DOCSLIB.ORG

Dfw-Hindu-Temple-2021-Calendar

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Dfw-Hindu-Temple-2021-Calendar JANUARY 2021 Marghshirsh/Pushya 2077 Shak 1942 Sunday Monday Tuesday Wednesday Thursday Friday Saturday DECEMBER 2020 FEBRUARY 2021 S M T W T F S New Year’s Day 31 S M T W T F S 1Temple open all day 2 1 2 3 4 5 1 2 3 4 5 6 Ganesh Homam Sankathara Chaturthi Sankathara Chaturthi @ 9:00 am Ganesh Abhishek @ Ganesh Abhishek 6 7 8 9 10 11 12 7 8 9 10 11 12 13 6:00 pm @ 6:00 pm & Abhishekam @ 10:00 am 13 14 15 16 17 18 19 14 15 16 17 18 19 20 23 Jagannatha puja 20 21 22 24 25 26 21 22 23 24 25 26 27 @ 12:30 pm 27 28 29 30 31 28 3 4 5 6 7 8 9 Ekadashi 10 Pushya Begins 16 11 12 13 14Pongal panao @ 8:50 am 15 Pradosham Amavasya Durga Jagran Shiv Abhishek Amavasya Tithi Makara Sankranti @ 8:30 pm @ 6:00 pm Surya Puja @ 10:00 am Uthirayana punyakalam, Kamuma Lohri/Bhogi Puja Makara Vishi Ayyappa Abi @ 6:00 pm @ 6:30 pm Jagannatha Puja @ 7:00 pm 17 18 19 20 21 22 23 Shashti Murugan Tai Kruthikai Murugan Sundar Kand @ 4:00 pm Abhishek Pooja (No Abishekam) @ 6:30 pm 24 25 26 28 Purnima 29 30 27 Satyanarayan Puja Ekadashi Pradosham @ 6:30 pm Shiv Abhishek Tai Poosam Murugan @ 6:30 pm Abhishekam @ 6:30 pm Jagannatha Debabhisheka Punima Puja @ 7:00 pm TEMPLE HOURS: Mailing Address: P.O.Box 154246, Irving, Texas 75015-4246 Under Covid 19 situation, please consult Temple website 1605 N. Britain Road, Irving, Texas 75061, Ph: 972-445-3111 for operating hours which could be subject to change! www.dfwhindutemple.org FEBRUARY 2021 Pushya/Magha 2077 Shak 1942 Sunday Monday Tuesday Wednesday Thursday Friday Saturday 1 2 3 4 5 6 7 8 9 10 11 12 13 Amavasya Jagannatha Ekadashi Pradosham Amavasya Tithi Magha Padmamukha Shiv Abhishek Begins Besa Puja @ 6:30 pm @ 11:00 am 14 15 16 17 18 19 20 Basant Panchami, Saraswati Shashti Murugan Ratha Saptami Surya Durga Jagran Puja @ 6:30 pm. Abhishek Puja @ 10:00 am @ 8:30 pm Jagannatha @ 6:30 pm Ghodalagi Ends Magha 21 22 23 24 25 26 27 Purnima Pradosham Jagannatha Bhishma Ekadashi Shiv Abhishek Gajauddharana Besa @ 6:30 pm Puja @ 12:30 pm Sundar Kand @ 4:00 pm Satyanarayan Puja @ 6:00 pm JANUARY 2021 MARCH 2021 28 S M T W T F S S M T W T F S 31 1 2 1 2 3 4 5 6 3 4 5 6 7 8 9 7 8 9 10 11 12 13 10 11 12 13 14 15 16 14 15 16 17 18 19 20 17 18 19 20 21 22 23 21 22 23 24 25 26 27 24 25 26 27 28 29 30 28 29 30 31 TEMPLE HOURS: Mailing Address: P.O.Box 154246, Irving, Texas 75015-4246 Under Covid 19 situation, please consult Temple website 1605 N. Britain Road, Irving, Texas 75061, Ph: 972-445-3111 for operating hours which could be subject to change! www.dfwhindutemple.org MARCH 2021 Magha/Falgun 2077 Shak 1942 Sunday Monday Tuesday Wednesday Thursday Friday Saturday 1 2 3 4 5 6 Sankathara Chaturthi Ganesh Abhishek @ 6:30 pm 7 8 9 10 11 Maha Shivaratri 12 13 Ekadashi Amavasya Pradosham Shiv Abhishek & Amavasya Tithi Shiv Abhishek Puja @ 10:00 am @ 6:30 pm Shiv Abhishek & Rudra Chanting Shiv Parvathi Kalyamam 6:30 pm - 9:30 pm Bhajans @ 9:30 pm Midnight Aarti 14 Falgun Begins 15 16 17 18 19 20 Karadayar Nombu Shashti Murugan @ 6:30-7:00 am Abhishek @ 6:30 pm Mahashivaratri Celebration @ 10:00 am Durga Jagran Daylight Saving Time @ 8:30 pm Begins 21 22 23 24 25 26 27 Kavadi Panguni Uthiram Ekadashi Pradosham Shiv Abhishek Kavadi Phagu Dashami, Jagannatha @ 6:30 pm Murugan Abhishekam Chacheri Besa Puja 9:00 am-12:30 pm Puja @ 7:00 pm Sundar Kand @ 4:00 pm Dola Purnima, FEBRUARY 2021 APRIL 2021 28Jagannatha 29 30 31 S M T W T F S S M T W T F S Suna Besa Sankathara Chaturthi 3 1 2 3 Puja @ 11:00 pm Holi Ganesh Abhishek 1 2 4 5 6 General Body Meeting @ 6:30 pm 7 8 9 10 11 12 13 4 5 6 7 8 9 10 1:00 pm Dhuleti Satyanarayana Puja 14 15 16 17 18 19 20 11 12 13 14 15 16 17 @ 6:30 pm 18 19 21 Holika Dahan 21 22 23 24 25 26 27 20 22 23 24 @ 7:00 pm 28 25 26 27 28 29 30 TEMPLE HOURS: Mailing Address: P.O.Box 154246, Irving, Texas 75015-4246 Under Covid 19 situation, please consult Temple website 1605 N. Britain Road, Irving, Texas 75061, Ph: 972-445-3111 for operating hours which could be subject to change! www.dfwhindutemple.org APRIL 2021 Falgun/Chaitra 2077 Shak 1943 Sunday Monday Tuesday Wednesday Thursday Friday Saturday MARCH 2021 MAY 2021 S M T W T F S S M T W T F S 1 2 3 1 2 3 4 5 6 30 31 1 7 8 9 10 11 12 13 2 3 4 5 6 7 8 14 15 16 17 18 19 20 9 10 11 12 13 14 15 21 22 23 24 25 26 27 16 17 18 19 20 21 22 28 29 30 31 23 24 25 26 27 28 29 4 5 6 7 8 9 10 Ekadashi Holi Celebration and Pradosham Anand Bazar Shiv Abhishek @ 12:30 pm @ 6:30 pm 11 12 13 Chaitra Begins 14 15 16 17 Shak New Year 1943 Tamil New Year, Chaithira Garba/Raas Amavasya Tithi Bengali New Year Amavasya Chaitri Navaratri Vishukani, @ 8:30 pm Chaitra Navratri Ayyappa Abi @ 6:30 pm Ugadhi Telugu Pana Sankranti, Odia Chaithira Vishu Punyakala New Year, Jagannatha Chaitri Navaratri Durga Jagran Tarpanam Puja @ 7:00 pm @ 8:30 pm 19 21 22 23 24 18 20 Ram Navami Puja Shashti Murugan Durgaashtami Havan Akhand Ramayan @ 10:00 am Ekadashi (Begins) @ 9:00 am Abhishek @ 3:00 pm @ 6:30 pm & Jhula @ Noon Sita Rama Kalyanam Pradosham Shiv Abhishek @ 10:00 am to 12:00 pm @ 6:00 pm Chaitri Navaratri 25 26 27 Purnima 28 29 30 Satyanarayan Puja Ramnavami Celebration @ 6:30 pm Sankathara Chaturthi Ganesh Abhishek Hanuman Jayanti @ 6:30 pm Akhand Ramayan (North Community) (Ends) Hanuman Chalisa @ 7:45 pm TEMPLE HOURS: Mailing Address: P.O.Box 154246, Irving, Texas 75015-4246 Under Covid 19 situation, please consult Temple website 1605 N. Britain Road, Irving, Texas 75061, Ph: 972-445-3111 for operating hours which could be subject to change! www.dfwhindutemple.org MAY 2021 Chaitra/Vaishakha 2077 Shak 1943 Sunday Monday Tuesday Wednesday Thursday Friday Saturday APRIL 2021 JUNE 2021 30 31 S M T W T F S S M T W T F S 1 1 2 3 1 2 3 4 5 Ashtottar Shat Hanuman Chalisa 4 5 6 7 8 9 10 6 7 8 9 10 11 12 Chanting (108 times) @ 9:00 am 11 12 13 14 15 16 17 13 14 15 16 17 18 19 18 19 20 21 22 23 24 20 21 22 23 24 25 26 25 26 27 28 29 30 27 28 29 30 2 3 4 5 6 7 8 Ekadashi Ekadashi Tithi Pradosham Shiv Abhishek Vallabhacharya Pragatya @ 6:00 pm 9 10 11 12 13 14 15 Vallabhacharya Pragatya Amavasya Akshaya Tritiya Tithi Mahotsav Amavasya Tithi Vaishakha Akshaya Tritiya @ 10:00 am Begins Jagannatha Ratha Puja, Mother’s Day Dattatreya Abhishekam Chandana Besa & Yatra @ 11:00 am @ 11:00 am 16 17 18 19 20 21 22 Sri Adi Sankara Shashti Murugan Ekadashi Abhishek Durga Jagran Jayanthi @ 8:30 pm Puja @ 6:00 pm @ 6:30 pm Sundar Kand @ 4:00 pm Last day Vidya 23 Vikas 24 25 26 27 28 29 Vaikasi Vishakam Narasimha Jayanti Buddha Purnima Balaji Kalyanam 9-12 noon Pradosham Murugan Puja (no Shiv Abhishek Abhishekam) Satyanarayan Puja @ 6:00 pm @ 6:30 pm Sankathara Chaturthi Nrusimha janma puja/ Ganesh Abhishek Jagannatha Chandan @ 6:00 pm Puja @ 7:00 pm TEMPLE HOURS: Mailing Address: P.O.Box 154246, Irving, Texas 75015-4246 Under Covid 19 situation, please consult Temple website 1605 N. Britain Road, Irving, Texas 75061, Ph: 972-445-3111 for operating hours which could be subject to change! www.dfwhindutemple.org JUNE 2021 Vaishakha/Jyeshta 2077 Shak 1943 Sunday Monday Tuesday Wednesday Thursday Friday Saturday 1 2 3 4 5 Ekadashi Hanuman Jayanti (South) Jalakrida Ekadashi, Jagannath Puja @12:30 pm 12 6 7 Pradosham 8 9 10 11 Shiv Abhishek Amavasya Tithi Amavasya Jyeshta Begins Nadhopaasana @ 6:30 pm 1:00 pm Savitri Amavasya Vrat Odia Community 13 14 15 16 17 18 19 Shashti Murugan Durga Jagran General Body Meeting @ 8:30 pm 1:00 pm Abhishek @ 6:30 pm Vatsavitri Puja 20 21 22 23 24 @ 5:30 pm 25 26 Ekadashi Purnima Sundar Kand @ 4:00 pm Father’s Day Pradosham Devasnana Purnima International Yoga Day Shiv Abhishek Jagannath Gajanana Besa Nadhopaasana @ 6:30 pm @ 6:00 pm 1:00 pm Gayatri Jayanti Anasara Puja Nirjala Ekadashi Tithi Satyanarayan Puja @ 6:30 pm MAY 2021 JULY 2021 27 28 29 30 S M T W T F S S M T W T F S Sankathara Chaturthi 30 31 1 1 2 3 Ganesh Abhishek @ 6:00 pm 2 3 4 5 6 7 8 4 5 6 7 8 9 10 9 10 11 12 13 14 15 11 12 13 14 15 16 17 16 17 18 19 20 21 22 18 19 20 21 22 23 24 23 24 25 26 27 28 29 25 26 27 28 29 30 31 TEMPLE HOURS: Mailing Address: P.O.Box 154246, Irving, Texas 75015-4246 Under Covid 19 situation, please consult Temple website 1605 N.
Load more

Recommended publications
  • An Antiquty of Jainism
    Jainism : An Image of Antiquity Published by Shri Jain Swetamber Khartargachha Sangha, Kolkata An analytical study of the historicity, antiquity and originality Chaturmass Prabandh Samiti of the religion of Jainism of a global perspective Sheetal Nath Bhawan Gauribari Lane Kolkata - 700 004 c Dr. Lata Bothra Printed in October 2006 by : Dr. Lata Bothra Type Setting Jain Bhawan Computer Centre P-25, Kalakar Street Kolkata - 700 007 Phone : 2268-2655 Printed by Shri Bivas Datta Arunima Printing Works 81, Simla Street Kolkata - 700 006 Shri Jain Swetamber Khartargachha Sangha, Kolkata Chaturmas Prabandh Samiti Price Kolkata Rupees Fifty only continents of the worlds, regarding Jainism. Jainism is a religion which is basically revolving within the PREFACE centrifugal force of Non-violence (Ahimsa), Non- receipt (Aparigraha) and the multizonal view Through the centuries, Jainism has been the (Anekantvad), through which the concept of global mainstay of almost every religion practiced on this planet. tolerance bloomed forth. Culturally, the evidences put forward by the There was a time splendour of Jainism, as a archaeological remnants almost all over the world starting religion and an ethical lifestyle was highly prevalent in from Egypt and Babylon to Greece and Russia inevitably the early days of our continental history. The remnants prove that Jainism in its asceticism was practiced from of antiquity portray a vivid image of the global purview prehistoric days. For what reason, till today, the Jaina whereby one can conclude that Jainism in different researchers have not raised their voice and kept mum forms and images was observed in different parts of about these facts, is but a mystery to me.
    [Show full text]
  • THE COW in the ELEVATOR an Anthropology of Wonder the COW in the ELEVATOR Tulasi Srinivas
    TULASI SRINIVAS THE COW IN THE ELEVATOR AN ANTHROPOLOGY OF WONDER THE COW IN THE ELEVATOR tulasi srinivas THE COW IN THE ELEVATOR An Anthropology of Won der Duke University Press · Durham and London · 2018 © 2018 Duke University Press All rights reserved Printed in the United States of Amer ic a on acid-f ree paper ∞ Text designed by Courtney Leigh Baker Cover designed by Julienne Alexander Typeset in Minion Pro by Westchester Publishing Services Library of Congress Cataloging- in- Publication Data Names: Srinivas, Tulasi, author. Title: The cow in the elevator : an anthropology of won der / Tulasi Srinivas. Description: Durham : Duke University Press, 2018. | Includes bibliographical references and index. Identifiers: lccn 2017049281 (print) | lccn 2017055278 (ebook) isbn 9780822371922 (ebook) isbn 9780822370642 (hardcover : alk. paper) isbn 9780822370796 (pbk. : alk. paper) Subjects: lcsh: Ritual. | Religious life—H induism. | Hinduism and culture— India— Bangalore. | Bangalore (India)— Religious life and customs. | Globalization—R eligious aspects. Classification: lcc bl1226.2 (ebook) | lcc bl1226.2 .s698 2018 (print) | ddc 294.5/4— dc23 lc rec ord available at https:// lccn . loc . gov / 2017049281 Cover art: The Hindu goddess Durga during rush hour traffic. Bangalore, India, 2013. FotoFlirt / Alamy. For my wonderful mother, Rukmini Srinivas contents A Note on Translation · xi Acknowl edgments · xiii O Wonderful! · xix introduction. WONDER, CREATIVITY, AND ETHICAL LIFE IN BANGALORE · 1 Cranes in the Sky · 1 Wondering about Won der · 6 Modern Fractures · 9 Of Bangalore’s Boomtown Bourgeoisie · 13 My Guides into Won der · 16 Going Forward · 31 one. ADVENTURES IN MODERN DWELLING · 34 The Cow in the Elevator · 34 Grounded Won der · 37 And Ungrounded Won der · 39 Back to Earth · 41 Memorialized Cartography · 43 “Dead- Endu” Ganesha · 45 Earthen Prayers and Black Money · 48 Moving Marble · 51 Building Won der · 56 interlude.
    [Show full text]
  • Diversity Calendar 2019 - 2020 Office of the President and Provost Office of the President & Inclusion) Diversity (Equality, September 2019 September 2019
    DIVERSITY CALENDAR 2019 - 2020 OFFICE OF THE PRESIDENT AND PROVOST OFFICE OF THE PRESIDENT & INCLUSION) DIVERSITY (EQUALITY, SEPTEMBER 2019 SEPTEMBER 2019 Monday Tuesday Wednesday Thursday Friday Saturday Sunday 1 2 Ganesh Chaturthi* (Hindu) 10 Muharram - New Year* (Islam) 29-7 Navratri** (Hindu) 2 3 4 5 6 7 8 29-1 Rosh Hashanah (begins sunset of Sun- day, ends nightfall of Tuesday; work not permitted) (Judaism) 9 10 11 12 13 14 15 Navratri Navratri, literally interpreted as ‘nine nights’ is the most celebrated Hindu festival devoted to Goddess Durga symbolizing purity and power or ‘shakti’. Navratri festival combines ritualistic puja 16 17 18 19 20 21 22 and fasting and is accompanied by resplendent celebrations for nine consecutive days and nights. UN International Day of Peace Find out more: https://en.wikipedia.org/wiki/Navaratri 23 24 25 26 27 28 29 Bi Visibility Day 30 Image above: A wicker basket full of multicoloured Dandiya sticks OCTOBER 2019 OCTOBER 2019 2 Fast of Gedaliah (Judaism) Monday Tuesday Wednesday Thursday Friday Saturday Sunday 1 2 3 4 5 6 8 Dusherra** (Hindu) 8-9 Yom Kippur (work not permitted) (Judaism) 13-15 Sukkot (begins sunset of Sunday, ends 7 8 9 10 11 12 13 nightfall of Tuesday; work not permitted) Dyslexia Ada Lovelace World Mental National (Judaism) Awareness Day Health Day Coming out Week Day 20 Installation of Scriptures as Guru Granth (Sikh) 14 15 16 17 18 19 20 20-22 Shmini Atzeret* & Simchat Torah (work not permitted) (Judaism) 27 Diwali (Hindu, Jain, Sikh) 31 All Hallow’s Eve (Christian) 21 22 23 24 25 26 27 Dyslexia Awareness Week Dyslexia Awareness Week (DAW) is an annual 28 29 30 31 October marks Black History Month event to raise awareness of dyslexia.
    [Show full text]
  • SACRED SPACES and OBJECTS: the VISUAL, MATERIAL, and TANGIBLE George Pati
    SACRED SPACES AND OBJECTS: THE VISUAL, MATERIAL, AND TANGIBLE George Pati BRAUER MUSEUM OF ART | APRIL 13 — MAY 8, 2016 WE AT THE BRAUER MUSEUM are grateful for the opportunity to present this exhibition curated by George Pati, Ph.D., Surjit S. Patheja Chair in World Religions and Ethics and Valparaiso University associate professor of theology and international studies. Through this exhibition, Professor Pati shares the fruits of his research conducted during his recent sabbatical and in addition provides valuable insights into sacred objects, sites, and practices in India. Professor Pati’s photographs document specific places but also reflect a creative eye at work; as an artist, his documents are also celebrations of the particular spaces that inspire him and capture his imagination. Accompanying the images in the exhibition are beautiful textiles and objects of metalware that transform the gallery into its own sacred space, with respectful and reverent viewing becoming its own ritual that could lead to a fuller understanding of the concepts Pati brings to our attention. Professor Pati and the Brauer staff wish to thank the Surjit S. Patheja Chair in World Religions and Ethics and the Partners for the Brauer Museum of Art for support of this exhibition. In addition, we wish to thank Gretchen Buggeln and David Morgan for the insights and perspectives they provide in their responses to Pati's essay and photographs. Gregg Hertzlieb, Director/Curator Brauer Museum of Art 2 | BRAUER MUSEUM OF ART SACRED SPACES AND OBJECTS: THE VISUAL, MATERIAL, AND TANGIBLE George Pati George Pati, Ph.D., Valparaiso University Śvetāśvatara Upaniṣad 6:23 Only in a man who has utmost devotion for God, and who shows the same devotion for teacher as for God, These teachings by the noble one will be illuminating.
    [Show full text]
  • In the Kingdom of Nataraja, a Guide to the Temples, Beliefs and People of Tamil Nadu
    * In the Kingdom of Nataraja, a guide to the temples, beliefs and people of Tamil Nadu The South India Saiva Siddhantha Works Publishing Society, Tinnevelly, Ltd, Madras, 1993. I.S.B.N.: 0-9661496-2-9 Copyright © 1993 Chantal Boulanger. All rights reserved. This book is in shareware. You may read it or print it for your personal use if you pay the contribution. This document may not be included in any for-profit compilation or bundled with any other for-profit package, except with prior written consent from the author, Chantal Boulanger. This document may be distributed freely on on-line services and by users groups, except where noted above, provided it is distributed unmodified. Except for what is specified above, no part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by an information storage and retrieval system - except by a reviewer who may quote brief passages in a review to be printed in a magazine or newspaper - without permission in writing from the author. It may not be sold for profit or included with other software, products, publications, or services which are sold for profit without the permission of the author. You expressly acknowledge and agree that use of this document is at your exclusive risk. It is provided “AS IS” and without any warranty of any kind, expressed or implied, including, but not limited to, the implied warranties of merchantability and fitness for a particular purpose. If you wish to include this book on a CD-ROM as part of a freeware/shareware collection, Web browser or book, I ask that you send me a complimentary copy of the product to my address.
    [Show full text]
  • Great Heritages of Orissa
    Orissa Review * December - 2004 Great Heritages of Orissa Dr. Hemanta Kumar Mohapatra Etymologically, 'heritage' is anything that is or Cultural heritages are the creation of human may be inherited. In such case 'heritage' covers beings, who have created it by virtue of their everything that is seen around the human innovative power, creativity, skill and artistic civilization. Heritage is thus natural or created ability. or has evolved in the course of history. It is natural or man-made. Of the man-made Cultural heritages may be tangible or heritages some are already made and existing intangible. Archaeological heritages may be and others are in the process of making. But otherwise called tangible heritages. The everything what we inherit or may be inherited intangible ones may be called living heritages. can not be heritage in the proper use of the But for better comprehension and convenience term. To assume the dimension of heritage such we have discussed the cultural heritages in features must have influenced the socio- entirety under the following sections. economic and cultural life of the people. It must (a) Archaeological heritages (b) Literary have substantially influenced the imagination heritages (c) Religious heritages and life style of the human beings. A society (d) Performing art heritages, (e) Heritage or civilization is known and become unique festivals (f) Art and craft heritages by its own tradition. It gets its identity by its (g) Modern heritages of Orissa. own heritages. The cultural dimension of Orissa is Heritage is something which is specific varied and wide. Every bit of Oriyan culture and typical of a place, area, region or country and tradition is not included in this discussion.
    [Show full text]
  • Guide to 275 SIVA STHALAMS Glorified by Thevaram Hymns (Pathigams) of Nayanmars
    Guide to 275 SIVA STHALAMS Glorified by Thevaram Hymns (Pathigams) of Nayanmars -****- by Tamarapu Sampath Kumaran About the Author: Mr T Sampath Kumaran is a freelance writer. He regularly contributes articles on Management, Business, Ancient Temples and Temple Architecture to many leading Dailies and Magazines. His articles for the young is very popular in “The Young World section” of THE HINDU. He was associated in the production of two Documentary films on Nava Tirupathi Temples, and Tirukkurungudi Temple in Tamilnadu. His book on “The Path of Ramanuja”, and “The Guide to 108 Divya Desams” in book form on the CD, has been well received in the religious circle. Preface: Tirth Yatras or pilgrimages have been an integral part of Hinduism. Pilgrimages are considered quite important by the ritualistic followers of Sanathana dharma. There are a few centers of sacredness, which are held at high esteem by the ardent devotees who dream to travel and worship God in these holy places. All these holy sites have some mythological significance attached to them. When people go to a temple, they say they go for Darsan – of the image of the presiding deity. The pinnacle act of Hindu worship is to stand in the presence of the deity and to look upon the image so as to see and be seen by the deity and to gain the blessings. There are thousands of Siva sthalams- pilgrimage sites - renowned for their divine images. And it is for the Darsan of these divine images as well the pilgrimage places themselves - which are believed to be the natural places where Gods have dwelled - the pilgrimage is made.
    [Show full text]
  • Stylesheet IJIE
    IRIE International Review of Information Ethics Vol. 9 (08/2008) Patheneni Sivaswaroop: The Internet and Hinduism – A Study Abstract: This paper discusses some results of a sample study on how Hindus are using the internet for religious pur- poses comparing their on-line and off-line religious activities. The behaviour is similar to those reported for different religions from different countries. But it is found that 74% of the sample pray daily, where only 16% go daily to a local temple. This seems to be a major difference between Western and the Hindu religions. In Hinduism going to temple is secondary, as each Hindu house has generally a pooja (room/corner). The survey reports and the uses of the internet by Hindus as well as whether the internet increases religious tolerance or hatred. Agenda: Introduction............................................................................................................................................ 35 Hinduism in the present context............................................................................................................... 36 The Sample ............................................................................................................................................ 37 Conclusions ............................................................................................................................................ 39 Author: Dr P. Sivaswaroop, Deputy Director Regional Centre, Indira Gandhi National Open University, Himayat Nagar, Hyderabad – 500 029. In-
    [Show full text]
  • Ayurveda, the Traditional System of Medicine Gives Equal to Daily Regimen As Well As Seasonal Regimen
    Ayurveda, the traditional system of medicine gives equal to daily regimen as well as seasonal regimen. Both are dependent. Because we change our daily regimen according to seasons. Humans are blessed with a beautiful environment to live in. The nature of the environment changes with the seasons. There are six seasons. Summer, rainy, spring, autumn, early winter and late winter. One season accompanies the other in the form of a cycle. In our life’s journey, we pass through childhood, middle age, old age which is not under our control. Similarly we have to face all season irrespective of what your age is or where you live in. Seasons are a part of our life. Ayurveda has described each season with its features and appropriate regimen in ritucharya chapter. Ritu means season and charya means regimen. From this we come to know that regimen in each season is different from the other. Another thing is that seasons is not unique in all parts of the world. The basic concepts in Ayurveda is related to tridoshas. Vata, pitta and kapha are the tridoshas. Human body can’t exist without these basic principles. These doshas are subjected to variation according to ages, day and night, food, lifestyle, seasons etc. Doshas predominate in a particular season depends upon the characteristic feature of that season. Each season has its own features. Seasons are formed as a result of earth’s position with respect to sun. Depending on this, there are two major divisions: uttarayana and dakshinayana. In case of uttarayana, sun is predominant. Strength of the person decreases during this season.
    [Show full text]
  • Hindu Calendar 2019 with Festival and Fast Dates January 2019 Calendar
    Hindu Calendar 2019 With Festival and Fast Dates January 2019 Calendar Sr. No. Date Day Festivals/Events 1. 1st January 2019 Tuesday New Year 2. 1st January 2019 Tuesday Saphala Ekadashi 3. 3rd January 2019 Thursday Pradosha Vrata (Krishna Paksha Pradosham) 4. 3rd January 2019 Thursday Masik Shivaratri 5. 5th January 2019 Saturday Paush Amavasya, Margashirsha Amavasya 6. 12th January 2019 Saturday Swami Vivekananda Jayanti/National Youth Day 7. 13th January 2019 Sunday Guru Gobind Singh Jayanti 8. 13th January 2019 Monday Lohri 9. 15th January 2019 Tuesday Pongal, Uttarayan, Makar Sankranti 10. 17th January 2019 Thursday Pausha Putrada Ekadashi Vrat 11. 18th January 2019 Friday Pradosha Vrata (Shukla Paksha Pradosham) 12. 23rd January 2019 Wednesday Subhash Chandra Bose Jayanti 13. 24th January 2019 Thursday Sankashti Chaturthi 14. 26th January 2019 Saturday Republic Day 15. 27th January 2019 Sunday Swami Vivekananda Jayanti *Samvat 16. 30th January 2019 Wednesday Mahatma Gandhi Death Anniversary 17. 31st January 2018 Thursday Shattila Ekadashi Vrat February 2019 Calendar Sr. No. Date Day Festivals/Events 1. February 1st 2018 Friday Pradosha Vrata (Krishna Paksha Pradosham) 2. February 2nd 2019 Saturday Masik Shivaratri 3. February 4th 2019 Monday Magha Amavasya 4. February 4th 2019 Monday World Cancer Day 5. February 5th 2019 Tuesday Chinese New Year of 2019 6. February 10th 2019 Saturday Vasant Panchami 7. February 13th 2019 Thursday Kumbha Sankranti 8. February 14th 2019 Thursday Valentine’s Day 9. February 16th 2019 Saturday Jaya Ekadashi Vrat 10. February 19th 2019 Tuesday Guru Ravidas Jayanti, Magha Purnima Vrat 11. February 22nd 2019 Friday Sankashti Chaturthi 12.
    [Show full text]
  • 2019 Drik Panchang Hindu Calendar
    2019 Drik Panchang Hindu Calendar Hindu Calendar for San Francisco, California, United States Amanta Calendar - new month begins from Amavasya Page 1 of 25 January 2019 Margashirsha - Pausha 1940 Navami K Pratipada S Saptami S Purnima S Ashtami K SUN 30 24 6 1 13 7 20 15 27 23 रिव 07:29 16:55 07:30 17:01 07:29 17:08 07:26 Pausha Purnima 17:15 07:22 17:23 Shakambhari Purnima Bhanu Saptami Chandra Grahan *Purna Tula Dhanu 10:56 Meena 23:23 Mithuna 10:36 Tula Chitra 18:49 U Ashadha 31:07+ Revati 23:23 Punarvasu 15:53 Swati 24:59+ Dashami K Dwitiya S Ashtami S Pratipada K Navami K MON 31 25 7 2 14 8 21 16 28 24 सोम 07:30 16:56 07:30 17:02 07:29 17:09 07:26 17:16 07:21 17:24 Pongal Chandra Darshana Makara Sankranti Tula Makara Mesha Karka Tula 19:30 Swati 19:15 Shravana Ashwini 24:27+ Pushya 12:58 Vishakha 25:45+ Ekadashi K Tritiya S Navami S Dwitiya K Dashami K TUE 1 26 8 3 15 9 22 17 29 25 मंगल 07:30 16:57 07:30 17:03 07:29 17:10 07:25 17:17 07:21 17:25 Saphala Ekadashi Tula 13:54 Makara 23:46 Mesha 30:39+ Karka 10:02 Vrishchika Vishakha 20:10 Shravana 10:11 Bharani 24:43+ Ashlesha 10:02 Anuradha 27:11+ Dwadashi K Chaturthi S Dashami S Tritiya K Ekadashi K WED 2 27 9 4 16 10 23 18,19 30 26 बुध 07:30 16:57 07:30 17:04 07:28 17:11 07:25 17:18 07:20 17:26 Sakat Chauth Pradosh Vrat Pausha Putrada Ekadashi Lambodara Sankashti Chaturth Shattila Ekadashi Vrishchika Kumbha Vrishabha Simha Vrishchika 29:11+ Anuradha 21:34 Dhanishtha 13:20 Krittika 24:11+ P Phalguni 28:52+ Jyeshtha 29:11+ Trayodashi K Panchami S Ekadashi S Panchami K Dwadashi K THU
    [Show full text]
  • A Major International Visual Arts Event in Western Australia
    A MAJOR INTERNATIONAL VISUAL ARTS EVENT IN WESTERN AUSTRALIA FEASIBILITY STUDY 2014 PREPARED BY INSIDE LANE CONTENTS EXECUTIVE SUMMARY ...................................................................... 4 SECTION ONE - PROCESS .................................................................... 9 Feasibility Process ............................................................................. 9 Audit ............................................................................................ 12 Analysis ........................................................................................ 29 SECTION TWO - ABORIGINAL VISUAL ARTS .......................................... 63 SECTION THREE - INDIAN OCEAN RIM ................................................ 92 SECTION FOUR - EXPERIMENTAL ARTS .............................................. 125 SECTION FIVE - THE BIG IDEA .......................................................... 136 SECTION SIX - EDUCATION .............................................................. 140 SECTION SEVEN - DIGITAL STRATEGY .................................................144 SECTION EIGHT - MARKETING ......................................................... 147 SECTION NINE - CORPORATE STRUCTURE .......................................... 150 SECTION TEN - PUBLIC PROGRAMMING ............................................. 151 SECTION ELEVEN - ABORIGINAL ART CENTRE DIGITAL RESIDENCY .......... 156 SECTION TWELVE - EVENT CREATION ................................................ 158 SECTION THIRTEEN - RECOMMENDATIONS
    [Show full text]