Uk Companies in Cannes
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The Role of Irish-Language Film in Irish National Cinema Heather
Finding a Voice: The Role of Irish-Language Film in Irish National Cinema Heather Macdougall A Thesis in the PhD Humanities Program Presented in Partial Fulfillment of the Requirements for the degree of Doctor of Philosophy at Concordia University Montreal, Quebec, Canada August 2012 © Heather Macdougall, 2012 ABSTRACT Finding a Voice: The Role of Irish-Language Film in Irish National Cinema Heather Macdougall, Ph.D. Concordia University, 2012 This dissertation investigates the history of film production in the minority language of Irish Gaelic. The objective is to determine what this history reveals about the changing roles of both the national language and national cinema in Ireland. The study of Irish- language film provides an illustrative and significant example of the participation of a minority perspective within a small national cinema. It is also illustrates the potential role of cinema in language maintenance and revitalization. Research is focused on policies and practices of filmmaking, with additional consideration given to film distribution, exhibition, and reception. Furthermore, films are analysed based on the strategies used by filmmakers to integrate the traditional Irish language with the modern medium of film, as well as their motivations for doing so. Research methods included archival work, textual analysis, personal interviews, and review of scholarly, popular, and trade publications. Case studies are offered on three movements in Irish-language film. First, the Irish- language organization Gael Linn produced documentaries in the 1950s and 1960s that promoted a strongly nationalist version of Irish history while also exacerbating the view of Irish as a “private discourse” of nationalism. Second, independent filmmaker Bob Quinn operated in the Irish-speaking area of Connemara in the 1970s; his fiction films from that era situated the regional affiliations of the language within the national context. -
The Mighty Boosh Is an Award Winning British Comedy Show Created and Written by Comedians Noel Fielding & Julian Barratt
Photography by Dave Brown 01.09.12 – 16.10.12 Exhibition at Oriel Colwyn, Theatre Colwyn, Abergele Road, Colwyn Bay Clwyd, Wales LL29 7RU All prints are available for sale unframed. Limited Edition of 100 Signed & Numbered. Page 1 of 3 The Mighty Boosh is an award winning British comedy show created and written by comedians Noel Fielding & Julian Barratt. Also starring regular cast members Rich Fulcher, Michael Fielding and Dave Brown. Developed from 3 stage shows appearing at Edinburgh & Melbourne Comedy Festivals, The Boosh has since produced a 6 episode radio series, 3 television series (a total of 20 television episodes) for the BBC, which have aired worldwide and 2 sell out live tours of the UK, as well as performing exclusive live shows in the United States and Australia. Dave Brown has been part of The Mighty Boosh since its conception in the late 90s. Over the years he has been involved in many aspects of the show from designing DVDs, books and merchandise to choreography, music and playing many characters in the show itself, most famously Bollo, the Gorilla. Dave’s also had a camera in his hand from day 1 of the show. These photographs of his fellow cast members and good friends span over 12 years. Photographs from early live gigs, filming the TV shows and behind the scenes whilst on tour. They provide a unique insight into the lives and characters of The Mighty Boosh collective. Dave is alone in his photographic documentation of the show. He has reduced his extensive archive to 46 of his personal favourites to exhibit here at Oriel Colwyn, many being shown for the first time. -
The Finance and Production of Independent Film and Television in the UK: a Critical Introduction
The Finance and Production of Independent Film and Television in the UK: A Critical Introduction Vital Statistics General Population: 64.1m Size: 241.9 km sq GDP: £1.9tr (€2.1tr) Film1 Market share of UK independent films in 2015: 10.5% Number of feature films produced: 201 Average visits to cinema per person per year: 2.7 Production spend per year: £1.4m (€1.6) TV2 Audience share of the main publicly-funded PSB (BBC): 72% Production spend by PSBs: £2.5bn (€3.2bn) Production spend by commercial channels (excluding sport): £350m (€387m) Time spent watching television per day: 193 minutes (3hrs 13 minutes) Introduction This chapter provides an overview of independent film and television production in the UK. Despite the unprecedented levels of convergence that characterise the digital era, the UK film and television industries remain distinct for several reasons. The film industry is small and fragmented, divided across the two opposing sources of support on which it depends: large but uncontrollable levels of ‘inward-investment’ – money invested in the UK from overseas – mainly from the US, and low levels of public subsidy. By comparison, the television industry is large and diverse, its relative stability underpinned by a long-standing infrastructure of 1 Sources: BFI 2016: 10; ‘The Box Office 2015’ [market share of UK indie films] ; BFI 2016: 6; ‘Exhibition’ [cinema visits per per person]; BFI 2016: 6; ‘Exhibition’ [average visits per person]; BFI 2016: 3; ‘Screen Sector Production’ [production spend per year]. 2 Sources: Oliver & Ohlbaum 2016: 68 [PSB audience share]; Ofcom 2015a: 3 [PSB production spend]; Ofcom 2015a: 8. -
Adding Value Report Vol.1
ADDING VALUE a report by Northern Ireland Screen NORTHERN BOOSTING CELEBRATING ENHANCING CONTENTS THE THE THE IRELAND OUR OUR OUR CHILDREN'S ECONOMIC CULTURAL EDUCATIONAL SCREEN ECONOMY CULTURE EDUCATION VALUE VALUE VALUE 08 Large-scale Production 44 Writers 84 Creative Learning Centres 18 Independent Film 46 Short Film 90 Moving Image Arts (MIA) 22 Animation 48 ILBF / CCG 92 After School FilmClub 26 Factual / Entertainment 56 USBF 30 Television Drama 64 Film Culture 34 Gaming and Mobile 74 Heritage and Archive 38 Skills Development 78 Awards 04 05 INTROduCTION As the government-backed lead Of course certain activity intersects In a similar vein, the work of the agency in Northern Ireland for the film, more than one area and the inter- Education Department, with regard to television and digital content industry, connectivity of the agency’s work will its intervention through FilmClub, has Northern Ireland Screen is committed become apparent. For example, the value in both education and culture; as to maximising the economic, cultural development and production funding for children learn through film in a pure and educational value of the screen indigenous projects made in Northern educational sense as well as gain a wider industries for the benefit of Northern Ireland by Northern Ireland film-makers appreciation of film culture and of the Ireland. This goal is pursued through our and shown at a Northern Ireland festival, culture of Northern Ireland through mission to accelerate the development will have value in all areas. An obvious watching content-relevant films. of a dynamic and sustainable screen case in point is the feature film Good industry and culture in Northern Ireland. -
Jez Hunziker Cv 2017
Jez Hunziker 65A Kennington Lane, London, SE114EZ Email Address: [email protected] Mobile Number: 07702602124 Nationality/NIS No: British, JJ356151D Additional Training Specialist Skills • UWE: BA Hons Design and Visual Communication Avid / FCPX / Premiere • Filton College: HND Graphic Design Grading - DaVinci Resolve • BBC Archive Research & Infax Training After Effects, Graphic Design, Typography • BBC Storytelling & Narrative Narrative & Storytelling / Programme Development • Tigress Technical Support and Media Management Music Production Self Shooting with GH5 / C300 kit Over the last 8 years I have worked across a range of different projects for the BBC and companies such as Tigress, RDF Media, Nat Geo and Sky. Through a variety of tasks and responsibilities I have been able to develop a broad skill-set with regards to supporting leading content in documentary film making. My passion is editing factual documentaries but I love new challenges and broadening my experience. Additional skills include self shooting, scripting & storytelling, grading, tracklay, motion graphics and music which allow me to go that extra step further in achieving the best crafted work possible… Work experience July 2017- 1×90” Joanna Dennahy: Killing for Kicks – Ch5 / ITN Finishing Editor June 2017- 1×5” Flyride Offline & Behind The Scenes Promo – 4K VR Dome in Chinese National Park Offline Editor Moonraker VFX Bristol https://moonrakervfx.com/ May 2017- 1×4” Penguin: The Making of an Audio Book – Penguin Website -Offline/Online Editor Offline/Online Editor -
Review of the Scottish Animation Sector
__ Review of the Scottish Animation Sector Creative Scotland BOP Consulting March 2017 Page 1 of 45 Contents 1. Executive Summary ........................................................................... 4 2. The Animation Sector ........................................................................ 6 3. Making Animation ............................................................................ 11 4. Learning Animation .......................................................................... 21 5. Watching Animation ......................................................................... 25 6. Case Study: Vancouver ................................................................... 27 7. Case Study: Denmark ...................................................................... 29 8. Case Study: Northern Ireland ......................................................... 32 9. Future Vision & Next Steps ............................................................. 35 10. Appendices ....................................................................................... 39 Page 2 of 45 This Report was commissioned by Creative Scotland, and produced by: Barbara McKissack and Bronwyn McLean, BOP Consulting (www.bop.co.uk) Cover image from Nothing to Declare courtesy of the Scottish Film Talent Network (SFTN), Studio Temba, Once Were Farmers and Interference Pattern © Hopscotch Films, CMI, Digicult & Creative Scotland. If you would like to know more about this report, please contact: Bronwyn McLean Email: [email protected] Tel: 0131 344 -
Uk Producers in Cannes 2009
UK PRODUCERS IN CANNES 2009 Produced by Export Development www.ukfilmcouncil.org/exportteam The UK Film Council The UK Film Council is the Government-backed lead agency for film in the UK ensuring the economic, cultural and educational aspects of films are effectively represented at home and abroad. Our goal is to help make the UK a global hub for film in the digital age, with the world’s most imaginative, diverse and vibrant film culture, underpinned by a flourishing, competitive film industry. We invest Government grant-in-aid and Lottery money in developing new filmmakers, in funding new British films and in getting a wider choice of films to audiences throughout the UK. We also invest in skills training, promoting Britain as an international filmmaking location and in raising the profile of British films abroad. The UK Film Council Export Development team Our Export Development team supports the export of UK films and talent and services internationally in a number of different ways: Promoting a clear export strategy Consulting and working with industry and government Undertaking export research Supporting export development schemes and projects Providing export information The team is located within the UK Film Council’s Production Finance Division and is part of the International Group. Over the forthcoming year, Export Development will be delivering umbrella stands at the Toronto International Film Festival and Hong Kong Filmart; and supporting the UK stands at the Pusan Asian Film Market; American Film Market and the European Film Market, Berlin;. The team will also be leading Research & Development delegations to Japan and China. -
Dopad Brexitu Na Kreativní Průmysly Spojeného Království
Masarykova univerzita Filozofická fakulta Ústav hudební vědy Management v kultuře Bc. Markéta Chalupová Magisterská diplomová práce Dopad Brexitu na kreativní průmysly Spojeného království Vedoucí práce: Mgr. Jan Špaček 2018 Prohlášení Na tomto místě prohlašuji, že jsem magisterskou diplomovou práci vypracovala samostatně, s využitím uvedených pramenů a literatury. ……………………………………………… Bc. Markéta Chalupová V Brně dne Poděkování Na tomto místě bych ráda poděkovala vedoucímu této práce Mgr. Janu Špačkovi, za přátelský přístup a svojí rodině a příteli za podporu. Obsah ÚVOD 1 GEOGRAFICKÉ VYMEZENÍ SPOJENÉHO KRÁLOVSTVÍ VELKÉ BRITÁNIE A SEVERNÍHO IRSKA ................................................................................................... 7 2 HISTORIE VZTAHŮ SPOJENÉHO KRÁLOVSTVÍ A EVROPSKÉ UNIE ......... 8 2.1 Vstup Spojeného království do Evropské unie .................................................. 9 2.2 Odchod Spojeného království z Evropské unie ............................................... 14 2.3 Historie britského „euroskepticismu“ .............................................................. 17 2.4 Modely post-Brexit vztahu mezi Spojeným královstvím a EU ....................... 18 2.4.1 Norský model ........................................................................................... 19 2.4.2 Bilaterální dohoda .................................................................................... 20 2.4.3 Kanadský model ....................................................................................... 22 2.4.4 -
The River Colle Ction Three W a Ters Bo W
THE RIVER COLLECTION THREE WATERS BOW CREEK, E3 MINUTES FROM THE CITY METRES FROM THE WATER A DEVELOPMENT BY CONTENTS BOW CREEK, E3 6 MINUTES FROM THE CITY, METRES FROM THE WATER Immerse yourself in the location, connections and nearby education 18 INVEST AT THE SOURCE OF LONDON’S GROWTH Where public and private finance converge, smart property buyers follow THREE WATERS 26 INSPIRED BY HISTORY, MADE FOR THE FUTURE Discover your new home 44 PEACE OF MIND IN THE HEART OF LONDON Waterside well-being with triple the tranquillity 52 EXTRAORDINARY CRAFT AS STANDARD Explore the amenities: raised garden, concierge, screening room and social space THE RIVER COLLECTION 64 SPACE TO PAUSE, WHERE THE CITY PLAYS Specification, masterplan and floorplates 74 FIND THE ONE IN THREE WATERS Studio and one-bedroom floor plans 3 2 5 4 BOW CREEK, E3 CREEK, BOW RECTORY ROAD LEYTON Stratford HACKNEY DOWNS MINUTES FROM CANONBURY DALSTON KINGSLAND HACKNEY CENTRAL HOMERTON DALSTON JUNCTION THE CITY, STRATFORD LONDON FIELDS INTERNATIONAL ESSEX ROAD † METRES FROM HAGGERSTON 6 MINS THE WATER HOXTON BETHNAL GREEN The City (Financial District) SHOREDITCH 10 MINS* HIGH STREET MILE END BARBICAN STEPNEY GREEN The three waters of Bow Creek, the River Lea WHITECHAPEL and the Limehouse Cut meet in London’s † fastest-growing area.1 Our studio and one- BROMLEY-BY-BOW bedroom homes put you minutes from the City ALDGATE EAST 12 MINS CANNING TOWN and metres from the water. LIMEHOUSE SHADWELL Tower Bridge The 02 ZONE 2 LIVING, CITYSCAPES ZONE 1 JOURNEY TIMES WITH HEADSPACE With the Tube and Docklands The raised garden, roof terrace BOROUGH Light Railway (DLR) close by, and private balconies are crafted The Shard ROTHERHITHE you’ll be in the City or Canary to give you views of the water. -
BRITISH ACADEMY TELEVISION CRAFT AWARDS in 2016: Winners in *BOLD
BRITISH ACADEMY TELEVISION CRAFT AWARDS IN 2016: Winners in *BOLD SPECIAL AWARD *NINA GOLD BREAKTHROUGH TALENT sponsored by Sara Putt Associates DC MOORE (Writer) Not Safe for Work- Clerkenwell Films/Channel 4 GUILLEM MORALES (Director) Inside No. 9 - The 12 Days of Christine - BBC Productions/BBC Two MARCUS PLOWRIGHT (Director) Muslim Drag Queens - Swan films/Channel 4 *MICHAELA COEL (Writer) Chewing Gum - Retort/E4 COSTUME DESIGN sponsored by Mad Dog Casting BARBARA KIDD Jonathan Strange & Mr Norrell - Cuba Pictures/Feel Films/BBC One *FOTINI DIMOU The Dresser - Playground Television UK Limited, Sonia Friedman Productions, Altus Productions, Prescience/BBC Two JOANNA EATWELL Wolf Hall - Playground Entertainment, Company Pictures/BBC Two MARIANNE AGERTOFT Poldark - Mammoth Screen Limited/BBC One DIGITAL CREATIVITY ATHENA WITTER, BARRY HAYTER, TERESA PEGRUM, LIAM DALLEY I'm A Celebrity... Get Me Out of Here! - ITV Consumer Ltd *DEVELOPMENT TEAM Humans - Persona Synthetics - Channel 4, 4creative, OMD, Microsoft, Fuse, Rocket, Supernatural GABRIEL BISSET-SMITH, RACHEL DE-LAHAY, KENNY EMSON, ED SELLEK The Last Hours of Laura K - BBC MIKE SMITH, FELIX RENICKS, KIERON BRYAN, HARRY HORTON Two Billion Miles - ITN DIRECTOR: FACTUAL ADAM JESSEL Professor Green: Suicide and Me - Antidote Productions/Globe Productions/BBC Three *DAVE NATH The Murder Detectives - Films of Record/Channel 4 JAMES NEWTON The Detectives - Minnow Films/BBC Two URSULA MACFARLANE Charlie Hebdo: Three Days That Shook Paris - Films of Record/More4 DIRECTOR: FICTION sponsored -
Claimant List
Electronically Filed Filing Date: 07/13/2017 02:31:36 PM EDT COMPANY NAME ADDRESS 1 ADDRESS 2 ADDRESS 2 ADDRESS 3 ADDRESS 4 ADDRESS 5 1A PRODUCTIONS LIMITED LANGSHOT FARM ACRE VALLEY ROAD TORRANCE GLASGOW UNITED G64 4DL KINGDOM 3DD ENTERTAINMENT LIMITED 8 - 12 CAMDEN HIGH STREET CAMDEN LONDON UNITED NW1 0JH KINGDOM 7 & 7 PRODUCERS' SALES SERVICES LTD 122 WALTON STREET LONDON UNITED SW3 2JJ KINGDOM 7 WONDER PRODUCTIONS LIMITED SOMERSET HOUSE NEW WING F36 STRAND LONDON UNITED WC2R 1LA KINGDOM 9 STORY MEDIA GROUP 23 FRASER AVENUE TORONTO CANADA M6K 1Y7 99PRO MEDIA GMBH EISENACHERSTRASE 86 04155 LEIPZIG GERMANY AARDMAN ANIMATIONS GAS FERRY ROAD BRISTOL UNITED BS1 6UN KINGDOM ABDUCTION FILMS LTD 68 WATER STREET VANCOUVER B.C. CANADA V6B 1A4 ACORN MEDIA GROUP INC 8515 GEORGIA AVENUE SUITE 650 SILVER SPRING MD UNITED STATES 20910 ACTIVE ENTERTAINMENT INC 1170 CAMINO VIEJO SANTA BARBARA, CA 93108 UNITED STATES ADHOC FILMS 1 WARDOUR ST 3RD FLOOR LONDON UNITED W1D 6PA KINGDOM ADLER MEDIA INC 8209 WAHLY DRIVE BETHESDA, MARYLAND UNITED STATES 20817 AFTER DARK FILMS, LLC 6350 SANTA MONICA BLVD., HOLLYWOOD, CA 90038 UNITED STATES 90038 SUITE 116 AKKORD FILM PRODUKTION GMBH ARNDTSTRASSE 34 10965 BERLIN GERMANY AKTIS FILM INTERNTATIONAL GMBH HAUPTMANNSTR. 10 04109 LEIPZIG GERMANY GERMANY ALL3MEDIA INTERNATIONAL LTD 10TH FLOOR, BERKSHIRE 168-173 HIGH HOLBORN UNITED WC1V 7AA HOUSE KINGDOM ALL3MEDIA INTERNATIONAL LTD: BENTLEY PRODUCTION 10TH FLOOR, BERKSHIRE 168-173 HIGH HOLBORN UNITED WC1V 7AA HOUSE KINGDOM ALL3MEDIA INTERNATIONAL LTD: CACTUS TV 10TH FLOOR, -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter.