Komplette Ausgabe Als
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Komplette Ausgabe Als
HARDCOREMAGAZIN MARZ / APRIL 90 TRUST NEW ON SAINT VITUS TOXIC REASONS LP 008-68081 CD 084-68082 ON TOUR MÄRZ ’90: 4.-7. ENGLAND 8.-11. HOLLAND 12. ÜBACH-PALENBERG-ROCKFABRIK HOW IT LOOKS - HOW IT IS 13. FRANKFURT-BATSCHKAPP LP 008-68091 CD 084-68092 14. MÜNCHEN-THEATERFABRIK 16. BERLIN-SCHACHTQUALLE 17. SCHWEDEN ON TOUR APRIL ’90: 19. HAMBURG-FABRIK 20. KÖLN-ROSE CLUB 2. BERLIN ECSTASY 21. HEIDELBERG-SCHWIMMBAD 5. HAMBURG * 23. FREIBURG-CRÄSCH 6. OLDENBURG-ALHAMBRA * 24. KEMPTEN-ALLGÄUHALLE 7. ENGER-FORUM 8. KÖLN-ROSE CLUB 25. A DORNBIRN-KONKRET HOHENEMS 11. LEONBERG-BEATBARACKE 28. STUTTGART-RÖHRE 12. GAMMELSDORF-CIRCUS 29. CH BASEL-HIRSCHENECK 13. FREIBURG-JAZZHAUS 30. CH ZÜRICH-STUTZ 31. CH BERN-REITHALLE WIRD FORTGESETZT ! WIRD FORTGESETZT ! (* MIT BULLET LAVOLTA) IM VERTRIEB VON -SpV L a çï a r h r i a f a Vielen Dank für die Besprechung un- einer zivilen Bullenstreife beob- Mensch ist anscheinend beim Lesen seres Tapes in Eurer Ausgabe vom achtet zu werden. Es kam zu einer auf bestimmte Sachen Nov.89. Leider sind Euch dabei ei- Anzeige, und die Nazis mußten vor /Gruppen/Platten fixiert. Ja, was nige kleinere Fehler unterlaufen: Gericht antreten. mich noch nervt: In den "News" gibt a) Wir haben Euch nicht eine, son- Gegen den vorbestraften Braasch, es immer CD's (nur 1000 Stück), 500 dern zwei Cassetten zum Besprechen der den Wagen "nur" gefahren hatte limitierte 7", usw. O.k., ich nehms geschickt. (unseres Erachtens aber der Initia- zu 2/3 wieder zurück. Der Rest ist b) Diese beiden Cassetten sind tor dieser Aktion war!), wurde sein in den Anzeigen, nicht nur bei keine Demos, sondern Sampler, die Verfahren schon im Vorwege einge- Euch. -
Forever the Black Smoke Blows in Krems’ [Auto-Translated from German]
Kramar, Thomas. ‘Forever the black smoke blows in Krems’ [Auto-translated from German]. Die Presse Online. 26 April 2018 Forever the black smoke blows in Krems In the nineties it was in vogue to state ends. Today one fears the "endless present": this is the motto of this year's Danube Festival. How postmodern is that? Or is it again - modern? The virtual source never runs dry: "Western Flag (Spindletop, Texas)", video by John Gerrard. – © Danube Festival It was an anticipated, much-anticipated eruption: on January 10, 1901, oil spewed from a well at Spindletop Hill (southeast Texas), yes: to splash. Two months later, the nearby town of Beaumont was a boomtown and its population tripled. The Irish artist John Gerrard recalls the time when oil spilled on Spindletop Hill. In his video installation "Western Flag (Spindletop, Texas)" he simulates that this source would never run dry, would never run out, but only bring more dirt, not juice for traffic and industry: black smoke is constantly pouring out of the jets, into shape a flag. Gerrard suggests a trivial interpretation. "Among the greatest legacies of the 20th century are not only the population explosion and the better living conditions, but also the significantly increased CO2 concentrations in the atmosphere," he writes: "This flag gives this invisible gas, this international danger, a picture, a way to represent oneself. " Heaven is where nothing happens Thomas Edlinger, Director of the Danube Festival, now places Gerrard's video installation in Krems in a new context of meaning - as an illustration of this year's theme: "Endless Presence". -
The Mid-Twentieth-Century American Poetic Speaker in the Works of Robert Lowell, Frank O’Hara, and George Oppen
“THE OCCASION OF THESE RUSES”: THE MID-TWENTIETH-CENTURY AMERICAN POETIC SPEAKER IN THE WORKS OF ROBERT LOWELL, FRANK O’HARA, AND GEORGE OPPEN A dissertation submitted by Matthew C. Nelson In partial fulfillment for the requirements for the degree of Doctor of Philosophy In English TUFTS UNIVERSITY May 2016 ADVISER: VIRGINIA JACKSON Abstract This dissertation argues for a new history of mid-twentieth-century American poetry shaped by the emergence of the figure of the poetic speaker as a default mode of reading. Now a central fiction of lyric reading, the figure of the poetic speaker developed gradually and unevenly over the course of the twentieth century. While the field of historical poetics draws attention to alternative, non-lyric modes of address, this dissertation examines how three poets writing in this period adapted the normative fiction of the poetic speaker in order to explore new modes of address. By choosing three mid-century poets who are rarely studied beside one another, this dissertation resists the aesthetic factionalism that structures most historical models of this period. My first chapter, “Robert Lowell’s Crisis of Reading: The Confessional Subject as the Culmination of the Romantic Tradition of Poetry,” examines the origins of M.L. Rosenthal’s phrase “confessional poetry” and analyzes how that the autobiographical effect of Robert Lowell’s poetry emerges from a strange, collage-like construction of multiple texts and non- autobiographical subjects. My second chapter reads Frank O’Hara’s poetry as a form of intentionally averted communication that treats the act of writing as a surrogate for the poet’s true object of desire. -
Newslist Drone Records 31. January 2009
DR-90: NOISE DREAMS MACHINA - IN / OUT (Spain; great electro- acoustic drones of high complexity ) DR-91: MOLJEBKA PVLSE - lvde dings (Sweden; mesmerizing magneto-drones from Swedens drone-star, so dense and impervious) DR-92: XABEC - Feuerstern (Germany; long planned, finally out: two wonderful new tracks by the prolific german artist, comes in cardboard-box with golden print / lettering!) DR-93: OVRO - Horizontal / Vertical (Finland; intense subconscious landscapes & surrealistic schizophrenia-drones by this female Finnish artist, the "wondergirl" of Finnish exp. music) DR-94: ARTEFACTUM - Sub Rosa (Poland; alchemistic beauty- drones, a record fill with sonic magic) DR-95: INFANT CYCLE - Secret Hidden Message (Canada; long-time active Canadian project with intelligently made hypnotic drone-circles) MUSIC for the INNER SECOND EDITIONS (price € 6.00) EXPANSION, EC-STASIS, ELEVATION ! DR-10: TAM QUAM TABULA RASA - Cotidie morimur (Italy; outerworlds brain-wave-music, monotonous and hypnotizing loops & Dear Droners! rhythms) This NEWSLIST offers you a SELECTION of our mailorder programme, DR-29: AMON – Aura (Italy; haunting & shimmering magique as with a clear focus on droney, atmospheric, ambient music. With this list coming from an ancient culture) you have the chance to know more about the highlights & interesting DR-34: TARKATAK - Skärva / Oroa (Germany; atmospheric drones newcomers. It's our wish to support this special kind of electronic and with a special touch from this newcomer from North-Germany) experimental music, as we think its much more than "just music", the DR-39: DUAL – Klanik / 4 tH (U.K.; mighty guitar drones & massive "Drone"-genre is a way to work with your own mind, perception, and sub bass undertones that evoke feelings of total transcendence and (un)-consciousness-processes. -
Kid Congo Powers Double Record Release Party
KID CONGO POWERS DOUBLE RECORD RELEASE PARTY KID CONGO POWERS DOUBLE RECORD RELEASE PARTY Tonic, March 3, 2006 Kid Congo Powers is celebrating the release of two albums on March 3, 2006 at Tonic. The first, Solo Cholo, is a career-spanning compilation focusing on the legendary guitarist’s work as a vocalist and songwriter from 1985 to the present. The second, Philosophy and Underwear, is the debut recording of his current New York band, Kid Congo and the Pink Monkey Birds - in which Kid not only sings, but also plays blistering dual guitars with ace Jack Martin (Knoxville Girls, Honeymoon Killers, etc.). After twenty-five years in the recording business (The Cramps’ Psychedelic Jungle was 1981), these two albums are the first full-length recordings that focus on Kid’s songs. The event also marks New York Night Train (www.newyorknighttrain.com) webzine’s debut as a record label. For this momentous occasion Kid has gathered an all-star cast of collaborators, friends, and favorites that will amount to one of the most unusual assemblages of underground figures in downtown history. The headliner is of course Kid Congo and the Pink Monkey Birds. The Birds will also back up Thalia Zedek (ex-Come, Live Skull, Uzi, etc.) on a few Gun Club numbers (Zedek is the vocalist who reminds Kid most of Jeffrey Lee Pierce). Another highlight of the evening is the reunion of the original New York version of Congo Norvell – Kid, Sally Norvell (actress, ex-Norvells, Prohibition, etc.), Jim Sclavunos (Nick Cave and the Bad Seeds and Vanity Set, ex-Sonic Youth, Cramps, etc.), Paul Wallfisch (Botanica, ex-Firewater, Love and Rockets, etc.), and Brian Emrich (film composer, ex-Foetus, Toasters, etc.). -
In Selected Works by Herman Melville and Joseph Conrad
The People’s Democratic Republic of Algeria Ministry of Higher Education and Scientific Research Mouloud MAMMERI University of Tizi-Ouzou Faculty of Letters and Languages Department of English A Thesis Submitted in Fulfillment of The Requirements For the Degree of Doctorate in English Option: Literature Title Cross-Cultural and Ideological Representations of The “Other” in Selected Works By Herman Melville and Joseph Conrad Submitted by:Fadhila Sidi-Said Supervised by: Professor Bouteldja RICHE Panel of Examiners Déramchia Yamina, Professor, University of Algiers II, Chair, Riche Bouteldja, Professor, Mouloud Mammeri University, Supervisor, Guendouzi Amar, MCA, University of Tizi-Ouzou, Examiner, Maoui Hocine, Professor University of Annaba Examiner, Bouregbi Salah, MCA, University of Annaba, Examiner. December 2012 ACKNOWLEDGMENTS My greatest intellectual debt is to my advisor Professor RICHE Bouteldja, a remarkable scholar who accompanied both my Magister dissertation and my doctorate thesis. Through his irrepressible curiosity, his tireless enthusiasm, and his resolute devotion to the continuous intellectual development of both his students and himself, he has shown me how to be a professional. I learned so much from him and I am both proud and thankful to have worked with him. I address my thanks to the English Department at Mouloud Mammeri University, which has contributed to this project with various grants supporting my travel to libraries and conferences; and to the staff of the Department Library, for their cooperation and patience. I am also grateful to my family, my friends and my colleagues who have encouraged me to complete this work. I thank them all with all my love. i Abstract This thesis discusses the representation of the “Other” in selected works of Herman Melville and Joseph Conrad. -
Issue #11, Dec
PO Box 42129, Los Angeles, CA 90042 #11 www.razorcake.com Sean, the co-founder of Razorcake, and I are best friends. We lived Totally legit. The state is more involved with registering a vehicle. and worked together for around a year and a half in a small apartment and When it came to the rings, instead of fretting over carats, a friend of never even got close to yelling at one another. Then he left. I’m not pissed theirs made them, special. The simple silver bands were a Navajo design or jilted. He left to move in with his fiancée, now wife, Felizon. of a staircase that looped around, up and down, signifying that if you’re If people I like but don’t know very well ask me what Razorcake’s feeling down, you just flip it over, and you’re up. Everything, if you hang about, I tend to squint an eye a bit and rub the back of my neck before on with a decent attitude, can work out in the end. answering. “It’s got a lot about loud or spastic music that usually doesn’t The cake was from the bakery where Felizon’s mom, Corazon, get a lot of exposure. And we try to cover other parts of the underground, worked. too, like writers and filmmakers and comics.” This magazine is our tether The pavilion – an old wood structure with campers off to the side – between the “real world” and the life we want to live. It’s a reflection, was on the beach. -
Weirdo Canyon Dispatch 2015
Welcome To… very Roadburn is something special, but the 2015 edition happens to be the 20th Roadburn Festival, and it’s an anniversary being celebrated in grand E style, so if you’re here, kudos. If this is a return trip for you, then you already know the vibe, the spirit of the fest in which you’re about to take part. If you’re new to Roadburn, all I can say is that the weekend you’re about to have is going to change your life. That’s not bullshit. Over the next three or four days (depending on which ticket you got), you’ll see and experience things you never thought you’d witness, and you’ll be part of this thing that Roadburn has become. Whether you’re standing in front of a stage, wandering through an art gallery, checking out the merch or attending a panel, prepare to be swallowed up by the sensory overload that this festival provides, and when you emerge on the other side, expect to have a different perspective than you had coming into it. Because that’s what Roadburn does. Year after year. And as we come together to celebrate the 20th fest, I’m happy to say that the Weirdo Canyon Dispatch will be here for the second year, bringing you daily picks, behind-the-scenes specials and a lot more over the next four days. It’s going to be tiring, and it’s going to take a whole lot of coffee to get to the other end of it, but it’s an opportunity we wouldn’t trade for anything. -
Drexel Family to Reunite This Weekend
Find out about the latest video releases an d Eric Clapton*s ne w live album on page ten... Volume 67 • Number 5 October 18,1991 Founder’s D ay m a r k s D rexel’s centennial Gary Rosenzweig Walter Cronkite to moderate panel discussion celebrating it’s one hundredth Of The Triangle anniversary. will be questions taken from the The rededication ceremony McClements, Jr., chairman of There will be two events Celebration and ceremony audience. The event is being will begin at 6:00 p.m. on 32nd the centennial committee, and following the light show. One is will mark Drexel University’s filmed by Quantum Productions, street. According to Hanshew, it President Richard Breslin. a reception in the Quad open to Founder’s Day this Monday, who have been recording many will start with a “centennial This will all take place on a all, where hors d’oeuvres will be Oct. 21. Several events will take of the centennial events this salute” with trumpets and a specially built stage on the served. The other is a cocktails place starting with a panel year. There will also be a choir. There will be speeches by closed-off 32nd street. There and black-tie dinner for trustees, discussion on the future of continental breakfast served for , George Ross, chairman of the will be a light show featuring the corporate executives, and education moderated by former those attending in Mandell. Board of Trustees, Robert Main Building, which is also administrators. CBS news anchorman Walter Cronkite, and ending with a formal rededication of the Drexel University and an exclusive black-tie dinner. -
Napalm Death Hatred Surge Mp3, Flac, Wma
Napalm Death Hatred Surge mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Hatred Surge Style: Hardcore, Punk, Crust MP3 version RAR size: 1549 mb FLAC version RAR size: 1185 mb WMA version RAR size: 1102 mb Rating: 4.5 Votes: 534 Other Formats: APE AHX RA MP3 WMA AAC AC3 Tracklist A1 What Man Can Do 2:48 A2 Instinct Of Survival 2:47 A3 Abbatoir 3:45 A4 Control 2:35 A5 Sacrificed 1:37 A6 So Sad 4:33 A7 Caught In A Dream 2:14 A8 Private Death 2:08 A9 Cheswick Green (Live) 2:01 Credits Bass – Nuts Drums – Rat* Guitar – Just* Vocals – Nik* Notes Recorded 23rd October 1985. Sold at their concerts and by mail. Other versions Category Artist Title (Format) Label Category Country Year Hatred Surge - Demo Napalm Never Healed none 1985 (LP, Ltd, Num, none Unknown Death Records Unofficial, Gre) Napalm Hatred Surge (Cass, Not On Label none none Unknown Death S/Sided, Unofficial) (Napalm Death) Hatred Surge - Demo Anal.Gin Napalm Anal.Gin 1985 (CDr, Anal Gin Records Bulgaria Unknown Rcds 004 Death Rcds 004 Unofficial) Anal.Gin Napalm Hatred Surge (CDr, Anal.Gin Anal Gin Records Bulgaria Unknown Rcds 004 Death Unofficial) Rcds 004 Total Fucking Napalm Hatred Surge Demo none Destruction none Mexico 2005 Death 85 (CD, Unofficial) Records Comments about Hatred Surge - Napalm Death Zepavitta the band information on this post is wrong the line up on this tape (also left to right in the picture on the tape cover) was Justin Broadrick - Guitar, Nick Bullen Vocals and bass and Mick Harris - Drums, the line up listed was the original line up before Mick joined and they became the "grind" band we know today, it even says on the cover flap..."The Line Up has Changed And So has The Music Style" Zacki as far as i know, the credits are correct. -
De Septembre À Janvier 2020 2019
de septembre 2019 à janvier 2020 Punish Yourself © Christophe GIRARD-BERTHET 2018 Le réseau musical isséen est né en 1995. La coordination du dispositif de musiques actuelles est assurée par l’Entrepont, sous le nom générique Le Réacteur. Un nom donné en clin d’œil au glorieux passé Isséen en matière d’aviation. Le Réacteur propose une programmation annuelle de 14 concerts d’artistes professionnels à Issy-les-Moulineaux et initie des rencontres musicales, des masterclasses, des jam sessions, des spectacles tout public, des ateliers, des cartes blanches. Ce dispositif, véritable pôle de musiques actuelles, accompagne la pratique artistique avec un studio d’enregistrement à l’Entrepont, des studios de répétition, des scènes ouvertes à la Halle des Épinettes, à l'Ode (Vanves) et à l'espace culturel Robert Doisneau (Meudon), des concerts décollage à l'espace Icare, des stages et des ateliers. Pour sa cinquième saison, le Réacteur, géré par l'association CLAVIM, met l'accent sur l'enseignement de la musique avec l'ouverture de nouveaux ateliers tout en continuant à rassembler les publics, musiciens amateurs, artistes locaux et professionnels autour d’événements, actions artistiques, concerts, expositions, rencontres, conférences et animations. Vous retrouvez toute l'équipe de l'Entrepont au 31 bis rue Aristide Briand avec un espace d'accueil, un plateau polyvalent, des studios, des ateliers. Marino Crespino [email protected] Directeur / programmateur Alexandre Goujon [email protected] Coordinateur et régisseur général Bertrand Gervet [email protected] Coordinateur ateliers et réseau musical Paul Bouaziz [email protected] Assistant programmation et communication Ils sont passés à Issy dispositif Little Bob est un des pionniers du rock français, à ne pas confondre évidemment avec le rock en français. -
Trading Cards: Best Dean Candidates, Page 11
College of William & Mary Law School William & Mary Law School Scholarship Repository Student Newspaper (Amicus, Advocate...) Archives and Law School History 1993 Amicus Curiae (Vol. 4, Issue 3) Repository Citation "Amicus Curiae (Vol. 4, Issue 3)" (1993). Student Newspaper (Amicus, Advocate...). 375. https://scholarship.law.wm.edu/newspapers/375 Copyright c 1993 by the authors. This article is brought to you by the William & Mary Law School Scholarship Repository. https://scholarship.law.wm.edu/newspapers Trading Cards: Best Dean Candidates, page 11 MARSHALL-WYTHE SCHOOL OF LAW America s First Law School VOLCY1E IV, ISSUE THREE MO~DAY, OCTOBER 4,1993 TWE!\iTY PAGES Miller wins Bushrod title; Sacks runner-up By STEPHEN Laurie Hartman (3L) said this is THOMAS KING the largest tournament in By Saturday, Oct. 2, the Bushrod history. One hundred Bushrod Moot Court tournament hventy-four students from the had narrowed to two contestants 170-member second-year class -Doug Miller and Joshua Sacks competed. up from 122 out of a (2Ls). class of approximately 200 last Before a large crowd in the year. Moot Court Room, the two 'The quality and preparation debated the issue of whether an of the second years was anti -begging statute is a violation outstanding, even in the group of the constitutionally protected of IH that started," said freedom of speech. Hartman. "Many people who Miller narrowly emerged didn't make the team were victorious in the final round outstanding." She also looks followinga 2-1 vote by the judges. forward to a big tournament next Miller amused both the judges year.