DOCSLIB.ORG

News Release

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Brooklyn PeterJay Sharp Building BAM RoseCinemas Academy 30 LafayetteAvenue Press of Brooklyn NY l 1217-1486 Molly B. Gross Music Telephone: 718 636.4100 718.636 4129 x3 Fax 718.636.4179 mgross(g)BAM .org News Release BAMcinematek launches BAMcinemaFEST, a sixteen-day festival of new independent films and repertory favorites, June 17-July 2 BAMcinemaFEST opens with Cruz Angeles' Don't Let Me Drown and Opening Night Party, includes fourteen New York premieres, a Shorts Sunday, and two outdoor screenings BAMcinematek's Tenth Anniversary Sidebar includes repertory classics and An Evening with Arnaud Desplechin, June 27-July 2 Centerpiece event includes Fritz Lang's Metropolis (1927) with live accompaniment by 3epkano & an all-night movie marathon, June 27 BAM Rose Cinemas (30 Lafayette Ave.) Tickets for BAMcinemaFEST are on sale Monday, May 25 Tickets will be available online at BAM.org/BAMcinemaFEST For all general film tickets: $11 per screening for adults; $8 for seniors 65 and over. children under twelve. and $8 Jar students 2 5 and under with valid I.D. Monday-Thursday, except holidays; $7 BAM Cinema Club members Tickets for Opening Night, General audience: $20; Members:$ I 0 Tickets for 3epkano Performs Fritz Lang's Metropolis, General audience: $15; Members: $11 Tickets for BAMcinematek All Night, General audience: $ I 5 Brooklyn, April 17, 2009-From June 17-July 2 BAMcinematek, the repertory film program at BAM Rose Cinemas, presents the first BAMcinemaFEST, a new film festival in Brooklyn. BAMRose Cinemas More ... BAMcinemaFEST, 2 This festival launch celebrates the tenth anniversary ofBAMcinematek-BAM's repertory film program that began on July 1, 1999. BAMcinemaFEST is a new festival presenting eighteen new features and documentaries in a festival atmosphere including filmmaker Q&As, outdoor screenings, an all-night movie marathon, and other special events. The BAMcinematek Sidebar will honor ten years of repertory film screenings at BAM, highlighting some of the films and filmmakers that defined our first decade. "As a programmer, it is a pure joy to have the freedom and the platform to present such a diverse range of films and events under one banner," said Florence Almozini, BAMcinematek's Program Director. "I am excited about films like Everything Strange and New, and Bronson which were big discoveries at Sundance, and Beeswax that continues to display the range and talent of director Andrew Bujalski. And then there's a documentary like Brock Enright: Good Times Will Never Be the Same, a thought provoking and visually stunning portrait of the controversial artist. Of course, considering BAMcinematek's history, it is wonderful to be able to highlight some past successes and bring back classic audience favorites, like Marketa Lazarova and The Leopard' "We will also have some really cool special events--an evening with Arnaud Desplechin who is going to talk about two of his favorite films and a performance by 3epkano - a fantastic band from Ireland that sold out several silent film shows at BAM Rose Cinemas in the past. They are returning to play their original score to Fritz Lang's Metropolis. And, personally, I am already committed to staying up for the all night film marathon. There's nothing like seeing Millennium Mambo in the middle of the night and then coming out onto the streets of Brooklyn at Sam." For press inquiries, please contact Molly Gross at 718.636.4129 x3, [email protected] more ... BAMcinemaFEST, 3 EIGHTEEN (18) NEW DRAMATIC FEATURE AND DOCUMENTARY FILMS INCLUDES THE NEW YORK PREMIERES OF: • Beeswax, ( dir. Andrew Bujalski) - An intimate story of twin sisters set in Austin by the director of Funny Ha Ha and Mutual Appreciation. • Big Fan, (dir. Robert Siegel)-The culture of celebrity is challenged in Siegel's (writer of The Wrestler) debut film about a hardcore New York Giants fan. • Brock Enright: Good Times Will Never Be the Same, (dir. Jody Lee Lipes) - A provocative doc follows a N. Y. artist as he prepares a video installation for his first solo show in a Manhattan gallery • Bronson, (dir. Nicholas Winding Refn)-This film is Refn's (Pusher Trilogy) stylized portrait of Britain's most notorious prisoner brilliantly incarnated by Tom Hardy • Children of Invention, ( dir. Tze Chun) - A compelling drama about a young Chinese American family and their elusive search for the American Dream by the director of the short Windowbreaker. • Opening Night: Don't Let Me Drown, (dir. Cruz Angeles)-A tale of young love between Latino Brooklyn teens in a post-9-11 world. • Everything Strange and New, ( dir. Frazer Bradshaw) - An intimate portrait of personal crisis within the framework of the American family. • Humpday, (dir. Lynn Shelton) - The ultimate indie film take on the bromantic comedy follows two straight friends who, on a dare, decide to have sex and film it. • Prom Night in Mississippi, (dir. Paul Saltzman) - An eye-opening documentary about a high school's first integrated prom in 2008. • Sorry, Thanks, (dir. Dia Sokol) - Sakai's debut film about young love and loss in San Francisco. • The Square, (dir. Nash Edgerton)-Australian stunt-man and director Edgerton's tense take-the-money-and-run thriller noir. Edgerton directed the short Spider. • William Kunstler: Disturbing the Universe, (dirs. Sarah and Emily Kunstler) - An unconventional and personal portrait of William Kunstler, the prominent civil rights lawyer, made by his daughters Sarah and Emily. • What's On Your Plate?, (dir. Catherine Gund) -A compelling food-justice documentary seen through the eyes of two pre-teen girls. • You Won't Miss Me, (dir. Ry Russo-Young)-Russo-Young's second feature, co-written by lead actress Stella Schnabel, follows the days and struggles of an intense young actress. Other new film highlights: • The Exploding Girl, (dir. Bradley Rust Gray) - This film is a quietly resonant indie character study. • Reporter, (dir. Eric Daniel Metzgar) - Metzgar tracks New York Times journalist Nicholas Kristof in the Democratic Republic of Congo as Kristof investigates the humanitarian crises. • In the Loop, (dir. Armando Iannucci) - A wry British comedy with James Gandolfini. • The Glass House, (dir. Hamid Rahmanian) -A searing doc about troubled teenage girls in Iran. OUTDOOR SCREENINGS: Thursday, June 25 & Saturday, June 27 • William Kunst/er: Disturbing the Universe (2009) co-presented with Rooftop Films in the GGMC Parking Lot, (June 25) [The lot is on Lafayette Avenue and Ashland Place, diagonally across from BAM's Peter Jay Sharp Building.] • What's On Your Plate? (2009) co-presented with Afro-Punk in Fort Greene Park (June 27) more ... BAMcinemaFEST, 4 CENTERPIECE: Saturday, June 27 A live performance by Irish ambient rock collective 3epkano accompanies Fritz Lang's Metropolis and will be followed by an all-night movie marathon on all four BAM Rose Cinema screens. • 3epkano Performs Fritz Lang's Metropolis Fritz Lang's silent masterpiece Metropolis (1927) With live performance of original score by Irish ambient rock collective 3epkano • BAMcinematek All Night An all-night movie marathon on all of BAM Rose Cinemas' four screens: Diana Ross Coming Out, Before They Were Scientologists, Stoner Comedies, and BAMcinematek Favorites BAM CINEMA TEK SIDEBAR: June 27-July 2 BAMcinemaFEST celebrates ten years ofBAMcinematek, the repertory film program at BAM with six nights of repertory classics and An Evening with Arnaud Desplechin. • Repertory classics celebrating BAMcinematek's tenth anniversary include Jim Jarmusch's Dead Man (1995), Visconti's The Leopard (fl Gattopardo, 1963), Frantisek Vlacil 's Marketa Lazarova (1967), and Yuen Chor's Confessions of a Chinese Courtesan (Ai Nu, 1972) • An Evening with Arnaud Desplechin, July 1 Arnaud Desplechin, director of Kings and Queen and A Christmas Tale, presents two personal favorites: Wes Anderson's The Royal Tenenbaums (2001) followed by a conversation with film critic Kent Jones; and then Desplechin will introduce the next screening, Franc;;ois Truffaut's Mississippi Mermaid (La Sirene du Mississippi, 1969) SHORTS SUNDAY, Sunday, June 28 A complete Media Advisory of short film titles and times will be released in the coming days. • Shorts Program 1: Animation • Shorts Program 2 • Shorts Program 3 • Shorts Program 4 more ... BAMcinemaFEST, 5 OPENING NIGHT Film and Party, Wednesday, June 17 at 7:30pm Co-presented with Sundance Posse, the alumnae organization of Sundance Institute Don't Let Me Drown, U.S., 2008, 102min, in English and Spanish with English subtitles Director: Cruz Angeles Producers: Ian McGloin, Virgil Price, Jamie Mai, Charlie Ledley (executive), Maria Topete, Jay Van Hoy, Lars Knudsen, James Lawler, Ben Howe With E.J. Bonilla, Gleendilys Inoa, Damian Alcazar, Ricardo Antonio Chavira, Gina Torres, Yareli Arizmendi Lalo's father, formerly a janitor at the World Trade Center, now works at Ground Zero cleaning up debris. Stefanie's family moved back to Brooklyn after her sister was killed in the attacks. Lalo and Stefanie meet at a birthday party, and although they start off on the wrong foot, the ice melts, and their budding friendship becomes a clandestine romance. Don't Let Me Drown features an elegantly simple story, layered characters, and standout performances, notably from its young leads. Angeles' approach feels intuitive and brings a refreshing spontaneity to the story. He clearly knows everything about his characters and creates an authentic story that radiates emotion and humor. Festivals: Sundance Film Festival -John Cooper, Director of Sundance Film Festival Followed by an opening night party at BAM, in the BAMcafe and central lobby. BAMcinemaFEST NEW FILMS • There will be director Q&As for all screenings unless otherwise noted. • All prints are 35mm or HD CAM and in English unless otherwise noted. • All screenings take place in BAM Rose Cinemas unless noted as an outdoor event. • All screenings are ticketed unless noted as a free screening. • For Film Stills, Press Kits.
Recommended publications
  • Many Loves Ofdobie Gillis, Hawaiian Eye, 77 Sunset Strip, Wagon Train, Ben Casey, My Mother the Car, and Perry Mason

    Many Loves Ofdobie Gillis, Hawaiian Eye, 77 Sunset Strip, Wagon Train, Ben Casey, My Mother the Car, and Perry Mason

    BARBARA BAIN Born in Chicago on September 13th, Barbara Bain graduated from the University of Illinois with a Bachelor’s Degree in Sociology before relocating to New York City. Once there, Bain found gainful employment as a high fashion model and explored her life-long love of dance by studying with Martha Graham, master of American modern dance. Further exploring her interest in the arts, Bain began her acting training in the private class of the most famous and respected of all acting teachers, Lee Strasberg. After a successful audition, she accepted an invitation to become a member of his legendary The Actors Studio. Bain toured with the road company of Paddy Chayefsky's Middle of the Night, a tour which landed her in Los Angeles, and not long thereafter Bain found work on some of the most popular television shows of the day. She appeared opposite Larry Hagman in United Artists' Harbormaster and with Darrin McGavin in the popular Mike Hammer series. Perhaps her first real big break came, however, when she was cast in the recurring role of Karen Wells, love interest of David Janssen, in the seminal private-eye series, Richard Diamond, Private Detective. Bain continued to work steadily, appearing in numerous television series: Tightrope, The Law and Mr. Jones, Straightaway and Adventures in Paradise. She also had the opportunity to flex her comedy skills in one of the most memorable episodes of the classic The Dick Van Dyke Show, created by Carl Reiner. In the episode "Will You Two Be My Wife," Bain turned in a hilarious performance as "Dorie-doo," a blonde bombshell with whom Van Dyke must break-up in order to marry the ever-perky Mary Tyler Moore.
  • The Journal of Shakespeare and Appropriation 11/14/19, 1'39 PM

    The Journal of Shakespeare and Appropriation 11/14/19, 1'39 PM

    Borrowers and Lenders: The Journal of Shakespeare and Appropriation 11/14/19, 1'39 PM ISSN 1554-6985 VOLUME XI · (/current) NUMBER 2 SPRING 2018 (/previous) EDITED BY (/about) Christy Desmet and Sujata (/archive) Iyengar CONTENTS On Gottfried Keller's A Village Romeo and Juliet and Shakespeare Adaptation in General (/783959/show) Balz Engler (pdf) (/783959/pdf) "To build or not to build": LEGO® Shakespeare™ Sarah Hatchuel and the Question of Creativity (/783948/show) (pdf) and Nathalie (/783948/pdf) Vienne-Guerrin The New Hamlet and the New Woman: A Shakespearean Mashup in 1902 (/783863/show) (pdf) Jonathan Burton (/783863/pdf) Translation and Influence: Dorothea Tieck's Translations of Shakespeare (/783932/show) (pdf) Christian Smith (/783932/pdf) Hamlet's Road from Damascus: Potent Fathers, Slain Yousef Awad and Ghosts, and Rejuvenated Sons (/783922/show) (pdf) Barkuzar Dubbati (/783922/pdf) http://borrowers.uga.edu/7168/toc Page 1 of 2 Borrowers and Lenders: The Journal of Shakespeare and Appropriation 11/14/19, 1'39 PM Vortigern in and out of the Closet (/783930/show) Jeffrey Kahan (pdf) (/783930/pdf) "Now 'mongst this flock of drunkards": Drunk Shakespeare's Polytemporal Theater (/783933/show) Jennifer Holl (pdf) (/783933/pdf) A PPROPRIATION IN PERFORMANCE Taking the Measure of One's Suppositions, One Step Regina Buccola at a Time (/783924/show) (pdf) (/783924/pdf) S HAKESPEARE APPS Review of Stratford Shakespeare Festival Behind the M. G. Aune Scenes (/783860/show) (pdf) (/783860/pdf) B OOK REVIEW Review of Nutshell, by Ian McEwan
  • Media Arts Design 1

    Media Arts Design 1

    Media Arts Design 1 • Storyboarding Certificate (https://catalog.nocccd.edu/cypress- MEDIA ARTS DESIGN college/degrees-certificates/media-arts-design/storyboarding- certificate/) Division: Fine Arts Courses Division Dean MAD 100 C Introduction to Media Arts Design 3 Units Dr. Katy Realista Term hours: 36 lecture and 72 laboratory. This course focuses on the use of digital design, video, animation and page layout programs. This course Faculty is designed for artists to design, create, manipulate and export graphic Katalin Angelov imagery including print, video and motion design elements. This course is Edward Giardina intended as a gateway into the varied offerings of the Media Arts Design program, where the student can pursue more in-depth study on the topic(s) Counselors that most attracted them during this introductory class. $20 materials fee payable at registration. (CSU, C-ID: ARTS 250) Renay Laguana-Ferinac MAD 102 C Introduction to WEB Design (formerly Introduction to WEB Renee Ssensalo Graphics-Mac) 3 Units Term hours: 36 lecture and 72 laboratory. This course is an overview of the Degrees and Certificates many uses of media arts design, with an emphasis on web publishing for • 2D Animation Certificate (https://catalog.nocccd.edu/cypress- the Internet. In the course of the semester, students create a personal web college/degrees-certificates/media-arts-design/associate-in-science- page enriched with such audiovisual elements as animation, sound, video in-film-television-and-electronic-media-for-transfer-degree/) and different types of still images. This course is intended as a gateway into • 3D Animation Certificate (https://catalog.nocccd.edu/cypress- the varied offerings of the Media Arts Design program, where the student college/degrees-certificates/media-arts-design/3d-animation- can pursue more in-depth study on the topics that most attracted them certificate/) during this introductory class.
  • Teaching Social Issues with Film

    Teaching Social Issues with Film

    Teaching Social Issues with Film Teaching Social Issues with Film William Benedict Russell III University of Central Florida INFORMATION AGE PUBLISHING, INC. Charlotte, NC • www.infoagepub.com Library of Congress Cataloging-in-Publication Data Russell, William B. Teaching social issues with film / William Benedict Russell. p. cm. Includes bibliographical references and index. ISBN 978-1-60752-116-7 (pbk.) -- ISBN 978-1-60752-117-4 (hardcover) 1. Social sciences--Study and teaching (Secondary)--Audio-visual aids. 2. Social sciences--Study and teaching (Secondary)--Research. 3. Motion pictures in education. I. Title. H62.2.R86 2009 361.0071’2--dc22 2009024393 Copyright © 2009 Information Age Publishing Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher. Printed in the United States of America Contents Preface and Overview .......................................................................xiii Acknowledgments ............................................................................. xvii 1 Teaching with Film ................................................................................ 1 The Russell Model for Using Film ..................................................... 2 2 Legal Issues ............................................................................................ 7 3 Teaching Social Issues with Film
  • Six Projects Selected for 2013 Rawi Screenwriters Lab in Jordan

    Six Projects Selected for 2013 Rawi Screenwriters Lab in Jordan

    FOR IMMEDIATE RELEASE Media Contact: November 1, 2013 Casey De La Rosa 310.360.1981 [email protected] Six Projects Selected for 2013 Rawi Screenwriters Lab in Jordan Led By The Royal Film Commission-Jordan in Consultation with Sundance Institute, Lab Supports Emerging Filmmakers in Egypt, Jordan, Lebanon and Palestine Los Angeles, CA — Screenwriting fellows for the ninth edition of the Rawi Screenwriters Lab (November 1-5) were announced today by The Royal Film Commission-Jordan and Sundance Institute. The Lab is an example of Sundance Institute’s longstanding work to support emerging filmmakers around the world. Former Rawi Fellows include Cherien Dabis (Amreeka), Mohammed Al Daradji (Son of Babylon), Sally El Hosaini (My Brother The Devil) and Haifaa Al Mansour (Wadjda). Launched in 2005, the Lab is led by the Royal Film Commission of Jordan (RFC) and managed by Deema Azar, in consultation with Sundance Institute’s Feature Film Program, under the direction of Michelle Satter. The Lab provides an opportunity for filmmakers from the region to develop their work under the guidance of accomplished Creative Advisors—this year including Jeremy Pikser (Bulworth), Najwa Najjar (Pomegranates & Myrrh), Mo Ogrodnick (Deep Powder). Aseel Mansour (Line Of Sight), Rose Troche (The L Word, The Safety Of Objects) and Jerome Boivin (La cloche a sonné)—in an environment that encourages storytelling at the highest level. George David, General Manager of the RFC, said, “For the ninth consecutive year, RAWI continues to unveil the regions’ exceptional talent and narratives as part of the RFC’s goal to champion a new generation of Arab film professionals who will represent our noble culture and values, our triumphs and struggles and our hopes and dreams through their films.” Paul Federbush, International Director of the Sundance Institute Feature Film Program, said, “We’ve had the privilege to help give voice to some extraordinary new filmmakers in the region over our nine-year partnership with the RFC.
  • Collection Adultes Et Jeunesse

    Collection Adultes Et Jeunesse

    bibliothèque Marguerite Audoux collection DVD adultes et jeunesse [mise à jour avril 2015] FILMS Héritage / Hiam Abbass, réal. ABB L'iceberg / Bruno Romy, Fiona Gordon, Dominique Abel, réal., scénario ABE Garage / Lenny Abrahamson, réal ABR Jamais sans toi / Aluizio Abranches, réal. ABR Star Trek / J.J. Abrams, réal. ABR SUPER 8 / Jeffrey Jacob Abrams, réal. ABR Y a-t-il un pilote dans l'avion ? / Jim Abrahams, David Zucker, Jerry Zucker, réal., scénario ABR Omar / Hany Abu-Assad, réal. ABU Paradise now / Hany Abu-Assad, réal., scénario ABU Le dernier des fous / Laurent Achard, réal., scénario ACH Le hérisson / Mona Achache, réal., scénario ACH Everyone else / Maren Ade, réal., scénario ADE Bagdad café / Percy Adlon, réal., scénario ADL Bethléem / Yuval Adler, réal., scénario ADL New York Masala / Nikhil Advani, réal. ADV Argo / Ben Affleck, réal., act. AFF Gone baby gone / Ben Affleck, réal. AFF The town / Ben Affleck, réal. AFF L'âge heureux / Philippe Agostini, réal. AGO Le jardin des délices / Silvano Agosti, réal., scénario AGO La influencia / Pedro Aguilera, réal., scénario AGU Le Ciel de Suely / Karim Aïnouz, réal., scénario AIN Golden eighties / Chantal Akerman, réal., scénario AKE Hotel Monterey / Chantal Akerman, réal., scénario AKE Jeanne Dielman 23 quai du commerce, 1080 Bruxelles / Chantal Akerman, réal., scénario AKE La captive / Chantal Akerman, réal., scénario AKE Les rendez-vous d'Anna / Chantal Akerman, réal., scénario AKE News from home / Chantal Akerman, réal., scénario, voix AKE De l'autre côté / Fatih Akin, réal., scénario AKI Head-on / Fatih Akin, réal, scénario AKI Julie en juillet / Fatih Akin, réal., scénario AKI L'engrenage / Fatih Akin, réal., scénario AKI Solino / Fatih Akin, réal.
  • Buck Henry, Who Helped Create ʻget Smartʼ and Adapt ʻthe Graduate,ʼ Dies at 89 an Unassuming Screenwriter and Actor, Mr

    Buck Henry, Who Helped Create ʻget Smartʼ and Adapt ʻthe Graduate,ʼ Dies at 89 an Unassuming Screenwriter and Actor, Mr

    1/11/2020 Buck Henry, Who Helped Create ‘Get Smart’ and Adapt ‘The Graduate,’ Dies at 89 - The New York Times https://nyti.ms/2N7atsQ Buck Henry, Who Helped Create ʻGet Smartʼ and Adapt ʻThe Graduate,ʼ Dies at 89 An unassuming screenwriter and actor, Mr. Henry thought up quirky characters with Mel Brooks and inhabited many more on “Saturday Night Live.” By Bruce Weber Published Jan. 9, 2020 Updated Jan. 10, 2020 Buck Henry, a writer and actor who exerted an often overlooked but potent influence on television and movie comedy — creating the loopy prime-time spy spoof “Get Smart” with Mel Brooks, writing the script for Mike Nichols’s landmark social satire “The Graduate” and teaming up with John Belushi in the famous samurai sketches on “Saturday Night Live” — died on Wednesday in Los Angeles. He was 89. His wife, Irene Ramp, said his death, at Cedars-Sinai Medical Center, was caused by a heart attack. John Belushi, left, and Mr. Henry in the 1978 “Saturday Night Live” sketch “Samurai Optometrist.” Fred Hermansky/NBCUniversal via Getty Images As a personality and a performer, Mr. Henry had a mild and unassuming aspect that was usually in contrast with the pungently satirical or broadly slapstick material he appeared in — and often wrote. Others in the room always seemed to make more noise. https://www.nytimes.com/2020/01/09/movies/buck-henry-dead.html 1/6 1/11/2020 Buck Henry, Who Helped Create ‘Get Smart’ and Adapt ‘The Graduate,’ Dies at 89 - The New York Times Indeed, for almost 50 years he was a Zelig-like figure in American comedy, a ubiquitous if underrecognized presence not only in grand successes but also in grand failures.
  • 43E Festival International Du Film De La Rochelle Du 26 Juin Au 5 Juillet 2015 Le Puzzle Des Cinémas Du Monde

    43E Festival International Du Film De La Rochelle Du 26 Juin Au 5 Juillet 2015 Le Puzzle Des Cinémas Du Monde

    43e Festival International du Film de La Rochelle du 26 juin au 5 juillet 2015 LE PUZZLE DES CINÉMAS DU MONDE Une fois de plus nous revient l’impossible tâche de synthétiser une édition multiforme, tant par le nombre de films présentés que par les contextes dans lesquels ils ont été conçus. Nous ne pouvons nous résoudre à en sélectionner beaucoup moins, ce n’est pas faute d’essayer, et de toutes manières, un contexte économique plutôt inquiétant nous y contraint ; mais qu’une ou plusieurs pièces essentielles viennent à manquer au puzzle mental dont nous tentons, à l’année, de joindre les pièces irrégulières, et le Festival nous paraîtrait bancal. Finalement, ce qui rassemble tous ces films, qu’ils soient encore matériels ou virtuels (50/50), c’est nous, sélectionneuses au long cours. Nous souhaitons proposer aux spectateurs un panorama généreux de la chose filmique, cohérent, harmonieux, digne, sincère, quoique, la sincérité… Ambitieux aussi car nous aimons plus que tout les cinéastes qui prennent des risques et notre devise secrète pourrait bien être : mieux vaut un bon film raté qu’un mauvais film réussi. Et enfin, il nous plaît que les films se parlent, se rencontrent, s’éclairent les uns les autres et entrent en résonance dans l’esprit du festivalier. En 2015, nous avons procédé à un rééquilibrage géographique vers l’Asie, absente depuis plusieurs éditions de la programmation. Tout d’abord, avec le grand Hou Hsiao-hsien qui en est un digne représentant puisqu’il a tourné non seulement à Taïwan, son île natale mais aussi au Japon, à Hongkong et en Chine.
  • View the Manual

    View the Manual

    Issue: 324 Lost Heaven Courier Page 1 CONTENTS System Requirements . .2 Combat! . .14 Installation . .3 Vehicles . .16 Obtaining Cars . .17 Uninstall . .3 Controlling Your Speed .18 Configuration . .3 Speedlimiter . .18 Filling Up . .18 Starting the Game . .4 Ralph’s Garage . .19 Main Menu . .4 Intro . .4 Public Transportation . .20 Tutorial . .4 Police . .21 New Game . .4 Load Game . .4 Salieri's Bar in Little Italy .22 Free Ride . .5 At Salieri's Bar . .23 Free Ride Extreme . .5 Tommy Angelo . .23 Carcyclopedia . .5 Norman . .24 Options . .5 Don Salieri . .24 Controls . .6 Paulie . .24 Audio and Video . .7 Sam . .25 Credits . .8 Frank . .25 Change Profile . .8 Vincenzo . .25 Quit . .8 Ralph . .26 Morello . .26 Controls . .9 Lucas Bertone . .26 Player Controls . .9 Car Controls . .10 Credits . .27 Basic Actions . .10 Technical Support . .30 The Game Display . .11 Electronic Registration . .30 City Map . .13 Limited Software Warranty Inventory . .14 and License Agreement . .32 Page 2 Lost Heaven Courier Issue: 324 Issue: 324 Lost Heaven Courier Page 3 Mafia requires DirectX 8.1 InstallationConfiguration System to be installed in order to run. Insert the MAFIA DISC 1 CD (You will be prompted to install into you CD-ROM (DVD- Requirements this after installing the game.) ROM) drive. The installation menu window will be displayed. The game requires the MAFIA Minimum Hardware Select INSTALL to begin the DISC 1 CD to be in the CD- Requirements: installation of the game. If ROM (DVD-ROM drive) in AUTOPLAY is disabled on your After you have installed the game 500 MHz Pentium® III or AMD order to run.
  • Intermedialtranslation As Circulation

    Intermedialtranslation As Circulation

    Journal of World Literature 5 (2020) 568–586 brill.com/jwl Intermedial Translation as Circulation Chu Tien-wen, Taiwan New Cinema, and Taiwan Literature Jessica Siu-yin Yeung soas University of London, London, UK [email protected] Abstract We generally believe that literature first circulates nationally and then scales up through translation and reception at an international level. In contrast, I argue that Taiwan literature first attained international acclaim through intermedial translation during the New Cinema period (1982–90) and was only then subsequently recognized nationally. These intermedial translations included not only adaptations of literature for film, but also collaborations between authors who acted as screenwriters and film- makers. The films resulting from these collaborations repositioned Taiwan as a mul- tilingual, multicultural and democratic nation. These shifts in media facilitated the circulation of these new narratives. Filmmakers could circumvent censorship at home and reach international audiences at Western film festivals. The international success ensured the wide circulation of these narratives in Taiwan. Keywords Taiwan – screenplay – film – allegory – cultural policy 1 Introduction We normally think of literature as circulating beyond the context in which it is written when it obtains national renown, which subsequently leads to interna- tional recognition through translation. In this article, I argue that the contem- porary Taiwanese writer, Chu Tien-wen (b. 1956)’s short stories and screenplays first attained international acclaim through the mode of intermedial transla- tion during the New Cinema period (1982–90) before they gained recognition © jessica siu-yin yeung, 2020 | doi:10.1163/24056480-00504005 This is an open access article distributed under the terms of the cc by 4.0Downloaded license.
  • Netflix and the Development of the Internet Television Network

    Netflix and the Development of the Internet Television Network

    Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation.
  • Estta576292 12/12/2013 in the United States Patent And

    Estta576292 12/12/2013 in the United States Patent And

    Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA576292 Filing date: 12/12/2013 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Proceeding 91213733 Party Plaintiff Half the Sky Movement, LLC Correspondence Naomi Straus Address Mitchell Silberberg & Knupp 1818 N St. NW 8th Fl. Washington, DC 20036 UNITED STATES [email protected], [email protected], [email protected], [email protected], [email protected] Submission Other Motions/Papers Filer's Name Naomi Straus Filer's e-mail [email protected], [email protected] Signature /Naomi Straus/ Date 12/12/2013 Attachments Combined Motion for Suspension and Consolidation of Opposition Proceedings (5733120).PDF(3700927 bytes ) IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD ) HALF THE SKY MOVEMENT, LLC. ) Opposition No.: 91213733 ) App. No.: 85/694696 Opposer ) v. ) Opposition No.: 91213724 ) App. No.: 85/694691 HALF THE SKY FOUNDATION. ) ) Applicant. ) ) ) ) NICHOLAS D. KRISTOF. ) Opposition No.: 91213731 ) App. No.: 85/694696 Opposer ) v. ) Opposition No.: 91213721 ) App. No.: 85/694691 HALF THE SKY FOUNDATION. ) ) Applicant. ) ) ) ) GAMES FOR CHANGE, INC. ) Opposition No.: 91213730 ) App. No.: 85/694696 Opposer ) v. ) Opposition No.: 91213722 ) App. No.: 85/694691 HALF THE SKY FOUNDATION. ) ) Applicant. ) ) ) ) SHOW OF FORCE, LLC. ) Opposition No.: 91213728 ) App. No.: 85/694696 Opposer ) v. ) Opposition No.: 91213726 5710603.1/42898-00026 ) App. No.: 85/694691 HALF THE SKY FOUNDATION. ) ) Applicant. ) ) ) MOTION FOR SUSPENSION AND CONSOLIDATION OF OPPOSITION PROCEEDINGS Opposers, Half the Sky Movement, LLC, Nicholas D. Kristof, Games for Change, Inc., and Show of Force, LLC through their undersigned counsel, respectfully move that this Honorable Board (1) consolidate Opposition Nos.