Freewaves: KUCI 88.9 FM Spring Program Guide 1984 Orange
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Sidvd504 Musicspectr
Music Spectrum Page 5 of 23 death: “Dear God, take him, take them, take anyone, the stillborn, the newborn, the NorthernBlue infirm, take anyone, take people from Pittsburgh, Pennsylvania, just spare me.” Most of us 95North Reco wouldn’t say it out loud, but Morrissey outs our true sinister thoughts that pass through Or Music our brains. Palm Pictures Parasol Planetary Gro The Smiths: Under Review, An Provident Lab Independent Critical Analysis Righteous Ba The traditional topics in any Smiths Rhino biography are all covered here: the band Rough Trade name, traditional four piece lineup, Runway Netw ambiguous nature of Morrissey’s Ryko Music sexuality, being a household name in the Salt Lady Re UK (but not the U.S.), “Suffer Little Sanctuary Re Children” (Moors murders), album sleeves, singles slump, role of Mike Joyce Sounds Fami and Andy Rourke, reluctance to do videos Special Ops M in MTV era, Craig Gannon, and the split. Team Clermo However, while some of the information Theory 8 Rec may not be new, because The Smiths: Telarc Under Review, An Independent Critical Analysis is a video documentary, it is a comforting Transmit Sou companion for any Smiths fan or seeker. TVT Records Unschooled Having never attended a Smiths Convention http://www.musicconventions.com/, and Vanguard Re having very few close friends who are Smiths fans, sitting and watching so many writers, Wampus Rec musicians, and people in the circle discuss what the Smiths meant and mean is like Warp Record discovering that you’re not alone. Others have also spent hours thinking about why this Wind-up Rec band affected them so much. -
Aztec Camera: Discography Albums Articles Audio B-Sides Discography Guestbook Tabs Images Info Links Search Home
Aztec Camera: Discography albums articles audio b-sides discography guestbook tabs images info links search home Discography & Videography Thanks to Phillip Gauthier, Roger Boge and the Aztec Camera Information Service. Just Like Gold January 1981 Just Like Gold ( Lyrics | Audio ) Postcard Catalog # 81-3 U.K. 7 inch We Could Send Letters ( Lyrics ) Mattress of Wire May 1981 ( Sleeve ) Postcard Catalog # 81-8 ( Lyrics | Audio ) U.K. 7 inch Mattress of Wire Lost Outside the Tunnel ( Lyrics ) Pillar to Post September 1982 ( Sleeve ) Rough Trade # RT 112 ( Lyrics ) U.K. 7 inch Pillar to Post Queens Tattoos ( Lyrics ) http://www.aoinfo.com/aztec/html/disc.htm (1 of 14) [1/29/2000 5:34:54 PM] Aztec Camera: Discography Rough Trade # RT 112P [ picture disc ] U.K. 7 inch Oblivious January 1983 Oblivious ( Lyrics ) Rough Trade # RT 122 U.K. 7 inch Orchid Girl ( Lyrics ) Rough Trade # RT 122T Oblivious (remix) Sire # 020219 Orchid Girl U.K. 12 inch Haywire ( Lyrics ) Walk Out to Winter April 1983 Walk Out to Winter ( Lyrics ) Rough Trade # RT 132 U.K. 7 inch Set the Killing Free ( Lyrics ) Rough Trade # RT 132T Walk Out to Winter (extended remix) U.K. 12 inch Set the Killing Free High Land, Hard Rain April 1983 U.K. LP Rough Trade # 47 See ( Info ) for track listings, lyrics, performers, etc. ( Info ) U.S. LP Sire U.K. CD Rough Trade CD adds the following tracks: U.S. CD Sire Haywire, Orchid Girl and Queens Tattoos Oblivious (second release) October 1983 Oblivious (remix) WEA # AZTEC 1 U.K. -
Chart Book Template
Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms international A Bell & Howell Information Company 300 North! Z eeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9130640 The influence of Leonard B. Smith on the heritage of the band in the United States Polce, Vincent John, Ph.D. -
Steeler Steeler Mp3, Flac, Wma
Steeler Steeler mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Steeler Country: Russia Released: 2003 Style: Heavy Metal MP3 version RAR size: 1949 mb FLAC version RAR size: 1383 mb WMA version RAR size: 1279 mb Rating: 4.3 Votes: 773 Other Formats: FLAC VOC MP2 MP1 MMF VOX FLAC Tracklist A1 Cold Day In Hell A2 Backseat Driver A3 No Way Out A4 Hot On Your Heels B1 Abduction B2 On The Rox B3 Down To The Wire B4 Born To Rock B5 Serenade Companies, etc. Phonographic Copyright (p) – Shrapnel Records Copyright (c) – Shrapnel Records Recorded At – Prairie Sun Recording Studios Mixed At – Prairie Sun Recording Studios Mastered At – The Automatt Published By – Varney Metal Music Co. Credits Backing Vocals [Additional Background Vocals] – Peter Marrino Bass, Backing Vocals – Rik Fox Drums – Mark Edwards Graphics [Graphic Design] – Bret H. Linford Lead Guitar – Ygnwie Malmsteen* Mastered By – Paul Stubblebine Other [Hair By] – Robert P. Richleigh Photography By [Back Cover Photo] – Neil Zlozower Photography By [Front Cover Photos] – Liz Kimmel, Mark Workman Producer – Mike Varney Recorded By [Assisted By], Mixed By [Assisted By] – Allen Isaacs, Mooka* Recorded By, Mixed By – Allen Sudduth Voice, Guitar – Ron Keel Written-By – Edwards* (tracks: A2, A3, B1 to B4), Fox* (tracks: B1), Keel* (tracks: A1 to A4, B2 to B5), Malmsteen* (tracks: A3, B1) Notes This is the very 1st pressing with misspelled Malmsteen's first name "YGNWIE" on back cover. This version has black labels with silver print. Recorded and Mixed at Prarie Sun Studios, Cotati, CA. Mastered at The Automatt, S.F., CA. -
Simon Travers Roddy
Simon Travers www.stackhousejones.com Roddy Frame, the Prophets and Brexit. I was a remainer. The night after the vote, I was out at an open mic night on Mutley Plain. I drank Old Rosie cider and struggled to remember my words. Walking home, my sadness was that Brexit felt like divorce. I had my headphones with me, so I found 'Over My Head' by Aztec Camera on You Tube. You probably won't know this song. It's from an album called Stray that came out in October 1990. I may be making this up, but I think I bought that album on a French exchange trip. I definitely remember hearing the lead single 'Good Morning Britain' on the video jukebox they had on the ferry. I put 'Epic' by Faith No More on the video jukebox. I was very rock at the time and heroically hopeless at talking to girls. But 'Over My Head' is not very rock. It's Roddy Frame's attempt at a jazz standard ballad. It's the wrong song on the wrong album; the follow up album that didn't sell as well; the album that in hindsight, comes nowhere close to Hats by The Blue Nile which came out a year before. Yet, it is a part of the soundtrack of my life, a song that in my head signifies divorce. When my mum and dad separated finally the following summer of 1991, my mum said that we should have one more family meal before my dad left home, an orderly retreat. -
The 101Ers 241 a Roy Acuff 224 Tony Adams 132, 235, 236 Cannonball
INDEX The 101ers 241 Byron Berline 34 Chuck Berry 77, 88, 119, 139, 156, 171, 190, 238 A Bhundu Boys 243 Tony Blair 90, 137, 138, 243 Roy Acuff 224 John Blake 29 Tony Adams 132, 235, 236 Art Blakey 190 Cannonball Adderley 190 Bobby Bland 200 Karin Aderhold 16 John Bonham 123 Marc Almond 12 Bono 49, 57 Any Trouble 221, 222 Booker T & The MGs 175 Louis Armstrong 75, 170 David Bowie 95, 195-203, 214 Virginia Astley 168 Paul Brady 223 Mick Avory 133 Brinsley Schwarz 225 Gary Brooker 116 Big Bill Broonzy 132, 140 B Mick Brown 172 Buddy Guy 17 Burt Bacharach 231, 232 Buffalo Springfield 192 Chet Baker 73, 83 Eric Burdon 96, 171 Ginger Baker 79 Johnny Burnette 103 Kenny Ball 170 James Burton 139, 231 Bangles 12 George Bush 243 Alan Bangs 24 The Byrds 192, 225 BAP 96 Wild Willy Barrett 166 Count Basie 169 C The Beach Boys 184 The Beatles 8, 43, 80, 98-102, Captain Beefheart 240, 242 105, 106, 110-112, 117-119, James Carr 231 123, 128, 149-153, 156, 161- Martin Carthy 17, 222, 223 163, 174, 177, 183, 188, 189, Neko Case 8 207, 213-216, 238, 241, 242 Johnny Cash 16, 244 Jeff Beck 32, 34, 143 Sid Catlett 73 Walter Becker 14 Marc Chagall 92 David Beckham 235 Ray Charles 101 Peter Bellamy 222 Marshall Chess 17 Fred Below 73 Chic 200 Tony Bennett 230 Charlie Christian 139 250 INDEX Guy Clark 227 Lonnie Donegan 102, 139 Allan Clarke 182, 185, 187, Val Doonican 211 190, 193, 211 Double Trouble 200 Kenny Clarke 77 Pete Drake 109, 228 The Clash 178, 216, 217, 219, The Drifters 170 220, 233, 234, 236, 241, 242 Sly Dunbar 33 Matt Clifford 46 Duran Duran -
Jenna Miller 2/22/12 Megadeth Megadeth Has Been A
Jenna Miller 2/22/12 Megadeth Megadeth has been a very popular thrash metal band for over 20 years. The bands, like most others, have gone through many conflicts. Unlike other bands though, Megadeth has stayed strong since the 80’s and has impacted the heavy metal culture. Megadeth has successfully released thirteen albums, which attracted both underground and mainstream fans. They also have accompanied what popular trends into their songs, which resulted in keeping the band steady and popular throughout the years. The start of the band was back in the 1980’s, where Dave Mustaine (lead singer and guitarist) joined the band Metallica in 1982. Mustaine had a drug and alcohol addiction which made him difficult to get along with. In March of 1983, his constant disagreements with vocalist, James Hetfield, caused him to get kicked out. In the summer, Mustaine meets bassist David Ellefson, and they form Megadeth with guitarist Greg Handevidt and drummer Dijon Carruthers. Because of the unorganized nature of the band and constant bickering between band members, the lineup has constantly changed throughout the years. Many believe Mustaine’s drug and alcohol addiction is to blame for this because of his constant highs and lows in his mood. The only two members, Dave Mustaine and Dave Ellefson, were in Megadeth when the band first started and are still currently in the 2012 line up. Megadeth's first three gigs where February 15th, 18th, and 19th, of 1984. In May of 1985, Megadeth’s first album, “Killing is My Business…And Business is Good!” was released. -
Billboard-1987-11-21.Pdf
ICD 08120 HO V=.r. (:)r;D LOE06 <0 4<-12, t' 1d V AiNE3'c:0 AlNClh 71. MW S47L9 TOO, £L6LII.000 7HS68 >< .. , . , 906 lIOIa-C : , ©ORMAN= $ SPfCl/I f011I0M Follows page 40 R VOLUME 99 NO. 47 THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT November 21, 1987/$3.95 (U.S.), $5 (CAN.) CBS /Fox Seeks Copy Depth Many At Coin Meet See 45s As Strong Survivor with `Predator' two -Pack CD Jukeboxes Are Getting Big Play "Predator" two-pack is Jan. 21; indi- and one leading manufacturer Operators Assn. Expo '87, held here BY AL STEWART vidual copies will be available at re- BY MOIRA McCORMICK makes nothing else. Also on the rise Nov. 5-7 at the Hyatt Regency Chi- NEW YORK CBS /Fox Home Vid- tail beginning Feb. 1. CHICAGO While the majority of are video jukeboxes, some using la- cago. More than 7,000 people at- eo will test a novel packaging and According to a major -distributor jukebox manufacturers are confi- ser technology, that manufacturers tended the confab, which featured pricing plan in January, aimed at re- source, the two -pack is likely to be dent that the vinyl 45 will remain a say are steadily gaining in populari- 185 exhibits of amusement, music, lieving what it calls a "critical offered to dealers for a wholesale viable configuration for their indus- ty. and vending equipment. depth -of-copy problem" in the rent- price of $98.99. Single copies, which try, most are beginning to experi- Those were the conclusions Approximately 110,000 of the al market. -
Brandnew Underground Power Records Releases
Brandnew Underground Power Records Releases 10 years after our first and only Label Shirt – we did it again: Underground Power Records Label Shirt – 20 € Black Gildan Shirt with our Logo as pocket print on the front – backside “Knights of Steel” artwork incl. Bandlogos from our rooster like Siren, Titan Force, Midnight Dice, Satans Hallow, Air Raid, Iron Jaw, Iron Brigade and more – limited to 100 copies – sizes S, M, L, XL, XXL and XXXL KATAGORY V – Present Day (NEW*LIM.100 WHITE VINYL*US METAL*QUEENSRYCHE) - 24 Underground Power Records 2021 - Underground Power Records 2021 – Brandnew limited Viny release of one of the best US Power/Prog Metal Albums in the new Millenium – for the first time on Vinyl, originally released in 2001 ! For Fans of Queensryche, Fates Warning, Heir Apparent, Lethal, Crimson Glory, Titan Force ! Limited to 100 copies in White Vinyl + 4 Page LP Insert with Pics and Lyrics - this UP100 and we are proud of it - 20 years ago this was our first Distribution title under the Label name Underground Power Records ! Razorsharp Riffs, powerful, melodic Vocals up to high pitched, great hooks and a tight and pounding Rhythm Section KATAGORY V – Present Day (NEW*LIM.200 BLACK VINYL*US METAL*QUEENSRYCHE) - 21 Underground Power Records 2021 - Underground Power Records 2021 – Brandnew limited Viny release of one of the best US Power/Prog Metal Albums in the new Millenium – for the first time on Vinyl, originally released in 2001 ! For Fans of Queensryche, Fates Warning, Heir Apparent, Lethal, Crimson Glory, Titan Force ! Limited -
Extreme Metal: Subculture, Genre, and Structure
Université de Montréal Extreme metal: Subculture, Genre, and Structure par Samaël Pelletier Université de Montréal Faculté de Musique Mémoire présenté en vue de l’obtention du grade de Maîtrise en musique option musicologie avril 2018 © Samaël Pelletier. 2018 Abstract Extreme metal is a conglomeration of numerous subgenres with shared musical and discursive tendencies. For the sake of concision, the focus throughout this thesis will mainly be on death metal and black metal – two of the most popular subgenres categorized under the umbrella of extreme metal. Each chapter is a comparative analysis of death metal and black metal from different perspectives. Thus, Chapter One is historical account of extreme metal but also includes discussions pertaining to iconography and pitch syntax. Subsequently, Chapter Two concerns itself with the conception of timbre in death metal and black metal. More specifically, timbre will be discussed in the context of sound production as well as timbre derived from performance, in particular, vocal distortion. The conception of rhythm/meter will be discussed in Chapter Three which will simultaneously allow for a discussion of the fluidity of genre boundaries between death metal and progressive metal – largely because of the importance placed on rhythm by the latter subgenre. Instead of a focus on musical practices, Chapter Four will instead take a sociological approach with the aim of answering certain issues raised in the first three chapters. Ultimately, this thesis aims to elucidate two questions: What are the different aesthetic intentions between practitioners of death metal and black metal? And, how do fans conceptualize these aesthetic differences? Sarah Thornton’s notion of subcultural capital – which is derived from Pierre Bourdieu’s notion of cultural capital – will help to answer such questions.