Canadian Art Students Respond to Klimt and Schiele
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Arnold Hauser and the Retreat from Marxism
ON CREATIVITY AND THE PHILOSOPHY OF THE SUPRANATIONAL STATE Barry SMITH and Wolfgang GRASSL Summary Building on the writings of Wittgenstein on rule-following and deviance, Kristóf Nyíri advanced a theory of creativity as consisting in a fusion of conflicting rules or disciplines. Only such fusion can produce something that is both intrinsically new and yet capable of being apprehended by and passed on to a wider community. Creativity, on this view, involves not the breaking of rules, or the deliberate cultivation of deviant social habits, but rather the acceptance of enriched systems of rules, the adherence to which presupposes simultaneous immersion in disciplines hitherto seen as being unrelated. The paper presents a demonstration of the fruitfulness of this theory by means of an account of some of the political, cultural and intellectual peculiarities of the Habsburg Monarchy. Philosophers of various persuasions have at different times attempted to pin down the nature and peculiarities of large-scale social and political formations. The Greeks concerned themselves with the peculiarities of monarchies, republics, oligarchies, and of course with the nature of the polis, and German thinkers worried themselves philo- sophically about the oppositions of culture and civilization, society and community, nation and state. Philosophical consideration of supranational or imperial orders, in contrast, and in particular of that imperial order which was variously called Austria-Hungary, the Austrian Empire, the Habsburg Empire, or the Danube Monarchy, has been much less common. And where it has occurred it has been associated with a marked lack of sympathy and enthusiasm, often taking on the form of a mere apologia for something which, in a better world, would be more properly organized. -
Global Austria Austria’S Place in Europe and the World
Global Austria Austria’s Place in Europe and the World Günter Bischof, Fritz Plasser (Eds.) Anton Pelinka, Alexander Smith, Guest Editors CONTEMPORARY AUSTRIAN STUDIES | Volume 20 innsbruck university press Copyright ©2011 by University of New Orleans Press, New Orleans, Louisiana, USA. All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without prior permission in writing from the publisher. All inquiries should be addressed to UNO Press, University of New Orleans, ED 210, 2000 Lakeshore Drive, New Orleans, LA, 70119, USA. www.unopress.org. Book design: Lindsay Maples Cover cartoon by Ironimus (1992) provided by the archives of Die Presse in Vienna and permission to publish granted by Gustav Peichl. Published in North America by Published in Europe by University of New Orleans Press Innsbruck University Press ISBN 978-1-60801-062-2 ISBN 978-3-9028112-0-2 Contemporary Austrian Studies Sponsored by the University of New Orleans and Universität Innsbruck Editors Günter Bischof, CenterAustria, University of New Orleans Fritz Plasser, Universität Innsbruck Production Editor Copy Editor Bill Lavender Lindsay Maples University of New Orleans University of New Orleans Executive Editors Klaus Frantz, Universität Innsbruck Susan Krantz, University of New Orleans Advisory Board Siegfried Beer Helmut Konrad Universität Graz Universität -
Sacred Music Volume 115 Number 2
Volume 115, Number 2 SACRED MUSIC (Summer) 1988 n 1 ?i^ Aachen, Minister SACRED MUSIC Volume 115, Number 2, Summer 1988 FROM THE EDITORS Quality in Sacred Music 3 THE ROLE OF SEMIOLOGY, SOME REFLECTIONS Fr. Columba Kelly, O.5.B. 5 DOM EUGENE CARDINE, AN OBITUARY Reverend Richard M. Hogan 12 GREGORIAN CHANT IN TODAY'S PARISH Monsignor Richard J. Schuler 13 PRINTED EDITIONS OF THE CHANT BOOKS Monsignor Robert F. Hayburn 19 REVIEWS 26 NEWS 29 OPEN FORUM 31 CONTRIBUTORS 32 SACRED MUSIC Continuation of Caecilia, published by the Society of St. Caecilia since 1874, and The Catholic Choirmaster, published by the Society of St. Gregory of America since 1915. Published quarterly by the Church Music Association of America. Office of publications: 548 Lafond Avenue, Saint Paul, Minnesota 55103. Editorial Board: Rev. Msgr. Richard J. Schuler, Editor Rev. Ralph S. March, S.O. Cist. Rev. John Buchanan Harold Hughesdon William P. Mahrt Virginia A. Schubert Cal Stepan Rev. Richard M. Hogan Mary Ellen Strapp Judy Labon News: Rev. Msgr. Richard J. Schuler 548 Lafond Avenue, Saint Paul, Minnesota 55103 Music for Review: Paul Salamunovich, 10828 Valley Spring Lane, N. Hollywood, Calif. 91602 Paul Manz, 1700 E. 56th St., Chicago, Illinois 60637 Membership, Circulation and Advertising: 548 Lafond Avenue, Saint Paul, Minnesota 55103 CHURCH MUSIC ASSOCIATION OF AMERICA Officers and Board of Directors President Monsignor Richard J. Schuler Vice-President Gerhard Track General Secretary Virginia A. Schubert Treasurer Earl D. Hogan Directors Rev. Ralph S. March, S.O. Cist. Mrs. Donald G. Vellek William P. Mahrt Rev. Robert A. -
Paper Title (Use Style: Paper Title)
Advances in Social Science, Education and Humanities Research, volume 205 The 2nd International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2018) The Song Cycle: Hermeneutic and Communication Approaches Elena Borisova Elena Klimenko The Gnesins Russian Academy of Music The Russian State Specialized Academy of Arts Moscow, Russia Moscow, Russia E-mail: [email protected] E-mail: [email protected] Abstract—The paper is dedicated to interpretation-based first and second avant-guarde of the 20th century, should multifaceted connections characteristic to the song cycle genre. also be classified as the genre of chamber vocal miniature. The authors discuss the song cycle evolution, the ways of its transformation development trends. Being one of the beloved However, there are some “blank spots” in this notable genres of the classical music, it has undergone dramatic genre. It is sometimes difficult to mark a dividing line changes which stem from globalization, social and cultural between a song cycle and a number of several vocal transformations, and changes in people’s mindset. The song miniatures having no unity, but one time basis only. When cycle here is viewed as a multifaceted system, its elements we deal with the period of the 19th-century genre’s dawn building a hermeneutic bridge between language, music, and development, the question of authentic terminology communication, mind and emotions. The genre is unique in comes up. Works, traditionally called song cycles today, may view of its being an organic unity of poetry and music, as well not have been called that way when being created. -
Ursula Hemetek, Institut Für Volksmusikforschung, University of Vienna, Austria
Music of Minorities in Austria – A “National Heritage”? Ursula Hemetek, Institut für Volksmusikforschung, University of Vienna, Austria Introduction The above piece is Jutro rano, a traditional love song of the Burgenland Croats, one of the minorities in Austria. In it, a young man sings in front of his beloved’s window. When sung, the melody indeed sounds very Austrian, at least from the historical perspective, because its first part has been used in the Imperial Anthem composed by Joseph Haydn in 1797 for the Austrian Emperor Franz II: “Gott erhalte Franz den Kaiser.” I use this song to underline the aspect of “national heritage,” for if any music can be interpreted as national, which I generally doubt, it might be anthems. This anthem served until 1918, and the melody has been used since then in several occasions. It also definitely has a strong connection with an Austrian minority of today, the Burgenland Croats mentioned above. Joseph Haydn lived in that part of the Austro-Hungarian Empire, today known as the Burgenland, where Croats, Hungarians, Gypsies, Slovaks, and Jews also lived. And of course he was inspired by those musical surroundings. Up to the present day this most eastern region of Austria remains very multicultural. An obvious question in connection with the anthem’s melody is: Who used the melody first, Joseph Haydn or the Croats; who borrowed from whom? This question is the subject of an ongoing debate, and arguments on both sides are convincing. But I do not think it is important at all. Joseph Haydn lived in truly multicultural surroundings, which of course inspired him, and he composed in the tradition of the Wiener Klassik, a style in which we find many elements of traditional music. -
Erich Korngold's Discursive Practices: Musical Values in the Salon Community from Vienna to Hollywood
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 8-2016 Erich Korngold's Discursive Practices: Musical Values in the Salon Community from Vienna to Hollywood Bonnie Lynn Finn University of Tennessee, Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Musicology Commons Recommended Citation Finn, Bonnie Lynn, "Erich Korngold's Discursive Practices: Musical Values in the Salon Community from Vienna to Hollywood. " Master's Thesis, University of Tennessee, 2016. https://trace.tennessee.edu/utk_gradthes/4036 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Bonnie Lynn Finn entitled "Erich Korngold's Discursive Practices: Musical Values in the Salon Community from Vienna to Hollywood." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Music, with a major in Music. Rachel M. Golden, Major Professor We have read this thesis and recommend its acceptance: Leslie C. Gay Jr., Victor Chavez Accepted for the Council: Carolyn R. Hodges Vice Provost and -
Johann Strauss II's Die Fledermaus: Historical Background and Conductor's Guide
The University of Southern Mississippi The Aquila Digital Community Dissertations Fall 2019 Johann Strauss II's Die Fledermaus: Historical Background and Conductor's Guide Jennifer Bruton University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Music Performance Commons Recommended Citation Bruton, Jennifer, "Johann Strauss II's Die Fledermaus: Historical Background and Conductor's Guide" (2019). Dissertations. 1727. https://aquila.usm.edu/dissertations/1727 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. JOHANN STRAUSS II’S DIE FLEDERMAUS: HISTORICAL BACKGROUND AND CONDUCTOR’S GUIDE by Jennifer Jill Bruton A Dissertation Submitted to the Graduate School, the College of Arts and Sciences and the School of Music at The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts Approved by: Dr. Jay Dean, Committee Chair Dr. Joseph Brumbeloe Dr. Gregory Fuller Dr. Christopher Goertzen Dr. Michael A. Miles ____________________ ____________________ ____________________ Dr. Jay Dean Dr. Jay Dean Dr. Karen S. Coats Committee Chair Director of School Dean of the Graduate School December 2019 COPYRIGHT BY Jennifer Jill Bruton 2019 Published by the Graduate School ABSTRACT Students pursuing graduate degrees in conducting often have aspirations of being high school or college choir or band directors. Others want to lead orchestra programs in educational or professional settings. Sadly, many colleges and universities do not have systems in place that provide avenues for those choosing this career path. -
GEMS of the DANUBE Aboard the Scenic Amber BUDAPEST to NUREMBERG AUGUST 19–27, 2020
GEMS OF THE DANUBE aboard the Scenic Amber BUDAPEST TO NUREMBERG AUGUST 19–27, 2020 OPPORTUNITY TO WITNESS THE 2020 PASSION PLAY! Featuring optional Munich & The Oberammergau 2020 Passion Play Post-Cruise Program Fly for $999 if booked by February 14, 2020 SPONSORED BY: GEMS OF THE DANUBE FOLLOW GO NEXT TRAVEL: aboard the Scenic Amber BUDAPEST TO NUREMBERG • AUGUST 19–27, 2020 Featuring optional Munich & The Oberammergau 2020 Passion Play Post-Cruise Program Fly for $999 if booked by February 14, 2020 R2 Statue ofJohann Strauss,Vienna, Austria PRSRT STD U.S. POSTAGE 505 George Bush Dr. PAID 282-3 Gemsof the Danube R2 College Station, TX 77840-2918 PERMIT #32322 TWIN CITIES, MN Above RightImage: Budapest, Hungary Cover Image: HOWDY, AGS! The Danube River has shaped not only the beautiful European landscape, but also the histories of the diverse regions it flows through. Stretching for hundreds of miles, the river links countries, cultures, people, and age-old traditions. From fairytale landscapes dotted with castles to grand hilltop cities and charming rural villages, there are treasures beyond each horizon. Board the Scenic Amber in Budapest and raise a glass to the journey ahead at your ship’s welcome reception. Discover Budapest on a tour that includes a piano concert or join a focused tour of the city’s Jewish heritage. Cruise to Vienna—the “City of Music”—and enjoy a concert at Palais Liechtenstein featuring the music of Austria’s favorite sons, Strauss and Mozart. The next day, see the massive Bratislava Castle or the imperial Habsburg residence of Schönbrunn Palace, tour Vienna’s wine cellars and enjoy a Sekt tasting, or visit Belvedere Museum, which houses one of the greatest collections of Austrian art, as well as works by Claude Monet and Vincent van Gogh. -
Austrian Lore the Magazine of Folk & Square Dancjng • December • 1954
THE MAG AZI N E OF FOLK & SQUARE DANCING DECEMBER • 25 AUSTRIAN LORE THE MAGAZINE OF FOLK & SQUARE DANCJNG • DECEMBER • 1954 Vol. IT PAGE TABLE OF CONTENTS Official Publication of The The Folk Dance Federation 2 Calendar of Events of Calif., Inc. 3 Host City, Richmond 4 The Birth of the Waltz by Kathleen Chevalier 7 Our Australian Dances by Walter Grothe ROBERT H. CHEVALIER 8 Early Viennese Waltz Palaces—a Book Review 9 Costume—Teffereggen Valley, Bavaria by Hilda Sachs FRANK KANE 10 German Foods by Gertrude Weldon I I Schuplattler Quadrille—Dance Description 13 Folk Dance Theme by Ailbert C. Hartnack REN BACULO 14 Flachsernten—North German Dance 19 Index for 1953-1954 12 Report from the South PEG AUMOND Puget Soundings KATHLEEN CHEVALIER 12 PHIL ENG 13 Federation Minutes ED FERRARIO LEE KENNEDY 14 Record Finder PHIL MARON 16 Club and Council News DANNY MCDONALD ELMA McFARLAND 17 Eng PAUL PRITCHARD 19 Let's Dance Squares CARMEN SCHWEERS MARY SPRING DOROTHY TAMBURINI WILMA YOUNG President, North—Wm. f. Sorensen, 94 Cas- tro St., San Francisco, UNderhill 1-5402. Recording Secretary-Beo Whittier, 3435 T Street, Sacramento, Calif. LEE KENNEDY, 146 Dolores Street, San Francisco President, South-Minne Anstine, 2421 '/2 Castillo, Santa Barbara, Calif. Editor, Let's Dance Magazine—Robert H. ELMA McFARLAND, 177'A N. Hill Ave., Pasa.dena 4 Chevalier, 1382 San Amelmo Ave., San Amelmo, Calif. JANUARY 16, SUNDAY Stockton Federation Festivals Civic Auditorium DECEMBER 5, SUNDAY Ri.ehmo.nd (Center and Fremont Sts.) Publication & General Office—Folk Dance Municipal Auditorium Chairman: Patrick M. -
Joseph Roth (1894-1939) and the Dilemma of Jewish Anchorage
Department of History and Civilization Against the Great: Joseph Roth (1894-1939) and the Dilemma of Jewish Anchorage Ilse Josepha Maria Lazaroms Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Florence, 1 October 2010 EUROPEAN UNIVERSITY INSTITUTE Department of History and Civilization Against the Great: Joseph Roth (1894-1939) and the Dilemma of Jewish Anchorage Ilse Josepha Maria Lazaroms Examining Board: Prof. Martin van Gelderen, Supervisor, European University Institute Prof. Antony Molho, European University Institute Prof. Sander L. Gilman, Emory University Prof. Raphael Gross, Frankfurt am Main / Leo Baeck Institute London © 2010, Ilse Josepha Maria Lazaroms No part of this thesis may be copied, reproduced or transmitted without prior permission of the author Table of Contents Table of Contents i Acknowledgements iii Chapter I The Lives of Man. Joseph Roth 1894-1939 Introduction & Biographical Sketch 1 Historiography 4 Main Questions 11 Responses to Catastrophe. Outline of the Thesis 15 Chapter II A Time Divided against Itself. Debates, Methods, Sources Introduction 19 Debates 20 Methods 25 Note on (Auto)Biography 33 Sources 35 Chapter III Opening up the Crypt. Nostalgia, Retrospective Belonging and the Present Introduction 43 Nostalgia, Historical Discontinuity, and the Critical Eye 45 1918 49 Vienna: a Cardboard Décor 52 Identities and Diasporas 55 The Emperor’s Tomb (1938) 61 Conclusion 69 Chapter IV The Lamentations of an “Old -
Department of Music
DEPARTMENT OF MUSIC APPENDIX TO RESEARCH DEGREE STUDENT HANDBOOK 2019/20 This appendix should be read in conjunction with the Research Degree Student Handbook 2019/20 The Department of Music sits within the School of Performing and Digital Arts, which covers the following disciplines: Drama, Theatre and Dance, Media Arts and Music. School of Performing and Digital Arts contacts Role Name Email Phone Room Professor Jen Parker- Jen.Parker- Head of School 01784 414106 KWB102 Starbuck [email protected] School Director of PGR Professor Barry [email protected] 01784 443833 ABG 11 Education Langford Deputy School Director Dr Chris Megson [email protected] 01784 443924 KWB105 of PGR Education School helpdesk* [email protected] 01784 276885 KWB01/02 * For the majority of your non-academic related issues, please contact the Doctoral School. However, for queries about teaching contracts, expenses and study space within the school, please contact the School of Performing and Digital Arts helpdesk. The School of Performing and Digital Arts’ student-staff committee The School of Performing and Digital Arts’ PGR student-staff committee meets once a term. Please get in touch with the School Director of PGR Education if you would like to join. If you would like to raise an issue to be discussed there, please contact the Doctoral School. ____________________________________________________________________________ The Department of Music The Department of Music is located in Wettons Terrace, standing to the North of the A30 and approached by footbridge from the main College campus. Wettons Terrace contains staff and teaching rooms, administrative offices, an IT suite and a student common room. -
Zwischen Glaube Und Laster. Funde Und Befunde Aus Dem Umfeld Einer
Thema: Zwischen Glaube und Laster – Funde und Befunde aus dem Umfeld einer spätmittelalterlichen Knochenschnitzerei Bamberg Am Kranen 14 Between Faith and Vice – Finds and Findings in the Surroundings of a Late-Medieval Bone-Carving Workshop Bamberg Am Kranen 14 Masterarbeit im Masterstudiengang Archäologie des Mittelalters und der Neuzeit in der Fakultät Geistes- und Kulturwissenschaften der Otto-Friedrich-Universität Bamberg Verfasser: Elias Flatscher Erstkorrektor: Prof. Dr. Ingolf Ericsson Zweitkorrektor: Dr. Patrick Cassitti 1 In Dankbarkeit gewidmet Dr. Reimo Lunz, meinem langjährigen Freund und Mentor sowie Margret Sloan M.A., der Grabungsleiterin Am Kranen 14. Ohne Eure Hilfe ware es vermutlich nie zu dieser Publikation gekommen. Danksagung Die Liste der Personen, die direkt und indirekt an diesem Projekt beteiligt waren, würde auf dieser Seite keinen Platz finden, daher hier die verkürzte Fassung. Danken möchte ich zunächst dem Institut für Archäologie des Mittelalters und der Neuzeit der Universität Bamberg, das dieses Projekt erst möglich gemacht hat, allen voran meinen beiden Betreuern Prof. Dr. Ingolf Ericsson und Dr. Patrick Cassitti. Weiters danken möchte ich der Institutssekretärin Frau Ingrid Hösch für die Unterstützung bei bürokratischen Hürden wie Auseinandersetzungen mit der Bologna- Reform und Frau Ursula Joos vom bayerischen Landesdenkmalamt für das Entgegenkommen bei der Restaurierung der Metallfunde. Ein besonderer Dank gilt Mag. Michael Schick von der Universität Innsbruck für fachkundige Auskünfte über alles, was mit Musik zu tun hat und Dr. Volker Grimm für seine fachkundige kunsthistorische Analyse. Ein großes Danke auch an Johannes Eber und Tobit Flatscher für die Unterstützung bei der Nachbearbeitung des Bildmaterials. Schließlich möchte ich noch meiner Freundin und meiner Familie danken, die dafür Verständnis zeigten, dass sie mich während der Entstehung dieser Arbeit noch seltener zu Gesicht bekommen haben als sonst.