 34 Potential Solutions 34 Data Sharing Initiatives 37 Regulation and Legal Solutions 40 Acknowledgments 42 About the Author Summary This report outlines the data and methodologies researchers use to under- stand how the Internet has impacted democracy and the challenges they face in this field. -
Facebook Users' Political Participation in the 2008 Election
See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/45280525 It's Complicated: Facebook Users' Political Participation in the 2008 Election Article in Cyberpsychology, Behavior, and Social Networking · March 2011 DOI: 10.1089/cyber.2009.0226 · Source: PubMed CITATIONS READS 167 2,930 6 authors, including: Jessica Vitak Caleb T. Carr University of Maryland, College Park Illinois State University 38 PUBLICATIONS 1,125 CITATIONS 25 PUBLICATIONS 343 CITATIONS SEE PROFILE SEE PROFILE Nicole B Ellison University of Michigan 73 PUBLICATIONS 13,536 CITATIONS SEE PROFILE All in-text references underlined in blue are linked to publications on ResearchGate, Available from: Nicole B Ellison letting you access and read them immediately. Retrieved on: 07 November 2016 CYBERPSYCHOLOGY,BEHAVIOR, AND SOCIAL NETWORKING Volume 0, Number 0, 2010 ª Mary Ann Liebert, Inc. DOI: 10.1089/cyber.2009.0226 It’s Complicated: Facebook Users’ Political Participation in the 2008 Election Jessica Vitak, M.A., Paul Zube, M.A., Andrew Smock, MLS, Caleb T. Carr, M.A., Nicole Ellison, Ph.D., and Cliff Lampe, Ph.D. Abstract In the 2008 U.S. presidential election, social network sites such as Facebook allowed users to share their political beliefs, support specific candidates, and interact with others on political issues. But do political activities on Facebook affect political participation among young voters, a group traditionally perceived as apathetic in regard to civic engagement? Or do these activities represent another example of feel-good participation that has little real- world impact, a concept often referred to as ‘‘slacktivism’’? Results from a survey of undergraduate students (N ¼ 683) at a large public university in the Midwestern United States conducted in the month prior to the election found that students tend to engage in lightweight political participation both on Facebook and in other venues. -
Mary in Film
PONT~CALFACULTYOFTHEOLOGY "MARIANUM" INTERNATIONAL MARIAN RESEARCH INSTITUTE (UNIVERSITY OF DAYTON) MARY IN FILM AN ANALYSIS OF CINEMATIC PRESENTATIONS OF THE VIRGIN MARY FROM 1897- 1999: A THEOLOGICAL APPRAISAL OF A SOCIO-CULTURAL REALITY A thesis submitted to The International Marian Research Institute In Partial Fulfillment of the Requirements for the degree Licentiate of Sacred Theology (with Specialization in Mariology) By: Michael P. Durley Director: Rev. Johann G. Roten, S.M. IMRI Dayton, Ohio (USA) 45469-1390 2000 Table of Contents I) Purpose and Method 4-7 ll) Review of Literature on 'Mary in Film'- Stlltus Quaestionis 8-25 lli) Catholic Teaching on the Instruments of Social Communication Overview 26-28 Vigilanti Cura (1936) 29-32 Miranda Prorsus (1957) 33-35 Inter Miri.fica (1963) 36-40 Communio et Progressio (1971) 41-48 Aetatis Novae (1992) 49-52 Summary 53-54 IV) General Review of Trends in Film History and Mary's Place Therein Introduction 55-56 Actuality Films (1895-1915) 57 Early 'Life of Christ' films (1898-1929) 58-61 Melodramas (1910-1930) 62-64 Fantasy Epics and the Golden Age ofHollywood (1930-1950) 65-67 Realistic Movements (1946-1959) 68-70 Various 'New Waves' (1959-1990) 71-75 Religious and Marian Revival (1985-Present) 76-78 V) Thematic Survey of Mary in Films Classification Criteria 79-84 Lectures 85-92 Filmographies of Marian Lectures Catechetical 93-94 Apparitions 95 Miscellaneous 96 Documentaries 97-106 Filmographies of Marian Documentaries Marian Art 107-108 Apparitions 109-112 Miscellaneous 113-115 Dramas