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Christopher Plummer
Christopher Plummer "An actor should be a mystery," Christopher Plummer Introduction ........................................................................................ 3 Biography ................................................................................................................................. 4 Christopher Plummer and Elaine Taylor ............................................................................. 18 Christopher Plummer quotes ............................................................................................... 20 Filmography ........................................................................................................................... 32 Theatre .................................................................................................................................... 72 Christopher Plummer playing Shakespeare ....................................................................... 84 Awards and Honors ............................................................................................................... 95 Christopher Plummer Introduction Christopher Plummer, CC (born December 13, 1929) is a Canadian theatre, film and television actor and writer of his memoir In "Spite of Myself" (2008) In a career that spans over five decades and includes substantial roles in film, television, and theatre, Plummer is perhaps best known for the role of Captain Georg von Trapp in The Sound of Music. His most recent film roles include the Disney–Pixar 2009 film Up as Charles Muntz, -
On Golden Pond the Articles in This Study Guide Are Not Meant to Mirror Or Interpret Any Productions at the Utah Shakespeare Festival
Insights A Study Guide to the Utah Shakespeare Festival On Golden Pond The articles in this study guide are not meant to mirror or interpret any productions at the Utah Shakespeare Festival. They are meant, instead, to be an educational jumping-off point to understanding and enjoying the plays (in any production at any theatre) a bit more thoroughly. Therefore the stories of the plays and the interpretative articles (and even characters, at times) may differ dramatically from what is ultimately produced on the Festival’s stages. Insights is published by the Utah Shakespeare Festival, 351 West Center Street; Cedar City, UT 84720. Bruce C. Lee, communications director and editor; Phil Hermansen, art director. Copyright © 2011, Utah Shakespeare Festival. Please feel free to download and print Insights, as long as you do not remove any identifying mark of the Utah Shakespeare Festival. For more information about Festival education programs: Utah Shakespeare Festival 351 West Center Street Cedar City, Utah 84720 435-586-7880 www.bard.org. Cover photo: Peggy Scott (top) and Richard Kinter in On Golden Pond, 2006. Contents Information on the Play Synopsis 4 CharactersOn Golden Pond 5 About the Playwrights 6 Scholarly Articles on the Play On Golden Pond 8 Utah Shakespeare Festival 3 351 West Center Street • Cedar City, Utah 84720 • 435-586-7880 Synopsis: On Golden Pond Norman and Ethel Thayer have recently returned to spend their forty-eighth summer at their vacation home on Golden Pond in Maine. Norman is doing his best to see that the phone is in working order, while Ethel, who has been gathering firewood, is excited at having met some of the neighbors. -
ON GOLDEN POND by Ernest Thompson Designed and Directed by Bain Boehlke November 7-December 21, 2014 the Jungle Theater 2951 Lyndale Av
For Immediate Release: October 2, 2014 Media Contact Anne Q. Ulseth [email protected] 612.272.0588 (mobile) ON GOLDEN POND By Ernest Thompson Designed and directed by Bain Boehlke November 7-December 21, 2014 The Jungle Theater 2951 Lyndale Av. S., Minneapolis Tickets: $25-43 Box office: 612-822-7063 or www.jungletheater.com Jungle presents ON GOLDEN POND Nov. 7-Dec. 21 One of America’s most beloved plays comes to the Jungle for the first time (MINNEAPOLIS; October 2, 2014) – The Jungle Theater brings the poignant ON GOLDEN POND to its stage for an inaugural run and reunites audience favorites Bain Boehlke and Wendy Lehr, both Ivey Award Lifetime Achievement/ McKnight Distinguished Artists. This warm and witty American classic, opening November 7, explores the turbulent relationship between father and daughter, the generation gap between young and old, and the challenges facing a couple in the twilight years of a long and happy marriage. The new production will be on stage at the Jungle, 2951 Lyndale Av. S. in Minneapolis, through December 21. As the story begins, the Thayers (played by Boehlke and Lehr) – open-hearted Ethel and irascible Norman – return to their cottage on Golden Pond for their 48th summer. Their respite is interrupted by the unexpected arrival of their estranged daughter, her fiancé and his teenage son. Over the course of the summer, an unlikely friendship develops between Norman and the boy, which sparks a renewed zest for life in the Thayer family. The talented cast includes Jennifer Blagen as daughter Chelsea, Michael Booth as fiancé Bill Ray, Peder Lindell as teenager Billy Ray and E.J. -
Hooray for Hollywood the Sequel
Hooray for Hollywood! The Sequel Music & Color; The Glamour Years Created for free use in the public domain American Philatelic Society ©2011 • www.stamps.org Financial support for the development of these album pages provided by Mystic Stamp Company America’s Leading Stamp Dealer and proud of its support of the American Philatelic Society www.MysticStamp.com, 800-433-7811 HoorayMusic & Color; for The GlamourHollywood! Years Movie Makers Walt Disney (1901–1966) Alfred Hitchcock (1899–1980) Scott 1355 Legends of Hollywood series • Scott 3226 The creator of Mickey Mouse and a host of other magical The master of the suspense film genre — which he is said cartoon characters began his professional career as an virtually to have invented — Hitchcock’s thrillers usually animator in the early 1920s with a friend, Ub Iwerks, and involved an ordinary person getting swept up in threatening with the financial backing of Walt’s brother Roy. With the events beyond his or her control and understanding. His first help of Walt and Roy’s wives, Lily and Edna, they produced U.S. film, Rebecca (1940) for David Selznick, won that year’s three cartoons featuring a mouse (who was almost named Oscar for Best Picture. He was voted Greatest Director of all Mortimer) in 1928, but it wasn’t until Disney added Time by Entertainment Weekly, whose list of 100 Greatest synchronized music to Steamboat Willie that their fortune was Films included four of his, more than any other director: made. Numerous popular short animated features followed, Psycho (1960, #11), Vertigo (1958, #19), North by Northwest including Flowers and Trees (1932), the first color cartoon (1959, #44), and Notorious (1946, #66). -
On Golden Pond by Ernest Thompson
April 14 – May 10, 2015, on the OneAmerica Stage STUDY GUIDE edited by Richard J Roberts with contributions by Janet Allen Robert M. Koharchik, Linda Pisano, Betsy Cooprider-Bernstein, Richard K. Thomas Indiana Repertory Theatre 140 West Washington Street • Indianapolis, Indiana 46204 Janet Allen, Executive Artistic Director Suzanne Sweeney, Managing Director www.irtlive.com SEASON SPONSOR 2014-2015 LEAD SPONSOR ASSOCIATE SPONSOR YOUTH AUDIENCE & MATINEE PROGRAMS FAMILY SERIES SUPPORTER SUPPORTER SPONSOR SPONSOR 2 Indiana Repertory Theatre On Golden Pond by Ernest Thompson As Ethel and Norman return to the familiar summer ritual of their tranquil vacation home on the water, they get a surprise guest in the form of their daughter’s young stepson-to-be. Through the eyes of three generations, we experience the labors and liveliness of a couple in the midst of their twilight years, and are reminded that each moment is a gift we share with those we love. Ernest Thompson’s On Golden Pond is a captivating study in character, relationships, and overcoming the past. Norman has begun struggling with memory loss, yet finds comfort in making new memories with his grandson-to-be. His faithful wife Ethel confronts their daughter about her strained relationship with her father by illuminating uncomfortable moments in their past. On Golden Pond offers students a chance to engage in character analysis and to explore mood and tone by analyzing the significance of setting. Estimated length: 2 hours, 30 minutes, including 1 intermission Recommended for students in grades 7 through 12. Themes, Issues, & Topics Relationships between parents and children Impact of aging on one’s self-image Importance of relationships to make life enjoyable Inter-generational relationships adding to the richness of life Student Matinees at 10:00 A.M. -
AFI Preview #05: September 18–October 28, 2003
THE AMERICAN FILM INSTITUTE GUIDE September 18–October 28, 2003 ★ AFITO THEATRE AND MEMBER EVENTS PREVIEWVOLUME 1 • ISSUE 5 Latin America Film Festival September 18–28 SHANE ONCE UPON A TIME IN AMERICA DUCK, YOU SUCKER Tributes to Katharine Hepburn, Jim Henson, Charles Guggenheim Barry Levinson in Person 10 Years of Czech Films Also: HOTEL • A MIDSUMMER’S NIGHT DREAM NEW! Members Advance Screenings New Work from Jeff Krulik THE HUMAN STAIN and VERONICA GUERIN Much More! Meet THE HUMAN STAIN’s Director, Robert Benton! LATIN AMERICAN FILM FESTIVAL SHORTS FROM PANAMA *AFI Silver Theatre: Thu, Sep 18, 6:30; A Celebration for Sun, Sep 21, 3:15; Mon, Sep 22, 6:40 All Audiences Kennedy Center: No Screenings ■ MY GRANDMOTHER’S September 18–28 GRANDFATHER: CAYUCO STORY A concentrated look at the latest and [El abuelo de mi abuela: best from Latin America, with special La historia de Cayuco] thanks to Anna Milena de Gaviria of PANAMA In a tiny fishing village, a little girl the Cultural Foundation of the starts running into—are they spirits? Americas, the Organization of —on the beach, but can her initially disbelieving mom take care of things? American States, and the embassies Directed by Jose Vega. Panama, of the participating countries. Many 2002, color, 35 min. Spanish with of the films will screen at both the English subtitles. PLUS AFI Silver Theatre and Cultural Center PASSIONATE WOMEN ■ MY GRANDMOTHER’S GRAND- and the AFI National Film Theater at gained for—his reporter contact is FATHER: BETWEEN DREAMS AND missing and nobody’s looking for him, PASSIONATE WOMEN the Kennedy Center. -
Willie Nelson, Rhett Miller, Shawn Colvin, Robert Earl Keen and More Pay Tribute to Sara Hickman on Best of Times
Willie Nelson, Rhett Miller, Shawn Colvin, Robert Earl Keen and More Pay Tribute To Sara Hickman on Best of Times With an unwavering dedication to increased awareness and funding for arts education and a passion for art and the creative process, Sara Hickman provides a unique and powerful voice for women, her generation and the value and importance of the arts in school. It is no wonder more than 30 Texas music legends including Willie Nelson, Rhett Miller, Shawn Colvin, Robert Earl Keen and dozens more have come together to both pay tribute and add to her philanthropic endeavors with The Best of Times. Sales of this compilation CD, available nationwide August 23, 2011, will benefit Theatre Action ProJect (TAP), a non-profit that brings art, music and theatre to Central Texas schools. Upcoming Tour Dates: 6/11 Kerrville Kerrville FolK Festival 6/12 Kerrville Kerrville FolK Festival 6/17 Dallas Kessler Theater w/ Brave Combo 6/18 - Croton-on-Hudson, NY Clearwater Festival 7/13 Wimberley, TX Wimberley Public Library 7/25 - Swannanoaa , NC - Warren Wilson College 9/8 - Lincoln, IL - First Presbyterian Church Quotes: 9/9 - Chicago - Heartland Cafe 9/15 Austin Bethany United Methodist Church Hickmans reputation in the Lone Star State is well 9/16 18 Austin Austin Kiddie Limits @ ACL Festival established she holds the prestigious designation of being 9/21 Nashville Music City Roots 9/22 Birmingham Moonlight On The Mountain a former Texas State Musician but with this sumptuous 9/23 - Chattahoochee Nature Center collection, shes indelibly etched as an icon. 9/25 Memphis Levitt Pavilion - Lee Zimmerman 10/1 Houston Unitunes Coffeehouse 12/1 Houston Mucky Duck w/ Terri Hendrix 12/2 Fort Worth McDavid Studio w/ Terri Hendrix Her new style has Hickman looking years younger and a 12/3 Longview Longview Museum of Fine Arts few years modder than Juliana Hatfield, with a maturity 12/17 - La Grange - The Bugle Boy that lets her skip the cynicism that pervades the Contact Info coffeehouses of today. -
Roy Huskey Jr. Recordings
Recordings with Roy Huskey Jr. In No Particular Order Nitty Gritty Dirt Band "Will The Circle Be Unbroken - Volume 2" The Byrds "Sweetheart Of The Rodeo" Emmylou Harris & The Nash Ramblers "Live At The Ryman" Emmylou Harris & The Nash Ramblers "Cowgirls Prayer" Peter Rowan "All On A Rising Day" & "Bluegrass Boy" Hazel Dickens "It's Hard To Tell The Singer From The Song" Steve Earle "Train A Comin'" & "El Corazon" Aubrey Haynie "Doin' My Time" (also Dennis Crouch on bass) Sam Bush "Howlin' At The Moon" ("Song For Roy" Tribute) John Hartford "Annual Waltz" & "Gum Tree Canoe" & Others Darrel Scott "Aloha From Nashville" Willie Nelson "Yesterday's Wine" Vassar Clements "Grass Routes" Randy Howard "I Rest My Case" (also Dennis Crouch on bass) Jon Randall Stewart "Willin'" (also John Cowan on bass) Townes Van Zandt "At My Window" Nancy Griffith "Other Voices, Other Rooms" Nancy Griffith "Once In A Very Blue Moon" Iris Dement "Infamous Angel" & "My Life" Bobby Hicks "Texas Crapshooter" Ricky Skaggs "Essential Ricky Skaggs" Gillian Welch "Revival" The O'Kanes "First Album" Sweethearts of the Rodeo "Rodeo Waltz" & "Beautiful Lies" Bill & Bonnie Hearne "Diamonds In The Rough" Kathy Chiavola "From Where I Stand" Bap Kennedy "Domestic Blues" Bap Kennedy "Long Time A Comin': Story So Far" Steve Gillette "The Ways Of The World" Carlene Carter " Little Love Letters" Robin & Linda Williams "The Rhythm Of Love" Chris Vallillo "The Best Of All Possible Worlds" Garth Brooks "In Pieces" Alan Jackson "A Lot About Livin' (And A Little 'Bout Love)" Trio II (Emmylou Harris, Linda Ronstadt, Dolly Parton) Randy Gambill / Rosebud (last Roy Jr. -
Jack Ingram and the Roots of the Texas Country Scene Rich Kelly
32 Jack Ingram and the Roots of the Texas Country Scene Rich Kelly Jack Ingram performing at Gruene Hall, March 31, 2000. Photo by and courtesy of Jeremy Elliott. In May of 2016 Guy Clark, a songwriting giant in both his native Texas and his adopted Nashville, passed away. A week later, a bus of Clark’s Tennessee friends delivered their mentor’s cremated remains to fellow artist Terry Allen’s Santa Fe home for a wake for the legend. The intimate picking party featured a who’s who of alternative country luminaries including Steve Earle, Emmylou Harris, Vince Gill, Joe Ely, Rodney Crowell, Lyle Lovett, 33 and Robert Earl Keen. Among the impressive gathering of singer-songwriters, only two were under sixty years old: Allen’s son Bukka, an accomplished accordionist, and Jack Ingram.1 The 45-year-old Ingram had come a long way from his musical beginnings in Dallas’s Deep Ellum more than twenty- five years earlier. Along with the chance to honor one of his heroes and inspirations, the invitation signaled Ingram’s ascension into the pantheon of Texas’s elite singer-songwriters. Along the way Ingram pushed against the prevailing musical winds, played a key role in reviving fan interest in original Texas country music, and served as the key inspiration for the early artists of the emerging Texas Country scene. In the 1990s in college cities and towns throughout Texas, a Kacey Musgraves. Despite the genre’s widespread popularity, regional country music scene developed. The artists and fans there has been little academic examination of its beginnings or in this musical movement consciously strove to revive the values impact. -
Robert Earl Keen Gringo Honeymoon Mp3, Flac, Wma
Robert Earl Keen Gringo Honeymoon mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Gringo Honeymoon Country: US Released: 2015 Style: Folk MP3 version RAR size: 1487 mb FLAC version RAR size: 1327 mb WMA version RAR size: 1815 mb Rating: 4.9 Votes: 193 Other Formats: WMA AUD APE ASF AC3 RA VOC Tracklist Hide Credits A1 Think It Over One Time 3:50 Tom Ames' Prayer A2 3:23 Written-By – Steve Earle A3 Gringo Honeymoon 5:19 A4 The Raven And The Coyote 5:12 A5 Lonely Feeling 8:30 B1 Merry Christmas From The Family 4:45 B2 Barbeque 4:41 Lynnville Train B3 5:03 Written-By – LeRoy Preston*, Robert Earl Keen B4 I'm Comin' Home 3:47 B5 Dreadful Selfish Crime 7:34 Companies, etc. Phonographic Copyright (p) – Sugar Hill Records Copyright (c) – Sugar Hill Records Recorded At – Alex The Great Mixed At – OmniSound Studios Mastered At – Final Stage Mastering Published By – Bug Music Published By – Keen Edge Music Published By – Wb Music Corp. Published By – Whiskey Drinkin' Music Credits Backing Vocals – Brad Jones , Bryan Duckworth, Dave Heath , Dennis Locorriere, Gillian Welch, Gurf Morlix, Jeff Coppage, Lorne Raul, Mark Thomas Patterson, Rebecca Stout, Rich Brotherton Bass – Dave Heath , Garry Tallent Design – Diane Painter Drums – Dave Durocher, Mark Thomas Patterson Engineer [Assistant Engineer] – Brad Jones Fiddle – Bryan Duckworth Guitar – George Marinelli, Gurf Morlix, Rich Brotherton Mastered By – Randy LeRoy Mixed By – Roger Moutenot Organ – Brad Jones Percussion – Brad Jones , Sam Bacco Photography By – Peter Figen Piano – Brad Jones Producer – Garry Velletri Recorded By – Jeff Coppage Steel Guitar – Tommy Spurlock Violin – Jonathan Yudkin Vocals – Robert Earl Keen Written-By – Robert Earl Keen (tracks: A1, A3 to A5, B1, B2, B4, B5) Notes Vinyl release for Record Store Day, April 18, 2015. -
His Road Back Home
Robert Earl Keen His Road Back Home By Joanne Liu Photos by Scott Vallance - VER SINCE THE 1970s WHEN Robert Earl Keet marked his college days at Texas A&M with front- Eporch picking and fiddling along with musicians the likes of Lyre Lovett, he has been steadily shaping his singer- songwriter legacy. Keen has 17 albums to his name, with songs like Gringo Honeymoon, Mery Christmas From the Family and The Road Goes On Forever livening up music history books with their indecorous characters and sharp-witted narration. Over the past few decades, he’s gathered a legion of loyal followers and continues to strike emotional chords wherever he plays. {The State of Texas honored him by proclaiming May 10, 2005, as “Robert Earl Keen Day.”) But despite his lyrics, accolades and fans’ hearty singdong renditions, the road does aut go on forever. That’s because for Robert Earl Keen, the road ends in the Texas Hill Country where he and his family make their home. Keen’s music ties him to the road 120 days a year, so when he is back home, it’s alI the sweeter. Born in Houston in 1956 to a petroleum engineer and family law attorney, he now lives with his own lamily - wife Kathleen and daugh- ters Clara, 11, and Chloe, 6 - among more than a half- dozen pets with names such as Wheedle and Bro. Though he claims to be an animal-tolerant guy surround- ed by animal lovers, Keen truly has a big heart. (For exam- ple, he discovered and rescued one animal - now a family pet - on a roadside just about ready for a good trampling by a herd of cows.) Perhaps he takes after his soft-hearted mother, one of the first female attorneys in Houston in the late 195Os, who “took every indigent case that ever walked in her office,” Keen says. -
Politicising Stardom: Jane Fonda, IPC Films and Hollywood, 1977-1982
1 Politicising Stardom: Jane Fonda, IPC Films and Hollywood, 1977-1982 James Michael Rafferty Queen Mary, University of London Thesis submitted for the qualification of Doctorate of Philosophy (PhD) 2 Abstract This thesis is an empirical analysis of Jane Fonda’s films, stardom, and political activism during the most commercially successful period of her career. At the outset, Fonda’s early stardom is situated in relation to contemporaneous moral and political ideologies in the United States and how she functioned as both an agent and symbol of these ideologies. Her anti-war activism in the early-1970s constituted the apex of Fonda’s radicalisation and the nadir of her popular appeal; a central question of this thesis, therefore, is how her stardom was rehabilitated for the American mainstream to the point of becoming Hollywood’s most bankable actress. As the star and producer of IPC Films, Fonda developed political projects using commercial formats, namely Coming Home (1978), The China Syndrome (1979), Nine to Five (1980), and Rollover (1981). The final IPC film, On Golden Pond (1981), signalled an ideological breach in this political strategy by favouring a familial spectacle, and duly outperformed its predecessors significantly. The first and last chapters of this work provide historical parameters for IPC in Fonda’s career, while the remaining chapters are structured by the conceptual and political aspects of each IPC project. Julia (1977) is discussed as an IPC prototype through its dramatisation of political consciousness. Coming Home, The China Syndrome, Nine to Five, and Rollover all exhibit this motif whereas On Golden Pond employs melodramatic nostalgia.