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The Ultimate Foe
The Black Archive #14 THE ULTIMATE FOE By James Cooray Smith Published November 2017 by Obverse Books Cover Design © Cody Schell Text © James Cooray Smith, 2017 Range Editor: Philip Purser-Hallard James Cooray Smith has asserted his right to be identified as the author of this Work in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form of binding, cover or e-book other than which it is published and without a similar condition including this condition being imposed on the subsequent publisher. 2 INTERMISSION: WHO IS THE VALEYARD In Holmes’ draft of Part 13, the Valeyard’s identity is straightforward. But it would not remain so for long. MASTER Your twelfth and final incarnation… and may I say you do not improve with age1. By the intermediate draft represented by the novelisation2 this has become: ‘The Valeyard, Doctor, is your penultimate reincarnation… Somewhere between your twelfth and thirteenth regeneration… and I may I say, you do not improve with age..!’3 The shooting script has: 1 While Robert Holmes had introduced the idea of a Time Lord being limited to 12 regenerations, (and thus 13 lives, as the first incarnation of a Time Lord has not yet regenerated) in his script for The Deadly Assassin, his draft conflates incarnations and regenerations in a way that suggests that either he was no longer au fait with how the terminology had come to be used in Doctor Who by the 1980s (e.g. -
The Pandorica Opens / the Big Bang Sample
The Black Archive #44 THE PANDORICA OPENS / THE BIG BANG SAMPLE By Philip Bates Published June 2020 by Obverse Books Cover Design © Cody Schell Text © Philip Bates, 2020 Range Editors: Paul Simpson, Philip Purser-Hallard Philip Bates has asserted his right to be identified as the author of this Work in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form of binding, cover or e-book other than which it is published and without a similar condition including this condition being imposed on the subsequent publisher. Also available #32: The Romans by Jacob Edwards #33: Horror of Fang Rock by Matthew Guerrieri #34: Battlefield by Philip Purser-Hallard #35: Timelash by Phil Pascoe #36: Listen by Dewi Small #37: Kerblam! by Naomi Jacobs and Thomas L Rodebaugh #38: The Sound of Drums / Last of the Time Lords by James Mortimer #39: The Silurians by Robert Smith? #40: The Underwater Menace by James Cooray Smith #41: Vengeance on Varos by Jonathan Dennis #42: The Rings of Akhaten by William Shaw #43: The Robots of Death by Fiona Moore This book is dedicated to my family and friends – to everyone whose story I’m part of. CONTENTS Overview Synopsis Introduction 1: Balancing the Epic and the Intimate 2: Myths and Fairytales 3: Anomalies 4: When Time Travel Wouldn’t Help 5: The Trouble with Time 6: Endings and Beginnings -
Number 42 Michaelmas 2018
Number 42 Michaelmas 2018 Number 42 Michaelmas Term 2018 Published by the OXFORD DOCTOR WHO SOCIETY [email protected] Contents 4 The Time of Doctor Puppet: interview with Alisa Stern J A 9 At Last, the Universe is Calling G H 11 “I Can Hear the Sound of Empires Toppling’ : Deafness and Doctor Who S S 14 Summer of ‘65 A K 17 The Barbara Wright Stuff S I 19 Tonight, I should liveblog… G H 22 Love Letters to Doctor Who: the 2018 Target novelizations R C 27 Top or Flop? Kill the Moon J A, W S S S 32 Haiku for Kill the Moon W S 33 Limerick for Kill the Moon J A 34 Utopia 2018 reports J A 40 Past and present mixed up: The Time Warrior M K 46 Doctors Assemble: Marvel Comics and Doctor Who J A 50 The Fan Show: Peter Capaldi at LFCC 2018 I B 51 Empty Pockets, Empty Shelves M K 52 Blind drunk at Sainsbury’s: Big Finish’s Exile J A 54 Fiction: A Stone’s Throw, Part Four J S 60 This Mid Curiosity: Time And Relative Dimensions In Shitposting W S Front cover illustration by Matthew Kilburn, based on a shot from The Ghost Monument, with a background from Following Me Home by Chris Chabot, https://flic.kr/p/i6NnZr, (CC BY-NC 2.0) Edited by James Ashworth and Matthew Kilburn Editorial address [email protected] Thanks to Alisa Stern and Sophie Iles This issue was largely typeset in Minion Pro and Myriad Pro by Adobe; members of the Alegreya family, designed by Juan Pablo del Peral; members of the Saira family by Omnibus Type; with Arial Rounded MT Bold, Baskerville, Bauhaus 93, and Gotham Narrow Black. -
The 1969 Annual
The 1969 Annual These Sixties Annuals have a strapline on their covers: ‘Fascinating stories of the unknown based on the famous television series.’ It’s a charming slogan for these books to adopt, promising in one breath familiarity and cosiness, as well as novelty and strangeness. The relationship between the cover and the contents of the 1969 Annual is a kind of embodiment of this tension between the familiar and the new. The cover illustration depicts a highly dramatic moment in which the Doctor is apparently saving the life of brawny young Scots companion, Jamie, from a marauding Cyberman. Very excitingly, it seems as if the steel monsters are about to gain access to the interior of the Tardis itself. The roundels have turned blood red as if in dismay. Jamie is brandishing what appears to be a Dalek pincer-arm in self-defence and the Doctor is managing to give his brawny companion – even in the midst of all these goings-on – a crafty little cuddle. But the fact is nothing remotely like this stuff happens anywhere in the whole book. No Cybermen, no Yeti (one can be seen giving a despairing shrug on the back cover) nor any villain even remotely familiar from TV series graces the stories inside. This should make the 1969 Annual disappointing, but it’s nothing of the sort. There’s plenty to keep us entertained here. The Stories LORDS OF THE GALAXY The Tardis has brought Dr. Who, Jamie and Victoria to a No Man’s Land in the midst of an interstellar war. -
Full Circle Sampler
The Black Archive #15 FULL CIRCLE SAMPLER By John Toon Second edition published February 2018 by Obverse Books Cover Design © Cody Schell Text © John Toon, 2018 Range Editors: James Cooray Smith, Philip Purser-Hallard John would like to thank: Phil and Jim for all of their encouragement, suggestions and feedback; Andrew Smith for kindly giving up his time to discuss some of the points raised in this book; Matthew Kilburn for using his access to the Bodleian Library to help me with my citations; Alex Pinfold for pointing out the Blake’s 7 episode I’d overlooked; Jo Toon and Darusha Wehm for beta reading my first draft; and Jo again for giving me the support and time to work on this book. John Toon has asserted his right to be identified as the author of this Work in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form of binding, cover or e-book other than which it is published and without a similar condition including this condition being imposed on the subsequent publisher. 2 For you. Yes, you! Go on, you deserve it. 3 Also Available The Black Archive #1: Rose by Jon Arnold The Black Archive #2: The Massacre by James Cooray Smith The Black Archive #3: The Ambassadors of Death by LM Myles The Black Archive #4: Dark Water / Death in Heaven by Philip Purser-Hallard The Black Archive #5: Image of the Fendahl -
The Impossible Astronaut / Day of the Moon
The Black Archive #29 THE IMPOSSIBLE ASTRONAUT / DAY OF THE MOON By John Toon Published March 2019 by Obverse Books Cover Design © Cody Schell Text © John Toon, 2019 Range Editors: Philip Purser-Hallard, Paul Simpson John would like to thank: Phil PH for his suggestions and helpful nudging; Jo as ever for her support and for tittering in the right places when I was describing my thoughts to her; Matthew Kilburn for his kind help with citations; Amber Igasia and Parvin Siva for their constructive lunacy during the making of this book. John Toon has asserted his right to be identified as the author of this Work in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form of binding, cover or e-book other than which it is published and without a similar condition including this condition being imposed on the subsequent publisher. 2 For everyone who funds, stocks and works at the libraries of Wellington. 3 Also Available The Black Archive #1: Rose by Jon Arnold The Black Archive #2: The Massacre by James Cooray Smith The Black Archive #3: The Ambassadors of Death by LM Myles The Black Archive #4: Dark Water / Death in Heaven by Philip Purser- Hallard The Black Archive #5: Image of the Fendahl by Simon Bucher-Jones The Black Archive #6: Ghost Light by Jonathan Dennis The Black Archive #7: The Mind Robber by Andrew -
Dark Water / Death in Heaven
The Black Archive #4 DARK WATER / DEATH IN HEAVEN By Philip Purser-Hallard 1 Published March 2016 by Obverse Books Cover Design © Cody Schell Text © Philip Purser-Hallard, 2016 Range Editor: Philip Purser-Hallard Philip would like to thank: Stuart Douglas at Obverse Books, for encouraging the Black Archive project from the start, and to the growing number of authors who have agreed to contribute to it; my ever-tolerant family for allowing me the time to write this book and edit the others in the series; everyone who read and commented on the manuscript, especially Jon Arnold and Alan Stevens; and Steven Moffat and all the creators of Doctor Who ancient and modern, for providing such an endlessly fascinating subject of investigation for us all. Philip Purser-Hallard has asserted his right to be identified as the author of this Work in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form of binding, cover or e-book other than which it is published and without a similar condition including this condition being imposed on the subsequent publisher. 2 To Rachel Churcher, who might enjoy it 3 CONTENTS Overview Synopsis Introduction: ‘So, What’s Happened?’ Chapter 1. ‘Everyone in London Just Clapped’: The Season Finale Chapter 2. ‘I’ve Been Up and Down Your Timeline’: Gathering the Threads Chapter 3. -
Rose Sampler
The Black Archive #1 ROSE SAMPLER By Jon Arnold The other element which feeds into the season’s arc story is the reality television genre which became popular in the early 21st century. Davies is a vociferous advocate for reality TV – he has defended it as storytelling and even described an incident from the first series of Big Brother (2000-) as ‘the best bit of drama transmitted’ in the previous five or six years1. His fondness for the genre, 1 O’Brien, Steve and Nick Setchfield, ‘Russell Spouts’, SFX Collection Doctor Who Past! Present! Future!, Future Publishing, 2005, p39. The incident involved contestant Nick Bateman attempting to manipulate eviction nominations from fellow housemates, against the series rules, and being confronted about it by other housemates led by Craig Phillips. The incident is available to view on YouTube at https://www.youtube.com/watch?v=ri01fflx. along with his affection for makeover shows and game shows, is most overtly evident in the macabre parodies of them presented in Bad Wolf. However, the structure of Rose’s arc is drawn from the talent show subgenre, particularly series such as The X Factor (2004-). These shows begin with audition weeks, where the general public turn up to a series of events across the country to get on the show. The hopeful contestants who pass the auditions then sing each week, with the public’s two least favourite performances being forced to sing against each other and the contestant judged the worst being voted off the show. The format lends itself to repeated moments of high drama with the moment of voting-off, previously favoured contestants dropping into the bottom two and judges who express negative critical opinions becoming pantomime villains. -
DAVISON TV STORIES Castrovalva Four to Doomsday Kinda the Visitation Black Orchid Earthshock Time-Flight Arc Of
DAVISON TV STORIES Castrovalva Four to Doomsday Kinda The Visitation Black Orchid Earthshock Time-Flight Arc of Infinity Snakedance Mawdryn Undead Terminus Enlightenment The King’s Demons The Five Doctors Warriors of the Deep The Awakening Frontios Resurrection of the Daleks Planet of Fire The Caves of Androzani DAVISON ORIGINAL NOVELS Goth Opera The Crystal Bucephalus Lords of the Storm The Sands of Time Cold Fusion The Ultimate Treasure Zeta Major Deep Blue Divided Loyalties Imperial Moon The King of Terror Superior Beings Warmonger Fear of the Dark Empire of Death Blood and Hope Tip of the Tongue DAVISON TARGET NOVELISATIONS Doctor Who - Castrovalva Doctor Who - Four to Doomsday Doctor Who - Kinda Doctor Who and The Visitation Doctor Who - Black Orchid Doctor Who - Earthshock Doctor Who - Time-Flight Doctor Who - Arc of Infinity Doctor Who - Snakedance Doctor Who - Mawdryn Undead Doctor Who - Terminus Doctor Who - Enlightenment Doctor Who - The King’s Demons Doctor Who - The Five Doctors Doctor Who - Warriors of the Deep Doctor Who - The Awakening Doctor Who - Frontios Doctor Who - Planet of Fire Doctor Who - The Caves of Androzani DAVISON COMICS The Tides of Time The Stars Fell on Stockbridge The Stockbridge Horror Lunar Lagoon 4-Dimensional Vistas The Moderator The Lunar Strangers The Curse of the Scarab On the Planet Isopterus Blood Invocation The Forgotten - 5th Doctor segment Prisoners of Time 05: In Their Nature DAVISON ODDS & SODS The Five(ish) Doctors Reboot Peter Davison's Book of Alien Monsters Peter Davison's Book of Alien -
CM11 STD Format.Pdf
EDITORIAL by Rik Moran Editorial Greetings one and all. This issue of Cosmic Masque comes at a time, when, let’s face Cosmic Masque XI it, there’s not a lot going on in the world of Edited by Rik Moran Doctor Who. Front Cover by Paul Burley Rear Cover by So, whilst we may be light on reviews and Marshall Tankersley features in this issue, it gives us the space to Fiction Editor Stephen Hatcher catch up on the fiction. Poor Steve was getting a bit of a backlog of stories. I’ll let Steve tell you about the fiction contained in this issue in his Editorial and we will go back to having 3 stories in an issue next time around. Published by the Doctor Who Appreciation Society Once again, my heartfelt thanks to those who have contributed to this issue and until Layout by Nicholas Hollands next time. All content is © relevant contributor/DWAS Stay safe. No copyright infringement is intended Rik. CONTACT US: DWAS, PO Box 1011, Horsham, RH12 9RZ, UK or email: [email protected] FIND US ONLINE www.dwasonline.co.uk @dwasonline - 2 - STRANDED Review by Anthony David comes in to its own in a very positive way. There’s a delightfully bitchy elderly gay couple with shades of Vicious, a family with a young teenage son, mysterious others, and Tania. Rebecca Root underplays a quiet, shy, awkward woman – and warms in to the part, as we warm to her, through the course of the stories. By the time she’s very gently romancing Liv and confessing she’s trans in Wild Animals, which to Liv doesn’t matter in the slightest, in a very touching scene, she’s The TARDIS is disabled, and needs serious well established as a lovely, positive and repair. -
Against Nature
Against Nature Lawrence Burton Obverse Books [email protected] www.obversebooks.co.uk Cover Art by Lawrence Burton Cover Design by Cody Quijano-Schell First published March 2013 Copyright © 2013 by Lawrence Burton Faction Paradox © Lawrence Miles The moral rights of the authors have been asserted. All characters in this book are fictional. Any resemblance to persons, living or dead, is wholly co-incidental. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form of binding, cover or e-book other than which it is published and without a similar condition including this condition being imposed on the subsequent publisher. 1.1 (east) There is the world we see, and there is the world beyond, the realm of sacred forces. Each is different to the other, but there are points at which they meet, where crossings are made. Lakes, rivers, and caves - these are dangerous places at the periphery of common experience, regions where one may glimpse the mechanism of the cosmos. Primo Acamapichtli Isleño de la Vega stood at the edge of the fountain gazing at coins that had been tossed into the water, willing himself to see something more meaningful than a few pesos scattered in vague hope of making the big one in the Lotería Nacional. The centre of the fountain was dominated by a monolith, a basalt replica of Chalchihuitlicue, the River Goddess. It was a copy of one now standing guard at the gates of INAH in the city centre and which had been found here in San Miguel Coatlinchan, a surrogate for that which had been taken. -
Scream of the Shalka Sampler
The Black Archive #10 SCREAM OF THE SHALKA SAMPLER By Jon Arnold Published March 2017 by Obverse Books Cover Design © Cody Schell Text © Jon Arnold, 2017 Range Editor: Philip Purser-Hallard Jon would like to thank: Phil Purser-Hallard for asking me back Simon Clark, James Goss, Jonathan Clements, Paul Scoones and Paul Driscoll for their much appreciated assistance Mark Donovan, for the Withnail joke Carolyn and Eddie, for patience Jon Arnold has asserted his right to be identified as the author of this Work in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form of binding, cover or e-book other than which it is published and without a similar condition including this condition being imposed on the subsequent publisher. Also available The Black Archive #1: Rose by Jon Arnold The Black Archive #2: The Massacre by James Cooray Smith The Black Archive #3: The Ambassadors of Death by LM Myles The Black Archive #4: Dark Water / Death in Heaven by Philip Purser-Hallard The Black Archive #5: Image of the Fendahl by Simon Bucher-Jones The Black Archive #6: Ghost Light by Jonathan Dennis The Black Archive #7: The Mind Robber by Andrew Hickey The Black Archive #8: Black Orchid by Ian Millsted The Black Archive #9: The God CompleX by Paul Driscoll Coming soon The Black Archive #11: The Evil of the Daleks by Simon Guerrier The Black Archive #12: Pyramids of Mars by Kate Orman The Black Archive #13: Human Nature / The Family of Blood by Naomi Jacobs and Philip Purser- Hallard ‘OR ARE YOU JUST THE SAME AS ALL THE OTHER SHEEP?’ ‘Alison Cheney is an everywoman […] someone for you and me to identify with while the Doctor is being mysterious and difficult.’ [Paul Cornell]1 The idea of the everywoman (or everyman) companion became somewhat lost from Doctor Who with the departure of Sarah Jane Smith.