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Mayor Fred Co
ORMOND BEACH CITY COMMISSION MEETING HELD AT CITY HALL COMMISSION CHAMBERS October 5, 2010 7:00 p.m. Present were: Mayor Fred Costello, Commissioner Lori Gillooly, Commissioners Ed Kelley, Troy Kent, and Bill Partington, City Manager Joyce Shanahan, Assistant City Manager Ted MacLeod, City Attorney Randy Hayes, and City Clerk Veronica Patterson. A G E N D A 1) Meeting call to order by Mayor Costello. 2) Invocation by Reverend Neal J. Ganzel, Jr., Coquina Presbyterian Church in America. 3) Pledge of Allegiance. 10/19/10 1:03 PM City Commission – October 5, 2010 4) PRESENTATION: Employee-of-the-Quarter Award to Officers Greg Stokes and Lloyd Cornelius. 5) AUDIENCE REMARKS: 6) APPROVAL OF THE MINUTES of the September 21, 2010, meeting. 7) CONSENT AGENDA: The action proposed is stated for each item on the Consent Agenda. Unless a City Commissioner removes an item from the Consent Agenda, no discussion on individual items will occur and a single motion will approve all items. A) Resolution No. 2010-155 of the City of Ormond Beach opposing the transferring of mail processing services from the Daytona Beach main distribution center of the United States Postal Service located at 500 Bill France Boulevard in Daytona Beach, Florida, to the Mid-Florida Processing and Distribution Center. B) Resolution No. 2010-156 authorizing the execution of a lease agreement between the City of Ormond Beach and Prosperity Bank for the use of office space as a Police Department substation. ($1 Annually) (Police Chief) C) Resolution No. 2010-157 authorizing the execution of a deductive Change Order Number One (1) to that contract awarded to Brasfield & Gorrie, LLC, regarding the Wastewater Treatment Plant Rehabilitation and Expansion project, by decreasing the contract price by $408,959. -
On the Road Again a Financial and Extra-Financial Analysis of the Auto Industry
SRI - EFI Sector Research On the road again A Financial and Extra-financial Analysis of the Auto Industry p Caught in the void Î fuel prices, carbon and pollution p Charting new terrain becomes key Î alternative power trains p Cost is king Î it determines the way forward p Don’t forget Î governance, BRICs, legacy costs and offshoring p Toyota is our global champion Î other winners could emerge Pierre-Yves Quéméner, Financial Analyst +33 1 45 96 77 63 [email protected] November 2005 Valéry Lucas Leclin, SRI Analyst +33 1 45 96 79 23 [email protected] Sarj Nahal, SRI Analyst +33 1 45 96 78 75 [email protected] On the road again This report follows a request from a group of asset managers working with the United Nations to analyse the environmental, social and corporate governance issues that may be material for company performance and to then identify potential impact on company valuations. The United Nations Environment Programme Finance Initiative (UNEP FI) works closely with 160 financial institutions worldwide, to develop and promote linkages between the environment, sustainability and financial performance. UNEP FI Asset Management Working Group (AMWG) explores the association between environmental, social, and governance considerations and investment decision-making. Asset Managers that have participated in this project have combined mandates of 1.7 trillion USD. Asset managers: ABN AMRO Asset Management Brazil Acuity Investment Management BNP Paribas Asset Management BT Financial Group Calvert Group Citigroup Asset Management -
The Horror Film Series
Ihe Museum of Modern Art No. 11 jest 53 Street, New York, N.Y. 10019 Circle 5-8900 Cable: Modernart Saturday, February 6, I965 FOR IMMEDIATE RELEASE The Museum of Modern Art Film Library will present THE HORROR FILM, a series of 20 films, from February 7 through April, 18. Selected by Arthur L. Mayer, the series is planned as a representative sampling, not a comprehensive survey, of the horror genre. The pictures range from the early German fantasies and legends, THE CABINET OF DR. CALIGARI (I9I9), NOSFERATU (1922), to the recent Roger Corman-Vincent Price British series of adaptations of Edgar Allan Poe, represented here by THE MASQUE OF THE RED DEATH (I96IO. Milestones of American horror films, the Universal series in the 1950s, include THE PHANTOM OF THE OPERA (1925), FRANKENSTEIN (1951), his BRIDE (l$55), his SON (1929), and THE MUMMY (1953). The resurgence of the horror film in the 1940s, as seen in a series produced by Val Lewton at RR0, is represented by THE CAT PEOPLE (19^), THE CURSE OF THE CAT PEOPLE (19^4), I WALKED WITH A ZOMBIE (19*£), and THE BODY SNAT0HER (19^5). Richard Griffith, Director of the Film Library, and Mr. Mayer, in their book, The Movies, state that "In true horror films, the archcriminal becomes the archfiend the first and greatest of whom was undoubtedly Lon Chaney. ...The year Lon Chaney died [1951], his director, Tod Browning,filmed DRACULA and therewith launched the full vogue of horror films. What made DRACULA a turning-point was that it did not attempt to explain away its tale of vampirism and supernatural horrors. -
December 1969 Snipe Sailboat Covers
NOVEMBER - DECEMBER 1969 SNIPE SAILBOAT COVERS . UNLESS OTHERWISE STATED, ALL OF OUR SNIPE COVERS ARE OF PEARL GREY HEAVY DUTY MARINE GRADE WATER REPELLENT CANVAS AND FEATURE HIGH STRENGTH DACRON STITCHING AND RUSTPROOF NYLON ZIPPERS. | FULL SHAPED COVER"! OVER THE BOOM AND AROUND THE MAST WITH THE CB. UP IF YOU PLEASE. THIS COVER CAN BE PUT ON BY ONE PERSON FASTER THAN YOU CAN WIPE THE DUST FROM THE DECKS. NO FASTENERS ARE REQUIRED FOR THE HULL. PRICE: FORTY-SIX DOLLARS I FULL FLAT COVERCO' SAME AS THE SHAPED MAST COVER.EXCEPT THAT YOU CANNOTCAN! LEAVE THE BOOM ON THE MAST. (BUT THE CENTERBOARD CAN REMAIN UP IN THE TRUNK!) PRICE: FIFTY DOLLARS | RUDDER COVER | A FULL CANVAS COVER LINED WITH A NON WATER ABSORBING FOAM MATERIAL. PRICE" EIGHT DOLLARS 1 DAGGER BOARD COVER EXTRA HEAVY AND REINFORCED WHERE NEEDED FOR A S HARP~SL1C ING BLADE. PRICE-EIGHT DOLLARS MASTCOVERl KEEPS YOUR SHROUDS AND HALYARDS FROM CHAF ING THE MAST EASY CLOSURE DESIGN AND A RED FLAG SEWN ON THE END FOR TRAILERING. PRICE: NINE DOLLARS BOOM COVER SIM P LE TO USE PRICE" FIVE DOLLARS TILLER COVER ALSO ACCOMMADATES HIKING STICK. PRICE-- FOUR DOLLARS [ FULL BOTTOM COVER FOR THE PRESERVATION OF THAT FIRST PLACE FINISH. PRICE: FIFTY-FIVE DOLLARS | SPECIAL FULL SHAPED COVER THE SAME DESIGN AS OUR STANDARD FULL SHAPED COVER, BUT MADE OF THE MOST RUGGED BOAT COVER MATERIAL WE KNOW OF-A SPECIAL WHITE VINYL IMPREGNATED NYLON WOVEN MATERIAL. OUR FIELD TESTS ON THIS COVER HAVE CONSERVATIVELY PROMPTED US TO GUARANTEE IT FOR THREE YEARS AGAINST RIPS IN THE MATERIAL FROM ANY NORMAL USE. -
Ha Arbor Happ Pening Gs
STONINGTON HARBOR MANAGEMENT COMMISSION Newsletter Harbor Happenings Volume 5, Issue 1 Spring/Summer 2016 FROM THE CHAIRMAN: Jay Spalding Point channel. Both incidents resulted in injuries, The Stonington Harbor Management Commission (SHMC) and our harbormasters worked hard this year on several projects to make Stonington Harbor a smooth operation. Major accomplishments this year are the completion of the mooring grid project and design and commissioning of a new municipal dock. More details on these projects are in the newsletter. It should be noted that the commission and the Harbormasters conduct business according to the Stonington Harbor Management Plan (SHMP) and Ordinance. The SHMP is meant to be a living document that has an annual review in August: Harbormaster Donch in the Robert G please participate if you have any ideas. luckily neither of them were life threatening. The In this newsletter we are reporting on many of the offending rock was immediately marked and within activities in the harbor as well as updates from our days the USCG moved the channel marker to the partners concerned with Stonington Harbor. The correct side of the rock. More about this and a photo Harbor is a busy vibrant place with opportunities for in the dredging article in this newsletter. everyone. The grid project in Stonington Harbor is complete. The SHMC meets on the second Monday every The mooring fields look good and feedback from the month at 7:00pm in the Stonington Police Station launch drivers is very positive. We have identified Public Meeting room. The public is always invited. many new mooring locations and have worked our The Harbor Management Plan, SHMC Agendas and way deep into the waiting list to fill the vacancies. -
Read Liner Notes
Cover Photo: Paul Winter Consort, 1975 Somewhere in America (Clockwise from left: Ben Carriel, Tigger Benford, David Darling, Paul Winter, Robert Chappell) CONSORTING WITH DAVID A Tribute to David Darling Notes on the Music A Message from Paul: You might consider first listening to this musical journey before you even read the titles of the pieces, or any of these notes. I think it could be interesting to experience how the music alone might con- vey the essence of David’s artistry. It would be ideal if you could find a quiet hour, and avail yourself of your fa- vorite deep-listening mode. For me, it’s flat on the floor, in total darkness. In any case, your listening itself will be a tribute to David. For living music, With gratitude, Paul 2 1. Icarus Ralph Towner (Distant Hills Music, ASCAP) Paul Winter / alto sax Paul McCandless / oboe David Darling / cello Ralph Towner / 12-string guitar Glen Moore / bass Collin Walcott / percussion From the album Road Produced by Phil Ramone Recorded live on summer tour, 1970 This was our first recording of “Icarus” 2. Ode to a Fillmore Dressing Room David Darling (Tasker Music, ASCAP) Paul Winter / soprano sax Paul McCandless / English horn, contrabass sarrusophone David Darling / cello Herb Bushler / Fender bass Collin Walcott / sitar From the album Icarus Produced by George Martin Recorded at Seaweed Studio, Marblehead, Massachusetts, August, 1971 3 In the spring of 1971, the Consort was booked to play at the Fillmore East in New York, opening for Procol Harum. (50 years ago this April.) The dressing rooms in this old theatre were upstairs, and we were warming up our instruments there before the afternoon sound check. -
The Cathedral Gives Back
Winter 2017–18 1047 Amsterdam Avenue Volume 16 Number 75 at 112th Street New York, NY 10025 (212) 316-7540 stjohndivine.org 2017 Winter –18 at the Cathedral The Cathedral Gives Back or where your treasure is, there your the Cathedral. I want to be able to do more than just talk In addition to our own programs, the Cathedral has also long heart will be also.” The Right Reverend about the things we believe in here, but also show our beliefs partnered with other mission-aligned community organizations Dan Daniel quoted Jesus’s Sermon on in action. We do this through our programs—Cathedral to support their work, something Dean Daniel wants to continue the Mount when asked about the Community Cares, Adults and Children in Trust, and the myriad to emphasize in our public programs. Longtime readers of this Cathedral’s commitment to tithing. of events that help underserved populations, but also through newsletter will recall the Cathedral’s collaboration with Broadway Typically seen as a way for people of donating to causes that we believe in.” Cares/Equity Fights AIDS to produce staged readings of Joan faith to give back to the church, Dean Didion’s haunting A Year of Magical Thinking and Blue Nights, The Cathedral has a long tradition of social outreach and Daniel takes the tradition a step further, the proceeds from which benefited UNICEF and The United commitment to community. Cathedral Community Cares (CCC) viewing it as a sacred obligation for the Nations Relief and Works Agency for Palestine Refugees in the works to combat and alleviate poverty through preventive F Cathedral to give back to the community. -
Concert Booklet April 22, 2017
North Shore Choral Society ©Virginia O. Roeder Missa Gaia-Earth Mass April 22, 2017 Unitarian Church of Evanston Evanston, Illinois Julia Davids, Music Director with Evanston Children’s Choir Thomas R. Jefferson, piano Felicia Patton, soprano Guabina Chiquinquirena ....................... Daniel Bayona Posada, arr. D.Wallenberg A Red, Red Rose ........ Robert Burns, text; James Mulholland, music; arr. G.Geiger Some Nights ........................ J.Bhasker, A.Dost, J.Antonoff, N.Ruess, arr.Mac Huff Amani (Peace) ..................................................................................... Jim Papoulis Evanston Children’s Choir Gary Geiger, director Hyejin Joo, accompanist ~ Intermission ~ Missa Gaia – Earth Mass Paul Winter, Jim Scott, Paul Halley, Oscar Castro-Neves, Kim Oler Canticle of Brother Sun (Audience joins chorus; music in Text and Translation) Kyrie The Beatitudes Sound Over All Waters .......................................................................... Paul Halley Sanctus and Benedictus His Eye Is on the Sparrow ........................................................ Traditional Spiritual Agnus Dei Ubi Caritas ............................................................................................. Paul Halley The Blue Green Hills of Earth (Audience joins chorus; music in Text and Translation) Let Us Depart in Peace (Audience joins chorus; music in Text and Translation) TEXT AND TRANSLATION CANTICLE OF BROTHER SUN “Having decided to dedicate the Earth Mass to St. Francis … I wanted to create a piece based on his ‘Canticle of Brother Sun.’” Paul Winter All praise be yours through Brother Sun. All praise be yours through Sister Moon. By Mother Earth my Lord be praised, by Brother Mountain, Sister Sea. Through Brother Wind and Brother Air, through Sister Water, Brother Fire; The stars above give thanks to thee; all praise to those who live in peace. All praise be yours through Brother Wolf, all praise be yours through Sister Whale. -
WMRA Holiday Broadcast Schedule 2004
WMRA Holiday Broadcast Schedule 2004 Winter Solstice Celebration, this year with a decidedly Russian flavor: The Dmitri Pokrovsky Ensemble-Russian village dancers Tuesday, Dec. 7th and singers-- joins African mbira master Chris Berry and the famous Paul Winter Consort. They'll lead our "Journey Through 7pm A Taste of Chanukah the Longest Night" with new works and old favorites including "Dancing Day," the West African "Minuit" and Paul Winter's This celebration of Chanukah features over 150 musicians from "Icarus." Wolves, whales and the audience in New York's the New England Conservatory, the Boston Community Choir Cathedral of St. John the Divine join in with holiday glee. 2 and other ensembles. The show is recorded live at the New hours. England Conservatory’s Jordan Hall in Boston. 1 hour. 10pm The Christmas Revels: A Celebration of the Winter Solstice Wednesday, Dec. 8th The Christmas Revels: A Celebration of the Winter Solstice 2004 7pm Chanukah in Story and Song is an all-new compilation of carols, rounds, drinking songs, music-hall numbers, madrigals and motets, children's singing A Chanukah celebration featuring The Western Wind and games, wassails, and traditional, social, and ritual dance tunes, narrated by Leonard Nimoy. They will present many eclectic selected from the nine live Christmas Revels performances that selections, from the Ladino songs of the Spanish Jews and took place around the country last year. 2 hours. Yiddish melodies of Eastern Europe to modern Israeli tunes. 1 hour. st Tuesday, Dec. 21 Thursday, Dec. 9th 7pm Christmas at El Pardo 7pm Chanukah Lights Christmas at El Pardo presents a magnificent hour-long concert of Father Antonio Soler's Christmas villancicos (songs) with brief A collection of readings that explore Chanukah traditions in interludes of plain chant. -
Edward Snowden Also in This Issue
Featuring 262 Industry-First Reviews of Fiction, Nonfiction, Children'sand YA books KIRKUSVOL. LXXXVII, NO. 19 | 1 OCTOBER 2019 REVIEWS Edward Snowden on mass surveillance, life in exile, and his new memoir, Permanent Record p. 56 Also in this issue: Jeanette Winterson, Joe Hill, Maulik Pancholy, and more from the editor’s desk: Chairman Stories for Days HERBERT SIMON President & Publisher BY TOM BEER MARC WINKELMAN # Chief Executive Officer MEG LABORDE KUEHN [email protected] Photo courtesy John Paraskevas courtesy Photo Lisa Lucas, executive director of the National Book Foundation, recently Editor-in-Chief TOM BEER told her Twitter followers that she has been reading a short story a day and [email protected] Vice President of Marketing that “it has been a deeply satisfying little project.” Lisa’s tweet reminded SARAH KALINA me of a truth I often lose sight of: You’re not required to read a story col- [email protected] Managing/Nonfiction Editor lection cover to cover, all at once, as if it were a novel. As a result, I’ve ERIC LIEBETRAU [email protected] started hopscotching among stories by old favorites such as Lorrie Moore, Fiction Editor LAURIE MUCHNICK Deborah Eisenberg, and Alice Munro. I’ve also turned my attention to [email protected] Children’s Editor some collections that are new this fall. Here are three: VICKY SMITH Where the Light Falls: Selected Stories of Nancy Hale edited by Lauren [email protected] Young Adult Editor Tom Beer Groff (Library of America, Oct. 1). Like so many neglected women writers of LAURA SIMEON [email protected] short fiction from the middle of the 20th century—Maeve Brennan, Edith Templeton, Mary Ladd Editor at Large MEGAN LABRISE Gavell—Hale isn’t widely read today and is ripe for rediscovery. -
For More Than Seventy Years the Horror Film Has
WE BELONG DEAD FEARBOOK Covers by David Brooks Inside Back Cover ‘Bride of McNaughtonstein’ starring Eric McNaughton & Oxana Timanovskaya! by Woody Welch Published by Buzzy-Krotik Productions All artwork and articles are copyright their authors. Articles and artwork always welcome on horror fi lms from the silents to the 1970’s. Editor Eric McNaughton Design and Layout Steve Kirkham - Tree Frog Communication 01245 445377 Typeset by Oxana Timanovskaya Printed by Sussex Print Services, Seaford We Belong Dead 28 Rugby Road, Brighton. BN1 6EB. East Sussex. UK [email protected] https://www.facebook.com/#!/groups/106038226186628/ We are such stuff as dreams are made of. Contributors to the Fearbook: Darrell Buxton * Darren Allison * Daniel Auty * Gary Sherratt Neil Ogley * Garry McKenzie * Tim Greaves * Dan Gale * David Whitehead Andy Giblin * David Brooks * Gary Holmes * Neil Barrow Artwork by Dave Brooks * Woody Welch * Richard Williams Photos/Illustrations Courtesy of Steve Kirkham This issue is dedicated to all the wonderful artists and writers, past and present, that make We Belong Dead the fantastic magazine it now is. As I started to trawl through those back issues to chose the articles I soon realised that even with 120 pages there wasn’t going to be enough room to include everything. I have Welcome... tried to select an ecleectic mix of articles, some in depth, some short capsules; some serious, some silly. am delighted to welcome all you fans of the classic age of horror It was a hard decision as to what to include and inevitably some wonderful to this first ever We Belong Dead Fearbook! Since its return pieces had to be left out - Neil I from the dead in March 2013, after an absence of some Ogley’s look at the career 16 years, WBD has proved very popular with fans. -
Page 1 N E W R E L E a S E
NEW RELEASE O N I N T U I T I O N R E C O R D S R E C E I V E D 4 G R A M M Y N O M I N A T I O N S OREGON’s latest project, Oregon In Moscow, is a double CD with the Moscow Tchaikovsky Symphony Orchestra, and the group’s recorded debut of their orchestral repertoire—a prodigious body of work that has been developing over the life of the band, but never documented. In the thirty-year history of OREGON, there has always existed a strong kinship to orchestral music. The use of the double reeds alone has given the quartet an identity and expansive sound associated with the symphonic orchestra. This association isn’t confined only to their use of many orchestral instruments, but applies also to the composition and presentation of the music, including the careful attention to details such as articulation, dynamics, phrasing and tone production derived from their respective classical studies. Chief composer Ralph Towner explains, “OREGON came together as a group in New York City in 1970, and from the outset it was clear that our unusual instrumentation and collective musical experience invited a different approach to composition and improvisation. The jazz tradition of improvisation usually consists of the soloists taking turns improvising on the song’s harmonic structure, recycling the chord progressions and returning to the original melody only on the last repeat of the cycle. While still using and honoring this tradition, we began composing longer, more sectional forms that allowed each soloist to improvise on different material within the context of a single piece.