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The Terena and the Caduveo of Southern Mato Grosso, Brazil
SMITHSONIAN INSTITUTION n INSTITUTE OF SOCIAL ANTHROPOLOQY H PUBLICATION NO. 9 THE TERENA AND THE CADUVEO OF SOUTHERN MATO GROSSO, BRAZIL by KALERVO OBERG Digitalizado pelo Internet Archive. Disponível na Biblioteca Digital Curt Nimuendaju: http://biblio.etnolinguistica.org/oberg_1949_terena SMITHSONIAN INSTITUTION INSTITUTE OF SOCIAL ANTHROPOLOGY PUBLICATION NO. 9 THE TERENA AND THE CADUVEO OF SOUTHERN MATO GROSSO, BRAZIL by KALERVO OBERG Prepared in Cooperation tiith the United States Department of State as a Project of the Interdrpartmental Committee on Scientific and Cultural Cooperation UNITED STATES GOVERNMENT PIIINTING OFFICE-WASHINGTON:1949 For Bale by the Superintendent of Documenn, U.^S. Government Printing Office, WaohinBton 25, D. C. • Price 60 c LETTER OF TRANSMITTAL Smithsonian Institution, Institute of Social Anthropology, WashinfftonSS, D. C, May 6, 1948 Sir: I have the honor to transmit herewith a manuscript entitled "The Terena and the Caduveo of Soutliern Mato Grosso, Brazil," by Kalervo Oberg, and to recommend that it be published as Publication Number 9 of the Institute of Social Anthropologj'. Very respectfully yours, George M. Foster, Director. Dr. Alexander Wetmore, Secretary of the Smithsonian Institution. CONTENTS PAGE The Terena—Continued page Introduction 1 The hfe cycle 38 The Terena 6 Birth (ipuhicoti-hiuki) 38 Terena economy in the Chaco 6 Puberty 39 Habitat 6 Marriage (koyendti) 39 Shelter 8 Burial 40 Clothing and ornaments 9 Collecting, hunting, and fishing 9 Modern changes 41 Agriculture 10 Religion 41 Domestic animals and birds 12 Rehgious beliefs 41 Manufactures 12 Shamanism 43 Raiding 13 Present-day religion 45 Property and inheritance 13 Secular entertainment 47 Organization of labor 13 Dances and games 47 Present-day economy of the Terena 13 General description 13 Football 51 Sources of income in a typical village. -
In BLACK CLOCK, Alaska Quarterly Review, the Rattling Wall and Trop, and She Is Co-Organizer of the Griffith Park Storytelling Series
BLACK CLOCK no. 20 SPRING/SUMMER 2015 2 EDITOR Steve Erickson SENIOR EDITOR Bruce Bauman MANAGING EDITOR Orli Low ASSISTANT MANAGING EDITOR Joe Milazzo PRODUCTION EDITOR Anne-Marie Kinney POETRY EDITOR Arielle Greenberg SENIOR ASSOCIATE EDITOR Emma Kemp ASSOCIATE EDITORS Lauren Artiles • Anna Cruze • Regine Darius • Mychal Schillaci • T.M. Semrad EDITORIAL ASSISTANTS Quinn Gancedo • Jonathan Goodnick • Lauren Schmidt Jasmine Stein • Daniel Warren • Jacqueline Young COMMUNICATIONS EDITOR Chrysanthe Tan SUBMISSIONS COORDINATOR Adriana Widdoes ROVING GENIUSES AND EDITORS-AT-LARGE Anthony Miller • Dwayne Moser • David L. Ulin ART DIRECTOR Ophelia Chong COVER PHOTO Tom Martinelli AD DIRECTOR Patrick Benjamin GUIDING LIGHT AND VISIONARY Gail Swanlund FOUNDING FATHER Jon Wagner Black Clock © 2015 California Institute of the Arts Black Clock: ISBN: 978-0-9836625-8-7 Black Clock is published semi-annually under cover of night by the MFA Creative Writing Program at the California Institute of the Arts, 24700 McBean Parkway, Valencia CA 91355 THANK YOU TO THE ROSENTHAL FAMILY FOUNDATION FOR ITS GENEROUS SUPPORT Issues can be purchased at blackclock.org Editorial email: [email protected] Distributed through Ingram, Ingram International, Bertrams, Gardners and Trust Media. Printed by Lightning Source 3 Norman Dubie The Doorbell as Fiction Howard Hampton Field Trips to Mars (Psychedelic Flashbacks, With Scones and Jam) Jon Savage The Third Eye Jerry Burgan with Alan Rifkin Wounds to Bind Kyra Simone Photo Album Ann Powers The Sound of Free Love Claire -
A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature Christopher Darnell Campbell Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric Commons Recommended Citation Campbell, Christopher Darnell, "A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature" (2002). Theses Digitization Project. 2130. https://scholarworks.lib.csusb.edu/etd-project/2130 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English: English Composition by Christopher Darnell Campbell September 2002 A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino by Christopher Darnell Campbell September 2002 Approved.by: 7=12 Date Bruce Golden, English ABSTRACT 2pac Shakur (a.k.a Makaveli) was a prolific rapper, poet, revolutionary, and thug. His lyrics were bold, unconventional, truthful, controversial, metaphorical and vulgar. -
Extensions of Remarks
22152 EXTENSIONS OF REMARKS EXTENSIONS OF REMARKS SALUTE TO STEVE wrr'I'MAN In 1931 Wittman went to Oshkosh to take Many of the committee members were ac over the airport there and managed it until tive in the promotion. of ai:r s~ows her~ in his retirement this spring. the 1950's, and some, like Rutledge, are well HON. WILLIAM A. STEIGER S. J. Wittman was born in Byron April remembered for the job they did in promot OF WISCONSIN 5, 1904, and attended grade schools at Byron ing the 1953 City of Oshkosh centennial and Lomira. He was graduated from Fond celebration. · IN THE HOUSE OF REPRESENTATIVES du Lac High School. So, he has fl.rm roots When they speak, then, of drawing 100,000 Monday, August. 4, 1969 in Fond du Lac County and has many friends spectators to their show, or plan a banquet here. Certainly, many a local resident took with an attendance limited to 1,000 persons, Mr. STEIGER of Wisconsin. - Mr. to the air for the :first time in an open cock it seems to be no wishful thinking. Speaker, S. J. Wittman is one of tfie au pit, wooden "prop," strutted biplane with The renown of Wittman perhaps makes it thentic aviation leaders of our Nation. Steve Wittman at the controls. easier to put on a show of the magnitude the Steve has more hours in the air zoom Steve gained his national reputation pilot committee envisions. His friends in avia ing around the pylon in air races than ing aircraft in races all around the country. -
AFH-Dissertation Last Edits
Narratives and Sensemaking in the New Corporate University: The Socialization of First Year Communication Faculty by Andrew F. Herrmann A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Communication College of Arts and Sciences University of South Florida Major Professor: Arthur P. Bochner, Ph.D. Eric M. Eisenberg, Ph.D. Carolyn Ellis, Ph.D. Charles Guignon, Ph.D. Date of Approval: June 16, 2008 Keywords: academic capitalism, discourse, ethnography, Foucault, identity, interactive interview, storytelling, strategic ambiguity, Weick © Copyright 2008, Andrew F. Herrmann Dedication To my advisor, mentor, teacher and friend, Dr. Arthur P. Bochner. Thank you for the critiques, guidance, support and wisdom. And patience. To my committee members, Dr. Eric Eisenberg, Dr. Carolyn Ellis, and Dr. Charles Guignon. Thank you for your insights and encouragement. To my dissertating comrades – Dr. Tony Adams, Dr. Cara Mackie and Robyn Boylorn – for providing me feedback and keeping me grounded. To Dr. Bob Krizek for taking a chance on an adult student. To Mom: this is the culmination of all the “bad parenting.” To Charlie, Fred and Jim for consistently being there and never doubting. To my nephew Garrett, for reminding me to play. To the CB from the EB. To the brave participants who opened their lives to me, showing me the future. Table of Contents Abstract iii Chapter 1: The Agenda – Studying Organizational Socialization in the University 1 Chapter 2: The Construction of Social -
November 2020: Alumni English 100 Class Oracle
Issue 1 November 5, 2020 Onward Odyssey ORACLE English 100 Writers’ Journal Contents Why We Write .............. 2 Educational Journeys .. 13 Kevin Mullen, Odyssey Co-Director, English 100 Instructor [email protected] 608-572-6730 Emily Auerbach, Odyssey Co-Director [email protected] 608-712-6321 www.odyssey.wisc.edu Odyssey Oracle 11-5-2020 Why We Write If I had a chance to really look back wanted and not worry about the backlash. I could at my life, I can say that writing explore my feelings with words instead of keeping saved it. From the early years of them bottled up. It didn’t take me long to fill my me writing love letters to the guys journal up after figuring out that I had something who probably didn’t know I existed to say. I started to use my subject journals to jot to writing papers and poetry for down things in school, at family events, and even my Odyssey class, putting a pen to in church. It turned out that I did have something paper gave me the space to express myself freely to say! Instead of holding on to the mean things I and unafraid. I knew that my silent power could thought about myself at the time, I got them out. I take me into a world where what I said mattered was able to clear my mind while giving it space to and was appreciated. recreate how I felt about myself. In other words, I’d struck gold. Outside of my notebooks I was a gentle giant. -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research. -
Cinéma, De Notre Temps
PROFIL Cinéma, de notre Temps Une collection dirigée par Janine Bazin et André S. Labarthe John Ford et Alfred Hitchcock Le loup et l’agneau le 4 juillet 2001 Danièle Huillet et Jean-Marie Straub le 11 juillet 2001 Aki Kaurismäki le 18 juillet 2001 Georges Franju, le visionnaire le 25 juillet 2001 Rome brûlée, portrait de Shirley Clarke le 1er août 2001 Akerman autoportrait le 8 août 2001 23.15 tous les mercredis du 4 juillet au 8 août Contact presse : Céline Chevalier / Nadia Refsi - 01 55 00 70 41 / 70 40 [email protected] / [email protected] La collection Cinéma, de notre temps Cinéma, de notre temps, collection deux fois née*, c'est tout le contraire d'un pèlerinage à Hollywood, " cette marchande de coups de re v o l v e r et (…) de tout ce qui fait circuler le sang ". C'est la tentative obstinée d'éclairer et de montre r, dans chacun des films qui la composent, comment le cinéma est bien l'art de notre temps et combien il est, à ce titre, redevable de bien autre chose que de réponses mondaines, de commentaires savants ou de célébrations. La programmation de cette collection est l'occasion de de constater combien ces " œuvres de télévision " échappent aux outrages du temps et constituent une constellation unique au monde dans le ciel du 7è m e a rt . Thierry Garrel Directeur de l'Unité de Programmes Documentaires à ARTE France *En 1964, Janine Bazin et André S Labarthe créent Cinéastes de notre temps. -
Friday Refrain
Genre Artist Album ? Nots Cosmetic Bluegrass/ Blue Highway Original Traditional Americana Blues Duke Robillard Blues Full Circle Blues Ronnie Earl & The Maxwell Street Broadcasters Christian Luther Barnes The Favor of God Christian Tamela Mann One Way Christian The Stand Campaign #america Christmas The NOLA Players Christmastime In New Orleans Classical Piano Alice Sara Ott Wonderland Country Billy Ray Cyrus Thin Line Country Chely Wright I Am The Rain Country Steve ’N’ Seagulls Brothers in Farms Countryish Paper Bird Paper Bird Singer- Songwriter Effortless Metal Exalt The Shape You Took Before The Ache Electronic Pop BLKKATHY Lemon EP Electronic Pop Psychic Twin Strange Diary Electronica Daniel Lanois & Rocco Goodbye to Language Deluca Electronica Quenum Solitaire Electronica Swarvy Elderberry Fiddle Music Ben Plotnick Greenland Hard Rock Cruel Hand Your World Won’t Last Hardcore Metal Dwell Innate !1 Genre Artist Album Instrumental Fresh Snow One Jazz Ben Wendel What We Bring Jazz Catherine Russell Harlem On My Mind Jazz Harold López-Nussa El Viaje Jazz Joshua Redman & Brad Nearness Mehldau Jazz Richard Elliot Summer Madness Jazz Tierney Sutton The Sting Variations Jazz Willie Bobo Dig My Feeling Metal Cover Your Tracks Fever Dream Metal Evergrey The Storm Within Metal Norma Jean Polar Similar Metal Of Mice & Men Cold World Playground of Anthony Green Pixie Queen Rock Playground of D.A.R.K. Science Agrees Rock Playground of Dead Rabbits Everything is a Lie Rock Playground of Grouplove Big Mess Rock Playground of Ian Sweet Shapeshifter -
Guía De Películas De AVOD Abordo
Marzo 2018 March 2018 Movies Three Billboards Outside Ebbing, Missouri (AVOD) The Big Year Justice League (AVOD) Hitman Unforgettable The Last Stand The Big Sick Valentine’s Day Wonder Woman (Copa Showpass) Godzilla (2014) Baby Driver (Copa Showpass) The Beaver Carpinteros Divergent Magallanes Ocean’s Thirteen Salsipuedes The Magic of Belle Isle War Dogs Pan Point Break A Walk in the Woods Max Vacation Casablanca Magic Mike XXL Inherent Vice Grudge Match Jersey Boys The Second Best Exotic Marigold Hotel Let’s Be Cops True Story 3 Days to Kill San Andreas Nights in Rodanthe Brothers Blended No Reservations Mr. Popper’s Penguins TV Shows / Shorts Blindspot Por Circus Empire Just For Laughs The Flash Pop Magic Street Bones Megafactories: Rolls Royce This Is Us Globe Trekker: Buenos Aires City Guide Two And A Half Men Brain Games: Imagination The Middle Perfection: The Most Inspired Moments in Sport Modern Family Mobil 1 The Grid: Le Mans, Max and The Hammers Friends Live at Red Butte Gardens: The Piano Guys The Big Bang Theory Panorama: Denver 2 Contenido disponible en nuestros vuelos desde y hacia Sao Paulo, Buenos Aires, Los Ángeles, Río de Janeiro, Montevideo, Santiago de Chile y San Francisco, salvo en excepciones operacionales. / Content available on our flights to and from Sao Paulo, Buenos Aires, Los Angeles, Rio de Janeiro, Montevideo, Santiago de Chile, and San Francisco, except for operational exceptions. Music Videos CDS 5 Seconds Of Summer Hey Everybody AC/DC Rock or Bust Adele When We Were Si Dios Quiere Yo Amaia Montero Young -
Billy Joel's Turn and Return to Classical Music Jie Fang Goh, MM
ABSTRACT Fantasies and Delusions: Billy Joel’s Turn and Return to Classical Music Jie Fang Goh, M.M. Mentor: Jean A. Boyd, Ph.D. In 2001, the release of Fantasies and Delusions officially announced Billy Joel’s remarkable career transition from popular songwriting to classical instrumental music composition. Representing Joel’s eclectic aesthetic that transcends genre, this album features a series of ten solo piano pieces that evoke a variety of musical styles, especially those coming from the Romantic tradition. A collaborative effort with classical pianist Hyung-ki Joo, Joel has mentioned that Fantasies and Delusions is the album closest to his heart and spirit. However, compared to Joel’s popular works, it has barely received any scholarly attention. Given this gap in musicological work on the album, this thesis focuses on the album’s content, creative process, and connection with Billy Joel’s life, career, and artistic identity. Through this thesis, I argue that Fantasies and Delusions is reflective of Joel’s artistic identity as an eclectic composer, a melodist, a Romantic, and a Piano Man. Fantasies and Delusions: Billy Joel's Turn and Return to Classical Music by Jie Fang Goh, B.M. A Thesis Approved by the School of Music Gary C. Mortenson, D.M.A., Dean Laurel E. Zeiss, Ph.D., Graduate Program Director Submitted to the Graduate Faculty of Baylor University in Partial Fulfillment of the Requirements for the Degree of Master of Music Approved by the Thesis Committee Jean A. Boyd, Ph.D., Chairperson Alfredo Colman, Ph.D. Horace J. Maxile, Jr., Ph.D. -
Buy Cialis Without Rx
Larry Lay’s Play List Allman Brothers James Blunt Christopher Cross Fuel Billy Joel Ramblin’ Man You’re Beautiful Sailing Hemorrhage (In My Hands) Allentown Always a Woman Louis Armstrong Bush John Denver Peter Gabriel And So It Goes What a Wonderful World Come Down Annie’s Song Solsbury Hill Big Shot Glycerine Country Roads Captain Jack Beatles Rocky Mountain High Goo Goo Dolls Downeaster Alexa And I Love Her Harry Chapin Sunshine on my Shoulders Iris Goodnight Saigon Don’t Let Me Down Cats in the Cradle Honesty Eleanor Rigby Bobby Darin Grateful Dead Just the Way You Are In My Life Ray Charles Beyond the Sea Casey Jones N. Y. State of Mind Lady Madonna Georgia Mack the Knife Friend of the Devil Only the Good Die Young Let It Be What I’d Say Truckin’ Prelude/Angry Young Man Norwegian Wood Stealer’s Wheel Scenes from an Italian Rest. Ohbladee Ohblada Eric Clapton Stuck in the Middle w/ You Green Day Shameless Rocky Raccoon Lay Down Sally Basket Case She’s Got a Way Revolution Tears In Heaven Neil Diamond The Time of Your Life Summer Highland Falls She Came In Thru the Wonderful Tonight Forever in Blue Jeans When I Come Around Vienna Bathroom Window Sweet Caroline Something Marc Cohn Lee Greenwood Elton John With a Little Help From True Companion Dion God Bless the U.S.A. Candle In the Wind My Friends Walkin’ in Memphis Runaround Sue Crocodile Rock Yesterday The Wanderer David Grey Daniel Coldplay Babylon Funeral for a Friend/ Ben Folds Five Clocks Fats Domino Sail Away Love Lies Bleeding Brick Yellow Blueberry Hill Goodbye Yellow Brick Road Kate I’m Walkin’ Hall & Oats Levon Song for the Dumped Nat King Cole Rich Girl Rocket Man Unforgettable Bob Dylan Sara Smile Someone Saved My Life Better Than Ezra Like a Rolling Stone T’nite Good Commodores/ Mr.