TPTV Schedule Sept 30Th – Oct 6Th 2019 Date Time Programme Synopsis Mon 30 06:00 Bond of Fear 1956

Total Page:16

File Type:pdf, Size:1020Kb

TPTV Schedule Sept 30Th – Oct 6Th 2019 Date Time Programme Synopsis Mon 30 06:00 Bond of Fear 1956 TPTV Schedule Sept 30th – Oct 6th 2019 Date Time Programme Synopsis Mon 30 06:00 Bond of Fear 1956. Crime Drama directed by Henry Cass and starring Dermot Walsh and Jane Sep 19 Barrett. Filmed at Nettlefold. A man and his family on a caravan holiday in France are taken hostage by an escaped convict. Mon 30 07:20 Devil Girl From 1954. Sci-Fi. Directed by David MacDonald. Stars Patricia Laffan, Hugh Sep 19 Mars McDermott & Hazel Court. A female alien, accompanied by a menacing robot, comes to Earth to collect Earth's men as breeding stock (Subtitles Available) Mon 30 08:55 Speed Easy Directed by Lelia Doolan - Filmed in the Late 60s, early 70s a clever film targeting Sep 19 the 'teenager' on the correct procedures when riding a motorcycle in Ireland. Shot around Tipperary. Mon 30 09:10 Target Earth 1954. Sci-Fi. Directed by Sherman A. Rose. Starring Richard Denning. A large city Sep 19 is ordered to be completely evacuated as an army of robots, believed to be from the planet Venus, attack it. (Subtitles Available) Mon 30 10:45 Stars on Parade Filmed in 1948 at Morden Hall Park - a real Party with the stars. See Jack Warner, Sep 19 Kathleen Harrison, Bill Owen, Googie Withers, Jean Kent, Bonar Colleano, Maxwell Reed, Jimmy Hanley & many many more. Mon 30 11:00 Stagecoach West A Time To Run. Western with Wayne Rogers & Robert Bray, who run a stagecoach Sep 19 line in the Old West where they come across a wide variety of killers, robbers and ladies in distress. Mon 30 12:00 Jassy 1947. Drama. Director: Bernard Knowles. Stars Margaret Lockwood, Patricia Roc Sep 19 & Dennis Price. During the 17th century, Jassy is believed to be a witch after receiving visions of approaching disasters. Mon 30 14:00 Scotland Yard 1959. The Ghost Train Murder. Directed by Geoffrey Muller. Starring Russell Sep 19 Napier, Gorgon Needham and Mary Laura Wood. A Hungarian girl is found murdered; stabbed by knitting needles. (S1, E31) Mon 30 14:35 Much Too Shy 1942. Comedy. Directed by Marcel Varnel. Stars George Formby, Kathleen Sep 19 Harrison, Hilda Bayley & Jimmy Clitheroe. A handyman with well-meaning intentions gets into trouble with a nude painting Mon 30 16:25 Della 1964. Directed by Robert Gist and starring Joan Crawford. Della (Crawford), a Sep 19 reclusive, wealthy matriarch of Royal Bay, watches over the affluent coastal town. Possession, for her, is everything. Mon 30 17:45 Murphy's Stroke 1980. Drama. Director: Frank Cvitanovich. Stars Pierce Brosnan, Niall Toibin & Sep 19 T.R. Bowen. Irish millionaires put together a betting coup and go to England to pursue their illicit prize. Mon 30 19:15 High Flight 1957. Drama. Directed by John Gilling. Stars Ray Milland, Bernard Lee, Kenneth Sep 19 Haigh & Anthony Newley. An R.A.F C.O must deal with a testing Cadet, but the Cadet reminds the C.O of his younger self. Mon 30 21:00 Special Branch A New Face. 1969. Stars: Wensley Pithey, Derren Nesbitt, Jennifer Wilson. The Sep 19 son of a trusted officer of the special branch has become radicalised while away at university Mon 30 22:00 The Go Between 1971. Drama. Director: Joseph Losey. Stars: Julie Christie, Alan Bates, Margaret Sep 19 Leighton. A tale of torrid and forbidden love between a couple in the English countryside. Mon 30 00:20 The Big Gamble 1961. Comedy. Directed by Richard Fleischer & Elmo Williams. Stars Stephen Sep 19 Boyd, Juliette Greco, David Wayne & Sybil Thorndike. An Irishman goes on a trip in the hopes of starting a trucking business. (Subtitles Available) Mon 30 02:20 Breaking Away 1979. Coming of age/comedy-drama. Directed by Peter Yates. Stars Dennis Sep 19 Quaid & Daniel Stern. A small town boy obsessed with the cycling team vies for the affections of his college sweetheart. Mon 30 04:15 Broken Blossoms 1936. Directed by John Brahm and starring Emlyn Williams, Dolly Hass and Arthur Sep 19 Margetson. A Chinese missionary comes to England where he helps a young girl who is ill-treated by her father. (Subtitles Available) Date Time Programme Synopsis Tue 01 06:00 Cat & Mouse 1958. Crime Thriller. Directed by Paul Rotha with Lee Patterson. The daughter of Oct 19 a convicted and executed killer believes she has murdered blackmailer Hilton Edwards. (Subtitles Available) Tue 01 07:30 The Traitor 1957. Drama. Directed by Michael McCarthy. Starring Anton Diffring & Oct 19 Christopher Lee. Survivors of a WW2 resistance group meet at a country house to find out which of them had betrayed their leader. Tue 01 09:10 John and Betty and Made in the late 1960s a charming Road Safety film on the perils of crossing the Oct 19 the Magic Dog road if you don’t have a magic dog. Wonderful shots of 1960s England and cars. Tue 01 09:15 Doublecross 1955. Drama. Director Anthony Squire. Stars Donald Houston, Fay Compton, Oct 19 William Hartnell. A Cornish poacher clashes with dangerous international spies. Tue 01 10:50 Rosemary Squires See Rosemary Squires, the English jazz, big band, cabaret and concert singer and Oct 19 in the 1950s The recording artist make her American Debut in the late 1950s on The Tonight Show. Tonight Show Rare unseen footage. Tue 01 11:00 Stagecoach West Red Sand. Western with Wayne Rogers & Robert Bray, who run a stagecoach line Oct 19 in the Old West where they come across a wide variety of killers, robbers and ladies in distress. Tue 01 12:00 Ramrod 1947. Western. Connie Dickson (Veronica Lake) plans to marry a sheep rancher, Oct 19 but her father teams up with land baron Frank Ivey to drive the man out of town. (Subtitles Available) Tue 01 13:50 Stars on Parade Filmed in 1948 at Morden Hall Park - a real Party with the stars. See Jack Warner, Oct 19 Kathleen Harrison, Bill Owen, Googie Withers, Jean Kent, Bonar Colleano, Maxwell Reed, Jimmy Hanley & many many more. Tue 01 14:00 Scotland Yard 1960. The Dover Road Mystery. Directed by Gerard Bryant. Starring Geoffrey Oct 19 Keen, Edward Cast and Leonard Sachs. A stolen car used in a bank robbery proves too fast for the squad car. (S1, E32) Tue 01 14:35 1950s Kitchen An insight into the workings of the Kitchen in the 1950s. Informing of the dangers Oct 19 Hygiene - Glimpses of Bacteria and dishcloths. Tue 01 14:40 Dance Hall 1950. Drama. Directed by Charles Crichton. Stars Diana Dors, Petula Clark, Jane Oct 19 Hylton & Natasha Parry. Four young female factory workers escape the monotony of their jobs at the Chiswick Palais. (Subtitles Available) Tue 01 16:20 Hell Drivers 1957. Drama. Directed by C. Raker Endfiled and stars Stanley Baker, David Oct 19 McCallum, Sid James and Sean Connery. Tom signs up as a 'Hell Driver', but the death-trap roads are the least of his problems. Tue 01 18:30 Courtneys of 1947. Drama. Director: Herbert Wilcox. Stars: Anna Neagle, Michael Wilding, Oct 19 Curzon Street Gladys Young. The story of three generations of the Courtney family, from the nineteenth century to the Second World War Tue 01 20:45 BFI: London Can 1940. Directed by Humphrey Jennings and Harry Watt. A short British Oct 19 Take It! propaganda film showing the effects of eighteen hours of the German blitz on London and its people. Tue 01 21:00 Gideon's Way The Ladykiller. Stars John Gregson Alexander Davion and Daphne Anderson. The Oct 19 new husband of Inspector Keen's girlfriend's best friend has the worst luck - his wives keep turning up dead. Tue 01 22:00 The Whole Truth 1958. Drama. Directed by John Guillermin & Dan Cohen. Stars Stewart Granger, Oct 19 Donna Reed & George Sanders. A film producer becomes a suspect to the stabbing of an actress after his recent affair. Tue 01 23:40 A Touch of Love 1969. Drama. Director: Waris Hussein. Stars Sandy Dennis, Ian McKellen & Oct 19 Eleanor Bron. Based on 'The Millstone'. A Philosophy student falls pregnant after a one night stand with a gay TV presenter. Tue 01 01:45 Double X 1992. Crime drama with Bernard Hill and Norman Wisdom. Former petty thief and Oct 19 safecracker Arthur is the 'brains' behind 'The Organisation' but he wants out. (Subtitles Available) Tue 01 03:45 Charade 1963. Drama. Romance and suspense in Paris as a woman is pursued for her Oct 19 murdered husband's stolen fortune. Stars Cary Grant, Audrey Hepburn & Walter Matthau. Date Time Programme Synopsis Wed 02 06:00 This Was England 1936. Documentary. Director: Mary Field. A history of farming and countryside Oct 19 skills, first screened at the Regent Cinema, Ipswich. Part of the Women Amateur Filmmakers Collection. Wed 02 06:25 My Brother's Keeper 1948. Thriller. Directed by Alfred Roome and starring Jack Warner, George Cole, Oct 19 David Tomlinson and Bill Owen. Two convicts escape, handcuffed to each other, and things get worse when they're seen. Wed 02 08:10 Danger Tomorrow 1960. Crime. Director: Terry Bishop. Stars Zena Walker, Robert Urquhart, Rupert Oct 19 Davies. A doctor and his wife move to an old house in a village, but his wife begins to experience strange visions. Wed 02 09:25 Saloon Bar 1940. Thriller. Director: Walter Forde. Stars: Gordon Harker, Elizabeth Allan & Oct 19 Mervyn Johns. A group of pub locals set out to prove that a local is not guilty of murder to prevent a hanging. Wed 02 11:00 Stagecoach West Western with Wayne Rogers & Robert Bray, who run a stagecoach line in the Old Oct 19 West where they come across a wide variety of killers, robbers and ladies in distress.
Recommended publications
  • Terror, Trauma and the Eye in the Triangle: the Masonic Presence in Contemporary Art and Culture
    TERROR, TRAUMA AND THE EYE IN THE TRIANGLE: THE MASONIC PRESENCE IN CONTEMPORARY ART AND CULTURE Lynn Brunet MA (Hons) Doctor of Philosophy November 2007 This work contains no material which has been accepted for the award of any other degree or diploma in any university or other tertiary institution and, to the best of my knowledge and belief, contains no material previously published or written by another person, except where due reference has been made in the text. I give consent to this copy of my thesis, when deposited in the University Library, being made available for loan and photocopying subject to the provisions of the Copyright Act 1968. I hereby certify that the work embodied in this Thesis is the result of original research, which was completed subsequent to admission to candidature for the degree of Doctor of Philosophy. Signature: ……………………………… Date: ………………………….. ACKNOWLEDGEMENTS This project has been generously supported, in terms of supervision, teaching relief and financial backing by the University of Newcastle. Amongst the individuals concerned I would like to thank Dr Caroline Webb, my principal supervisor, for her consistent dedication to a close reading of the many drafts and excellent advice over the years of the thesis writing process. Her sharp eye for detail and professional approach has been invaluable as the thesis moved from the amorphous, confusing and sometimes emotional early stages into a polished end product. I would also like to thank Dr Jean Harkins, my co- supervisor, for her support and feminist perspective throughout the process and for providing an accepting framework in which to discuss the difficult material that formed the subject matter of the thesis.
    [Show full text]
  • The Horror Film Series
    Ihe Museum of Modern Art No. 11 jest 53 Street, New York, N.Y. 10019 Circle 5-8900 Cable: Modernart Saturday, February 6, I965 FOR IMMEDIATE RELEASE The Museum of Modern Art Film Library will present THE HORROR FILM, a series of 20 films, from February 7 through April, 18. Selected by Arthur L. Mayer, the series is planned as a representative sampling, not a comprehensive survey, of the horror genre. The pictures range from the early German fantasies and legends, THE CABINET OF DR. CALIGARI (I9I9), NOSFERATU (1922), to the recent Roger Corman-Vincent Price British series of adaptations of Edgar Allan Poe, represented here by THE MASQUE OF THE RED DEATH (I96IO. Milestones of American horror films, the Universal series in the 1950s, include THE PHANTOM OF THE OPERA (1925), FRANKENSTEIN (1951), his BRIDE (l$55), his SON (1929), and THE MUMMY (1953). The resurgence of the horror film in the 1940s, as seen in a series produced by Val Lewton at RR0, is represented by THE CAT PEOPLE (19^), THE CURSE OF THE CAT PEOPLE (19^4), I WALKED WITH A ZOMBIE (19*£), and THE BODY SNAT0HER (19^5). Richard Griffith, Director of the Film Library, and Mr. Mayer, in their book, The Movies, state that "In true horror films, the archcriminal becomes the archfiend the first and greatest of whom was undoubtedly Lon Chaney. ...The year Lon Chaney died [1951], his director, Tod Browning,filmed DRACULA and therewith launched the full vogue of horror films. What made DRACULA a turning-point was that it did not attempt to explain away its tale of vampirism and supernatural horrors.
    [Show full text]
  • What Are They Doing There? : William Geoffrey Gehman Lehigh University
    Lehigh University Lehigh Preserve Theses and Dissertations 1989 What are they doing there? : William Geoffrey Gehman Lehigh University Follow this and additional works at: https://preserve.lehigh.edu/etd Part of the English Language and Literature Commons Recommended Citation Gehman, William Geoffrey, "What are they doing there? :" (1989). Theses and Dissertations. 4957. https://preserve.lehigh.edu/etd/4957 This Thesis is brought to you for free and open access by Lehigh Preserve. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Lehigh Preserve. For more information, please contact [email protected]. • ,, WHAT ARE THEY DOING THERE?: ACTING AND ANALYZING SAMUEL BECKETT'S HAPPY DAYS by William Geoffrey Gehman A Thesis Presented to the Graduate Committee of Lehigh University 1n Candidacy for the Degree of Master of Arts 1n English Lehigh University 1988 .. This thesis 1S accepted and approved in partial fulfillment of the requirements for the degree of Master of Arts. (date) I Professor 1n Charge Department Chairman 11 ACD01fLBDGBNKNTS ., Thanks to Elizabeth (Betsy) Fifer, who first suggested Alan Schneider's productions of Samuel Beckett's plays as a thesis topic; and to June and Paul Schlueter for their support and advice. Special thanks to all those interviewed, especially Martha Fehsenfeld, who more than anyone convinced the author of Winnie's lingering presence. 111 TABLB OF CONTBNTS Abstract ...................•.....••..........•.•••••.••.••• 1 ·, Introduction I Living with Beckett's Standards (A) An Overview of Interpreting Winnie Inside the Text ..... 3 (B) The Pros and Cons of Looking for Clues Outside the Script ................................................ 10 (C) The Play in Context ..................................
    [Show full text]
  • Theatre Archive Project: Interview with Penny Francis
    THEATRE ARCHIVE PROJECT http://sounds.bl.uk Penny Francis – interview transcript Interviewer: Catriona Stephenson 31 December 2008 Actress. A Multitude of Sins; Ronnie Barker; costumes; dressing rooms; Equity; Derek Francis; Sir Peter Hall; Pygmalion; Peter Pan; puppetry; theatre training; touring; Two Loves I Have; Kenneth Tynan; weekly repertory; Emlyn Williams. This transcript has been edited by the interviewee and thus differs in places from the recording. CS: …How did you first become interested in the theatre? PF: I… My parents were theatre mad, both of them. My father loved everything to do with stage management and lighting and all the technical things and my mother loved acting – they were amateurs. We lived in Calcutta in India and the two of them were leading lights of the amateur dramatic club of Calcutta and they did a lot of really… very good work there and during the war entertained masses of troops and… I just grew up loving theatre and seeing everything that I could – and it was quite clear that my parents would have no objection at all if I went on the stage... And so I did, I got a job as an ASM in a weekly rep – in 1950 was it or 49? Anyway, I’d had a year at university and my father challenged me more or less and said ‘if I was really serious about theatre, I wouldn’t be wasting my time, I’d be going straight on the stage’, so I said ‘Right – I’ll show him!’ and I got a job from The Stage – (in those days, you could get a job as an ASM from The Stage) and went off to a little place called Wellington in Shropshire and joined this tiny little… well, there were masses of them in those days, weekly rep, and it was a summer season… and I started being ASM, which meant being responsible for the props, helping backstage, holding the book, all those things, but after the – well, almost the first production, I was playing really nice parts, because I had a certain talent.
    [Show full text]
  • Proquest Dissertations
    Early Cinema and the Supernatural by Murray Leeder B.A. (Honours) English, University of Calgary, M.A. Film Studies, Carleton University A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Cultural Mediations © Murray Leeder September 2011 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-83208-0 Our file Notre reference ISBN: 978-0-494-83208-0 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non­ support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]
  • WLV Insider March 2015
    WLV Insider March 2015 Welcome to the staff e-zine for the University of Wolverhampton. Each month, we’ll be bringing you the latest news, showcasing departments, celebrating staff successes and publicising events. There will also be competitions and giveaways. We want to give you the chance to tell colleagues about your successes and projects and are keen to have your input and ideas. Please email your information before the last week of each month to [email protected]. We look forward to hearing from you. Have your say on University building names New names are being sought for key buildings around campus – and staff and the rest of the University community are being encouraged to get their thinking caps on. The idea is to make finding the way around and giving directions easier. The buildings will keep their two letter prefix (such as MA), as well as gaining their new names. It is hoped that the whole University community – students, staff, governors and recent alumni – can get involved. At each stage a new name will be proposed, alongside the opportunity for people to make their own suggestions. Last year this exercise was carried out at the Walsall Campus and the suggestion scheme realised new names for: WA Building The Jerome K Jerome Building WN Building The Samuel Johnson Building WD Building The William Penny Brookes Building Now the University is looking for suggestions for names for some of the buildings at the City Campus and Telford Innovation Campus. Building prefix Current name Suggested new name CITY CAMPUS MA Marble reception The Wulfruna Building MX To be suggested by staff and students MK The Charles Wheeler Building TELFORD INNOVATION CAMPUS SC To be suggested by staff and students People can make suggestions using the form at: www.wlv.ac.uk/haveyoursay and there is also further guidance available on this webpage.
    [Show full text]
  • Warnings As Boy Falls Seriously Ill After Swimming at Saltford
    THE WEEK IN East Bristol & North East Somerset FREE Issue 534 18th July 2018 Read by over 40,000 people each week Warnings as boy falls seriously ill after swimming at Saltford With schools breaking up after a young boy from Rio Smith’s mum Shelley improving after picking up this week, young people in Warmley who swam at said her son, a pupil at the a bug from the water particular are being urged Saltford fell dangerously Sir Bernard Academy in which led to him being put to heed river safety advice ill. Oldland Common, is in insolation at Bristol Children’s Hospital. She said: “Rio has been very ill with a bug he picked up from the river at Saltford. It caused diarrhoea, vomiting, severe dehydration that caused his heart rate to double, resulting in him collapsing.” Continued on page 3 2 The Week in • Wednesday 18th July 2018 Warnings as boy falls seriously ill after swimming at Saltford Continued from page 1 We wish him a speedy schools and other schools Writing on Facebook she recovery from the illness, within our trust were also urged people to share his which it is suspected is a made aware of the boy’s story, while the mother of result of swimming in the illness so that they could 14-year-old Aaron Burgess, river at Saltford. take similar action. who drowned at Saltford "We have spoken to all our "At SBL, we had already Weir six years ago, also students about the health done some work on river issued an emotional and safety risks associated safety with students in message.
    [Show full text]
  • For More Than Seventy Years the Horror Film Has
    WE BELONG DEAD FEARBOOK Covers by David Brooks Inside Back Cover ‘Bride of McNaughtonstein’ starring Eric McNaughton & Oxana Timanovskaya! by Woody Welch Published by Buzzy-Krotik Productions All artwork and articles are copyright their authors. Articles and artwork always welcome on horror fi lms from the silents to the 1970’s. Editor Eric McNaughton Design and Layout Steve Kirkham - Tree Frog Communication 01245 445377 Typeset by Oxana Timanovskaya Printed by Sussex Print Services, Seaford We Belong Dead 28 Rugby Road, Brighton. BN1 6EB. East Sussex. UK [email protected] https://www.facebook.com/#!/groups/106038226186628/ We are such stuff as dreams are made of. Contributors to the Fearbook: Darrell Buxton * Darren Allison * Daniel Auty * Gary Sherratt Neil Ogley * Garry McKenzie * Tim Greaves * Dan Gale * David Whitehead Andy Giblin * David Brooks * Gary Holmes * Neil Barrow Artwork by Dave Brooks * Woody Welch * Richard Williams Photos/Illustrations Courtesy of Steve Kirkham This issue is dedicated to all the wonderful artists and writers, past and present, that make We Belong Dead the fantastic magazine it now is. As I started to trawl through those back issues to chose the articles I soon realised that even with 120 pages there wasn’t going to be enough room to include everything. I have Welcome... tried to select an ecleectic mix of articles, some in depth, some short capsules; some serious, some silly. am delighted to welcome all you fans of the classic age of horror It was a hard decision as to what to include and inevitably some wonderful to this first ever We Belong Dead Fearbook! Since its return pieces had to be left out - Neil I from the dead in March 2013, after an absence of some Ogley’s look at the career 16 years, WBD has proved very popular with fans.
    [Show full text]
  • The Performance of Beckett: an Essay for the Staging Beckett Website, 2015
    1 ROSEMARY POUNTNEY The Performance of Beckett: An essay for the Staging Beckett website, 2015 The performance of Beckett’s shorter plays for the theatre makes exceptional demands on the actor, audience, technicians and director alike. This lecture will discuss the stringency of Beckett’s requirements in these areas and consider to what extent the exacting nature of such demands may present problems for the continuing life of the plays, both today and in the future. To begin with the actor: Jack MacGowran described the camera narrowing steadily in on his face in Beckett’s television play Eh Joe, exposing his haunted eyes, as ‘the most gruelling 22 minutes I have ever had in my life’, and Brenda Bruce described ‘Beckett placing a metronome on the floor to keep me on the rhythm he wanted, which drove me into such a panic that I finally broke down’.1 Billie Whitelaw similarly remarked that, when rehearsing Not I Beckett told her that she had ‘paused for two dots instead of three’.2 Whitelaw also describes in her autobiography losing self-confidence unexpectedly when rehearsing Happy Days with Beckett and asking advice from Dame Peggy Ashcroft, who said: ‘He’s impossible. Throw him out’.3 Dame Peggy herself appeared uncomfortable in her early performances as Winnie (at the Old Vic London in 1975) though she had grown into the role by the time Happy Days transferred to the Lyttelton in 1976, as the National Theatre’s opening production.4 Albert Finney too appeared uneasy in Krapp’s Last Tape in 1973, lacking his usual mastery of a role.5 Contemplating such uncharacteristic discomfort from both actors one wondered whether, in trying to achieve what Beckett wanted, they had found themselves acting against their own theatrical instincts and had thus not fully integrated into their roles.
    [Show full text]
  • Ealing Studios and the Ealing Comedies: the Tip of the Iceberg
    Ealing Studios and the Ealing Comedies: the Tip of the Iceberg ROBERT WINTER* In lecture form this paper was illustrated with video clips from Ealing films. These are noted below in boxes in the text. My subject is the legendary Ealing Studios comedies. But the comedies were only the tip of the iceberg. To show this I will give a sketch of the film industry leading to Ealing' s success, and of the part played by Sir Michael Balcon over 25 years.! Today, by touching a button or flicking a switch, we can see our values, styles, misdemeanours, the romance of the past and present-and, with imagination, a vision of the" future. Now, there are new technologies, of morphing, foreground overlays, computerised sets, electronic models. These technologies affect enormously our ability to give currency to our creative impulses and credibility to what we do. They change the way films can be produced and, importantly, they change the level of costs for production. During the early 'talkie' period there many artistic and technical difficulties. For example, artists had to use deep pan make-up to' compensate for the high levels of carbon arc lighting required by lower film speeds. The camera had to be put into a soundproof booth when shooting back projection for car travelling sequences. * Robert Winter has been associated with the film and television industries since he appeared in three Gracie Fields films in the mid-1930s. He joined Ealing Studios as an associate editor in 1942 and worked there on more than twenty features. After working with other studios he became a founding member of Yorkshire Television in 1967.
    [Show full text]
  • Xerox University Microfilms 300 North Zm (> Road Ann Arbor, Michigan 48106 75-3059
    INFORMATION TO USERS This material was produoad from a microfilm copy of the original document. While the molt advanced technological meant to photograph and reproduce this document have been used, the quality it heavily dependent upon the quality of the original lubmitted. The following explanation of techniques it provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Pags(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand comer of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again - beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation.
    [Show full text]
  • File Stardom in the Following Decade
    Margaret Rutherford, Alastair Sim, eccentricity and the British character actor WILSON, Chris Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/17393/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/17393/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Sheffield Hallam University Learning and IT Services Adsetts Centre City Campus 2S>22 Sheffield S1 1WB 101 826 201 6 Return to Learning Centre of issue Fines are charged at 50p per hour REFERENCE Margaret Rutherford, Alastair Sim, Eccentricity and the British Character Actor by Chris Wilson A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy September 2005 I should like to dedicate this thesis to my mother who died peacefully on July 1st, 2005. She loved the work of both actors, and I like to think she would have approved. Abstract The thesis is in the form of four sections, with an introduction and conclusion. The text should be used in conjunction with the annotated filmography. The introduction includes my initial impressions of Margaret Rutherford and Alastair Sim's work, and its significance for British cinema as a whole.
    [Show full text]