DIRECTED BY RICHARD GARVIN
Stockton Civic Theatre presents its 369th Main Stage Production GON OLDEN POND
Set Design . . . . Brian Johnson
Lighting Design . . . . Hugh Litfin
Sound Design . . . . Brian Johnson
Costumes . . . . Liz Kastner-Garvin
Stage Manager . . . . Edie Nayer
Assistant Director . . . . Shawn Carrington
Directed by RICHARD GARVIN
On Golden Pond is presented by special arrangement with DRAMATISTS PLAY SERVICE 440 Park Avenue South, New York, NY 10016 H ello, and welcome to the land of the loons On Golden Pond. It’s season ticket renewal time for the 2012-2013 season. It is a blockbuster season and one you won’t want to miss. Grease …. September 5-30, 2012 White Christmas …. November 14-December 9, 2012 Lend Me A Tenor …. January 9-27, 2013 Little Shop of Horrors …. March 6-31, 2013 The Ritz …. May 1-19, 2013 Anything Goes …. June 26-July 21, 2013 I think you will agree that it’s going to be a great year at Stockton Civic Theatre. I love On Golden Pond, maybe because I am getting to the age where I really under- stand it! It is truly humorous and heartfelt, and the movie starring Katharine Hepburn and Henry Fonda really made the play accessible to everyone. Richard Garvin has assembled a fine cast including Sherry Dumos and Dalin Nelson who are making their SCT debut, and several faces you will recognize and gladly welcome back to our stage, Rocky Rhoades, back after too long an absence from our family. We welcome them all! Thank you for supporting Stockton Civic Theatre!
Jim Coleman Artistic Director DIRECTOR’S NOTES by Richard Garvin O n Golden Pond is a play about “family” and all the baggage that goes along with it. It is sweet and though provoking – sometimes uncomfortable, and will most certainly bring a tear to your eye and will undoubtedly make you laugh out loud. When I first saw the film, I was at the Pacific Conservatory of Performing Arts in Santa Maria, CA studying acting. I was young and away from home for the first time and it had a powerfully emotional effect on me. Since that time I have been fortu- nate enough to see two professional stage productions. A family dynamic is often like a battlefield, creating walking wounded who spend entire lifetimes wondering why and/or trying (or not) to fix something that did or did not happen. For whatever reason we are sometimes scarred as children– and as we mature we find ourselves with emotional holes that continue to grow throughout our lives. If these holes are not filled before we become adults, that part of us will never grow up and will affect and haunt us throughout our days. I have such a hole that I have been trying to fill for the last 40 years. It has had a profound effect on my life, my decisions, my relationships. Having the opportunity to work on this play has given me cause to think about my “hole” and what I might need to do to fill it. I think that the best way to “survive” our dysfunctional family dynamics is to embrace a “Life Is Short” attitude and decide if we want to survive and grow, or succumb and die. It is important to realize that our parents did what they knew how to do and couldn’t or wouldn’t make the necessary changes needed to keep the holes from starting or filling them when they did. One of the hardest things for adults to do is embrace and forgive the bad (or perceived bad) things in their childhoods. I could not feel more fortunate than to have the wonderful cast of players bringing these characters to life. Unlike the movie, which is very sad, the play has a lot of laughter and joy, as well as emotion and tears. In addition to my wonderful cast, I would very much like to thank everyone who worked so hard to put this play on its feet. As they say, it takes a village to raise a play! Thank you all of the technicians – light, sound, stage, the people who donated the trees, the front of house – ushers, box office, concessions, house manager, the construction crew who worked so tirelessly with Brian Johnson to bring our pond to life, costumes, props – and of course, the audience. I am lucky as a director to have such a wonderful production team who has been with me for several shows now. My long suffering stage manager, Edie Nayer, my wife Liz Kastner-Garvin who does my costumes, Brian Johnson who is the best set designer I have ever had, Putsy Lew-Hong who scours the city for just the right prop, and thanks to Jim Coleman for bringing the play to SCT and giving me the opportunity to bring it to life. I also want to give a special thank you to my Assistant Director, Shawn Carrington, who did such a wonderful job and had really terrific instincts. This play has a way of bringing all of the baggage to the center of the stage and airing the dirty laundry. It is touching and sometimes uncomfortable but it will make you think, it may make you cry, and I certainly hope that it makes you laugh. So bring your shovel and start to fill in your holes before it’s too late. Welcome to On Golden Pond. Richard Garvin Norman Thayer Jr ...... Michael Stratford Ethel Thayer ...... Sherry Dumos Charlie Martin ...... Rocky Rhoades Chelsea Thayer Wayne ...... Jennifer Nelson-Burgher Billy Ray ...... Dalin Nelson Bill Ray ...... Richard Garvin Operator ...... Karie Nelson
Scene Breakdown
Act 1, Scene 1 ...... The middle of May, early afternoon Act 1, Scene 2 ...... The middle of June, mid-morning Act 1, Scene 3 ...... The middle of July, early evening
There will be a 15 minute intermission
Act 2, Scene 1 ...... The middle of August, early morning Act 2, Scene 2 ...... The middle of September, late morning
Acknowledgements o
Special Thanks to: James S. Jones, Artistic Director, Tokay High School Kerry Baldwin Manny Moreno Marvin Williamson Rocky Rhoades – Charlie Martin (in order of appearance) Rocky is happy to return to SCT after a long hia- Michael Stratford– Norman Thayer Jr. tus. This will be his first Michael is no stranger to appearance on the stage the SCT stage having here at the Rosemarie appeared in four previous location. His previous productions, beginning SCT theatre credits were with Kiss Me Kate in all earned at the old Madison Street site. 2005. He won a Best His first role was in Love, Sex and the IRS Actor Willie for his role followed by Buloxi Blues, and he also directed of Sheriff in Best Little Whorehouse in Texas Angry Housewives. In Lodi he appeared on and Best Supporting Willie for his portrayal the Tokay Players stage in True West. of Reverend Hooker in Dearly Departed. He was also seen in The Producers. Other Jennifer Nelson-Burgher – Chelsea major performances were in Sleuth, Macbeth, Thayer Wayne and Hamlet, all at Rocky Mountain College Jennifer started early in Montana. His day job is as a teacher and with SCT appearing in English Department Chair at Cesar Chavez the Children’s Theatre High School. Also a writer, he has just started production, Toad of writing his fifth novel. Toad Hall. This was fol- lowed by a role in Stop the World, I Want to Get Off, and most Sherry Dumos – Ethel Thayer recently in this season’s Dearly Beloved. This will be Sherry’s Earlier theatre experiences came while at debut performance on Stagg High School, Delta College, and the SCT stage. However, Chico State in such productions as Fiddler she comes with theatre on the Roof, Flower Drum Song, and Guys experience, having per- and Dolls. A realtor with Lela Nelson Realty, formed as the Wicked Jennifer enjoys exploring alternative healing Witch of the West in modalities, using yoga and positive intention Wizard of Oz at Playhouse Merced, Anne to obtain balance and well-being. She is Putnam in The Crucible at Stage 3 in Sonora, thrilled to be in the debut show of her and Baroness Elsa Schrader in The Sound of nephew, Dalin Nelson. Music at Fallon House in Columbia. With a Bachelor of Arts Degree in Business, Sherry serves as a bookkeeper in Oakdale for Mozingo Construction. Dalin Nelson – Billy Ray Jr. Karie Nelson – Operator A student at Joe Serna Jr. Karie’s first SCT show Charter School, this is was Stop the World, I Dalin’s debut perform- Want to Get Off. Her ance on the SCT stage latest was this season’s with his mom Karie and Dearly Beloved. A te- aunt Jennifer. He plays acher by day, she earned , followed by baseball, loves to travel, and will be traveling her B.A. in Liberal Studies . He also direct- to Cooperstown. He also swims and plays at CSU Stanislaus, and a Masters Degree in . Richard came to SCT with water polo. Says Dalin, “And I really am 12!” Multilingual Education. She is proud to be an extensive theatre background including training with the Pacific Conservatory of the sharing the stage with her son, Dalin, in his Richard Garvin – Bill Ray first show ever. Richard first appeared in the 1976 production of She Stoops to Conquer, . Her latest was this sea- followed by Angels in . A teacher by day, she earned her B.A. in Liberal Studies at CSU America, The Produc- Stanislaus, and a Masters Degree in Multilingual Education. She is proud to be sharing ers, and most recently Dearly Beloved. He also directed and won a Best Production Willie for Run for Your Wife. Richard came to SCT with an extensive theatre background including training with the Pacific Conserva- tory of the Performing Arts of Allan Hancock College. Meet the Staff Brian Johnson – Set Designer/ Scenic Artist Richard Garvin – Director Brian began his SCT See Cast Bio. affiliation with perform- ing roles in Nunsensa- tions and Wait Until Shawn Carrington – Assistant Dark, then moved on to Director scenic design. He has A drama director at Alan received Willie Awards for designs of Short Center, Shawn has Cinderella and Run for Your Wife. He performed in numerous designed last season’s 42nd Street and this SCT productions, his season’s Hairspray. He earned high praises first being You Can’t and a special Willie for his use of mixed Take It With You in media-live action, video and recorded sound 1994, and the latest 42nd Street. Other in Joseph and the Amazing Technicolor shows include The Piano Lesson, Fences, La Dreamcoat. Brian is a licensed contractor Cage Aux Folles, The Secret Affairs of Mil- whose work can be seen at Johnson Custom dred Wild, Annie Get Your Gun, and The Painting.com. Full Monty. He earned Willie Awards for his Special Dedication from Brian: performances in The Piano Lesson and “During the building of this season’s Hairspray set, my loving grandma, Barbara Harmon Fences. Shawn will be making his directing Johnson, passed away. She was an amazing debut next season with Lend Me a Tenor. artist, and I grew up seeing her drawings and watercolor paintings on the walls of our home and in the mountain cabin my folks owned. She truly inspired me. I would see her sit and draw… simple lines that slowly took form into beautiful pictures that ended up framed and admired forever. I know she did other things in life, but for me growing up, her “occupation” was artist. That’s what she did… and that’s what I wanted to do. Her and my grandpa’s love of the outdoors had the family exploring the wilderness as soon as their children could walk. My dad then carried it on with our family, giv- ing me an understanding and appreciation of the world beyond asphalt and track homes. Designing the setting for Golden Pond reminds me of the wonderful times I spent at the cabin or in the forest with Grandma and the rest of the family, so I wish to dedicate this set to her, and those wonderful memories. May we all be blessed to have time to spend with those we love.” Hugh Litfin – Lighting Design Liz Kastner-Garvin – Costumer Hugh is returning to Liz started with SCT as a SCT, this time as light- “techie” in 1993. Since ing designer. His last then, she has taken on work here was as co-sce- almost every job includ- nic designer for You’re a ing stage manager, pro- Good Man Charlie duction manager, lights, Brown, for which he received a Willie nomi- spots and props, and nation. This was Hugh’s third production of costume design. She was nominated for a Charlie Brown, his first in 1979. He works as Willie Award for her costume designs for a director of photography for film and televi- Run For Your Wife. She has also performed sion and as a lighting and scenic designer for onstage in Lil Abner, The Miser, The Child- the theatre. He teaches film production at ren’s Hour, and most recently Dearly the Academy of Art University and lives in Beloved. With her husband Richard, she Lodi with his family. entertains a menagerie of three dogs, two cats, and a bearded dragon.
Edie Nayer – Stage Manager Ironically, Edie’s first Mark Sorenson – Scenic Artist involvement with SCT Mark has worked on numerous shows with was in the 1985 produc- set construction and scenic art including tion of On Golden Pond. Cinderella, Annie Get Your Gun, Dearly She has come full circle Departed, 42nd Street and Annie, Jr. An art now with the current graduate from Sacramento State, he is an in- production. In between house artist for Trader Joe’s. He thanks Brian she has been very busy with SCT, perform- Johnson for giving him the opportunity to ing in Stepping Out, Christmas Carol, and work with him again and learn “the tricks.” Once Upon a Mattress. She directed It Had to Be You, and has been assistant director for six other shows. In addition, she has been stage manager for several shows, as well as serving as deck manager and working the light and sound boards. She was editor of the theatre’s programs for 6 years. Her work has earned her both the Dora Belle Howard Award and the Layne Fields Award. Now retired, she taught for 36 years at Franklin High School. Staff and Crew
Director ...... Richard Garvin Assistant Director ...... Shawn Carrington Technical Director ...... Terry Smith Set Design ...... Brian Johnson Light Design ...... Hugh Litfin Sound Design ...... Brian Johnson Stage Manager ...... Edie Nayer Costumer ...... Liz Kastner Garvin Property Mistress ...... Putsy Lew Hong Light Board Operators ...... Putsy Lew Hong Sound Board Operators ...... Carol Barry Scenic Artists ...... Brian Johnson, Mark Sorenson Crew ...... Fred Avila, Steve Orr, Jacob Saldan, Larry Streeter, Chris Small, Jeremy Whalen BOARD OF DIRECTORS President ...... Allison Cherry Lafferty Immediate Past President ...... Lorrie Docter Vice President, Fundraising ...... John Cammack Vice President, Educational Programs ...... Dominée Muller-Kimball, Ed.D. Vice President, Finance ...... Richard Ceresa Vice President, Volunteers ...... Jay Judith Holmes Secretary ...... Teresa Hickey Artistic Committee Chair ...... Barbara Crocker Directors ...... Teresa Bavinder, Elizabeth Costello
THEATRE STAFF Artistic Director ...... Jim Coleman Business Manager ...... Patrick Rogers Director of Marketing ...... Nick Elliott Technical Director ...... Terry Smith Office Manager ...... Charlie Kirby Box Office Manager ...... Araceli Corona Footlighters Chairs ...... Judy Caruso Williamson, Putsy Lew Hong
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