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The BG News April 20, 1990
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 4-20-1990 The BG News April 20, 1990 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News April 20, 1990" (1990). BG News (Student Newspaper). 5076. https://scholarworks.bgsu.edu/bg-news/5076 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. ARTS IN APRIL BG NETTERS VICTORIOUS International and ethnic Falcons prevail 6-3 artworks presented Friday Mag ^ over tough Wooster club Sports The Nation *s Best College Newspaper Friday Weather Vol.72 Issue 116 April 20,1990 Bowling Green, Ohio High 67* The BG News Low 49° BRIEFLY Hostage release postponed Erosion In Damascus. Syrian Foreign Minis- by Rodeina Kenaan "The United States ter Farouk al-Sharaa said his govern- Associated Press writer ment has "been exerting a great deal of of ozone CAMPUS does not knuckle under influence" to secure the hostage BEIRUT, Lebanon — Pro-Iranian to demands." release by Sunday. He would not elab- Beta rescheduled: The 27th kidnappers said Thursday they post- -George Bush, orate. layers annual Beta 500 race has been poned indefinitely the release of an President Bush said the United rescheduled for this Sunday at noon. American hostage because the United CJ.S. -
Alexander Janko
! ! OPENING NYC SEPT. 8 written, directed & composed by ALEXANDER JANKO based upon the New York Times bestseller by JOAN ANDERSON Film length: 1h54m (114m) Credit offsets: 1h49m (109m) Trailer length: 2m11s (002m) 2k / 24 fps / 1.85:1 Filmed on Cape Cod, MA EPIC-M RED DRAGON unrated ! PRESS CONTACTS Sasha Berman (NY & LA) Shotwell Media [email protected]! Laura Goodenow (Regional) Real Women Make Waves (317) 250-7771 [email protected] Year By The Sea LLC Copyright © 2017 8/1/17 - p!2 THE STORY ! TAGLINE It’s never too late to reclaim your life… LOGLINE An empty nester retreats to Cape Cod where she embarks upon a quest to set herself free. ! SYNOPSIS After 30 years as a wife and mother, an empty nester retreats to Cape Cod rather than follow her relocated husband to Kansas. Intent to rediscover herself but plagued with guilt, she questions her decision until stumbling upon a spirited mentor. Supported by her literary agent and a host of locals, including a sexy fisherman, our heroine learns to embrace the ebb and flow of life—ultimately discovering the balance between self and sacrifice, obligation and desire. THEMES RELATIONSHIP: Cultivating positive relationships with self, friends, partners, nature MENTORSHIP: Sharing wisdom and knowledge through community and caring JOY: Embracing solitude, seeking fun, recognizing beauty, celebrating life Year By The Sea LLC Copyright © 2017 8/1/17 - p!3 ! THE INSPIRATION ! ALEXANDER JANKO - WRITER/DIRECTOR/COMPOSER ! THE BOOK FOUND ME When Joan’s book appeared on my kitchen counter, I was at a crossroads. Disenchanted with my studio film composing career, I’d pulled the Hollywood rip cord. -
2019 Silent Auction List
September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD, -
City of Blue Island Senior Office Contact Us
SEPTEMBER 2011 City of Blue Island Senior 50+ Newsletter Thank you! Comcast Channel 4 The City of Blue Recently Gerry & I have started filming a City of Blue Island Island Senior Office monthly Senior/50+ informational show Senior Office would like to Thank on the Comcast cable access channel 4 MetroSouth Medical called “The Senior Connection”. We are Rita & Gerry Center of Blue Island trying to keep you updated on all new for designing and events around town and give you Contact Us printing the City of information on up coming programs 708.396.7085 Blue Island Senior available for our Seniors. So, check out 13051 Greenwood Ave. Newsletter. It looks channel 4 around 3:00 pm. Blue Island, IL 60406 great! [email protected] Flu Shots & Pneumonia Walgreens will be giving flu shots this year. For your convince they will be given at the Salvation Army in the last two weeks of September, during lunch time, 11 am-2 pm. You must call the Blue Island Senior Citizen Office (708.396.7085) to register. We need to let Walgreens know how many shots to bring. Having trouble hearing on the phone? Illinois has a FREE amplified phone program! No age or income restrictions. A free program required and governed by Illinois law. www.itactty.org Progress Center for Independent Living 12940 S. Western Ave 3rd Fl., Blue Island (By appointment only) 708.388.5011 Senior Activities at the Salvation Army Please register with the Senior Office (708.396.7085) if you are interested in the following classes held at the Salvation Army starting in October. -
Christmas TV Schedule 2020
ChristmasTVSchedule.com’s Complete Christmas TV Schedule 2020 • All listings are Eastern time • Shows are Christmas themed, unless noted as Thanksgiving • Can’t-miss classics and 2020 Christmas movie premieres and are listed in BOLD • Listings are subject to change. We apologize for any inaccurate listings • Be sure to check https://christmastvschedule.com for the live, updated listing Sunday, November 8 5:00am – Family Matters (TBS) 5:00am – NCIS: New Orleans (Thanksgiving) (TNT) 6:00am – Once Upon a Holiday (2015, Briana Evigan, Paul Campbell) (Hallmark) 6:00am – A Christmas Miracle (2019, Tamera Mowry, Brooks Darnell) (Hallmark Movies) 7:00am – The Mistle-Tones (2012, Tori Spelling) (Freeform) 8:00am – 12 Gifts of Christmas (2015, Katrina Law, Aaron O’Connell) (Hallmark) 8:00am – Lucky Christmas (2011, Elizabeth Berkley, Jason Gray-Stanford) (Hallmark Movies) 9:00am – Prancer Returns (2001, John Corbett) (Freeform) 10:00am – A Christmas Detour (2015, Candace Cameron-Bure, Paul Greene) (Hallmark) 10:00am – The Christmas Train (2017, Dermont Mulroney, Kimberly Williams-Paisley) (Hallmark Movies) 10:00am – Sweet Mountain Christmas (2019, Megan Hilty, Marcus Rosner) (Lifetime) 12:00pm – Pride, Prejudice, and Mistletoe (2018, Lacey Chabert, Brendan Penny) (Hallmark) 12:00pm – Christmas in Montana (2019, Kellie Martin, Colin Ferguson) (Hallmark Movies) 12:00pm – Forever Christmas (2018, Chelsea Hobbs, Christopher Russell) (Lifetime) 2:00pm – Holiday Baking Championship (Thanksgiving) (Food) 2:00pm – Snow Bride (2013, Katrina Law, Patricia -
Frameworks for the Downtown Arts Scene
ACADEMIC REGISTRAR ROOM 261 DIVERSITY OF LONDON 3Ei’ ATE HOUSE v'Al i STREET LONDON WC1E7HU Strategy in Context: The Work and Practice of New York’s Downtown Artists in the Late 1970s and Early 1980s By Sharon Patricia Harper Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in the Department of the History of Art at University College London 2003 1 UMI Number: U602573 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U602573 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract The rise of neo-conservatism defined the critical context of many appraisals of artistic work produced in downtown New York in the late 1970s and early 1980s. Although initial reviews of the scene were largely enthusiastic, subsequent assessments of artistic work from this period have been largely negative. Artists like Keith Haring, Jean-Michel Basquiat and Kenny Scharf have been assessed primarily in terms of gentrification, commodification, and political commitment relying upon various theoretical assumptions about social processes. The conclusions reached have primarily centred upon the lack of resistance by these artists to post industrial capitalism in its various manifestations. -
Manual for Tsunami Vertical Evacuation Structures
Manual for Tsunami Vertical Evacuation Structures Manual for Tsunami Vertical Evacuation Structures November 2018 Prepared for: Washington State Emergency Management Division 20 Aviation Drive, Building 20, MS TA-20. Camp Murray, WA 98430-5112 Prepared by: University of Washington Institute for Hazards Mitigation Planning and Research Department of Urban Design and Planning University of Washington P.O. Box 355740 Seattle, WA 98195-5740 Acknowledgements University of Washington Project Team § Michael Godfried, Project Manager, Planner, Manual Graphic Layout § Jeana Wiser, Planner § Bob Freitag, Principal Investigator Assisted with Public Meetings: § Kiana Ballo, Undergraduate student § Katherine Idziorek, Doctoral student § Sophia Nelson, Undergraduate student § Lan Nguyen, Doctoral student § Yiran Zhang, Graduate student Washington State Emergency Management Division § Maximilian Dixon, Earthquake, Tsunami, and Volcano Program Manager § Keily Yemm, Tsunami Program Coordinator § Tim Cook, Hazard Mitigation Officer Special Acknowledgements This manual was made possible by the dedication and input of the Washington State Emergency Management Division and a variety of other partner agencies, organizations, professionals, leaders and residents that shared information and participated in interviews, public meetings, and review of drafts. Interviews were essential to producing this manual. Interviewees included elected, tribal, and school district officials, emergency managers, structural and geotechnical engineers, tsunami modelers, an architect, a USGS researcher, and others. Interviewee names can be found in Appendix A: Interviewing Process. The contributions made by all these individuals to support this project are greatly appreciated. This item was funded by NOAA Award #NA17NWS4670017. This does not constitute an endorsement by NOAA. Front Cover: Tsunami Siren. Photo Credit: EMD / Tsunami evacuation platform on roof of the Ocosta Elementary School. -
Nick Davis Film Discussion Group December 2015
Nick Davis Film Discussion Group December 2015 Spotlight (dir. Thomas McCarthy, 2015) On Camera Spotlight Team Robby Robinson Michael Keaton: Mr. Mom (83), Beetlejuice (88), Birdman (14) Mike Rezendes Mark Ruffalo: You Can Count on Me (00), The Kids Are All Right (10) Sacha Pfeiffer Rachel McAdams: Mean Girls (04), The Notebook (04), Southpaw (15) Matt Carroll Brian d’Arcy James: mostly Broadway: Shrek (08), Something Rotten (15) At the Globe Marty Baron Liev Schreiber: A Walk on the Moon (99), The Manchurian Candidate (04) Ben Bradlee, Jr. John Slattery: The Station Agent (03), Bluebird (13), TV’s Mad Men (07-15) The Lawyers Mitchell Garabedian Stanley Tucci: Big Night (96), The Devil Wears Prada (06), Julie & Julia (09) Eric Macleish Billy Crudup: Jesus’ Son (99), Almost Famous (00), Waking the Dead (00) Jim Sullivan Jamey Sheridan: The Ice Storm (97), Syriana (05), TV’s Homeland (11-12) The Victims Phil Saviano (SNAP) Neal Huff: The Wedding Banquet (93), TV’s Show Me a Hero (15) Joe Crowley Michael Cyril Creighton: Star and writer of web series Jack in a Box (09-12) Patrick McSorley Jimmy LeBlanc: Gone Baby Gone (07), and that’s his only other credit! Off Camera Director-Writer Tom McCarthy: See below; co-wrote Pixar’s Up (09), frequently acts Co-Screenwriter Josh Singer: writer, West Wing (05-06), producer, Law & Order: SVU (07-08) Cinematography Masanobu Takayanagi: Silver Linings Playbook (12), Black Mass (15) Original Score Howard Shore: The Lord of the Rings Trilogy (01-03), nearly 100 credits Previous features from writer-director -
Expressions of Legislative Sentiment Recognizing
MAINE STATE LEGISLATURE The following document is provided by the LAW AND LEGISLATIVE DIGITAL LIBRARY at the Maine State Law and Legislative Reference Library http://legislature.maine.gov/lawlib Reproduced from electronic originals (may include minor formatting differences from printed original) Senate Legislative Record One Hundred and Twenty-Sixth Legislature State of Maine Daily Edition First Regular Session December 5, 2012 - July 9, 2013 First Special Session August 29, 2013 Second Regular Session January 8, 2014 - May 1, 2014 First Confirmation Session July 31, 2014 Second Confirmation Session September 30, 2014 pages 1 - 2435 SENATE LEGISLATIVE RECORD Senate Legislative Sentiment Appendix Cheryl DiCara, of Brunswick, on her retirement from the extend our appreciation to Mr. Seitzinger for his commitment to Department of Health and Human Services after 29 years of the citizens of Augusta and congratulate him on his receiving this service. During her career at the department, Ms. DiCara award; (SLS 7) provided direction and leadership for state initiatives concerning The Family Violence Project, of Augusta, which is the the prevention of injury and suicide. She helped to establish recipient of the 2012 Kennebec Valley Chamber of Commerce Maine as a national leader in the effort to prevent youth suicide Community Service Award. The Family Violence Project provides and has been fundamental in uniting public and private entities to support and services for survivors of domestic violence in assist in this important work. We send our appreciation to Ms. Kennebec County and Somerset County. Under the leadership of DiCara for her dedicated service and commitment to and Deborah Shephard, the Family Violence Project each year compassion for the people of Maine, and we extend our handles 4,000 calls and nearly 3,000 face to face visits with congratulations and best wishes to her on her retirement; (SLS 1) victims at its 3 outreach offices and provides 5,000 nights of Wild Oats Bakery and Cafe, of Brunswick, on its being safety for victims at its shelters. -
PERFECTION, WRETCHED, NORMAL, and NOWHERE: a REGIONAL GEOGRAPHY of AMERICAN TELEVISION SETTINGS by G. Scott Campbell Submitted T
PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS BY G. Scott Campbell Submitted to the graduate degree program in Geography and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ______________________________ Chairperson Committee members* _____________________________* _____________________________* _____________________________* _____________________________* Date defended ___________________ The Dissertation Committee for G. Scott Campbell certifies that this is the approved version of the following dissertation: PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS Committee: Chairperson* Date approved: ii ABSTRACT Drawing inspiration from numerous place image studies in geography and other social sciences, this dissertation examines the senses of place and regional identity shaped by more than seven hundred American television series that aired from 1947 to 2007. Each state‘s relative share of these programs is described. The geographic themes, patterns, and images from these programs are analyzed, with an emphasis on identity in five American regions: the Mid-Atlantic, New England, the Midwest, the South, and the West. The dissertation concludes with a comparison of television‘s senses of place to those described in previous studies of regional identity. iii For Sue iv CONTENTS List of Tables vi Acknowledgments vii 1. Introduction 1 2. The Mid-Atlantic 28 3. New England 137 4. The Midwest, Part 1: The Great Lakes States 226 5. The Midwest, Part 2: The Trans-Mississippi Midwest 378 6. The South 450 7. The West 527 8. Conclusion 629 Bibliography 664 v LIST OF TABLES 1. Television and Population Shares 25 2. -
What Else Is the Man Hiding Besides Wife?
The Goodland Star-News / Friday, September 5, 2003 5 abigail part of his life and he adores them. I getting” to mention a wife and three for the wedding presents we recently the problem, though. What else is the have met many of his friends and children for two and a half years is a received. Yesterday, we learned that We have a family tradition that a van buren some of his family. Is it unreasonable dismaying lapse. You had a right to his great-uncle has passed away. baby’s middle name be after a mem- for me to expect to be introduced to the truth about his marital status from Should we address the thank-you ber of the family. My sister-in-law’s man hiding his kids? the beginning. note to just his great-aunt or to both mother recently died of cancer, and •dear abby I bring the subject up occasionally, It should be apparent to you by of them? The gift was from both of Haley would have been her only besides wife? but it upsets him. He says I need to now that Harold is capable of with- them. — STUMPED IN PENNSYL- granddaughter. The problem is that “give him time.” I’m beginning to holding important information. It VANIA Grandma’s name was Mary, which DEAR ABBY: I have been dating ing; he has a separate apartment — think his children will never be happy makes me wonder what else he may DEAR STUMPED: The thank- means the baby’s name will be Haley “Harold” for two and a half years. -
HBO: Brand Management and Subscriber Aggregation: 1972-2007
1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007.