Usic Week for Everyone in the Business of Music AUGUST 301997 £3.35 J|IJII|Ji||!Ijijill|JUI Lllfl

Total Page:16

File Type:pdf, Size:1020Kb

Usic Week for Everyone in the Business of Music AUGUST 301997 £3.35 J|IJII|Ji||!Ijijill|JUI Lllfl usic week For Everyone in the Business of Music AUGUST 301997 £3.35 J|IJII|Ji||!IJIJill|JUI lllfl STRIPPING OFFWITH ATIIPTOSEETHE SPICIES IN TURKEY! In S o m 9S:^Jan ^ il: Vf IIIIf lUI, ( BOB AVERAGE SALES PER ISSUE JAN - JUMEW OFF WITH Ilmfttï! — <0 HITS 383,422 BRIAN BACKHIIRAVANA! RM RI RAMASEI Q 187,862 SELECT 78,646 vox MOJO 66,858 65,458 3 THE UK'S BIGGEST-SELLING MUSIC MAGAZINE! music week For Everyone in the Business of Music AUGUST 301997 £3.35 Skypicksbenefitgig THIS WEEK for pay-per-view first Rrstdayfrenzysees British Sky Broadcasting is to IbidsforNW4 Record concertmount the when UK's it screensfirst pay-per-view the Music licence For Montserrat benefit ncxt 6 The new The Royal Albert Hall gig, fea- breed of hit- Oasis hit sales high Paultiu-ing McCartney, Eric Clapton, is being Sting screened and makers by Paul Williams very raotivated, strong fanbase, but we first moming was chaos," says Tony fortwice the each four nîght days on Skyafter Box it Officetakes In 16 hours last Thursday,~ the new didn'tStores expert around tosellthismany." the country were hav- StreetFrench, store manager in London, of HMVs "We 363 had Oxford a big TVplace deals, on September which are15. Worldwidecurrently Jackson'sOasis album Bad and trouncedelbowed its wayMichael into Thursdaying to rewrite after their experiencing own record queues books onof queuebig ribbon outside to let and people then in,when it was we mad-eut a beingoverall negotiated, audience for could the eventmean may the theBe record Here books. Now sold 356,000 units on throughwaiting peopletheir doorsand oncea huge the surgeSam nessAnd with Tower everyone reports grabbing that the first-day stock." rivalProfits that fromfor 1985'8 the all-star Live Aid. concert, its first day of release, more than any embargo was lifted. Virgin Our Price sales for Be Here Now were the highest which will become Sky's sixth pay- put12 Sleeper Louise ! otherPrevious album recordin its first holder seven Bad days. took a acrossalone sold the 104,000 chain, unitseasily on beatingthe first daythe in10-year its fiagship history. London "Going Piccadilly by the store's first per-viewto the Montserrat event, are Foundationbeing donated to centrestage fui! week to reach its 350,000 total in yeaFs previous first-day best of 41,000 moming's sales, this is one for the aid victims of the Soufrière 27 CD plants album,September (What's 1987, whileThe Story)Oasis's Momingprevious forSimon Prodigy's Baker, The Fatassistant Of The manager Land. of ingrecord director books," Andy says Lown. the chain's raanag- Volcano.slots in the "With UE alone eight and prime-time the line- go for the oTsTS.OOO unftedbut that,'again, took a laysL has "ofremsuch CTOwds^ n a ki ^etl'ilerTwh^Tsay rightsite Be Here Now was predicted to sel! TreemlBOT. S release coming in the traditionally quief 41 Dooley: on thePopkoiran busto d P r "y8tb^reto™X^eH ed it to'sell a^ot because they ha^ niIV7KOT6l)3r the BBC, [TN, MTV and Sky, as well as * / '■ïèhSêF1' k «# ■ :J City cool over Mean Fiddlerfloat plans C 1 N 1 C U 1 1 1 1 L- L. □ igli mm IE1S n 11 o u C u u n 3 l. E i/1 E ri H F TER RLL "! C T CCDTCnDCD 1Qi _< QJ lt i ^ ^ ► SUPERMARKETS EAT INTO NON-SPECIALISTS' SALES -p3 ► ►► E' X C D . M C| fiB tàkOï •HER .L-IX NEWIX. tW ALBUMA\1_D<JJV1 FEATURING THE HIT SINGLE HOflèy ' ORE WEEK COMMENC1NG 8TH SEPTE^BER vlN . : YL-;gpMPAGT DISC -CASSETTE- MiniDisc SON Y Musfc TELESALES. T^^m 2^1,9515^ NEWSDESK: 0171-921 5990 or e-mail musicweekQilolmusic.com NEWSFILE Boosey & Hawkes shares leap Supermarkets eat into . .ie share piice of Boosey & Hawkes jumped 177.5p to endEMI, on BMC, £10 lastSony Thursday and PolyGram (21) following were preparing rumours bidsfor that 45.3%Cari Fischer, stake in the the US UK publishing musical instrument company which maker owns and a non-specialists' sales wouldclassical comment, music publisher. but a City No-onesource saysat the a musicbid would groups HOW MUSIC SALES WERE 1 e chasing specialist b probably have a back-to-back deal attached which SHARED IN 1996 "U's quite clear the supermarkets are wouldBoosey then & Hawkes dispose to of a themore musical suitable instrument buyer, such part as of confirmed by a new report, which shows 1995 1996 andtaking Menzies," share from says Smiths,Asda entertainment Woolworths Japanese instrument maker Yamaha. the sector increasing its share of the VirginHMV Our Price 23.2%14.9% 23.2%15.4% controller Steve Gallant, whose own fig- musicThe marketstudy, bypublished 37% lastyear. last week by Woolw /orths 13.4% 13.4% mayures alreadylead him have to believe reached supermarkets a 10% mar- Smiths déniés demerger plans retail consultants Verdict Hesearch, WH Snîith 5^8% 5.7% ket share. "We're not putting indépen- withSpéculation the sale that of Virgin the WH Our Smith Price group has been is to dismissedbe broken byup of the music market rose from 5.9% to Asda 3.3% 4.1% operatingdants out in of a différentbusiness bailbecause game." we're the retailer. Smiths was reported to be under pressure 8.1% in 1996, largely at the expense of TowerOthers 28.8%2.3% 27.3%2-3% Andys Records managing director from its shareholders to demerge, but a spokesman for andgénéral John multiples Menzies. such as WH Smith Andythe upturn Gray saysin supermarket he is not surprised sales. "It's at the company, which is due to announce its year-end With supermarkets on the whole con- lopping," he just a bolt-on item for them," he says. "Weresults have on W*no 'nesday'ans to break (27), déniés up the group,"any such he plans says. exist. thecentrating report suggests on fast-selling it is the chartnon-special- titles, tets taking whenThey one decided starts that ail the music others is sexy,follow." and outist High because Street they stores do not which stock are a losingsuffi- suchbusiness as Virgin from andsome HMV stores, are continuingspeciahsts sensitivityThe survey among also indicatescustomers that is pricehigh Merger increases The Box's coverage to increase their market share. The with a perception that music, especially Thearound Box's 350,000 potential viewers audience in the hasUS followingbeen increased a S38.5m by in factor in attracting supe; revealsGrocers HMVsAnd musicSupermarkets share rose report from highlightsCDs, is overpriced. that the priceHowever, of CDs the has report fall- merger betwern TCI Music, part of the US cable Price's14.9% toshare 15,4% steadied last year at as 23.2%Virgin (seeOur were launched in 1983. Had a 198£ operatorTCI International, and The Box Worldwide. In breakout). It is these stores, not the £11.99 CD risen in line with inflation il Worldwidethe deal TCI to increased a controlling its 50% 100% shareholding and also added in The The Box ■eadyina retailerssupermarkets, are losing which out to becauseindependent both averagewould now price cost of around £21.55, £14.49, instead of ar Box to its existing cable line-up. The pound hits EMI Xfmletsbandsloose ^ e The slrong pound sent EMI Group reeling to one of the threeworst months. performances The company on the FTSE-IOOsuffered theduring third the biggest past inlead-uptolaunch monitoredpercentage with share a 23.2% price dropfall out over of the period100 companies to finish in bands te 98thBroadcasting, place overall. highlighting Finishing poor below performances it was British Sky saysThe Prodigy, London Pulp,station's The d Under-•e Chris Parry generally for média companies. being invitcd to play whatever they llke and also bru Express says sorry to Gallagher grammetheir own scheduleguests into cornes the studios into befoieffec Création says it has received an apology from the Daily the(September radio station," 1). "We he want says. them Tt'll to be corne fui and hijack détailsfxpress of after Noël the Gallagher's tabloid revealed bank account on Wednesday by printing (20) a blecharacters and accommodating and it is what things we are when ail about, they happen." being flexi- copy of a chèque the Oasis songwriter used to buy a Parry also reveals that the station is going live with receivedscooter. The apologies label and from Anglo City PluggingFM and Forth have FM also stationalmost theduring full its complément restrictcd serviceof DJs licencewho worked days. Ofat the following the radio stations' breach of the broadeast nearlysent the 20 DJswcekday - including mid-morning Gary Crowley, show who and will Paul pré- embargo for D'You Know What I Mean. Anderson, who will host the Drivetimc show in the Poole launches new PR outfit year-oldaftemoon Ion - there Camfleld, are a handfulwho is presentingof new faces an such evening as 20- ntinental success of Tic 11c Tac by Chilli featuring Poole Edwards founding partner Chris Poole is show Monday to Thursday and Claire Sturgess, whose topCarrapicho. 10 in Austria, Released Germany in the and UK Switzerland on September and 8, hasthe sosingle far sold is currently more launching a new PR venture following the closure of earlyParry aftemoon says the show DJs will befeature able tolive play sessions. around half a the company he ran with Alan Edwards. The Point dozen records of their own choice during a typical EdwardsMedia Communications clients on its books, has a includingnumberofformer Peter André, Poole N- Tranceincluding and Orange Aegean Orange Records, and alongside The Porn Kings.new signings The Point Bonnar finds premises for Donnelly gels new is based at 132 Royal Collège Street, Camden, London RI schedulerpost NW10TA.
Recommended publications
  • Song Pack Listing
    TRACK LISTING BY TITLE Packs 1-86 Kwizoke Karaoke listings available - tel: 01204 387410 - Title Artist Number "F" You` Lily Allen 66260 'S Wonderful Diana Krall 65083 0 Interest` Jason Mraz 13920 1 2 Step Ciara Ft Missy Elliot. 63899 1000 Miles From Nowhere` Dwight Yoakam 65663 1234 Plain White T's 66239 15 Step Radiohead 65473 18 Til I Die` Bryan Adams 64013 19 Something` Mark Willis 14327 1973` James Blunt 65436 1985` Bowling For Soup 14226 20 Flight Rock Various Artists 66108 21 Guns Green Day 66148 2468 Motorway Tom Robinson 65710 25 Minutes` Michael Learns To Rock 66643 4 In The Morning` Gwen Stefani 65429 455 Rocket Kathy Mattea 66292 4Ever` The Veronicas 64132 5 Colours In Her Hair` Mcfly 13868 505 Arctic Monkeys 65336 7 Things` Miley Cirus [Hannah Montana] 65965 96 Quite Bitter Beings` Cky [Camp Kill Yourself] 13724 A Beautiful Lie` 30 Seconds To Mars 65535 A Bell Will Ring Oasis 64043 A Better Place To Be` Harry Chapin 12417 A Big Hunk O' Love Elvis Presley 2551 A Boy From Nowhere` Tom Jones 12737 A Boy Named Sue Johnny Cash 4633 A Certain Smile Johnny Mathis 6401 A Daisy A Day Judd Strunk 65794 A Day In The Life Beatles 1882 A Design For Life` Manic Street Preachers 4493 A Different Beat` Boyzone 4867 A Different Corner George Michael 2326 A Drop In The Ocean Ron Pope 65655 A Fairytale Of New York` Pogues & Kirsty Mccoll 5860 A Favor House Coheed And Cambria 64258 A Foggy Day In London Town Michael Buble 63921 A Fool Such As I Elvis Presley 1053 A Gentleman's Excuse Me Fish 2838 A Girl Like You Edwyn Collins 2349 A Girl Like
    [Show full text]
  • Macquarie University Alex Munt New Directions in Music Video: Vincent Moon and the 'Ascetic Aesthetic'
    Munt New directions in music video Macquarie University Alex Munt New Directions in Music Video: Vincent Moon and the ‘ascetic aesthetic’ Abstract: This article takes the form of a case study on the work of French filmmaker and music video director Vincent Moon, and his ‘Takeaway Shows’ at the video podcast site La Blogothèque. This discussion examines the state, and status, of music video as a dynamic mode of convergent screen media today. It is argued that the recent shift of music video online represents a revival of music video—its form and aesthetics— together with a rejuvenation of music video scholarship. The emergence of the ‘ascetic aesthetic’ is offered as a new paradigm for music video far removed from that of the postmodern MTV model. In this context, new music video production intersects with notions of immediacy, authenticity and globalised film practice. Here, convergent music video is enabled by the network of Web 2.0 and facilitated by the trend towards amateur content, participatory media and Creative Commons licensing. The pedagogical implications of teaching new music video within screen media arts curricula is highlighted as a trajectory of this research. Biographical note: Alex Munt is a filmmaker and screen theorist. He is a Lecturer in the Department of Media, Music, Communication and Cultural Studies at Macquarie University. He recently completed a PhD on ‘Microbudget Digital Cinema’ and has published on topics that include digital filmmaking, screenwriting, music video, fashion and design media in Australian and UK media, journals and magazines. Keywords: Aesthetics – Music – Video – Vincent Moon 1 Broderick & Leahy (eds) TEXT Special Issue, ASPERA: New Screens, New Producers, New Learning, April 2011 Munt New directions in music video The focus of this article is the work of French filmmaker and music video director Mathieu Saura, more commonly known by his alias ‘Vincent Moon’.
    [Show full text]
  • Género E Performance — Textos Essenciais Vol. I
    MARIA MANUEL BAPTISTA FERNANDA DE CASTRO (ORG.) Género e Performance T EXTOS ESSENCIAIS 3 TEXTOS DE: Ankica Čakardić Corey Johnson Derek Hall Donald E. Morton Erika Fischer-Lichte Fatima El-Tayeb Judith Butler Larissa Latif Lisa Lewis Luce Irigaray Maria Manuel Baptista Mark Devenney Nancy Fraser Rosi Braidotti Stephen Lewis Vivian Kinnaird MARIA MANUEL BAPTISTA FERNANDA DE CASTRO (ORG.) Género e Performance T EXTOS ESSENCIAIS 3 TEXTOS DE: Ankica Čakardić Corey Johnson Derek Hall Donald E. Morton Erika Fischer-Lichte Fatima El-Tayeb Judith Butler Larissa Latif Lisa Lewis Luce Irigaray Maria Manuel Baptista Mark Devenney Nancy Fraser Rosi Braidotti Stephen Lewis Vivian Kinnaird [Ficha Técnica] Inês Carvalho Jacinta Bola Título Joana Pereira Género e Performance Larissa Latif — Textos essenciais Vol. III Maria Manuel Baptista Marta Leitão Organização Simone Rechia Maria Manuel Baptista e Fernanda de Rita Himmel Castro Rodrigo de França Coordenação Editorial Capa Maria Manuel Baptista Grácio Editor Fernanda de Castro Larissa Latif Design gráfico e paginação Grácio Editor Conselho de Revisores Maria Manuel Baptista 1ª edição em outubro de 2020 Fernanda de Castro Larissa Latif ISBN: 978-989-54697-9-6 Alexandre Almeida Belmira Coutinho © Grácio Editor Marta Leitão Travessa da Vila União, Rita Himmel n.º 16, 7.o drt 3030-217 COIMBRA Revisores de Apoio Telef.: 239 084 370 Alcina Fernandes e-mail: [email protected] Alexandre Almeida sítio: www.ruigracio.com António Pernas Belmira Coutinho Reservados todos os direitos Bruno Neca Daniela Piva Esta obra foi financiada por fundos nacio- Fernanda de Castro nais, através da Fundação para a Ciência e Geanine Escobar a Tecnologia, I.P., no âmbito do projeto Helena Ferreira UIDB/04188/2020.
    [Show full text]
  • Table of Contents
    On s V·v" tage Artlerican The lth I r- B ater A _.. tP lac!( J ~~ls For Yoll 0llrney d table of Contents: Letter from the Producer ..... ......................................................... 3 Before You Go .......................................................................4 Theater Etiquette ....................................................................... 5 Scenic Breakdown .......................................................................6 Synopsis ................................................................................ ? Touchstones ........................................................................... 8 & 9 After the Show 0 0 0 0 00 0 0 0 0 •• 0 000 0 0 00 0 000 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 000 0 •• 0 0 0 0 0 0 0 0 0 0 0 •••• 00 •• 10 Interdisciplinary Activities ............................................ ......... 11 & 12 Acrostic 0 0 0 0 0 0 0 0 0 ••• 00 0 0 0 0 0 00 0 00 0 0 0 ••• 0 0 0 0 00 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 ••• 0 0 0 0 0 0 0.13 Think Theatrically ..................................................................... 14 Fan Letter 0 0 0 0 0 0 0 00 00 0 •• 0 00 0 ••• 0 0 00 0 0 0 00 0 0 0 ••• 0 0 0 0 0 0 0 •• 0 0 0 0 00 0 0 0 0 0 0 0 0 0 00 0 0 0 0 ••• 0 0 0 0 0 0 0 0.15 Theater Vocabulary ..................................................................... 16 Write a Review ..................... ................................................ 17 Careers in the Arts ..................................................................... 18 African Americans in the Performing Arts .................................... 19 & 20 Draw a Picture ............ .................................................................. 21 Crossword ....................................................................................22 Supplemental Reading .....................................................
    [Show full text]
  • Beets Documentation Release 1.5.1
    beets Documentation Release 1.5.1 Adrian Sampson Oct 01, 2021 Contents 1 Contents 3 1.1 Guides..................................................3 1.2 Reference................................................. 14 1.3 Plugins.................................................. 44 1.4 FAQ.................................................... 120 1.5 Contributing............................................... 125 1.6 For Developers.............................................. 130 1.7 Changelog................................................ 145 Index 213 i ii beets Documentation, Release 1.5.1 Welcome to the documentation for beets, the media library management system for obsessive music geeks. If you’re new to beets, begin with the Getting Started guide. That guide walks you through installing beets, setting it up how you like it, and starting to build your music library. Then you can get a more detailed look at beets’ features in the Command-Line Interface and Configuration references. You might also be interested in exploring the plugins. If you still need help, your can drop by the #beets IRC channel on Libera.Chat, drop by the discussion board, send email to the mailing list, or file a bug in the issue tracker. Please let us know where you think this documentation can be improved. Contents 1 beets Documentation, Release 1.5.1 2 Contents CHAPTER 1 Contents 1.1 Guides This section contains a couple of walkthroughs that will help you get familiar with beets. If you’re new to beets, you’ll want to begin with the Getting Started guide. 1.1.1 Getting Started Welcome to beets! This guide will help you begin using it to make your music collection better. Installing You will need Python. Beets works on Python 3.6 or later. • macOS 11 (Big Sur) includes Python 3.8 out of the box.
    [Show full text]
  • Multi-Cultural. Dinner" Feast Prez: Search Firm Gauges'baruch
    ::- ~.--.-.;::::-:-u•._,. _._ ., ,... ~---:---__---,-- --,.--, ---------- - --, '- ... ' . ' ,. ........ .. , - . ,. -Barueh:-Graduate.. -.'. .:~. Alumni give career advice to Baruch Students.· Story· pg.17 VOL. 74, NUMBER 8 www.scsu.baruch.cuny.edu DECEM·HER 9, 1998 Multi-Cultural. Dinner" Feast Prez: Search Firm Gauges'Baruch. Opinion By Bryan Fleck Representatives from Isaacson­ Miller, a national search firm based in -Boston and San Francisco, has been hired by the Presidential Search Committee, chaired by Kathleen M. Pesile, to search for candidates for a permanent presi­ dent at Baruch College. The open forum on December 7 was held in order for the search firm to field questions and get the pulse of the Baruch community. Interim president Lois Cronholm is _not a candidate, as it is against CUNY regulations for an interim --------- president to become a full-time pres- ident. The search firm will gather the initial candidates, who will be . further screened by the Presidential " Search Committee, but the final choice lies with the CUNY Board of Trustees.' According to David Bellshow, an ......-.. ~.. Isaacson-Miller representative, the '"J'", average search takes approximately ; six months. Among the search firm's experience in the field of education ----~- - ..... -._......... *- -_. - -- -- _._- ...... -_40_. '_"__ - _~ - f __•••-. __..... _ •• ~. _• in NY are Columbia University and ... --- -. ~ . --. .. - -. -~ -.. New York University. In ~additi6n,, , New plan calls'for total re'structuririg the search fum also works with GovernDlents small and large foundations and cor­ ofStudent porations. By Bryan Fleck at large, would be selected from any The purpose ofthe open forum was In an attempt to strengthen undergraduate candidate. for the representatives of Isaacson­ .
    [Show full text]
  • Artista - Titulo Estilo PAIS PVP Pedido
    DESCUENTOS TIENDAS DE MUSICA 5 Unidades 3% CONSULTAR PRECIOS Y 10 Unidades 5% CONDICIONES DE DISTRIBUCION 20 Unidades 9% e-mail: [email protected] 30 Unidades 12% Tfno: (+34) 982 246 174 40 Unidades 15% LISTADO STOCK, actualizado 09 / 07 / 2021 50 Unidades 18% PRECIOS VALIDOS PARA PEDIDOS RECIBIDOS POR E-MAIL REFERENCIAS DISPONIBLES EN STOCK A FECHA DEL LISTADOPRECIOS CON EL 21% DE IVA YA INCLUÍDO Referencia Sello T Artista - Titulo Estilo PAIS PVP Pedido 3024-DJO1 3024 12" DJOSER - SECRET GREETING EP BASS NLD 14.20 AAL012 9300 12" EMOTIVE RESPONSE - EMOTIONS '96 TRANCE BEL 15.60 0011A 00A (USER) 12" UNKNOWN - UNTITLED TECHNO GBR 9.70 MICOL DANIELI - COLLUSION (BLACKSTEROID 030005V 030 12" TECHNO ITA 10.40 & GIORGIO GIGLI RMXS) SHINEDOE - SOUND TRAVELLING RMX LTD PURE040 100% PURE 10" T-MINIMAL NLD 9.60 (RIPPERTON RMX) BART SKILS & ANTON PIEETE - THE SHINNING PURE043 100% PURE 12" T-MINIMAL NLD 8.90 (REJECTED RMX) DISTRICT ONE AKA BART SKILS & AANTON PURE045 100% PURE 12" T-MINIMAL NLD 9.10 PIEETE - HANDSOME / ONE 2 ONE DJ MADSKILLZ - SAMBA LEGACY / OTHER PURE047 100% PURE 12" TECHNO NLD 9.00 PEOPLE RENATO COHEN - SUDDENLY FUNK (2000 AND PURE088 100% PURE 12" T-HOUSE NLD 9.40 ONE RMX) PURE099 100% PURE 12" JAY LUMEN - LONDON EP TECHNO NLD 10.30 DILO & FRANCO CINELLI - MATAMOSCAS EP 11AM002 11:00 A.M. 12" T-MINIMAL DEU 9.30 (KASPER & PAPOL RMX) FUNZION - HELADO EN GLOBOS EP (PAN POT 11AM003 11:00 A.M. 12" T-MINIMAL DEU 9.30 & FUNZION RMXS) 1605 MUSIC VARIOUS ARTISTS - EXIT PEOPLE REMIXES 1605VA002 12" TECHNO SVN 9.30 THERAPY (UMEK, MINIMINDS, DYNO, LOCO & JAM RMXS) E07 1881 REC.
    [Show full text]
  • Stan Hawkins, Settling the Pop Score: Pop Texts and Identity Politics
    Reviews 81 interaction of drama in literary and musical terms. Lewsey’s aim here (as in his Who’s Who and What’s What in Wagner), is to assist the uninitiated, the regular audiences, directors and singers. This he does successfully. Stan Hawkins, Settling the Pop Score: Pop Texts and Identity Politics Aldershot, Hants.: Ashgate, 2002 ISBN 0 7546 0352 0; pb, 234pp, ill, music exx, bibl., discog., index Reviewed by Gavin Carfoot The scholarly study of popular music has its origins in sociology and cultural studies, disciplinary areas in which musical meaning is often attributed to aspects of economical and sociological function. Against this tradition, recent writers have offered what is now referred to as ‘popular musicology’: a method or approach that tends towards a specific engagement with ‘pop texts’ on aesthetic, and perhaps even ‘musical’ terms. Stan Hawkins uses the term popular musicology ‘at his own peril,’ clearly recognising the implicit scholarly danger in his approach, whereby ‘formalist questions of musical analysis’ are dealt with ‘alongside the more intertextual discursive theorisations of musical expression’ (p. xii). In other words, popular musicologists dare to tread that fine line between text and context. As editor of the journal Popular Musicology Online, Hawkins is a leading advocate of this practice, specifically in the application of music-analytical techniques to popular music. His methodology attests to the influence of other leading figures in the area, notably Richard Middleton, Allan F. Moore and Derek Scott (general editor of the Ashgate Popular and Folk Music Series in which this book is published). Settling the Pop Score is predominantly a collection of articles drawn from Hawkins’s previously published research, looking at popular figures that typify the 1980s MTV generation: Madonna, Morrissey, Annie Lennox, the Pet Shop Boys and Prince.
    [Show full text]
  • Song Catalogue February 2020 Artist Title 2 States Mast Magan 2 States Locha E Ulfat 2 Unlimited No Limit 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G
    Song Catalogue February 2020 Artist Title 2 States Mast Magan 2 States Locha_E_Ulfat 2 Unlimited No Limit 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G. Runnin' (Trying To Live) 2Pac Feat. Dr. Dre California Love 3 Doors Down Kryptonite 3Oh!3 Feat. Katy Perry Starstrukk 3T Anything 4 Non Blondes What's Up 5 Seconds of Summer Youngblood 5 Seconds of Summer She's Kinda Hot 5 Seconds of Summer She Looks So Perfect 5 Seconds of Summer Hey Everybody 5 Seconds of Summer Good Girls 5 Seconds of Summer Girls Talk Boys 5 Seconds of Summer Don't Stop 5 Seconds of Summer Amnesia 5 Seconds of Summer (Feat. Julia Michaels) Lie to Me 5ive When The Lights Go Out 5ive We Will Rock You 5ive Let's Dance 5ive Keep On Movin' 5ive If Ya Getting Down 5ive Got The Feelin' 5ive Everybody Get Up 6LACK Feat. J Cole Pretty Little Fears 7Б Молодые ветра 10cc The Things We Do For Love 10cc Rubber Bullets 10cc I'm Not In Love 10cc I'm Mandy Fly Me 10cc Dreadlock Holiday 10cc Donna 30 Seconds To Mars The Kill 30 Seconds To Mars Rescue Me 30 Seconds To Mars Kings And Queens 30 Seconds To Mars From Yesterday 50 Cent Just A Lil Bit 50 Cent In Da Club 50 Cent Candy Shop 50 Cent Feat. Eminem & Adam Levine My Life 50 Cent Feat. Snoop Dogg and Young Jeezy Major Distribution 101 Dalmatians (Disney) Cruella De Vil 883 Nord Sud Ovest Est 911 A Little Bit More 1910 Fruitgum Company Simon Says 1927 If I Could "Weird Al" Yankovic Men In Brown "Weird Al" Yankovic Ebay "Weird Al" Yankovic Canadian Idiot A Bugs Life The Time Of Your Life A Chorus Line (Musical) What I Did For Love A Chorus Line (Musical) One A Chorus Line (Musical) Nothing A Goofy Movie After Today A Great Big World Feat.
    [Show full text]
  • Mediated Music Makers. Constructing Author Images in Popular Music
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto Laura Ahonen Mediated music makers Constructing author images in popular music Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XII, on the 10th of November, 2007 at 10 o’clock. Laura Ahonen Mediated music makers Constructing author images in popular music Finnish Society for Ethnomusicology Publ. 16. © Laura Ahonen Layout: Tiina Kaarela, Federation of Finnish Learned Societies ISBN 978-952-99945-0-2 (paperback) ISBN 978-952-10-4117-4 (PDF) Finnish Society for Ethnomusicology Publ. 16. ISSN 0785-2746. Contents Acknowledgements. 9 INTRODUCTION – UNRAVELLING MUSICAL AUTHORSHIP. 11 Background – On authorship in popular music. 13 Underlying themes and leading ideas – The author and the work. 15 Theoretical framework – Constructing the image. 17 Specifying the image types – Presented, mediated, compiled. 18 Research material – Media texts and online sources . 22 Methodology – Social constructions and discursive readings. 24 Context and focus – Defining the object of study. 26 Research questions, aims and execution – On the work at hand. 28 I STARRING THE AUTHOR – IN THE SPOTLIGHT AND UNDERGROUND . 31 1. The author effect – Tracking down the source. .32 The author as the point of origin. 32 Authoring identities and celebrity signs. 33 Tracing back the Romantic impact . 35 Leading the way – The case of Björk . 37 Media texts and present-day myths. .39 Pieces of stardom. .40 Single authors with distinct features . 42 Between nature and technology . 45 The taskmaster and her crew.
    [Show full text]
  • Venturing in the Slipstream
    VENTURING IN THE SLIPSTREAM THE PLACES OF VAN MORRISON’S SONGWRITING Geoff Munns BA, MLitt, MEd (hons), PhD (University of New England) A thesis submitted for the degree of Doctor of Philosophy of Western Sydney University, October 2019. Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution. .............................................................. Geoff Munns ii Abstract This thesis explores the use of place in Van Morrison’s songwriting. The central argument is that he employs place in many of his songs at lyrical and musical levels, and that this use of place as a poetic and aural device both defines and distinguishes his work. This argument is widely supported by Van Morrison scholars and critics. The main research question is: What are the ways that Van Morrison employs the concept of place to explore the wider themes of his writing across his career from 1965 onwards? This question was reached from a critical analysis of Van Morrison’s songs and recordings. A position was taken up in the study that the songwriter’s lyrics might be closely read and appreciated as song texts, and this reading could offer important insights into the scope of his life and work as a songwriter. The analysis is best described as an analytical and interpretive approach, involving a simultaneous reading and listening to each song and examining them as speech acts.
    [Show full text]
  • Playlists for 2002
    THE MENACE’S ATTIC Playlists 2002 PLAYLISTS FOR 2002 THE MENACE’S ATTIC ON KUSF: SHOW #1 JANUARY 4, 2002 SET 1: “I’m Going To New York, I’m Goin’ If I Have To Walk” Loco D’Amour – David Byrne N.Y. Doll – David Johansen From “Fear City) Good Guys Bad Guys/Streets of Your Town – Country Joe and The Fish Rockaway Beach – Ramones SET #2 “Sex, Drugs, Rock and Roll and Did I Mention Sex?” Are You Ready for the Sex Girls? – Gleaming Spires NO INTRO! (Rhythm section of Sparks…one member went on to Devo…on soundtrack of Revenge of the Nerds) All You Ever Think About Is Sex – Sparks Discovering Japan – Graham Parker (From Putting Out Sparks, get it? ) Eugene – Crazy Joe and The Variable Speed Band SET #3 “You Gotta Walk the Walk And Talk the Talk” Mambo Italiano – Rosemary Clooney and the Melloman Orchestra (Married to the Mob) Peter Percival Patterson – Monkees Across 110th Street – Bobby Womack (Jackie Brown) SOPRANO’S DIALOGUE Livin’ On A Thin Line – Kinks SET #4 “It’s Called Love – Punk!” Ca Plan Pour Moi – Plastic Bertrand (MIX EM UP) Jet Boy Jet Girl -Elton Motello Alone Again (Or) – Damned Always See Your Face – Love SHOW # 1 THE MENACE’S ATTIC Playlists 2002 THE MENACE’S ATTIC EPISODE #2 Broadcast 1/11/2002 SET 1: Soundtracks without a Celion Dion Song on ‘Em Lively Set – James Darren Ma Nah Mah Nah – (Sweden Heaven and Hell) Kalasnjikov Soundtrack of Underground My Coo Ca Choo – Alvin Stardust (Love Serenade) SET #2 – Mom Can I Be A Singer When I Grow Up? My Baby’s Crazy ‘Bout Elvis – Mike Sarne Viva Las Vegas – Elvis Lust for Life – Tom Jones RoadRunner – Jonathan Richman SET #3 – Pop and Glam! Everywhere At Once - Plimsouls Metal Guru – T.
    [Show full text]