DOCSLIB.ORG

MLARTC FM.Part 1.Qxp

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
MLARTC FM.Part 1.Qxp Martial Arts of the World Martial Arts of the World An Encyclopedia Volume One: A–Q Edited by Thomas A. Green Santa Barbara, California Denver, Colorado Oxford, England Copyright © 2001 by Thomas A. Green All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, except for the inclusion of brief quotations in a review, without prior permission in writing from the publishers. Library of Congress Cataloging-in-Publication Data Martial arts of the world: an encyclopedia / [edited] by Thomas A. Green. p. cm. Includes bibliographical references and index. ISBN 1-57607-150-2 (hardcover: alk. paper); 1-57607-556-7 (ebook) 1. Martial arts—Encyclopedias. I. Green, Thomas A., 1944– GV1101.M29 2001 796.8'03—dc21 2001002823 06 05 04 03 02 01 10 9 8 7 6 5 4 3 2 1 This book is also available on the World Wide Web as an e-book. Visit abc-clio.com for details. ABC-CLIO, Inc. 130 Cremona Drive, P.O. Box 1911 Santa Barbara, California 93116-1911 This book is printed on acid-free paper I. Manufactured in the United States of America Contents Editorial Board, ix Contributor List, xi Introduction, xv A Note on Romanization, xix Martial Arts of the World: An Encyclopedia Volume 1: A–Q Dueling, 97 Africa and African America, 1 Aikidô, 12 Europe, 109 Animal and Imitative Systems External vs. Internal Chinese in Chinese Martial Arts, 16 Martial Arts, 119 Archery, Japanese, 18 Folklore in the Martial Arts, 123 Baguazhang (Pa Kua Ch’uan), Form/Xing/Kata/Pattern Practice, 23 135 Boxing, Chinese, 26 Boxing, Chinese Shaolin Styles, 32 Gladiators, 141 Boxing, European, 44 Gunfighters, 149 Brazilian Jiu-Jitsu, 52 Budô, Bujutsu, and Bugei, 56 Hapkidô, 157 Heralds, 162 Capoeira, 61 China, 65 Iaidô, 169 Chivalry, 72 India, 173 Combatives: Military and Police Martial Art Training, 83 Japan, 179 v Japanese Martial Arts, Chinese Volume 2: R–Z Influences on, 199 Rank, 445 Jeet Kune Do, 202 Religion and Spiritual Development: Jûdô, 210 Ancient Mediterranean and Medieval West, 447 Kajukenbo, 219 Religion and Spiritual Development: Kalarippayattu, 225 China, 455 Karate, Japanese, 232 Religion and Spiritual Development: Karate, Okinawan, 240 India, 462 Kendô, 249 Religion and Spiritual Development: Kenpô, 255 Japan, 472 Ki/Qi, 260 Knights, 263 Sambo, 507 Kobudô, Okinawan, 286 Samurai, 514 Korea, 291 Savate, 519 Korean Martial Arts, Chinese Silat, 524 Influences on, 299 Social Uses of the Martial Koryû Bugei, Japanese, 301 Arts, 532 Krav Maga, 306 Southeast Asia, 538 Kung Fu/Gungfu/Gongfu, 313 Stage Combat, 551 Stickfighting, Non-Asian, 556 Masters of Defence, 317 Sword, Japanese, 564 Medicine, Traditional Chinese, 327 Swordsmanship, European Meditation, 335 Medieval, 570 Middle East, 338 Swordsmanship, European Mongolia, 344 Renaissance, 579 Muay Thai, 350 Swordsmanship, Japanese, 588 Swordsmanship, Korean/Hankuk Ninjutsu, 355 Haedong Kumdô, 597 Okinawa, 363 T’aek’kyo˘n, 603 Orders of Knighthood, Taekwondo, 608 Religious, 368 Taijiquan (Tai Chi Ch’uan), 617 Orders of Knighthood, Thaing, 629 Secular, 384 Thang-Ta, 637 Training Area, 643 Pacific Islands, 403 Pankration, 410 Varma Ati, 647 Performing Arts, 417 Vovinam/Viet Vo Dao, 651 Philippines, 422 Political Conflict and the Warrior Monks, Japanese/Sôhei, 659 Martial Arts, 435 Women in the Martial Arts, 664 vi Contents Women in the Martial Arts: Britain Wrestling and Grappling: Japan, 727 and North America, 684 Wrestling, Professional, 735 Women in the Martial Arts: Written Texts: China, 745 China, 689 Written Texts: India, 749 Women in the Martial Arts: Written Texts: Japan, 758 Japan, 692 Wrestling and Grappling: China, 705 Xingyiquan (Hsing I Wrestling and Grappling: Ch’uan), 775 Europe, 710 Wrestling and Grappling: India, 719 Yongchun/Wing Chun, 781 Chronological History of the Martial Arts, 787 Index, 839 About the Author, 895 Contents vii Editorial Board D’Arcy Jonathan Dacre Boulton Associate Professor of History, University of Notre Dame; medieval nobility and feudalism; The Knights in the Crown: The Monarchical Orders of Knighthood in Late Medieval Europe, 1326–1520 (1987). John Clements Director, Historical Armed Combat Association; reconstruction of European martial traditions for use as martial art; Medieval Swordsmanship: Illustrated Methods and Techniques (1998), Renaissance Swordsmanship: The Illustrated Use of Rapiers and Cut-and-Thrust Swords (1997). Karl Friday Professor of History, University of Georgia; early Japan, Japanese military insti- tutions and traditions; Hired Swords: The Rise of Private Warrior Power in Early Japan (1992), with Professor Seki Humitake Legacies of the Sword: The Kashima-Shinryû and Samurai Martial Culture (1997); current book project Samurai, Warfare and the State in Early Medieval Japan (Routledge, the Warfare in History series). Ronald A. Harris Ronald Harris and Associates; martial arts instructor in classic Filipino martial arts, Muay Thai, Boxe Francaise Savate, Taekwondo; numerous articles in Black Belt, Inside Kung Fu, and similar popular publications. Stanley E. Henning Assistant Professor, Asia Pacific Center for Security Studies, Honolulu; Chinese language and martial arts, Asian military history; numerous articles in scholarly journals. Keith Otterbein Professor of Anthropology, State University of New York at Buffalo; cross- cultural analysis of warfare, dueling, feuding; The Evolution of War (1970), ix Comparative Cultural Analysis (1972), Feuding and Warfare (1991), and The Ultimate Coercive Sanction: A Cross-Cultural Study of Capital Punishment (1986). Joseph R. Svinth Editor, Electronic Journals of Martial Arts and Sciences; martial arts history, cul- tural studies; Kronos: A Chronological History of the Martial Arts and Com- bative Sports, numerous articles in scholarly journals. Phillip Zarrilli Professor of Drama, University of Exeter, U.K.; India, performing arts, South Asian studies, folklore; When the Body Becomes All Eyes: Paradigms, Dis- courses, and Practices of Power in Kalarippayattu, a South Indian Martial Art (1998), Kathakali Dance-Drama: Where Gods and Demons Come to Play (2000); coauthor, Indian Theatre: Traditions of Performance (1990), Wilhelm Tell in America’s Little Switzerland (1987), The Kathakali Complex: Actor, Per- formance, Structure (1984); editor, Acting (Re)considered: Theories and Prac- tices (1995), Asian Martial Arts in Actor Training (1993). x Editorial Board Contributor List Bill Adams D’Arcy Jonathan Dacre Boulton Director, Bill Adams Fitness University of Notre Dame and Martial Arts Center Notre Dame, Indiana Buffalo, New York Dakin R. Burdick Mikael Adolphson Indiana University Harvard University Bloomington, Indiana Cambridge, Massachusetts John Clements Joseph S. Alter Director, Historical Armed Combat University of Pittsburgh Association Pittsburgh, Pennsylvania Houston, Texas Ellis Amdur Phil Dunlap Edgework Advanced Fighting Systems Seattle, Washington Mahwah, New Jersey Aaron Fields Jeff Archer Independent Scholar Independent Scholar Seattle, Washington La Mesa, California Karl Friday David Bachrach University of Georgia University of Notre Dame Athens, Georgia Notre Dame, Indiana Tommy Gong C. Jerome Barber Bruce Lee Educational Foundation Erie Community College/South Clovis, California Orchard Park, New York Loren Goodman William M. Bodiford State University of New York University of California at Buffalo Los Angeles, California Buffalo, New York xi Ronald A. Harris Ron Mottern Director of Research, Evaluation Independent Scholar and Information Technology Elgin, Texas Louisiana Office for Addictive Disorders Keith F. Otterbein Baton Rouge, Louisiana State University of New York at Buffalo Stanley E. Henning Buffalo, New York Asia-Pacific Center for Security Studies Michael Pederson Honolulu, Hawaii St. John’s College Santa Fe, New Mexico Ronald Holt Weber State University Sohini Ray Ogden, Utah Harvard University Cambridge, Massachusetts G. Cameron Hurst III University of Pennsylvania Roy Ron Philadelphia, Pennsylvania University of Hawaii Honolulu, Hawaii William J. Long Historiographical Institute University of South Carolina University of Tokyo Columbia, South Carolina Tokyo, Japan Carl L. McClafferty Anthony Schmieg United States Renmei Independent Scholar Sekiguichi Ryû Batto Jutsu Lexington, Virginia Del Rio, Texas Bruce Sims Kevin P. Menard Midwest Hapkidô University of North Texas Chicago, Illinois Denton, Texas John Starr Richard M. Mooney State University of New York, Dragon Society International Tai Chi Medical School Kung Fu Club Buffalo, New York Wichita Falls, Texas Glenn J. Morris Gene Tausk McNeese State University Independent Scholar Lake Charles, Louisiana Houston, Texas xii Contributor List Kimberley Taylor Tad Tuleja University of Guelph Harvard University Guelph, Ontario, Canada Cambridge, Massachusetts Michael Tran Chi-hsiu D. Weng Mount Sinai Hospital of Queens United States Shuai Chiao Association New York, New York Cupertino, California Noah Tuleja Phillip Zarrilli Independent Scholar University of Exeter Kensington, California Exeter, England T. V. Tuleja Saint Peter’s College Saint Peter’s College, New Jersey Contributor List xiii Introduction As many gallons of ink have been spilled in trying to define “martial arts” as have gallons of blood in the genuine practice of martial activities. In this place I will not spill more ink. On the other hand, I do not contend that the efforts of those who try to develop such definitions waste
Load more

Recommended publications
  • Tai Chi Sword DR
    TAI CHI CHUAN / MARTIAL ARTS B2856 BESTSELLING AUTHOR OF BOOKS AND VIDEOS ON TAI CHI, MARTIAL ARTS, AND QIGONG Tai Chi Sword Chi Sword Tai DR. YANG, JWING-MING REACH FOR THE HIGHEST LEVEL OF TAI CHI PRACTICE You can achieve the highest level of tai chi practice by including tai chi sword in your training regimen. Here’s your chance to take the next step in your tai chi journey Once you have attained proficiency in the bare-hand form, and have gained listening and sensing skills from pushing hands, you are ready for tai chi sword. Tai Chi Sword The elegant and effective techniques of traditional tai chi sword CLASSICAL YANG STYLE Tai chi sword will help you control your qi, refine your tai chi skills, and master yourself. You will strengthen and relax your body, calm and focus your mind, THE COMPLETE FORM, QIGONG, AND APPLICATIONS improve your balance, and develop proper tai chi breathing. This book provides a solid and practical approach to learning tai chi sword Style Classical Yang One of the people who have “made the accurately and quickly. Includes over 500 photographs with motion arrows! greatest impact on martial arts in the • Historical overview of tai chi sword past 100 years.” • Fundamentals including hand forms and footwork —Inside Kung Fu • Generating power with the sword 傳 Magazine • 12 tai chi sword breathing exercises • 30 key tai chi sword techniques with applications • 12 fundamental tai chi sword solo drills 統 • Complete 54-movement Yang Tai Chi Sword sequence • 48 martial applications from the tai chi sword sequence DR.
    [Show full text]
  • Hirohito the Showa Emperor in War and Peace. Ikuhiko Hata.Pdf
    00 Prelims H:Master Testpages Enigma 6/6/07 15:00 Page i HIROHITO: THE SHO¯ WA EMPEROR IN WAR AND PEACE 00 Prelims H:Master Testpages Enigma 6/6/07 15:00 Page ii General MacArthur and Emperor Hirohito photographed in the US Embassy, Tokyo, shortly after the start of the Occupation in September 1945. (See page 187) 00 Prelims H:Master Testpages Enigma 6/6/07 15:00 Page iii Hirohito: The Sho¯wa Emperor in War and Peace Ikuhiko Hata NIHON UNIVERSITY Edited by Marius B. Jansen GLOBAL ORIENTAL 00 Prelims H:Master Testpages Enigma 6/6/07 15:00 Page iv HIROHITO: THE SHO¯ WA EMPEROR IN WAR AND PEACE by Ikuhiko Hata Edited by Marius B. Jansen First published in 2007 by GLOBAL ORIENTAL LTD P.O. Box 219 Folkestone Kent CT20 2WP UK www.globaloriental.co.uk © Ikuhiko Hata, 2007 ISBN 978-1-905246-35-9 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any electronic, mechanical or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without prior permission in writing from the Publishers. British Library Cataloguing in Publication Data A CIP catalogue entry for this book is available from the British Library Set in Garamond 11 on 12.5 pt by Mark Heslington, Scarborough, North Yorkshire Printed and bound in England by Athenaeum Press, Gateshead, Tyne & Wear 00 Prelims H:Master Testpages Enigma 6/6/07 15:00 Page vi 00 Prelims H:Master Testpages Enigma 6/6/07 15:00 Page v Contents The Author and the Book vii Editor’s Preface
    [Show full text]
  • 2013 U.S. International Kuo Shu Championship Official Results
    2013 U.S. International Kuo Shu Championship Official Results Wang, CheuhCheuh----JenJen Cup (Grand Champion) Calvin Chin’s Martial Arts Academy, Newton, MA, USA Team Adult Forms and Weapons Team Lei Tai Champion Champion Wah Lum Kung Fu & Tai Chi Academy Glenn Wilson Martial Arts Academy International Malden, MA, USA Orlando, FL, USA 2nd Place 2nd Place Calvin Chin’s Martial Arts Academy Richard Lee's East West Kung Fu, Newton, MA, USA Alamo, CA, USA 3rd Place 3rd Place US Kuoshu Academy Calvin Chin’s Martial Arts Academy Owings Mills, MD, USA Newton, MA, USA Team Youth Forms and Weapons Champion Wah Lum Kung Fu Orlando, Fl, USA 2nd Place Wah Lum Kung Fu & Tai Chi Academy Malden, MA, USA 3rd Place Calvin Chin’s Martial Arts Academy Newton, MA, USA 2013 U.S. International Kuo Shu Championship Official Results 2013 Judge of the Year Amy Buckley, California 2013 Competitor of the Year Youth Male Youth Female Nicholas Teng Yen-Nhi Chit Teen Male Teen Female Eric Tran Rebecca Shaar External Male External Female Collin Lee Andrea So Internal Male Internal Female Kenneth Chrzanowski Peck Mun Lee Lei Tai Male Lei Tai Female Manh-Tu Nguyen Anna Liu 2013 U.S. International Kuo Shu Championship Official Results 2013 Tournament Results Adult Adv - Form - Kung Fu Northern Men Event # 1 1 Alexander Woo 22 Calvin Chin Martial Arts Academy Newton, MA 2 Jian Li 26 Wah Lum Kung Fu and Tai Chi Academy Malden, MA 3 Ricardo Flores 38 Wah Lum Kung Fu Orlando Orlando, FL 4 Kenny Tran 13 Wah Lum Kung Fu and Tai Chi Academy Malden, MA Adult Adv - Form - Kung
    [Show full text]
  • The Seven Forms of Lightsaber Combat Hyper-Reality and the Invention of the Martial Arts Benjamin N
    CONTRIBUTOR Benjamin N. Judkins is co-editor of the journal Martial Arts Studies. With Jon Nielson he is co-author of The Creation of Wing Chun: A Social History of the Southern Chinese Martial Arts (SUNY, 2015). He is also author of the long-running martial arts studies blog, Kung Fu Tea: Martial Arts History, Wing Chun and Chinese Martial Studies (www.chinesemartialstudies.com). THE SEVEN FORMS OF LIGHTSABER COMBAT HYPER-REALITY AND THE INVENTION OF THE MARTIAL ARTS BENJAMIN N. JUDKINS DOI ABSTRACT 10.18573/j.2016.10067 Martial arts studies has entered a period of rapid conceptual development. Yet relatively few works have attempted to define the ‘martial arts’, our signature concept. This article evaluates a number of approaches to the problem by asking whether ‘lightsaber combat’ is a martial art. Inspired by a successful film KEYWORDs franchise, these increasingly popular practices combine elements of historical swordsmanship, modern combat sports, stage Star Wars, Lightsaber, Jedi, Hyper-Real choreography and a fictional worldview to ‘recreate’ the fighting Martial Arts, Invented Tradition, Definition methods of Jedi and Sith warriors. The rise of such hyper- of ‘Martial Arts’, Hyper-reality, Umberto real fighting systems may force us to reconsider a number of Eco, Sixt Wetzler. questions. What is the link between ‘authentic’ martial arts and history? Can an activity be a martial art even if its students and CITATION teachers do not claim it as such? Is our current body of theory capable of exploring the rise of hyper-real practices? Most Judkins, Benjamin N. importantly, what sort of theoretical work do we expect from 2016.
    [Show full text]
  • Martial Arts in Psycho-Physical Culture
    © Idōkan Poland Association “IDO MOVEMENT FOR CULTURE. Journal of Martial Arts Anthropology”, Vol. 15, no. 4 (2015), pp. 33–38 DOI: 10.14589/ido.15.4.5 SOCIOLOGY AND ANTHROPOLOGY Wojciech J. Cynarski1(ADG), Jong-Hoon Yu2(BE), Krzysztof Warchol1(BF), Pavol Bartik3(DF) 1 University of Rzeszów, Rzeszów (Poland) 2 Glenville State College, Glenville, WV (USA) 3 Matej Bel University, Banska Bystrica (Slovakia) Contact e-mail: [email protected] Martial arts in psycho-physical culture Submission: 12.04.2015; acceptance: 24.05.2015 Key words: martial arts, culture, physicality, spirituality, asceticism Abstract Background and Aim. The authors will discuss the nature of the relationship between the various martial arts and the “psycho-phys- ical culture”. We will approach this topic from the perspectives of the Humanistic Theory of Martial Arts, martial arts systemic anthropology, and the sociology of psycho-physical systems. Methods. The main method of research has been a qualitative content analysis of the literature (scientific and popular) acquired through a query library. We studied material gathered under the theme “Martial Arts” in the Library of the University of Rzeszow, as well as a list of recommended literature suggested by the International Martial Arts and Combat Sports Scientific Society (IMACSSS) Results. Four dimensions have been traditionally investigated to justify the assignment of martial arts to the area of psycho-physical culture. These are: (1) The presence in most martial arts of an original philosophy, especially one demanding a code of ethics: (2) A close, almost “genetic” relationships between martial arts and various applicable religious systems and traditions of applied social ethics; (3) The continuing emphasis on the area of physical culture as it relates to personality development and human spirituality; and (4) the presence in schools of martial arts of ceremonial events attached to “passages” in personal growth.
    [Show full text]
  • ©Copyright 2012 Sachi Schmidt-Hori
    1 ©Copyright 2012 Sachi Schmidt-Hori 2 Hyperfemininities, Hypermasculinities, and Hypersexualities in Classical Japanese Literature Sachi Schmidt-Hori A Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2012 Reading Committee: Paul S. Atkins, Chair Davinder L. Bhowmik Tani E. Barlow Kyoko Tokuno Program Authorized to Offer Degree: Department of Asian Languages and Literature 3 University of Washington Abstract Hyperfemininities, Hypermasculinities, and Hypersexualities in Classical Japanese Literature Sachi Schmidt-Hori Chair of the Supervisory Committee: Associate Professor Paul S. Atkins Asian Languages and Literature This study is an attempt to elucidate the complex interrelationship between gender, sexuality, desire, and power by examining how premodern Japanese texts represent the gender-based ideals of women and men at the peak and margins of the social hierarchy. To do so, it will survey a wide range of premodern texts and contrast the literary depictions of two female groups (imperial priestesses and courtesans), two male groups (elite warriors and outlaws), and two groups of Buddhist priests (elite and “corrupt” monks). In my view, each of the pairs signifies hyperfemininities, hypermasculinities, and hypersexualities of elite and outcast classes, respectively. The ultimate goal of 4 this study is to contribute to the current body of research in classical Japanese literature by offering new readings of some of the well-known texts featuring the above-mentioned six groups. My interpretations of the previously studied texts will be based on an argument that, in a cultural/literary context wherein defiance merges with sexual attractiveness and/or sexual freedom, one’s outcast status transforms into a source of significant power.
    [Show full text]
  • World Combat Games Brochure
    Table of Contents 4 5 6 What is GAISF? What are the World Roles and Combat Games? responsibilities 7 8 10 Attribution Culture, ceremonies Media promotion process and festival events, and production and legacy 12 13 14 List of sports Venue Aikido at the World setup Armwrestling Combat Games Boxing 15 16 17 Judo Kendo Muaythai Ju-jitsu Kickboxing Sambo Karate Savate 18 19 Sumo Wrestling Taekwondo Wushu 4 WORLD COMBAT GAMES WORLD COMBAT GAMES 5 What is GAISF? What are the World Combat Games? The united voice of sports - protecting the interests of International A breathtaking event, showcasing Federations the world’s best martial arts and GAISF is the Global Association of International Founded in 1967, GAISF is a key pillar of the combat sports Sports Federations, an umbrella body composed wider sports movement and acts as the voice of autonomous and independent International for its 125 Members, Associate Members and Sports Federations, and other international sport observers, which include both Olympic and non- and event related organisations. Olympic sports organisations. THE BENEFITS OF THE NUMBERS OF HOSTING THE WORLD THE GAMES GAISF MULTISPORT GAMES COMBAT GAMES Up to Since 2010, GAISF has successfully delivered GAISF serves as the conduit between ■ Bring sport to life in your city multisport games for combat sports and martial International Sports Federations and host cities, ■ Provide worldwide multi-channel media exposure 35 disciplines arts, mind games and urban orientated sports. bringing benefits to both with a series of right- ■ Feature the world’s best athletes sized events that best consider the needs and ■ Establish a perfect bridge between elite sport and Approximately resources of all involved.
    [Show full text]
  • Sword Fighting : a Manual for Actors & Directors Pdf, Epub, Ebook
    SWORD FIGHTING : A MANUAL FOR ACTORS & DIRECTORS PDF, EPUB, EBOOK Keith Ducklin | 192 pages | 01 May 2001 | Applause Theatre Book Publishers | 9781557834591 | English | New York, United States Sword Fighting : A Manual for Actors & Directors PDF Book Sportsmanship, Hook. Fencing techniques, The Princess Bride. Today, I'll be breaking down clips from movies and T. List of styles History Timeline Hard and soft. Cheng Man-Ch'ing Mercenary Sword. By Yang, Jwing-Ming. Afterword by John Stevens. Very dead. Half-speed doesn't mean half-fighting. Come and Fence with us! By Dorothy A. Boken Japanese wooden sword , Budo Way of Warrior. Come on, then! The broadsword was notable for its large hilt which allowed it to be wielded with both hands due to its size and weight. It was originally a short sword forged by the Elves, but made for a perfect weapon for Hobbits. Explanation in Mandarin by Yang Zhengduo. A Swordsmith and His Legacy. But what he's doing is a lot of deflecting parries that are happening, so as an attack's coming in he's moving out of the way and deflecting the energy of it so that's how he's able to go up against steel. What the Studio Did: The Movie was near completion when Dean passed away, in fact all of scenes were completed. Experiences and practice. Garofalo's E-mail. Generally more common in modern contemporary plays, after swords have gone out of style but also seen in older plays such as Shakespeare's Othello when Othello strangles Desdemona. With the sudden end of constant war, the samurai class slowly became unmoored.
    [Show full text]
  • Download Riley's Stage Combat Resume
    Riley Wesson Rileywesson.com 254-931-7377/[email protected] SELECTED CREDITS, FIGHT CHOREOGRAPHER Production Weapon Style Producer – Director THE ODYSSEY Short Sword Austin Shakespeare – Ann Ciccollela MACBETH (B. Iden Payne Outstanding Knife, Longsword Austin Shakespeare’s Young Shakespeare Choreography Nominee) Company – Ann Ciccollela and Nancy Eyermann TAIL END CHARLIE Unarmed, Gun Haymaker Players – Joey Banks and Matt Connely ROMEO AND JULIET Unarmed, Knife Texas State University Alpha Psi Omega – Nate Nelson SHE KILLS MONSTERS Unarmed, Single Sword, Brennan High School – Vanessa Garcia Sword and Shield, Quarterstaff SPIKE HEELS Unarmed Texas State University D2 Festival – Madison McAllister SELECTED CREDITS, COMBATANT Production Combatant Role Weapon Style Producer/Director/Choreographer HAMLET Laertes Unarmed, Single Texas State University – Liz Fisher – Toby Minor Sword, Knife TAIL END CHARLIE Robert Dobson Unarmed, Gun Haymaker Players – Joey Banks and Matt Connely – Riley Wesson RAGTIME Policeman, Militia Police Baton Texas State University – Michael Rau – Toby Minor AS YOU LIKE IT Fight Captain Unarmed, Wrestling Texas State University Shakespeare Ensemble – Nick Lawson TRAINING Bachelor of Fine Arts, Performance and Production, Performance Emphasis, Minor in Musical Theatre Texas State University (2015 – 2019) Texas State University Unarmed Stage Combat Class – Taught by Toby Minor (Fall 2017 and Spring 2019) Texas State University Single Sword Stage Combat Class – Taught by Toby Minor (Spring 2018) Texas State University Stick Stage Combat Class (Quarterstaff, Irish Shillelagh, Arnis) – Taught by Toby Minor (Fall 2018) Intimacy Directors International Actor/Director Workshop - sponsored by Violent Crown, led by Adam Noble (January 2019) Videos of Riley’s work can be viewed at rileywesson.com/fightchoreography .
    [Show full text]
  • Congratulations to Wudang San Feng Pai!
    LIFE / HEALTH & FITNESS / FITNESS & EXERCISE Congratulations to Wudang San Feng Pai! February 11, 2013 8:35 PM MST View all 5 photos Master Zhou Xuan Yun (left) presented Dr. Ming Poon (right) Wudang San Feng Pai related material for a permanent display at the Library of Congress. Zhou Xuan Yun On Feb. 1, 2013, the Library of Congress of the United States hosted an event to receive Wudang San Feng Pai. This event included a speech by Taoist (Daoist) priest and Wudang San Feng Pai Master Zhou Xuan Yun and the presentation of important Wudang historical documents and artifacts for a permanent display at the Library. Wudang Wellness Re-established in recent decades, Wudang San Feng Pai is an organization in China, which researches, preserves, teaches and promotes Wudang Kung Fu, which was said originally created by the 13th century Taoist Monk Zhang San Feng. Some believe that Zhang San Feng created Tai Chi (Taiji) Chuan (boxing) by observing the fight between a crane and a snake. Zhang was a hermit and lived in the Wudang Mountains to develop his profound philosophy on Taoism (Daoism), internal martial arts and internal alchemy. The Wudang Mountains are the mecca of Taoism and its temples are protected as one of 730 registered World Heritage sites of the United Nations Educational, Scientific and Cultural Organization (UNESCO). Wudang Kung Fu encompasses a wide range of bare-hand forms of Tai Chi, Xingyi and Bagua as well as weapon forms for health and self-defense purposes. Traditionally, it was taught to Taoist priests only. It was prohibited to practice during the Chinese Cultural Revolution (1966- 1976).
    [Show full text]
  • Health and Martial Arts in Interdisciplinary Approach
    ISNN 2450-2650 Archives of Budo Conference Proceedings Health and Martial Arts in Interdisciplinary Approach 1st World Congress September 17-19, 2015 Czestochowa, Poland Archives of Budo Archives od Budo together with the Jan Długosz University in Częstochowa organized the 1st World Congress on Health and Martial Arts in Interdisciplinary Approach under the patronage of Lech Wałęsa, the Nobel Peace Prize laureate. proceedings.archbudo.com Archives of Budu Conference Proceedings, 2015 Warsaw, POLAND Editor: Roman M Kalina Managing Editor: Bartłomiej J Barczyński Publisher & Editorial Office: Archives of Budo Aleje Jerozolimskie 87 02-001 Warsaw POLAND Mobile: +48 609 708 909 E-Mail: [email protected] Copyright Notice 2015 Archives of Budo and the Authors This publication contributes to the Open Access movement by offering free access to its articles distributed under the terms of the Creative Commons Attribution-Non- Commercial 4.0 International (http://creativecommons.org/licenses/by-nc/4.0), which permits use, distribution, and reproduction in any medium, provided the original work is properly cited, the use is non-commercial and is otherwise in compliance with the license. The copyright is shared by authors and Archives of Budo to control over the integrity of their work and the right to be properly acknowledged and cited. ISSN 2450-2650 Health and Martial Arts in Interdisciplinary Approach 1st World Congress • September 17-19, 2015 • Czestochowa, Poland Scientific Committee Prof. Roman Maciej KALINA Head of Scientific Committee University of Physical Education and Sports, Gdańsk, Poland Prof. Sergey ASHKINAZI, Lesgaft University of Physical Education, St. Petersburg, Russia Prof. Józef BERGIER, Pope John Paul II State School of Higher Education in Biała Podlaska, Poland Prof.
    [Show full text]
  • Top Ten Reasons to Attend the Tai Chi Gala
    LIFE / HEALTH & FITNESS / FITNESS & EXERCISE Top ten reasons to attend the Tai Chi Gala March 16, 2016 12:40 PM MST 2016 Tai Chi Gala Instructors Tai Chi Gala No matter what experience level you are in Tai Chi (Taiji) or any Chinese internal martial art system, there are great reasons to attend the Tai Chi Gala this June in Albany, New York. Originally founded by Grandmaster Jou Tsung Hwa and named the "Zhang San Feng Festival", this event is now organized by Jou’s disciple Master Loretta Wollering to unite Tai Chi, Bagua, Xingyi, Qigong, and other internal arts enthusiasts in a sharing spirit. There are many reasons to participate, these are the top ten: 10) The food is reasonably priced, conveniently provided onsite, abundant, and delicious. 9) The location is close to both the airport and Amtrak station and accessible to all travelers. 8) The training venue offers pleasant hotel accommodation and the training facilities are clean and comfortable. 7) Each year this event attracts more than 200 people from all over the United States as well as overseas with a variety of backgrounds and skill levels. It is a great opportunity to connect with people to exchange experiences and stories. 6) The past attendees enjoyed the non-denomination worship ceremony that helped to bring the energy of gratitude together. They said that the free time to meditate, pray, contemplate, or simply breathe deeply was spiritual. 5) The Friendship demonstration on Saturday in the past was a draw. A traditional Chinese Lion Dance from Yee’s Hung Ga Kung Fu, led by Sifu Sharif Bey will join other Sifus to provide an eye feast with various Chinese Martial Arts performances.
    [Show full text]