Women, Architecture and Representation in Mamluk Cairo
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Egyptian Escape with Nile Cruise
with Nile Cruise 11-Day Tour from Cairo to Cairo Cairo – Giza – Karnak – Valley of the Kings Luxor – Edfu – Kom Ombo – Aswan – Philae – High Dam – Cairo November 5 – 15 November 12 – 22 December 3 – 13 $3,649Including Air If you’ve dreamed of standing at the foot of the great pyramids, now is the time to escape to Egypt. Peruse the treasures of King Tutankhamun in Cairo, and answer the riddle of the Sphinx at the Great Pyramids of Giza. Embark on a Nile River cruise YOUR TOUR INCLUDES where you’ll visit the Karnak and Luxor Temples, and join in • 4 nights in Cairo, 4 day Nile river cruise, 1 night in Aswan. guided sightseeing at the Valley of the Kings and Queens on the • Roundtrip air from Fresno, Sacramento, Los Angeles and San Nile’s West Bank. Visit the Temple of Horus with its menacing Francisco to Cairo. Other gateway cities upon request. Intra black stone falcon statue, built 2,000 years ago during the age air flights in Egypt. of Cleopatra. You’ll see fascinating sights, including a bluff-top • Services of a Globus Professional Tour Director. temple to worship crocodile and falcon gods, the unfinished obelisk of the granite quarries of Aswan, and the Temple of Isis • MEALS: Full buffet breakfast daily; 4 lunches; 6 three-course dinners, including welcome and farewell dinner in Cairo. recovered from the submerged island of Philae. Take an excur- sion on a Felucca sail boat for a view of Kitchener’s Island and • HOTELS: (or similar quality if a substitution is required) the mausoleum of Aga Khan. -
The Application of Visualisation
THE APPLICATION OF VISUALISATION TOOLS TO ENABLE ARCHITECTS TO EXPLORE THE DYNAMIC CHARACTERISTICS OF SMART MATERIALS IN A CONTEMPORARY SHANASHIL BUILDING DESIGN ELEMENT FOR HOT ARID CLIMATES Tamarah Alqalami Ph.D. Thesis 2017 THE APPLICATION OF VISUALISATION TOOLS TO ENABLE ARCHITECTS TO EXPLORE THE DYNAMIC CHARACTERISTICS OF SMART MATERIALS IN A CONTEMPORARY SHANASHIL BUILDING DESIGN ELEMENT FOR HOT ARID CLIMATES School of the Built Environment University of Salford, Salford, UK Submitted in Partial Fulfilment of the Requirements of the Degree of Doctor of Philosophy, August 2017 Table of Contents TABLE OF CONTENTS ......................................................................................................................... I LIST OF FIGURES ................................................................................................................................ V LIST OF TABLES ................................................................................................................................. IX ACKNOWLEDGEMENT ....................................................................................................................... X DEDICATION ...................................................................................................................................... XI ABBREVIATIONS ............................................................................................................................. XII ABSTRACT ...................................................................................................................................... -
THE AMERICAN UNIVERSITY in CAIRO School of Humanities And
1 THE AMERICAN UNIVERSITY IN CAIRO School of Humanities and Social Sciences Department of Arab and Islamic Civilizations Islamic Art and Architecture A thesis on the subject of Revival of Mamluk Architecture in the 19th & 20th centuries by Laila Kamal Marei under the supervision of Dr. Bernard O’Kane 2 Dedications and Acknowledgments I would like to dedicate this thesis for my late father; I hope I am making you proud. I am sure you would have enjoyed this field of study as much as I do. I would also like to dedicate this for my mother, whose endless support allowed me to pursue a field of study that I love. Thank you for listening to my complains and proofreads from day one. Thank you for your patience, understanding and endless love. I am forever, indebted to you. I would like to thank my family and friends whose interest in the field and questions pushed me to find out more. Aziz, my brother, thank you for your questions and criticism, they only pushed me to be better at something I love to do. Zeina, we will explore this world of architecture together some day, thank you for listening and asking questions that only pushed me forward I love you. Alya’a and the Friday morning tours, best mornings of my adult life. Iman, thank you for listening to me ranting and complaining when I thought I’d never finish, thank you for pushing me. Salma, with me every step of the way, thank you for encouraging me always. Adham abu-elenin, thank you for your time and photography. -
The Political Thinking of the “Virtuous Ruler,” Qānṣūh Al- Ghawrī
ROBERT IRWIN The Political Thinking of the “Virtuous Ruler,” Qānṣūh al- Ghawrī What follows is an essay on the politics of high culture. Historians have tended to present the politics of the Mamluk Sultanate and in particular its factional fighting, as ideology free. Apart from a commitment to Islam and the jihad, the Mamluks seem curiously bereft of any form of idealism, role models, or political programs. Modern historians often portray the political strategies and goals of the Mamluk sultans as being almost invariably driven by hunger for power, greed, arrogance, and, in some cases, fear. They have been encouraged in such cynical readings of Mamluk politics by the way in which the medieval ulama, who were effectively the custodians of Mamluk historiography, wrote about the sultans and amirs. Generalizing very broadly, their narratives tended towards the positivist and uninterpretative. But it seems worth considering whether there was at least the pretence of ideology and idealism on the part of the ruling elite. Most of the ulama did not frequent the court, and consequently they were not party to the way decisions were made and the reasons for those decisions. Shihāb al-Dīn Muḥammad ibn Aḥmad Ibn Iyās (1448–ca. 1524) is a case in point. Despite being the grandson of a mamluk, his chronicle, the Badāʾiʿ al-Zuhūr fī Waqāʾiʿ al- Duhūr, is effectively an outsider’s chronicle, based on public proclamations, gossip, and personal sightings of processions and departing military expeditions. While he is prepared to concede that the Mamluk sultan Qānṣūh al-Ghawrī had some good qualities, nevertheless his account of that sultan’s reign (906–22/1501–16) is a hostile one and, in his obituary of the sultan, he condemns him for his injustice, confiscations, and greed. -
The University of Hull Department of Politics an Analysis of the Process of Association Between Turkey and the European Communit
The University of Hull Department of Politics An Analysis of the Process of Association Between Turkey and the European Community in the Context of European Integration and Cooperation being a thesis submitted for the Degree of PhD in the University of Hull by Tunc Aybak, B.A. March 1995 In memory of my father, and for my son Joseph Aydin. 'Turkey is part of Europe: today this means that Turkey is establishing a constitutional relationship with the European Community. Like the Community itself, that relationship is imbued with the concept of revolution.' Ankara, September 1963. The President of the Commission of the European Communities. The Speech of Walter Hallstein at the signing of the Association Treaty. 10]ur task is to less reassure ourselves of our common origins in the European Middle Ages than to develop a new political self- confidence commensurate with the role of Europe in the world of twenty-first century. Hitherto, world history has accorded the empires have come and gone but one appearance on the stage. This is not only true of the rising and falling empires in the Old World, but also for modern states like Portugal and Spain, England, France and Russia. It now appears as if Europe as a whole is being given a second chance. It will not be able to make use of this in terms of the power politics of yester-year, but only under changed premises, namely a non-imperial process of reaching understanding with and learning from other cultures.' Jurgen Habermas Contents Acknowledgements 1 Chapter I: Introduction 3 I. -
Archnet 2.0: Building a New Asset Management System for MIT’S Online Architectural Library of the Islamic World
Archnet 2.0: Building a new asset management system for MIT’s online architectural library of the Islamic World Andrea Schuler is the Visual Resources Librarian for Islamic Architecture in the Aga Khan Documentation Center (AKDC) at MIT. In that role she manages the creation, cataloging, uploading and storage of digital assets from the AKDC’s vast collections. She administers the Aga Khan Visual Archive and provides access to the Documentation Center’s visual collections for the MIT community and for a worldwide community of users. She also contributes content to Archnet as part of the AKDC team. Abstract Archnet 2.0 is a new front end website and back end cataloging tool and asset management system for Archnet (http://archnet.org), the largest openly accessible online architectural library focusing on the Muslim world. The site, a partnership between the Massachusetts Institute for Technology and the Aga Khan Trust for Culture (AKTC), contains articles and publications, images, maps and drawings, video, archival material, course syllabi, and site records relating to architecture in the Islamic world. By 2012, when the Aga Khan Documentation Center (AKDC) at MIT, part of the MIT Libraries, took over the digital library, the site has become dated and was no longer meeting the needs of its users. A software development firm was hired to build new front and back ends for the site. This paper explores the development of the new back end cataloging and asset management tool, including the reasoning behind building a new tool from scratch; considerations during development such as database structure, fields, and migration; highlights of features; and lessons learned from the process. -
Total Number of Cases Published in Journal-
TOTAL NUMBER OF CASES PUBLISHED IN JOURNAL-453. THE TRADE MARKS JOURNAL. (No. 578, March 1, 1999) Application Advertised Before Registration. (Accepted on or before 28th February, unless otherwise stated) CLASS-1. BLOCK Advertised Before Acceptance Under Section 15(1) (Proviso). Registration of this Trade Mark shall give no right to the exclusive use of Numeral “21” and other descriptive matter appearing on the label. 105066. Brake fluid, Ghulam Abbas Hashmi and Zahid Abbas Hashmi, Pakistani Nationals, Partners, Nawab Sons Corporation, Multan Road, Lahore, Manufacturers, dated 12th December, 1989, Agent, Shahs Registration Law Chamber, GPO Box No.1119, Room No.11-G, Saleemi Chamber, Edward Road Lahore-54000. BLOCK Advertised before acceptance, Section 15(1) (Proviso). Registration of this Trade Mark shall give no right to the exclusive use of Word “LITH DEVELOPER” and Letters “CI”. 116813. Lith developers (photographic developers); chemical products used in industry, science and photography, Mohammad Akram, Mohammad Aslam, Mohammad Ammar Hussain and Nazir Hussain, Pakistani Nationals, Partners, CHEMPHIL INTERNATIONAL, 9/C, F-1, Al- Faisal Plaza, Main Commercial Zone, Allama Iqbal Town, P.O. Box 9157, Lahore, Manufacturers and Merchants, dated 25th August, 1992, Agent, Shahs Registration Law Chamber, GPO Box No.1119, Room No.11-G, Saleemi Chamber, Edward Road Lahore-54000. PARAFLOW Advertised before acceptance, Section 15(1) (Proviso). 132095. Chemicals used in industry, science and photography, as well as in agriculture, horticulture and -
Arabesques, Unicorns, and Invisible Masters: the Art Historian's Gaze
ARABESQUES, UNICORNS, AND INVISIBLE MASTERS 213 EVA-MARIA TROELENBERG ARABESQUES, UNICORNS, AND INVISIBLE MASteRS: THE ART HISTORIAN’S GAZE AS SYMPTOMATIC ACTION? Is it still true that art history, traditionally understood as be to look at these objects. As Margaret Olin has argued, an explicitly object-based discipline, lacks a thorough “The term ‘gaze’ … leaves no room to comprehend the understanding of an “action tradition” that could be em- visual without reference to someone whose vision is un- ployed to explain and theorize, for example, artistic der discussion.”3 Although she refers generally to the agency? And that therefore art history, as opposed to gaze of all possible kinds of beholders, viewers, or spec- other disciplines such as sociology or linguistic studies, tators, she also stresses: “While most discourse about the has found it particularly difficult to look at its own his- gaze concerns pleasure and knowledge, however, it gen- toriography in terms of academic or scholarly action or erally places both of these in the service of issues of agency? Such explanations were employed until quite power, manipulation, and desire”; furthermore, “The recently when expounding the problem of a general de- choice of terms from this complex can offer a key to the lay in critical historiography concerning the discipline’s theoretical bent or the ideology of the theorist.”4 Ac- traditions and methods, particularly in relation to Ger- cordingly, an action-based theory of historiography man art history under National Socialism.1 must find -
The Sultan, the Tyrant, and the Hero: Changing Medieval Perceptions of Al-Zahir Baybars (MSR IV, 2000)
AMINA A. ELBENDARY AMERICAN UNIVERSITY IN CAIRO The Sultan, The Tyrant, and The Hero: Changing Medieval Perceptions of al-Z˛a≠hir Baybars* As the true founder of the Mamluk state, al-Z˛a≠hir Baybars is one of the most important sultans of Egypt and Syria. This has prompted many medieval writers and historians to write about his reign. Their perceptions obviously differed and their reconstructions of his reign draw different and often conflicting images. In this article I propose to examine and compare the various perceptions that different writers had of Baybars's life and character. Each of these writers had his own personal biases and his own purposes for writing about Baybars. The backgrounds against which they each lived and worked deeply influenced their writings. This led them to emphasize different aspects of his personality and legacy and to ignore others. Comparing these perceptions will demonstrate how the historiography of Baybars was used to make different political arguments concerning the sultan, the Mamluk regime, and rulership in general. I have used different representative examples of thirteenth- to fifteenth-century histories, chronicles, and biographical dictionaries in compiling this material. I have also compared these scholarly writings to the popular folk epic S|rat al-Z˛a≠hir Baybars. In his main official biography, written by Muh˛y| al-D|n ibn ‘Abd al-Z˛a≠hir, Baybars is presented as an ideal sultan. By contrast, works written after the sultan's day show more ambivalent attitudes towards him. Some fourteenth-century writers, like Sha≠fi‘ ibn ‘Al|, Baybars al-Mans˝u≠r|, and al-Nuwayr|, who were influenced by the regime of al-Na≠s˝ir Muh˛ammad, tend to place more emphasis on his despotic actions. -
Bab Al-Nasr • Is the Massive Fortified Gate with Rectangular Stone Towers Flanking the Semicircular Arch of the Eastern Portal
كلية السياحة والفنادق)قسم اﻻرشاد السياحي( مادة اثار مصر اﻻسﻻمية 1كود المقرر ر.س 326 الفصل الدراسي الثاني الفرقة الثالثة إرشاد سياحي أ.د سماح عبد الرحمن اﻻستاذ بالقسم القائمه علي تدريس المقرر [email protected] 01010119940 Bab Zuwayla (Bab al-Mitwalli) المحاضرة اﻻولي .(1092A.D/485A.H) • One of the three Fatimid gates that remain standing, this one at the south end of al- Qahira is perhaps the least interesting structurally. An attack from Syria was expected from the north, not the south. Visually, however, with its crowning fifteenth-century minarets, it is the most dramatic and it gives into abazaar quarter that is as full of life today as it was in the middle Ages المحاضرة اﻻولي • Bab Zuwayla, also called Bab al-Mitwalli, dates from 1092. It was part of the city fortifications put up by the Armenian wazir Badr al-Gamali and his Anatolian or Mesopotamian Christian architects. The gate was named after Fatimid soldiers from the Berber tribe al-Zawila who were quartered in the vicinity after the building of the original gate in 969, when alQahira was founded. The name Bab al-Mitwalli dates from Ottoman times, when the wali, or Ottoman officer, charged with maintaining public order, had his residence and headquarters near here. المحاضرة اﻻولي • The gate's projecting, rounded towers connected by a covered passageway over the large, arched opening are northern Syrian or Byzantine, not Arab, in inspiration and spirit. The two minarets that spring from the towers belong to the Mosque of al-Mu'ayyad Shaykh, just inside the gate, which forms the wall to the west. -
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Let us introdroduce ourselves Planet Tours is an inbound tourism company based in Cairo, Egypt with five regional offices throughout the country in Luxor, Aswan, Hurghada, Sharm El Sheik and Marsa Alam in addition to three international offices in USA, Spain and Czech Republic. The company also owns its own fleet of buses and minibuses as well as 3 Nile Cruise boats, including the 5* deluxe Esmeralda Nile Cruise, one of the newest and most luxury cruises working at the moment. The company has been in business for over 30 years and has built up a solid reputation both at home and overseas, working with a varied client base in all the six continents adapting to the needs of each of our clients, we have Japanese, English, Spanish, Italian and Polish speaking staff. As well as regular guaranteed tours in various languages, we also specialize in, diving and Red Sea Holidays, tailor made tours and religious itineraries, including the Holy Family tour. We at Planet tours believe in filling our Essential Egypt Day 1. Wednesday Day 8 Wednesday Arrival at Cairo international airport, meet and greet assistance Breakfast in Hotel full day visit of the Temples of Dendera, famous by one of our representatives. Transfer in deluxe air-conditioned for its impressive Temple of Hathor and the Dendera zodiac vehicle to the hotel. During the transfer our representative will continue to Abydos with Seti’s Temple renowned for the amazing give you basic information about the country, check your tour colourful hieroglyphics and sculptured columns. Return to Luxor itinerary with you and facilitate the pick times for your tours. -
Welcome to Ahmadiyyat, the True Islam− Ð Õ Êáîyj»A Æ Ê Ì Êåày Æ J»Aì Êé¼»A Ániê Æ Ê
Welcome to Ahmadiyyat, The True Islam− Ð Õ êÁÎYj»A æ ê ì êÅÀY æ j»Aì êɼ»A ÁnIê æ ê In the name of Allah,− the Gracious, the Merciful WELCOME TO AHMADIYYAT, THE TRUE ISLAM TABLE OF CONTENTS Foreword: Sahibzada± − ± − M. M. Ahmad,± Amir− Jama‘at,− USA 11 Introduction ............................................................................. 13 System of Transliteration ............................................................ 15 Publisher's Note ......................................................................... 17 1 The Purpose of Man's Life ..................................... 19 Means of Attaining Purpose of Life ........................... 24 Significance of Religion ............................................ 28 The Continuity of Religion ........................................ 29 The Apex of Religious Development ......................... 31 Unity of Religions ..................................................... 31 2 Islam− and a Muslim ................................................. 32 Unification of Humanity Through Islam− ................... 44 Ahmadi± − Muslims ....................................................... 50 1 Welcome to Ahmadiyyat, The True Islam− 3 The Islamic− Beliefs (The Articles of Faith) ......... 52 Unity of Allah− ............................................................ 54 The Islamic− Concept of God Almighty ...................... 55 God's Attributes (Divine Names) ........................ 61 Angels ........................................................................ 64 The Islamic−