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National Gallery of , Washington

Annual Report | 2001 Board of Trustees Audit Committee Teresa F. Heinz (as of 30 September 2001) Robert R Erburu Raymond J. Horowitz Chairman Robert J. Hurst Paul H. O'Neill James V. Kimsey The Secretary of the Treasury Mark J. Kington Robert H. Smith Leonard A. Lauder Julian Ganz Jr. Robert F. Erburu Alexander M. Laughlin Chairman O. Maxwell Edward J. Mathias Victoria P. Sant David O. Maxwell Joyce Menschel Finance Committee Liselotte Millard Harvey S. Shipley Miller Robert H. Smith Chairman Diane A. Nixon President Paul H. O'Neill The Secretary of the Treasury John G. Pappajohn Robert R Erburu Prince Julian Ganz Jr. Mitchell P. Rales David O. Maxwell Sharon Percy Rockefeller Robert M. Rosenthal Julian Ganz Jr. Victoria P. Sant •••• Roger W. Sant i# Art and Education Committee B. Francis Saul II Robert H. Smith Albert H. Small Chairman James S. Smith Earl A. Powell III 0. Maxwell Carter Stevenson Robert F. Erburu Frederick A. Terry Jr. Julian Ganz Jr. Joseph G. Tompkins David O. Maxwell Ladislaus von Hoffmann Victoria P. Sant John C. Whitehead, Emeritus

Victoria R Sant Dian Woodner Trustees Emeriti Nina Zolt Ruth Carter Stevenson Alexander M. Laughlin (as of 30 September 2001)

Trustees' Council Robert H. Smith William H. Rehnquist (as of 30 September 2001) President The Chief Justice of the Victoria P. Sant Earl A. Powell III Chair Director LaSalle D. Leffall Jr. Alan Shestack Vice Chair Deputy Director Heidi L. Elizabeth Cropper Dean, Center for Advanced Leon D. Black Colin L. Powell Study in the Visual Calvin Cafritz The Secretary of State Darrell R. Wilson Melvin S. Cohen Administrator William T. Coleman Jr. James E. Duff Edwin L. Cox Treasurer Robert W. Duemling Elizabeth A. Croog James T. Dyke Secretary and General Counsel Paul H. O'Neill Joseph J. Krakora The Secretary of the Treasury A. Ebsworth External Affairs Officer Mark D. Ein Edward E. Elson J. Carter Brown Doris Fisher Director Emeritus Aaron I. Fleischman

Lawrence M. Small Marina K. French The Secretary of the Morton Funger Rose Ellen Meyerhoff Greene Frederic C. Hamilton of Art, Washingti

Annual Report | 2001

5 President's Foreword 10 Director's Statement Portrait of the Year | 2001 uisitions libitions ilications ilic Programs action Management and Conservation ources for Scholarly Research ter for Advanced Study in the inges in Attribution

78 Treasurer's Report 80 Financial Statements Robert H. Smith President's Foreword | The enjoys a public-private partnership that President began more than sixty years ago. This partnership originated with the unparalleled gift by Andrew W. Mellon, who donated to the nation his art collection and the funds for a new build- ing, thereby establishing the basis for a museum that is today among the finest in the world. In keeping with the provisions of Mr. Mellon's gift, which was accepted by a Joint Resolution of the Seventy-fifth Congress in 1937, the federal government has ever since supported the fund- ing for the operation and maintenance of the institution. Federal appropriations ensure that the museum remains open to the public free of charge 363 days of the year. The task of building and augmenting the Gallery's collections and supporting a range of activities falls to the private sector, following the exemplary lead of the Gallery's founder. We are grateful to the President of the United States and the Congress, as well as the Gallery's many private supporters, for their unwavering commitment to the nation's art museum. Private-sector support, an integral component of the partnership, allows the Gallery to enhance its art collections and ensures many vital activities. Over the next several years, the Gallery will continue to focus its efforts on securing private resources for art acquisition and special exhibitions. We extend our deepest thanks to those generous Gallery friends who made leadership gifts for these priority needs in fiscal year 2001, including The William Stamps Parish Fund, Joan and Lucio Noto, and Victoria and Roger Sant. With funds provided by The Morris and Gwendolyn Cafritz Foundation, the Gallery acquired monumental by two mod- ern masters, Richard Serra and Frank Stella. Fiscal year 2001 began with the exhibition Art for the Nation: Collecting for a New Century. It featured a selection of one hundred forty masterpieces given to the Gallery over the last decade, either through outright gifts or through gifts of funds for art acquisition, and demonstrated the enduring regard of American collectors for their National Gallery in the form of private support.

5 | National Gallery of Art | Washington We would like to thank the following corporations for their generous support of the Gallery's special exhibitions program: Verizon Foundation for Art for the Nation: Collecting for a New Century; DaimlerChrysler Corporation Fund for , 1890-1914; Deutsche Bank and Deutsche Banc Alex. Brown for and America: and His Galleries; HSBC Bank USA for : Prints from Four Decades; and Airbus for Virtue and Beauty: Leonardo's "Ginevra de' B end" and Portraits of Women. Several foundations and individuals provided funding for special exhibitions this year as well. We are grateful to Donald and Eleanor Taffner, Robert and Arlene Kogod, and the Terra Foundation for the Arts for their support of Art Nouveau, 1890-1914. We also want to express our thanks to Stephen and Anna-Maria Kellen, whose foundation sponsored the exhibition Spirit of an Age: Nineteenth- Century from the Nationalgalerie, Berlin. The Collectors Committee and The Circle of the National Gallery of Art, the Gallery's two annual giving programs, provided critical support for Gallery activities. The Collectors Com- mittee is a national group of art collectors and patrons who meet once a year to acquire art for the modern and contemporary collection. This year, the Committee voted to use their pooled annual contributions for the acquisition of two fluorescent light sculptures by Dan Flavin and a by Edward Ruscha. My fellow trustees and I are very grateful to Doris Fisher and Barney Ebsworth for their leadership as cochairs of the Collectors Committee. Under the capa- ble leadership of Julie Folger, chair, and Marina French, cochair, The Circle has grown to more than one thousand members representing thirty-one states and the District of Columbia, and has provided support for a range of activities. We were saddened this year by the of Katharine Graham, a Gallery Benefactor and personal friend to many at the museum. Kay was an active and generous participant in numerous Gallery programs, from the Collectors Committee to the New Century Fund. As founding cochair of The Circle from 1986 to 1994, she played an instrumental role in expanding the Gallery's national constituency. Kay was a wonderful advocate for this institution and will be missed by us all.

6 | Annual Report | 2001 The composition of the Gallery's Board of Trustees remained unchanged in fiscal year 2001. Robert F. Erburu continues as chairman of the board, with Julian Ganz Jr., David O. Maxwell, Victoria P. Sant, and me as private trustees. The Chief Justice of the Supreme Court, the Secretary of State, the Secretary of the Treasury, and the Secretary of the Smithsonian Institution serve as ex officio trustees. Vicki Sant and LaSalle D. Leffall Jr. were appointed chair and vice chair of the Trustees' Council in 2001, succeeding David Maxwell and Robert W. Duemling. We greatly appreciate David's and Bob's service to the Council and extend a warm welcome to Vicki and LaSalle in their new leadership roles. This past year's events have lent a new significance to the National Gallery's role as the nation's art museum. Our common goal remains that every aspect of the Gallery, from care for the collections to scholarship and educational initiatives, reflects the best our country has to offer. The trustees of the National Gallery of Art are enormously grateful to the federal government and the Gallery's devoted friends across the nation and around the world for their dedication to this institution. This strong support, together with the efforts of the Gallery's talented staff, will ensure that the National Gallery of Art continues to stand as a symbol of beauty, inspiration, and excellence.

7 | National Gallery of Art | Washington

Earl A. Powell III Director's Statement | As we move further into this decade, the National Gallery of Art is Director committed to enhancing, strengthening, protecting, and caring for its assets—the collections and the landmark buildings and grounds—while continuing to present outstanding special exhibitions and educational programs. Andrew W. Mellon's patriotism and generosity, together with that of many other donors, is the foundation for the National Gallery's acclaim. Today, as we have throughout our existence, the Gallery builds on the impeccable standard of quality set forth by Mr. Mellon's legacy by collecting, preserving, and exhibiting the greatest works of art for the enjoyment of all our visitors. It is this standard of excellence that the National Gallery of Art continues to sustain. Many magnificent works of art were acquired during fiscal year 2001. Dynamic special exhibitions and exciting educational initiatives were enjoyed by our local, national, and inter- national constituencies, and vigilant stewardship of the Gallery's two architectural monuments — the West and East Buildings — and the National Gallery Garden continued. Each year millions of visitors from throughout the country and the world tour America's art museum in the nation's capital and by exploring the Gallery and its collections through our Web site, www.nga.gov. The fiscal year began with a salute to the most outstanding acquisitions of the last decade. Art for the Nation: Collecting for a New Century featured paintings and works on paper ranging in date from around 1480 to the 1990s, with a substantial representation of Renais- sance, seventeenth-century Dutch, and nineteenth-century American and French painting. As we marked the beginning of a new century, the exhibition celebrated the strengths of the col- lection and reaffirmed our continuing efforts to acquire superb works of art dating from the late to the present.

10 I Annual Report | 2001 —^ —

•it# I

Major paintings, sculptures, and works on paper entered the collection throughout this past fiscal year. The Grand Canal by is a splendid addition to the Gallery's small but distinguished group of early nineteenth-century British landscapes. Pur- chased with funds donated by Vicki and Roger Sant, the picture epitomizes Bonington's excep- tional ability to capture the effects of light and atmosphere. The exquisite and beautifully executed with Fruit by the Dutch artist Jacob van Walscapelle came to the Gallery as a gift of Juliet and Lee Folger/The Folger Fund. It is a welcome addition to the collection, in particular for the Dutch Cabinet Galleries. Calvary, a panel painting of great importance by the artist known as the Master of the Death of Saint Nicholas of Munster, adds to the Gallery's holdings of paintings. The Gallery's collection of modern and was greatly enhanced by the acquisition of two monumental sculptures, Richard Serra's Five Plates, Two Poles, and Frank Stella's Prinz Friedrich von Homburg, Bin Schauspiel, 3X, both gifts of The Morris and Gwendolyn Cafritz Foundation. A large-scale sculpture by Serra had long been a high priority for us and we are proud to add this work to our small but growing collection of art from the 1960s and 1970s. The work by Stella, the first large-size outdoor sculpture by this eminent artist to enter an American public collection, is a technical marvel and one of his most impressive works. Our photography collection is known for its in-depth representation by major pho- tographers of the twentieth century. The holdings of outstanding American photography were much enhanced by the acquisition of some 450 works by Lee Friedlander, who is celebrated for his innovative photographs of modern American urban life. This core collection, which includes examples from Friedlander's entire career, also affords the Gallery the most signifi- cant selection of his early work.

11 | National Gallery of Art | Washington

The special exhibitions program at the Gallery brings masterpieces from public and private collections around the world to Washington and the nation. As an integral part of our educational mission, our special exhibitions are organized to reflect and augment the core strengths of the Gallery's collection as well as to present works of exceptional quality and merit from other cultures and periods. The Gallery serves as America's cultural ambassador and as an international showcase for cultural diplomacy, bringing to the United States the art of other countries and civilizations. Special exhibitions during the fiscal year exemplified that objective as we presented masterworks of art nouveau, works by Alfred Stieglitz and his contemporaries, sculpture by Cy Twombly, nineteenth-century paintings from Berlin, and Renaissance portraits of women, focusing on our own Ginevra de' Benci by Leonardo . Providing the public with the best possible access to the collection, special exhibi- tions, and educational programs is central to our goals for excellence in education. The Gallery's national role as an educational institution includes an ambitious offering of tours, lectures, and family programs; film and video programs that are available worldwide; and the award- winning Web site. Enthusiasm for visiting the Gallery online continues to grow with daily visitation during the fiscal year reaching approximately 24,000 a day, a total of some 8.5 million visitors. New features on the Web included in-depth studies of works of art in the Art for the Nation exhibition and a comprehensive feature on Art Nouveau with a behind-the-scenes look at the evolution of the exhibition through interviews, audio segments, and -lapse photogra- phy. The Teacher Institute took a new direction this year by bringing teams of educators to Washington to plan Web-based programs that relate works of art in the Gallery's collection to subject matter in the K-12 curriculum. The National Gallery's renowned portrait of Ginevra de'Benci by Leonardo da Vinci, his only painting in the Western Hemisphere, was the focus of a new documentary produced by the Gallery that revealed fascinating stories about both the artist and the sitter. Ginevra s Story is the first in an exciting series of programs about some of our greatest works of art that we will share with a nationwide television audience.

14 | Annual Report | 2001 The monumental architecture of the Gallery's two landmark buildings, together with the National Gallery Sculpture Garden, exemplifies our aesthetic standards. Our commitment to protecting and maintaining the complex and grounds is paramount. In this pursuit, our multiyear master facilities plan, a comprehensive program of building and systems repairs and renovation, remains on schedule. We are very grateful for the continued federal funding for these capital and infrastructure improvements. Federal support ensures the proper mainte- nance, operation, and safety of the buildings that house the nation's art treasures and accom- modate the visiting public from around the world. The first major project in the master facil- ities plan, the complex repair and restoration of the West Building's Mall Steps, was completed during the year. Work progressed on the extensive renovation of the West Building's ground floor for the new sculpture galleries. With completion expected in fall 2002, the Gallery's newest exhi- bition space will give added prominence to the three thousand works in the sculpture collection. The National Gallery Sculpture Garden continues to be one of Washington's most popular outdoor spaces. Extended summer hours and an eclectic mix of concerts on Friday evenings drew thousands of Washingtonians and tourists. The Sculpture Garden's wintertime ice-skating rink, which offers skaters a wonderful open vista throughout the garden and the unique experience of viewing magnificent works of sculpture, drew more than 48,700 enthusiasts. This year brought the retirement of Henry A. Millon, dean of the Gallery's Center for Advanced Study in the Visual Arts since its founding in 1979. Hank's contributions, building the Center into an internationally renowned scholarly institution at the Gallery and organizing acclaimed exhibitions in his field of European architecture, are deeply appreciated by all of us. I was pleased to welcome Elizabeth Cropper, a well-respected scholar of Italian Renaissance and painting and the Gallery's 1994-1996 Andrew W. Mellon Professor, as his successor. Also joining the Gallery staff were Peter Lukehart as associate dean of the Center, John A. Lind- burg as deputy secretary and deputy general counsel, George-Ann Tobin as deputy treasurer, and Linda Stone as chief information officer. Manfred Leithe-Jasper of the Kunsthistorisches Museum, Vienna, joined us as visiting senior curator of sculpture for a one-year appointment.

15 | National Gallery of Art | Washington The Gallery welcomed more than 4.5 million visitors this year. I am especially grateful to the President of the United States and to the Congress for honoring their original pledge of ongoing appropriations of federal funds for the operation and maintenance of the Gallery and the protection and care for the nation's art collection and buildings. I would also like to express my appreciation for the dedication of the staff and volunteers, who share their and expertise in tireless service to our constituencies. My gratitude extends to the many lenders and donors, both private and public, whose generosity enables the Gallery to maintain the consistent quality of the collections, special exhibitions, and public programs. The tragic events of 11 September 2001 deeply affected all of us. During these , institutions such as the Gallery stand to remind us of the human spirit at its finest. Over the past sixty years the Gallery has provided millions with a tangible reminder of the power and beauty of artistic expression. At the opening in 1941, Paul Mellon portrayed the aspirations for the new National Gallery by saying, "It was my father's hope, and it is ours, that the National Gallery would become not a static but a living institution, growing in usefulness and impor- tance to artists, scholars, and the general public This building is the product of many minds, intent on giving America their best; and we are happy to turn it over to you... with my father's collection, to be dedicated forever to the use and enjoyment of the people of the United States." We continue to build on this founding gift to the nation.

16 | Annual Report | 2001 Portrait of the Year | Acquisitions

The curatorial staff of the National Gallery strives each year who also donated another painting to the collection, Battle to augment and improve the collections, the heart and raison Scene, c. 1645/1646, by Philips Wouwerman. Although Wouwer- d'etre of the museum. Our core collections—the gifts of our man is best known for his elegant hunting scenes, in the initial benefactors and founders—serve as a touchstone for early part of his career he specialized in expressive depictions the quality and significance of each new acquisition proposal. of military encounters. Thanks to the generosity of Juliet and Acquisitions in 2001 greatly enhanced the holdings of the Lee Folger/The Folger Fund, the exquisite Still Life with Fruit, Gallery in virtually every area of our collecting activity. Espe- 1675, by Jacob van Walscapelle, was added to the collection. cially notable gifts and purchases strengthened the represen- Modest in both size and composition, it conveys a remarkable tation of German , as well as British, French, sense of grandeur. Dutch, Italian, and American painting. In addition, the collec- Purchased with income from the Patrons' Permanent tions of illustrated books, old master prints, modern prints Fund, Jean-Baptiste-Camille Corot's The Island and Bridge of and , and photography were enhanced with outstand- San Bartolomeo, Rome, is among the greatest of his small open- ing works of great rarity, beauty, and aesthetic and cultural air landscapes executed during his first visit to Italy, 1825 consequence. to 1828, and a notable addition to our strong Corot holdings. The Last Valley—Paradise Rocks, 1867-1868, by John La Farge, Paintings | Finding important Renaissance paintings to was purchased through the Gaillard F. Ravenel and Frances P. acquire by purchase is increasingly difficult. In fiscal year 2001, Smyth-Ravenel Fund. La Farge himself considered the paint- however, the Gallery was fortunate to add a fine work by ing one of the most important works of his entire career, and an artist previously unrepresented in the collection—the six- it is one of only two large-scale landscapes painted by the teenth-century Ferrarese master Garofalo. A predella panel artist out-of-doors. Richard Parkes Bonington's The Grand of Christ Washing the Disciples' Feet, c. 1520/1525, this small Canal, 1826/1827, a gift of Roger and Vicki Sant, complements work is distinguished by its vivid color, refined handling, and our small but distinguished group of early nineteenth-century eloquent design. In the realm of northern Renaissance paint- British landscapes. An important partial and promised gift ing, the most significant acquisition was the altarpiece Cal- was Thomas Hart Benton's Corn and Winter Wheat, 1948, given vary, c. 1470/1480, by the anonymous Master of the Death of by Helen Henderson. Extraordinary examples of modern Saint Nicholas of Minister, a German artist active in the Lower and contemporary painting included two purchases of works Rhine region. This large, powerful painting is remarkable for by minimalist Robert Ryman, Untitled from 1961 and 1965- its strong, clear colors, emotional intensity, and narrative full- 1966. The Collectors Committee acquired for the Gallery ness. The collection of Dutch and Flemish paintings has been Edward Ruscha's word painting, Lisp, 1968. Other significant enriched with three major acquisitions. Jan de Bray's Portrait gifts included Max Pechstein's vibrant Sommermittag, 1911, of the Artist's Parents, Salomon deBray and Anna Westerhaen, a partial gift of the Arnold Saltzman Family. Dorothy and c. 1660, is of extraordinary quality. Although profile portraits Herbert Vogel gave Robert Mangold's Red/Gray Zone Painting, constitute a rich tradition that barkens back to antiquity, 1998. Sean Scully's painterly Wall of Light Tara, 2000, was double profile portraits are extremely rare. The acquisition of given by John and Judith Hannan, and Robert Moskowitz' De Bray's work was made possible by Joseph F. McCrindle, Big Picture, 1979-1980, by Mr. and Mrs. Joseph A. Helman.

17 | National Gallery of Art | Washington Sculpture | A powerful French baroque bronze statuette of Passarotti and the other by the Veronese artist Alvise dal Friso. Neptune with a Hippocamp by Michel Anguier, cast probably The Netherlandish school was represented by a pair of beauti- 165271680s, and an exquisite South German or Austrian late fully rendered drawings made by Jacques de Gheyn II in seventeenth-century ivory, Adam and Eve, entered the collec- preparation for prints, of a soldier demonstrating the steps tion. The Morris and Gwendolyn Cafritz Foundation gave two in loading a firearm known as a caliver; they were given by The major sculptures, Richard Serra's magisterial Five Plates, Two Ahmanson Foundation. Poles, 1971, and Frank Stella's technical marvel, Prinz Friedrich Among several fine seventeeth-century drawings were von Homburg, Ein Schauspiel, 3X, 1998-2001. The Collectors Sir Peter Paul ' study Part of the Crowd at the Ecce Home Committee acquired for the Gallery two light sculptures by Dan after a painting by , given by Alice Kaplan. Panoramic Flavin from his celebrated "monuments" to V. Tatlin series, one Landscape along the Rhine, drawn in the 1640s by Aelbert Cuyp, from 1968 and the other from 1969-1970. Dorothy and Her- was purchased through the Patrons' Permanent Fund. The bert Vogel gave two works by Richard Tuttle, Monkey's Recovery pen study Young Woman with a Pearl Necklace, 1660s, by the for a Darkened Room (Bluebird), 1983, and White Cotton Octag- English artist Isaac , was given by Lowell Libson and onal, 1971. Three early works by Christo, Corridor Store Front Spink-Leger in honor of Diane Nixon. Standing Saint with a Project, 1966 -1967; Air Package, Project for the Garden of the and a Book, by the Spanish artist Francisco Herrara the , , 1968; and Package 1965, Younger, was purchased through the William B. O'Neal Fund. 1965, were given by a private collector in honor of Dorothy Also dating from the 1660s but executed in a more imposing and Herbert Vogel. is the lively chalk study of A Male Herm by the Bolognese painter Domenico Maria Canuti. Drawings | The earliest acquired this year was The The most impressive among the eighteenth-century Sacrifice of Isaac, c. 1500, by a member of the workshop of Luca drawings is the giant Presentation Drawing for the Ceiling Fresco Signorelli. It was donated by Dian and Andrea Woodner, who of the Ognissanti by the little-known Florentine artist Giuseppe continue to strengthen and diversify our holdings of drawings. Benucci. Claude Bomet's pastel portrait of an unidentified An exceptionally rare drawing by Albrecht Altdorfer was pur- elderly lady dressed in the height of fashion was given by Mr. chased, Christ Nailed to the Cross, c. 1512. It is the first draw- and Mrs. James T. Dyke. Jean-Luc Baroni gave to the Gallery ing by Altdorfer to enter the collection and adds to the Gallery's Elisha Watching Elijah Ascend in the Fiery Chariot by the Vene- rich representation of German Renaissance draftsmanship. tian painter Pietro Antonio Novelli, and Ivan and Winifred Hilltop Castles, c. 1546, by Augustin Hirschvogel, another Phillips donated a lovely watercolor, Garden Capriccio with of the leading members of the , was purchased Antique Ruins, by Jean Henry Alexandre Pernet. The first gift through the William B. O'Neal Fund. Among other sixteenth- of Arturo and Corinne Cuellar was a light-filled wash drawing century Italian drawings purchased this year were two double- by Innocenz Josef Kobell, Forest Edge on a Brilliant Day. sided study sheets, one by the Bolognese painter Bartolomeo Among the nineteenth-century drawings was an excep- tionally large and fresh exhibition watercolor by Eugene Isabey, Fishing Boats Tossed before a Storm, another gift from Mr. and Mrs. James T. Dyke, who also donated a fine watercolor

18 | Annual Report | 2001 by Isabey's contemporary, Paul Huet. Among five drawings five drawings and fourteen prints in various media, dating given by Mr. and Mrs. Kurt Meissner were three by Friedrich from 1947 to 1965, to his previous gifts of works by his father Salathe, greatly enhancing the Gallery's representation of this Ralston Crawford. Phyllis Diebenkorn donated an archive fine Swiss artist. Works by Antoine-Jean Duclaux, given by collection of 1,167 study drawings by her husband, Richard Jak Katalan, and Alexandre-Gabriel Decamps, donated by Diebenkorn. Paul McCarron, expanded the Gallery's representation of nine- Dorothy and Herbert Vogel made a gift of nine draw- teenth-century landscape drawing. Alexander M. and Judith ings by Christo, and a private collector gave an impressive W. Laughlin gave a beautiful watercolor of a dead camel in group of eleven drawings by Christo in honor of Dorothy the desert by the German painter Carl Haag. A gift by Evelyn and Herbert Vogel. The subjects are primarily Christo's mon- Stefansson Nef was a sketch of a mischievous monkey drawn umental outdoor projects such as The Pont Neuf Wrapped, by Henri de -Lautrec when he was only sixteen years Project for , and Wrapped Reichstag, Project for Berlin. old. An extremely important work from the end of the century Other important additions to the Dorothy and Herbert Vogel was a rare finished drawing by Edvard , In Man's Brain, Collection were Untitled by , 's acquired with support from the Epstein Family. The Collectors—a marvelous portrait of the two collectors — The latest gift from Dian and Andrea Woodner was the and Wall Drawing 65 by Sol LeWitt. Gallery's first pastel by Pablo , of a Woman. 's Zwei Weiber was acquired with funds from the Eugene L. Prints | The collection of old master prints benefited from and Marie-Louise Garbaty Fund and Edward E. MacCrone an unusually large number of acquisitions across a wide variety Fund. Charles Sheeler's celebrated Interior with Stove, a partial of media. The most notable among several extremely impor- and promised gift from Aaron I. Fleischman, adds a great mas- tant early illustrated books is the anonymous gift of a copy in terpiece to three drawings by Sheeler already in the Gallery's the original binding of Bernhard von Breitenbach's account collections. The Paul Mellon Fund made possible the purchase of his trip to the Holy Land (Mainz, 1486), with illus- of the masterful Tomorrow I May Be Far Away, 1967, trations by Erhard Reuwich. The elegant frontispiece and fold- by Romare Bearden. Two drawings by Bearden, Le Jazz, from out panorama of Venice are acknowledged landmarks in early that artist's celebrated jazz series, donated by Allen Skeens, book illustration. Anton Koberger's two volume Bible (Nurem- and The Street (Composition for Richard Wright), were acquired berg, 1483), also in its original Nuremberg bindings and illus- with funds from Werner H. and Sarah-Ann Kramarsky and the trated with 109 hand-colored , was given by Lois and Collectors Committee. Five drawings by Burgoyne Diller were Robert Erburu and an anonymous donor. We acquired one of gifts from bailey k harrisburg and Michael Rosenfeld. David the few intact albums of Antonio Lafrery's Speculum Romanae and Renee McKee gave the Gallery Iron, 1976, a marvelous Magnificentiae, containing 82 of the earliest engraved views of large-scale acrylic on paper by Philip Guston, the first drawing Rome from 1549 to 1589. An anonymous donor presented the by the artist to enter the collection. Neelson Crawford added elaborately bound dedication copy of a 1570 German Bible with 144 woodcuts by Jost Amman and other artists, all hand- colored and gilded.

19 | National Gallery of Art | Washington Among Renaissance woodcuts are Albrecht 's The Jacksons' outstanding collection is establishing the Gal- Saint John the Baptist and Saint Onuphrius, a very early impres- lery as a center for Nabi graphic art. Two woodcuts by Edvard sion of Niccolo Boldrini's Saint Jerome in the Wilderness after Munch, The Old Seaman and Stormy Night, came from The Titian, and Andrea Andreani's epic rendering of the biblical Epstein Family Collection. The Patrons' Permanent Fund made flood. Perhaps the most exquisite print new to the collection it possible to acquire a rare portfolio of six screenprints by is van Rijn's etching, The Great Jewish Bride, Jackson Pollock, a complete set of the first edition, in pristine purchased with funds bequeathed by Gaillard F. Ravenel and condition, and the Gallery's first prints by the artist. Frances R Smyth-Ravenel. Our collection of Rembrandt prints Lee and Ann Fensterstock donated 105 prints by fifteen was further enhanced by Jan Uytenhogaert, The Goldweigher, artists editioned at Gemini G.E.L. This gift, with recent works a rare unfinished artist's proof. by David Hockney, , Richard Serra, and the last Among many acquisitions from the baroque and works by Roy Lichtenstein, gives us a far more complete re- periods were a complete set of four engravings by Joseph presentation of the print production of this important print and Johann Baptist Sebastian Klauber, The Times of Day; a fine workshop. Gemini G.E.L. and Gemini G.E.L.LLC donated a impression of a color etching and lavis-manner engraving group of eight prints and six edition sculptures, including the by Jean-Francois Janinet, the Colonnade et Jardins du Palais de Gallery's first works by Robert Gober and Ann Hamilton. Medici (after Hubert Robert) given by Ivan E. and Winifred Thanks to Dr. Cyrus and Myrtle Katzen, the Gallery acquired Phillips in memory of Neil Phillips; and a unique etched proof five Jasper Johns prints of various media dating from 1998 before letters of Giovanni Battista Piranesi's The So-Called to 2000. Gerald Cerny has added to his earlier donation 233 Temple of Hercules at , purchased through the William B. prints by 135 contemporary artists working in Czechoslovakia O'Neal Fund. and , dating from 1909 to 1999, but principally from The most substantial addition to our nineteenth-century the last half of the century. Thanks to a grant from the Richard holdings is a collection of some three thousand lithographs Florsheim Art Fund we acquired thirteen prints, dating from by Paul Gavarni in twenty unbound volumes. Alongside our 1950 to 1958, by five artists who worked in California over the extensive collection of Daumier prints, this archive establishes course of their careers, including Clinton Adams, Dorr Both- the Gallery as a major resource for the study of nineteenth- well, and Leonard Edmondson. century French prints depicting aspects of daily life. and Ira Jackson made a partial and promised gift of more than one hundred prints by , including numerous rare proofs, and a selection of prints by his contemporaries.

20 | Annual Report | 2001 The Collectors Committee expanded our collection of The Patrons' Permanent Fund enabled the Gallery to twentieth-century artist's portfolios with "9", containing nine acquire a collection of 197 photographs, five portfolios, two prints by nine artists published by Hollander Workshop, Inc. bound volumes, and one from Washington attor- Other significant portfolios were Sol LeWitt's Color Bands of ney Joshua P. Smith. Focusing primarily on work made from eight color linoleum cuts, a gift of Thomas G. Klarner; Jean the 1940s through the late 1970s, the collection includes rare Toomer's Cane; and a deluxe edition by Arion Press containing vintage prints by photographers who worked shortly before ten woodcuts by and accompanied by a port- and during World War II, such as Roy DeCarava, Louis Faurer, folio of seven of the images, a gift of Doris and Don Fisher. Sid Grossman, William Klein, Leon Levinstein, Helen Levitt, Susan Lorence added to her previous gifts of illustrated books Lisette Model, Louis Stettner, and Weegee. Also included with two volumes containing contemporary prints, Robert are works by American photographers from the 1960s, such Ryman's Nohow On and Gunther Forg's Stations of the Cross. as Garry Winogrand, as well as works by photographers associ- ated with the -inspired Institute of Design, such as Photographs | Funds from the Patrons' Permanent Fund, Harry Callahan, Aaron Siskind, and Ray K. Metzker. The "new the Trellis Foundation, and an anonymous donor made possi- topographies" movement of the 1970s is represented by the ble the purchase of 459 photographs by master twentieth- work of Robert Adams, Lewis Baltz, and Frank Gohlke. century American photographer Lee Friedlander. A donation from The Andre and Elizabeth Kertesz Foun- includes a complete set of vintage prints of all the photographs dation of twenty-nine photographs by Kertesz enriches our Friedlander made for his 1970 book Self-Portrait, in which he holdings from the artist's early career in Hungary. It includes combined documentary photography with personal expression. several works made in and around Paris, where he emigrated Also included is a series of self-portraits made between 1990 in 1925, for example Chimneys, Paris. and 1999 that were published in the book Lee Friedlander The National Gallery of Art is most grateful to all who (2000), as well as a group of photographs that survey his most supported the enhancement of the collection this year. Among notable projects, such as American Monuments, portraits of his the 2,869 works acquired, there were 15 paintings, 34 sculp- wife Maria, and The Desert Seen. The artist donated twenty- tures, 1,261 drawings, 733 prints, portfolios, and volumes, five more photographs to the Gallery, including vintage prints and 826 photographs. of some of his earliest images of jazz players and gospel singers made in the , several self-portraits and portraits of Maria, and two of his acclaimed nudes from the 1980s.

21 | National Gallery of Art | Washington Paintings Sculpture Hartman, Carl Gustave, Swedish, 1666 - Simon, Thomas, English, 1618-1665, 1738, KarlBonde, 1648-1699, Swedish Oliver Cromwell Commemorating the Victory Benton, Thomas Hart, American, 1889- Anguier, Michel, French, 1612-1686, Senator (obverse); Shield of Arms (reverse), at the Battle of Dunbar (obverse); Parliament 1975, Corn and Winter Wheat, 1948, oil Neptune with a Hippocamp, model 1652, 1699, silver, 2000.158.7. a, b, Gift of Lisa Assembled in One House (reverse), 1650, on canvas, 2001.122.1, Gift (Partial and cast probably 1652/1680s, bronze, and Leonard Baskin bronze, 2000.158.11. a,b, Gift of Lisa and Promised) of Helen Lee Henderson 2001.41.1, Patrons' Permanent Fund Leonard Baskin Holtzhey, Johann Georg, Dutch, 1729- in memory of Helen Ruth Henderson, Chamberlain, John, American, born 1927, 1808, William IV Charles Henry Friso, 1711- Founder, HRH Foundation South German or Austrian 17th Cen- Le Mole, 1971, polyester resin, aluminum 1751, Stadholder of United Netherlands tury, Adam and Eve, c. 1600/1650, ivory, Bonington, Richard Parkes, British, and silicon oxide, 2001.74.10, Gift of (obverse); Death of the Stadholder (reverse), 2001.75.1, Patrons' Permanent Fund 1802-1828, The Grand Canal, 1826/1827, Gemini G.E.L. 1751, silver, 2000.158.8. a,b, Gift of Lisa oil on canvas, 2001.87.1, Gift of Roger Stella, Frank, American, born 1936, Charpentier, Alexandre, French, 1856- and Leonard Baskin and Vicki Sant Prinz Friedrich von Homburg, Ein Schauspiel, 1909, Alexandre-Charles Monod, 1843 - Judd, Donald, American, 1928-1994, 3X, 1998-2001, stainless steel, aluminum, Bray, Jan de, Dutch, c. 1627-1688, Por- 1921, Surgeon at L'Hopital de St-Antoine Untitled, 1971, stainless steel with brown painted fiberglass, and carbon fiber, trait of the Artist's Parents, Salomon de Bray (obverse); Monod Demonstrating a Procedure acrylic sheet, 2001.74.12, Gift of Gemini 2001.90.1, Gift of The Morris and Gwen- and Anna Westerbaen, c. 1660, oil on panel, in the Operating Theater (reverse), 1906, G.E.L. dolyn Cafritz Foundation 2001.86.1, Gift of Joseph F. McCrindle bronze, 2000.158.1. a, b, Gift of Lisa and Karlsteen, Arvid, Swedish, 1647-1718, Turrell, James, American, born 1943, Leonard Baskin Garofalo, Italian, 1481-1559, Christ Charles XI, 1655-1697, King of Sweden Roden Crater, 1986, Philippine mahogany Washing the Disciples' Feet, c. 1520/1525, Christo, American, born 1935, Air Pack- 1660, and Ulrica Leonora of Denmark, box with fiberglass topographical model oil on panel, 2001.29.1, Patrons' Perma- age, Project for the Garden of the Museum d. 1693, Queen of Sweden 1680 (obverse); of Roden Crater, soil from the site, state- nent Fund of Modern Art, New York City, 1968, Juno Sealing Marriage Pact with Jupiter ment book, and portfolio, 2001.74.14, polyethylene, rope, twine, Plexiglas globe, Corot, Jean-Baptiste-Camille, French, (reverse), 1680, lead, 2000.158.9. a,b, Gift Gift of Gemini G.E.L. wood, and paint, 2001.2.3; Corridor Store of Lisa and Leonard Baskin 1796-1875, The Island and Bridge of San Tuttle, Richard, American, born 1941, Front Project, 1966-1967, wood, Plexi- Bartolomeo, Rome, 1825/1828, oil on Kienholz, Edward, American, 1927-1994, Monkey's Recovery for a Darkened Room glas, cardboard, paint, enamel paint, paper on canvas, 2001.23.1, Patrons' Per- Krone, 1981, nickel-plated gasoline can (Bluebird), 1983, wood, wire, acrylic, mat wax crayon, charcoal, and electric light, manent Fund with Fresnel lens system and light bulb board, string, and cloth, 2001.9.29, White 2001.2.4; Package 1965,1965, fabric, rope, mounted on wooden table with fabric Cotton Octagonal, 1971, cotton cloth, La Farge, John, American, 1835-1910, and twine, 2001.2.8, Gift of a Private doily and plastic ashtray and including a 2001.9.30, The Dorothy and Herbert Vogel The Last Valley—Paradise Rocks, 1867 - Collector in honor of Dorothy and Her- cassette player with tapes, 2001.74.4, Collection, Gift of Dorothy and Herbert 1868, oil on canvas, 2000.144.1, Gaillard F. bert Vogel Ravenel and Frances P. Smyth-Ravenel Gift of Gemini G.E.L. Vogel, Trustees David d'Angers, Pierre-Jean, French, Fund Molart, Michel, French, active c. 1650- Wellisch, Joseph, Austrian, 1718-1761, 1788-1856, Marie- Joseph-Paul-Yves-Roch- 1710, Louis XIV, 1638-1715, King of after Baron Johann Lazarus de Gyalakuta, Mangold, Robert, American, born 1937, Gilbert du Motier, Marquis de Lafayette, 1643 (obverse); Inscription (reverse), Hungarian, active c. 1741, Queen Maria Red/Gray Zone Painting, 1998, acrylic and 1757-1834, General and Statesman, 1830, 1684, lead, 2000.158.5. a, b, Gift of Lisa Theresa of Austria Paying Homage to the Vir- colored pencil on canvas, 2001.9.26, The bronze, 2000.158.2, Gift of Lisa and and Leonard Baskin gin while Receiving the Hungarians' Oath of Dorothy and Herbert Vogel Collection, Gift Leonard Baskin Allegiance (obverse); The Arms of Transylva- of Dorothy and Herbert Vogel, Trustees Passamonti, Stefano, Italian, active Dupre, Guillaume, French, c. 1574- nia (reverse), 1741, silver, 2000.158.12. a,b, Master of the Death of Saint Nicholas c. 1816 -1851, Antonio , 1757- 1642, Charles de Valois, 1573-1650 (ob- Gift of Lisa and Leonard Baskin 1822 (obverse); Belvedere (reverse), of Miinster, German, active c. 1460-1490, verse); Phoenix (reverse), 1620, bronze, 1816, lead, 2000.158.14. a,b, Gift of Woeiriot, Pierre, French, 1532-1599, Calvary, c. 1470/1480, oil on panel, 2000.158.3. a,b, Gift of Lisa and Leo- Lisa and Leonard Baskin Charles IX, 1550-1574, King of France 2001.70.1, Patrons' Permanent Fund nard Baskin 1560 (obverse); Charles II, 1390-1431, Moskowitz, Robert, American, born Posch, Leonhard, after, German, 1750- Emilian or possibly Bolognese 16th Duke of Lorraine (reverse), 1572, bronze, 1935, Big Picture, 1979-1980, oil on can- 1831, Johann Wolfgang von , Century, Carlo Borromeo, 1538-1584, 2000.158.13. a,b, Gift of Lisa and Leon- vas, 2000.160.1, Gift of Mr. and Mrs. 1749-1832 (obverse), 1809, bronze, Cardinal Archbishop of Milan 1560,1584, ard Baskin 2000.158.15. a, Gift of Lisa and Leonard Joseph A. Helman lead, 2000.158.4, Gift of Lisa and Leo- Baskin Pechstein, Max, German, 1881-1955, nard Baskin Price, Kenneth, American, born 1935, Sommermittag, 1911, oil on canvas, Flavin, Dan, American, 1933-1996, Drawings Bolivar, 1998, painted clay, 2001.74.13, 2000.178.1, Gift (Partial and Promised) "monument" for V. Tatlin, 1968, white Gift of Gemini G.E.L.LLC Altdorfer, Albrecht, German, 1480 or of the Arnold Saltzman Family fluorescent light, 2001.68.1, Gift of the before-1538, Christ Nailed to the Cross, Collectors Committee; "monument" for V. Roty, Louis-Oscar, French, 1846-1911, Ruscha, Edward, American, born 1937, c. 1512, pen and brown and black ink with Tatlin, 1969-1970, cool white fluorescent Body ofSadi Carnot Borne to the Pantheon Lisp, 1968, oil on canvas, 2001.56.1, Gift gray wash, heightened with white on light, 2001.84.1, Gift of the Collectors (obverse): France Mourning the President of the Collectors Committee brownish-pink prepared paper, 2000.116.1, Committee of the Republic (reverse), 1898, bronze, Ryman, Robert, American, born 1930, Patrons' Permanent Fund 2000.158.10. a, b, Gift of Lisa and Leonard Untitled, 1961, oil on linen, 2001.61.1, German or Scandinavian 17th Century, Baskin Alvise dal Friso, Italian, c. 1544-1609, Gustavus II Adolphus, 1594-1632, King of Patrons' Permanent Fund; Untitled, The Lamentation with Saints (recto); Christ Sweden 1611 (obverse); Marie Eleonora of Schadow, Johann Gottfried, after, 1965-1966, oil on linen, 2001.61.2, Fallen on the Cross (verso), pen and brown Brandenburg, 1599-1655, Queen of Sweden Pegasus Soaring above Parnassus (reverse), Patrons' Permanent Fund ink, 2001.31.1. a, b, Ailsa Mellon Bruce 1620 (reverse), possibly c. 1620, silver, c. 1815, bronze, 2000.158.15.b, Gift of Fund *" Scully, Sean, American, born 1945, 2000.158.6. a,b, Gift of Lisa and Leonard Lisa and Leonard Baskin Wall of Light Tara, 2000, oil on canvas, Baskin Barnet, William, American, born 1911, Serra, Richard, American, born 1939, 2001.69.1, Gift of John and Judith The Collectors, 1977, charcoal and carbon, Graham, Robert, American, born 1938, Five Plates, Two Poles, 1971, hot-rolled Hannan 2001.95.1, The Dorothy and Herbert Vogel Untitled, 1982, porcelain in black and steel, 2001.27.1, Gift of The Morris Walscapelle, Jacob van, Dutch, 1644- Collection, Gift of Dorothy and Herbert white, 2001.74.5, Gift of Gemini G.E.L. and Gwendolyn Cafritz Foundation 1727, Still Life with Fruit, 1675, oil on Vogel, Trustees panel, 2001.71.1, Juliet and Lee Folger/ Severo da Ravenna, Italian, active The Folger Fund 1496-1525/1538, Siren Candleholder, c. 1510/1530, bronze, 2001.85.1, Wouwerman, Philips, Dutch, 1619-1668, Gift of Patricia Bauman and John Lan- Battle Scene, c. 1645/1646, oil on panel, drum Bryant 2000.159.1, Gift of Joseph F. McCrindle in memory of Frederick A. den Breeder

22 | Annual Report | 2001 Bearden, Romare, American, 1911-1988, ansas River, Colorado, 2000, collage with Crawford, Ralston, American, 1906- felt-tip pen and charcoal; Woman Playing The Street (Composition for Richard Wright), drawn topographic contour map, pastel, 1978, Drawing for "June 18,1954," 1954; the Piano, graphite; Seated Nude Woman c. 1977, black felt-tip pen, 2001.58.1, charcoal, wax crayon, graphite, and tape on Eroded Conch Shell, 1947; , 1940s; Wearing Glasses, charcoal; Seated Woman, Werner H. Kramarsky Fund and Collectors 2 sheets of paper; The Pont Neuf Wrapped, Untitled, 1953; Untitled, 1965, pen charcoal; Nude Woman Seated in Armchair, Committee Fund; Le Jazz, c. 1967, graphite, Project for Paris, 1984, collage with printed and black ink, 2000.164.7,10,12,18-19, pen and black ink; Woman Putting on 2001.66.1, Gift of Allen Skeens; Tomorrow map, pastel, charcoal, wax crayon, and Gift of Neelon Crawford Stockings, charcoal; Woman Reading, black graphite on 2 sheets of paper; Running crayon; Reclining Female Nude, brush and I May Be Far Away, 1967, collage on canvas, Cuyp, Aelbert, Dutch, 1620-1691, Fence, Project for Sonoma and Marin Coun- black ink; Untitled, graphite; Untitled, pen 2001.72.1, Paul Mellon Fund Panoramic Landscape along the Rhine, ties, California, 1976, collage with printed and black ink; Seated Woman, graphite; Benucci, Giuseppe, Italian, active c. 1769, 1640s, black chalk with yellow, brown, topographic contour map, 2 sheets of Study of Female Nude, pen and black ink; Presentation Drawing for the Ceiling Fresco and gray wash and touches of gum arabic, technical data, pastel, charcoal, wax cray- Female Nude in Black Stockings, charcoal; of the Ognissanti, c. 1769, pen and black ink 2001.91.1, Patrons' Permanent Fund on, and graphite on 2 sheets of paper; Sur- Female Nude Facing Right, charcoal; Seated with gray and brown wash and watercolor rounded Islands, Project for Biscayne Bay, Decamps, Alexandre-Gabriel, French, Nude Woman, pen and black ink; Reclining over traces of chalk on 4 joined pieces of Greater Miami, Florida, 1983, collage with 1803 -1860, Oriental Landscape, c. 1845, Female Nude and Distant Figure, brush paper, 2000.118.1, Director's Discretion- aerial photograph by Wolfgang Volz, charcoal counterproof on brown paper, and black ink over graphite; Seated Nude ary Fund fabric sample, enamel paint, pastel, char- 2001.6.1, Gift of Paul McCarron Woman in Black Stockings, brush and black Bergmtiller, Johann Georg, German, coal, wax crayon, and graphite on 2 sheets Diebenkorn, Richard, American, 1922 - ink; Female Nude Standing near a Chair, 1688-1762, The Holy Protecting of paper; Wrapped Trees, Project for the Fon- 1993,120 drawings in various media, Por- black crayon; Seated Woman Reading, black a Hermit from Evils, 1726, brown ink and dation Beyeler, Riehen, Switzerland, 1997, trait of a Woman and Profile Study (recto); crayon; Standing Female Nude (recto); gray wash over graphite, 2000.130.1, graphite, wax crayon, charcoal, and wash; Studies of Woman's Face and Hands (verso), Study of Woman's Legs (verso), charcoal; Ailsa Mellon Bruce Fund Wrapped Walk Ways, Project for Jacob L. charcoal; Partially Nude Seated Woman in Woman Seated in Armchair, charcoal; Por- trait, brush and black ink; Woman Relaxing, Bornet, Claude, French, 1733 -1804, Loose Memorial Park, Kansas City, Missouri, Hat (recto); Partially Nude Seated Woman pen and black ink; Woman with Eyes Closed, An Elderly Lady in a Mauve Silk Dress, 1767, 1978, collage with 2 photographs by Wearing Hat and Necklace (verso), pen and pen and black ink; Study of Seated Figures pastel, 2001.21.1, Gift of Mr. and Mrs. Wolfgang Volz, fabric, graphite, charcoal, black ink; Portrait of a Woman with Cigarette and Standing Child, charcoal; Two Seated James T. Dyke pastel, wax crayon, fabric sample, (recto), graphite; Seated Woman (verso), and staples on 2 sheets of paperboard, charcoal; Woman Facing Left (recto), Figures, black ink; Portrait of a Woman, pen Bose, Konrad, German, 1852-1938, 2001.2.1-13. a,b, Gift of a Private Collec- graphite; Woman Facing Left (verso), pen and black ink; Female Nude Bending For- Profile of a Man Wearing Spectacles, c. 1885, tor in honor of Dorothy and Herbert and blue ink; Study of Seated Woman ward, graphite; Untitled, gouache; Study of graphite, 2001.82.1, Ailsa Mellon Bruce Vogel; Wrapped Reichstag: Project for Berlin, (recto); Woman Reclining (verso), charcoal; a Woman Facing Right, graphite; Study of Fund 1995, collage with printed elevation draw- Study of Seated Female Nude (recto), a Woman Facing Right, graphite; Study of a Candid, Peter, Attributed to, Flemish, ing, photograph by Wolfgang Volz, fabric graphite and charcoal; Studies of a Seated Woman Facing Right, graphite; Standing c. 1548-1628, Saint Mark the Evangelist sample, charcoal, pastel, wax crayon, Female Nude (verso), charcoal; Reclining Female Nude, brown chalk; Crouching (after Heinrich Aldegrever), c. 1600, graphite, and tape on 2 sheets of paper, Female Nude (recto); Reclining Female Nude Female Nude, charcoal; Seated Female Nude pen and brown ink and wash, heightened 2001.2.14. a, b, Gift of Christo and - (verso), graphite; Seated Female Nude with with Coat Draped over Shoulders, charcoal; with white over black chalk, 2001.11.1, Claude in honor of Dorothy and Herbert Head Bowed (recto); Seated Female Nude Seated Female, graphite; Seated Woman in Ailsa Mellon Bruce Fund Vogel; The Gates, Project for Central Park, (verso), graphite; Female Nude Seated on a Coat with Fur Collar, pen and black ink; New York City, 1996, collage with photo- Seated Female Nude with Necklace, graphite; Canuti, Domenico Maria, Italian, 1620- Cushion, charcoal; Seated Female Nude with graph by Wolfgang Volz, printed map, Seated Female Nude, Head Resting on Hand, 1684, A Male Herm, c. 1669, charcoal Legs Crossed, charcoal; Female Nude with enamel paint, graphite, wax crayon, and black chalk; Seated Female Nude, brush and heightened with white on tan paper, Legs Raised, charcoal; Reclining Nude Male, tape on paperboard; The River, Project, black ink; Woman Seated on Stool, graphite; 2001.62.1, Pepita Milmore Memorial Fund brush and black ink; Crouching Female 1992, collage with charcoal, graphite, col- Nude, charcoal; Reclining Woman, pen and Seated Female Nude, brush and black ink; Christ, Joseph, German, 1732-1788, ored pencil, wax crayon, conte crayon, blue ink; Seated Female Nude, Facing Front, Seated Female Nude, brush and black ink; Saint Augustine's Zealous Love of God, enamel paint, and ball-point pen on paper- graphite; Seated Woman with Legs Crossed, Female Nude Kneeling on One Knee, brush pen and gray ink with gray wash, height- board; The River, Project, 1992, collage charcoal; Seated Female Nude, Facing Left, and black ink; Seated Female Nude, charcoal; ened with white and incised for transfer, with charcoal, graphite, colored pencil, charcoal and graphite; Seated Woman with Sleeping Female Nude, charcoal; Sleeping 2001.4.1, Gift of Mr. and Mrs. Kurt conte crayon, and enamel paint on paper- Legs Crossed, charcoal; Standing Female Female Nude, charcoal; Landscape, water- Meissner board; The Pont Neuf Wrapped, Project for Nude, charcoal; Two Reclining Women, brush color and charcoal; Seated Female Nude, Paris, 1985, collage with photograph by charcoal and black ink; Two Seated Figures, Christo, American, born 1935, Packed and black ink; Female Nude with Bowed Wolfgang Volz, enamel paint, graphite, charcoal; Standing Female Nude with Raised Coast, Project for Little Bay, New South Head, graphite; Seated Female Nude Leaning colored pencil, wax crayon, and tape on Arms, brush and black ink; Seated Female Wales, Australia, 1969, collage with photo- Forward with Bowed Head, brush and black paperboard; Surrounded Islands, Project for Nude with Black Stockings, graphite; Nude stat by Harry Shunk, fabric, rope, twine, ink; Seated Woman with Arms Crossed, Biscayne Bay, Greater Miami, Florida, 1983, Woman Seated on Stool, pen and black ink; graphite, wax crayon, fabric sample, aerial graphite; Landscape with Buildings, pastel; collage with photograph by Wolfgang Kneeling Female Nude Leaning Back, pen photograph, tracing paper, tape, and sta- Seated Woman, graphite; Seated Woman Volz, enamel paint, graphite, colored pen- and black ink; Kneeling Female Nude with ples; The Gates, Project for Central Park, (recto and verso), pen and black ink; Rear cil, ball-point pen, and tape; Packed Coast, Head Tossed Back, pen and black ink; Sleep- New York City, 1997, collage with photo- View of Female Nude with Standing Figure, Project for Australia, near Sydney, 1969, ing Woman (recto); graph by Wolfgang Volz, aerial photograph, charcoal; Seated Woman with Raised Knee, collage with photograph by Harry Shunk, (verso), 1956, graphite; Sleeping Woman, pastel, charcoal, wax crayon, graphite, graphite; Seated Female Nude, brush and printed map, enamel paint, graphite, wax blue ball-point pen; Sleeping Woman, blue and tape on 2 sheets of paper; The Mastaba black ink; Reclining Female Nude, pen and crayon, ball-point pen, and tape on paper- ball-point pen; Seated Figure (Face Tom of Abu Dhabi, Project for United Arab Emi- black ink; Reclining Woman, pen and black board; Wrapped Reichstag, Project for Berlin, Away), black ink and charcoal; Reclining rates, 1979, collage with printed map and ink; Landscape View, watercolor; Reclining 1994, collage with photograph by Wolf- Woman, graphite; Seated Woman, charcoal; technical data, pastel, charcoal, wax crayon, Female Nude with Crossed Legs, pen and gang Volz, printed map, wet media crayon, Seated Woman with Crossed Arms, pen and and graphite on 2 sheets of paper; Over black ink; Seated Female Nude with Legs enamel paint, graphite, colored pencil, and black ink; Woman with Cigarette, pen and the River, Project for the Arkansas River, Col- Crossed, pen and black ink; Seated Female tape on heavy gray cardboard; Wrapped black ink; Torso of Female Nude, graphite; orado, 2000, collage with drawn topo- Nude, charcoal; Reclining Female Nude, Walk Ways, Project for Jacob L. Loose Park, Young Woman in Profile, Facing Left, pen and graphic contour map, pastel, charcoal, wax graphite; Seated Woman in Armchair, char- Kansas City, Missouri, 1978, collage with black ink; Seated Female Nude with Crossed crayon, graphite, and tape on 2 sheets coal; Seated Female Nude, Facing Left, blue photogaph by Wolfgang Volz, enamel Legs, charcoal with ink wash; Seated Nude of paper; Over the River, Project for the Ark- paint, graphite, wax crayon, ball-point pen, Woman, black crayon; Seated Nude Woman, and tape on paperboard; The Umbrellas, charcoal; Reclining Female Nude, charcoal; Project for 6-8 Miles—3,000 Umbrellas, Seated Woman, charcoal; Female Nude Lean- 1984, graphite, 2001.9.1-4, 6-8,10, 24, ing Over Stool, charcoal; Seated Female The Dorothy and Herbert Vogel Collec- Nude, pen and black ink; Study of a Woman, tion, Gift of Dorothy and Herbert Vogel, Trustees

23 | National Gallery of Art | Washington black ink; Reclining Female Nude, brush Hirschvogel, Augustin, German, 1503- Pearlstein, Philip, American, born Toulouse-Lautrec, Henri de, French, and black ink; Study of a Woman Facing Left, 1553, Hilltop Castles, c. 1546, pen and black 1924, Untitled, 1963, brush and sepia ink, 1864-1901, A Monkey Playing on His Back charcoal; Two Seated Female Nudes, Facing ink, 2001.34.1, William B. O'Neal Fund 2001.55.1, The Dorothy and Herbert (recto); A Lady with a Fancy Hairdo and Hat Right, pen and black ink with wash on Vogel Collection, Gift of Dorothy and Her- (verso), 1880, graphite, 2001.57.1.a,b, Hubbuch, Karl, German, 1891-1979, 2 sheets of paper; Woman Reading, black bert Vogel, Trustees Gift of Evelyn Stefansson Nef A Woman Undressing, c. 1922, graphite, crayon; Seated Woman with Legs Crossed, 2001.10.2, Ailsa Mellon Bruce Fund Fernet, Jean Henry Alexandre, French, Troger, Paul, Austrian, 1698-1762, River black crayon; Studies of a Nude Couple, c. 1763-unknown, Garden Capriccio with God, c. 1720, red chalk heightened with charcoal and ink wash; Seated Female Nude, Huet, Paul, French, 1803 -1869, Rock Antique Ruins, c. 1788, watercolor and white on oatmeal paper, 2001.63.2, Pepita Facing Left, pen and black ink; Seated Cliffs along the Romanche, 1858, watercolor black ink over graphite, 2001.83.1, Gift Milmore Memorial Fund Woman in Pleated Skirt, blue and black ink over black chalk, 2001.80.1, Gift of Mr. of Ivan E. and Winifred Phillips in with charcoal; Seated Female Nude, black and Mrs. James T. Dyke memory of Neil Phillips crayon; Seated Couple, black crayon; Isabey, Eugene, French, 1803-1886, Picasso, Pablo, Spanish, 1881 -1973, Prints and Illustrated Books 1035 drawings in various media, Untitled, Fishing Boats Tossed before a Storm, , c. 1903, pastel, 2001.3.2, 2000.141.4-123,130-1164, Gift of watercolor and gouache over black Adams, Clinton, American, born 1918, Woodner Collection Phyllis Diebenkorn chalk, 2001.79.1, Gift of Mr. and Mrs. August Still Life, 1956, lithograph; Candle- Diller, Burgoyne, American, 1906-1965, James T. Dyke Ranchicourt, Philibert dAmiens de, flame, 1951, lithograph; The Window II, French, 1781 -1825, A Fashionable Couple 1959, etching, engraving, and aquatint, Untitled, 1961; Untitled, 1961; Untitled, Kalckreuth, Stanislaus Graf von, Ger- Seen from Behind, c. 1810, black and white 2001.43.1-3, Gift of the Richard Flor- 1961; Untitled, 1962; Untitled, 1962; man, 1820-1894, Sketchbook: Landscapes chalk on yellow paper, 2001.15.1, Ailsa sheim Art Fund graphite and crayon, 2000.162.1-5, in Southern and Switzerland, Mellon Bruce Fund Gift of halley k harrisburg and Michael 1857, sketchbook with 23 graphite draw- Allen, James E., American, 1894-1964, Rosenfeld ings, 2001.82.2, Ailsa Mellon Bruce Fund Reinhold, Friedrich Philipp, German, Fulton's Folly, , lithograph, 2001.53.1, 1779-1840, A Wayside Shrine Carved into Gift of A. Thompson Ellwanger III; Get- Dix, Otto, German, 1891-1969, Zwei Kobell, Franz Innocenz Josef, German, a Rocky Tor, 1821, graphite, 2001.46.1, ting the Christmas Tree, 1939, lithograph, Weiber, 1923, brush with India ink, 1749 -1822, Forest Edge on a Brilliant Ailsa Mellon Bruce Fund 2001.53.2, Gift of the Ellwanger/Mescha 2001.37.1, Eugene L. and Marie-Louise Day, c. 1800, brush with brown and gray Collection Garbaty Fund and Edward E. MacCrone wash, 2001.5.1, Gift of Arturo and Richter, Ludwig, German, 1803-1884, Fund Corinne CuAllar Sketchbook with Landscapes, Figures, and Alt, Jaroslav, Czech, born 1950, Red and Plants, 1848, sketchbook with 22 graphite White Bricks, 1980, drypoint, 2000.166.1, Dudaux, Antoine Jean, French, 1783 - Koch, Joseph Anton, Austrian, 1768- drawings, 2000.185.1.a-v, Ailsa Mellon Gift of Gerald Cerny 1868, Landscape near Vourlis, c. 1830, 1839, The Roman Campagna with an Ancient Bruce Fund black chalk heightened with white chalk , 1795/1805, pen and brown ink Altmann, Jiri, Czech, born 1942, Thomas on brown paper, 2000.161.1, Gift of over graphite, 2001.63.1, Pepita Milmore Rubens, Sir Peter Paul, Flemish, 1577- [a] Becket, 1965, woodcut, 2000.166.2, Jak Katalan in honor of Karen B. Cohen Memorial Fund 1640, Part of the Crowd at the Gift of Gerald Cerny (after Titian), black and red chalk with Dutch 18th Century, The Judgment of LeWitt, Sol, American, born 1928, Wall Amman, Jost, Swiss, 1539-1591, and pen and black ink, 2001.121.1, Bequest Paris, c. 1745, pen and black ink with Drawing 65,1971, colored pencil, 2001.9.25, other artists, Biblia. ist: diegantze of Mrs. Alice Kaplan gray wash, 2001.3.1, Woodner Collection The Dorothy and Herbert Vogel Collec- Heylige Schrifft Teutsch (Frankfurt am El Hanani, Jacob, Israeli, born 1947, tion, Gift of Dorothy and Herbert Vogel, Salathe, Friedrich, Swiss, 1793-1858, Main, 1570), illustrated book with 2 parts Merhav (Open Space), 1990, pen and black Trustees Courtyard of a Swiss Country House; Forti- in 1 volume (presentation copy for fied Castle above a Narrow Valley; A Terraced Christoff Herzog zu Wurttemberg, the ink, 2000.169.1, Gift of Susan Lorence Linck, Jean Antoine, Swiss, 1766-1843, Garden by a Villa (recto); Italian Mountain dedicatee of this edition); 3 title pages in memory of Annalee Newman An Alpine Village in Summertime, black chalk Landscape (verso), 1815/1821, graphite, printed in red and black within woodcut Flemish 17th century, Forest Interior, and graphite, heightened with white chalk, 2001.49.2-4.a,b, Gift of Mr. and Mrs. borders; 144 woodcuts all with con- c. 1610, pen and brown ink and wash on tan paper, 2001.17.1, Ailsa Mellon Kurt Meissner temporary coloring and heightening in Bruce Fund over graphite, heightened with white, gold and silver; the binding with silver- Schellenberg, Johann Rudolph, Swiss, 2001.12.1, Ailsa Mellon Bruce Fund Murer, Christoph, Swiss, 1558-1614, gilt roundels and relief plaque, 2001.54.1, 1740-1806, Camel, 1770s; Fighting Cock, Fuller, Isaac, English, 1606 -1672, Joshua and the Israelites before the Walls of Anonymous Gift c. 1775, red and black chalk, 2001.88.1-2, Young Woman with a Pearl Necklace, 1660s, Jericho, c. 1600, pen and black ink and gray Ailsa Mellon Bruce Fund Anderle, Jifi, Czech, born 1936, wash, 2001.39.1, Ailsa Mellon Bruce Fund pen and brown ink, 2000.179.1, Gift of Nr. 2,1965 -1966 and 1999, mezzotint, Sheeler, Charles, American, 1883 -1965, Lowell Libson and Spink-Leger in honor Neher, Georg, Bohemian, active c. 1600, etching, and drypoint with hand-colored Interior with Stove, 1932, conte crayon, of Diane Nixon Madonna and Child Appearing to a Suppli- drawing; Commedia dell'arte, 1992, hand- 2000.181.1, Gift (Partial and Promised) Gheyn II, Jacques de, Dutch, 1565- cant, c. 1600, pen and black ink with gray colored etching and aquatint; David II— of Aaron I. Fleischman 1629, Elegantly Dressed Soldier Tamping His wash, 2001.49.1, Gift of Mr. and Mrs. Dedicated to Paul Wunderlich, 1975, mezzo- Caliver, c. 1597; Elegantly Dressed Soldier Kurt Meissner Signorelli, Luca, Workshop of, The Sacri- tint, etching, and drypoint; II Sorriso— fice of Isaac, c. 1500, red chalk heightened Omagio a un poeta, 1976-1978 and 1999, Preparing to Fire His Caliver, c. 1597, pen Novell:, Pietro Antonio, Italian, 1729- with white, 2001.3.3, Woodner Collection variation with color drawing; Love for Love, and brown ink with gray wash, 2000.117.1, 1804, Elisha Watching Elijah Ascend in the 1999, mezzotint, etching, and drypoint; 2000.134.1, Gift of The Ahmanson Foun- Fiery Chariot, pen and brown ink with Steiner, Johann Conrad, Swiss, 1757- Le Quattro stagioni, 1985, hand-colored brown wash and black chalk, 2001.50.1, 1818, A Wooded Valley with Rocky Cliffs, drypoint and mezzotint; Through the Guston, Philip, American, 1913-1980, Gift of Luca Baroni 1785, pen and black ink with watercolor, , 1999, lithograph, etching, Iron, 1976, acrylic on paper board, 2001.17.2, Ailsa Mellon Bruce Fund Passarotti, Bartolomeo, Italian, 1529- drypoint, collage, and hand-coloring, 2000.163.1, Gift of David and Renee 1592, Studies of a Left Arm, a Young Woman, Tarsia, Bartolomeo, Italian, died 1765, 2000.166.3-8,10, Gift of Gerald Cerny McKee a Madonna and Child, a Face in Profile, The Triumph of Wisdom, c. 1750, pen and Anderle, Jiri, Czech, born 1936, and Haag, Carl, German, 1820-1915, In and Nude Figures (recto); Studies of a Sculp- brown ink with gray and brown wash, Bohumil Hrabal (author), Czech, 1914- der Wuste, 1859, watercolor over graphite, ture of a Male Nude, Vertebrae, and Ges- heightened with white over black chalk, 1997, Liberiskt Artikule, 1994, illustrated 2001.19.1, Gift of Alexander M. and turing Figures (verso), pen and brown ink, squared for transfer in black chalk, book with 10 etchings with aquatint, Judith W. Laughlin 2000.124.1. a, b, Ailsa Mellon Bruce Fund 2000.153.1, Ailsa Mellon Bruce Fund 2000.166.9, Gift of Gerald Cerny Herrera II, Francisco, Spanish, 1622 - Tiepolo, Giovanni Battista, Italian, 1696- 1685, Standing Saint with a Crucifix 1770, Two Monks with a Prostrate Man, and a Book, 1660s, pen and brown ink, c. 1725, pen and brown ink with brown 2001.35.1, William B. O'Neal Fund and gray wash over black chalk, 2001.3.4, Woodner Collection

24 I Annual Report | 2001 Andreani, Andrea, Italian, 1558/1559- Beuther, Friedrich (designer and author), color lithograph; Le marchand des quatre- lithograph; Paysage du Midi, 1925, litho- 1629, The Deluge, probably 1583/85, wood- German, 1776/1777-1856; John Baptist saisons from Quelques aspects de de graph L'Enfant a la lampe, 1897, color cut from 2 blocks on 2 joined sheets of Hossel, German, active c. 1799-1824; Paris, 1899, color lithograph; Le marchand lithograph [proof]; Garde municipal, 1893, paper, 2001.42.1, Ailsa Mellon Bruce Fund and D. Landini, Italian, active c. 1824, des quatre-saisons from Quelques aspects lithograph; Poster for L'Estampe et I'affiche, and Edward E. MacCrone Fund Dekorationen fiir die Schauhuhne nehst einem de la vie de Paris, 1899, color lithograph 1897, lithograph [proof]; Supplement Vorworte iiber Theatermalerei (Braunschweig, [proof]; Dans la rue, c. 1900, color litho- to L'Omnibus de Corinthe, 1897, lithograph; Anquetin, Louis, French, 1861-1932, 1824), unbound volume with 4 color aqua- graph; Le Verger from Germinal, 1899, color La Porte-fenetre, 1927, lithograph; Le pare Le Cavalier et le Mendiant from L'Estampe tints, 2001.40.1, Mark J. Millard Architec- lithograph on china paper; Parisiennes, Monceau, 1937, etching; Le Radiateur, originate, 1893, lithograph, 2000.180.37, tural Collection 1895, lithograph; Parisiennes from La Revue 1942/1946, color lithograph; Cover for La Virginia and Ira Jackson Collection, Par- blanche, 1893, lithograph; Coin de rue from Lithographie en couleurs, 1898, color litho- tial and Promised Gift Bilek, Frantisek, Czech, 1872-1941, Quelques aspects de la vie de Paris, 1899, graph [proof]; Nue a la toilette, 1912, litho- Jan Hus, woodcut, 2000.166.18, Gift of , George, French, 1863-1938, color lithograph; Coin de rue vue d'en haut graph; Arcachon. Qui veut des ecopeaux! Gerald Cemy Trembling Woods, 1893, color lithograph, from Quelques aspects de la vie de Paris, from Petites scenes familieres, 1893, litho- 2000.180.10, Virginia and Ira Jackson Bilkova, Alena, Czech, born 1946, From 1899, color lithograph; Rue vue d'en haut graph [proof]; Depart des amis from Petites Collection, Partial and Promised Gift the Cycle Water—Light, 1990, mixed from Quelques aspects de la vie de Paris, scenes familieres, 1893, lithograph [proof]; media, 2000.166.19, Gift of Gerald Cerny Axmann, Mikolas, Czech, born 1955, 1899, color lithograph; Jeune femme aux matin from Petites scenes Fair Weather in a Cage, 1993, monotype; Blabolilova, Marie, Czech, born 1948, bas noirs, 1893, lithograph; Jeune femme familieres, 1893, lithograph [proof]; Dodo, I'enfant do from Petites scenes familieres, Experimental Dusks, 1994, stoneprint; Winter, 1979, etching [artist's proof], aux bas noirs, 1893, lithograph on dark blue The Beginning of the Road, 1992, mono- 2000.166.20, Gift of Gerald Cemy paper [proof]; Boulevard from Quelques 1893, lithograph [proof]; L'angelusdu matin from Petites scenes familieres, 1893, litho- type; Arrested Motion, 1993, stoneprint, aspects de la vie de Paris, 1899, color litho- Blache, Charles-Philippe, French, 1860- graph [proof]; La Baraque from Petites 2000.166.11-14, Gift of Gerald Cemy graph; Boulevard from Quelques aspects 1907, Crepuscule from L'Estampe originate, de la vie de Paris, 1899, color lithograph scenes familieres, 1893, lithograph [proof]; Baldessari, John, American, born 1931, 1894, color lithograph, 2000.180.67, [proof]; Cover for Quelques aspects de la vie La chanson du grand-pere from Petites scenes Two Bowlers (with Questioning Person), Virginia and Ira Jackson Collection, Par- de Paris, 1899, color lithograph on China familieres, 1893, lithograph; Le Chevrier 1994, color lithograph and screenprint tial and Promised Gift paper; Cover for Victor Joze's Reine dejoie, from Petites scenes familieres, 1893, litho- on 2 sheets of paper, 2001.74.2. a, b, Bocquet, Louis, French, active early moeurs du demi-monde, 1892, color litho- graph [proof]; Les heures de la nuit from Gift of Gemini G.E.L. 18th century, Galo-Bayeux, color stipple graph [proof]; La Revue blanche no. 35, Petites scenes familieres, 1893, lithograph Barriere, Dominique, French, probably engraving, 2000.175.2, Gift of A. Thomp- September 1894, journal with Femme au [proof]; Pensee triste from Petites scenes 1610/1620 -1678, Landscape with a Mill son Ellwanger III parapluie as frontispiece; L'Arc de Triomphe familieres, 1893, lithograph [proof]; Pre- (after Titian), c. 1650, etching, 2001.18.1, from Quelques aspects de la vie de Paris, mier air de Fifi from Petites scenes familieres, Boissieu, Jean-Jacques de, French, 1736- Ailsa Mellon Bruce Fund 1899, color lithograph; Poster for Les 1893, lithograph [proof]; Priere from 1810, Desert Monks, 1797, etching, dry- Peintres graveurs, 1896, color lithograph; Petites scenes familieres, 1893, lithograph Barry, James, Irish, 1741-1806, The point, and roulette; Triumphal Arch, 1759, Maison dans la cour from Quelques aspects [proof]; Promenade a Ane from Petites scenes Angelic Guards, c. 1802, etching and en- etching; Ruins of the Chateau Saint-Chamond, de la vie de Paris, 1899, color lithograph; familieres 1893, lithograph [proof]; Place graving, 2001.30.1, Ailsa Mellon Bruce Loire, 1759, etching; Two Houses with Tile Maison dans la cour from Quelques aspects Clichy, 1922, color lithograph [proof]; Fund Roofs, 1759, etching; at I'Orsiere, de la vie de Paris, 1899, color lithograph Portrait d', 1924, etching, 1759, etching; The Spinner, 1759, etching; Bauch, Jan, Czech, 1898-1995, Kafka, [proof from the canceled plate]; Papa, 2000.180.1-9,11-23, 33, 36, 39, 41-42, Ancient Tower with a Water Mill, 1759, 1983, drypoint; Sad Clown, 1970, drypoint maman from Petites scenes familieres, 1895, 44, 46-50, 54, 68-69, 71-91, 93-114, etching, 2000.150.1, 3-8, Ailsa Mellon [proof], 2000.166.15-16, Gift of Gerald lithograph on China paper; Place le soir Virginia and Ira Jackson Collection, Bruce Fund Cemy from Quelques aspects de la vie de Paris, Partial and Promised Gift Boldrini, Niccolo, Italian, 1510-1566 or 1899, color lithograph; Poster for La Revue Baudet, Etienne, French, c. 1636-1711, Bonnard, Pierre, French, 1867-1947, after, Saint Jerome in the Wilderness (after blanche, 1894, color lithograph; Reverie Adoration of the Golden Calf (after Nicolas Georges Courteline (author), French, Titian), c. 1530, woodcut, 2000.156.1, from Petites scenes familieres, 1895, litho- Poussin), c. 1682, engraving, 2001.16.1, 1858-1929, and Claude Terrasse (com- Ailsa Mellon Bruce Fund graph on China paper [proof]; Rue, le soir, Ailsa Mellon Bruce Fund poser), French, 1867-1923, Pantheon- sous la pluie from Quelques aspects de la Bolswert, Schelte Adams, Flemish, 1586- Courcelles (Paris, 1899), music volume Bearden, Romare, American, 1911- vie de Paris, 1899, color lithograph [proof]; 1659, Sailing Boats in a Tempest (after with lithographic cover and title page, 1988, Iliad, c. 1970, color monoprint colla- Rue, le soir, sous la pluie from Quelques Andries van Eertvelt), c. 1638; Landscape 2000.180.59, Virginia and Ira Jackson graph, 2001.36.1, Gift of the Collectors aspects de la vie de Paris, 1899, color litho- with a Large Rainbow (after Sir Peter Paul Collection, Partial and Promised Gift Committee graph [proof from the canceled plate]; Rubens), c. 1638; Landscape with Roman Supplement to L'Omnibus de Corinthe, 1897, Bonnard, Pierre, French, 1867-1947, Beatrizet, Nicolaus, French, 1515-1565 Ruins (after Sir ), c. 1638, lithograph; Deux enfants sur un banc, 1945, and , French, 1873-1907, or after, Antonio Lafrery (publisher), etching with engraving, 2000.182.1-3, lithograph; Deux nues (Les ), Almanach du Pere Ubu illustre (Paris, 1899), Italian, 1512-1577, and Various Artists, Ailsa Mellon Bruce Fund "petit" volume with 20 photo-relief illus- Speculum Romanae Magnificentiae, 1549/ 1927/1929, drypoint; Femme assise dans sa Bonnard, Pierre, French, 1867-1947, trations; Almanach illustre du Pere Ubu 1589, bound volume with 82 engravings baignoire, 1942, color lithograph; La coupe Conversation, 1893, lithograph; Les Chiens, (XXe siecle) (Paris, 1901), bound volume and etchings by Beatrizet, the Master at le compotier, 1925, lithograph; Dernier 1893, lithograph; Cover for Album d'estampes with 79 color photo-reliefs in red, blue, of the Die, Agostino dei Musi, Leon Davent, reflet, 1927/1928, lithograph; Etude de nue, originates de la Galerie Vollard, 1897, color and black (before numbered edition, et al., 2000.119.1, Gift of Lois and Robert 1925, lithograph; Femme debout dans sa lithograph on China paper; , 1898, uncut); Almanach illustre du Pere Ubu (XXe Erburu baignoire, 1925, lithograph; Femme debout color lithograph; La Loge, 1898, color litho- dans sa baignoire, 1925, lithograph with siecle) (Paris, 1901), bound volume with Bednarova, Eva, Czech, 1937-1986, graph on China paper [proof]; L'Arriere- remarques; La Lettre, 1925, lithograph; 79 photo-reliefs; Repertoire des Pantins Untitled, color etching, 2000.166.17, Gift grandmere, 1895, color lithograph reworked La nuit tombe, 1927-1928, lithograph; La (Paris, 1898), portfolio of 9 lithographs, of Gerald Cemy with colored pencil on China paper [proof]; rue Molitor, 1925, lithograph; La toilette 2000.180.32, 37, 40, 43, 45, 51-53, 60- 62, Virginia and Ira Jackson Collection, Bernard, Emile, French, 1868-1941, Poster for L'Estampe et t'affiche, 1897, color assise, 1925, lithograph; Le Bain (premiere Christ from L'Estampe originate, woodcut, lithograph; Le Canotage, 1897, color litho- planche), 1925, lithograph; Le Bain (deux- Partial and Promised Gift graph on China paper; Poster for Le Figaro 1894; La Dame au Manchon (recto); ieme planche), 1925, lithograph; Le Menu, Bonnard, Pierre, French, 1867-1947, (announcement of Abel Hermant's novel), La Lessive (verso), 1888, woodcuts on 1925, lithograph; Les bas, 1927/1928, and Longus (author), Greek, 3rd century 1903, color lithograph; Poster for France- pink paper 2000.180.64-65, Virginia AD, Daphnis et Chloi (Paris, 1902), bound Champagne, 1891, color lithograph; Au and Ira Jackson Collection, Partial and volume with 151 lithographs, 2000.180.57, from Quelques aspects de la vie de Promised Gift Virginia and Ira Jackson Collection, Par- Paris, 1899, color lithograph; Avenue tial and Promised Gift du Bois from Quelques aspects de la vie de Paris, 1899, color lithograph; Le Pont from Quelques aspects de la vie de Paris, 1899,

25 | National Gallery of Art | Washington Bonnard, Pierre, French, 1867-1947, etching and screenprint; Deer Dream, Cerny, Josef, Czech, born 1934, Time of Davent, Leon, French, active 1540/1556, and Pierre Louys (author), French, 1870- 1991, color screenprint; Face, 1991, etch- the Chrysanthemum, etching and aquatint, Lust (after Luca Penni), c. 1547, etching 1925, Le Crepuscule des nymphes (Paris, ing; Goldfish Dream, 1991, color lithograph 2000.166.38, Gift of Gerald Cerny and engraving, 2000.184.1, Ailsa Mellon 1946), bound volume with 24 transfer and screenprint; I Could Fly at No. 3088747, Bruce Fund Chatrny, Dalibor, Czech, bom 1925, BILA, lithographs, 2000.180.92, Virginia and 1989, color lithograph; I Could Fly at No. blanc, bianco, weiss, white, 1972 -1974, Demel, Karel, Czech, born 1942, , Ira Jackson Collection, Partial and 3088748,1989, color lithograph; I Could ; With Both Hands, 1995, litho- 1986, color engraving, drypoint, etching, Promised Gift Fly at No. 3088749 (State I), 1989, color graph; Relief Print, 1966, relief and litho- and mezzotint; Brel—The Man from La lithograph; I Could Fly at No. 3088750 Bonnard, Pierre, French, 1867-1947, graph, 2000.166.39-41, Gift of Gerald Mancha, 1989, engraving, drypoint, (State II), 1989, color lithograph; I Could and Andre Mellerio (author), French, Cerny etching, and mezzotint; LeoS Janacek— Fly at No. 3088751 (State III), 1989, color La Lithographie en couleurs (Paris, 1898), Capriccio, 1990, engraving, drypoint, etch- lithograph; I Dreamed I Could Fly at No. Christo, American, bom 1935, Orange volume with color lithographic cover ing, and mezzotint; Adagio (G[ustav] 3088752 (State IV), 1989, color lithograph; Store Front Project, 1964/1991, color litho- and frontispiece, 2000.180.55, Virginia M[ahler] X, 1998, color engraving, etching, 1 Dreamed I Was Taller Than Picasso, 1991, graph, varnished, with collage of brown and Ira Jackson Collection, Partial and dry-point, and aquatint, from Legacy of color lithograph; Numbered Money, 1986, wrapping paper, broadcloth, staples, Promised Gift the Jewish Spirit, 2000.166.46-48, 218. a, sheet of U.S. currency encased between acetate and galvanized iron sheet; Wrapped Gift of Gerald Cemy Bonnard, Pierre, French, 1867-1947, and 2 sheets of Plexiglas with screenprint Roman Sculpture, Project for die Glyptothek- Octave Mirbeau (author), French, 1848- in green and assemblage; Picasso Dream Munchen, 1991, color collotype and screen- di Suvero, Mark, American, born 1933, 1917, Dingo (Paris, 1924), unbound volume Fractured, 1990, color lithograph and print with collage of fabric, transparent Santana Wind, 1990, aquatint, 2000.177.75, with 55 etchings, 2000.180.70, Virginia screenprint in white on 5 sheets of paper; polyethylene, thread, twine, tape, graphite, Gift of Lee and Ann Fensterstock and Ira Jackson Collection, Partial and felt-tip pen, wax crayon, and photograph Subway Dream, 1983, screenprint with Diebenkorn, Richard, American, 1922- Promised Gift by Wolfgang Volz, 2001.9.5, 9, The Dor- programmed electronic dimmer and in- 1993, Double Map of Ireland, 1990, etching; othy and Herbert Vogel Collection, Gift of Bonnard, Pierre, French, 1867-1947, candescent lamp; Subway Dream, 1983, Coat 1,1990, etching; Coat II, 1990, etching Dorothy and Herbert Vogel, Trustees and Claude Terrasse (composer), French, color screenprint with programmed elec- and aquatint; Coat III, 1990, softground 1867-1923, Petit solfege illustre (Paris, tronic dimmer and incandescent lamp; Cincera, Jan, Czech, born 1961, Homage etching; Coat IV, 1990, softground etching 1893), bound volume with 32 color litho- 3124736,1991, screenprint; Art is for the to the Corrugated Container Board HO 1, and aquatint; Coat V, 1990, softground graphic relief-prints [regular edition], Spirit at No. 3094233,1988, color screen- 1994, woodcut, 2000.166.42, Gift of Ger- etching and aquatint, 2000.141.124-129, 2000.180.56, Virginia and Ira Jackson print; Flower Head, 1991, color etching, ald Cemy Gift of Phyllis Diebenkorn Collection, Partial and Promised Gift 2000.177.1-21, 72-73, Gift of Lee and Ann Fensterstock; Hammering Man at Cincerova, Eva, Czech, born 1943, Dine, Jim, American, born 1935, Garrity's Bonnard, Pierre, French, 1867-1947, No. 3302552,1990, collage and screen- Composition 1,1994, hand-colored etching, Necklace, 1986, color etching and drypoint; and Paul Verlaine (author), French, 1844- print, 2001.74.3, Gift of Gemini G.E.L. 2000.166.43, Gift of Gerald Cemy Sovereign Nights, 1986, color etching from 1896, Parallelement (Paris, 1900), bound two plates, 2000.167.1-2, Gift of Lionel C. Cinybulk, Vojtech, Czech, 1915-1994, volume with 109 color lithographs and 9 Bostik, Vaclav, Czech, born 1913, Epstein and Family Ritual , 1989, color linoleum cut, wood-engraved ornaments, 2000.180.58, Untitled, 1965/68, drypoint with pastel, 2000.166.44, Gift of Gerald Cemy Diirer, Albrecht, German, 1471-1528, Virginia and Ira Jackson Collection, 2000.166.22 , Gift of Gerald Cemy Saint John the Baptist and Saint Onuphrius, Partial and Promised Gift Courtois, Guillaume, French, 1628-1679, Bothwell, Dorr, American, 1902-2000, c. 1504, woodcut, 2001.76.1, Ailsa Mellon The Raising of Lazarus (after ), Bonnard, Pierre, French, 1867-1947, Sea Treasure, 1952; Spanish Easter, 1950, Bruce Fund etching, 2000.128.1, Ailsa Mellon Bruce and Various Artists, Album de la Revue color screenprints, 2001.43.4-5, Gift Fund Dusek, Lubomir, Czech, born 1951, blanche, vol. 2 (Paris, 1895), album with of the Richard Florsheim Art Fund The Romantic, 1987, etching and aquatint, 12 lithographs and cover by Bonnard, Boudnik, Vladimir, Czech, 1924-1968, Crawford, Ralston, American, 1906 - 2000.166.49, Gift of Gerald Cemy Henri de Toulouse-Lautrec, Edouard Vuil- Untitled, 1961, mixed media, 2000.166.23, 1978, Broken Window #2,1954; Broken lard, , FAlix Vallotton, Mau- Gift of Gerald Cemy Window #2,1955; Collage #7,1955; Cologne Edmondson, Leonard, American, bom rice Denis, Henri-Gabriel Ibels, Charles Landscape #3,1951; Crack Up Fragment, 1916, Initiation, 1951, lithograph; Prior Brazda, Jiri, Czech, bom 1952, In a Cage, Cottet, Jozsef Rippl-Ronai, Paul-Elie Ran- 1949; Freight Cars #2,1955; June 18,1954 Disposition, 1950, etching; Projective Agent, 1992, etching, mezzotint, and engraving, son, Ker Xavier Roussel, and Louis Paul #2,1954; Lobster Pots #1,1955; St. Gilles 1951, lithograph; Sunlit Fantasy, 1955/ 2000.166.24, Gift of Gerald Cemy Henri Serusier, 2000.180.115, Virginia #3, 1962; Windows, 1957; First Avenue #1, 1956, color screenprint, 2001.43.6-9, and Ira Jackson Collection, Partial and Budikova, Jana, Czech, born 1946, Dedi- 1954; First Avenue #2,1954; First Avenue Gift of the Richard Florsheim Art Fund Promised Gift cation, 1995, screenprint, 2000.166.25, #1,1954; 10-12-54,1954, lithographs, Ehinger, Gabriel, German, 1652-1736, Gift of Gerald Cemy 2000.164.1-6, 8, 9,11,13-17, Gift of Bonnet, Louis Marin, French, 1736- Christ the Savior (after Johann Heinrich Neelon Crawford 1793, Les Echasses (after Jean-Baptiste Burant, Frantisek, Czech, born 1924, Schonfeld), c. 1680; The Virgin (after Huet), c. 1790, color stipple engraving, Time of the Honey Bees, 1991, drypoint, Cruikshank, Isaac, British, 1756- Johann Heinrich Schonfeld), c. 1680, 2000.175.1, Gift of A. Thompson 2000.166.26, Gift of Gerald Cemy 1810/1811, The Sportsmen Resting; The etchings, 2000.151.1-2, Ailsa Mellon Ellwanger III Sportsmen's Departure, color stipple Bruce Fund Buren, Daniel, French, born 1938, etchings, 2000.175.3, 4, Gift of A. Thomp- Born, Adolf, Czech, born 1930, The Grand Situated Lithographs: Five Out of Eleven, Erazim, Milan, Czech, born 1946, Catch son Ellwanger III Art Historian with a Group of Critics, 1989, color lithograph on 10 sheets me if you can, 1993, lithograph; Troubled 1997, color lithograph, 2000.166.21, Gift of paper, 2000.177.74. a-j, Gift of Lee Cywicki, Janusz, Polish, born 1949, Sleep, 1985, color lithograph; Psychodrama I, of Gerald Cemy and Ann Fensterstock Quietly-3, three-dimensional silkscreen and 1985, color lithograph; Chance No. 1,1992, collage, 2000.166.45, Gift of Gerald Cemy color lithograph, 2000.166.50-53, Gift Borofsky, Jonathan, American, born Capova, Hana, Czech, bom 1956, Under of Gerald Cemy 1942, Art is for the Spirit, 1989, color the Veil of Night, 1987, etching [proof], Daumier, Honore, French, 1808 -1879, screenprint; Art is for the Spirit (State), 2000.166.27, Gift of Gerald Cemy Oh Patrie!!!, 1840; Tiens v'la peut-etre une , Joseph, Austrian, 1769-1822, 1989, color screenprint; Berlin Dream (Close pratique, 1847, lithographs, 2000.165.1-2, Boating Party in a Grotto, 1794, color etch- Cechova, Olga, Czech, bom 1925, A Mild Up) at No. 2994014,1986, screenprint in Gift of Lila Oliver Asher; Une Revoke a ing and aquatint, 2001.78.1, Ailsa Mellon Day, 1969, color lithograph, 2000.166.28, blue on mirrored Plexiglas; Berlin Dream Bord, 1843, lithograph, 2001.25.1, Ailsa Bruce Fund Gift of Gerald Cemy Stamp (Negative Version), 1991, black and Mellon Bruce Fund Forg, Gunther, German, bom 1952, white photograph with perforations; Big 5 Cepelak, Ladislav, Czech, bom 1924, Door, Stations of the Cross, 1990, bound volume from the Number 3253776,1989, woodcut 1991, aquatint; Horizontal, 1983, mezzo- with 1 etching, 2000.169.2, Gift of Susan and relief; Cross Head, 1991, photogravure tint; Horizontal, 1992, aquatint; Butterfly, Lorence in memory of Annalee Newman 1988, aquatint; Cloud, 1998, aquatint and mixed media; Snow Trace, 1991, aquatint diptych; Snow Furrows, 1968, aquatint; Tree, 1992, aquatint; Wall, 1992, aquatint, 2000.166.29 - 37, Gift of Gerald Cemy

26 | Annual Report | 2001 Francis, Sam, American, 1923-1994, Hasemann, Arminius, German, born Ibels, Henri-Gabriel, French, 1867-1936, Kabatova-Taborska, Zdenka, Czech, Untitled, 1967, color lithograph, 2000.137.1, 1888, Totentanz, 1921, woodcut [proof], Untitled from Le Bare de Bouteville exhibition born 1933, Divertimento I, 1991; Thorn- Gift of the Collectors Committee; Untitled, 2000.128.2, Ailsa Mellon Bruce Fund catalogue, 1893, lithograph, 2000.180.24, bushes, 1992, etchings with drypoint, 1993, color aquatint, 2000.177.105, Gift Virginia and Ira Jackson Collection, Partial 2000.166.84-85, Gift of Gerald Cerny Haskova, Eva, Czech, born 1946, Memory of Lee and Ann Fensterstock and Promised Gift ofKarel Capek, 1991, etching and aquatint, Kaiser, Jaroslav, Czech, born 1919, The Fuchs, M.G., active c. 1890-1910, 2000.166.61, Gift of Gerald Cerny Istler, Josef, Czech, born 1919, Decalogue, Secretary's Day, 1966, screenprint and Levite ofEphraim and His Dead Wife (after 1991, etching and aquatint [proof]; Vege- photolithograph; Spring Motif, 1997, Havlickova, Daniela, Czech, born 1946, Jean-Jacques Henner), c. 1898; Mrs. tation, 1948, lithograph, 2000.166.71-72, screenprint; The Lovers' Cathedral, 1968, Jugglers, 1984, mixed media, 2000.166.62, Bonham (after Sir Edward Coley Burne- Gift of Gerald Cerny linoleum cut, photolithograph, and screen- Gift of Gerald Cerny Jones), c. 1902, lithographs [proofs], print; Comet, 1986, color screenprint; Sig- Jacque, Charles Emile, French, 1813- 2000.175.5-6, Gift of A. Thompson Hayek, Pavel, Czech, born 1959, Locust nals, 1967, linoleum cut, photolithograph, 1894, Waterside Village, 1848, drypoint, Ellwanger III Tree Pods, 1997; Caraway Seeds, 1993, and screenprint; Private Print, Untitled, 2000.129.1, Ailsa Mellon Bruce Fund screenprints, 2000.166.63-64, Gift of Gavarni, Paul, French, 1804-1866, color lithograph; for Jan Palach, Gerald Cerny Janacek, ZbynSk, Czech, born 1957, photolithograph and screenprint; Great Oeuvres de Gavarni, collection of more than Z Cyklu pro Marka Rothka, 1996, screen- Century of Technology, 1986, color screen- 3,000 lithographs in 20 unbound volumes, Heckel, Erich, German, 1883-1970, print, 2000.166.73, Gift of Gerald Cerny print, 2000.166.86-91, 93-94, Gift of each with an etched ex-libris attributed Cover for "Graphik der Gegenwart," 1930, Gerald Cerny to Felicien Rops, 2000.127.1-20, Ailsa color woodcut, 2000.165.3, Gift of Lila Jandova, Ludmila, Czech, born 1938, Mellon Bruce Fund Oliver Asher Untitled, 1991, drypoint, aquatint, Kaiser, Jaroslav, Czech, born 1919, and and monoprint; Circle and Square, 1992, Mirko Kaizl (author), Jaroslav Kaiser en Gessner, Salomon, Swiss, 1730-1788, Heyden, Jan van der, Dutch, 1637-1712, drypoint, aquatint, and monoprint; tjekkisk grafiker, hans exlibris og lejligheds- Schrifften, 1777-1778, bound volume Burning of the Old Amsterdam Town Hall, Illicit Division, 1992, color drypoint, grafik, 1966-1985, bound volume with with 20 etched and engraved illustrations, 1690, etching and engraving, 2000.152.1, 2000.166.74-76, Gift of Gerald Cerny 30 mixed-media ex libri, 2000.166.92, 2000.138.1, William B. O'Neal Fund Ailsa Mellon Bruce Fund Janicek, James, Czech, born 1935, Gift of Gerald Cerny Gieryszewski, Ryszard, Polish, born Hlavacek, Josef, Czech, born 1952, Little Monument, 1988, color lithograph, Kavan, Jan, Czech, born 1947, Exor- 1936, Division Lines 2, color woodcut, Untitled, 1992, woodcut; Returns I, 1992, 2000.166.77, Gift of Gerald Cerny cism II, 1992, color aquatint and etching, 2000.166.54, Gift of Gerald Cemy color woodcut, 2000.166.65 - 66, Gift of Gerald Cerny Janinet, Jean-Francois, French, 1752- 2000.166.95, Gift of Gerald Cerny Ginsberg, Allen, American, 1926-1997, 1814, Colonnade et Jardins du Palais de Kelly, Ellsworth, American, born 1923, The Ballad of The Skeletons, 1996, color Hockney, David, British, born 1937, Ink Medici (after Hubert Robert), c. 1776, color Black Form, 1967, lithograph, 2000.137.2, screenprint; Untitled #2,1997, color litho- in the Room, 1993, color lithograph with etching and lavis-manner engraving, Gift of the Collectors Committee; Blue graph and screenprint, 2000.177.22-23, screenprint; Slow Forest, 1993, color litho- 2000.146.1, Gift of Ivan E. and Winifred Curve (State III), 1988, color lithograph; Gift of Lee and Ann Fensterstock graph with screenprint; Four Part Splinge, Phillips in memory of Neil Phillips 1993, color lithograph and screenprint EK, 1990, lithograph; EK/Green, 1990, Gober, Robert, American, 1954, Untitled, on 4 sheets of paper, 2000.177.76-77, Jarcovjak, Lubomir, Czech, born 1962, color lithograph; EK/Spectrum II, 1989, 2000, lithograph, 2001.74.6, Gift of 103. a-d, Gift of Lee and Ann Fenster- Untitled, 1991, etching and drawing color lithograph; EK/Spectrum III, 1990, Gemini G.E.L.LLC stock; Going Round, 1993, color lithograph on brown paper [proof]; Untitled, 1991, color lithograph; Jack 1,1990, lithograph; Graf I, Urs, Swiss, c. 1485 -1527/1529; and screenprint on 4 sheets of paper, etching and aquatint on brown paper Jack II, 1990, lithograph; Jack III, 1990, Master DS, Swiss, active c. 1503-1515; 2001.74.11. a-d, Gift of Gemini G.E.L. [proof], 2000.166.78, 79, Gift of Gerald lithograph; Jack/Blue, 1990, color litho- and Pope Gregory IX (author), Italian, Cerny graph; Jack/Spectrum, 1989, color litho- Hodonsky, Frantisek, Czech, born 1945, c. 1145-1241, Decretalium Gregorii noni graph; Untitled (Gray State II), 1988, litho- Flood, 1994; Watery Shapes, 1994, color Jemelka, Jan, Czech, born 1953, Three liber accuratissime emendatus cum concor- graph; Untitled (Gray State III), 1988, woodcuts, 2000.166.67-68, Gift of Gerald Sisters— Under God's Gaze, 1995 -1997, dantiis, 1511, bound volume with 4 wood- lithograph; Untitled (Orange State II), 1988, Cerny color woodcut and painting; Three Sisters, cut illustrations, 2001.20.1, William B. color lithograph; Untitled (Orange State III), 1990/1995, color woodcut and mixed O'Neal Fund Hopfer I, Daniel, German, c. 1470-1536, 1988, color lithograph; Untitled (Purple media; Weathercock, 1991, color woodcut, The Crucified Christ in a Decorated Niche, State II), 1988, color lithograph; Untitled Gross, Frantisek, Czech, 1909-1985, 2000.166.80-82, Gift of Gerald Cerny etching, 2000.154.1, Ailsa Mellon Bruce (Red State II), 1988, color lithograph; Untitled, 1985, color lithograph, Fund John, Jin, Czech, 1923-1972, Bark, 1970, Untitled (Red State III), 1988, lithograph; 2000.166.55, Gift of Gerald Cerny drypoint, 2000.166.83, Gift of Gerald Jack/Gray, 1990, lithograph; Jack/Red, Hopfer, Hieronymus, German, active Grygar, Milan, Czech, born 1926, Linear Cerny 1990, color lithograph, 2000.177.24-40, c. 1520-1550 or after, Personification of Score, 1979, color lithograph; Surface and 78-79, Gift of Lee and Ann Fensterstock; Rome (after Giovanni Battista Palumba), Johns, Jasper, American, born 1930, Free Play, 1993, screenprint, 2000.166.56- Purple/Red/Gray/Orange, 1988, litho- etching, 2000.183.1, Ailsa Mellon Bruce Flag on Orange, 1998, color aquatint and 57, Gift of Gerald Cerny graph, 2001.74.1, Gift of Gemini G.E.L. Fund etching; Two Costumes, 2000, color Hamera, Oldrich, Czech, born 1943, aquatint, etching, and drypoint; Untitled, Klauber, Joseph Sebastian, and Johann Houra, Miroslav, Czech, born 1933, Untitled, 1967, color structural etching and 2000, color linoleum cut; Untitled, 1998, Baptist Klauber, German, 1710-1768, Boat III, 1990, woodcut, 2000.166.69, mixed media, 2000.166.58, Gift of Gerald color aquatint, etching, softground, and The Times of Day (after Johann Wolfgang Gift of Gerald Cerny Cerny open-bite; Untitled, 1999, color aquatint, Baumgartner), complete set of 4 en- Hubbuch, Karl, German, 1891-1979, spitbite aquatint, sugarlift aquatint, gravings, 2000.143.1-4, Ailsa Mellon Hamilton, Ann, American, born 1956, Lydia and Berty, 1921, drypoint [unique etching, and photogravure, 2001.28.1-5, Bruce Fund written, 2000, embossing, 2001.74.7, Gift proof], 2001.10.1, Ailsa Mellon Bruce Gift of Dr. Cyrus and Myrtle Katzen of Gemini G.E.L.LLC Kobliha, Frantisek, Czech, 1877-1962, Fund Johnston, Ynez, American, born 1920, Mournful Ballad about Home, before 1914; Hampl, Josef, Czech, born 1932, Separa- Hudecek, Frantisek, Czech, 1909-1990, The Ivory Coast, 1958, color etching Tristan, 1909, woodcuts, 2000.166.96-97, tion, 1985, linoleum cut and relief, Night Walker, 1945, woodcut, 2000.166.70, and aquatint; Mediterranean Winter, 1955, Gift of Gerald Cerny 2000.166.59, Gift of Gerald Cerny Gift of Gerald Cerny etching and aquatint, 2001.43.10-11, Kokolia, Vladimir, Czech, born 1956, Hampl, Petr, Czech, born 1943, XXth Gift of the Richard Florsheim Art Fund Hullmandel, Charles Joseph, British, Untitled, 1990, color linoprint and mixed Century, 1976, etching, 2000.166.60, Gift 1789 -1850, Twenty-four Views of Italy media [proof]; Barevny, 1993, color of Gerald Cerny Drawn from Nature and Engraved upon linoleum cut, 2000.166.98 and 217.C, Stone, 1818, bound volume with 24 litho- Gift of Gerald Cerny graphs, 2001.45.1, Mark J. Millard Konopiska, Eliska, Czech, Play, 1983, Architectural Collection color aquatint and etching, 2000.166.99, Gift of Gerald Cerny

27 | National Gallery of Art | Washington Konupek, Jan, Czech, 1883-1950, Laufrova, Alena, Czech, born 1952, Franz Master of the Cologne Bibles, German, Nauman, Bruce, American, born 1941, The Raising of Lazarus, 1930s, drypoint, Kafka VII, 1991, color etching, drypoint, active c. 1479, and Anton Koberger All Thumbs Holding Hands, 1998, litho- 2000.166.100, Gift of Gerald Cerny and aquatint; Distress I, mixed media; Grass (publisher), German, c. 1445-1513, Bible, graph with hand-cut collage; Partial Truth, —Shards, 1995, color etching, drypoint, 1483, 2 bound volumes with 109 wood- 1997, screenprint with embossing; Partial Kooning, Willem de, American, and aquatint, 2000.166.128-130, Gift of cuts; illustrations and initials with con- Truth, 1999, embossing; Untitled, 1994, 1904-1997, Untitled, 1967, lithograph, Gerald Cerny temporary coloring and decoration in gold lithograph; Untitled, 1994, lithograph and 2000.137.3, Gift of the Collectors leaf, 2001.73.1.1-2, Gift of Lois and screenprint; Untitled, 1994, color screen- Committee LeWitt, Sol, American, born 1928, Robert Erburu and an Anonymous Donor print, 2000.177.45-50, Gift of Lee and Color Bands, 2000, 8 color linoleum cuts, Kornatovsky, Jin, Czech, born 1952, Ann Fensterstock 2000.147.1-8, Gift of Thomas G. Klarner Mellan, Claude, French, 1598-1688, Untitled, 1996-1997, color etching and Adam and Eve at the Foot of the Cross, Nepras, Karel, Czech, born 1931, aquatint, 2000.166.101, Gift of Gerald Lhotak, Kamil, Czech, 1912 -1990, c. 1647, engraving, 2001.14.1, Ailsa Mel- Do vsech svetovych stran, 1993, etching, Cerny Untitled, 1980, color lithograph; Target, lon Bruce Fund 2000.166.217.b, Gift of Gerald Cerny 1966, color lithograph and drawing, Kotasova, V£ra, Czech, born 1939, 2000.166.131-132, Gift of Gerald Cerny Mericka, Jan, Czech, born 1955, Field Nesleha, Pavel, Czech, born 1937, Holy Meditation Object III, 1995, linoleum cut, No. 1,1993, etching; Railroad Crossing Grail No. 4,1965, mixed media; The History 2000.166.102, Gift of Gerald Cerny Lichtenstein, Roy, American, 1923- Gates VII, 1993, etching and aquatint, of Human Hands TV, 1970, etching and 1997, Explosion, 1967, color lithograph, Kralik, Jaroslav, Czech, 1924-1999, 2000.166.138-139, Gift of Gerald Cerny drypoint; The Guard, etching and drypoint, 2000.137.4, Gift of the Collectors Com- Untitled, drypoint; Grunewald's Hands, 1991, 2000.166.149-151, Gift of Gerald Cerny mittee; Landscape with Boats, 1996, color Michalek, Milo§, Czech, born 1949, Head drypoint; Play with Signs, 1993-1994, screenprint and lithograph; Landscape (no head), 1988, color woodcut; Analysis, Neureuther, Eugen Napoleon, German, drypoint; Sheet from 's Notebook, with Poet, 1996, color lithograph and 1995, woodcut; Layers, 1993, color wood- 1806-1882, Dornrdschen, 1836, etching, 1992, drypoint; Shift in the Boulder of Time, screenprint; Modern Art 1,1996, color cut, 2000.166.140-142, Gift of Gerald 2001.38.1, Ailsa Mellon Bruce Fund 1998, drypoint and perforation; Project screenprint; Modern Art II, 1996, color Cerny of the Burden 1,1995, drypoint and aquatint; Nevelson, Louise, American, 1900-1988, screenprint, 2000.177.90-93, Gift of Conversation with Griinewald, 1992, dry- Michalek, Ondrej, Czech, born 1947, Dusk in August, 1967, lithograph with Lee and Ann Fensterstock point; Meeting in the Square, 1992, dry- Rest VIII, 1997, woodcut and screenprint; embossing on brown paper, 2000.137.7, point, 2000.166.103-110, Gift of Gerald Liesler, Josef, Czech, born 1912, Early Uncertainty, 1996, linoleum cut and Gift of the Collectors Committee; Untitled, Cerny Stop, , 1980, color lithograph, screenprint; Luminous Object, 1987, color 1986, color screenprint with collage, 2000.166.133, Gift of Gerald Cerny linoleum cut, 2000.166.143 -145, Gift 2000.168.1, Gift of Mr. and Mrs. Earl A. Kratina, Radoslav, Czech, born 1928, of Gerald Cerny Powell III Red-Blue Landslide No. 16,1972, color Lindner, Richard, American, 1901-1978, screenprint; Forty Variations in a Square, We Are All One, 1967, color lithograph, Morley, Malcolm, American, born 1931, Novackova, Zuzana, Czech, born 1945, 1992, screenprint in black; of Geome- 2000.137.5, Gift of the Collectors Com- Coconut Grove, 1987, color lithograph; Well, 1993, mixed media, 2000.166.152, try, 1970, color screenprint; Checkmate Coconut Grove (State), 1987, color litho- Gift of Gerald Cerny and Luster, 1972, screenprint; The Waning graph; Erotic Fruitos, 1993, color liftground Lorch, Melchior, Danish, 1526/1527- Novak, Rostislav, Czech, born 1942, Square, 1993, screenprint in black, and spitbite aquatint, 2000.177.41-43, 1583 or after, Hubert Goltzius, 1574, Untitled, 1995, screenprint and mixed 2000.166.111-115, Gift of Gerald Cerny Gift of Lee and Ann Fensterstock engraving, 2000.152.2, Ailsa Mellon media; Moonshine, 1993, screenprint, Kratky, Bohumil, Czech, born 1913, Bruce Fund Motherwell, Robert, American, 1915- 2000.166.153 -154, Gift of Gerald Cerny Untitled, 1998, color lithograph, from 1991, Untitled, 1966, color lithograph, Mucha, Alphonse Marie, Czech, 1860- Oldenburg, Claes, American, born 1929, Legacy of the Jewish Spirit, 2000.166.218.b, 2000.137.6, Gift of the Collectors Com- 1939, and Leon Maillard (author), French, Apple Core—First State, 1990, color litho- Gift of Gerald Cerny mittee Les Menus et Programmes illustres (Paris, graph on green paper; Extinguished Match, Kucera, Zdenek, Czech, born 1935, Six 1898), bound volume with 460 litho- Moudier, Marc, French, 1866-1948, 1989, color lithograph; Extinguished Squares, 1994, screenprint, 2000.166.116, graphic and photozincotype illustrations Untitled from Le Bare de Bouteville ex- Match—First State, 1989, lithograph; Hard Gift of Gerald Cerny by Mucha, Henri-Gabriel Ibels, Jules hibition catalogue, 1893, lithograph, Times Bulb—Day #21,1995, lithograph ChAret, Henri de Toulouse-Lautrec, Louis 2000.180.25, Virginia and Ira Jackson with chine coll6 on tan paper, and attached Kucerova, Alena, Czech, born 1935, The Maurice Boutet de Monvel, et al; 22 hors- Collection, Partial and Promised Gift coathanger; Hard Times Bulb—Night #27, Bath, 1971; Landscape, 1992; Sea, 1992, texte plates in color and duotone, and the 1995, lithograph with chine collA on gray perforations with relief, 2000.166.117- Munch, Edvard, Norwegian, 1863 -1944, original lithographed end papers by paper, and attached coathanger; Profiterole, 119, Gift of Gerald Cerny The Old Seaman, 1899; Stormy Night, Mucha, 2001.59.1, Given in Memory of 1989, color lithograph on gray paper; 1908/1909, woodcuts, 2001.7.1-2, The Kucerova, Tereza, Czech, born 1964, Martin Atlas by His Friends Profiterole—Gray State, 1989, color litho- Epstein Family Collection Mrs. B, 1993; Growth, 1993, color litho- graph on gray paper; Sneaker Lace in Majolin, Martin, Czech, born 1972, graphs, 2000.166.120-121, Gift of Murray, Elizabeth, American, born 1940, Landscape—Blue, 1991, color lithograph; Sign 1,1995, woodcut, 2000.166.134, Gerald Cerny Whazzat #22,1996, pastel over collaged Sneaker Lace in Landscape—Gray, 1991, Gift of Gerald Cerny color lithograph; Trying To, 1993, color lith- Kulhanek, Oldrich, Czech, born 1940, color lithograph; Sneaker Lace in Land- Malichova, Katgrina, Czech, born 1964, ograph and screenprint construction Life in a Spiral, 1997, lithograph; P.O. Box scape—Red, 1991, color lithograph; Apple Landscape, 1991, 3 color lithographs, with hand-applied pastel, 2000.177.44, 98, No. 84,1984, color lithograph; Untitled, Core—Autumn, 1990, color lithograph; 2000.166.135-137, Gift of Gerald Cerny Gift of Lee and Ann Fensterstock 1998, lithograph, from Legacy of the Jewish Apple Core—Spring, 1990, color lithograph; Spirit, 2000.166.122-123, 218.C, Gift of Marden, Brice, American, born 1938, Muzika, FrantiSek, Czech, 1900-1974, Apple Core—Summer, 1990, color litho- Gerald Cerny Beyond Eagles Mere 2, 2001, color etching Larva VI, 1967, lithograph, 2000.166.146, graph; Apple Core—Winter, 1990, color and lithograph; Eagles Mere Muses, 2001, Gift of Gerald Cerny lithograph on black paper, 2000.177.51-60, Kupka, Frantigek, Czech, 1871-1957, etching and lithograph, 2001.74.8-9, 80-83, Gift of Lee and Ann Fensterstock Untitled, 1913, etching, 2000.166.124, Mzyk, Josef, Czech, born 1944, Dres- Gift of Gemini G.E.L.LLC Gift of Gerald Cerny sing Gown—Interior 1,1979, screenprint, Otava, Jan, Czech, born 1950, Living 2000.166.147, Gift of Gerald Cerny and Dead Nature, 1981, etching, drypoint, Lamr, AlesS, Czech, born 1943, Gethsemane and roulette, 2000.166.155, Gift of Garden, 1991; Burning Bush, 1992; Miracle, Natus - S alamounova, Eva, Czech, Gerald Cerny 1997, color lithographs, 2000.166.125- born 1936, Stroll, 1993, color lithograph, 127, Gift of Gerald Cerny 2000.166.148, Gift of Gerald Cerny

Lande, Willem van, Dutch, c. 1610-after 1650, Pharaoh Perishing in the Red Sea, etch- ing, 2001.77.1, Ailsa Mellon Bruce Fund

28 | Annual Report | 2001 Otreba, Ryszard, Polish, born 1932, Re- Preissig, Vojtech, Czech, 1873 -1944, Reuwich, Erhard (the Master of the Schaufelein, Hans, German, c. 1480/85- quest Days, color plastercut, 2000.166.156, A Clear Day and Plenty of Roses, 1919, color Housebook), German, active c. 1465/1500, 1538/1540, Hans Baldung Grien, Ger- Gift of Gerald Cerny etching, 2000.166.169, Gift of Gerald and Bemhard von Breitenbach (author), man, 1484/1485 -1545, Erhard Schon, Cerny German, died 1497, Peregrinatio in terram German, c. 1491-1542, and Ulrich Pinder Ovcacek, Eduard, Czech, born 1933, sanctam (Mainz, 1486), bound volume with (author), German, died 1510/1519, Spe- Rubbing II, 1988, color lithograph; Old-New Pribyl, Lubomir, Czech, born 1937, The 24 woodcuts, including 7 folding plates, culum passionis domini nostri Jesu Christi, Signs II, 1993, screenprint, 2000.166.157- Enlarging Net, 1993; Experienced Prisms 2001.81.1, Anonymous Gift 1519, bound volume with 41 woodcut 158, Gift of Gerald Cerny VIII, 1993, material prints, 2000.166.170- illustrations, 2000.115.1, Gift of Ladislaus 171, Gift of Gerald Cerny Rezler, Ales, Czech, born 1964, Fresh Pacovska, Kv6ta, Czech, born 1928, and Beatrix von Hoffmann Reports, 1990, mixed media [proof], Marks, 1990, color lithograph with sus- Puchnarova, Dana, Czech, born 1938, 2000.166.175, Gift of Gerald Cerny Sergent, Antoine Francois, French, pended collage; SCRAP II, 1990, color litho- Part of the Whole, 1998, color lithograph 1751 -1847, Monsieur Frere du Roi (after graph [proof]; Demarcated Space III, 1995, in 5 parts printed on Plexiglas paper, Ricci, Marco, Italian, 1676-1729, Joseph Siffred Duplessis), 1789, aquatint, color lithograph with hand-colored collage, 2000.166.172, Gift of Gerald Cerny Wilderness Landscape with Two Hermits, color etching, and engraving, 2000.132.1, 2000.166.159-161, Gift of Gerald Cerny 1730, etching, 2001.26.1, Ailsa Mellon Puryear, Martin, American, born 1941, Katharine Shepard Fund Bruce Fund Paleckova, Veronika, Czech, born 1962, Karintha, 2000; Becky, 2000; Carma, 2000; Serra, Richard, American, born 1939, Four Magpies and a Dog, 1991, color Fern, 2000; Esther, 2000; Avey, 2000; Richter, Ludwig, German, 1803 -1884, Allee, 1995, etching; Broad Cove Marsh I, lithograph; Landscape—The Bird and the Bona, 2000, woodcuts, 2001.89.2-8, Gift Malerische Ansichten aus den Umgebungen 1996, etching; Coltrane, 1999, etching; Lunatic, 1994, color etching; Triptych — of Doris and Don Fisher von Rom, 1831-1832, complete set of D.T.E., 1999, etching; Esna, 1991, screen- Engagement Dance, 1994, etching, 6 etchings with original cover, 2000.154.2. Puryear, Martin, American, born 1941, print with Paintstik on 2 sheets of paper; 2000.166.162-164, Gift of Gerald Cerny a-f, Ailsa Mellon Bruce Fund and Jean Toomer (author), American, L.A. 98,1999, etching; T.E. Siegen, 1999, Pearson, Henry C., American, born 1914, 1894-1967, Cane, 2000, bound volume Richter, Pavel, Czech, Five-hundred-twenty, etching; Videy Afangar #10,1991, photo- Face, 1967, color lithograph, 2000.137.8, with 10 woodcuts, afterword by Leon 1995, screenprint, 2000.166.176, Gift of etching with aquatint; Videy Afangar #2, Gift of the Collectors Committee Litwack, and colophon page, 2001.89.1. Gerald Cerny 1991, lift ground, flat bite, and aquatint; a-j, Gift of Doris and Don Fisher Pesicova, Jaroslava, Czech, born 1935, Richterova, Marina, Czech, born 1962, Videy Afangar #4, 1991, lift ground, flat Queen Esther, color mezzotint, from Legacy Quaglio, Domenico, German, 1787-1837, Queen Esther, 1998, etching, from Legacy bite, and aquatint; Videy Afangar #6, of the Jewish Spirit, 2000.166.218.d, Gift Saemtliche kleine Radierte Blatter, 1814, of the Jewish Spirit, 2000.166.218.f, Gift 1991, photoetching and aquatint; Videy of Gerald Cerny portfolio of 22 etchings, 2000.126.1.a-v, of Gerald Cerny Afangar #7,1991, photoetching, lift Ailsa Mellon Bruce Fund; Wallfahrts Kirche ground, and aquatint; Videy Afangar #8, Piacka, Igor, Czech, born 1962, Queen Rode, Bemhard, German, 1725-1797, in Thyrol, 1818, lithograph in black with 1991, photoetching, lift ground, and Esther, etching and aquatint, from Legacy Darius Receiving Water from the Helmet of yellow and ocher tint stones, 2001.44.1, aquatint; Hreppholar III, 1991, intaglio of the Jewish Spirit, 2000.166.218.e, Gift One of Alexander's Soldiers, 1774, etching Gift of Andrew Robison construction; Hreppholar VI, 1991, intaglio of Gerald Cerny and drypoint, 2001.51.1, Gift of Susan construction; Vesturey 1,1991, intaglio; Ranny, Emanuel, the Younger, Czech, Schulman Picasso, Pablo, Spanish, 1881 -1973, Reykjavik, 1991, Paintstik; Double born 1943, Crow-like Landscape 1,1990s, Two Women Waking Up, 1959, color Rotterova, Romana, Czech, born 1931, Black, 1990, screenprint with Paintstik, drypoint; Hate and Love, 1991, color linoleum cut, 2001.65.1, Edward E. Mac- Music, 1988, mixed media; Landscape— 2000.177.65-71, 84-89, 95-97,101- lithograph, 2000.166.173 -174, Gift of Crone Fund Reading, 1993, drypoint, 2000.166.177- 102. a,b, Gift of Lee and Ann Fensterstock Gerald Cerny 178, Gift of Gerald Cerny Piranesi, Giovanni Battista, Italian, Serusier, Paul, French, 1863-1927, Ranson, Paul, French, 1862-1909, 1720-1778, The So-Called Temple of Her- Roucka, Pavel, Czech, born 1942, Coat Paysage from Le Bare de Bouteville exhi- Untitled from Le Bare de Bouteville exhi- cules at Cori, 1769, etching [unique proof of Arms, 1995; Tabula rasa, 1993, color bition catalogue, 1893, lithograph, bition catalogue, 1893, lithograph, before letters], 2000.123.1, William B. lithographs, 2000.166.179-180, Gift of 2000.180.28, Virginia and Ira Jackson 2000.180.26, Virginia and Ira Jackson O'Neal Fund; Lettere di Giustificazione Gerald Cerny Collection, Partial and Promised Gift Collection, Partial and Promised Gift scritte a Milord Charlemont e a di lui Agenti Roussel, KerXavier, French, 1867-1944, Serych, Jaroslav, Czech, born 1928, di Roma (Rome, 1757), bound volume with Rauschenberg, Robert, American, Paysage, femmes causant from Le Bare de The Presence of Brilliance, 1988, color 8 etched illustrations and presentation born 1925, LA. Uncovered #12,1998, Bouteville exhibition catalogue, 1893, litho- lithograph; Earthly Pleasure, 1993, color leaf, 2000.145.1, Mark J. Millard Archi- color screenprint; LA. Uncovered #7,1998, graph, 2000.180.2% Virginia and Ira Jack- lithograph; Glare of One Night, 1984, tectural Collection color screenprint; Witness (Speculations), son Collection, Partial and Promised Gift engraving, etching, drypoint, and mono- 1996, color screenprint; Blue Line Swinger, Pliskova, NadSzda, Czech, born 1934, print [proof], 2000.166.184-186, 1991, color lithograph on 3 sheets of Ruzicka, Jindrich, Czech, born 1947, v/c/Water Closet, 1980, drypoint [proof], Gift of Gerald Cemy gray paper; Blues, 1992, color lithograph; Tree, 1980, linoleum cut, 2000.166.181, 2000.166.165, Gift of Gerald Cerny Hollywood Sphinx, 1991, color lithograph, Gift of Gerald Cerny Sevcik, Milos, Czech, born 1939, Untitled, Polanzani, Francesco, Italian, 1700- 1993, drypoint, 2000.166.187, Gift of 2000.177.61-63, 94.a-c, 99,100, Gift Ryman, Robert, American, born 1930, after 1783, Head of a Young Woman (after Gerald Cerny of Lee and Ann Fensterstock and Samuel (author), Irish, 1906- Carlo Cignani), etching and engraving, Rauschenberg, Robert, American, born 1989, Nohow On, 1989, bound volume Severova, Jaroslava, Czech, born 1942, 2000.139.1, Ailsa Mellon Bruce Fund 1925, and Darryl Pottorf, American, born with 6 aquatints in white, 2000.169.3.a-f, Alpha-Omega No. 3, 1993, aquatint; Front Polcar, Miroslav, Czech, born 1947, Cal- 1952, Quattro Mani IV, 1998, color screen- Gift of Susan Lorence in memory of Side and Back Side No. C, 1989, aquatint; ligraphy, 1991/1992, drypoint and perfora- print, 2000.177.64, Gift of Lee and Ann Annalee Newman Wrong Side and Right Side No. 1,1983, tion, 2000.166.166, Gift of Gerald Cerny aquatint; Fish, 1983, color etching, Fensterstock Ryman, Robert, American, born 1930, 2000.166.188-191, Gift of Gerald Cerny Pollock, Jackson, American, 1912-1956, Rembrandt van Rijn, Dutch, 1606-1669, and Amy Baker Sandback (author), Untitled, 1951, complete set of 6 screen- The Great Jewish Bride, 1635, etching, American, born 1941, Robert Ryman Prints Seydl, Zdenek, Czech, born 1916, prints with signed cover (first edition), 2001.64.1, Gaillard F. Ravenel and Frances 1969-1993: Catalogue Raisonne (1993), Who at One Time Played Romeo, 2001.24.1-6, Patrons' Permanent Fund P. Smyth-Ravenel Fund; Jan Uytenbogaert, portfolio with 1 color aquatint, 2000.131.1, 1960s, linoleum cut, 2000.166.192, Gift of the Collectors Committee Gift of Gerald Cerny Pos, Peter, Czech, born 1944, American "The Goldweigher," 1639, etching [unfin- Indians in the Summer, 1991, color litho- ished artist's proof], 2001.64.2, Patrons' Sadeler II, Aegidius, Flemish, c. 1570- Sindelova, Jana, Czech, born 1970, graph [artist's proof], 2000.166.167, Gift Permanent Fund 1629, Rudolph II (after Hans von Aachen), Untitled, 1996, etching and mixed media, of Gerald Cerny 1603, engraving, 2000.155.1, Ailsa Mellon 2000.166.193, Gift of Gerald Cerny Bruce Fund Prasil, Jaroslav, Czech, 356,1993, color drypoint and aquatint, 2000.166.168, Salamoun, Jin, Czech, born 1935, A, B, C, Gift of Gerald Cerny 1995; Cartesan Greeting, 1994, color litho- graphs, 2000.166.182 -183, Gift of Gerald Cerny

29 | National Gallery of Art | Washington Sivko, Pavel, Czech, born 1948, Between Synecka, Nadezda, Czech, born 1926, Vozniak, Jaroslav, Czech, born 1933, American 20th Century, Possibly Fences, 1995; High Tensions, 1988, color Music, 1991, multiplate etching and Untitled, 1978, etching and aquatint; Leopold Stieglitz, 1867-1956, Kitty, lithographs, 2000.166.194-195, Gift of aquatint, 2000.166.214, Gift of Gerald Untitled, 1980, etching, 2000.166.224- c. 1922; Kitty and Edward with an Uniden- Gerald Cerny Cerny 225, Gift of Gerald Cerny tified Woman (Elizabeth Stieglitz?), c. 1922; Engelhard, c. 1922-1925; Skalnik, Joska, Czech, born 1948, Testa, Pietro, Italian, 1612-1650, Vuillard, Edouard, French, 1868-1940, Georgia Engelhard, c. 1922-1925; Georgia, Town of Angels, 1998, color lithograph, and Adonis, 1631/37, etching, 2001.76.2, L'enfant couche et les couturieres from Le Agnes, and George Engelhard, c. 1922- 2000.166.196, Gift of Gerald Cerny Ailsa Mellon Bruce Fund Bare de Bouteville exhibition catalogue, 1925, Autochromes, 2001.33.16-20, 1893, lithograph, 2000.180.31, Virginia Sklenaf, ZdenSk, Czech, 1910-1986, Tischler, Heinrich, Polish, 1892-1938, Anonymous Gift and Ira Jackson Collection, Partial and Untitled, color lithograph; Garden, 1967, Self-Portrait, 1921, drypoint on tan wove Promised Gift Appelt, Dieter, German, born 1935, mixed media, 2000.166.197-198, Gift paper [proof], 2000.140.1, Ailsa Mellon Monte Isola, 1976, illustrated book with 51 of Gerald Cerny Bruce Fund Vysusil, Karel, Czech, born 1926, Untitled, offset lithographs and 1 gelatin silver 1967; Yellow Countenance, 1992, color Skorczewski, Krzysztof, Polish, Toulouse-Lautrec, Henri de, French, print; Der Fleck aufdem Spiegel, den der lithographs, 2000.166.226-227, Gift of born 1947, Cathedral, 1993, engraving, 1864-1901, and Georges Clemenceau Atemhauch schafft (Breath Mark on the Mir- Gerald Cerny 2000.166.199, Gift of Gerald Cerny (author), French, 1841-1929, Au Pied du ror), 1977, gelatin silver print; From "Erin- Sinai (Paris, 1898), illustrated book with Walla, Jindfich, Czech, born 1954, Smutny, Dalibor, Czech, born 1964, nerungsspur" (Memory's Trace), 1979, gela- cover lithograph, 10 separate lithographs TV Screen, 1994, mezzotint [proof], Untitled, 1994, mezzotint; Variation, 1995, tin silver print; From "Erinnerungsspur" in 2 impressions each, and one of the 2000.166.228, Gift of Gerald Cerny mezzotint and etching, 2000.166.200- (Memory's Trace), 1979, gelatin silver print; "planches refusees," 2000.125.1, William 201, Gift of Gerald Cerny Waroquier, Henry de, French, 1881 - Erinnerungsspur—Statische Vibration B. O'Neal Fund 1970, Festival of Water and Lights, 1937, (Memory's Trace—Static Vibration), 1979, Solteszova, Milena, Czech, born 1939, Truksova, Jana, Czech, born 1947, engraving, 2000.150.2, Ailsa Mellon illustrated book with 36 offset lithographs Two Bottles, 1990, drypoint and aquatint, The Break, 1992, color lithograph, Bruce Fund and 1 gelatin silver print; Erinnerungsspur 2000.166.202, Gift of Gerald Cerny 2000.166.215, Gift of Gerald Cerny —Statische Vibration (Memory's Trace— Wiktor, Tadeusz Gustaw, Polish, born Sompel, Pieter van, Flemish, c. 1600- Static Vibration), 1979, portfolio of 10 gela- Vachal, Josef, Czech, 1884-1969, Azrael 1946, Platonia 2, lithograph and collage, 1643 or after, Eleanora, Wife of Ferdinand II tin silver prints; Die Quelle (The Spring), and Companions, 1947, color woodcut 2000.166.229, Gift of Gerald Cerny (after Pieter Claesz. Soutman), 1640s, 1980, gelatin silver print; From the Sequence [proof], 2000.166.216, Gift of Gerald etching and engraving, 2001.77.2, Ailsa Woelffer, Emerson, American, born 1914, "," 1981-1982, gelatin silver Cerny Mellon Bruce Fund Colorado #8,1951, lithograph; Double "O," print; From the Sequence "San Giacomo," Vallotton, Felix, Swiss, 1865 -1925, 1953, softground etching, 2001.43.12-13, 1986, salted paper print, 2001.67.6-7, 8- Sopko, Jiri, Czech, born 1942, Barevna, La Poursuite from Le Bare de Bouteville Gift of the Richard Florsheim Art Fund 10,11-12,13-22, 23-25, Patrons' Per- color lithograph, 2000.166.217. a, Gift of exhibition catalogue, 1893, lithograph, manent Fund Gerald Cerny Zaech, Bernhard, German, active c. 1650, 2000.180.29, Virginia and Ira Jackson Roman Ruins with Animals and Figures Arndt, Gertrud, German, 1903 - 2000, Stehlik, Ctirad, Czech, born 1938, Clouds, Collection, Partial and Promised Gift (after Jonas Umbach), c. 1650, complete Self-Portrait with Sunglasses, Dessau, 1928, 1980, color lithograph, 2000.166.203, Various Artists, Catalogue de L'Exposi- set of six etchings, 2001.13.1-6, Ailsa gelatin silver print, 2001.67.26, Patrons' Gift of Gerald Cerny tion de Peintures du Groupe Impressionniste Mellon Bruce Fund Permanent Fund Steinberg, Saul, American, 1914-1999, et Synthetiste (Paris, 1889), catalogue Zenata, Kamila, Czech, born 1953, The , Eug&ne, French, 1857-1927, Untitled, 1967, color lithograph, 2000.137.9, of exhibition at Monsieur Volpini's "Cafe Sun Is Always Shining on My Head, 1995, Arcueil-Cachan, Pare de Madame de Provigny, Gift of the Collectors Committee; Cedar Bar, des Arts"; Volpini Exhibition Poster, 1889, mixed media; Mysterious Transformations, 1901, albumen print, 2000.122.1, Anon- 1997, aquatint and drypoint, 2000.177.104, lithograph, 2000.180.30,116, Virginia 1990, mezzotint, 2000.166.230-231, ymous Gift Gift of Lee and Ann Fensterstock and Ira Jackson Collection, Partial and Gift of Gerald Cerny Baltz, Lewis, American, born 1945, New Storchova, Hana, Czech, born 1936, Promised Gift Zorner, Rudolf, Czech, born 1941, Earth- Monterey, 1968, gelatin silver print, Sau- Birch Trees, 1992, color etching and Viani, Domenico Maria, Italian, 1668- Sun of the Celts, 1990, color mixed media, salito, 1968, gelatin silver print; Dana Point aquatint; Flight, 1978, color etching and 1711, Saint Joseph and the Christ Child, 2000.166.232, Gift of Gerald Cerny #1,1970, gelatin silver print; Dana Point aquatint; We Shall All Reach Our Aims, 1690s, etching, 2000.140.2, Gift of Bert #2,1970, gelatin silver print; Ceiling Fix- 1995, etching, 2000.166.204-206, Gift Zykmund, Vaclav, Czech, 1914-1985, Freidus ture, 2000 Strong's Drive, Venice, California, of Gerald Cerny Eight Small Etchings, 1946, complete set Vicar, Jan, Czech, born 1967, Anthill, 1972, gelatin silver print; 1976, Nevada, of 8 etchings with aquatint, 2000.166.233. Stratilovi, LibusSe, Czech, born 1933, 1998, linoleum cut intaglio, 2000.166.219, 1978, portfolio of 15 gelatin silver prints, a-h, Gift of Gerald Cerny The Cathedral's Soul III, 1991; Burning Gift of Gerald Cerny 2001.67.27-31, 32-46, Patrons' Perma- Bush II, 1993, color linoleum cuts, 2000. nent Fund Vilhelmova, Lenka, Czech, born 1957, 166.207-208, Gift of Gerald Cerny Head and Three Little Heads, 1993, mixed Photographs Bracksieck, Renate, German, active Sukdolak, Pavel, Czech, born 1925, media; Cave, Bed, Grave, 1994, mixed 1920s-1930s; Carnival Lights, 1920s- Arch, 1993; Queen Esther, from Legacy of media with perforation; Metronome, 1994, Abbott, Berenice, American, 1898-1991, 1930s; Mannequins, 1920s-1930s, the Jewish Spirit, 1998, color lithographs, color drypoint and relief; Last Head, Canyon, Broadway and Exchange Place, gelatin silver prints, 2001.67.47-48, 2000.166.209, 218.g, Gift of Gerald Cerny 1996, mixed media, 2000.166.220-223, 1936, gelatin silver print, 2000.148.1, Patrons' Permanent Fund Gift of Marvin Breckinridge Patterson; Sukdolakova, Milada, Czech, born Gift of Gerald Cerny Bramson, Stern J., American, 1912- Rockefeller Center Parking Space, 40 West 1956, Nonsense, etching and aquatint, 1989, Baron La Velle (Lawrence Jones) in Villon, Jacques, French, 1875-1963, 49th Street, 1938, gelatin silver print, 2000.166.210, Gift of Gerald Cerny His Home Theater, Louisville, Kentucky, Minne in a Rocking Chair, c. 1907, drypoint 2001.67.1, Patrons' Permanent Fund 1962; Woman with Plymouth Belvedere, Sura, Jaroslav, Czech, born 1929, Inaug- with aquatint [unique proof] (recto); Adams, Robert, American, born 1937, Louisville, Kentucky, c. 1962, gelatin silver ural Serigraph for the Opening of Galerie Maquis Caulaincourt ou le Tombereau, 1901, Near Pendleton, Oregon, 1978; Quarried prints, 1989, 2001.67.49-50, Patrons' Grapheion in Prague, 1999; Merrymaking color aquatint [unique proof] (verso), Mesa Top, Pueblo County, Colorado, 1978; Permanent Fund Friends, 1994, screenprints, 2000.166.211- 2000.121.1.a-b, Margaret Mellon Hitch- gelatin silver prints, 1983, 2001.67.2-3, 212, Gift of Gerald Cerny cock Fund; Chess Board, 1920, etching, 2001.52.1, Gift of Aaron I. Fleischman Patrons' Permanent Fund Svankmajer, Jan, Czech, born 1934, American 20th Century, Dust Explosion Natural Science, 1973, hand-colored etching Elevator, c. 1900-1920; 2 gelatin silver [proof], 2000.166.213, Gift of Gerald prints, 2001.67.4-5, Patrons' Permanent Cerny Fund

30 | Annual Report | 2001 Brandt, Bill, British, born Germany, Cohen, John, American, born 1932, Fischer, Arno, German, born 1927, Berlin, gelatin silver print; Idaho, 1972, gelatin 1904-1983, Evening at Kew Gardens, 1932, Red Grooms and Terry Barrell, "The Burning 1956; Berlin, 1958, gelatin silver prints, silver print; New City, New York, 1973, gela- gelatin silver print, after 1955, 2001.67.51, Building," 1959, gelatin silver print, 2001.67.73-74, Patrons' Permanent Fund tin silver print; Florida, 1974, gelatin silver Patrons' Permanent Fund 2000.135.1, Gift of the Collectors Com- print; Woodman, Wisconsin, 1974, gelatin Frank, Robert, American, born Switzer- mittee silver print; R.B. Kitaj, London, 1975, gela- Brassa'i, French, born Transylvania, 1899 land 1924, Place de la Republique, 1949; Le tin silver print; Nina Szarkowski, New City, -1984, Wheat Threshing, Bourbon, early Corpron, Carlotta M., American, 1901- chien lAndalou, 1949; Longchamp, 1949; New York, 1976, gelatin silver print; Erik 1930s; Fete populaire a , c. 1932; Tree at 1988, Light Abstraction, c. 1947, gelatin Place de VEtoile, 1951-1952; Paris, 1951- and Anna Friedlander, Grand Canyon, Ari- Night, c. 1932-1933; 14 Juillet, Place de la silver print, 2001.67.62, Patrons' Perma- 1952; 14e arrondissement, 1951-1952, gel- zona, 1977, gelatin silver print; Kentucky, Contrescarpe, c. 1932; 14 Juillet, Place de nent Fund atin silver prints, 2000.173.1-6, Gift of 1977, gelatin silver print; Pittsburgh, 1979, la Contrescarpe, c. 1932; Pont des Arts, Jane P. Watkins; Trolley—New Orleans, Crawford, Ralston, American, 1906- gelatin silver print; Pittsburgh, 1979, gela- 1934; Col de VIseran, c. 1935; Water Study, 1955, gelatin silver print, 2001.8.1, Gift 1978,2501 Willard Street, Wilmington, tin silver print; Pittsburgh, 1979, gelatin 1930s; Farming Couple, mid-1930s; Evening of Maria and Lee Friedlander Delaware, 1939; Boiler Syntheses, c. 1940; silver print; Raoul Hague, Woodstock, New at Longchamp Racetrack, 1937-1938; Untitled, c. 1942, gelatin silver prints, Friedlander, Lee, American, born 1934, York, 1983, gelatin silver print; , Apartment House Window, late 1930s; "Le 2000.149.1-3, Anonymous Gift Count Basie on the Road, 1956; Wooden Joe 1986, gelatin silver print; Chippewa Falls, Rendez-vous," Act 1,1945, gelatin silver Nicholas, New Orleans, 1957; Sweet Emma Wisconsin, 1986, gelatin silver print; prints, 2001.1.1-12, Samuel H. Kress Croner, Ted, American, born 1922, Cafe- Barrett, New Orleans, 1958; Ben Schultz, Chippewa Falls, Wisconsin, 1986, gelatin Foundation; and His Model at the teria, New York City, 1947, gelatin silver Atlantic City, 1960; New York City, 1963; silver print, 2001.22.1-459, Patrons' Villa dAlesia, Paris, 1939, gelatin silver print, 2001.67.63, Patrons' Permanent Self-Portrait, 1960s; Self-Portrait, 1960s; Permanent Fund, Trellis Fund, print, 2001.67.52, Patrons' Permanent Fund Self-Portrait, 1960s; Self-Portrait, 1960s; and Anonymous Gift Fund Camming, Robert, American, born 1943, Self-Portrait, 1960s; Atlantic City, 1969; Garcia, Hector, Mexican, born 1923, Callahan, Harry, American, 1912- American Bullet Proof Vest Custom-Made for Princeton, New Jersey, 1969; Tampa, 1970; Jose Clemente Orosco, 1947, gelatin silver 1999, Multiple Exposure Trees, 1945; Lake Assistant Superintendent of Criminal In- Atlantic City, 1971; , 1973; print, 2001.67.75, Patrons' Permanent Michigan, 1947; Eleanor, Chicago, 1948; vestigation, Alfred William Riggs, Jerusalem, Arches National Park, 1974; Boston, 1974; Fund Eleanor, Chicago, 1956; Collage, c. 1956, gel- Palestine, 1979, gelatin silver print, Cambridge, 1975;Anna, c. 1975; Canton, atin silver prints, 2000.172.1-5, Gift of 2001.67.64, Patrons' Permanent Fund Ohio, 1980; Canton, Ohio, 1980; New York Gohlke, Frank, American, born 1942, Ann Solomon; Chicago, 1949, dye transfer Davidson, Bruce, American, born 1933, City, 1980; Kyoto, 1981; Nude, 1980s; Nude, Signs near Freeway—Houston, Texas, 1978; print, 2001.67.53, Patrons' Permanent South Wales, 1967, gelatin silver print, 1981, gelatin silver prints, 2001.8.2-26, View of Bay Bridge—, Cali- Fund 2001.67.65, Patrons' Permanent Fund Gift of Lee Friedlander; Self-Portraits, fornia, 1979, gelatin silver prints, 1981, 1960s, 216 gelatin silver prints; Later Self- 2001.67.76, 78, Patrons' Permanent Fund; Chochola, Vaclav, Czech, born 1923, Ply- della Porta, Patrizia, Italian, born 1954, Portraits, 1990s, 77 gelatin silver prints; Landscape—near King City, California, nojem (Gas Tank), 1947, gelatin silver print, National Gallery of Art, Washington: Varia- Maria, 1960s-1990s, 40 gelatin silver 1979; Area Clearcut Prior to 1980 Eruption 2001.67.54, Patrons' Permanent Fund tions on the Theme, 1981, 2 gelatin silver prints; American Monuments, 1976, 29 gela- Surrounded by Downed Trees—Clear- Christcnberry, William, American, born prints; National Gallery of Art, Washington: tin silver prints; Nudes, 1991,10 gelatin water Creek Valley—9 Miles East of Mount Variations on the Theme, 1999, 3 gelatin 1936, Grave, 1982, portfolio of 5 dye trans- silver prints; Letters to the People, 1993, Saint Helens, Washington, 1981; Aerial fer prints; South End of Palmist Building— silver prints, 2001.60.1-2, 3-5, Edward 8 gelatin silver prints; The Desert Seen, View: Logs and Debris in South End of Spirit Havana, Alabama, 1979, chromogenic print, E. MacCrone Fund 1996, 30 gelatin silver prints; Helen Levitt, Lake—4.5 Miles North of Mount Saint 2001.67.55-59, 60, Patrons' Permanent Doisneau, Robert, French, 1912-1994, New York City, 1959, gelatin silver print; Helens, Washington, 1982; Aerial View: Fund Au cafe concert Saint Yves, Rene Bernard New Orleans, 1959, gelatin silver print; Parking Lot, Midway Shopping Center— Christo, American, born 1935, and et Claude Apel, desgargon de cafe Melo- Bruno Sammartino, New York City, 1960, Saint Paul, Minnesota, 1982, gelatin silver Jeanne-Claude, American, born 1935, manes, c. 1950; Hommages respecteux, con- gelatin silver print; DeDe and Billie Pierce, prints, 1983, 2001.67.77, 79-81, Patrons' The Pont Neuf Wrapped, Paris, 1975-1985, cert Mayol, 1952, gelatin silver prints, 1962, gelatin silver print; Galax, Virginia, Permanent Fund 1962, gelatin silver print; New York City, 1985; Running Fence, Sonoma and Marin 2001.67.66-67, Patrons' Permanent Fund Gowin, Emmet, American, born 1941, 1962, gelatin silver print; New York City, Counties, California, 1972-1976,1976; Eggleston, William, American, born Nancy, Danville, Virginia, c. 1965; Edith, 1962, gelatin silver print; Newark, New Running Fence, Sonoma and Marin Counties, 1939, Used Tires, 1973, dye transfer print, Danville, Virginia, 1971, gelatin silver Jersey, 1962, gelatin silver print; Portland, California, 1972-1976,1976; Running 2001.67.68, Patrons' Permanent Fund prints, 2001.67.82-83, Patrons' Perma- Maine, 1962, gelatin silver print; Wade Fence, Sonoma and Marin Counties, Califor- nent Fund nia, 1972-1976,1976; The Umbrellas, Elisofon, Eliot, American, 1911-1973, Ward's Granddaughters, Galax, Virginia, Grachev, Mikhail, Russian, active 1930s, Japan-USA, 1984-1991,1991; The Umbrel- Optometrist, 1935-1936, gelatin silver 1962, gelatin silver print; Cincinnati, Ohio, Military Games, 1930s; Pioneer with Gun, las, Japan-USA, 1984-1991,1991; The print, 2001.67.69, Patrons' Permanent 1963, gelatin silver print; Monsey, New 1930s, gelatin silver prints, 2001.67.84- Umbrellas, Japan-USA, 1984-1991,1991; Fund York, 1963, gelatin silver print; New York 85, Patrons' Permanent Fund The Umbrellas, Japan-USA, 1984-1991, , Walker, American, 1903-1975, City, 1963, gelatin silver print; New York 1991; Valley Curtain, Grand Hogback, Rifle, Bridgeport, Connecticut, 1941; 2 gelatin City, 1963, gelatin silver print; New York Grossman, Sid, American, 1913-1955, City, 1963, gelatin silver print; New York Colorado, 1970-1972,1972; Wrapped silver prints, 2001.67.70-71, Patrons' Aguadulce, Guatemala, c. 1945; Coney Reichstag, Berlin, 1971-1995,1995; Permanent Fund City, 1963, gelatin silver print; New York Island, 1947-1948; Coney Island, 1947- Wrapped Reichstag, Berlin, 1971-1995, City, 1963, gelatin silver print; New York 1948, gelatin silver prints, 2001.67.86- Fays, Baron A., French, active 1850s, 1995; Wrapped Walk Ways, Loose Park, City, 1964, gelatin silver print; Denver, 88, Patrons' Permanent Fund Paysage de sapins sous la neige, c. 1852, Kansas City, 1977-1978,1978, color pho- Colorado, 1965, gelatin silver print; Kansas, silver print (possibly developed-out) from Gutmann, John, American, born Ger- tographs by Wolfgang Volz, 2001.9.11-19, Missouri, 1965, gelatin silver print; Los waxed-paper negative, 2001.47.1, Anon- many, 1905-1998, Cord in Harlem, 1936, 21 - 23, The Dorothy and Herbert Vogel Angeles, 1965, gelatin silver print; New ymous Gift gelatin silver print, 1980s; The Game— Collection, Gift of Dorothy and Herbert York City, 1965, gelatin silver print; Aretha New Orleans, 1937, gelatin silver print, Vogel, Trustees; Wrapped Coast, Little Bay, Feininger, T. Lux, American, born , 1968, chromogenic print; Jean 1980s; The Artist Lives Dangerously, Sydney, Australia, 1968-1969,1969; Valley Germany, 1910, Self-Portrait with Dancing Genet, Chicago, 1968, gelatin silver print; San Francisco, 1938, gelatin silver print, Curtain, Grand Hogback, Rifle, Colorado, Couple, 1928-1929, gelatin silver print, New York City, 1968, gelatin silver print; 1980s; Double Portrait, San Francisco, 1970-1972,1972; Valley Curtain, Grand 2001.67.72, Patrons' Permanent Fund New York City, 1968, gelatin silver print; 1938, gelatin silver print; Reach, San Fran- Hogback, Rifle, Colorado, 1970-1972, Paul Tate, Lafayette, Louisiana, 1968, gela- Fichter, Robert, American, born Swit- cisco, 1938, gelatin silver print, 1980s; 1972, color photographs by Harry Shunk, tin silver print; R. O. Blechman, New York zerland, 1939, Large Mouth Bass Dezaster, John Gutmann: Ten Photographs, 1982, 2001.9.20, 27-28, The Dorothy and City, 1968, gelatin silver print; Jim Dine, 1982; Waiting for the Signal, 1982, ciba- portfolio of 7 gelatin silver prints (incom- Herbert Vogel Collection, Gift of Dorothy London, 1969, gelatin silver print; Butte, chrome prints, 2000.174.1-2, Gift of plete), 2001.67.89-93, 94-100, Patrons' and Herbert Vogel, Trustees Montana, 1970, gelatin silver print; Hill- Marc Freidus crest, New York, 1970, gelatin silver print; Permanent Fund Clift, William, American, born 1944, Knoxville, , 1971, gelatin silver Shadow, Mont-Saint-Michel, France, 1982, print; New York City, 1971, gelatin silver gelatin silver print, 2001.67.61, Patrons' print; Albuquerque, New Mexico, 1972, Permanent Fund

31 | National Gallery of Art | Washington Hausmann, Raoul, Austrian, 1886- Khalip, Yakov, Russian, 1908-1980, Mayne, Roger, British, born 1929, Children Rainer, Arnulf, Austrian, born 1929, Unti- 1971, Synthetisches Kino derMalerei, 1918; Large-Bore , The Baltic Fleet, 1937; in a Bombed Building, 1954; Goalie, Street tled, 1973, gelatin silver print with paint Punaise des pres, 1930; Chardon espagnol, The Watch, The Baltic Fleet, 1937, gelatin Football, Brindley Road, 1956; Bicycles and scratching; Untitled, c. 1975, gelatin c. 1930; Pantoufle de la Sainte Vierge, silver prints, 2001.67.114-115, Patrons' and Graffiti, North Kensington, 1957; Girl silver print with paint, 2001.67.181-182, c. 1930; Pissenlit en fieur, 1932; Llorenf Permanent Fund Jiving, Southam Street, 1957; Street Foot- Patrons' Permanent Fund Carhonell Playing Guitar, Ibiza, 1933, gelatin ball, Addison Place Wll, 1957, gelatin silver Klein, William, American, born 1928, Roh, Franz, German, 1890-1965, Nega- silver prints, 2001.1.13-18, Samuel H. prints, 2001.67.141-145, Patrons' Per- Four Heads, New York, 1954, gelatin silver tive Nude, 1920s-1930s, gelatin silver Kress Foundation manent Fund print, 1980s; Boy + Girl + Swing, New York, print, 2001.67.183, Patrons' Permanent Heath, David, American, born 1931, 1955, gelatin silver print, 1980s; Boy + Gun Meatyard, Ralph Eugene, American, Fund New York City, 7th Avenue and 54th, 1959, + Girl, New York, 1955, gelatin silver print; 1925 -1972, Untitled (No Focus), 1958; Rosenblum, Walter, American, born 1919, gelatin silver print, 2001.67.101, Patrons' Candy Store, Amsterdam Avenue, 1955, Untitled (Figure with Dolls), 1959; Untitled Girl on a Swing, Pitt Street, New York, 1938; gelatin silver print, 1980s; Gun 1, New York, (Two Figures), 1962, gelatin silver prints, Permanent Fund Boy on a Roof, Pitt Street, New York, 1950, 1955, gelatin silver print, 1980s; Selwyn, 2001.67.146 -148, Patrons' Permanent Heinecken, Robert, American, born 1931, gelatin silver prints, 2001.67.184-185, 42nd Street, New York, 1955, gelatin silver Fund Geoffrey Beane, 1971; The Provincials, Patrons' Permanent Fund print, 1980s; Toy Ball, Waldorf, New York, 1971; Simmons Beauty Rest, 1971, halftone Metzker, Ray K., American, born 1931, 1955, gelatin silver print, 1980s; Smoke + Sekaer, Peter, American, born Denmark, reproductions overprinted with offset Philadelphia, 1963; Philadelphia, 1964; Veil, Paris, 1958, gelatin silver print, 1980s; 1901 -1950, New Orleans, c. 1936, gelatin lithographs, 2001.67.102 -104, Patrons' Atlantic City, 1966; New Mexico, 1971; Bikini, Moscow, 1959, gelatin silver print, silver print, 2000.157.1, Anonymous Gift Permanent Fund City Whispers, 1980; City Whispers, 1982, 1980s; Simone + Nina, Spanish Steps, Rome, gelatin silver prints, 2001.67.150-155, Shaikhet, Arkadii, Russian, 1898-1959, Horvat, Frank, Italian, born 1928, 1960, gelatin silver print, 2001.67.116- Patrons' Permanent Fund A Komsomol Youth at the Wheel, 1931, Paris—St. Lazare, 1958, gelatin silver 125, Patrons' Permanent Fund gelatin silver print, 2001.67.186, Patrons' print, 2001.67.105, Patrons' Perma- Message?, Annette, French, born 1943, Le Blondel, Alphonse, French, active Permanent Fund nent Fund Mes Voeux, 1990, gelatin silver prints 1842-1892, Decor d', , and colored pencil on paper under glass, Siskind, Aaron, American, 1903 -1991, Iturbide, Graciela, Mexican, born 1942, c. 1855, salted paper print from collodion 2001.67.149, Patrons' Permanent Fund Terrors and Pleasures ofLevitation #63, Mujer , Sonora Desert, Mexico, 1979, negative, 2001.47.2, Anonymous Gift 1962; Terrors and Pleasures ofLevitation gelatin silver print, 2001.67.106, Patrons' Misrach, Richard, American, born 1949, Levinstein, Leon, American, 1910-1988, #58,1965; Terrors and Pleasures ofLevita- Permanent Fund Train Tracks, Colorado Desert, California, Coney Island, c. 1960; Coney Island, 1960s; tion #477,1956, gelatin silver prints, 1984, chromogenic print, 2001.67.156, Jacobi, Lotte, American, born Germany, Times Square, c. 1965; Fifth Avenue, 1969, 2000.136.1-2, 2001.48.1, Gift of the Col- Patrons' Permanent Fund 1896-1990, Lieselotte Felger as "Die Wes- gelatin silver prints, 2001.67.126-129, lectors Committee; Harlem Home, 1937- pentaille" in "Der Kreisel," Berlin, 1931; Patrons' Permanent Fund Model, Lisette, American, 1901 -1983, 1939, gelatin silver print; Gloucester 3, Photogenic, 1946-1955, gelatin silver prints, Lower East Side, c. 1939 -1942; Lower East 1949, gelatin silver print; Jerome, Arizona Levitt, Helen, American, born 1913, 2001.67.107-108, Patrons' Permanent Side, c. 1942; Singer, Cafe Metropole, 1945; 21,1949, gelatin silver print, 1975; New New York, 1938, gelatin silver print; New Fund Bud Powell, c. 1950, gelatin silver prints, York 1,1951, gelatin silver print, 1975; York, c. 1938, gelatin silver print; New 2001.67.157-160, Patrons' Permanent Martha's Vineyard 108,1954, gelatin silver Josephson, Kenneth, American, born York, c. 1938, gelatin silver print; New Fund print, 1975; Chicago 56,1960, gelatin silver 1932, Matthew, 1965; Drottningholm, York, c. 1938-1939, gelatin silver print; print; Terrors and Pleasures ofLevitation, Sweden, 1967; Stockholm, 1967; Wyoming, New York, c. 1942, gelatin silver print; Moriyama, Daido, Japanese, born 1938, 1972, portfolio of 10 gelatin silver prints, 1971, gelatin silver prints, 2001.67.109- New York, 1971, dye transfer print, 1992; Untitled, c. 1978, 2 gelatin silver prints, 2001.67.187-192,193-202, Patrons' 112, Patrons' Permanent Fund 2001.67.130-135, Patrons' Permanent 2001.67.161-162, Patrons' Permanent Permanent Fund Fund Kertesz, Andre, American, born Hun- Fund Skurikhin, Anatoly, Russian, active 1940s, gary, 1894-1985, Sleeping Youth, 1912; Libsohn, Sol, American, 1914-2001, Morris, Wright, American, 1910-1998, At Home after World War II, 1945, gelatin Boys Reading, Esztergom, 1915; Self-Por- 29th Street, West of 5th Avenue, c. 1940, New Mexico, 1940; New Orleans, 1940, silver print, 2001.67.203, Patrons' Perma- trait at Front, c. 1915-1916; Self-Portrait, gelatin silver print, 2001.67.136, Patrons' gelatin silver prints, 2001.67.163 -164, nent Fund Wounded, with Officer, 1916; Budapest, Permanent Fund Patrons' Permanent Fund 1918; Peasant Woman with Soldier, 1918; Steiner, Ralph, American, 1899-1986, Lyon, Danny, American, born 1942, Benny, Nixon, Nicholas, American, born 1947, Reassignment of a Hussar, 1919; Street Front of Old Ford, 1929, gelatin silver print, Grand and Division, Chicago, 1965, gelatin The Brown Sisters, 1975-1984,1991,11 Scene, 1919; Duna Haraszti, 1919; Self-Por- 1979; Park Avenue Garage, 1965, gelatin silver print; Racers, McHenry, Illinois, 1965, gelatin silver prints, 2001.67.165-175, trait, 1919; Jeno Kertesz, 1919; Men Work- silver print, 1981, 2001.67.204-205, gelatin silver print; Ellis Prison Shakedown, Patrons' Permanent Fund ing, 1919; Jeno Kertisz, c. 1919; Village Patrons' Permanent Fund 1968, gelatin silver print, 1970; Entering O'Sullivan, Timothy H., American, born (Budafolk?), c. 1919; Jeno Kertesz, 1920; Stettner, Louis, American, born 1922, Prison, 1968, gelatin silver print, 1971, Ireland, 1840-1882, Tufa Domes, Pyramid Self-Portrait with Elizabeth, 1920; Self- Family Walking, 14e arrondissement, Paris, 2001.67.137-140, Patrons' Permanent Lake, Nevada, 1867, albumen print from Portrait with Jeno, 1920; Self-Portrait, 1949; The Reading Wall, Paris, 1951-1952; Fund collodion negative, 2000.122.2, Anony- 1921; Jeno Kertesz, 1922; Self-Portrait with Man near Manhole, Times Square, New York mous Gift Jeno and Mother Ernesztin, Szigetbecse, Marville, Charles, French, 1816-1879, City, 1952-1954; Sailor, Times Square, Statue of the Virgin, Notre Dame, Paris, c. 1923; Woman on Street, 1924; Self-Por- Owens, Bill, American, born 1938, New York City, 1952 -1955, gelatin silver c. 1851, salted paper print from paper trait with Elizabeth, 1924; Jeno Kertesz, , 1972, gelatin silver print, prints, 2001.67.206 - 209, Patrons' Per- negative, 2001.32.1, Anonymous Gift 1924; Camera Club, 1924; Riverbank, 1920s; 2001.67.176, Patrons' Permanent Fund manent Fund Town Meeting, 1920s; Courbevoie, 1926; Pfahl, John, American, born 1939, Altered Bretagne, 1926; Chimneys, Paris, 1927, Landscape: Six Oranges, 1975, dye transfer gelatin silver prints, 2000.170.1-29, Gift print; Altered Landscape: Triangle, , of The Andre and Elizabeth Kertesz Foun- 1975, dye transfer print; Altered Land- dation; From My Window, 1978, gelatin scape: Haystack Cone, Freepoint, Maine, silver print, 2001.67.113, Patrons' Perma- 1976, dye transfer print; Altered Landscape: nent Fund Canyon Point, Zion National Park, Utah, 1977, chromogenic print, 2001.67.177- 180, Patrons' Permanent Fund

32 | Annual Report | 2001 Stieglitz, Alfred, American, 1864-1946, Winogrand, Garry, American, 1928- George and Agnes Engelhard, 1907; Ma, 1984, Park Avenue, New York, 1959, gelatin 1907; Ma, 1907; Ma, 1907; Ma, probably silver print; Near Carmel, 1964, gelatin sil- 1907; Ma, probably 1907; Fred Varnum, ver print; New York City Airport, c. 1972, 1907-1916; Lake George, 1907-1916; gelatin silver print; Fort Worth, Texas, 1974 Lake George, 1907-1916; George and Agnes -1977, gelatin silver print; 15 Big Shots, Engelhard, 1908-1910; Georgia Engel- 1983, portfolio of 15 gelatin silver prints, hard, 1912-1913; Georgia Engelhard, 1912 2001.67.229-232, 233-247, Patrons' -1913; Georgia Engelhard, 1912-1913; Permanent Fund Georgia Engelhard, 1912-1913; Georgia Wiskovsky, Eugen, Czechoslovakian, Engelhard, 1912-1913, Autochromes, 1888-1964, Pohled Do Dvora (View of 2001.33.1-15, Anonymous Gift Courtyard), 1951, gelatin silver print, Tournachon, Adrien, French, 1825-1903, 2001.67.248, Patrons' Permanent Fund Vache Garonnaise, agee de5a6 ans, 1856, Yavno, Max, American, 1911-1985, Leg gelatin coated salted paper print from of Sanderson's, 1949, gelatin silver print, collodion negative, 2000.122.3, Anony- 2001.67.249, Patrons' Permanent Fund mous Gift Yva (Else Simon-Neulander), German, Tripe, Linnaeus, Captain, British, 1822- 1900-1942, Jewelry Advertisement, 1930s, 1902, Temple, Burma, 1855, salted gelatin silver print, 2001.67.250, Patrons' paper print from waxed-paper negative, Permanent Fund 2001.32.2, Anonymous Gift Zhitomirsky, Alexander, Russian, 1907- VanDerZee, James, American, 1886- 1993, Honeymoon Album, 1931, ink and 1983, Club Lido, 1930s; A Casual Affair, gouache with gelatin silver prints and 1932; Dress Rehearsal #2,1934, gelatin photomechanical reproductions; Honey- silver prints, 2000.171.1-3, Gift of Ellen Album, 1931, ink and gouache with and Richard Sandor gelatin silver prints and photomechanical Webb, Todd, American, 1905-2000, Harry reproductions; Self-Portrait on Building, Callahan, Detroit, 1942; Pierce Arrow, New 1932, gelatin silver print and photome- York, 1946; Roosevelt Poster, 106th Street, chanical reproduction; MACKA (When New York, 1946; Paris, 1953, gelatin silver Unmasked), 1962, ; Untitled prints, 2001.67.210-213, Patrons' Per- (Protective Helmet), 1971, photomontage; manent Fund Dupont (Capitalist Snake), 1974, photomon- tage, 2001.67.251-256, Patrons' Perma- Weegee, American, 1899 -1968, Copkiller nent Fund (Booked on Suspicion of Killing a Policeman — Anthony Esposito, Accused "Copkiller"), 1941; Corpse with Revolver (Murder in 's Kitchen — Gunman Killed by Off-Duty Cop at 344 Broome Street), 1942; New Year's Eve at Sammy's in the Bowery (Shorty, the Bowery Cherub, New Year's Eve at Sammy's Bar), 1943; The Critic, 1943; The Critic (Mrs. Kavanaugh), 1943; The Critic, 1943; The Critic, 1943; Teenage Boy Arrested for Strangling a Little Girl (Frank Pape, Arrested for Homicide), 1944; Puritan, 1945; Boy Shooting "Zip" Gun in Air near Police Headquarters, Mulberry and Mott Streets (Section Called "Little Italy"), New York City, 1948; Human Can- nonball, c. 1952, gelatin silver prints, 2001.67.214-224, Patrons' Permanent Fund

Wessel, Henry Jr., American, born 1942, Utah, 1974; Tucson, Arizona, 1976, gelatin silver prints, 2001.67.225-226, Patrons' Permanent Fund

Weston, Brett, American, 1911-1993, Plastic Paint, 1952, gelatin silver print, 2001.67.227, Patrons' Permanent Fund

White, Minor, American, 1908-1976, Untitled from "Song without Words," c. 1947, gelatin silver print, 2001.67.228, Patrons' Permanent Fund

33 | National Gallery of Art | Washington Portrait of the Year | Exhibitions

Fiscal year 2001 began with Art for the Nation: Collecting for Cy Twomhly: The Sculpture (6 May to 29 July 2001) was a New Century (1 October 2000 to 4 February 2001). The exhi- the fist major exhibition devoted to the sculptural dimension bition featured one hundred forty of the most outstanding of the artist's work. Fifty-eight works dating from 1946 to acquisitions since the Gallery's fiftieth anniversary in 1991 the present and related to the and surrealist tradition and highlighted the remarkable generosity of private donors included found objects and rough elements of wood coated to the museum over the past decade. in plaster and white paint, or cast in bronze. Art Nouveau: 1890-1914 (8 October 2000 to 28 January The Unfinished Print (3 June to 7 October 2001), focus- 2001) explored the development of a "modern" style at the ing on works from the Gallery's collection, investigated the turn of the previous century. A with London's question of aesthetic resolution in European Victoria and Albert Museum, the exhibition was also shown in from the fifteenth to the early twentieth century and explored Tokyo. At the National Gallery, highlights from the 1900 the changing taste for prints that openly reveal the procedure World's Fair in Paris were included as well as sections present- by which they were envisioned and brought to completion. ing sources of the new style and examples from eight of the Spirit of an Age: Nineteenth-Century Paintings from cities in which art nouveau flourished. Featured were more the Nationalgalerie, Berlin (10 June to to 3 September 2001), than three hundred fifty masterpieces in painting, sculpture, provided a survey of nineteenth-century German painting graphics, the decorative arts, and architecture. through seventy-five works from the collection of the Alte Prints Abound: Paris in the 1890s, From the Collections of Nationalgalerie, Berlin. Included were the canvases of Caspar Virginia and Ira Jackson and the National Gallery of Art (22 Octo- David Friedrich and other romantic painters, those by the ber 2000 to 25 February 2001), included more than one hun- naturalists, by Eduard Gaertner and Johann Erdmann Hummel, dred twenty original prints for posters, portfolios, illustrated and by Adolph Menzel, Max Beckmann, and . books and journals, song sheets and music primers. The exhi- Jasper Johns: Prints from Four Decades (3 June to 7 Octo- bition represented the many manifestations of artists' printed ber 2001) featured an installation from the Gallery's collec- images in late nineteenth-century France. tion, focusing on the artist's printmaking with examples from In the ongoing series of small exhibitions from the Armand 1960 through 2000. Represented were most of Johns' print Hammer Collection, one (16 November 2000 to 13 May 2001) processes and his iconic motifs. focused on Italian drawings, the other (13 May to 4 November Virtue and Beauty: Leonardo's "Ginevra de' Benci" and 2001) on faces and figures. Renaissance Portraits of Women (30 September 2001 to 6 Janu- Modern Art and America: Alfred Stieglitz and His New ary 2002) surveyed the rise of female portraiture in Florence York Galleries (28 January to 22 April 2001) explored Stieglitz's from c. 1440 to c. 1540 and the social role of women during seminal role in American with many works of art the Renaissance. Forty-seven works included panel paintings, he showed in his New York galleries from 1908-1946. Approx- marble sculptures, medals, and drawings. imately one hundred ninety works addressed the introduc- During the fiscal year, 233 lenders from twenty countries tion of European modern art at his gallery 291. A distinctly and twenty-four states loaned 1,428 works of art to fifteen American form of modernism was considered in masterworks exhibitions. Three audio tours, one film program, and six ex- shown at his last gallery, An American Place. hibition brochures were produced at the Gallery.

34 | Annual Report | 2001 Temporary Exhibitions at Italian Drawings from the Lenders to Exhibitions Collection of Jack Rennert, New York the National Gallery of Art Armand Hammer Collection Laura Gold, Park South Gallery at (16 November 2000 to 13 May 2001) Private Collections Carnegie Hall, New York The Triumph of the Baroque: Organized by the National Gallery of Art; Anonymous lenders Joel and Debra Ruby, Houston Architecture in Europe 1600-1750 Margaret Morgan Grasselli, curator Maida and George Abrams Collection, Steven Schmidt (continued from the previous fiscal year Collection of Streiner Modern Art and America: Alfred Boston to 9 October 2000) Organized by the Sheldon H. Solow and The Solow Art Stieglitz and His New York Galleries Collection of Victor and Gretha Arwas, National Gallery of Art, the Palazzo Grassi, and Architecture Foundation (28 January to 22 April 2001) Organized London Venice, the Montreal Museum of Fine Eleanor and Donald Taffner by the National Gallery of Art; Sarah Collection of AXA Financial, Inc., through Arts, and the Musee des Beaux-Arts, Mar- Mr. Harry Turner Greenough and Charles Brock, curators. its subsidiary The Equitable Life seille; Henry A. Millon, curator, with Guy Cy Twombly Supported by Deutsche Bank and Assurance Society of the United States Cogeval, Paolo Viti, and Marie-Paule Vial, Unity Temple Unitarian Universalist Deutsche Banc Alex. Brown Collection of Alexandra Baer guest curators. Supported by EduCap Inc., Collection K. Barlow and A. Widmann, Congregation of Oak Park Cy Twombly: The Sculpture with additional support from Juliet and Marbella, Spain Linden Havemeyer Wise (6 May to 29 July 2001) Organized by Lee Folger/The Folger Fund and early sup- The Birkenhead Collection port for research and educational programs The Menil Collection, Houston, and the Andre Bromberg Collection Public Collections from the Samuel H. Kress Foundation Offentliche Kunstsammlung, Basel; Jeffrey Collection of Vincent Buonanno, Chicago (outside United States) Weiss, curator, with Katharina Schmidt Landscape Drawings from the Gilbert Butler and Paul Winkler, guest curators • Austria Armand Hammer Collection Duke of Devonshire and the Chatsworth Vienna: Historisches Museum der Stadt (continued from the previous fiscal year to Faces and Figures: Drawings from Settlement Trustees Wien; Piaristenkollegium Maria Treu 12 November 2000) Organized by the the Armand Hammer Collection Dalva Brothers, Inc. in Wien; Osterreichisches Museum fur National Gallery of Art; Margaret Morgan (13 May to 4 November 2001) Daros Collection, Switzerland angewandte Kunst Grasselli, curator Organized by the National Gallery of Art; Collection of Dimitris Daskalopoulos, Margaret Morgan Grasselli, curator Greece • Belgium Prints and Drawings from the Collection of Mr. and Mrs. Barney A. Brussels: Musee Horta; Musees Royaux Permanent Collection The Unfinished Print Ebsworth dArt et d'Histoire; Musees Royaux des (continued from the previous fiscal year (3 June to 7 October 2001) Organized by Dr. Martin Eidelberg, New York Beaux-Arts de Belgique; Musees Royaux to 15 October 2000) Organized by the the National Gallery of Art; Peter Parshall, Florizoone, De Panne, Belgium dArt d'Histoire National Gallery of Art; Andrew C. Robison, curator The Epstein Family Collection 1 Margaret Morgan Grasselli, Ruth Fine, Canada Jasper Johns: Jo Ann and Julian Ganz Jr. Charles Ritchie, and Gregory Jecmen, Montreal: Canadian Centre for Archi- Prints from Four Decades David and Patricia Gebhard curators tecture (3 June to 7 October 2001) Organized Geoffrey Diner Gallery, Washington Small Northern European by the National Gallery of Art; Ruth Fine, Collection of Anne-Marie Gillion Crowet Ottawa: National Gallery of Canada curator. Supported by HSBC Bank USA Portraits from the Walters Art Helena Gunnarsson Buhot Collection • Denmark Gallery, Spirit of an Age: The Heam Family Trust Copenhagen: Kunstindustrimuseet (continued from the previous fiscal year Nineteenth-Century Paintings from Michael Hall, Esq. 1 France to 21 December 2000, originally scheduled the Nationalgalerie, Berlin Anna Marie and Juan Hamilton Nancy: Musee de l'Ecole de Nancy; to close 19 February 2001) Organized (10 June to 3 September 2001) Organized Ladislaus and Beatrix von Hoffmann Musee des Beaux-Arts, Nancy by the National Gallery of Art; Arthur K. by the Nationalgalerie, Berlin, in colla- Collection of Joseph Holtzman, New York Wheelock Jr., curator, with Joaneath boration with the National Gallery of Art, Margaret and Raymond Horowitz Paris: Bibliotheque Forney; Musee d'Orsay; Spicer, guest curator. Brochure supported Washington, and the National Gallery, Florence and Herbert Irving Musee de la Mode et du Textile; Musee des by Juliet and Lee Folger/The Folger Fund London; Philip Conisbee, curator. Sup- Virginia and Ira Jackson Collection Plans-Reliefs; Musee national dart mod- Jasper Johns Art for the Nation: ported by the Anna-Maria and Stephen erne, Centre Georges Pompidou; Musee Ruth and Jacob Kainen Collection Collecting for a New Century Kellen Foundation; also supported by an ; Musee ; Service Jean-Louis Lamot (1 October 2000 to 4 February 2001) indemnity from the Federal Council on Historique de la Marine Hope Haviland Leizear Organized by the National Gallery of Art; the Arts and the Humanities Reims: Mus6e des Beaux-Arts, Reims Meredith Wise Mendes and Michael Alan Shestack, curator. Supported by Virtue and Beauty: Leonardo's Levitin Sevres: Musee national de Ceramique Verizon Foundation Ginevra de'Benci and Renaissance Lillian Nassau Ltd., New York Portraits of Women Germany Art Nouveau, 1890-1914 Mr. and Mrs. Meredith J. Long (30 September 2001 to 6 January 2002) Augsburg: Stadt Augsburg Kunstsamm- (8 October 2000 to 28 January 2001) The Estate of Harry H. Lunn Jr. and Organized by the National Gallery of Art; lungen Oganized by the Victoria and Albert Myriam Lunn David Brown, curator. Supported by Air- Museum, London, in association with the Collection of Norma Marin, courtesy of Berlin: Staatliche Museen zu Berlin, bus; also supported by an indemnity from National Gallery of Art, Washington; Paul Richard York Gallery Preussischer Kulturbesitz, Gemaldegalerie; the Federal Council on the Arts and the Greenhalgh, guest curator. Supported by Mathes Gallery, New York Staatliche Museen zu Berlin, Preussischer the DaimlerChrysler Corporation Fund; Humanities. Catalogue supported by the May Family Collection, Dr. Hal Riddle Kulturbesitz, Nationalgalerie additional support from the Terra Founda- Samuel H. Kress Foundation and Christopher May, trustees Burghausen: Kirche von Marienberg tion for the Arts, Robert and Arlene R. Collection of Joseph F. McCrindle Frankfurt: Stadelsches Kunstinstitut und Kogod, Eleanor and Donald Taffner, and Collection of Mrs. Paul Mellon, Upper- Stadtische Galerie; Stadelsches Kunstinsti- The Fund for the International Exchange ville, Virginia tut Frankfurt am Main of Art. Film supported by a grant from the Robert and Jane Meyerhoff, Phoenix, Terra Foundation for the Arts; also sup- Maryland Hamburg: Museum fur Kunst und Gewerbe ported by an indemnity from the Federal Collection of Deborah and Halsey Minor : Munchner Stadtmuseum; Council on the Arts and the Humanities Mucha Trust Villa Stuck Prints Abound: Paris in the 1890s, Collection of Francis M. Naumann, Schwerin: Staatliches Museum Schwerin From the Collections of Virginia New York and Ira Jackson and the National Collection of James and Barbara Palmer Gallery of Art Sam and Connie Perkins, Olathe, Kansas (22 October 2000 to 25 February 2001) Seymour H. Persky Organized by the National Gallery of Her Majesty Queen Elizabeth II Art; Judith Brodie, curator, with Phillip Collection of Dennis Cate, guest curator

35 | National Gallery of Art | Washington • Hungary United Kingdom, Scotland • Massachusetts Virginia Budapest: Museum of Applied Arts Edinburgh: National Museums of Scotland Andover: Addison Gallery of American Art Norfolk: The Chrysler Museum

• Italy Glasgow: Glasgow Museums; Glasgow Boston: Stewart Gardner Museum; Richmond: Virginia Museum of Fine Arts Bologna: Accademia di Belle Arti; Museo School of Art Museum of Fine Arts Washington Civico d'Arte Antica-Museo Davia Stirling: Kippen Kirk Session Cambridge: Houghton Library, Harvard Seattle: Frye Art Museum Bargellini University Caserta: Soprintendenza B.AA.A.S. per le Williamstown: Sterling and Francine Province di Caserta e Benevento Public Collections (United States) Lenders to the Art Institute Florence: Galleria degli Uffizi; Galleria California Permanent Collection Worcester: Worcester Art Museum degli Uffizi, Gabinetto Disegni e Stampe; : Gemini G.E.L; Los Angeles Eli and Edythe L. Broad | Roy Lichtenstein, Museo Nazionale del Bargello County Museum of Art; The J. Paul Getty • Minnesota Rouen Cathedral (Seen at Five Different Museum Minneapolis: Frederick R. Weisman Art Rome: Museo di Roma e Galleria Comunale Times of the Day), Set III Museum; The Minneapolis Institute of d'Arte Modema; Museo Nazionale di San Francisco: San Francisco Museum of Arts Foundation, New York | Alexander Castel Sant'Angelo Modern Art Calder, 1 Red, 4 Black plus X White; Aztec • Missouri Treviso: Museo Civico L. Bailo San Marino: The Huntington Library, Art Josephine Baker; Cheval Rouge; Cheval Rouge Kansas City: The Nelson-Atkins Museum Collections, and Botanical Gardens (maquette); Object with Red Ball; Red Panel; Turin: Museo Civico d'Arte Antica e of Art Connecticut Tom's; Tom's (maquette); Untitled Palazzo Madama Saint Louis: The Saint Louis Art Museum; Hartford: Wadsworth Atheneum Museum Catholic University of America, Oliveira Venice: Museo Correr Washington University Gallery of Art of Art Lima Library | Frans Post, Brazilian Land- • The Netherlands • Nebraska New Haven: Beinecke Rare Book and scape, Said to Be Pernambuco Amsterdam: Amsterdams Historisch Lincoln: Sheldon Memorial Art Gallery, Manuscript Library, Yale University; Yale Cleveland Museum of Art | Attributed Museum; Gemeentearchief Amsterdam; University of Nebraska University Art Gallery to Rembrandt vzjn Rijn, A Bearded Man Rijksmuseum • New Jersey > Delaware -Hewitt, National Museum of Rotterdam: Museum Boijmans Van Newark: The Newark Museum Wilmington: Delaware Art Museum Design, Smithsonian Institution | Beuningen Princeton: Princeton University Art • District of Columbia Giovanni Domenico Tiepolo, The Imma- The Hague: Koninklijk Huisarchief Museum Washington: Smithsonian Institution, culate Conception • Hirshhorn Museum and Sculpture Garden; Trenton: New Jersey State Museum Collection of the Artist | Helen Franken- Oslo: Kunstindustrimuseet i Oslo; Munch National Gallery of Art; National Gallery • New Mexico thaler, Mountains and Sea Museet; Norwegian Folk Museum of Art, Library; Smithsonian Institution, Santa Fe: Georgia O'Keeffe Museum Peter A. Jay | Gilbert Stuart, John Jay National Museum of African Art; Smith- • Portugal sonian Institution, National Museum of • New York Collection of the Artist | Jasper Johns, Lisbon: Museu Calouste Gulbenkian American Art; Smithsonian Institution, Brooklyn: of Art Between the Clock and the Bed; Field • Russia National Portrait Gallery; The Library of Buffalo: Albright-Knox Art Gallery Painting; No; Target; Dancers on a Plane Moscow: A.V. Shchusev State Research Congress; The Phillips Collection; Wash- Clarence: Town of Clarence Manoogian Collection | George Caleb Museum of Architecture ington National Cathedral Bingham, The Jolly Flathoatmen Ithaca: Cornell University Saint Petersburg: Central Naval Museum; • Florida Manoogian Foundation | William Merritt Scientific Research Museum of the Miami Beach: The Wolfsonian-Florida New York: Smithsonian Institution, Chase, Portrait of Whittredge; Richard Academy of Arts of Russia; The State International University Cooper-Hewitt National Design Museum; Caton Woodville, War News from Mexico Hermitage Museum Solomon R. Guggenheim Museum; The Winter Park: Charles Hosmer Morse Frick Collection; The Metropolitan Joseph F. McCrindle | Jan de Bray, • Spain Museum of American Art Double Profile Portrait of the Artist's Parents, Madrid: Museo Thyssen-Bomemisza Museum of Art; The Museum of Modern ' Georgia Art; Whitney Museum of American Art Salomon de Bray and Anna Westerbaen; • Switzerland Atlanta: High Museum of Art Corrado Giaquinto, Christ at the Column; Basel: Offentliche Kunstsammlung Basel, Poughkeepsie: The Frances Lehman Loeb Bernardo Strozzi, Saint Francis • Illinois Kunstmuseum, Arnold Rudlinger Fund Art Center Chicago: Chicago Historical Society; The Metropolitan Museum of Art, Syracuse: Everson Museum of Art Saint Gall: Stiftsbibliothek David and Alfred Smart Museum of Art, New York | Francesco di Giorgio Martini, Zurich: Kunsthaus Zurich University of Chicago; The Art Institute • North Carolina The Nativity of Chicago Raleigh: North Carolina Museum of Art • United Kingdom, England Smithsonian American Art Museum | Birmingham: Birmingham Museums Edwardsville: University Museum, • Ohio Sir Anthony van Dyck, Marchesa Elena and Art Gallery Southern Illinois University Cincinnati: Cincinnati Art Museum Grimaldi-Cattaneo; Sebastiano Mazzoni, The Banquet of ; Jan Anthonisz. »Iowa Cleveland: The Cleveland Museum of Art Brighton: Brighton Museum and Art Ravesteyn, Judith Langley Des Moines: Des Moines Art Center Gallery Toledo: The Toledo Museum of Art National Museum of Health and Medicine Iowa City: The University of Iowa Greenwich: National Maritime Museum • Pennsylvania of the Armed Forces Institute of Pathology Museum of Art London: Royal Institute of British Archi- Philadelphia: Philadelphia Museum of Art | Thomas Eakins, Dr. John H. Brinton • Maryland tects; The British Museum; The Courtauld Pittsburgh: Carnegie Museum of Art U.S. Department of the Interior, National Baltimore: The Baltimore Museum of Art; Gallery, Courtauld Institute of Art; The Park Service, Saint-Gaudens National The Walters Art Museum • Tennessee National Gallery; The Trustees of Burghley Historic Site, Cornish, New Hampshire | Nashville: Fisk University Galleries House; The Vicar and Church Wardens, Augustus Saint-Gaudens, Study Head of a Saint Martin-in-the-Fields; Victoria and • Texas Black Soldier; Study Head of a Black Soldier; Albert Museum Austin: Jack S. Blanton Museum of Art Study Head of a Black Soldier; Study Head Norwich: University of East Anglia Dallas: Dallas Museum of Art of a Black Soldier; Study Head of a Black Sol- dier; Study Head of a Black Soldier; Prelimi- Oxford: Ashmolean Museum Fort Worth: Amon Carter Museum nary Sketch for Shaw Memorial; Shaw Memo- Houston: The Menil Collection rial; Early Study of the Allegorical Figure for the Shaw Memorial San Antonio: The Marion Koogler McNay Art Museum

36 | Annual Report | 2001 Schroder Collection, London | Hans Loans Extended Loans from the Navaho Indians (returned); A Flathead Chief Mielich, Portrait of a Woman National Gallery Collection with His Family (returned); Three Young Extended Loans from the (United States) Chinook Men; Four Dogrib Indians; Buffalo Collection of Candida and Rebecca Smith National Gallery Collection Chase; Making Flin t Arrowheads —Apachees; | David Smith, Aggressive Character; Lunar (Works not in National Lending Service (outside United States) View of the Lower (returned); Arcs on One Leg; Blue Construction; Ninety marked with**) Excavating a Canoe—Nay as Indians Father; Black-White Forward; Construction (Works not in National Lending Service Alabama (returned); Thomas Chambers, New York December II marked with**) Birmingham: Birmingham Museum of Harbor with Pilot Boat "George Washington"; U.S. Naval Academy Museum | Jean • Belgium Art | Anders Zorn, Reisinger Boston Harbor; , The Basin at Joseph Benjamin Constant, Favorite of Brussels: United States Embassy Resi- Montgomery: Montgomery Museum Deauville** (returned); , Still the Emir dence, North Atlantic Treaty Organization of Fine Arts | Mark Rothko, Untitled Life with Pineapple (returned); Mark | Gilbert Stuart, George Pollock; Catherine White House Collection | Paul Cezanne, Rothko, The Party; Number 7 (returned); Yates Pollock (Mrs. George Pollock); Thomas California The Forest; House on the ; House Untitled; Thomas Sully, Andrew Jackson Sully, Ann Biddle Hopkinson; Francis Hop- Oakland: Oakland Museum | Mark on a Hill (returned) kinson; The Leland Sisters Rothko, Untitled; Untitled Erving and Joyce Wolf | Francis Augustus Secretary of Agriculture | American 19th • Canada Connecticut Silva, Indian Rock, Narragansett Bay Century, Spring on the Range (returned); Ottawa: United States Embassy Residence Hartford: Wadsworth Atheneum Bucks County Farm Outside Doylestown, Anonymous | Willem van Aelst, Grapes | John Singer Sargent, Mary Crowninshield Museum of Art | Mark Rothko, Untitled Pennsylvania (returned); American 19th in a Basket, Peaches on a Silver Dish, Chest- Endicott Chamberlain (Mrs. Joseph Chamber- District of Columbia Century, Farmhouse in Mahantango Valley; nuts, a Large White and Two Red Admiral lain) (returned); Gilbert Stuart, William National Museum of American History | Leaving the Manor House; Georgia Timken Butterflies, a Fly and a Snail on a Vine Ten- Thornton (returned); Anna Maria Brodeau Charles Peale Polk, General Washington at Fry, Flock of Sheep; Henri-Joseph Harpig- , on a Red Velvet Cloth over a Partly Thornton (Mrs. William Thornton) Princeton nies, Landscape; A. A. Lamb, Emancipation Draped Ledge; Bernardo Bellotto, Pima, The (returned) Proclamation; Amzi Emmons Zeliff, The Fortress of Sonnenstein; Nicolaes Pietersz. National Trust for Historic Preservation | • England Barnyard (returned) Berchem, An Italianate Landscape with Bernard Hailstone, David E. Finley London: United States Embassy Residence Figures; , Portrait of a Young Man Secretary of Commerce | Thomas Cham- | Sir William Beechey, Lieutenant-General Blair House | John Singleton , Holding a Medallion; Jan Brueghel the bers, New York Harbor with Pilot Boat Sir Thomas Picton; Francis Cotes, Mrs. Harrison Gray; Style of Benjamin Marshall, Elder, A Road with a Ford in a Wood; Jean- "George Washington" (returned); Raoul Thomas Home; Franklin C. Courter, Lincoln Race Horse and Trainer; Gilbert Stuart, Charles Cazin, The Quarry of Monsieur Dufy, Regatta at Cowes ** (returned); Walt and His Son, Tad** (returned); Frederick Dr. William Hartigan (?) Pascal near Nauterre; Chuck Close, Jasper; Kuhn, Green Apples and Scoop (returned); Carl Frieseke, Memories; Thomas Gainsbor- Dirck van Delen, Church Interior with Ele- The Library of Congress | Carl Milles, Leonid, Derrynane Harbor, Ireland ough, William Yelverton Davenport; Wins- Head of Orpheus gant Figures; Arshile Gorky, Self-Portrait; (returned) low , Sunset; Walt Kuhn, Pumpkins; Still Life on the Table; The Limit; Portrait of Office of the Vice President of the United George Benjamin Luks, The Bersaglieri; Gari Secretary of Defense | George Catlin, Master Bill; Jan van Goyen, Peasants and States | American 18th Century, Attack on Melchers, The Sisters; Michiel van Miere- Fort Union; Prairie Dog Village a Soldier Conversing; Dune Landscape with Bunker's Hill, with the Burning of Charles veld, Portrait of a Lady with a Ruff; John Secretary of Education | American 19th Figures Resting by a Path and Shipping on an Town; American 19th Century, Imaginary Singer Sargent, Miss Mathilde Townsend; Century, Washington at Vallery Forge; Pierre Estuary in the Background; Willem Claesz. Regatta of America's Cup Winners; American Miss Grace Woodhouse (returned); Thomas Bonnard, Bouquet of Flowers (returned); Heda, Banquet Piece with an Overturned 20th Century, View of Aberdeen, Washing- Sully, John Quincy Adams (returned); Andre , Road in (returned); Tazza and Oysters; Jan Davidsz. de Heem, ton; Lydia Field Emmet, Olivia; A. Hasha- Benjamin West, Maria Hamilton Beckford Abandoned (returned); Still Life with a Tazza, a Gilt Cup, and a Fruit gen, Ship "Arkansas" Leaving Havana; John (Mrs. William Beckford); after Benjamin after Jean-Baptiste Greuze, Benjamin Pie; Still Life with Fruit, Oysters, and Two Wesley Jarvis, Commodore John Rogers; West, Benjamin West (returned) Franklin (returned); after William John Glasses of Wine on a Stone Ledge; Jan Walt Kuhn, Green Apples and Scoop; John Wilgus, Ichabod Crane and The Headless van der Heyden, A View in Amsterdam; Roy London: Wallace Collection | Sir Thomas Neagle, Colonel Augustus James Pleasonton; Horseman (returned); Karl Knaths, Marble Lichtenstein, Cosmology; Edouard Manet, Lawrence, Francis Charles Seymour-Conway, John Vanderlyn, John Sudam; Alexander Mantle; Matta, Genesis; Mark Rothko, Spring; Jan Miense Molenaer, A Lute Player; 3rd Marquess of Hertford Helwig Wyant, Peaceful Valley Untitled; Untitled Jacopo Palma il Giovane, Venus and Cupid • France Residence of the Vice President of the at the Forge of Vulcan; Robert Rauschen- Secretary of Energy | American 19th Paris: Musee du Louvre | Severo da United States | , berg, Summer Rental +1; Sir Peter Paul Century, Chief Jumper of the Seminoles Ravenna, The Christ Child** Memories (returned) Rubens, Landscape with Willows; Salomon (returned); American 19th Century, Indians van Ruysdael, River Landscape; Frans Sny- Paris: United States Embassy Residence | The White House | American 19th Cen- Cooking Maize (returned); Lexington Battle ders, Still Life of Fruit (A Swag of Autumnal George Inness, Lake Albano, Sunset (re- tury, Abraham Lincoln; Stylized Landscape; Monument (returned); Thomas Chambers, Fruits); Cy Twombly, Untitled; Willem van turned); Mark Rothko, Untitled (returned) Indians Cooking Maize; George Catlin, Storm-Tossed Frigate (returned); Joseph de Velde the Younger, The Evening Gun • Ireland Assinneboine Warrior and His Family; Ante- Bartholomew Kidd after John James Shipping in a Calm with a Dutch Bezan Yacht Dublin: United States Embassy Resi- lope Shooting—Assinneboine; A Small Audubon, Black-Backed Three-Toed Wood- Firing a Salute; Philips Wouwerman, Land- dence | Gilbert Stuart, Counsellor John Cheyenne Village; Camanchee Chief, His pecker (returned) scape; Riders and Horses Resting by a River Wife, and a Warrior (returned); Camanchee Dunn; John Bill Ricketts Administrator, Environmental Protection Chief with Three Warriors (returned); • Italy Agency | Joseph Bartholomew Kidd after Battle between the Jiccarilla Apachees and Florence: Casa Buonarroti | after , Black-Backed Three- Camanchees (returned); Two Unidentified Buonarroti, Damned Soul** Toed Woodpecker; Orchard Oriole; Auguste North American Indians (returned); Pawnee , Landscape between Storms; Douglas • Portugal Indians Approaching Buffalo; Osage Chief Volk, Abraham Lincoln Lisbon: United States Embassy Residence | with Two Warriors; An Osage Indian Pursuing American 19th Century, Allegory of Free- a Camanchee; Three Mandan Warriors Armed Secretary of Housing and Urban Develop- dom (returned); View of Concord (returned); for War; An Aged Minatarree Chief and His ment | American 19th Century, Imaginary Ralph Eleaser Whiteside Earl, Family Por- Family; Ojibbeway Indians (returned); An Regatta of America's Cup Winners (re- trait (returned); Fritz Miiller, Capture of the Ojibbeway Village of Skin Tents; Three turned); "We Go for the Union" (returned); "Savannah"by the U.S.S. "Perry" (returned); Eugene Boudin, Coast of Brittany** Thomas Sully, The Vanderkemp Children (returned); George Ropes, Mount Vernon (returned) (returned); Douglas Volk, Abraham Lincoln (returned); American 19th Century,

37 | National Gallery of Art | Washington The End of the Hunt; The Start of the Hunt; Justice Stevens | American 19th Century, • Austria London: Dulwich Picture Gallery | Gerrit Twenty-two Houses and a Church; American Portland Harbor, Maine; George Catlin, Graz: Steiermarkisches Landesmuseum Dou (1613-1675): Master Painter in the 20th Century, After the Wedding in Warren, Scene from the Lower Mississippi; Alphonse Joanneum | und die Bretagne—ein Age of Rembrandt (6 September-19 Nov- Pennsylvania; Thomas Chambers, Bay of Legros, Hampstead Heath; C. Gregory neuer Aufbruch (Gauguin and Britanny.A ember 2000, circulated to Mauritshuis, New York, Sunset Stapko after , A View of New Beginning) (10 June-1 October 2000), The Hague, 9 December 2000 - 25 February Salisbury Cathedral**; Maurice Utrillo, , Breton Girls Dancing, Pont- 2001), Gerard Dou, The Hermit | Murillo: Secretary of State | American 19th Cen- Street at Corti, Corsica; Franz Xaver Winter- Aven; Pair of Wooden Shoes (Sabots); Self- Scenes of Childhood (14 February-13 May tury, Washington at Valley Forge (returned); halter, Queen Victoria Portrait Dedicated to Carriere 2001), Bartolome Esteban Murillo, Two A. A. Lamb, Emancipation Proclamation Women at a Window (returned); Maurice Utrillo, The Pont Saint- ' Indiana Vienna: Kunsthistorisches Museum Michel, Paris (returned) Indianapolis: Indianapolis Museum of Art Wien | El Greco (4 May-16 September London: Hayward Gallery | 's Draw- | Max Beckmann, Christ in Limbo; Larry 2001), El Greco (Domenikos Theotokopou- ings: The Private World of the Journal- United States Trade Representative | Bell, Chrome and Glass Construction; Mark los), Laocoon | El Greco im Umfeld seiner Albums (22 February-13 May 2001), Fran- American 19th Century, New England Farm Rothko, Sketch for Mural H Zeitgenossen (El Greco and His Contempo- cisco Goya, Mascaras crueles (Cruel ) in Winter (returned); Chinese Qing raries) (22 September-21 October 2001), (recto); Mendigos que se llevan solos en Bor- Dynasty, Archery Contest (returned); Karl 1 Maryland El Greco (Domenikos Theotokopoulos), deaux (Beggars Who Get about Their Own in Knaths, Marble Mantle (returned); Mark Hagerstown: Washington County Museum Laocoon ) Rothko, Untitled (returned); Marguerite of Fine Arts | Frederick Kemmelmeyer, Zorach, Christmas Mail (returned); Ameri- First Landing of Christopher Columbus • Belgium London: The National Gallery | Impres- can 19th Century, Spring on the Range; Brussels: Palais des Beaux-Arts de Bruxelles sions: Painting Quickly in France, 1860- • Pennsylvania Thomas Chambers, Felucca off Gibraltar; | Bruxelles, une ville au carrefour de cultures 1890 (1 November 2000-28 January 2001, Doylestown: James A. Michener Art Storm-Tossed Frigate; T. Davies, Ship in (7 September-5 November 2000), James circulated to Museum, Amster- Museum | American 19th Century, Profile Full Sail; J. G. Tanner, Engagement between McNeill Whistler, Gold-House, Brussels; dam, 2 -20 May 2001, and Sterling Portrait of a Lady**; Profile Portrait of a the "Monitor" and the "Merrimac" Grand'Place, Brussels \ Void, 100 Ans d'Art and Francine Clark Art Institute, Williams- Man**; Joseph Goodhue , Girl Contemporain (23 November 2000-28 town, 16 June-8 September 2001), Secretary of Transportation | Circle of with Kitten; Edward Hicks, The Landing of January 2001), Richard Artschwager, Hair Edgar , Women Viewed from Behind Jacob Adriaensz. Bellevois, Dutch Ships in Columbus Sculpture—Shallow Recess Box; Lynda (Williamstown only); Claude , a Lively Breeze; Follower of Claude Lorrain, Virginia Benglis, Pour Daum; Untitled; Donald Judd, Bazille and Camille (Study for "Dejeuner sur Harbor at Sunset; L. M. Cooke, Salute Fairfax: George Mason University | Untitled; Robert Mangold, Untitled; Unti- I'Herbe"); , Hanging the to General Washington in New York Harbor; Alfredo Halegua, America; Lila Pell Kat- tled; Mark Rothko, Untitled* Laundry out to Dry*; Auguste Renoir, Head Hugues Merle, Children Playing in a Park; zen, Antecedent of a Dog; Madame Monet and Her Son Rene Pierre Charles Princeteau, Horses • Canada (Amsterdam and Williamstown only) Montreal: The Montreal Museum of Fine Secretary of the Treasury | Mark Rothko, Arts | Hitchcock and Art: Fatal Coincidences London: Royal Academy of Arts | The Untitled; James McNeill Whistler, Alice Butt Temporary Loans to Museum Collections (outside United States) (16 November 2000-16 April 2001, cir- Genius of Rome 1592-1623 (20 January- White House Chief of Staff | Mark Rothko, culated to Musee national d'art modeme, 16 April 2001, circulated to Museo del Untitled (women and girl in interior) (Works in National Lending Service Centre Georges Pompidou, Paris, 6 June- Palazzo di Venezia, Rome, 9 May-16 Sep- (returned); Untitled (returned); Untitled marked with*) 24 September 2001), Ralston Crawford, tember 2001), Pensionante del Saraceni, (returned); Untitled (returned) France Lights in an Aircraft Plant* Still Life with Fruit and Carafe Supreme Court of the United States Paris: Musee national d art modeme, Ottawa: National Gallery of Canada | London: Tate Britain | William Blake Centre Georges Pompidou | 1 January Chief Justice Rehnquist | George Cuitt, Gustav Klimt: Modernism in the Making (9 November 2000-11 February 2001), 2000-28 February 2001, Mark Rothko, the Younger, Easby Abbey, near Richmond; (15 June-16 September 2001), Gustav William Blake, The Accusers of Theft, Red, Black, White on Yellow Captain Edward H. Molyneux, Chapel Klimt, Baby (Cradle) Adultery, Murder (War); The Dance of Albion (Glad Day); Dream ofThiralatha (from in Provence; Thomas Sully, Thomas Alston; Switzerland • England "America," canceled plate d); Fragment of Frits Thaulow, River Scene; Eugene Basel: Fondation Beyeler | 31 July- Colchester: University Gallery, University canceled plate for "A Prophecy" (recto); Job Lawrence Vail, The Flags, Saint Mark's, 12 November 2000, Mark Rothko, of Essex | Constable and Wivenhoe Park: and His Daughters; Joseph ofArimathea Venice—Fete Day Untitled (Seagram Mural)* Reality and Vision (18 September-16 Preaching to the Britons; Los and His Spectre December 2000), John Constable, Wiven- Justice Ginsburg | Mark Rothko, The (verso); Satan before the Throne of God hoe Park, Essex Omen; Untitled Temporary Loans to Museum London: Tate Modern | : Desire Collections (United States) London: The British Museum | Correggio Justice Kennedy | Jean Beraud, Paris, Unbound (20 September 2001-1 January and Parmigianino: Master Draughtsmen rue du Havre; Dutch 17th Century, Flowers Oregon 2002), , The Invisible of the Renaissance (6 October 2000-7 Jan- in a Classical Vase; Walt Kuhn, Zinnias Portland: Portland Art Museum | Object (Hands Holding the Void)* uary 2001, circulated to The Metropolitan 28 May-3 December 2000, Auguste Justice O'Connor | George Catlin, After the Museum of Art, New York, 5 February- • France Renoir, Picking Flowers Buffalo Chase—Sioux; An Apachee Village; 6 May 2001), Correggio, Study for the Besan^on: MusAe des Beaux-Arts et Buffalo Chase, Sioux Indians, Upper Missouri; "Madonna della Scodella" (recto); Women d'Archeologie | et la A Crow Village and the Salmon River Moun- Carrying a Torch; Italian 16th Century, Franche-Comte (22 September-31 Dec- Loans to Temporary Exhibitions tains; Two Blackoot Warriors and a Woman Studies of a Male Torso; Parmigianino, ember 2000), Gustave Courbet, La (outside USA) Justice Scalia | Gilbert Stuart, George Madonna and Child Grotte de la Loue (Works in National Lending Service Washington; Thomas Sully, Henry Pratt; Lodeve: Musee de Lod&ve | Derain et marked with*) Augustus Vincent Tack, Charles Evans Vlaminck 1900-1915 (22 June-28 October Hughes Australia 2001), Andre Derain, Still Life* Sydney: Art Gallery of New South Wales | Justice Souter | Rembrandt Peale, George Metz: Musees de la Cour d'Or | Le Chemin World without End: Photography and the Washington; Gilbert Stuart, Captain Joseph des reliques: Temoignages pricieux et ordi- 20th Century (1 December 2000-21 Feb- Anthony; after Gilbert Stuart, William naires de la vie religieuse a Metz au Moyen ruary 2001), Walker Evans, Subway Constable; James Lloyd; Augustus Vincent Age (15 December 2000-18 March 2001), Portrait; Subway Portrait; Subway Portrait; Tack, Harlan F. Stone French 12th Century, Reliquary Chasse Subway Portrait; Subway Portrait; Sub- way Portrait

38 | Annual Report | 2001 : Pavilion du Musee Fabre | 1 Germany • Greece • Netherlands Sibastien Bourdon (1616-1671) (4 July- Berlin: Martin-Gropius-Bau | Christo Athens: Benaki Museum | The Mother of Amsterdam: Van Gogh Museum | Light! 15 October 2000, circulated to Galerie de and Jeanne-Claude: Early Works, 1958-69 God: Representations of the Virgin in Byzan- The Industrial Age, 1750-1900, Art & l'Ancienne Douane, Strasbourg, 7 Novem- (8 September-30 December 2001), tine Art (15 October 2000-30 January Science, Technology & Society (20 October ber 2000-4 February 2001), Sebastien Christo, Air Package, Project for the Garden 2001), Byzantine 13th Century, Madonna 2000-11 February 2001, circulated to Bourdon, Countess Ebba Sparre*; The Find- of the Museum of Modern Art, New York City and Child on a Curved Throne Carnegie Museum of Art, Pittsburgh, ing of Moses 2001; Corridor Store Front, Project; Package 7 April-29 July 2001), , Athens: National Gallery and Alexandres 1961; Packed Coast, Project for Little Bay, Interior, after Dinner Paris: Galeries nationales du Grand Palais | Soutzos Museum | Greek Gods and Heroes Sydney, Australia Visions du futur (3 October 2000 - 8 Janu- in the Age of Rubens and Rembrandt (28 Sep- Rotterdam: Museum Boijmans Van ary 2001), Florentine 16th Century, Alle- Berlin: Museum Ephraim-Palais | Eduard tember 2000-8 January 2001, circulated Beuningen | Pieter the Elder: Draw- gorical Portrait of | Un Paese Incan- Gaertner 1801-1877 (23 March-4 June to Dordrechts Museum, Dordrecht, The ings and Prints (27 May-5 August 2001, tato: Italia Dipinta da Thomas Jones a Corot; 2001), Eduard Gaertner, City Hall at Thorn* Netherlands, 3 February-21 May 2001), circulated to The Metropolitan Museum (3 April-9 July 2001, circulated to Centro Rembrandt van Rijn, Philemon and Baucis; of Art, New York, 24 September-2 Dec- Cologne: Wallraf-Richartz-Museum | Internazionale d'Arte e di Cultura di Sir Peter Paul Rubens, The Fall of Phaeton ember 2001), Pieter Bruegel the Elder, Faszination Venus—Bildereiner Gottin von Palazzo Te, Mantua, 16 September-9 Landscape with the Penitence of Saint Cranach bis Cabanel (Fascination Venus— • Israel December 2001), Jean-Baptiste-Camille Jerome; Peasants and Cattle near a Farm- Images of a Goddess from Cranach to Jerusalem: The Israel Museum | Landscape Corot, The Island and Bridge of San Bar- house; Johannes and Lucas van Doetechum Cabanel) (14 October 2000-7 January of the Bible: Sacred Scenes in European Mas- tolomeo, Rome (Mantua only); John Robert after Pieter Bruegel the Elder, Fuga Dei- 2001, circulated to Alte Pinakothek, ter Paintings (5 September 2000 - 30 Janu- Cozens, Cetara on the Gulf of Salerno (Paris parae in Aegyptum (The Flight into Egypt); Munich, 1 February-22 April 2001, and ary 2001), Joachim Anthonisz. Wtewael, only); Simon Denis, View near Naples; Plaustrum Belgicum (The Belgian Wagon); Koninklijk Museum voor Schone Kunsten Moses Striking the Rock Andre Giroux, Forest Interior with a Painter, Pieter van der Heyden after Pieter Bruegel Antwerpen, 20 May-15 August 2001), Civita Castellana • Italy the Elder, The Ass at School \ Jheronimus Annibale Carracci, Venus Adorned by the : Centro Culturale Santa Maria Bosch (1 September-11 November 2001), Paris: Musee d'Art Moderne de la Ville de Graces \ Der Meister des Bartholomaus- della Pieta | Dipingere la Musica: Stru- , Paris | L'ficole de Paris: 1904-1929, La Part Altares: Tradition und Innovation in derKol- menti in posa nell'arte del Cinque e Seicento de VAutre (1 December 2000-11 March nerMalerei um 1500 (20 May-19 August • Russia (12 December 2000-18 March 2001, cir- 2001), Brassai (Gyula Halasz), Streetwalker 2001), Follower of Master E.S., Ornament Moscow: Pushkin State Museum of culated to Kunsthistorisches Museum near the Place d'ltalie, Paris; , with Wild Folk; Master of the Fine Arts | Collection of Prince Nicolas Art Center Palais Harrach, Vienna, 4 April- Harlequin Musician Illustrations, The Resurrection Yous soupov (30 July-15 November 2001), 1 July 2001), Attributed to Giorgione, Rembrandt van Rijn, Portrait of a Gentle- Paris: Musee national d art moderne, Cen- Essen: Museum Folkwang | Hold Still— Giovanni Borgherini and His Tutor* man with a Tall Hat and Gloves; Portrait tre Georges Pompidou | Philip Guston Ret- Keep Going (10 December 2000-11 Febru- Mantua: Centro Internazionale dArte of a Lady with an Ostrich-Feather Fan rospective (13 September-4 December ary 2001, circulated to Museo National e di Cultura di Palazzo Te | Perino del Vaga: 2000), Philip Guston, Review \ LesAnnees Centro de Arte Reina Sofia, Madrid, • Scotland Between and Michelangelo Pop (7 March-2 July 2001), Roy Lichten- 10 April-18 June 2001), Robert Frank, Edinburgh: Dean Gallery | The Surrealist (17 March-10 June 2001), Attributed to stein, Look Mickey; Claes Oldenburg, Glass City of London; London; London; London; and the Photographer: and Francesco Durantino, Plate with Bacchus Case with Pies (Assorted Pies in a Case) \ Men of Air, New York; Mute/Blind; Peru; (19 May-9 September 2001), seducing Erigone; at the top, a shield of arms; Jean Dubuffet: Retrospective du Centenaire Store Window—Washington, D.C.; Ticker- , The Forest Perino del Vaga, Alexander Consecrating the (12 September-31 December 2001), Jean tape/New York City; Untitled | J. M. William Altars for the Twelve Olympian Gods; Perino Edinburgh: National Gallery of Scotland | Dubuffet, Barbe des combats (Combat Turner: Licht und Farbe (15 September del Vaga, Altarpiece of the Madonna and Rembrandt's Women (8 June-2 September Beard); Corps de dame jaspe (Marbleized 2001-6 January 2002), Joseph Mallord Child with Saints in Its Architectural Setting 2001, circulated to Royal Academy of Body of a Lady); Jean Paulhan; La Fiat aux William Turner, The Evening of the Deluge Arts, London, 22 September-16 Decem- pare-chocs (The Fiat with Bumpers); Paysage Milan: Palazzo Reale | II Cenacolo di Leo- Frankfurt: Stadelsches Kunstinstitut und ber 2001), Rembrandt van Rijn, Lucretia vert (Green Landscape); Terracota la grosse nardo (16 March-17 June 2001), William Stadtische Galerie | How you look at it: bouche (Big Mouth Terra Cotta) Blake, The Last Supper • Spain Photographs of the 20th Century (23 August Barcelona: Fundacid Joan Miro | Mark Paris: Musee d'Orsay | Manet: The Still-Life -12 November 2000), Walker Evans, Rome: Palazzo delle Esposizioni | II Volto Rothko: A Consummated Experience between Paintings (9 October 2000-7 January Minstrel Showbill; Photographer's Window di Cristo (8 December 2000-14 May 2001), Picture and Onlooker (23 November 2000- 2001, circulated to The Walters Art Gallery, Display, Birmingham, Alabama; Wooden Hans , Saint Veronica 28 January 2001, circulated to Fondation Baltimore, 30 January-22 April 2001), Church, South Carolina Rome: Palazzo Ruspoli | Velazquez: II Suo Beyeler, Basel, 18 February-24 June Edouard Manet, Cucumber with Leaves; Hamburg: Hamburger Kunsthalle | Monets Terzo Viaggio in Italia (Velazquez: His Third 2001), Mark Rothko, No. 8*; No. 9*; No. 8*; Flowers in a Crystal Vase; Oysters; Still Life Vermachtnis. Serie—Order and Obsession Trip to Italy) (28 March-30 June 2001), Orange and Tan; Untitled (Seagram Mural)*; with Melon and Peaches (28 September 2001-6 January 2002), Diego Velazquez, The Needlewomen Untitled; Untitled; Untitled; Untitled; Unti- Rennes: Musee des Beaux-Arts | Jacques Claude Monet, Waterloo Bridge, London, • Japan tled; Barcelona only: Untitled (recto); Unti- Bellange (16 February-14 May 2001), at Dusk Tokyo: Bridgestone Museum of Art | tled; Untitled; Untitled; Untitled; Basel only: Jacques Bellange, Dancer with a Tambourine Untitled (Sketch for a Harvard Mural); Un- : Neue Staatsgalerie Stuttgart | Renoir: From Outsider to Old Master 1870- titled (Sketch for a Harvard Mural); Untitled and Surrealism (9 December 1892 (10 February-15 April 2001, circu- (Sketch for a Harvard Mural) 2000-29 April 2001, circulated to lated to Nagoya City Art Museum, 21 April The Menil Collection, Houston, 31 May- -24 June 2001), Auguste Renoir, Oarsmen Barcelona: | Robert and 30 September 2001), Yves Tanguy, The at Chatou Sonia (19 October 2000- Look of Amber Tokyo: National Museum of Western Art | 21 January 2001), , Poli- tical | (28 March- Tubingen: Kunsthalle Tubingen | Henri American Heroism (7 August-14 October 5 August 2001, circulated to Musee des Rousseau: Der Zollner—Grenzgdnger zur 2001), Benjamin West, The Battle of La Beaux-Arts de Lyon, 6 September-10 Moderne (3 February-17 June 2001), Hogue December 2001), Albert Gleizes, Football , Rendezvous in the Forest*; Tokyo: Tokyo Metropolitan Art Museum | Players Tropical Forest with Monkeys* Art Nouveau, 1890-1914 (21 April-8 July 2001), , Entrance to the Metropolitain

39 | National Gallery of Art | Washington Madrid: Museo Thyssen-Bornemisza | • Connecticut New York, 26 June-9 September 2001), » Missouri Paisaje Americano: Explorar el Eden (27 Sep- Hartford: Wadsworth Atheneum Museum Edouard Vuillard, Place Vintimille; Woman Kansas City: The Nelson-Atkins Museum tember 2000-14 January 2001), Thomas of Art | The Impressionists at Argenteuil in a Striped Dress | Van Gogh and Gauguin: of Art | Tempus Fugit: Time Flies (15 Octo- Cole, The Voyage of Life: Childhood; The (9 September-3 December 2000), Claude The "Studio of the South" (11 September ber-31 December 2000), Max Weber, Voyage of Life: Manhood; The Voyage of Life: Monet, Argenteuil; The Artist's Garden in 2001-13 January 2002), Paul Gauguin, Rush Hour, New York* \ Old Age; The Voyage of Life: Youth | El Argenteuil (A Corner of the Garden with Breton Girls Dancing, Pont-Aven; Self-Por- and the Critics: Forging a National Art in the Renacimiento Mediterraneo: Viajes deArtis- Dahlias); The Bridge at Argenteuil; Woman trait Dedicated to Carriire; Vincent van 1870s (18 February-6 May 2001, circu- tas e Itinerarios de Obras entre Italia, Francia with a Parasol—Madame Monet and Her Gogh, Farmhouse in Provence; Self-Portrait lated to Los Angeles County Museum y Espana en el Siglo XV (The Mediterranean Son; Auguste Renoir, Claude Monet; of Art, 10 June-9 September 2001), Win- Chicago: David and Alfred Smart Museum Renaissance: The Movement of Artists and Madame Monet and Her Son; Regatta at slow Homer, Breezing Up (A Fair Wind); of Art, University of Chicago | The Theat- Works of Art between Italy, France, and Spain Argenteuil; , Boulevard Heloise, Blackboard (Kansas City only); Girl with rical Baroque (9 January-22 April 2001), in the Fifteenth Century) (31 January- Argenteuil \ Gauguin's Nirvana: Painters at Hay Rake (Kansas City only) Sir Anthony van Dyck, Philip, Lord Wharton 6 May 2001, circulated to Museu de Belles LePouldu 1889-90 (27 January-29 April Saint Louis: The Saint Louis Art Arts de Valencia, Valencia, 18 May-2 Sep- 2001), Paul Gauguin, At the Black Rocks Chicago: Museum of Contemporary Museum | Painting on Light: Drawings tember 2001), Rogier van der Weyden, (Awe roches noires); Human Sorrow (Miseres Art | Sol LeWitt Retrospective (22 July- and Stained Glass in the Age ofDiirer and Saint George and the Dragon \ Setting out humaines); Landscape at Le Pouldu 22 October 2000), Sol LeWitt, Wall (4 November 2000-7 January for a Promenade in the Pare des Lions at Port- Drawing No. 681 C; Yellow Lines, Not New Haven: Yale Center for British Art | 2001), Sebald Beham, Saint Sebald Marly (27 June-21 October 2001), Jean- Straight, Not Touching Great British Paintings from American Collec- Carrying the Model of His Church in Nurem- Baptiste-Camille Corot, Madame Stumpf tions: Holbein to Hockney (26 September- Chicago: Terra Museum of American Art | berg | and the Painters and Her Daughter 30 December 2001), Sir Anthony van Dyck, In Search of the Promised Land: Frederick of the Petit Boulevard (17 February- Switzerland Queen Henrietta Maria with Sir Jeffrey Edwin Church and Exploration (5 August- 13 May 2001, circulated to Stadelsches Basel: Fondatioh Beyeler | Mark Rothko Hudson; Gilbert Stuart, The Skater (Portrait 1 October 2000, circulated to Portland Kunstinstitut und Stadtische Galerie, Rooms (24 June 2001-31 August 2002), of William Grant); James McNeill Whistler, [Oregon] Art Museum, 21 October 2000- Frankfurt, 8 June-2 September 2001), Mark Rothko, No. 8; Untitled (Seagram Wapping* 3 January 2001, and Portland [Maine] , Seascape at Port-en- Mural) Museum of Art, 18 January-18 March Bessin, * • District of Columbia 2001), Frederic Edwin Church, Morning Zurich: Kunsthaus Zurich | Alberto Giaco- Washington: The Corcoran Gallery of Art | • New Hampshire in the Tropics metti (18 May-9 September 2001), Alberto Andy Warhol: Social Observer (18 November Hanover: Hood Museum of Art, Dart- Giacometti, The Forest; No More Play 2000-15 March 2001), Andy Warhol, Vote • Indiana mouth College | The Power of Appearances: McGovern Indianapolis: Indianapolis Museum of Art Renaissance and Reformation Portrait Prints | Crossroads of American Sculpture (14 Octo- (7 October-3 December 2000, circulated to Washington: Hirshhorn Museum and Loans to Temporary Exhibitions ber 2000-21 January 2001), David Smith, The Frances Lehman Loeb Art Center, Vas- Sculpture Garden | Clyfford Still (21 June- (United States) Circle I; Circle II; Circle III sar College, Poughkeepsie, 19 January-11 16 September 2001), Clyfford Still, Untitled (Works in National Lending Service ' Massachusetts March 2001, and Joslyn Art Museum, Washington: The Phillips Collection | marked with*) Andover: Addison Gallery of American Omaha, 14 April-20 May 2001), Heinrich Over the Line: The Art and Life of Jacob Art | Alice Neel 1900-1984 (6 October - Aldegrever, Jan van Leyden; Martin Luther; Alabama Lawrence (26 May-19 August 2001), Jacob 31 December 2000, circulated to Philadel- Self-Portrait; Self-Portrait; Albrecht Altdor- Birmingham: Birmingham Museum of Art Lawrence, Daybreak—A Time to Rest | phia Museum of Art, 18 February-15 April fer, Martin Luther; Leonhard , The | Fiftieth Anniversary Celebration—Rein- Impressionist Still Life (22 September 2001 2001, and Walker Art Center, Minneapolis, Young White King at the Butts; Tournament stallation of Kress Collection (1 March 2001 - -13 January 2002), Vincent van Gogh, 10 June-2 September 2001), Alice Neel, on the Occasion of the Festivity of the Mar- 1 March 2002), Matteo de' Pasti, Isotta Roses; Edouard Manet, Flowers in a Crystal Hartley riage; Barthel Beham, Emperor Charles V; degli Atti of Rimini, Mistress then Wife 1456, Vase Emperor Ferdinand I; Hans Burgkmair I, ofSigismondo Malatesta (obverse); Isotta • Michigan • Florida Conrad Celtes; The Imperial Eagle; Agostino degli Atti of Rimini, Mistress then Wife 1456 Ann Arbor: University of Michigan Gainesville: Samuel P. Ham Museum of Carracci after Titian, Titian; Nicolo della ofSigismondo Malatesta (obverse); Museum of Art | Mark Rothko and the Art, University of Florida | Intimate Rituals Casa, Baccio Bandinelli; Henry II of France; Christ (obverse); Sigismondo Pandolfo Mala- Lure of the Figure: Paintings 1933-46 and Personal Devotions: Spiritual Art through Lucas Cranach the Elder, Luther as an testa, 1417-1468, Lord of Rimini 1432 (16 December 2000-25 February 2001), the Ages (12 August 2000-14 January Augustinian Friar; Luther as "Junker Jorg"; (obverse); Pisanello, Niccolo Piccinino, Mark Rothko, Mother and Child*; Sacrificial 2001), German 15th Century, Christ on the Lucas Cranach the Younger, Philip Melanch- c. 1386-1444, Condottiere (obverse) Moment*; Untitled*; Untitled*; Untitled Cross; Madonna between Saints Catherine ton, Half-Length to the Left, Standing Behind (four figures in a plaza)*; Untitled (nude)*; California and Barbara a Breastwork; Lucas Cranach the Elder, Untitled (subway)*; Untitled (three women)* Los Angeles: Los Angeles Museum of Con- The Reformers Luther and Hus Giving Com- Orlando: The Mennello Museum of Am- temporary Art | 2000 BC: The Bruce Conner Grand Rapids: The Grand Rapids Art munion to the Princes of the House of ; erican Folk Art | Masterworks ofAmerican Story Part II (1 October 2000 -14 January Museum | Unending Frontier: Art of the The Virgin and Child Adored by Frederick Folk Art Exhibit (19 September 2001- 2001), Bruce Conner, Book Pages West (29 September-31 December 2000), the Wise of Saxony; Lucas Cranach the 6 January 2002), Edward Hicks, Penn's Thomas Hart Benton, Trail Riders* Younger, John William, Duke of Saxe-Coburg; Los Angeles: UCLA at the Armand Hammer Treaty with the Indians* after Lucas Cranach the Younger, Martin Museum of Art and Cultural Center | • Mississippi • Georgia Luther, Half-Length to the Left with a Book Heavenly Visions: Shaker Gift Drawings and Jackson: Mississippi Museum of Art | Atlanta: High Museum of Art | Degas in His Hands; Albrecht Diirer, The Betrothal Gift Songs (28 August-21 October 2001), Andrew Wyeth: Close Friends (3 February- and America: The Early Collectors (3 March- of Maximilian with Mary of Burgundy; Semantha Fairbanks and Mary Wicks, A 13 May 2001, circulated to Greenville 27 May 2001, circulated to The Minnea- The Betrothal of Philip the Fair with Joan of Sacred Sheet Sent from Holy Mother Wisdom County Museum of Art, Greenville, polis Institute of Arts, 16 June-9 Septem- Castile; Cardinal Albrecht of Brandenburg by Her Angel of Many Signs South Carolina, 6 June-26 August 2001), ber 2001), , Horse Walking; ("Large Cardinal"); Emperor Maximilian I; Andrew Wyeth, Field Hand (recto) San Francisco: The Fine Arts Museums The Races; The Road (La Route); Self-Portrait Frederick the Wise, Elector of Saxony; Philip of San Francisco, M. H. de Young Memorial Melanchton; Saint Eustace; German 16th • Illinois Museum | Edward Hicks (24 September Century, Albrecht Diirer; Giorgio Ghisi, Chicago: The Art Institute of Chicago | 2000-7 January 2001), Edward Hicks, after Marcello Venusti, Michelangelo Buon- Beyond the Easel: Decorative Painting by Peaceable Kingdom* arroti; Hendrik Goltzius, Hans Bol; Frederik Bonnard, Vuillard, Denis, andRoussel, 1890- ; Philip Galle; Henry IV; Josephus 1930 (25 February-16 May 2001, circu- Scaliger; Pieter van der Heyden, Albrecht lated to The Metropolitan Museum of Art, Diirer; Augustin Hirschvogel, Self-Portrait;

40 | Annual Report | 2001 Hans Holbein the Younger, of New York • Ohio Houston: The Museum of Fine Arts, Rotterdam; Daniel Hopfer I, Emperor Brooklyn: Brooklyn Museum of Art | Lee Toledo: The Toledo Museum of Art | Houston | Walker Evans (17 December Charles V; Emperor Maximilian I; Kunz von Krasner (6 October 2000-7 January 2001), The American West: Out of Myth, into Reality 2000-4 March 2001), Walker Evans, Lunch der Rosen; Girolamo da Siena; Hieronymus Lee Krasner, Imperative (8 October-31 December 2000), George Wagon Detail, New York; The Passengers; Hopfer, Charles V; Erasmus of Rotterdam; Catlin, A Little Sioux Village*; Three Sho- Signs, Beaufort, South Carolina; Subway Por- Glens Falls: The Hyde Collection Art Hans Sebald Lautensack, Johann Aventi- shonee Warriors*; Two Apachee Warriors trait; Subway Portrait; Subway Portrait; Museum | Picturing Gentility: Portraits nus (Johann Turmair); Ferdinand I; Ulrich and a Woman* Subway Portrait | Bernardo Bellotto (29 July of Women in American Art (24 September- Schwaiger (?); Thomas de Leu, Antoine -21 October 2001), Bernardo Bellotto, 3 December 2000), Erastus Salisbury Youngstown: The Butler Institute of Caron; Catherine de Medici, Queen of France; The Fortress ofKonigstein Field, Woman Holding a Book*; Charles American Art | William Baziotes: The Poetic Lucas van Leyden, Emperor Maximilian I; Cromwell Ingham, Cora Livingston* Spirit (12 November 2000-7 January Virginia Melchior Lorch, Martin Luther; Master IB, 2001), William Baziotes, Desert Landscape Richmond: Virginia Historical Society | Martin Luther; Crispijn de Passe I, Eliza- New York: AXA Gallery | Hard Pressed: The Virginia Landscape (13 July-12 Nov- beth, Queen of England; After Georg Pencz, 600 Years of Prints and Process (2 November • Pennsylvania ember 2000), American 19th Century, GeorgPencz; Wife of Georg Pencz; Martino 2000-27 January 2001), Jacques Callot, Carlisle: The Trout Gallery, The End of the Hunt* Rota, Alexander de Medicis and Cosmo de The Fair at Impruneta; Claude Mellan, The College | Writing on Hands: Memory and Medicis; Emperor Maximillian II; Jan Sudarium of Saint Veronica; Prince Rupert, Knowledge in Early Modern Europe, 1470- Washington Pietersz. Saenredam after Pieter Isaacz., Count Palatine, The Standard Bearer 1700 (8 September-25 November 2000), Seattle: Seattle Art Museum | Twentieth- Albrecht Diirer, Doubting Thomas; Attrib- Century American Art: The Ebsworth Hans van Aachen; Erhard Schon, Albrecht New York: The Frick Collection | El Greco: uted to Philip Galle after Pieter Bruegel Collection (10 August-12 November 2000), Diirer at Age Fifty-Six; Enea Vico, Giovanni Themes and Variations (15 May-29 July the Elder, The Alchemist; German 15th Arthur , Moon; Georgia O'Keeffe, de'Medici; Hieronymus Wierix, Henry of 2001), El Greco (Domenikos Theotokopou- Century, An Easter Calendar Beginning Black, White, and Blue; Charles Sheeler, Navarre; Phillip II of Spain; Hanover only: los), Christ Cleansing the Temple Giovanni Boldu, Self-Portrait (obverse); with the Year 1466; Lucas van Leyden, Classic Landscape; Bob Thompson, Tree | Caradosso, Donato , c. 1444- New York: The Metropolitan Museum of The Dentist; Netherlandish 15th Century, John Singer Sargent (14 December 2000- 1514, Architect (obverse); Felice Antonio Art | Art and the Empire City: New York, The Hand as the Mirror of Salvation; Mar- 18 March 2001), John Singer Sargent, Casone, Lavinia , 1552-1614, 1825-1861 (11 September 2000-7 Janu- cantonio Raimondi, The Three Doctors; Nonchaloir (Repose); Sketch of Cellini's Bolognese Painter (obverse); Niccold ary 2001), John Frederick Kensett, Beacon Rembrandt van Rijn, ; Jan Pietersz. "Perseus" Rock, Newport Harbor* \ The Treasury of Saenredam after Hendrik Goltzius, Touch Fiorentino, Lorenzo de'Medici, il Magnifico, Wisconsin Basel Cathedral (28 February-27 May 1449-1492 (obverse); Florentine 15th Philadelphia: Arthur Ross Gallery, Univer- Madison: Elvehjem Museum of Art, 2001), Hartmann Schedel (author) and Century, Cosimo de' Medici, 1389-1464, sity of Pennsylvania | Transformation: Jews University of Wisconsin-Madison | Paris Workshop of Michel Wolgemut and Work- Pater Patriae (obverse); Annibale Fontana, and (24 April-17 June 2001), 1900: "The American School" at the Universal shop of Wilhelm Pleydenwurff, Liber Giovanni Paolo Lomazzo, 1538-1600, Jonathan Borofsky, Berlin Dream Stamp; Exposition (16 September-3 December Chronicarum (Nuremberg Chronicle) \ Ver- Milanese Painter and Writer on Art (ob- Eugene , Jewish Woman of Algiers 2000), Gari Melchers, The Sisters*; Willard meer and the Delft School (5 March - 27 May verse); Italian 16th Century, Clement VII, (Juive d'Alger); Lee Friedlander, Evergreen Leroy Metcalf, Midsummer Twilight* 2001, circulated to The National Gallery, Pope 1523-1534; Pius IV(Giovanni Angelo Tree (Northern France, 1972); R.B. Kitaj, London, 20 June-16 September 2001), Milwaukee: Milwaukee Art Museum | Medici, 1499-1565), Pope 1559; Leone Der russische Revolutionsflm; Wir haben es Pieter de Hooch, A Dutch Courtyard; O'Keeffe's O'Keeffes: The Artist's Collection Leoni, Baccio Bandinelli, 1493-1460, nicht vergessen: Nouse n'avons pas oublie: Johannes Vermeer, Girl with the Red Hat; (4 May-19 August 2001, circulated to Florentine Sculptor (obverse); Michelangelo We Have Not Forgotten; Louise Nevelson, Woman Holding a Balance \ William Blake Georgia O'Keeffe Museum, Santa Fe, Buonarroti, 1475-1564, Florentine Artist Untitled; Garry Winogrand, New York City 14 September 2001-13 January 2002), (obverse); Andrea Doria, 1468 -1560, (26 March-24 June 2001), William Blake, Genoese Admiral (obverse); Quentin Fragment of canceled plate for "A Prophecy" • Rhode Island Georgia O'Keeffe, First Drawing of the Massys, Desiderius Erasmus of Rotterdam, (recto); Los and His Spectre (verso); Satan Newport: Newport Art Museum | The Blue Lines (Milwaukee only); Jack-in-the- 1465/1466-1530; Matteo de' Pasti, Leone be fore the Throne of God \ Caspar David Morris Legacy: Profile of a Newport Collection Pulpit No. Ill; Jack-in-the-Pulpit No. VI; No. 20—From Music-Special (Santa Fe Battista Alberto, 1404-1472, Architect Friedrich: Moonwatchers (11 September- (29 June-9 September 2001), Fitz Hugh and Writer on Art and Science (obverse); 11 November 2001), Johan Christian Lane, New York Harbor only); Sky Above White Clouds I; Winter Dahl, View from Vaekero near Christiania Road I Alfonso Ruspagiari, Portrait of a Lady; • Texas Style of Niccold Fiorentino, Giovanni Pico New York: National Academy of Design | Fort Worth: Modern Art Museum of Fort della Mirandola, 1463-1494, Philosopher The Cos Cob : Impressionists on Worth | Wayne Thiebaud: A Paintings Retro- and Poet (obverse); Giovanna Albizzi, Wife the Connecticut Shore (13 February-13 May spective (24 September 2000-14 January of Lorenzo Tornabuoni (obverse) 2001, circulated to The Museum of Fine 2001, circulated to The Phillips Collection, • New Jersey Arts, Houston, 17 June-9 September Washington, 10 February-29 April 2001, Newark: The Newark Museum | Art and 2001), , Oyster Sloop, Cos and Whitney Museum of American Art, Home: Dutch Interiors in the Age of Rem- Cob* | Rave Reviews: American Art and Its New York, 28 June-23 September 2001), brandt (30 September 2001-20 January Critics, 1826-1925 (20 September-31 Wayne Thiebaud, Cakes December 2000, circulated to Gilcrease 2002), Rembrandt van Rijn, Jan Six; Houston: Houston Museum of Natural Museum, Tulsa, 31 January-1 April 2001, Self-Portrait Drawing at a Window Science | John James Audubon in the West: and Indianapolis Museum of Art, 29 April- The Last Expedition, Mammals of North • New Mexico 1 July 2001), Jasper Francis Cropsey, America (24 March-28 May 2001, circu- Santa Fe: Georgia O'Keeffe Museum | The Spirit of War (New York only); Childe lated to Autry Museum of Western Her- O'Keeffe on Paper (29 July-29 October Hassam, Allies Day, May 1917* (New York itage, Los Angeles, 23 June-30 September 2000), Georgia O'Keeffe, Crazy Day; only); John Singer Sargent, Street in 2001), John Woodhouse Audubon, Black- No. 7 Special; Nude No. Ill; Second, Out Venice (New York only); Irving R. Wiles, Footed Ferret* of My Head; The Shell Miss Julia Marlowe*

Southampton: The Parrish Art Museum | Follies: Fantasy in the Landscape (19 May- 22 July 2001), Stefano Delia Bella, The Inhabited Tree

41 | National Gallery of Art | Washington Portrait of the Year | Publications

Exhibition Catalogues Systematic Catalogues Awards Staff Publications

Modern Art and America: Alfred European Sculpture of the Ginevra's Story (film) International Anderson, Nancy. "Albert Bierstadt: A Stieglitz and His New York Galleries Nineteenth Century Council of Museums, first prize; The New Letter from New York." Archives of American Edited by Sarah Greenough (612 pages, By Ruth Butler and Suzanne G. Lindsay York Festivals, finalist; International Coun- Art Journal 40, nos. 3,4 (2000), 28-31. 190 color, 350 b/w; copublished with et al. (525 pages, 150 color, 195 b/w; cil of Museums Grand Prix de l'Audiovisuel . "Reflecting on Ruins." Journal of the Bulfinch Press, Boston) copublished with Oxford University Press) O'Keeffe on Paper (exhibition catalogue) West 40, no. 4 (Fall 2001), 53-59. The Unfinished Print The Mark J. Millard Architectural American Association of Museums design Barbour, Daphne, and R. J.M. Olson. By Peter Parshall, Judith Brodie, and Collection, Volume IV: Italian and award; Association of American University "Toward a New Method for Studying Stacey Sell (100 pages, 16 color, 70 b/w; Spanish Books, Fifteenth through Presses' Book, Jacket and Journal Show Glazed Terracottas: Examining a Group of copublished with Lund Humphries, Nineteenth Centuries design award tondi by Andrea della Robbia." Apollo 154, London) By Martha D. Pollak (545 pages, 400 b/w; Gerrit Dou, 1613-1675 (exhibition no. 475 (September 2001). copublished with George Braziller, Inc.) Virtue and Beauty: Leonardo's catalogue) Association of American Uni- Brenner, Carla, and Barbara Moore. Ginevra de'Bend and Renaissance versity Presses' Book, Jacket and Journal National Gallery of Art, Washington, Map Portraits of Women Show design award and Guide. London, 2001. By David Alan Brown, with contributions Studies in the Prints Abound: Paris in the 1890s, by Kent, Victoria Kirkham, Roberta Christen, Barbara S. "A 'New' New England: Small Bronzes in the Renaissance from the Collections of Virginia Orsi Landini, Mary Westerman Bulgarella, Proposals for New Haven and Waterbury, Edited by Debra Pincus (vol. 62; 282 pages, and Ira Jackson and the National and Joanna Woods-Marsden (236 pages, Connecticut." In Cass Gilbert, Life and Work: 307 b/w; copublished with Yale University Gallery of Art (exhibition catalogue) 90 color, 110 b/w, copublished with Architect of the Public Domain, 177-191, Press, New Haven and London) American Association of Museums design Princeton University Press) 305-306, ed. Barbara S. Christen and award; American University Presses' Book, Steven Flanders. New York, 2001. Jacket and Journal Show design award; Other Gallery Publications DC Chapter of the American Institute of . "The Architect as Planner: Cass Gil- Exhibition Brochures Graphic Arts design award bert's Responses to Historic Open Space." National Gallery of Art, Washing- In Inventing the Skyline: The Architecture Art Nouveau, by Paul Greenhalgh and Art for the Nation: Collecting for a ton, Map and Guide of Cass Gilbert, 177-228, ed. Margaret Mari Griffith New Century (exhibition catalogue) By Carla Brenner and Barbara Moore Heilbrun. Exh. cat., New-York Historical American Association of Museums design Modern Art and America: Alfred (64 pages, 74 color, map; published Society. New York, 2000. Stieglitz and His New York Galleries, in association with Scala Publishers, award; American Institute of Graphic Conisbee, Philip. "The Shipwreck, 1772, by Sarah Greenough London) Arts 50 Books / 50 Covers design award by Claude-Joseph Vemet." In Melanges en The Mark J. Millard Architectural Cy Twombly: The Sculpture, by Jessica hommage a Pierre Rosenberg, 153 -158. Collection, Volume IV: Italian and Stewart Paris, 2001. Spanish Books, Fifteenth through Jasper Johns: Prints from Four Nineteenth Centuries (collection cata- . Review of Paysages d'ltalie. Les peintres Decades, by Claudia Bohn-Spector logue) American Association of Museums du plein air (1780-1830), Grand Palais, Spirit of an Age: Nineteenth Century design award Paris, and Palazzo Te, Mantua, by Anna Ottani Cavina et al. In Burlington Magazine Paintings from the Nationalgalerie, The Patricia G England Collection 143 (July 2001), 445-447. Berlin, text adapted from the exhibition of Fine Press and Artists' Books (book) brochure, National Gallery, London American Association of Museums design Cropper, Elizabeth. "L'arte cortigiana a Virtue and Beauty: Leonardo's award; American Institute of Graphic Firenze. Dalla Repubblica dissimulata Ginevra de'Benci and Renaissance Arts 50 Books/50 Covers design award alio Stato patemo." In Storia delle arti in Toscana: II Cinquencento, 85-115, ed. Portraits of Women Teaching Art Nouveau, 1890-1914 Roberto Paolo Ciardi and Antonio Natali. (educational resource) American Associa- Florence, 2000. tion of Museums design award

42 | Annual Report | 2001 , editor and introduction. "The Diplo- Fine, Ruth. "The Art of Jacob Kainen." . "Goya Etchings." In The Lawrentian , coauthor with Marguerite Glass. macy of Art: Artistic Creation and Politics American Art 13, no. 3, Smithsonian Ameri- 65, no. 4, ed. David S. Ruiter. Lawrence- "The Appreciation of Vermeer in Twentieth- in Seicento Italy." Papers from a colloquium can Art Museum (Fall 2001). ville, NJ, 2001,14. Century America. In The Cambridge Com- held at the Villa Spelman, Florence, 1998. panion to Vermeer, 161-181, ed. Wayne E. Fletcher, Shelley. "A Closer Look at Man- Luchs, Alison. Review of The Poetics of Milan, 2000. Franits. Cambridge, England, 2001. tegna's Prints." Print Quarterly (March Portraiture in the Italian Renaissance by . "Ancients and Moderns: Alessandro 2001). Jodi Cranston. In Renaissance Quarterly Yeide, Nancy H., with Konstantin Akinsha Tassoni, Francesco Scannelli, and the Ex- 54, no. 3 (Fall 2001), 948-949. and Amy L. Walsh. The AAM Guide to Prove- Gifford, E. Melanie. "Assessing the Evolu- perience of Modern Art." In Perspectives nance Research, American Association of tion of 's Iconography through . Review of Italian Gothic Sculpture on Early Modern and Modem Intellectual Museums, 2001. Technical Study of the Washington Annun- c. 1250-c. 1400 by Anita Moskowitz. In History, 303-324, ed. Joseph Marino and ciation." In Recognising Van Eyck, 59-66. Annali di Architettura (2001), 167-168. . "Behind the Lines: Lessons in Nazi-Era Melinda Schlitt. Rochester, NY, 2001. Conference proceedings, National Gallery, Provenance Research." Museum News 79, . "A Church on the Periphery (Sta. Daniels, Maygene, coeditor and contribu- London. London, 2000. no. 6 (November/December 2000), 50-53. Maria Maddalena de' Pazzi in Florence)." tor. A Guide to the Archival Care of Architec- Grasselli, Margaret Morgan. Review of Newsletter of the Italian Art Society 14, tural Records: 19th-20th Centuries. Paris, Antoine 1684-1721. Catalogue no. 2 (Spring 2001), 2-3. 2000. Published in French as Manuel de raisonne des dessins by Pierre Rosenberg traitement des archives d'architecture XlXe- Luciano, Eleonora. "Caterina Sforza: I and Louis-Antoine Prat. In Master XXe siecles. ritratti coevi." In Caterina Sforza, una Drawings 39, no. 1 (Fall 2001), 310-334. del Cinquecento, 153-162. Exh. cat., Dardanello, Giuseppe. "Disegni di Juvarra Hand, John Oliver. "Jan Joest and His Chiostri di San Domenico. Imola, 2000. per il ponte reale' e per la cupola del Relationship to Joos van Cleve and Bartho- Santuario di Vicoforte." In Francesco Gallo O'Malley, Therese. "Botanic Gardens," lomaus Bruyn." Begegnungen mit alten 1672-1750. Un architetto ingegnere tra "New York Botanical Garden," and "The Meistern. Altdeutsche Tafelmalerei aufdem stato e provincia, 120-125, ed. Vera Comoli Missouri Botanical Garden." In The Priifstand, 139-145 (Wissenschaftliche Mandracci and Laura Palmucci. Turin, History of Science in the United States: Beibande zum Anzeiger des Germanischen 2000. An Encyclopedia. New York, 2001. Nationalmuseums, vol. 17). Nuremberg, , editor. Sperimentare I'architettura. 2000. Parshall, Peter. "Commentary: Confor- Guarini, Juvarra, Alfieri, Borra e Vittone. mity or Contrast?" In Early Netherlandish . Review of Lome , National Turin, 2000. Painting at the Crossroads: A Critical Look Gallery Catalogues. The Fifteenth-Century at Current Methodologies, 18-25, ed. Dickerman, Leah. "Dada's Solipsism." Netherlandish Schools. In Renaissance Maryan Ainsworth. New York and New Documents 19 (Fall 2000), 16-19. Studies 15, no. 1 (March 2001), 87-89. Haven, 2001. . "Lenin in the Age of Mechanical , contributor. The Folio Society Book of Parshall, Peter, and Linda Parshall. "A Reproduction." In Disturbing Remains: the 100 Greatest Paintings, 20-23, 36-37, Twice-Told Tale: Brentano and Schinkel Memory, History and Crisis in the Twentieth 56-57. London, 2001. on Paper." Art on Paper (July/August Century, 77-110, ed. Michael S. Roth and Hirschauer, . "Giorgione." In 2001), 38-43. Charles G. Salas. Los Angeles, 2001. The New Book of Knowledge, 210. Danbury, Robison, Andrew. "A National Collection Doumato, Lamia. "Opening the Door to CT, 2001. of Master Drawings." Master Drawings 38, Paradise: The Art of Bishop Theodorus Hoenigswald, Ann. "Stephen Pichetto and no. 3. New York, 2000, 293-302. and Saint Thomas, Imagery in Thirteenth- Conservation in America: A Review of the Century Syria." Islam and the Medieval . "Later American Collectors of Later Evidence." In Past Practice, Future Prospects, Mediterranean 12 (2000) 141-171. German Drawings." Master Drawings 39, British Museum. London, 2001. no. 2. New York, 2001,169-190. . "Magnificent Recreation." Review of Leithe-Jasper, Manfred, contributor. Antioch, the Lost Ancient City by Christine Springer, Julie. "Things That Walk, Talk, Donatello e il suo tempo. II bronzetto a Padova Kondoleon et al. In Art Documentation 20, and Squawk: Animal Art at the National nel Quattrocento e nel Cinquecento. Exh. no. 2 (Fall 2001), 57-58. Gallery." Washington Parent Magazine cat., Musei Civici, Padua. Padua and Milan, (March 2001), 34. . Review of The Color of Silver: William 2001. Spratling, His Life and Art by Taylor Little- Walsh, Judith. "The Japan Paper Com- . "Ein Leuchterschaft aus der Werkstatt ton. In Choice 38 (November 2000), 3. pany." Hand Papermaking (Summer 2001). Wenzel Jamnizers." In Studien zureuropai- . Review of Dictionary of Gems and schen Goldschmiedekunst des 14. bis. 20. Weiss, Jeffrey. "Underworld." In Mark Gemology by Moshen Manutcheht-Danai. Jahrhunderts. Festschrift fur Helmut Seling Rothko, 37-44. Exh. cat., Fondation In Choice 38 (March 2001), 44. zum 80. Geburtstagam 12. Februar 2001, Beyeler. Basel, 2001. 221-226. Munich, 2001. . Review of The Jewels of Jean Schlum- Wheelock, Arthur. "Lou Stovall's Odes to berger by Chantal Bizot and Marie Noel de Lewis, Douglas. The Drawings of Andrea Life and Humanity." In Lou Stovall: The Evelyne Posseme. In Choice 39 (September Palladio, rev. ed. of 1981-1982 monograph. Art ofSilkscreen Printmaking. Washington, 2001), 46-47. New Orleans, 2000. DC, 2001.

. Review of Kremlin Gold: 1,000 Years of . "A Series of Historicizing Busts of the . "Los retratos de Anthony van Dyck." Russian Gems and Jewels by Joel Bartsch. In Nineteenth Century." In Falsifications in In Joan Sureda, Summa Pictorica: La Fastu- Choice 38 (January 2001), 25-26. Polish Collections and Abroad, 159-179, ed. osidad de Lo Barroco (Historia Universal de la Jerzy Miziolek. Warsaw University Insti- Pintura). 10 vols. Spain, 2001, 6:337-348. . Review of Love and Loss: American Por- tute of Archaeology, suppl. series A, vol 8. trait and Mourning Miniatures by Robin Jaf- . "The Queen, the Dwarf, and the Warsaw, 2001. fee Frank. In Choice 38 (March 2001), 37. Court: Van Dyck and the Ideals of the Eng- lish Monarchy." In Van Dyck 1599-1999: . Review of Paulding Farnham: Tiffany's Conjectures and Refutations, 151 -166, ed. Lost Genius by John Loring. In Choice 38 Hans Vlieghe. Toumhout, Belgium, 2001. (April 2001), 67-68. . "Vermeer's Craft and Artistry." In . Review of Treasures of Catherine the The Cambridge Companion to Vermeer, Great, ed. Mikhail B. Piotrovski. In Choice 41-53, ed. Wayne E. Franits. Cambridge, 38 (June 2001), 10-11. England, 2001.

43 | National Gallery of Art | Washington Portrait of the Year Public Programs

In fiscal year 2001 viewing audiences of nearly seventeen mil- served on various technology committees. The children's site lion enjoyed 175,000 program presentations. A special review on the Web continues to be recognized as one of the best Web of education resource programs was carried out in order addresses for children. A new Web feature was added to the to modernize and expand the institution's learning materials. popular NGAkids—an adventure with Rogier van der Weyden's Program expansion included the production of three videos: Saint George and the Dragon. Other Web projects included four- a ten-minute introduction to the Gallery for elementary school teen in-depth studies on works in Art for the Nation, each look- groups; a twenty-two-minute video on art conservation for ing closely at unique aspects of creativity and including artists middle school students produced in cooperation with the con- such as Jacopo Bassano, Rembrandt van Rijn, Edgar Degas, servation department and the Fairfax County, Virginia, public and Jasper Johns; the development of these studies was spon- schools; and a twenty-seven-minute high definition video sored by Verizon Foundation. Ten essays for Exploring Themes and DVD exploring the theories and artistic use of color for in American Art were excerpted from the Gallery's American high school students and adults. The video introduction to the Art videodisc, and the teaching packet for Art Nouveau was Gallery will be distributed with new reference booklets to all prepared for the Web. The Micro Gallery's thirteen computer student groups scheduling tours. The conservation video will stations were fitted with new, speedier equipment, replacing be accompanied by printed lesson plans and will become part seven-year-old original software. The Gallery's six art infor- of the Fairfax middle school curriculum in art and science. mation desks were staffed by 150 volunteers, who provided The conservation and color videos and DVD will be distributed 19,808 hours of service answering 1.75 million inquiries in nationally through the education resources program. person and by mail, Internet, and telephone. The focus of education publications was research and Public tours and lectures serving approximately 35,000 development support of the division's new education resources. visitors to the Gallery covered fifty-nine topics on the perma- More than one hundred films, videos, slide programs, and nent collection, which ranged from discussions of such master- other learning materials were reviewed. All 16mm films were works as and Titian's Feast of the Gods to thematic retired. A DVD and reader's guide on seven American artists— tours of "The Fate of the Figure in Twentieth-Century Art." Church, Peto, Chase, Homer, Whistler, Audubon, and Moran — Lecturers led visitors through all special exhibitions, with Art were produced from valuable but technologically out-of-date Nouveau, 1890-1914, the most popular. In support of the ex- materials. In addition to the videos, pre-visit printed materials hibition Spirit of an Age: Nineteenth-Century Paintings from the were produced addressing seventeen elementary-level tour Nationalgalerie, Berlin, the lecturing staff presented a seven- topics. Other videos, an online teaching lesson portal, and part summer lecture series entitled "Art for the Nation: Muse- close-captioning of existing video programs will be part of this ums with a Purpose." Topics included the Vatican Collection, long-term initiative. A new sixty-four-page guide to the per- the Hermitage in Saint Petersburg, and the collection of Amer- manent collections was published in collaboration with Scala Books, London, and issued in English, French, and Spanish, with a Japanese edition to follow. Education publications staff

44 | Annual Report | 2001 ican paintings at the Pennsylvania Academy of the Fine Arts. Gallery also hosted museum professionals from other coun- A series of lectures on " in Context" was also tries as part of the museum training programs, including one offered. New program formats were introduced by the depart- from Taiwan and ten from Brazil, the latter participating in ment to broaden the options of visitors and encourage greater a Seminar in supported by Vitae, part of the Lampadia interaction between staff lecturers and members of the audi- Foundation. More than 11,000 visitors attended academic ence during gallery talks. Open discussions on early Italian program events. paintings and Pablo Picasso were offered. Novice audiences are The department of teacher and school programs served encouraged to sharpen their visual skills in the popular "Read- approximately 60,000 students, teachers, families, and volun- ing Art" series. Topics included images of saints, American teers. Winner of the 2001 Mayor's Art Award for Outstanding portraits, and literary subjects in old master paintings. In addi- Contributions to Arts Education, "Art Around the Comer" tion to general topics, nearly one hundred volunteer docents, continued to provide multiple-visit experiences for fifth- and trained by the departmental staff, added tours of the nine- sixth-grade students in four District of Columbia public teenth-century French collections on weekends. Such tours are schools. School tours served more than 40,000 students on now available throughout the week, as are tours of American 3,300 tours at the Gallery led by 150 volunteer docents. The and Italian art. Docents also led visitors through some special audience for family and youth programs continued to grow, exhibitions, including Art Nouveau and Spirit of an Age. The reaching more than 16,000. "Stories in Art" sessions doubled Director's recorded tour was expanded from fifty to more than to thirty-six (eight given in both Spanish and English). A new one hundred thirty objects and given a more conversational school tour, "Art Tales," was piloted. More than 2,400 visitors format. Commentary from curators, in combination with pro- enjoyed the self-guided family Postcard Tours on American fessional narrators speaking the words of artists, has been and modern , and 1,300 children and adults par- interspersed with observations from the director. Background ticipated in thirty-six family workshops on topics including music, appropriate to the collections discussed, and new state- "Vivid Vacations," "Renaissance Portraits of Women," and of-the-art audio equipment further enhance this program. "Explore ." These programs also provided a plat- The department of academic programs offered public form to engage nontraditional Gallery audiences through symposia in conjunction with the Art Nouveau, Alfred Stieglitz, with In2Books and Fairfax County public schools' and Spirit of an Age exhibitions. Fifty Sunday lecture programs Title One Office. A new three-day, studio-based course, "Focus were held, including a series in January focusing on aspects on Drawing," encouraged parents and children to work side- of American art, the annual November lecture held in tribute by-side in observing and drawing. The children's film program to Sydney J. Freedberg, and the Andrew W. Mellon Lectures in served 7,000 children and adults in twenty-four screenings the Fine Arts given by Salvatore Settis. An evening public lec- and offered a summer animation workshop whose resulting ture was given in conjunction with the Cy Twombly exhibition. Three interns participated in the 2000-2001 Internships in the Museum Profession program, and the Gallery hosted two Graduate Lecturing Fellows and twenty summer interns. The

45 | National Gallery of Art | Washington animated films, inspired by the Gallery's collections, were ship between art nouveau and motion picture design in the screened publicly. Three high school programs offered 340 early twentieth century, with extraordinary French, German, local youth a chance to explore museum careers. Teacher pro- Italian, British, and American examples. "Silent Divas," another grams included the 2001 Teacher Institute, in which the Gal- series in association with the art nouveau exhibition, con- lery hosted twelve teams of three teachers each at a six-day sisted of restored Italian prints from 1915 to 1919. The series technology seminar devoted to planning new electronic educa- "/Video Culture" looked at recent video art from tional programs for the Gallery's Web site; and a newly insti- young American video artists on the East and West coasts. tuted, after-school teacher workshop for educators unfamiliar Three young Chinese directors discussed their latest work in with the Gallery. Saturday workshop sessions presented the series "Urban Generation: Chinese Society in Transfor- insights into Civil War history, Alfred Stieglitz, and the work mation." Documentaries on art were also a weekly feature of of women artists. The "Evening with Educators" program, the film program, culminating in the series "Masters of Music" offered in collaboration with the Kennedy Center, explored during the summer of 2001. The Washington Post regularly the Art Nouveau exhibition through a slide lecture, self-guided included photo previews and articles relating to the Gallery's tour, and teaching resources. film programs. Film retrospectives throughout the year were introduced Thirty-seven concerts were presented in the Gallery's by leading scholars in the field of film history. Diverse topics 59th season of weekly concerts from 1 October 2000 to 24 focused on major movements that have affected world cinema, June 2001. The concerts were supported by funds bequeathed such as Soviet film of the 1960s, the French New Wave, Ger- to the Gallery by William Nelson Cromwell and F. Lammot man avant-garde film from the 1920s to the 1940s, and Italian Belin, with additional subvention from the Embassy of Canada. and French postwar cinema. In association with the Library Highlights of the season included by the Cham- of Congress, the series "ATV before Video" celebrated the pre- ber Music Society of Lincoln Center, the Westminster Choir, servation of early television, featuring such rare programs pianists Paul Badura-Skoda and Cecile Licad, and jazz vocalist as NBC Opera Theatre, Kraft Television Theatre, American Forum, Diane Schuur. The National Gallery Orchestra played its tra- Broadway Open House, and the Original Amateur Hour from the 1950s. In conjunction with the exhibition Art Nouveau, 1890-1914, seven weekend programs explored the relation-

46 | Annual Report | 2001 ditional New Year Concert on 7 January 2001 to an overflow audience of approximately six hundred. The American Music Festival, presented throughout May 2001, included world premiere performances of works by Jeffrey , James Grant, and Sotireos Vlahopoulos. The exhibition Art Nouveau, 1890-1914, was honored by concerts of music written near the turn of the twentieth century. The exhibition Cy Twombly: The Sculpture was honored by soprano Marilyn Taylor and pianist Robert Brewer, who performed works by George Crumb, Charles Vardell, Robert Ward, and Kenneth Frazelle. The National Gallery Orchestra, under the direction of Gallery music director George Manos, played works by and in honor of the exhibition Spirit of an Age: Nine- teenth-Century Paintings from the Nationalgalerie, Berlin. WGMS- FM continued its inclusion of Gallery concerts in the monthly series "Front Row Washington," and excerpts from several Gallery concerts were broadcast nationally on NPR's "Perfor- mance Today." National Gallery concerts were the subject of nineteen reviews in the Washington Post, nine photo previews in the Washington Times, and feature articles in the Buyer's Guide and the Journal Newspapers. Previews of upcoming con- certs were a regular feature of the Gallery's weekly program on WGMS-FM, "This Week at the National Gallery of Art." Holiday caroling in the Rotunda was provided for the public, as were a presentation of music connected with the Robert Gould Shaw Memorial for a Saturday teacher workshop and assistance for the summer Teacher Institute.

47 | National Gallery of Art | Washington Portrait of the Year | Collection Management and Conservation

The events of 11 September abruptly stopped shipment of Gallery works to 43 sites. Three paintings from Gallery collec- the European loans for Virtue and Beauty and Aelbert Cuyp. A tions were on short-term loan to the permanent collections few loans were canceled entirely, but once shipments resumed, of three United States and foreign museums. Among Gallery both exhibitions opened to the public as scheduled with only loans were two paintings by Johannes Vermeer, Girl with the a few late arrivals. Red Hat and Woman Holding a Balance, and Pieter de Hooch's for the first phase of the master facili- A Dutch Courtyard, which was loaned to the exhibition Vermeer ties plan began with relocating approximately two thousand and the Delft School at the Metropolitan Museum of Art, New medals and plaquettes, about seventy textiles, and more than York, and the National Gallery, London. Saint George and one hundred Italian paintings and sculptures. Along with on- the Dragon by Rogier van der Weyden traveled to The Mediter- going projects and exhibitions, 13,583 art movements were ranean Renaissance exhibition at the Museo Thyssen-Borne- recorded for paintings, sculpture, and decorative arts. Several misza, Madrid, and the Museu de Belles Artes de Valencia. A traveling exhibitions were processed: the Ebsworth exhibition group of the Gallery's drawings by Pieter Bruegel the Elder was completed its tour in Seattle; O'Keeffe went to Santa Fe; and on view in an exhibition of his graphic work at the Museum Gerrit Dou completed its tour in London and The Hague. The Boijmans Van Beuningen, Rotterdam, and the Metropolitan outgoing loan program involved packing and moving 769 Museum of Art. The National Lending Service organized objects to and from 207 sites. In July the monumental sculp- an exhibition of old master prints, The Power of Appearances: ture by Frank Stella, Prince Friedrich von Homhurg, Ein Schau- Renaissance and Reformation Portrait Prints, for the museums spiel, 3X, arrived in multiple parts and was installed after sev- of Dartmouth College and and for the Joslyn eral months of designing and constructing a concrete base. Art Museum, Omaha. The Gallery's collection management system, Leonardo, is the Twenty-one major painting conservation treatments key information technology system for the collections. A com- were completed, including work on Hieronymous Bosch's mittee was formed to examine advances in technology that Death and the Miser, Rembrandt's Apostle Paul, Jacques-Louis will more efficiently facilitate the Gallery's collection manage- David's The Emperor Napoleon in His Study, and Vincent van ment. The Maryland Institute College of Art sponsored twelve Gogh's Self Portrait, as well as others in the old masters cate- Israeli students who came to the Gallery to copy works of art. gory, such as Jean-Charles Cazin's The Windmill, Jean-Baptiste- Seventy permits were issued to thirty-nine copyists this year. Camille Corot's River View, Eduard Gaertner's City Hall at The department of loans and the National Lending Ser- Torun, Neroccio de' Landi's Claudia Quinta, Sir Peter Paul Rubens' vice administered the loans of 691 works of art to 208 sites. The Meeting of Abraham and Melchizedek, and Francisco de This number includes the loan of 493 works to 123 temporary Zurbaran's Saint Lucy. Among the twentieth-century paintings exhibitions at 162 institutions and the extended loan of 195 treated were Henri Matisse's Open Window, Collioure, Albert Gleizes' Football Players, and Barnett Newman's . New acquisition treatments included Jan Both's An Italianate Evening Landscape, Jean-Baptiste-Camille Corot's The Island

48 Annual Report 2001 and Bridge of San Bartolomeo, Rome, John La Farge's The Last Mason University in Fairfax, Virginia. Conservators were Valley—Paradise Rocks, and Philips Wouwerman's Battle Scene. actively involved with the installation of Prinz Friedrich von Four paintings were treated for in-house and traveling exhi- Homburg, Ein Schauspiel, 3X, by Frank Stella, and engaged in bitions: Ercole de' Roberti's Giovanni II Bentivoglio and Ginevra every phase of the purchase of Five Plates, Two Poles, by Richard Bentivoglio for the Virtue and Beauty exhibition, and Aelbert Serra. The exhibitions Art Nouveau and The View from Denver Cuyp's The Maas at Dordrecht and River Landscape with Cows at the White House required 270 examinations as well as a for the Cuyp exhibition. In addition, staff carried out 38 major number of minor treatments. Among research conducted by and 789 minor examinations and 66 minor treatments. the object conservators was a technical study of Brancusi's Other major projects of the year included the examination of metal casting methods. With the support of a CASVA Paired fifteenth-century Italian paintings for the systematic cata- Fellowship, technical examination of a number of eighteenth- logue; the examination of and follow-up research for Gallery century bronzes by Francesco Righetti and his contempo- paintings by Masolino and Masaccio with a research team raries was carried out. Under the auspices of a "Save America's from the Opificio delle Pietre Dure, Florence; the collaboration Treasures" grant, conservators have established an ongoing with a visiting expert on metamerism and color-matching research project to compare commercial paint systems for issues as they relate to inpainting; and research into the mate- physical and chemical durability. rials and techniques of numerous artists in the collection. The paper conservation department prepared a number Object conservators carried out twenty-five major and of objects for exhibition. Edouard Vuillard's large five-panel 475 minor treatments and more than four thousand examina- screen in gouache, Place Vintimille, was closely examined and tions. Bird in Space by Constantin Brancusi received a new the media consolidated before it was sent to the Art Institute support ensuring long-term structural stability. Major clean- of Chicago and the Metropolitan Museum of Art for Beyond ing and inpainting of Standing Woman by Wilhelm Lehmbruck the Easel: Decorating Painting by Bonnard, Vuillard, Denis, and returned rich coloration to its surface; not previously exhib- Roussel, 1890-1930. In preparation for the exhibition Gemini ited, this bronze will be featured in the new sculpture galleries. G.E.L., Michael Heizer's Scrapmetal Drypoint #6 was treated The East Building's popular mobile, Untitled, by Alexander locally to reduce wood-burn stains spanning its perimeter. Calder, underwent a major examination and cleaning. A num- Another major treatment in anticipation of an exhibition was ber of the Gallery's largest works were treated, including Tony on the two-sided drawing by , In Man's Brain, Smith's Wandering Rocks and Sol LeWitt's Four-Sided Pyramid. a charcoal and watercolor image. Many prints were treated A new site was chosen for Untitled, a monumental work of for the in-house exhibition The Unfinished Print, including weathering steel by Lila Katzen on long-term loan to George Sir Anthony van Dyck's Self Portrait, Felix Bracquemond's Edmond de Goncourt, and Rembrandt's Self-Portrait Leaning on a Stone Sill.

49 | National Gallery of Art | Washington Photograph conservators completed the three-year The textile conservation laboratory examined, treated, project to conserve the Alfred Stieglitz Collection in prepara- and prepared two tapestries after Bernard van Orley, The Gar- tion for the publication of the collection catalogue and the den of Gethsemane and The Crucifixion, for loan to the Metro- accompanying exhibition. Research and administrative support politan Museum of Art exhibition, Tapestry of the Renaissance: was directed toward the materials and construction of the Art and Magnificence. An Art Nouveau exhibition period room new storage facility for the Gallery's accessioned photographs. was installed that included a fabric ceiling, walls, and furniture. The Samuel H. Kress photograph conservator continued the Research and examination of textile works of art was per- conservation of the vast holdings of the Gallery's photographic formed in preparation for the Index of American Design exhibi- archives. Treatments from the permanent collection included tion and catalogue. The textile storage location was moved, Gustav Naeke's Head of a Young Man, 's Italian the dye plant project with the horticulture department contin- Comedians Taking Their Bows, and Friedrich Salathe's Ruins of ued, and research performed of modern materials in regard a Rheinland Castle. A series of four heavily damaged eighteenth- to storage and exhibition. The department participated in re- century engravings by Johann Baptist Klauber, entitled Mane, search on color imaging, the reinstallation of the modern per- Meridies, Vesper, and Nox, were treated, as were two architec- manent collection, and research and examination of textile tural drawings on tracing paper illustrating designs for the works for the Romare Bearden exhibition. Andrew W. Mellon Memorial. These drawings were featured The scientific research department undertook a major in an article and lecture by the Gallery archivist. One hundred technical study of The Small Crucifixion by Matthias Grune- ten watercolors in the Index of American Design were given wald in conjunction with conservation treatment. A compara- major treatment, and another 100 major treatments, 168 tive study was done of paintings in Basel, Colmar, and Karls- minor treatments, and 1,016 condition examinations were car- ruhe, and the intern studied the inventory of ried out. 686 prints and drawings were matted and 619 were Grunewald's painting studio. A study of the evolution of Aelbert framed and/or unframed. The paper sample collection grew to Cuyp's painting technique throughout his career was carried more than 2,200 catalogue sample groups and proved valuable out and the conservation research intern analyzed samples in several Gallery projects. The department of photographs from Dutch seventeenth-century tonal landscapes. Technical consulted the samples to identify sheets and mounts used by research on paintings by Rubens and Van Dyck at the Gallery Alfred Stieglitz, and sheets were identified for an essay in the was undertaken in preparation for the upcoming systematic exhibition catalogue for A Century of Drawing. The head of catalogue volume. X-ray fluorescence analysis determined the paper conservation was awarded a CASVA Paired Fellowship. alloy composition of sculptures by Constantin Brancusi and Wilhelm Lehmbruck. X-ray diffraction analysis identified pigments used by Picasso and the Dutch painter Jan Both. In Gallery works by Van Gogh, cross sections and pigment scrapings were examined with scanning electron microscopy- energy dispersive spectrometry to identify the pigments.

50 | Annual Report | 2001 A pigmented wax coating and corrosion products from Wil- techniques and color spectroscopy for the study of works of helm Lehmbruck's Standing Woman were analyzed. Varnishes art. Multispectral imaging systems are being researched in and binding media from five paintings by Barnett Newman the hope that a state-of-the-art imaging system will provide were identified, including three from the Stations of the Cross color-accurate images as well as of spectroscopic data, obtained series. Paints from outdoor sculptures were analyzed to deter- directly from the works of art, which will allow pigment mine the most durable coatings. -transform infrared identification, reconstruction of faded areas, simulated clean- spectrometry using attenuated total reflectance microscopy ing, nonmetameric retouching, and more. The Culpeper determined conclusively, for the first time, that Alfred Stieglitz Fellow completed a study of the role of gelatin in the long- employed beeswax to coat his photographs. This technique term stability of paper. can be used directly on the photograph without taking samples The department worked with the education department or leaving disfiguring marks. Analytical methods were investi- on themes for a video on color. Staff lectured at conferences gated for the characterization of synthetic organic pigments and meetings, prepared manuscripts for publication, and with liquid chromatography/mass spectrometry, and a diode served on Ph.D. committees and as reviewers for professional array detector was purchased and installed. journals and conferences. A Bruker GADDS x-ray diffractometer was purchased with funds made available through a generous gift from the Andrew W. Mellon Foundation. It will greatly enhance our ability to characterize inorganic and organic crystalline materi- als as well as providing analytical capabilities until now un- available to the Gallery. The study of the solvent-extractable components of oil paint films, which received additional fund- ing from the Netherlands Organization for Scientific Research, has been completed. Research fellow Kenneth Sutherland completed measurements of solvent-extractable components in paint samples to investigate the swelling of paint samples in solvents. This has led to important new insights into the effects of cleaning solvents on oil paint. Senior research fellow Roy Berns continued working with the Gallery's scientists and conservators to explore the potential of digital imaging

51 | National Gallery of Art | Washington Portrait of the Year | Resources for Scholarly Research

The department of curatorial records coordinates the Gal- tographer Mary Hill donated a group of negatives document- lery's research on the World War II provenance of its collection. ing a day at the museum in the early 1960s. Volkmar Wentzel This year the European sculpture collection was reviewed for gave an illustrated volume with photographs and reminis- evidence of unrestituted art and parts of the collection were cences of a visit from Andrew W. Mellon. Mr. and Mrs. John checked against the Art Loss Register database. Updated prov- McGraw and T. Michael Miller donated early concert record- enance information is available on the Gallery's Web site. ings and related materials concerning pianist Helen McGraw's Staff spoke widely at national and international conferences numerous performances at the museum; included is the ear- on the topic of provenance research and participated in an liest known recording of a National Gallery concert, McGraw's American Association of Museums Task Force to prepare guide- 1945 at the Second American Music Festival. lines for making provenance information available on the Oral histories were conducted with Linda Kaufman, Internet. Research contributing to the systematic catalogue J. Carter Brown, and Katherine Stainer-Hutchins. Curator project concentrated on the fifteenth-century Italian paint- Ruth Fine interviewed Dorothy and Herbert Vogel for the oral ings. Newly available documentation from the Kress Founda- history program. An analytic inventory of records and photo- tion has been integrated into the object files and the collec- graphs of the Index of American Design was completed, making tion database updated with new information. Documentation these historical materials fully accessible for the first time. and information on the permanent collection of painting, Nearly 650 architectural drawings of the Gallery's campus sculpture, and decorative arts is made accessible to staff and were organized, preserved, and described, and the collection outside researchers, and object files and database records of historical slides was systematized. Work also continued are updated daily in order to document the collection as com- on the organization and description of the John Rewald papers, pletely as possible. which include important research materials about impres- The Gallery archives received two important collections sionist and postimpressionist artists. More than five hundred this year documenting the restitution of looted art in Europe historical photographs from the Rewald files were added to following World War II. Margaret Farmer Planton donated the a database to promote improved accessibility and preserva- papers of her father, Walter Farmer, relating to his work as a tion of the originals. In recognition of the National Gallery's Monuments, Fine Arts and Archives officer. Craig Hugh Smyth sixtieth anniversary, a display of archival images describing transferred his papers and photographs concerning the resti- the museum's history and architecture was installed on the tution of looted art and the operation of the Central Collecting ground floor of the West Building, and illustrated panels were Point in Munich. Holdings of visual and audio materials also prepared on the design and architecture of the new ground were enhanced by generous gifts. Mary Armstrong Amory floor sculpture galleries. donated her multimedia portrayal, Richard Bales Conducting the National Gallery Orchestra, and related archival materials. Pho-

52 | Annual Report | 2001 The library enhanced its research collections in critical notable works representing the dada movement, including subject areas by acquiring important titles ranging from the Vingt-cinq poemes by (1918), with eleven original sixteenth to the twentieth century. Funds provided by Robert woodcuts by Hans Arp. F. Erburu made it possible to obtain rare first editions of three The library benefits greatly from the generosity of many titles by Albrecht Durer on perspective, fortification, and individuals. David Wethey donated an extensive research human proportion. All published in Nuremberg, they contain collection belonging to his late father, art historian and educa- more than two hundred woodcuts by Durer and an inscription tor Harold E. Wethey, who served as the Gallery's Kress Pro- indicating that they were bound together in the second half fessor in 1981 and 1982. It includes more than two thousand of the sixteenth century to create a Sammelband. The J. Paul books as well as photographs and slides and is a significant Getty Fund in honor of Franklin D. Murphy supported the contribution to our scholarly resources on the late Renaissance acquisition of three titles published in 1532, in original Sam- in Italy, the baroque in Spain, and Latin American art. The melband binding, formerly owned by the Prince Furstenberg library's collection of artists' books was enriched by gifts from at Donaueschingen. Included are De re militari libris XII by Harriet Bart, Patricia G. England, L.J. Douglas and Gary Justis, Roberto Valturio, De re militari libri quatuor by Flavius Vegetius and Christine Kermaire. Other important donations were Renatus, and Institutiones geometricae by Durer. The first two received from J. Carter Brown, Robert Gurbo, Mark Samuels works were standard Renaissance sources for military strate- Lasner, and Herbert and Dorothy Vogel. gists in the mid-sixteenth century and often appeared to- The Cicognara Library cataloguing project, supported gether. The third is a first edition of Camerarius' translation by a grant from the Samuel H. Kress Foundation, now in- of Underweysung der Messung. The fund also supported the cludes more than 3,700 records, which are available worldwide acquisition of the collected works in four volumes (1764-1781) through the library's online catalogue. In 2001 the library of Jakob Boehme, a sixteenth-century German theosophist. acquired 7,617 volumes, admitted 3,702 visitors, conducted The New Century Fund made possible the purchase of 711 orientations, answered 21,014 reference inquiries, and four titles on artistic anatomy, most notably Jean Cousin's shared 3,657 volumes with other institutions through interli- Livre de pourtraicture (1608), which features eighteen woodcuts brary loan. Books from the library's collection were included by the artist. The book was widely used as a drawing guide in three exhibitions elsewhere. Colgate University's exhibition by contemporary artists. A fine copy of Johann Wolfgang von Venice before San Marco featured Sabellico's Chroniche che Goethe's Zur Farbenlehre (1810), the only edition with text tractano de la origine de Veneti (1507) and Bernardo Trivisano's complete in two volumes and with twelve plates hand-colored Delia laguna di Venezia (1718). For its exhibition Book as Art under the author's direction, was a valuable addition to our XIII: Books about Artists, the National Museum of Women holdings on color theory. Approximately 650 titles were added in the Arts borrowed Laura Davidson's An Architect's Measure to our nineteenth- and early twentieth-century scientific and technical manuals relating to the fine arts and photography. A gift by Thomas Klarner enabled the library to obtain several

53 | National Gallery of Art | Washington (1996) and Homage Angelico (1998), and Carol Schwartzott's The Samuel H. Kress Foundation Fellowship in Photograph : A Dossier of Sorts (1996) and Matisse: Ode/ Conservation entered its second year in 2001 with treatment Odalisque (1994). The library's copy of Andy Warhol: A Retro- of more than eight hundred images from the rare photograph spective (1989) was loaned to the Corcoran Gallery of Art collection. Thanks to the foundation's support, a survey of for the exhibition Andy Warhol: Social Observer. the collection was completed and the images in most urgent The photographic archives continued to strengthen its need of preservation were stabilized. holdings of images supporting the study of European and The slide library database now provides records for more American art. A highlight was the picture archive of the K. and than 83,000 images, or approximately 43 percent of the total V. Waterman Gallery in Amsterdam, one of the leading Dutch holdings of 193,000 slides. Circulation remained constant at art dealers in the 1970s and 1980s. The collection contains about 26,000 slides, with 15 percent of that number borrowed approximately 130,000 reproductions of Dutch, Flemish, and by the public. Use of the database by other visual resources other European paintings. The Samuel H. Kress Foundation collections worldwide has increased over the previous year. generously provided funding for this purchase. Other notable The slide library information page containing the Public Lend- purchases include a group of photographs made by Wolfgang ing Guide was visited 6,000 times this year. In May, the slide Wolters in connection with his research on Venetian and Dal- library's cataloguing and classification manual was converted matian art and architecture, documenting Venice's influence from a print publication to an electronic document that can on the Adriatic coast during the fifteenth and sixteenth cen- be downloaded from the Gallery's Web site. The manual was turies; a collection of photographs by Catherine Steinmann of accessed about 9,200 times in the first five months since its the World Trade Center before its destruction last fall; and electronic debut. Many individuals, including Gallery staff, a vintage group portrait by George Piatt Lynes: Artists in Exile, remembered the slide library with gifts of slides. Notable Pierre Matisse Gallery New York, 1942, featuring , donors include Susan Silberburg-Pierce, who gave a beautiful , , and Fernand Leger. set of Martin Schongauer's Colmar Altarpiece, and David Many individuals contributed images to the collection. Wethey, who presented the slide collection of his father. Sig- David Wethey gave approximately 16,500 photographs. Wil- nificant gifts of slides were made by the Cleveland Museum liam Brumfield, Walter Cahn, Sheldon Grossman, and John of Art, the Museum of Fine Arts, Houston, the Philadelphia O'Brien also made significant donations throughout the year. Museum of Art, the Dallas Museum of Art, the Museum Approximately 175,000 images were added to the collection Ludwig, Cologne, and the National Gallery, London. from all sources, including more than 15,300 in microform. The editors office of the National Gallery produced sev- eral scholarly catalogues as well as a multitude of specialized materials both for the Web site and for print publication. In addition to three major exhibition catalogues, the Gallery

54 I Annual Report | 2001 published one systematic catalogue, the fourth volume on the Mark J. Millard Architectural Collection, and one volume in the Studies in the History of Art series. Six brochures were pro- duced, the bimonthly Calendar of Events, two issues of the development Bulletin, annual reports for the National Gallery and for the Center of Advanced Study in the Visual Arts, four press kits, object labels and wall texts for all exhibitions, and numerous invitations, flyers, and program announcements. The Web site attracted an ever-wider audience with visits increasing from about 14,000 per day in October 2000 to about 24,000 per day in September 2001. Projects included fourteen in-depth studies on works from the permanent col- lection in conjunction with Art for the Nation; a special feature for the Art Nouveau exhibition; ten essays excerpted from the Exploring Themes in American Art videodisc; and a collaboration with the education division on the summer Teacher Institute program. The Web team designed and produced special features for Prints Abound and The Unfinished Print, redesigned print brochures for the Web for Modern Art and America, Cy Twomhly, Spirit of an Age, and Virtue and Beauty; and published the teaching packet for Art Nouveau on the site. One new children's activity was added to NGAkids. The Gallery Shops pages con- tinued to expand. Among new additions to the Intranet were policies and forms for the general accounting and EEO divi- sions as well as the personnel office, expanded pages and invi- tations for the press office, a Gallery archives photo search feature, and the slide library cataloguing manual.

55 | National Gallery of Art | Washington Portrait of the Year | Center for Advanced Study in the Visual Arts

The Center, now in its twenty-first year, sponsors the study The Center sponsored three symposia during the aca- of the visual arts in each of its four major program areas: demic year: "Circa 1700: Architecture in Europe and the Ameri- fellowships, research, publications, and scholarly meetings. cas," made possible by the Andrew W. Mellon Foundation; The resident community of scholars at the Center in 2000- "Creativity: The Sketch in the Arts and Sciences," cosponsored 2001 included individuals from Canada, France, Germany, with the Institute for Advanced Study in Princeton and made India, Italy, New Zealand, Pakistan, the People's Republic possible in part with support from the Arthur Vining Davis of China, Russia, the United Kingdom, and the United States Foundations; and the thirty-first annual session of the "Middle (see page 73 for a list of members). Scholars studied topics Atlantic Symposium in the History of Art," cosponsored by ranging from the figures of technology in German dada art the University of Maryland. Other informal meetings held at to the relationship of art to power in Central Africa. the Center included two seminars: "Stradivarius, Cremona, and Four research projects under the direction of the deans the Decoration of Instruments," cosponsored with the National are currently under way. They include the development of the Museum of American History, Smithsonian Institution; and National Gallery of Art's photographic archives of pre-1800 "Kress Collection," sponsored by the Samuel H. Kress Founda- Italian architectural drawings, which has resulted in more than tion. These meetings were complemented by lectures, includ- 40,000 images gathered from European collections; the pro- ing the fiftieth Andrew W. Mellon Lectures in the Fine Arts, duction of "Keywords in American Landscape Design," a multi- presented by Salvatore Settis. Other lectures were held on the volume reference work containing an illustrated glossary topics of Ancient History and Mystery in Three Venetian Renais- of landscape vocabulary in use in America from the colonial sance Paintings and "Pretensions to Permanency": Tradition, period to the mid-nineteenth century; the creation of a guide Innovation, and the Economy of the Eighteenth-Century Portrait to documentary sources for the art history and archaeology Bust. Four incontri were held on various topics ranging from of the Andes, funded by the Getty Grant Program and the ancient Peruvian palaces to the Masaccio/Masolino Panel Andrew W. Mellon Foundation; and the compilation of a bibli- Project of the Opificio delle Pietre Dure, Florence. ography of the technology and tools of luxury objects in the One volume in the symposium series Studies in the His- ancient world. tory of Art was published this past year, Small Bronzes in the Renaissance. Papers from seven other symposia are in prepara- tion for the series. For a complete description of the Center's activities, see Center 21: Record of Activities and Research Pro- grams, June 2000-May 2001.

56 | Annual Report | 2001 Portrait of the Year | Changes in Attribution

The following changes of attribution are the result of Formerly Changes to scholarly research utilizing the latest art-historical investiga- Paintings 1943.11.2 Follower of Honore Daumier Honore Daumier, with tions and scientific examinations. It is the policy of the Feast of the Gods additions by later hands National Gallery of Art to publish these changes regularly. The following changes of attribution were made and 1963.10.19 Follower of Eugene Delacroix after Eugene Delacroix Michelangelo in His Studio (Possibly Pierre Andrieu) (Possibly Pierre Andrieu) approved by the Gallery's Board of Trustees during the 2001 fiscal year. Each list is arranged in alphabetical order 1997.100.1.a-c Nuremberg 15th Century Master of the Starck according to former attribution. Changes of title and date The Raising of the Cross Triptych (center, left, and right panels); are included if they were part of the attribution change. Saint Catherine (right wing exterior); Saint Barbara (left wing exterior)

Sculpture 1957.14.668. a, b Style of L' Antico, Mantuan 15th Century Giulia Astallia (obverse); undated (Possibly Giancristoforo Phoenix on a Pyre Looking Romano), c. 1485 at the Sun (reverse)

1957.14.866. a, b Style of Niccold Fiorentino, Attributed to Niccold Marie de'Medici (obverse); c. 1485/1500 Fiorentino, c. 1475 Eagle on an Armillary Sphere (reverse)

1957.14.882. a,b Style of Niccold Fiorentino Attributed to Niccold Giovanna Albizzi, Wife Fiorentino of Lorenzo Tornabouni (obverse); The Three Graces (reverse)

1957.14.891.a,b Style of Niccold Fiorentino, Attributed to Niccold Lodovica Tornabuoni, undated Fiorentino, c. 1485/1486 Daughter of Giovanni Tornabuoni (obverse); Unicorn before a Tree (reverse)

57 | National Gallery of Art | Washington Portrait of the Year Gifts

The National Gallery of Art was established by a remarkable The Gallery is pleased to recognize the generous individ- act of private philanthropy, joined by a historic partnership uals, foundations, and corporations listed on the following with the federal government. In addition to the federal support pages for their gifts during the fiscal year. These gifts from the for operations and maintenance, the Gallery relies on private private sector, together with support for operations and main- citizens, foundations, and corporations to fund art acquisition tenance from the federal government, continued the distin- as well as other projects and programs. guished public-private partnership that has created an institu- The support of private individuals through annual tion that is a source of delight, inspiration, and learning for giving to The Circle and the Collectors Committee, planned millions of people. giving, and major and specially designated gifts is critically important to the everyday activity of the Gallery and its ability to sustain its standards of excellence.

58 | Annual Report | 2001 Benefactors Library Gifts Millennium Funds $25,000 $49,999 Mr. and Mrs. W. L. Lyons Brown Jr. Benefactors are those who make cumula- The library greatly appreciates the gifts The Gallery is grateful to the following A. James and Alice B. Clark tive gifts of art and/or funds at the level of significant art-historical books. donors for their contributions for the of $2,500,000 or more. The Gallery was Clark-Winchcole Foundation Harriet Bart Millennium Funds for art acquisition, proud to add the following individuals to Joseph M. and Barbara Cohen J. Carter Brown special exhibitions, education, outreach, this distinguished list at the close of fiscal The Connors Foundation L.J. Douglas and Gary Justis conservation, research initiatives, and year 2001: The Charles A. Dana Foundation Patricia G. England unrestricted support. This support plays Nancy and Donald de Laski Foundation Christo and Jeanne-Claude Robert Gurbo an essential role in helping the Gallery The William H. Foundation Janice H. Levin realize its mission of acquiring, exhibiting, Christine Kermaire Mark D. Ein Gaillard F. Ravenel II and Frances P. interpreting, and preserving works of Thomas G. Klarner Dr. Virginia F. H. Elliott and Smyth-Ravenel art at the highest possible standards. Mark Samuels Lasner Mr. George W. Elliott Lucille Ellis Simon Herbert and Dorothy Vogel Estate of Marie-Louise Garbaty Harold E. Wethey $1,000,000 or more Mary and Kingdon Gould Jr. Anonymous C. Boyden Gray Gifts of Art Roger and Vicki Sant Fund of Monica and Hermen Greenberg Corporate Sponsors The Community Foundation for The Gallery extends its thanks to those Foundation the National Capital Region Evelyn and Walter Haas Jr. Fund who gave works of art from 1 October The Gallery is grateful to the corporations George F. Jewett Jr. 1965 Trust 2000 through 30 September 2001. These whose generous support allowed us to $500,000-$999,999 Thomas P. Johnson Jr. Fund of the gifts enhance the collections and carry on present special exhibitions of the highest Thomas Phillips Johnson and the tradition of generosity begun by the quality. Corporate contributions for special The William Stamps Parish Fund Jane Moore Johnson Foundation founding benefactors sixty years ago. exhibitions support related programs Juliet and Lee Folger/The Folger Fund Lt. Col. and Mrs. William K. Konze that enhance visitors' experiences, reach Samuel H. Kress Foundation Anonymous The Momingstar Foundation millions more online, and fund educational Lila Oliver Asher Robert H. and Clarice Smith outreach programs for teachers and stu- $200,000-$499,999 Luca Baroni The Solow Art and Architecture dents throughout the country. Anonymous Lisa Baskin Foundation Arnold D. Frese Foundation, Inc. Patricia Bauman and John Landrum The following corporations supported The Starr Foundation The W. Goldsmith Foundation Bryant exhibitions and programs that occurred in Jay and Toshiko Tompkins Ladislaus von Hoffmann Gerald Cerny fiscal year 2001: Mrs. Robert M. Weidenhammer Christo and Jeanne-Claude Estate of Dora Donner Ide AEGON USA Mr. and Mrs. Curtin Winsor III Collectors Committee Anna-Maria and Stephen Kellen Airbus Nina Zolt and Miles Gilburne Neelon Crawford Foundation DaimlerChrysler Corporation Fund Arturo and Corinne Cuellar Robert L. and Mary Jo Kirk Deutsche Banc Alex. Brown $10,000-$24,999 A. Thompson Ellwanger III and The Andrew W. Mellon Foundation Deutsche Bank Gregory Mescha Mr. and Mrs. Lucio A. Noto Anonymous Fund III of The Community First Union Corporation Lee and Ann Fensterstock Mitchell P. Rales Foundation of the National Capital HSBC Bank USA Aaron I. Fleischman Terra Foundation for the Arts Region Target Carolyn Small Alper Marc Freidus Verizon Foundation Howard and Sondra Bender Lee and Maria Friedlander $100,000-$199,999 During fiscal year 2001 these corpora- Norman and Diane Bernstein Jo Ann and Julian Ganz Jr. Amon G. Carter Foundation tions also contributed support for future Arthur and Alison Birney Gemini G.E.L. The Charles Engelhard Foudation programs, publications, and exhibitions: Mr. and Mrs. Huntington Block Stephen Hahn Mr. and Mrs. Donald G. Fisher Fleur and Charles Bresler John and Judith Hannan AT&T Foundation The Getty Grant Program Carolyn and Kenneth Brody halley k harrisburg and Michael Rosenfeld Kodak Company Estate of Lore Heinemann Ann, Don, Cathy, and Laura Brown Family Joseph A. Helman Shell Oil Company Foundation Teresa and H. John Heinz III Foundation Helen Lee Henderson Fund of The Community Foundation HRH Foundation for the National Capital Region Margaret and Raymond Horowitz Mr. and Mrs. Mark Kington The Morris and Gwendolyn Cafritz Virginia and Ira Jackson Ted and Lynn Leonsis Foundation Alice Kaplan Frederick Henry Prince Charitable Trusts The Capital Group Companies Charitable Jak Katalan Estate of Frances P. Smyth-Ravenel Foundation The Andre and Elizabeth Kertesz Oliver and Kathleen Carr Foundation $50,000-$99,999 Lowell Libson The Cole Family Foundation Susan Lorence The Ahmanson Foundation D&DF Foundation Paul McCarron Arcana Foundation Mr. and Mrs. Leo A. III Joseph F. McCrindle Max and Heidi Berry Dr. Lois de Menil and Dr. Georges de Menil Geraldine R. Dodge Foundation David and Renee McKee Estate of Hildegard Rolland Blackett Kurt Meissner Helen Porter and James T. Dyke The Max and Victoria Dreyfus Foundation John Morton Morris Mr. and Mrs. Barney A. Ebsworth Irwin P. Edlavitch Foundation Earl A. Powell III Mr. and Mrs. Robert F. Erburu William H. G. and Annelise Mrs. Walter Salant Funger Foundation, Morton and Bernard and Sarah Gewirz Arnold A. Saltzman Norma Lee Funger Mr. and Mrs. Louis Glickfield Richard and Ellen Sandor Robert J. Hurst Foundation Susan Schulman GE Fund Allen Skeens Dr. Cyrus Katzen Ann Solomon Janice H. Levin Dorothy and Herbert Vogel Mr. and Mrs. Lucio A. Noto Jane P. Watkins Mr. and Mrs. Robert M. Rosenthal The Ian Woodner Family Collection, Inc. Trellis Fund

59 | National Gallery of Art | Washington Barbara Gordon Mr. and Mrs. Gerry Elliott Mr. Laurance S. Rockefeller Suzanne and Edward Elson Margaret Mellon Hitchcock Foundation Virginia Harrison Elliott and George Trina and Lee G. Rubenstein Mr. and Mrs. Michael S. Engl Margaret and Raymond Horowitz W. Elliott Mark Samuels Lasner Mrs. Thomas M. Evans* Arthur W. and Anne Hale Johnson Ms. Jane Engle Mrs. Walter Salant Mr. and Mrs. Donald G. Fisher* Irene and Edward Kaplan The Epstein Family Collection Ambassador and Mrs. Arnold Saltzman Mr. Aaron I. Fleischman and Mr. Lin Elaine and Richard Kaufman Lee and Ann Fensterstock Mrs. Stanley J. Samoff Lougheed* Ina and Jack Kay Aaron I. Fleischman Charles and Helen Schwab Cynthia Friedman Kimsey Foundation Ernest L. Folk* Katherine Shepard* Jo Ann and Julian Ganz Jr. Mr. Thomas G. Klarner Mrs. Daniel Fraad Mrs. Muller Sheppard Robin Quist Gates and Milo S. Gates* Mr. and Mrs. Werner H. Kramarsky David Morgan Albert and Shirley Small Mr. and Mrs. Gordon P. Getty* Lampadia Foundation Eugene and Marie-Louise Garbaty* Robert H. and Clarice Smith Mr. and Mrs. Carl S. Gewirz Badger Jo Ann and Julian Ganz Jr. Mrs. Rudolf Sobernheim Holcombe and Nancy Green Mars Foundation Naomi A. Garber* Carl Spinatelli* Lenore and Bernard Greenberg Robert and Joyce Menschel Family Mr. and Mrs. Carl S. Gewirz John R. Stevenson* Richard & Peggy Greenfield Foundation Foundation Mr. and Mrs. William T. Gibb Ruth Carter Stevenson Gerald and Carolyn Grinstein Julienne Michel Foundation Mr. and Mrs. John T. Gibson Donald D. Stone Mimi and Peter Haas* Mrs. Mark Millard Katharine Graham* Professor Frank Anderson Trapp Mrs. W. Hall* Miller & Long Co., Inc. Sarah Greenough Jack and Margrit Vanderryn Mr. and Mrs. Frederic C. Hamilton* The Henry Moore Foundation Agnes Gund and Daniel Shapiro Mr. Andre-Francois H. Villeneuve Richard C. and Elizabeth A. Hedreen* Otto Naumann Ltd. Helena Gunnarsson Mrs. Robert M. Weidenhammer Ms. Susan Morse Hilles* Edward John Noble Foundation The Stephen Hahn Family Collection John C. Whitehead Mrs. Charles W. Ireland Louise and Alan Potter Mr. and Mrs. Nathan L. Halpern * Mr. and Mrs. R. L. Ireland III* Mr. and Mrs. George W. Riesz Mrs. B. Lauriston Hardin Jr. Malcolm Wiener Mr. Philip H. Isles Michael L. Rosenberg Foundation Charles U. Harris* Professor John Wilmerding Mrs. Glenn C. Janss Jonathan D. Schiller Lore Heinemann in memory of her Frances C. Winston George F. Jewett Jr. and Lucille M. Jewett* Patricia A. and Paul G. Stern husband Rudolf J. Heinemann* Richard S. Zeisler Ms. J. Lisa Jorgenson and Mr. David D. Walker & Dunlop/Green Park Financial Diane Morris Heldfond Doniger washingtonpost.com Helen Lee Henderson Linda H. Kaufman* Andrea and Stephen Weiswasser Benjamin and Lilian Hertzberg Collectors Committee Mrs. Janet W. Ketcham Mr. and Mrs. Kenneth R. Woodcock Margaret and Raymond J. Horowitz (as of 30 September 2001) Mr. and Mrs. Peter Kimmelman* Dora Donner Ide* James V. Kimsey Ira and Virginia Jackson The Gallery gratefully acknowledges mem- Robert P. and Arlene R. Kogod* Legacy Circle Mr. James A. Johnson Jr. bers of the Collectors Committee for their Ronald and Anstiss Krueck* Ruth Cole Kainen in honor of Beuford annual gifts of $15,000, $30,000, or more. Emily Fisher Landau The Gallery is pleased to recognize the and Teden Cole Their role is vital in helping the Gallery Judith and Alexander Laughlin charter members of the Legacy Circle for Ellsworth Kelly to acquire modern and contemporary art. Marc and Jacqueline Leland* their decision to include the museum in Dr. and Mrs. Robert C. Magoon Mr. Thomas G. Klarner (Donors who have given for five or more their estate plans. With their gifts, these The Honorable Frederic V. Malek Robert P. and Arlene R. Kogod consecutive years are marked with*) individuals uphold a legacy of philan- Alice S. and William K. Konze and Mrs. Malek thropy to the benefit of future generations. Joan and David Maxwell Mrs. Rush H. Kress in memory of her Cochairs (realized gifts marked with*) late husband Rush Kress Mr. and Mrs. Frederick R. Mayer* Evelyn and Doris Fisher* Mr. and Mrs. Roblee McCarthy Jr. Anonymous (9) Jo Carole and Ronald S. Lauder Barney A. Ebsworth* Henry S. and Leslie A. McNeil* Carolyn Small Alper Alexander M. and Judith W. Laughlin Mr. and Mrs. Peter C. Meinig M. Francis Anders The Honorable Marc E. Leland and Members Mr. and Mrs. Edwin Van R. Milbury* Mrs. Martin Atlas Mrs. Leland Anonymous* Mr. Raymond D. Nasher* Mr. L. Graeme Bell III Janice H. Levin* Mr. and Mrs. Robert E. Abrams* Nancy B. Negley* In memory of Richard A. Rolland and Francine Schear Linde in honor of her Mr. and Mrs. Anthony M. Ames Lucio and Joan Noto Hildegard Rolland Blackett* parents Herbert and Blanche Schear Ann and Steven Ames* John and Mary Pappajohn Ambassador and Mrs. Donald Blinken in Kathryn A. Looney* Anne H. Bass* Kathleen Petitt and Gerald W. Petitt memory of Maurice H. Blinken Joan and David Maxwell Anne T. and Robert M. Bass* The Honorable Leon B. Polsky and Harold Brooke* Frederick R. Mayer Heidi and Max N. Berry Mrs. Cynthia H. Polsky* J. Carter Brown Alletta McBean* Eli and Edythe Broad* Mr. and Mrs. Frederick H. Prince* Gilbert Butler Mr. Paul Mellon* Mr. and Mrs. John H. Bryan Mitchell P. Rales Mr. and Mrs. W. Russell G. Byers Julienne M. Michel Paul and Fredrica Cassiday Stewart and Lynda Resnick* Mrs. Charles Francis Carr Mr. Harvey Shipley Miller and Joseph Cohen The Honorable John D. Rockefeller IV Mrs. Terrence F. Catherman* Mr. J. Randall Plummer Mr. and Mrs. David C. Cole and Mrs. Rockefeller Walter S. Collin* Kent and Marcia Minichiello Edwin L. Cox* The Honorable William D. Rollnick Elizabeth M. Cooke* The Patsy R. and Raymond D. Nasher David L. Davies and John D. Weeden* and The Honorable Nancy Ian and Annette Cumming Collection Jane and David R. Davis Mr. and Mrs. Robert M. Rosenthal Catherine Gamble Curran Evelyn Stefansson Nef Ms. Beth Rudin DeWoody Roger and Vicki Sant Mrs. Adolph Dehn Miss Diane A. Nixon Mr. and Mrs. John R. Donnell and Herman Sarkowsky Dr. Lois de Menil and Dr. Georges de Menil William B. O'Neal* Ms. Suzanne Dubose/Verizon Foundation* Louisa Stude Sarofim* Robert W. and Louisa C. Duemling Stephen and Claudine Ostrow Barney A. and Pamela Ebsworth* Andrew and Denise Saul* Mr. and Mrs. Barney A. Ebsworth Mrs. John Alexander Pope Mr. James A. Elkins Jr.* Mr. and Mrs. Paul C. Schorr, III Robert and Mercedes Eichholz Gaillard F. Ravenel II and Frances P. Mrs. Hannelore Schulhof * Smyth-Ravenel* Charles R. and Helen O. Schwab* Mary and David Robinson William K. Simpson* Andrew Robison Mr. and Mrs. Peter B. Smith David Rockefeller Mr. H. Peter Stem and Dr. Margaret

60 | Annual Report | 2001 Johns* Monica and Hermen Greenberg* Mr. and Mrs. L. von Hoffmann and Mrs. Konze* Richard C. and Jane Coe Stoker Mr. and Mrs. Newman T. Halvorson Jr.* Mr. and Mrs. Mallory Walker* Alice Lawrence Foundation Inc.* Shirley Ross Sullivan and Charles Sullivan Mr. and Mrs. Frederic C. Hamilton Mr. and Mrs. David Wamock Sperry and Anna Lea* Roselyne Chroman Swig Charles U. Harris Mr. and Mrs. Stanford S. Warshawsky Mr. and Mrs. Gerson Leiber Mr. Richard E. Thompson John C. and Ruth T. A. Harris The Washington Post Company Mrs. Janice H. Levin* Sharon and Thurston Twigg-Smith Christopher A. Havener Jr. The Honorable John C. Whitehead R. Robert and Ada H. Linowes Fund of Mr. and Mrs. Matthew T. Weir The John and June Hechinger Advised The Honorable James D. Wolfensohn the Community Foundation for the Ms. Dian Woodner Fund of The Community Foundation and Mrs. Wolfensohn* National Capital Region* Mr. and Mrs. Robert Woods Jr.* for the National Capital Region* Nina Zolt and Miles Gilbume* The Gordon and Marilyn Macklin Mr. and Mrs. C. Bagley Wright Jr. Maria and Mr. Harry F. III Foundation, Inc. Alan and Irene Wurtzel Clark Hoyt and Linda Kauss* Sustaining ($5,000-$10,000) The Honorable John D. Macomber Nina Zolt and Miles Gilbume The Jurie Foundation / Jeong and Anonymous (3) and Mrs. Macomber* Cindy Kim Mrs. William S. Abell* Lynn C. Magruder* Dr. and Mrs. Cyrus Katzen Mr. and Mrs. John F. Mars The Circle of the Mr. and Mrs. Dana T. Ackerly II* Mr. and Mrs. Jack Kay* Virginia C. Mars* Dan and Karin Akerson National Gallery of Art Mark and Ann Kington Miss Gillian Attfield* Mrs. Thomas E. Marston* (as of 30 September 2001) Lee G. Kirstein Mrs. Jack C. Massey* Mr. and Mrs. Geoffrey B. Baker Mr. Thomas G. Klarner Suzann Wilson Matthews The Gallery extends thanks to those con- Terri and Thomas Barry* James & Norma Kline Charitable Fund* Mr. and Mrs. Timothy B. Matz tributors to The Circle for their generous Mr. and Mrs. Robert O. Blake Sr.* Mr. Joseph W. Krider and Mrs. Moira L. Daniel and Karen Mayers Fund annual gifts. Their support at the level Timothy A. Boggs and James H. Schwartz Callaghan Mrs. James R. McAlee* of $1,000, $2,500, $5,000, or $10,000 Count and Countess Peder Bonde* Mr. and Mrs. Chiswell D. Langhome Jr.* Mr. and Mrs. Robert B. Menschel* or more provides funding for a range of Jean R. Bower Mr. and Mrs. Leonard A. Lauder Mr. and Mrs. Robert E. Meyerhoff* activities throughout the Gallery. Helen Jo Carole and Ronald S. Lauder Mr. and Mrs. W. L. Lyons Brown Jr. Harvey S. Shipley Miller (Donors who have given for five or more Judith and Alexander Laughlin Russell and Anne Byers Ina and Fenner * consecutive years are marked with*) Dr. and Mrs. LaSalle D. Leffall Jr.* Carol and Alfred Moses Mr. and Mrs. Calvin Cafritz* Debra Lehman-Smith and David T. Smith* Richard D. and Deborah A. Evelyn Stefansson Nef* Patron ($10,000 or more) Samuel and Susan Lehrman Hamilton The Honorable and Mrs. William A. Mr. Edward J. Lenkin Nitze II* Anonymous (2) Mrs. Daniel S. Campbell* Leonsis Foundation Mr. and Mrs. James B. Adler* Mr. and Mrs. Bernard J. Carl Commander Lester E. Ogilvy and Mr. and Mrs. Kwok-Leung Li Mr. and Mrs. George C. Andreas Kelly Carr and Bryan Sherbacow Mrs. Virginia Ogilvy* The Marks Foundation, Inc. / Mr. and Mrs. David B. Anthony Mrs. Ellen M. Charles* Alison and William Paley Dorothy H. Marks* Bloomberg Mr. and Mrs. Michael M. Connors Parnassus Foundation, courtesy of Mr. and Mrs. Forrest E. Mars Jr.* Katherine and David Bradley Ron and Barbara Cordover Jane and Raphael Bernstein Jacqueline Badger Mars Sandra H. Payson The David and Janet Brashear Foundation Mr. Lloyd E. Cotsen* Mr. Frederick P. Mascioli* The Honorable John Landrum Bryant Mr. and Mrs. Donald de Laski* C. Wesley and Jacqueline Peebles* Mr. and Mrs. Edward J. Mathias and Patricia Bauman* Elizabeth M. Flicker* Jane Bradley Pettit* Joan and David Maxwell* Mr. and Mrs. Richard I. Burnham* Dr. Virginia F. H. Elliott and Mr. and Mrs. Benjamin T. Pierce* Mr. and Mrs. Frederick R. Mayer* Mrs. John Alexander Pope Mr. and Mrs. William N. Cafritz Mr. George W. Elliott Nan Tucker McEvoy Dr. and Mrs. David A. Cofrin Richard P. Fishman and Dina R. Lassow Lieutenant Colonel Norman S. Portenoy Gilbert and Jaylee * Naomi and Nehemiah Cohen Foundation Ronald Lee * and Mrs. Portenoy* Mrs. Mark J. Millard Mrs. Charles P. Price* Mr. and Mrs. Richard S. Cohen Camilla Chandler Frost* The Honorable G. William Miller and The Honorable William T. Coleman Jr. Linda M. Fuselier Sheila Proby and Patrick W. Gross* Mrs. Miller* and Mrs. Coleman* Elizabeth and Michael Galvin Mrs. Milton Ritzenberg* Herbert and Patrice Miller Mr. David Rockefeller Marshall B. Coyne Foundation, Inc. The Honorable Joseph B. Gildenhom Patrick and Mary Norris Munroe* Mark Samuels Lasner* Brittain Bardes Cudlip and Mrs. Gildenhom Diane Allen Nixon* Mr. and Mrs. Leo A. Daly III Dr. John and Cathie Gill Mrs. Stanley J. Sarnoff* Maria Prather Mr. and Mrs. Leslie Douglas* Alexandra and John Graubert Mr. and Mrs. B. Francis Saul II* Mr. Thomas C. Quick Robert W. Duemling and Louisa C. Helena Gunnarsson* The Honorable James H. Scheuer and Ms. Joan C. Ray Duemling Corbin Gwaltney* Emily Malino Scheuer* Rick Rickertsen Gregory Earls Mr. and Mrs. Hugh Halff Jr. Mary and Willard Scott Mrs. Sylvia Ritzenberg Barney A. and Pamela Ebsworth Jeanne and Herbert Hansell Mrs. Muller Sheppard* Mr. and Mrs. Joseph E. Robert Jr. Mr. Mark D. Ein Mrs. James Hayes* Stephen and Bonnie Simon The Honorable John D. Rockefeller IV Dr. Mark R. Epstein and Amoretta Hoeber Mr. and Mrs. Joseph W. Henderson III* Arman and Fera Simone and Mrs. Rockefeller* Mr. and Mrs. Robert F. Erburu* Mr. and Mrs. Joseph F. Horning Jr. Mr. and Mrs. Lawrence M. Small David and Alice Rubenstein Fannie Mae Margaret and Raymond Horowitz Dr. and Mrs. Barry S. Strauch* Ms. Sana H. Sabbagh Mrs. Norman Farquhar Margaret Stuart Hunter Mr. and Mrs. W. Reid Thompson* Roger and Vicki Sant* Jean-Marie and Raul Fernandez Mr. and Mrs. Arthur W. Johnson* Jay and Toshiko Tompkins* Tod and Kate Sedgwick* John D. Firestone James A. Johnson and Maxine Isaacs Sandy and Ellie Trowbridge* Rear Admiral Tazewell Shepard Jr. Lee and Juliet Folger/The Folger Fund* Lieutenant Colonel Freeman Jones Victoria Peters Vergason and Mrs. Shepard* John C. and Elizabeth E. Fontaine and Mrs. Jones William and Sarah Walton Raja W. Sidawi* Mr. and Mrs. John French III Ruth Kainen John W. Warner IV Mr. and Mrs. Gerald Sigal Jo Ann and Julian Ganz Jr. Mr. and Mrs. Edward H. Kaplan Mrs. Robert M. Weidenhammer* Leonard and Elaine Silverstein* Mrs. John T. Gibson* Lieutenant Colonel William K. Konze Mr. and Mrs. Eric W Weinmann Mr. and Mrs. Albert H. Small* Mr. and Mrs. Terence Golden Sidelle and Franc Wertheimer Mr. and Mrs. James S. Smith Katharine Graham Mr. and Mrs. John R. Whitmore Robert H. and Clarice Smith Harold and Sylvia Greenberg Williams Family Foundation of Mr. and Mrs. Robert N. Snyder Georgia, Inc. Mr. and Mrs. Andrew Stephen* Dr. and Mrs. Lubert Stryer* Eugene and Clare Thaw* Sam Turner

61 | National Gallery of Art | Washington Dr. and Mrs. Edward T. Wilson* Susan Sachs Goldman James J. Sandman and Elizabeth D. Mullin* Mr. and Mrs. Michael Baly III Ambassador and Mrs. Curtin Winsor Mr. and Mrs. Joseph Goldstein* Mr. and Mrs. Bruce W. Sanford Mrs. Harding F. Bancroft Mr. Curtin Winsor III Mrs. Elisha Hanson* Jean Schepers Gwen Baptist* Sally and Sam Witt* Nancy W. Harding Richard and Geane Schubert* Mrs. Stratton N. Barclay Ken and Dottie Woodcock* Mr. and Mrs. Bradford W. Harries Mr. and Mrs. Charles C. Shelleman Jr. Memorial to Marian T. Barnes/ Alan and Irene Wurtzel John and Eleanor Hedden Joan and Ev Shorey* Dwight H. Barnes* Merrill and Cindy Yavinsky Mr. and Mrs. J. Roderick Heller III Mr. and Mrs. David W. Simone Mr. and Mrs. Edmund Bartlett III Dr. James F. and Christine Young Mr. and Mrs. Charles T. Hellmuth Sr.* Mr. and Mrs. David Bruce Smith Mr. Jean R. Bartoli and Ms. Gracia M. Berg Catherine Winkler Herman* The Honorable John T. Smith II and Drs. Jordan and Rhoda Baruch* Supporting($2,500 - $5,000) Patti and Mitchell D. Herman Mrs. Smith Mr. and Mrs. Lucius D. Battle Mr. and Mrs. Robert N. Herman Michelle Smith Anne Susan and Nevins Baxter Anonymous Miss Elisabeth Marie Hickey Mrs. Frederick M. Stafford* John and Priscilla Becker Jan and * Mary Louise Hildreth* Mr. and Mrs. Terence P. Stewart Mr. and Mrs. Duane W. Beckhom Carolyn Small Alper* Mr. and Mrs. Frederick D. Hill Ms. Polly Surrey Mr. and Mrs. Thomas H. Beddall Jr. Mr. and Mrs. Francisco Amaro The Honorable Roderick M. Hills and T. Rowe Price Associates Mr. and Mrs. James R. Beers Mr. M. Francis Anders The Honorable Carla A. Hills The Honorable Russell E. Train and Muriel and Malcolm Bell Jr. Cicely d'A. Angleton Drs. Wayne and Mary Hockmeyer Mrs. Train* Burkey and Donna Belser Mr. and Mrs. Albert H. Barclay Jr.* Mr. and Mrs. Wallace F. Holladay* William E. Trueheart and Carol A. Word Miriam and Eliezer Benbassat Steven and Jane Beering Mr. and Mrs. Timothy Howard The Truland Foundation* Ellen and Bob Bennett Marguerite H. Benson Mr. and Mrs. R. Bruce Hughes* Mr. and Mrs. George Valanos Mrs. William Tapley Bennett Jr.* The Honorable Daniel J. Boorstin Mr. and Mrs. Hadlai A. Hull* Antoine and Emily van Agtmael Suzanne R. Bennison and Mrs. Boorstin* Dr. and Mrs. Robert Jacobs Robert and Margaret Vanderhye Mrs. Lyn Berger* Mr. and Mrs. George M. Brady Jr.* Mr. and Mrs. Edward C. Johnson 3rd The Nancy Voorhees Fund of The Paul S. and Debra J. Berger Bob and Vivian Braunohler The Honorable R. Tenney Johnson Community Foundation for the Mrs. Edwin A. Bergman Mrs. Thomas H. Broadus Jr.* and Mrs. Marilyn M. Johnson* National Capital Region* Alfred P. and Jane C. Bergner Marc H. and Vivian S. Brodsky* Mr. and Mrs. Peter H. Jost* Peggy and Ted Weidlein Mrs. Ellen R. Berlow William R. and Wendyce H. Brody Peter W. Josten* Marvin F. Weissberg Mr. Robert Hunt Berry* Raymond C. and Jeannette T. Brophy* Mr. and Mrs. David T. Kenney Edward and Ruth Wheeler* Michael and Afsaneh Mashayekhi The Wiley T. Buchanan III Foundation Mr. and Mrs. William Kimberly* Kenneth L. Wilkerson Beschloss Carter and Melissa Cafritz Robin and Carol Hallene King Edward Foss Wilson Charitable Trust Mr. and Mrs. Albert J. Beveridge III* Mr. and Mrs. Daniel J. Callahan III Mr. and Mrs. Norman V. Kinsey* Mrs. Frances C. Winston Mr. and Mrs. Arthur A. Birney David Carliner Robert L. and Mary Jo Kirk Mr. and Mrs. Robert K. Zelle Brent W. Bitz and Dion E. Lapham Mr. and Mrs. Giuseppe Cecchi Mr. and Mrs. James R. Kleeblatt Mr. and Mrs. James I. Black III* The Honorable John E. Chapoton Michael Klein and Joan Contributing($l,000 - $2,500) John and Jennifer Blackburn and Mrs. Chapoton* Mr. and Mrs. Cameron J. La Clair The Honorable William Blair Jr. Mrs. Robert H. Charles* Anonymous (8) Mr. and Mrs. Anthony A. Lapham* and Mrs. Blair* Kate and Robert Chartener Aberbach Gigi and Arthur Lazarus Jr.* The Honorable Julia Chang Bloch Mr. and Mrs. Catesby W. Clay Hugh Trumbull Adams The Lemon Foundation* Mr. and Mrs. Roger W. Block* Mr. and Mrs. Clement E. Conger* John B. Adams Jr. Susan B. Levine and James W. Lauer Susan and Allen Bloom* Anne C. B. * Mr. and Mrs. Robert Bentley Adams William J. Levy Foundation* Bennett Boskey* Louise and Wendell Crain* Theodore Adamstein and Olvia Demetriou Lawrence S. and Marion Lewin Edward C. Bou, Esq. Mrs. Catherine G. Curran Sylvia and Christopher Addison Willee and Finlay Lewis* Julia A. Bowen Ruth and Bruce Dayton Mr. and Mrs. M. Bernard Aidinoff * Mr. and Mrs. Jerome B. Libin Mr. John Gordon Boyd* Mrs. Marvin Dekelboum* Mrs. John R. Alison Mr. and Mrs. Meredith J. Long Mr. and Mrs. Allan Bratman Mr. and Mrs. Douglas Dillon Richard Small Alper Dr. and Mrs. Bruce K. MacLaury* John and Joan Bray Mr. and Mrs. F. Eugene Dixon Jr.* Mr. and Mrs. Harry Alverson Charlene C. and Tom F. Marsh Mrs. Isabella G. Breckinridge* Dr. and Mrs. William H.L. Domette Mr. and Mrs. Samuel A. Alward* Ms. Marcia V. Mayo Marcella Louis Brenner Helen and Ray DuBois* Mr. and Mrs. Robert L. Anderson Mrs. Susan McCabe Ms. Edith H. Brewster Bill and Donna Eacho Louise S. Ansberry* Laurel and Robert Mendelsohn, M. D.* Mrs. Hilda Ochoa-Brillembourg Mr. and Mrs. LeRoy Eakin III* Antony Childs, Inc. David A. Metzner and Mr. Arturo Brillembourg Mr. and Mrs. Richard England* Alexandra A. Armstrong and Jerome F. Meyer Margot Brinkley The Honorable Melvyn J. Estrin Jerry J. McCoy* Mr. and Mrs. James K. Mitchell Carolyn and Kenneth D. Brody* and Mrs. Estrin Gale H. Arnold Frederick W. and Linda K. Moncrief Mr. and Mrs. Jere Broh-Kahn* Mr. and Mrs. James W. Evans Linda L. Arret Joan and Dan Mulcahy* Andrew Brown Candy and Greg Fazakerley* Brady and Peter Arundel Catherine Murray Ann Carol Brown and Richard Mrs. James J. Ferguson Jr.* Allie and Ellen Ash Mr. Michael D. O'Dell and Tanner Pascale Julie Finley Joseph S. Asin Dr. Judith E. Grass Mr. and Mrs. Richard Gerard Brown The Honorable W. H. G. FitzGerald Ann M. Askew Dr. and Mrs. Frederick I. Ordway III Mr. and Mrs. David S. Bruce and Mrs. FitzGerald* Ms. Aileen Athy Mr. and Mrs. Nathan W. Pearson* Mr. and Mrs. E. Edward Bruce Mr. and Mrs. Robert T. Foley* Mrs. Martin Atlas H.O. Peet Foundation Susan Bruce and Frederick Hauck Mrs. Nancy M. Folger and Dr. Sidney Marilyn and David Austern Mr. and Mrs. John Ely Pflieger Joseph M. Bryan Jr. Werkman* Mr. and Mrs. William Backer* Irene and Abe Pollin Martha Buchanan and Jose Lucero Betsy and Peter Forster* Rhoda Baer Mr. and Mrs. Charles L. Poor* Mrs. Philip W. Buchen* Mr. and Mrs. P. Wesley Jr./ Mr. Raymond Bahor and Mr. Michael R. T. Mr. and Mrs. Stephen W. Porter Frances Ann Bufalo Long & Foster Real Estate, Inc. Mahoney Mrs. Lewis T. Preston* Leonard and Frances Burka Mr. and Mrs. Eric P. Fraunfelter* Fran and Lenox Baker Mr. and Mrs. Whayne S. Quin* Ella Burling* Dr. and Mrs. Peter A. Freeman Colonel Owen C. Baker and Barbara Baker Mr. Robert C. Rea* Mrs. Jefferson D. Burrus Jr. Mr. David M. Frost* Dennis and Eileen Bakke Ms. Dee Dee Ricks Miss Elizabeth A. Burton* Professor Joseph L. Gastwirth Dr. and Mrs. G.A. Balfour Bridgette Robinson and Dennis R. Weitzel Nancy D. Buschmeyer Nancy K. Glassman* The Honorable Philip E. Ruppe Mr. and Mrs. Dwight L. Bush Mr. John Goelet Alison and Mark Russell Patricia Dwinnell Butler* Mr. and Mrs. Thomas D. Rutherfoord Jr. Ms. Renee Marcus Butler and Mr. and Mrs. Derald H. Ruttenberg* Michael and Sheila Ryan

62 | Annual Report | 2001 Mr. Joseph White Lou Hill Davidson and Ralph P. Davidson Susan and Arthur Fleischer Jr. Mrs. Horace J. Havemeyer Jr. Susan L. and Dixon M. Butler Fund of The Community Foundation Barbara G. Fleischman Mones and Eunice Hawley The Honorable John Thiers Calkins* for the National Capital Region Mr. and Mrs. Christopher Forbes Gale Hayman-Haseltine and William John and Frances Call Mrs. Stuart C. Davidson* Richard E. Ford Haseltine* Mr. and Mrs. Juan M. Cameron Mr. and Mrs. Edward L. Davis Mr. and Mrs. John 0. Forrer Mr. and Mrs. Spencer Hays Brigadier General Thomas J. Camp Jr. Robert Aubry Davis and Patricia David and Jackie Mr. and Mrs. John T. Hazel Jr. and Mrs. Camp Ann Brannan Mr. and Mrs. J. Edward Fowler* Dr. and Mrs. Robert Hazen Campbell Mr. and Mrs. Porter G. Florence Bryan Fowlkes Drs. Bernadine Healy and Floyd D. Loop James S. and Mary E. Campbell Willem and Frauke de Looper Mrs. Daniel J. Fraad Jr.* Mr. and Mrs. Anthony Hecht Drs. Dorothy and Jerome Canter Mr. and Mrs. Whitney Debevoise Mr. and Mrs. Fred Frailey Lenore Hecht Foundation, Inc. Ms. Annie Carey Dr. and Mrs. Ziad Deeb Ann H. Franke and Daniel J. Alpert The Honorable Richard M. Helms Ms. Sarah Carey G. Edward and Karren A. DeSeve Charlton Gillet Friedberg and Mrs. Helms* Mrs. Woolsey Carmalt Mr. and Mrs. C.M. Dick Jr. Mr. and Mrs. Alvin Friedman George Hemphill Mrs. Neil Carothers III Sally and Dick Judge and Mrs. Paul L. Friedman Helen Lee Henderson Ruth and John Carr Phyllis G. Diebenkorn Stephen and Barbara Friedman Melvin Henderson-Rubio Mr. and Mrs. Keith Armistead Carr Mr. and Mrs. Michael D. Dingman* James T. Fuller III and Catherine T. Porter William G. and Mary Lee Herbster Mrs. Warwick Montgomery Carter Bob and Andy Dodds Mr. and Mrs. Vincent J. Fuller Mr. and Mrs. Robert Hermann Ken and Jane Casazza Mr. and Mrs. Clarence Dodge Jr. Mr. and Arthur W. Gardner Mrs. Anita G. Herrick* Mrs. Terrence F. Catherman Mrs. Gaylord Donnelley John A. Geissman Mr. and Mrs. George G. Herrick* The Honorable Henry Catto Jr. Mrs. Stanley Donovan Robert J. and Jane F. Geniesse* Mr. and Mrs. Paul L. Herring and Mrs. Catto Margery A. Doppelt and Larry P. Rothman Mr. and Mrs. Edward H. Gerry* Mr. and Mrs. Loren W. Hershey Mr. and Mrs. David Challinor Mollie Dougherty and Tanguy de Bernard and Sarah Gewirz The Honorable Christian A. Herter Jr. Ms. Mary Challinor and Mr. Henry Carbonnieres Katrina and Steven Gewirz Mr. and Mrs. Henry L. Heymann Richardson The Honorable Thomas J. Downey and Mr. and Mrs. Michael K. Gewirz Florence M. Hillman and Owen T. Snyder Mr. and Mrs. S. Allen Chambers Jr. Mrs. Downey Mr. and Mrs. William Gibb* The Paul and Annetta Himmelfarb Mr. and Mrs. Aldus H. Chapin The Honorable William H. III Mr. and Mrs. Lawrence B. Gibbs Foundation Mr. and Mrs. Christopher K. Chapin and Mrs. Draper Dr. and Mrs. Prosser Gifford* Richard and Pamela Hinds Mrs. Harold W. Cheel* Mr. John L. Dreyfuss and Ms. Mary Mr. and Mrs. Richard D. Catherine Hirsch and James K. White Mr. and Mrs. G.M. Chester Jr. Noble Ours Kenneth and Patricia Golding The Honorable Omer L. Hirst Mrs. Pierre Paul Childs Mr. and Mrs. John Driggs* Mary Anne Goley* and Mrs. Hirst Drs. Thomas and Judith Chused Douglas and Nancy Drysdale* Mr. David R. Goodhand and Jane Stanton Hitchcock and Jim Hoagland Kate Clark and Joseph Tydings Mr. and Mrs. Weaver W. Dunnan Mr. Vincent J. Griski Mr. and Mrs. Frank W. Hoch Mr. and Mrs. Thomas C. Clarke* Helen Porter and James T. Dyke Elizabeth Marsteller Gordon* Mr. and Mrs. John Hodges The Honorable Raymond C. Clevenger III Mr. and Mrs. James T. Dyke Jr.* Ilene and Tom Gordon Grace M. Holden and Mrs. Clevenger Mr. and Mrs. Jonathan Nathaniel Dyke Jill S. Gore Mr. and Mrs. Stephen A. Hopkins The Coca-Cola Company Merritt P. Dyke Jamie Gorelick and Richard Waldhorn Mr. and Mrs. S. Roger Horchow* Bonnie and Louis Cohen E & B Family Trust M. Anthony and Nancy W. Gould Mr. Charles M. Horn and Suzanne F. Cohen Leatrice and Melvin Eagle Mr. and Mrs. Temple Grassi Ms. Jane C. Luxton Mr. and Mrs. Oliver C. Colburn* Mr. and Mrs. Robert E. Eberly* Richard and Mary L. Gray Norbert Homstein and Amy Weinberg* Mr. Francis G. Coleman Mr. C. Franklin Eck Jr. and Ms. Bailey U. Bruns and Perrin Grayson Dr. Sari R. Homstein and Dr. David W. Ms. Lovida H. Coleman Jr.* Morris-Eck Pamela and Thomas Green Lightfoot* Brigadier General James Jr. Nik B. Edes* Richard and Peggy Greenfield Foundation Mr. and Mrs. Outerbridge Horsey and Mrs. Yolande Collins* Mr. and Mrs. Arthur B. Edgeworth Jr. Mr. and Mrs. George G.B. Griffin James R. and Rosemarie R. Howe Mr. and Mrs. Jeremiah Collins Mr. and Mrs. Dean S. Edmonds III* Mrs. Nina B. Griswold* Richard Hubbard Howland Mr. and Mrs. Terence Winslow Collins* Patricia and Arthur Edwards The Honorable Brandon H. Grove Jr. Mr. and Mrs. Robert W. Hubner Mr. and Mrs. David J. Cooper Jean Efron* and Mrs. Grove Mr. and Mrs. David P. Hunt Richard Cooper and Judith Areen Ms. Cathy Ehrman Ms. Laura Guarisco R. Bruce Hunter* Lieutenant Colonel (Retired) Richmond J. Lawrence R. and Vicky C. Eicher Mr. and Mrs. James B. Gubelmann Fern K. Hurst Cooper and Mrs. Cooper Dr. and Mrs. Daniel Ein Mr. and Mrs. Charles Guggenheim Barbara and Allan Hurwitz* Ted Cooper Mr. and Mrs. Julian Eisenstein* The Honorable Gilbert Hahn Jr. Mrs. Walter Deane Innis* Mrs. Jack Coopersmith* Anthony and Marjorie Elson and Mrs. Hahn* Mr. John Peters Irelan* Jay and Margaret Costan Carter and Arline Eltzroth Dr. Thomas B. Hakes and Mrs. Ellen Shirley and Marshall Jacobs* Stephen Costello and Rebecca Ravenal Ms. Catherine B. Elwell Hallock Hakes Joan L. and Dr. Julius H. Jacobson II Mr. and Mrs. Donald M. Cox* Mr. and Mrs. Edward Louis Emes Jr. Mr. and Mrs. Najeeb E. Halaby* Nicholas and Carol Jahnke Mr. and Mrs. Warren J. Cox Mr. and Mrs. Jonathan S. England* The Honorable William R. Haley Mr. and Mrs. William S. Janes Mr. and Mrs. Robert H. Craft Jr. Mr. and Mrs. Harold E. Engle and Mrs. Haley* Mrs. Mary D. Janney Richard and Jane Creighton Epstein Becker & Green, PC./Stuart M. Anne and Ridgway Hall Mr. and Mrs. Donald W. Jeffries Mrs. Roma Dillon-Smyth Crocker Gerson and Pamela E. Somers Mr. and Mrs. Edwin K. Hall Elizabeth Jeppson and George Peterson Eldon H. Crowell Lionel C. Epstein and Elizabeth P. Elizabeth B. Hamilton Helen and Philip Jessup Ms. Norey D. Cullen Streicher* Dr. Sidney and Mrs. Jane Harman Joan and Garry Jewett* Susan R. Cullman Mrs. Rowland Evans Jr.* Gail and John Harmon* The Barbara Piasecka Johnson Collection Mr. and Mrs. Edward M. Cummings* The Honorable Thomas B. Evans Jr. Laura S. Harper, Esq. Mr. James A. Johnson Jr.* Mr. and Mrs. P. Curzan and Mrs. Evans Anthony and Hope Harrington Willow Johnson, in memory of Mr. Da Capo Fund Mr. and Mrs. Frank J. Fahrenkopf Jr. Virginia Watts Harrison and Mrs. Stuart H. Johnson Jr. Comtesse Alain d'Eudeville Mr. and Mrs. Winthrop W. Mr. and Mrs. Douglas Hart Ms. Barbara J. Jones Mrs. John Charles Daly Elaine Feidelman and Irwin Shuman Terry Hartle and Susan Quantius Mrs. Carol R. Joynt Francesca Danieli and Gary Gensler Mr. and Mrs. Bernard Fein* E. Matthew Hause S. Kann Sons Co. Foundation* Peggy and Richard M. Danziger Betsy and Robert Feinberg Mr. Jeffrey M. Kaplan Mr. and Mrs. Myer Feldman Mr. and Mrs. Peter E. Kaplan Benjamin E. Finley II Louis M. and Sally B. Kaplan Foundation Molly and Frank Fitzmaurice Mr. and Mrs. Steven Kaplan Mr. and Mrs. John H. Fitzpatrick* Richard and Linda VG Kelley

63 | National Gallery of Art | Washington James G. Kenan III Mr. and Mrs. Phillip L. Mann F. Patterson Doris Rohner Rogers Arleen and Edward Kessler Mr. and Mrs. J. Eugene Marans Mr. and Mrs. John Oberdorfer Mrs. Wynefred W. Rogerson Paul and Joelle Killian Ruth R. Marder Oehme, van Sweden and Associates, Inc.* Mr. and Mrs. Felix G. Rohatyn Thomas F. Kirchner The Honorable Jan W. Mares and Deedy Ogden Mr. and Mrs. Frederick S. Rolandi III Mrs. Elizabeth L. Klee* Mrs. Mares Roger H. Ogden* Carla Rolde Walter C. Klein Foundation* Lydia and Michael Marshall Mr. and Mrs. Roderic E. Ordway The Honorable Frederick B. Rooney Mr. and Mrs. Walter C. Klein Jr. James and Celia Martin Donald R. Osbom Fund of the New York and Mrs. Rooney Rebecca Klemm Judith and Harry Martin Community Trust* The Honorable James S. Rosebush Mr. and Mrs. Erasmus H. Kloman Mrs. William McChesney Martin Jr. Dr. Betty Ann Ottinger and Mrs. Rosebush Mr. and Mrs. Robert H. Knox Jane and Arthur Mason John T. Overbeck Mr. Michael L. Rosenberg Mr. and Mrs. James L. Koltes Miss Priscilla Mason Louise Daniel Owen Ruth Sue and Sheldon Ruben Mr. Daniel L. Korengold and Ms. Martha Mr. and Mrs. Mike Massie Patty and Carroll Owens Lilly A. Rubin Lyn Dippell Dr. Thomas A. Mathews Mr. and Mrs. Thomas A. Parrott* Mr. and Mrs. George Rublee Dr. and Mrs. Marvin Korengold Mr. and Mrs. Julian Mazor/The Meyer Mrs. Jefferson Patterson* Frederick and Dorothy Rudolph Matt Kom and Cindy Miller and Esther Mazor Foundation Judge and Mrs. Michael T. Paul Mr. and Mrs. Lewis Rumford III John and Patricia Koskinen Violet McCandlish* Mr. and Mrs. Malcolm E. Peabody Mr. and Mrs. Clive Runnells Stephen P. Koster* Mr. and Mrs. Howard G. McClintic Simmy and Haven Pell Dr. and Mrs. Paul S. Russell* Mary Lynn and Nick Kotz Mr. and Mrs. William McCollam Jr.* Charles H. and Loraine G. Percy* Mr. David E. Rust* Mr. and Mrs. Robert Edmund Kramer Steven and Jill McGovem Muller Nicole H. Perry Ms. Hattie Ruttenberg and Robert M. and Hale A. Krasne Dorn McGrath and Lee Kimche McGrath Mr. and Mrs. Phillips S. Peter Mr. Jonathan T. Molot Mr. and Mrs. Peter L. Kreeger Darina and Allan McKelvie* Mr. and Mrs. Devereaux J. Phelps Mrs. Victor Sadd* Barbara Krumsiek and Bart Leonard Mr. and Mrs. James A. McKenna* Lieutenant Colonel (Retired) Joseph T. John and Joy Safer Mr. and Mrs. John M. Kurtz Arnold and Oriana McKinnon* Pisciotta and Mrs. Pisciotta Louise and Arnold Sagalyn Suzanne D. Kuser Dr. and Mrs. Donald H. McKnew Jr. Mr. and Mrs. Harvey L. Pitt Anne Woodard Salladin Mr. and Mrs. Jeremiah D. Lambert Mr. and Mrs. Thomas F. McLarty III Mr. and Mrs. H. Gregory Platts The Honorable Arnold A. Saltzman Sheela and Francois Marie Jean Lampietti Mr. and Mrs. Donald H. McLucas Jr. Dr. and Mrs. Warren Poland and Mrs. Saltzman Mr. and Mrs. W. Loeber Landau* Ken and Theresa McVearry Mr. and Mrs. William Glover Porter Jr. J. Andrew and Pamela B. Scallan Mr. and Mrs. Edward W. Lane Jr.* Ann Charnley and Peter Meleney The Honorable Trevor Potter* John and Edith Schafer Terese and Alvin S. Lane Steven L. and Harriet V. Meltzer Judy Lynn Prince Dr. and Mrs. Stephen K. Scher Mr. and Mrs. William Lane Mrs. Robert B. Menapace* Dr. and Mrs. Jerold J. Principato Mrs. Ray Scherer Janet E. Lanman Hanne and Richard Merriman* Ms. Kathleen Pritchard Douglas and Suzanne Schiffman Paul F. Lamer Mrs. Charles A. Meyer Mr. and Mrs. William A. Pusey Dr. Robert M. Schmidt and Family David and Connie Lawson David Michaelis and Clara Bingham Mrs. Eben W. Pyne* Alan and Marianne Schwartz Don and Jane Stern Lebell A.C.&D.A. Miller Quatt Associates, Inc. Page Evans Schwartz Ms. Karen Lee Edward T. and Noel C. Miller Michael and Naomi Quigley Judge and Mrs. Stephen M. Schwebel Fred M. Lege Ill/Geneva C. Lege Mr. and Mrs. Karl S. Miller Dr. and Mrs. Charles E. Rackley Mr. Frederick W. Scott Jr. Mrs. Egbert Leigh* Denny and Ida Minami The Honorable Gerald Rafshoon Mr. and Mrs. Anthony E. Scoville Mr. and Mrs. H.F. Lenfest Mr. and Mrs. Robert K. Molloy and Mrs. Rafshoon* Joan Searby Margaret and Terry Lenzner Dr. and Mrs. Allen Mondzac Ms. Marsha Ralls Ms. Judith Seligson and Mr. Allan Mr. and Mrs. Herbert J. Lemer* Robert S. Montgomerie-Charrington Mr. William C. Ramsay Greenberg Mark D. and Judy Lenkin Lemer Mrs. E.P. Moore* Major General James G. Randolph The Nina and Ivan Selin Family Mr. and Mrs. Charles F. Lettow Mr. and Mrs. Robert L. Moore Jr. and Mrs. Randolph Foundation, Inc. Jack and Laura Levengard Lucy G. Moorhead* Sylvia and Coleman Raphael* Wendy L. Shapiro and Charles D. Ferris Dr. and Mrs. Alec C. Levin Mr. and Mrs. William S. Moorhead III The Honorable and Mrs. Donald Willis and Virginia Shapley* Dr. and Mrs. Jerome H. Levy* Mr. and Mrs. F. Joseph Moravec Rappaport* Deane and Paul Shatz* Leon Levy and Shelby White Mr. and Mrs. Robert Morey* Earl and Carol Ravenal* Brooke Shearer and Strobe Talbott Jeanne G. Lewis Mr. and Mrs. David B. Morgan Drs. Sandra Read & Hugh F. Hill III Linda and Stanley Sher Donald V. Lincoln* Don and Rene Morgan Cynthia T. Redick Mr. and Mrs. Stephen F. Sherwin* Mr. and Mrs. Russell Lindner Mrs. Wendy Burden Morgan Miss Berenice Anne Reed* Mr. and Mrs. Robert H. Shorb Mr. and Mrs. John L. Lindsey Barbara and David Morowitz* Henry S. and Anne S. Reich Family Jerry and Judith Shulman Mr. and Mrs. Wingate Lloyd Mr. and Mrs. Seymour Moskowitz Foundation, Inc. Dr. and Mrs. Hugh V. Sickel Mrs. Edith S.S. Loebs Mr. and Mrs. Tommy Mulitz Stanley and Louise Resor Elizabeth Sidamon-Eristoff and Mr. and Mrs. Joseph Lonardo Mr. and Mrs. Scott W. Muller Dr. and Mrs. F. Turner Reuter Hunter Lewis* Kathryn A. Looney* Mr. and Mrs. Donald B. Murphy The Honorable John B. Rhinelander Nancy and Simon Sidamon-Eristoff Jack and Betty Lou Ludwick Mr. and Mrs. James J. Murphy and Mrs. Rhinelander David Silver and Ann R. Schwartz Dr. and Mrs. George P. Lupton Mr. George Murray and Ms. Stephanie Mr. and Mrs. Donald H. Richardson* Dr. and Mrs. Richard A. Simms* Mrs. Kenneth M. Lynn Phillipps Mr. and Mrs. John D. Richardson* Dr. Lionel J. Skidmore and Mr. and Mrs. James E. Lyons Mr. Alfred G. Neely and Dr. Carla J. Ms. Cary Ridder and Mr. David Dr. Jean M. Karle Michael and Sandylee Maccoby Elliott-Neely Alberswerth Dr. Gerald D. Slawecki and Mr. and Mrs. James T. Magee Sharon and Michael Nemeroff Marie W. Ridder Ms. Constance H. Slawecki Dr. and Mrs. Thomas F. Magovem Edith McBean Newberry Car lyn Ring Robert B. Smart Mrs. William S. Mailliard Louisa and William Newlin* Cara W. Robertson Candida N. Smith and Carroll J. Cavanagh* Wendy and Christopher Makins* Mr. and Mrs. Henry E. Nichols Alix I. Robinson Matthew C. and Jamie Beth Smith Mr. and Mrs. Peter L. Malkin Judge and Mrs. Arthur Nims* Jane Washburn Robinson Raymond W. Smith and Phyllis L. The Honorable Paul H. Nitze and Mr. and Mrs. Robert W. Robinson Goldstein Ms. Elisabeth Scott Porter* Mr. and Mrs. Thomas P. Roddy Mr. and Mrs. Robert B. Smith Jr.* John and Lisa Nolan Mr. and Mrs. T. Eugene Smith Gerson Nordlinger Jr.* Elaine and Jerry Snider Floyd L. Norton IV and Kathleen Richard and Catharine Snowdon

64 | Annual Report | 2001 Mr. and Mrs. John W. Snyder Ms. Que D. Nguyen Mr. and Mrs. Leonard A. Solomon* The Honorable J. Robinson West and Howard and Susan Sosin Eileen Shields West Patti and Jerry Sowalsky Ms. Dorothy B. Wexler Mrs. Samuel Spencer* Nan Shaver Whalen Marilyn & Saul Spilke Foundation Carol and Tom Wheeler Victoria Stack Mr. and Mrs. George Y. Wheeler Dave and Carol Stahl Ms. Kendall Wheeler Mrs. Benjamin F. Stapleton* Chris and Sue White Robert L. and Christine J. Steiner Ms. Mary White S.S. Steiner, Inc. Jaan Whitehead* The Honorable Malcolm Sterrett Mrs. Charles S. Whitehouse* and Mrs. Sterrett Mr. and Mrs. George F. Will Mr. and Mrs. Guy T. Steuart II Richard P. and Joan B. Williams Mr. and Mrs. George C. Stevens Jr. Professor John Wilmerding* Ruth Carter Stevenson Mr. and Mrs. Walter C. Wilson Mr. and Mrs. Robert D. Stillman Mr. Robert W. Wilson* Scot Stone The David L. Winstead Family Brenda Neubauer Straus Hugh E. and Evelyn Witt* Dara and Lewis Strauss Mr. and Mrs. Alan F. Wohlstetter* Mrs. Lewis Lichtenstein Strauss John C. Wohlstetter Jean and Kurt Stromberg Mrs. Sue D. Wright Stacy and Daniel Stryer Mavis and Hal Wylie Mrs. William Studabaker Mr. and Mrs. David N. Yerkes Gifts to the National Gallery | Every in Mr. and Mrs. Brendan V. Sullivan Jr. Captain, USN (Retired) T. Mrs. Jane E. Suydam* Youngblood and Mrs. Youngblood the collection of the National Gallery has either been the Mary H. D. Swift Robert D. Zimet gift of a private individual or purchased through generously Mrs. John K. Tabor Mrs. Michael N. Zirkle Mr. and Mrs. John T. Taft Mrs. Sidney S. Zlotnick* given private funds. Gifts of works of art to the Gallery's Ralph A. Taylor Jr. and Joanna L. Gianna and Zucchi collection are subject to approval by the Board of Trustees. Moorhead Donald and Barbara Zucker Foundation Topsy Taylor* Offers of such gifts should be discussed in advance with the Mrs. Waverly Taylor* Every effort has been made to create a secretary and general counsel, telephone (202) 842-6363. David and Adena Testa complete and accurate list of contributors. Offers of gifts of books of art-historical importance should Mr. and Mrs. John V. Thomas Unfortunately, owing to limited space, gifts Mrs. Benjamin W. Thoron* under $1,000 are not listed. Please call be discussed in advance with the executive librarian, tele- Mr. and Mrs. Alexander C. Tomlinson the development office at (202) 842-6372 phone (202) 842-6505. Mr. Frederic C. Towers should you have further questions. Mr. and Mrs. Lewis Townsend Planned giving, by which a donor makes a commit- Mrs. Cuthbert Train ment to benefit the Gallery at a later date, can enable many Steve and Candy Umin Mrs. Herbert A. Vance* donors to make larger gifts than by outright donation and Mr. and Mrs. Herbert A. Vance Jr.* can maximize the tax benefits and cost-effectiveness of Mr. William C. Vance* George D. Vassiliou / Prudential Securities making a gift. Donors of deferred gifts may indicate that the Philip and Melanne Verveer National Gallery of Art is to receive a certain sum of money, Mr. and Mrs. C. Woods Vest Jr.* Mr. and Mrs. Robert von Pentz property, works of art, or a percentage of an estate. We Mr. and Mrs. William von Raab encourage donors considering such a gift to discuss con- Dr. Jeremy P. Waletzky* Ambassador Jenonne Walker fidentially how it is to be used when arranging . Dr. and Mrs. Robert B. Wallace All gifts and bequests are deductible, within the limits Irene and Bill Wallert* Robert D. Wallick and Ann D. Wallick* prescribed by law, for applicable federal tax purposes. Gerald F. Warburg and Joy A. Jacobson For more information regarding gifts of funds and property, Ms. Virginia S. Warner Claude and Bruce Wasserstein both real and personal, please contact Ruth Anderson Mr. Melvin R. Weaver* Coggeshall, chief development officer, at (202) 842-6447. Suzan Reed Weaver* Mr. and Mrs. Caspar W. Weinberger* Rebecca Weistock* Susanne and Harrison Wellford The Honorable Allan Wendt and

65 | National Gallery of Art | Washington Portrait of the Year | Staff List (as of 30 September 2001)

Office of the Director Design and Installation Head of Lighting Shop Northern Baroque Paintings Jeffrey Bramhall Senior Curator, Chief of Design Curator Director Mark Leithauser Electrician Arthur K. Wheelock Jr. Earl A. Powell III Robert Head of Exhibition Production Research Assistants Deputy to the Director Gordon Anson Head of Paint Shop Phoebe Avery Carol W. Kelley Dennis Bult Aneta Georgievska-Shine Design Coordinators Executive Assistant Johanna Tummers Linda Heinrich Painters/Finishers Angela M. LoRe Donna Kirk Robert Barnett Staff Assistant Staff Assistants Joseph Richardson Michelle Bird Production Coordinators Debra S. Tatman William Bowser Dianne D. Stephens American and British Paintings John Olson Office of the Deputy Dire< Internal Auditor Senior Curator Production Coordinator/Frame Project Larry L. Lewis Deputy Director and Chief Curator Nicolai Cikovsky Jr. Coordinator Alan Shestack Auditor Nathan Peek Curator and Head of American Paintings Orin Wolf Administrator for Policy and Programs Franklin Kelly Office Manager Elizabeth Pochter Gina O'Connell Associate Curator Exhibitions Executive Secretary and Senior Staff Nancy K. Anderson Staff Assistant Chief of Exhibitions Assistant Julia Cates Assistant Curator D. Dodge Thompson Tamara Wilson Deborah Chotner Maquette Production Exhibition Officers Jane Rodgers European Paintings Research Assistant Jennifer F. Cipriano Wendy Bellion Naomi R. Remes Photographer Senior Curator and Head of French Paintings Ann B. Robertson Robert Shelley Philip Conisbee Staff Assistant Heidi Applegate Assistants for Exhibition Administration Head ofSilkscreen Assistant Curators, French Paintings Jennifer Bumba-Kongo Barbara Keyes Florence E. Coman Sculpture and Decorative Arts Suzanne Sarraf Kimberly A. Jones Silkscreen Production Abbie Sprague Curator of Early European Sculpture Lisa Farrell Samuel H. Kress Curatorial Fellow Alison Luchs Secretary to the Chief of Exhibitions Glenn Perry Frances Gage Jeffrey Wilson Curator of Sculpture and Decorative Arts Wendy Battaglino Staff Assistant Stefan Wood Douglas Lewis Michelle Bird Exhibition Programs Head of Exhibits Shop Visiting Senior Curator of Sculpture Head of Department James Payne Renaissance Paintings Manfred Leithe-Jasper Susan M. Arensberg Carpenters Curator, Italian Renaissance Assistant Curator Assistant Curator Melvin Brown David Alan Brown Eleonora Luciano Lynn Matheny Richard Bruce Curator, Northern Renaissance Volunteer Interns Lester Dumont Video and Film Productions John Oliver Hand Timothy D. Chapin Paul Heath Carroll Moore William D. Whitaker Miller Mack Assistant Curator, Italian Renaissance Research Assistant Thomas Piddington Gretchen Hirschauer Staff Assistant Rebecca Hunter Kelly Swain Staff Assistant Office Manager Elon Danziger Emily Hawkins

66 | Annual Report | 2001 Modern and Contemporary Art Curatorial Records and Files Media Scheduling Coordinator Teacher and School Programs Martha H. Aspron Curator Head of Department Acting Head, Department of Teacher and Jeffrey Weiss Nancy H. Yeide Affiliate Loan Coordinator School Programs, and Coordinator, Family Frances Duhart Associate Curator Assistant and Youth Programs Heidi Hinish Leah Dickerman Anne L. Halpern Program Shipping Technicians Michael G. Bryant Assistant Curator Coordinator of Teacher Programs Registration and Loans Molly Donovan Dion Redman Julie A. Springer Office of the Registrar Coordinator of School Docent Program Exhibition Specialist Adult Programs Jessica Stewart Chief Registrar Elisa Patterson Head of Department Sally Freitag Coordinator of Art Around the Staff Assistants Lynn Russell Corner Program Lisa Coldiron Registrar for Exhibitions Staff Lecturers Katherine Roeder Michelle Fondas Susan Witmer Eric Denker School Tours Scheduler Collections Manager Frances Feldman Prints and Drawings and Program Assistant Lauren Mellon Philip Leonard Andrew W. Mellon Senior Curator Jennifer Cross Associate Registrar for Loans J. Russell Sale Andrew Robison Judith L. Cline Sally Shelbume Assistant, Art Around the Corner Program Office Manager Paige Simpson Assistant Registrar for Exhibitions Coordinator of Tours, Lectures, Susanne L. Cook Melissa Stegeman and Adult Program Docents Assistant, Teacher Programs Wilford W. Scott Marget Van Horn Old Master Prints Assistant Registrar for Collections Adult Programs Tour Scheduler, Theresa Beall Film Programs Curator Docent Liaison Staff Assistant Peter Parshall Arlette Raspberry Curator Michelle Matuszak Associate Curator Margaret Parsons Virginia Clayton Art Services Manager Academic Programs Assistant Curator Daniel B. Shay Assistant Curator Head of Department Victoria Toye Gregory Jecmen Supervisory Museum Specialist Faya Causey Gary L. Webber Editors Office Administrator, Academic Programs Old Master Drawings Senior Art Services Specialists Rachel Schulze Editor-in-Chief Robert Cwiok Judy Metro Curator Program Assistant, Academic Programs Andrew Krieger Margaret Morgan Grasselli Lara Murray Production Manager Johnnie Mizell Chris Vogel Associate Curator Program Assistant, Intern Programs Art Services Specialists Judith Brodie Gabriella Rodriguez Senior Editor/Manager of the James Clark Assistant Curator Systematic Catalogue Douglas Jackson Stacey Sell Education Publications Mary Yakush Dan Randall Web Site Manager/Art Director Pierre Richard Deputy Division Head and Head of Modern Prints and Drawings Publications and Art Information Phyllis Hecht Art Services Technicians Curator Barbara Moore Managing Editor, CASVA Publications Goven J. Martinez Ruth E. Fine Carol Eron David Smith Production Manager Assistant Curators Donna Mann Editors Carlotta J. Owens Loans and the National Lending Service Writer/Editor Julie Warnement Charles M. Ritchie Katherine M. Whann Head of Department Carla Brenner Staff Assistant Stephanie T. Belt Program Coordinator, Media Technical and Web Site Editor Judy Szypa Ulrike Mills Loan Officer Stephanie Burnett Alicia Thomas Coordinating Curator, Art Information Production Editor Photographs Mariah Shay Staff Assistant Christopher With Curator Lisa B. MacDougall Senior Art Information Specialist Designers Sarah Greenough John Cogswell Margaret Bauer Assistant Curator Education Wendy Schleicher Smith Supervisor, Art Information Volunteer Julia Thompson Head of Education Operations Web Site Designer Research Associate Linda Downs Margaret Baucom Guillermo Saenz Charles Brock Staff Assistant to Head of Education Associate Supervisor of Art Information Research Assistant, Research Assistant, Stieglitz Systematic Pamela Chewning Volunteer Operations Rothko catalogue raisonne Catalogue Laili Nasr Program Assistant Marta Morgan Janet Blyberg Carol Bridges Program Assistant Permissions Coordinator, Multimedia Curatorial Assistant Ira Bartfield Supervisory Resource and Program Lesley Keiner April Watson Production Specialist Permissions Coordinator, Print Media Academic Year Intern Leo J. Kasun Sara Sanders-Buell Nora Lawrence Manager, Extension Programs Budget Coordinator Booking and Shipping Karen Kretzer Susan Sedlock Production Assistant Supervisory Shipping Technician, Rio DeNaro Extension Programs Project Assistant Roland Young Amanda Mister

67 | National Gallery of Art | Washington Library Photographic Archives Paper Conservation Center for Advanced Executive Librarian Curator Head of Paper Conservation Study in the Visual Arts Neal T. Turtell Ruth R. Philbrick Shelley Fletcher Dean Administrative Librarian Archivist of Architecture Senior Conservators Elizabeth Cropper Roger C. Lawson Andrea R. Gibbs Judith Walsh Associate Deans Yoonjoo Strumfels Automation Coordinator Archivist of American and English Art Therese O'Malley Karen P. Cassedy Richard W. Button Photograph Conservator Peter Lukehart Constance McCabe Staff Assistant Archivist of Twentieth-Century Art Center Administrator Kate M. Allen Meg Melvin Conservation Technician Helen Tangires Lehua Fisher Archivist of Italian Art Research Associates Technical Services Melissa Beck Lemke Permanent Collection Matting/Framing Robyn Asleson Technical Services Librarian Elaine Vamos Barbara S. Christen Archivist of Decorative Arts Anna M. Rachwald Mary Pixley Wendy Cole Object Conservation Eike Schmidt Acquisitions Assistants Kress Photo Conservator Susan Clay Head of Object Conservation Project Staff Sarah David Diaz Shelley Sturman Karen Binswanger Jeffrey Leone Staff Assistant Senior Conservator Program Assistants Mary A. Masters Debra K. Massey Judy L. Ozone Nicole Anselona Acquisitions Student Assistant Casey Benson Slide Library Conservators Keon Anthony Daphne Barbour Elizabeth Kielpinski Chief Slide Librarian Martha McLaughlin Cataloguers Katherine May Gregory P. J. Most Kimberly Rodeffer Jane D. Collins Conservation Technician Associate Slide Librarians Bary Johnson Sheila Payaqui Secretary J. Bryan Lane Patricia C. Ballard Laura Kinneberg Thomas A. O'Callaghan Jr. Trudi W. Olivetti Textile Conservation Cathy F. Quinn Interns Head of Textile Conservation Office of the Administrator Marsha D. Spieth Sarah Jane McCormick Julia Paula L. Zech Michelle Saunders Administrator Darrell R. Willson Cataloguing Assistant Scientific Research Department Conservation Kat Spears Deputy Administrator Head of Scientific Research Chief of Conservation Charles H. Schneider Bindery Assistant E. Rene de la Rie Ross Merrill Jane E. Higgins Executive Assistant Senior Conservation Scientist Conservation Administrator Anne Valentine Barbara H. Berrie Reader Services Michael Skalka Staff Assistant Research Conservator for Painting Technology Head of Reader Services Conservation Programs Assistant Jennifer McStay E. Melanie Gifford Lamia Doumato Jessica Shaffer Assistant to the Administrator Organic Chemist Reference Librarian Staff Assistant for Budget Analysis Suzanne Q. Lomax Frances P. Lederer Christina Rich Andrew McCoy Conservation Scientists Reference Assistant Assistant to the Administrator Painting Conservation Lisha D. Glinsman George (Ted) T. Dalziel Jr. for Business Activities Michael R. Palmer Head of Painting Conservation Stephanie Topolgus Interlibrary Loan Assistant Christopher Maines Thomas F. J. McGill Jr. Sarah Fisher Research Assistant Senior Conservators Office of Capital Projects Interlibrary Loan Technician Corey D'Augustine Maria L. Sampang Michael Swicklik Assistant to the Administrator for Jay Krueger Capital Projects/Senior Architect Circulation Supervisor Loans and Exhibitions Conservation Catherine Metzger Susan Wertheim Jeannette Canty Head of Department/ Conservators Energy Conservation Specialist Circulation Technician Deputy Chief of Conservation Ann Hoenigswald Dennis Donaldson Yuri Long Mervin Richard Elizabeth Walmsley Fire Protection Engineer Circulation Student Assistant Carol Christensen Coordinator of Matting/Framing Robert Wilson Alex Hodges Hugh Phibbs Conservation Technician Interior Design Specialist Vertical Files Librarian Laura Rivers Senior Conservator Susan A. Ritterpusch Roberta Geier Michael Pierce Project Architect Vertical Files Student Assistant Matter/Framer Christopher Ruffing Jennifer Akamine Jenny Ritchie

Serials Assistants Frame Conservators Bruce B. Hebblethwaite Stephan Wilcox Inge F. Newstead Richard Ford Conservation Technician Bethann Heinbaugh

68 | Annual Report | 2001 Office of Architectural Services Paint Shop Isaac Graham Pipefitters Josephine Halloman LeVern Jacobs Assistant to the Administrator for Supervisor Carolyn Harvey Robert Lowry Architectural Services/Senior Architect Rhonda McCord Brock Hawkins James Phillips James M. Grupe Painters Raymond Henson Sheet Metal Mechanic Assistant Senior Architect Joseph Copeland Alice Holloman Mark Teed Carl M. Campioli James Miller Anthony Inabinet Jesus Pena Lawrence Jackson Project Architects Electric Shop Lester Smith Bruce D. Condit Michon Jenkins Larry Welch Supervisor William H. Cross Jr. Dorothy Johnson Brian Thomas CAD Manager/Architect Teresa Johnson Mason Shop Eric Mucklow Lamont Lee Leader Supervisor Sheldon Malloy Daniel Smith Staff Assistant Roland Martin Theodora McCard Michele D. DuBois Cassandra Pixley Electricians Mason Leader Leora Richardson David Cole Equal Employment Opportunity Joseph Sandleitner Henry Rivers Fred Dodge Officer/Attorney Carlton Williams Masons Betty Rufus Lindsay Patterson Reginald Kellibrew Evelyn Scott Electrical Worker Michael Proctor Lorraine Staggs Leslie Raspberry Facilities Management Gino Ricci Angeline Sutton Elevator Mechanic Clare Wiedmaier Gloria Thomas Chief of Facilities Willie Parker Diana Wells Kurt Sisson Mason Worker James Wells Christopher Baumann Horticultural Services Deputy Chief of Facilities Zilphia Wright Michael Giamber Mason Helper Chief of Horticultural Services Betty Holmes Building Operations Department Donald Hand Budget/ADP Dan Hamm Roofer/Glazier Manager Deputy Chief of Horticultural Services James Powell Jr. Pete Aitcheson Dianne Cina Special Projects Coordinator Allan Higgles Assistant Manager Horticulturists Building Services Department John Bixler Margaret Church Assistant Special Projects Coordinator General Foreman David Gentilcore Darrell Waytes Supervisors Charles Boone Julianna Goodman Darnell Bell Staff Assistant James Kaufmann Assistant Foreman Zery Mingo Linda Milliard Cynthia Lawless Harry Colclough William Sutton Donald Young Gardener Leaders Engineering Department Supervisors Greatheart Robert Bailey Leaders Supervisor James Stewart Sylvia Dorsey William Rodney Lough Frank Ford Larry Smith Gardeners BAS Manager Angela Lee Anthony Thomas Anthony Ferrell Brian McGivney Brian Johnson Leaders Engineering Technicians John Jones Engineering Technicians Andre Adams Joseph Burgess Ronald McGill Mark Casalez Paul Cotton Kevin Cockrell Michael Peters Eric Chamberlain Geraldine Crawford Eugene Givens Adam Sklar Gary Ilko Eva Harrison Ed Hanna Ronald Terrell Engineering Draftsman Sheila Sanders Gary Persing Keith Neal Carroll Shumpest Shawn Sizemore Protection Services Housekeepers Operating Engineers Office of the Chief Work Control Center Maurice Anderson James Hamilton of Protection Services Supervisor Kenneth Betts Wayne Valentine John Haughey James Bolden James Wilson Chief George Bridges James J. Lucey Maintenance Engineers Work Control Coordinators Rowna Camper Gwendolyn Arnold Noel Ashton Secretary Gerald Carthorne Judith Williams Nathaniel Bethune Geri M. Green James Clark Roger Dunning Barbara Coleman Investigations Building Maintenance Department Elsie Coleman Operations Unit Enis Pinar Manager Lewis Dobbs Larry Brown James Deas Craig MacFarlane Bernessa Drain Frank Lim Geraldine Drayton John Ott Shop Kim Eugene Guthrie Emma Faison Supervisor Utility Systems Repair Operators Allen Foster Alvin Adams Walter Coehins Oliver Fowler Floyd Harris Wood Crafter Leaders Varon Lee Dorson Abney Harvey Moore George McDonald Clifton Mutts Wood Crafters Carl Napper Francis Dyson Jr. James Stevens Anthony Givens Alexander Tonic Willard Menson Robert Motley John Rogers

69 | National Gallery of Art | Washington Administration Console Operators Edgar Hopson Thomasine Cloude Philip Amett Joseph Hudson Walter Colbert Deputy Chief Winston Franklin Felisha Jones Robert Conyers Yvette Coles Derrick Hairston Edward Johnson Leslie Copeland Computer Specialist Barbara Height Frank Johnson Dennis Diggs Stephen Lockard Tawania McKinzy David Lee Raymond Dryburgh Supply Clerks Ernest Reynolds Franklin Lewis Thomas DuBois Michelle Cameron James Townsend Gary Lindsay Alexander DuBoise Chris L. Privott Laverne Whitted David Logan Carlos DuBose Marvin Mallard Altwan Edwards Lieutenants Program Specialist Victor McCrea Roby Ellis Hajji Al-Hadith Catherine Ferryman Frank Meyer Neil Floyd Cleven Brown Joseph Midgette Ardella Foster Staff Assistant Armando Hartley Charles Alonzo Fountain Sherry Shaw-Johnson Dona Linder Dexter Moten Carlton Gaines Office Automation Assistant Ricky Manuel James Murphy Johnnie Gallop Zoya Mussienko Lawrence Marshall Justina Page Gene Garrett Sandra Powell Daniel Miller Ronald Randall Antone Gatewood John Palmer Secretary Jerry Reaves John C. Gibson Vincent Parker Nicole Watson William Richardson Dionne Gilbert Karen Perry Dana Roberson Jermaine Ginyard Kathy Sutton Technical Services Dexter Roberson Cynthia Greene Marlene Tucker Loretta Roy Paul Gresham Deputy Chief Sergeants Ronald Sewell Carolyn Groce David G. Schott Willie Barnes Calvin Simmons Mark Habermehl Technical Services Supervisor Bernard Clemons Ronnie Sloan Jr. Lome Harleston Angelo Catucci Timothy Fortt John Smith Burley Harris Emanuel Goddard Electronic Mechanics Leroy Smith Thomas Henderson Harry Groce Patrick Parrett Timothy Smith Elvis Hernandez Maurice Johnson William Shaw Michael Strong Jimmie Hines William Johnson Nathaniel Stroman Altina Sumter Mildred Holeman Quellan Josey Edward Thomas Alice Holloman Locksmiths Alonzo Kennedy Larry Turner Fred Holmes Robert Brown Roger Kraft Eugenio Velazquez Priscilla Hopkins Ty Cullins Joe Lewis Gerald Walker Gregory Howard Safety and Occupational Health Manager Jeroboam Powell Linda West Ina Hunter Philip Goldsmith Anthony Thompson David Weston Charles Jackson Sheila Wright Lynn Williams John Jackson Safety and Occupational Health Specialist Ralph Wright Victor Jamison Joseph Harchick Gallery Protection Officers II Daniel Bailey Willie Wright Alan Jenkins Personnel Security Specialist Latina Bailey James Yancey Jesus Jimenez Pamela Davis Eric Johnson Leonard Bashful Gallery Protection Officers Wayman Johnson Ludwig Bednar Jr. Rukan Ahmed Visitor Services Yamashita Johnson Vander Blount James Allison Jr. John Jones Manager Ronald Brown Ashley Arnold Kenneth Jones Sandra Creighton Samuel Brown Jency Arrington Micah B. Jones Tyrone Brown Frederick Babb Staff Assistants Mariatu Koroma Wayne Buckner Cedric Baker Emily Hawkins Lamont Lee Alvin Burts Gwendolyn Bell Paula Phipps Charles Leggett Joseph Callahan Larita Best John Legrand Ellis Caudle Vincente Best Operations Robert Lewis Edward Ronald Bond Jr. Tyrone Lewis Deputy Chief Luther Clark Jr. Kenneth Bristow Fransonia Littles Michael Prendergast Venus Cristwell Steve Brock Larry Macalino Captain of the Guard John Davis Wayne Bryant Rodney Mathew Larry Kaylor Wade Davis Benjamin Burgess Isaac Mathis Jerry Doss Felesia Burgess Assistant Operations Officer Darryl McCathon Ernest Edwards Otis Butler Richard Allen Quinyardo McClain Ronald Estes Richard Byrd Henry McKinnon Security Driver Benjamin Flores David Caldwell Leroy Miller Joshua Mewbom Paul Ford George Caldwell Leroy Moreno Edward Foster Joe Cardwell Console Operator Supervisors Billy Joe Norman Robert Gayleard James Carlton Frank Ebb Willie Norman James Hairston Albert Carr Jr. Walter Queen Beverly North George Hamilton Jesus Castro-Alvartez Joyce Palmer Alvin Hawkins David Clark Peter Henderson Nolen Paulk Dennis Hill Joe Peterson Donna Hinton Claude Poole Willie Pugh

70 | Annual Report | 2001 Tyrone Rawls Personnel Specialist Supply and Property: Digital Imaging Services: Gary Reed Terrence Snyder Inventory Management Officer Marcus A. Reeves Coordinator Staffing Specialists Ted Harper Brannock Reilly Robert Grove Rick Decuir Robert Rice Jr. Supply Technicians Visual Information Specialists Linda Pettiford Edward Roberts Larry Fauntleroy Deborah Adenan James Roberts Staffing Technician Paul Fortune Christina Moore Andrew Robinson Janie Cole Kevin Grays Allison Needle Michael Robinson Employee Relations Advisors Anthony Sean Hilliard Patrick Rogers Luis Baquedano Nathan Howell Procurement and Contracts John Sherrill Ulrick Vilmenay Eric Janson Chief of Procurement Willie Sims Elaine Larison Franklin Smalls Staff Assistant Warehouse and Distribution: William Smallwood Tammy Bennett Deputy Chief of Procurement Supervisory Distribution Facilities Specialist Milton Sochor Sr. Jeffrey P. Petrino Receptionist Paul Rodriguez Alexander Stephens Annette Brown Contract Specialists Gregory Stevenson Warehouse Leader Training Officer Terry V. Ellis Earl Stewart Samuel Baugh Judy Frank Jeannette Rogue Reathel Stewart Materials Handlers Claudine A. Harper Charles Strickland Training Administrator Darnell Brandon Purchasing Agen ts Tamara Sutton George Martin Brian Johnson Jermaine Thomas Barbara G. Manley Training Specialist Dwyne Proctor William Thorne Grayling Reaves Edward Watson Receiving Clerk Reginald Thornton Staff Assistant Raymond Tyndle Alfred Cohen Administrative Services Patricia Barber William Walker David Watchorn Chief of Administrative Services Technical Support Branch Carlos Watson Cathy Yates Branch Chief Office of the Treasurer Gregory Watson Thomas Valentine Staff Assistant Treasurer Michael Webster Stephanie V. Lott James E. Duff Verda Whitlow Computer Specialist Audio Visual Services: Celia Whitney Deputy Treasurer Scott Stephens Program Assistant Ronald Wilkins George-Ann Tobin Dorian Breau Barry Williams Administrative Officer Executive Assistant Annette Williamson Sharlene Mobley Radio Production Specialist Judy Shindel Philip Williamson Fiscal Clerk John Conway Andre Wilson Assistant Treasurer/Investment Management Christy Williams Motion Picture Projectionist Wayne Wilson Michael W. Levine Jeannie Bemhards Warren Woodson Logistics Support Branch Supervisory Operating Accountant Anthony Wright Maintenance Technician Kelly Liller Branch Chief Anne Wyder Lester Barry Edward Harrison Budget Officer Gallery Security Officers Printing and Duplicating: William H. Roache Aaron Alexander Travel and Transportation: Budget Analyst Paul Cawley Off-Set Press Operators Program Assistant/Travel Coordinator Jean Krevinas Jerome Corbett Patrick Beverly Barbara Caldwell Franz Espinoza Frank Schiavone Assistant to the Treasurer for Risk James Forman Transportation Assistant Equipment/Copier Operator Management and Special Projects Douglas Hamm Dora Barksdale James Morris Nancy Hoffmann Errick James Driver Financial Program Specialist Leroy Lawrence Bruce Carter Telecommunications: Rosa E. Jackson Jacob Neal Robert Norwood Telecommunications Specialist Records Management: Michael Batt General Accounting Benjamin Scott Abdul Sharif Information Management Specialist Supervisory Telephone Operator Comptroller Darryl Tyler Victoria Emerson Minnie Barbour Dale C. Rinker Cheryl Watson Deputy Comptroller Mailroom: Telephone Operators Barbara McNair David J. Rada Personnel Lead Mail Clerk Juanita Walker Operating Accountants Felton Byrd Personnel Officer Ruth E. Lewis Michael Bloom Mail Clerks Photography Services: Linda K. Smith James Arnold Deputy Personnel Officer Supervisory Photographer Accounting Technicians Clifton Fleet Meredith Weiser Dean Beasom Cynthia W. Czubat Jose Vallecillo Systems Specialists Photographers Dyann Nelson-Reese Michele Caputo Ricardo Blanc Brenda M. Stevenson Darryl Cherry Lorene Emerson Stephanie L. Thorpe Valerie M. Wright Photographers/Lab Doris Alston David Applegate James Locke

Secretary Geneva Rosenboro

71 | National Gallery of Art | Washington Gallery Archives Retail System Manager Retail Systems Cashiers Pamela Baxter-Simms Michael Chapman Systems Manager Chief of Gallery Archives Christine Chu Maygene F. Daniels Accounts Payable Technician G. Lee Cathey Denis Donovan Kevin C. Oberman Systems Analyst/Programmer Sylvia A. Jenkins Deputy Chief of Gallery Archives Anne G. Ritchie Sales Audit Alexander Bloshteyn Rodger Jones Jeanette Ramsaroop Earlene Bright Technology Specialist Archivist Chandra Rolle Michele Lee Inventory Accounting Technician Martin Rudder Mildred Shivers Richard Archives Technicians Rosemary Wilkerson Store and Warehouse Operations Tara Ballentine Merchandise Stock Clerks Payroll Visual Presentation: Caitlin Jenkins Terry W. Gibson Torrence Thomas Supervisory Pay Technician Manager Linda A. Hunt Emma G. Moses Therese M. Stripling Staff Assistant Mary McCormack Civilian Pay Technicians Technicians Warehouse and Mail Order Operations: Brenda Cartwright Holly Ivanoff Operations Supervisor Margaret Myers Mary Tewalt Stephen Richardson Office of External and International Affairs Lead Materials Handler Data Processing West Building Shop: Marvin M. Walton Executive Officer, External and Chief Information Officer Store Manager Materials Handlers International Affairs Linda K. Stone Nancy G. Vibert Mike Nichols Joseph J. Krakora Chief Technology Officer Assistant Store Managers Angela Johnson Deputy to the Executive Officer Richard C. Snyder Frenzetta Coward Terrence Smith Ellen Bryant Supervisory Computer Specialists Petra Giuland Truck Driver Special Assistant Henry B. Clark C. Kelly Mayle James B. Everett Francine Linde Susan E. Farr Category Specialists Lead Mail Clerk External and International Affairs Associates Financial Systems Manager Mary Heiss E. Jean Mitchell Lydia Beruff Carol Ann Proietti Mary J. Powell Chris Siron Mail Order Clerk Adrienne Gennett Computer Specialists Miriam Davis Lead Cashier Rick Foster Development Susan Y. Hsia Linda Peterson Shipping Clerk Todd Osbom Chief Development Officer Jack M. Tucker Cashiers Ruth Anderson Coggeshall Computer Operators Sara Basavaraju Accounts Receivable Clerk Senior Development Associate Karen M. Martin Matthew Cockrell Carol L. Messineo John H. McNeil Pamela Coleman Cathryn Dickert Scoville Roddie Worthington Denise Enriquez Visual Services Senior Associate Yehudith Freeman Visual Information Specialist Coordinator of Visual Services Patricia A. Donovan Tia Hailey Melissa Front Barbara Bernard Senior Associate for Planned Giving Peter Huestis F.A. Bonnie Hourigan Theresa Keys Museum Specialists Gallery Shops Elizabeth McManus Nancy Stanfield Senior Associate for Annual Giving Division Chief Bonnie McBride Barbara Goldstein Wood Laurel Alexander Ysabel L. Lightner Kim Peacock Associate for Development Operations Nicole Shifflet Deputy Division Chief/Operations Manager Office of Secretary and Elizabeth A. Hutcheson Timothy Turner Karen Boyd Merchandise Stock Clerks General Counsel Associate for Foundation Relations Steven Corbin Salina R. Muellich Office Administration Secretary and General Counsel Aaron Seaboch Elizabeth A. Croog Development Officer, Prospect Research Office Manager Rita P. Monner Laura A. Fitzgerald Concourse Book Store: Deputy Secretary and Deputy General Counsel Development Officer, Annual Giving Staff Assistant Store Manager John A. Lindburg Betsy O'Brien Vasily Lazarenko Stephen McKevitt Associate General Counsels Development Officer, Collectors Committee Assistant Store Managers Merchandising Nancy Robinson Breuer Kara Ramirez Mullins Craig Himmons Marilyn Tebor Shaw Merchandising Visual Information Specialist Kelly Song Development Associates, Annual Giving Noriko K. Bell Assistant General Counsel Elizabeth Spratt Cooper Category Specialists Isabelle Jain Jinene DeRibas Product Development Specialist/Buyer Chigoy Judy C. Luther Charlene Conlon Legal Assistant Development Associate, Stewardship Sarah E. Fontana Susan Redford Book Buyers Nicole Glaude Dennis E. Callaghan Assistant Secretary Annual Giving Assistant Donald L. Henderson Kathryn K. Bartfield Laurie E. Martens

Buyers Staff Assistant Network Specialist Janet B. Kerger Carol A. Christ John D. Carstens Mary K. Sard Secretary Nancy A. Sanders Montrue V. Conner Program Specialist Shannon M. Rutherford

72 | Annual Report | 2001 Corporate Relations Fellowships Wyeth Predoctoral Fellow Educap, Inc., Summer Interns Chief Corporate Relations Officer Wendy Bellion Members, Center for Advanced Brett Abbott Christine M. Myers Study in the Visual Arts Ittleson Predoctoral Fellows Erin Caricofe Corporate Relations Associate David T. Doris Tim Chapin Academic Year 2000 - 2001 Anne H. Lottmann Nnamdi Elleh Amy Charleroy Samuel H. Kress Professor Morgen Cheshire Executive Assistant Andrew W. Mellon Predoctoral Fellows Juergen Schulz Julie Cole Catherine C. Labib Stella Nair Felicity Coleman Andrew W. Mellon Professor Hajime Nakatani Research and Multimedia Specialist Heather Cotter Nicholas Penny Jeanette Crangle Beers Robert H. and Clarice Smith C. D. Dickerson Andrew W. Mellon Lecturer in the Fine Arts Predoctoral Fellow Jean Henry Sponsorship Manager Salvatore Settis Stephanie Schrader Rachel Hershberg Susan McCullough Elizabeth Jablonski Paul Mellon Senior Fellow Chester Dale Predoctoral Fellows Suzanne Karr Press and Public Information Georges Roque Cheryl Finley Arne Flaten Pol-Yin Lin Samuel H. Kress Senior Fellows Press and Public Information Officer Rachel Haidu Christina Neilson Bruce Redford Deborah Ziska Graham Larkin Michele Saunders Joaneath Spicer Angelique Sioc'han de Kersabiec Publicists Predoctoral Fellows, Summer Travel Lisa Knapp Ailsa Mellon Bruce Senior Fellows J. Alex Tapuio Abroad for Historians of American Art Matthew Biro Torrence Thomas Domenic Morea Francis Chung Finnbarr Barry Flood Carolien van den Akker Program Assistant Brian Clancy Z. S. Strother Shannon Roberts Amy Pederson Frese Senior Fellow Volunteers Receptionist Louise Rice Fellows and Interns in Conservation David Wojcinski Docents Ailsa Mellon Bruce National Gallery of Art Intern for the Art Materials Collection Staff Assistants Sabbatical Curatorial Fellows Ann G. Allen Annie Leist Caroline Cobb John Oliver Hand Lee Allen Kristin Fuller Wilford W. Scott Painting Conservation Satomi Aoki Diane Arkin Paul Mellon Visiting Senior Fellows Charles E. Culpeper Advanced Training Fellow Special Events Donna Aubinoe Fredrika H. Jacobs Rikke Foulke Hannah Aurbach Assistant to the Director for Special Events Cynthia M. Pyle William R. Leisher Memorial Fellow Barbara Baker Genevra O. Higginson Pietro Roccasecca Allison Langley Bunny Baker Martin Schieder Assistants Rosalie Baker Susan L. Siegfried Training Program Intern Catharine A. Bamett Jane T. Barton Thurber Helen Spande Bethann Burns Kathleen Battle Nora Connolly Ailsa Mellon Bruce Visiting Senior Fellows Intern Heinz Bauer Elizabeth Lee Jahnke Catherine J. Allen Maria Louise Pilo Sue Beddow Suzanne R. Pilet Joseph Connors B.J. Beers Anne K. Sawkiw Pamela Gerrish Paper Conservation Marlene Bolze Carissa E. South Giuseppe Pucci Andrew W. Mellon Advanced Training Fellow Lena Boman-Schuwer Maria Tousimis Starr Foundation Visiting Senior Research Cyntia Karnes Maureen Fallon Bridgeland Fellows Gail Briggs Special Projects Qing Chang Object Conservation Florence Brodkey Special Projects Officer Abdul Rehman Andrew W. Mellon Advanced Training Fellow Ana Maria Brown Pamela Jenkinson Angela Chang Debra Brown Samuel H. Kress Paired Fellows for Research Susan Brown Special Projects Associates in Conservation and Art History/Archaeology Scientific Research Department Susan C. Bruce Carol Koelemay Debra Pincus Roberta Buchanan Linda Daniel Shelley G. Sturman Andrew W. Mellon Research Fellow Donna Burnett Samuel H. Kress Postdoctoral Curatorial Carol Burton Music Fellow Charles E. Culpeper Advanced Training Fellow James R. Byron Assistant to the Director for Music Kathryn A. Tuma Ileana Balta Mary Ann Cameron George Manos Nancy Cammack David E. Finley Predoctoral Fellows Graduate Lecturing Fellows Karen Campbell Music Program Specialists Fabio Barry Sheila Campbell Juliana Munsing Stephen Pinson Anne Collins Goodyear Valerie Stephen Ackert Kristel Smentek Rosemary Trippe Marian Carroll Music Librarians Paul Mellon Predoctoral Fellows Interns in the Museum Profession Jane Casazza George Gillespie Carla Keyvanian Sara Cherner Booze Sarah Linford Phoebe Avery Mary Anne Clancy Brendan Fay Concert Aides Pamela Warner William R. Cline Alison McElheny Eugenia Langley Samuel H. Kress Predoctoral Fellows Mary Ann Coffland Cathy Kazmierczak Kara Cooney Leslie K. Cohen Angela Rooney Kathryn Rudy David Cooper Vrejoohie Armenian Elizabeth Corbin Mary Davis Predoctoral Fellows Jeannette Cox Sarah Kennel Dina DArcangelo Alona Nitzan-Shiftan Joy Dale

73 | National Gallery of Art | Washington Kitty Davis Patricia Jacobs Elizabeth Niederman Iris Silverman Dominique N. de Keghel Francesca Janni Akemi Nishida Joan Silverman Gerard de la Cruz Marilyn Jenkinson Saka Noma Beatriz Slotkoff Rutgera de Marilyn Johnson Olga Nosova Trudi Small Joan Dickey Joan Jordano Nur Nossuli Antonia Smiley Virginia Dillon Cynthia Juvan Lucy O'Brien Anne Louise Smith Anna Dixon Candace Kaller Mary Catharine O'Connell Sally Smyser Margaret W. Doole Rebecca Kara Mary O'Neill Langley Spurlock Judy Doyle Louise Karpicus Mary Lee O'Neill James Stein Helga Ehudin Evelyn Katz Mariko Oka Celia Steingold Alice Nancy Keefe Linn Ong Gladys Stifel Hope Emerling Carolyn Kelloff Gail H. Ostergaard Mary Sullivan Karen Epelbaum Marney Kennedy Cecilia Ouspensky Mary Ann Sures Elizabeth Farrell Carol King Lousie Owen Nancy Swain Leslie Jones Farrell Ilze King Patty Owens Hiroko Tada Marilyn Farrington Phyllis Knight Anne Padelford Michelle Tager Sharon Feldman Gunter Koenig Martha Parker Hiroko Takagi Victoria Feldman Patricia Kraemer Hedwig Pasolini Etsuko Takeichi Paula G. Ferdinand Carol Kuehl Connie Patrick Lillian R. Taylor Sima Ficks Barbara Kurtz Piera Pearce Karen Telis Deborah File Marie Kux Annabel Perlik Gale Templeton Harriet Jillian Finkelstein Kate LaBuda Maxie Phillips Ruth Thomas Sandra Fischer Anne Lancaster Karen Piper Susan Toerge Virginia N. Flavin Rita Landers Judith D. Pomeranz Laurie Trusty Eleanor Foulger Jacqueline Landfield Nancy Porter Susan Van Nice Phyllis Freirich Eugenia S. Langley Annette Pozzo Greg F. Van Tatenhove Beba Gains Anne Lanman Anastasia Pratt Suzanne Vegh Joyce Gamse Jo Ann Larsen Teresa Preville Rosario Velasquez Claude Gaujard Gigi Lazarus Christine Prichard Joy Vige Mary Gibb Anne-Marie Lee Ludmila Pruner Stella Walters Thomas A. Gilday Hillary Lee Maria Amelia Ramaciotti Josephine Wang Marcia Gilman Anne Marie Lemaire Ross Randall Kristina Wasserman Betty Ann Gilmore Rosalie Lesser Pickett Davis Randolph Momoko Watanabe Pauline Gilstrap Peter S. Levitt Nancy Rankin Jane Weems Irya Gittelson Paula G. Litvak Sally Ray Maria Elena Weissman Dawn S. Glass Janet Lloyd Karen Redfem Anne West Kay Glenday Doris Loftness Lucia Jean Reynolds Michael Weyl Marilynn Goldsmith Jean Loper Nancy Richardson William F. Whalen Enza Gorges Rody Lopez Margot Riddick Sue White Linda Graham Franchia Loren Cynthea Riesenberg Sue Wickwire Jonathan W. Gray Anne Lowenstein Isabel Rodriguez Elizabeth Wildhack Kathy Green Ana Maria Macchetto Wynefred Rogerson Brooke Wilding Beth Griffith Barbra Mann Jo Roland Betty Wilson Deborah L. Griffith Anne Marie Marenburg Myriam Rollert Thomas Winans Nancy Hafer Patricia Martin Eileen Romano Maria Ilona Wood Florence Hall Terry Matan Suzannah Rubens Laura Wyman Ludwine Hall Karen Mathis Deborah Rucci Fred S. Pamela Gulley Hardin Marylin Mathis Susan Rudy Dora Jean Young Melissa Harris Virginia Mayo Sheila Ruffine Lois D. Young Linda Harrison Rebekah McKenna Lois Sacks Joan Zeizel Florence Heller Ursula McKinney Leota Sarraf Kathryn Zoeller Eliane Herring Mary Ellen McMillen Marie N. Scaduto-Mendola Gianna Zucchi Shannon Hobbs Joseph McPhillips Mary Schaad Jane Hochberg Virginia A. McQuoid Suzanne Schiffman Art Information Volunteers Nira Hodos Amy Meadows Tazuko Schmitz Claire Ackerman Sandy Hoffmann Kyla H. Medigovich Susan Walker Scola Elsie Aranda Jennifer Hollings Alberto Melo Nancy Searles Mary Anne Arbo Sharon Holtzman Caroline Miller Mary Leigh Shepard Eleanor H. Augustine Elizabeth Shepherd Adriana Hopper Elaine Miller Rosalie Baker Carl Shugaar Marta Madrid de Horgan Jane R. Miller Edith Ball Sandy Horowitz Marjorie Mitzner Judy Shulman Valerie Ballard Marilyn Horwood Joan Morton Ruth Sickel Eleanor J. Bateman Carol Pope Howerton Mary Mossop Danielle Siew Barbara Behr Merry T. Hunt Joan Banks Mulcahy Milton A. Silveira Diane Soucy Bergan Mary Hurd Peter Neuhaus Joan Davis Berger Anne Irving Laureen Higgins Nicholson Catherine F. Beyer Edie Izenberg Marian Binder Barbara Bluestone

74 | Annual Report | 2001 Janet Boccia Grace Jaeger Carl Shugaar BJ Boudreau Barbara Jensen Margaret H. Sickels Denise Boxberger Lyn Jonnes Nancy Silverman Greta Brown Cynthia Juvan Esther Slaff Amy C. Bruins Nancy A. Kane Joan M. Steigelman Mario Cader Jill Kasle Adele de Werff Stevens Marian Carroll Nancy C. Kotz Debra A. Strickland Patricia A. Casson Elaine Krassner Janet L. Sugg Nancy R. Center Sally Ann Kreisberg Linda Stamp Sundberg Joan K. Chapin Marjorie Kress Bonnie Sweet Evelyn P. Childs Adel M. Labib Victor T.K. Tang Kimball Clark Julie La Fave Wei Tang Simone Clarke Stephen L. Lake Joan Timberlake Lynn Cleary Shirley Lavine Alicia Tisnado Pat Clopper Mary Lawler Ward C. Van Wormer Marlene B. Conner Marion H. Lebanik Barbara Vondy Janet F. Cooper Ilse Lewy Frances M. Walls Marcia Corey Susan Lightsey Moon-Shia Wang Sherry F. Cross Lionel Lipschultz Diane Wapner Elizabeth des Cognets Karen Livomese Robert W. Wegener Therese des Rosiers Ksenia Lobanova Cecile West Joanne DeSiato Amie Long Mary Westfall Verda Deutscher Marty Longan Eleanor R. Williams Janet Donaldson Joyce MacCorquodale Michael S. Winer Kimberly Doyle Rosetta Penna Maguigad Eileen Winkelman My Le Ducharme Eileen Mandle Sally G. Wise Donna Edmondson Donald E. Markle Frances Winston Estelle S. Eisendrath Geraldine 0. Markle Maria Ilona Wood Rose Evans Harriett C. Mathews Merriam Woodhouse Susana Fainbraun Virginia McCormick Gerry 0. Wyche Judith Feldman Rebekah R. McKenna Antoine Yared Maureen Ferguson Virginia A. McQuoid Rubye 0. Youngblood Barbara J. Fisher Barbara Meyers Joyce Zegen Marjorie Fisher Lynne Middleton Barbara W. Freeman Dena Zenti Moglia Library Volunteers Sue Fretts Bonnie Moisan Pat Clopper Marguerite L. Fry Dale Moran Mary Ellen Descheneaux Pamela Fry Barbara B. Morris James Early John Garneski Yolanda Morris Edith B. Hebblethwaite Agnes E. Gavin Nika Moscalionov Tara Heuser Joyce Gentile Susan Murphree Diane Horowitz Jean Gerhardt Gabriele A. Nanda Adel M. Labib Carla Augustina Gois Mary T. Neves Ellen McVicker Layman Annette Goldschmidt Marian Nida Doris Rauch Edward P. Greenberg Ronald E. Niemann Lilly Rosen Helena Gunnarsson Darvine J. Noel Lona Trowsley Marylee Hair Joan R. Novell Rose Trippi Harvey R. Hale Ursula R. Pariser Mary P. Hanrahan Roberta Lynn Peel Volunteer Interns Tawney Harding Anthony Piantes Betty Hatch June Ramey Kelly Crawford Josephine Hearld Karin Regan Aurore Decourcelle Jean Holder Annette B. Rich Ashley Elston Leonard Holder Donna Richards Katherine Fogg Suzannah Rubens Hopkins Bette Richardson Joy Hsin Dru Hopper Gail Ridgway Ysaac Hyo-jung Kim Claire Horowitz Arlene Ring Lavina Lee Mark Huey Sara T. Roberts Suzanne Shelley Gail Ellis Huh Alix Robinson Norma Uemura Eileen Hurley Wynefred W. Rogerson Florence Imburg Eugene L. Rosenfeld Carmen Iribarren Shirley Rosenfeld David Iverson Howard J. Sanders Bemice Jacobsen Audri Schiller Roberta B. Schneidman Sonja Deaner Schulken Marilyn Schwaner Frances R. Short

75 | National Gallery of Art | Washington

James E. Duff Report of the Treasurer | The National Gallery's mission of serving the United States in Treasurer a national role by exhibiting great works of art, properly caring for the collection on behalf of future generations, and providing educational programs to our visitors and scholars continued in fiscal year 2001. While the tragic events of 11 September clearly affected the Gallery's financial position as the year closed, we had already responded to the economic slowdown over the course of the year by focusing on expenses and on the day-to-day operations of the institu- tion, which were carried out with our commitment to the highest possible museum and schol- arly standards. We are grateful to the President of the United States and to the Congress for the ongoing of federal funds that have enabled the Gallery to thrive since its found- ing. These funds provide critical support for the efficient operations and maintenance of the Gallery and for the protection and care of the nation's art collection. Fiscal year 2001 appropriations of federal funds supported crucial expenditures, in- cluding increases in the costs of salaries and benefits for Gallery employees, as well as the sup- ply, utility, and maintenance expenses for the operation of the institution. Federal renovation funds supported several major capital projects that were completed this year, including the West Building Mall Steps, the design work for the exterior stone repair of the east and west facades and portico of the West Building, and the fire protection system, as well as the ongoing repair and restoration of both the East and West Buildings. The Gallery's comprehensive master facili- ties plan addresses needed improvements to our exhibition galleries and public spaces and provides for the upgrade and modernization of both buildings over a ten- to twelve-year period. The Gallery's public-private partnership is exemplified by the special exhibitions program, which brings together major works of art from public and private collections around the world that are enjoyed by millions of visitors each year. Federal support for exhibitions during the last thirty years has allowed the Gallery to play a significant role as a leader on a national and international level. In addition, the federal government, through its indemnity program of the Federal Council on the Arts and the Humanities, is a key factor in the Gallery's international special exhibitions program. In fiscal year 2001, three exhibitions received this federal indemnity: Art Nouveau, 1890-1914; Spirit of an Age: Nineteenth-Century Paintings

78 | Annual Report | 2001 from the Nationalgalerie, Berlin; and Virtue and Beauty: Leonardo's "Ginevra de' Benci" and Renais- sance Portraits of Women. This indemnity made it possible for the Gallery to present superb exhi- bitions that simply would not have been feasible without this important program.

Operating Results | Operating revenue in fiscal year 2001 totaled $97.6 million, a decrease of $34.6 million, or 26.2 percent less than the previous year. Most of this decrease reflects several large bequests that were received in fiscal year 2000 when compared to fiscal year 2001. The Gallery's investment portfolio suffered from the downturn in the financial markets at the end of the year and lost 9 percent overall in fiscal year 2001. A portion of the total investment return is designated annually to support operations. The remaining loss, $60.3 million in fiscal year 2001, offset realized and unrealized gains that were recorded in prior years. Non-operating support, including gifts and grants designated for special purposes, art acquisition, and endow- ment funds, decreased in 2001 by $39 million when compared to the previous year, owing to several large bequests received in fiscal year 2000. Operating expenses of $97.3 million for fiscal year 2001 were 1.9 percent higher than the previous year, mainly due to increases in salary and benefits costs. Federal appropriated funds totaling $74.2 million were obligated and utilized for the operation, maintenance, and renovation of the Gallery.

Statement of Financial Position | The Gallery's financial position declined in fiscal year 2001 with net assets decreasing $57.9 million or 8.2 percent. This was largely the result of the weak performance of the investment portfolio in fiscal year 2001 in comparison to the performance in fiscal year 2000. The investment portfolio, which includes funds for operations, special purpose funds, and endowment funds, decreased $75.5 million in fiscal year 2001 to $486 million by 30 September 2001. The auditor's report and the statements of financial position, activities, and cash flow for the Gallery for the years ended 30 September 2001 and 2000 are presented on the following pages.

79 | National Gallery of Art | Washington Statements of Financial Position | 30 September 2001 and 2000

Assets 2001 2000 Cash and cash equivalents, including -bearing demand deposits and appropriated amounts remaining on deposit with the U. S. Treasury $21,049,854 $16,580,817 Accounts receivable, net 4,514,136 4,329,121 Pledges receivable, net 16,847,978 10,841,263 Investments 486,010,208 561,470,731 Trusts held by others 6,961,927 8,638,675 Publications inventory, net 2,189,337 4,050,285 Deferred charges 1,256,347 1,522,679 Fixed assets, net 122,175,425 117,580,530

Art collections — — Total assets $661,005,212 $725,014,101

Liabilities and Net Assets Liabilities Accounts payable and accrued expenses $17,564,241 $23,754,996 Total liabilities 17,564,241 23,754,996

Net assets Unrestricted Designated for collections and art purchases 16,994,348 18,953,888 Designated for special exhibitions 4,689,272 4,058,686 Designated for capital projects 32,851,786 29,133,841 Designated for education and public programs 17,995,561 20,970,099 Designated for other operating purposes 10,724,304 18,249,998 Designated for publications, including systematic catalogues 22,018,516 23,797,901 Designated for fixed assets 122,175,425 117,580,530 Total unrestricted 227,449,212 232,744,943

Temporarily restricted 134,057,357 166,464,895 Permanently restricted 281,934,402 302,049,267 Total net assets 643,440,971 701,259,105 Total liabilities and net assets $661,005,212 $725,014,101

The accompanying notes are an integral part of these financial statements.

80 | Annual Report | 2001 Statements of Activities for the year ended 30 September 2001 with summarized financial information for the year ended 30 September 2000

Operating Temporarily Permanently 2001 2000 Unrestricted Restricted Restricted Total Total Support and revenue U.S. Government appropriation $59,377,240 $3,026,000 $ $62,403,240 $61,317,035

Gifts and grants 3,144,593 5,477,960 — 8,622,553 49,211,828

Gallery shop sales, net 10,889,738 — — 10,889,738 10,514,099

Investment return designated for operations 2,543,303 9,965,000 — 12,508,303 9,715,542

Royalties and other income 3,153,119 — — 3,153,119 1,420,038

79,107,993 18,468,960 — 97,576,953 132,178,542 Net assets released from restrictions

to fund operating expenses 16,817,249 (16,817,249) — — —

Total support and revenue 95,925,242 1,651,711 — 97,576,953 132,178,542

Operating expenses Program services

Collections 25,879,513 — — 25,879,513 25,937,472

Special exhibitions 14,325,819 — — 14,325,819 14,647,569

Education, Gallery shops, and public programs 32,814,526 — — 32,814,526 32,071,378

Editorial and photography 2,988,908 — — 2,988,908 3,645,094

Total program services 76,008,766 — — 76,008,766 76,301,513

Supporting services

General and administrative 18,349,553 — — 18,349,553 16,549,818

Development 2,915,857 — — 2,915,857 2,633,327

Total supporting services 21,265,410 — — 21,265,410 19,183,145

Total expenses 97,274,176 — — 97,274,176 95,484,658 (Decrease) increase in net assets

from operating activities (1,348,934) 1,651,711 — 302,777 36,693,884

Non-operating U.S. Government appropriation — no-year renovation funds — 10,847,000 — 10,847,000 6,311,000

Non-operating gifts and grants — 6,863,285 $7,185,029 14,048,314 53,065,638 Bad debt losses — (5,781) — (5,781) (156,497) Changes in value of trusts held by others (68,571) (10,629) (1,645,120) (1,724,320) 893,530 Investment return in excess of amount designated for operations (12,989,315) (21,703,449) (25,654,774) (60,347,538) 43,447,072 Other 4,184,738 — — 4,184,738 (2,483,597) Net assets released from restrictions to fund non-operating activities 30,049,675 (30,049,675) — — — Change in net assets from non-operating activities before acquisitions of works of art 21,176,527 (34,059,249) (20,114,865) (32,997,587) 101,077,146

Acquisitions of works of art (25,123,324) — — (25,123,324) (26,490,396) (Decrease) increase in net assets (5,295,731) (32,407,538) (20,114,865) (57,818,134) 111,280,634 Net assets at beginning of year 232,744,943 166,464,895 302,049,267 701,259,105 589,978,471

Net assets at end of year $227,449,212 $134,057,357 $281,934,402 $643,440,971 $701,259,105

The accompanying notes are an integral part of these financial statements.

81 | National Gallery of Art | Washington Statements of Cash Flows | for the years ended 30 September 2001 and 2000

2001 2000 Cash flows from operating activities (Decrease) increase in net assets $(57,818,134) $111,280,634 Adjustments to reconcile (decrease) increase in net assets to net cash provided by operating activities: Depreciation and amortization 5,569,725 5,776,680 Amortization of discount on pledges receivable (472,614) (264,315) Contributions and investment appreciation for permanently restricted investments (968,520) (51,842,959) Realized gains on sale of investments (6,095,637) (45,743,667) Unrealized losses on investments 68,024,481 7,929,534 Changes in value of trusts held by others 1,676,748 (944,832) Increase in accounts receivable, net (185,015) (1,216,573) Increase in pledges receivable, net (5,534,101) (2,143,081) Decrease (increase) in publications inventory, net 1,860,948 (196,672) Decrease (increase) in deferred charges 266,332 (529,500) (Decrease) increase in accounts payable and accrued expenses (6,190,755) 3,080,292 Net cash provided by operating activities 133,458 25,185,541

Cash flows from investing activities Purchase of investments (266,182,048) (407,903,410) Proceeds from sale of investments 279,713,727 340,475,566 Purchase of fixed assets (10,164,620) (8,189,944) Net cash provided by (used in) investment activities 3,367,059 (75,617,788)

Cash flows from financing activities Contributions and investment appreciation for permanently restricted investments 968,520 51,842,959 Net cash provided by financing activities 968,520 51,842,959 Net increase in cash and cash equivalents 4,469,037 1,410,712 Cash and cash equivalents, at beginning of year 16,580,817 15,170,105 Cash and cash equivalents, at end of year $21,049,854 $16,580,817

Non-cash investing activities Donated investment securities $1,288,117 $2,347,402

The accompanying notes are an integral part of these financial statements.

82 | Annual Report | 2001 Notes to Financial Statements

1 | Summary of significant Net assets Pledges receivable Art collections

accounting policies The Gallery's net assets, support and rev- Unconditional promises to contribute to The Gallery's art collections focus upon enue, expenses, gains, and losses are classi- the Gallery in the future (pledges receiv- European and American paintings and General fied based on the existence or absence of able) are recorded at the present value works on paper. In conformity with The National Gallery of Art (the Gallery) donor-imposed restrictions. Accordingly, of future cash flows, using a risk-free rate accounting procedures generally followed receives an annual appropriation to cover net assets of the Gallery are classified and of return, after providing an allowance by art museums, the value of art has been reported as follows: its core programs as part of the budget for uncollectibility. excluded from the statement of financial approved annually by Congress and signed • Unrestricted net assets include "one-year" position. The Gallery's collections are Investments by the President. This is supplemented federal appropriations and all other maintained for public exhibition, educa- with income from endowments designated resources, which are not subject to donor- Investments are carried at fair value based tion, and research in furtherance of public for current operating expenditures as imposed restrictions. One-year federal upon quoted market price when available service, rather than for financial gain. at the end of the fiscal year. Purchases well as gifts and grants designated by the appropriations that are not obligated or The Gallery acquires its art collections and sales of securities are reflected on donors for specific programmatic activity. expended are retained by the Gallery in through purchase or by donation-in-kind. a trade-date basis. Gain or loss on sales of (All monies, related activities, and balances accordance with federal guidelines. At the Only current-year purchases made from securities is based on average historical from federal sources are referred to herein discretion of the Gallery's Board of Trus- specifically designated funds, not donations- value (cost of securities if purchased or the as "federal," while all other monies, re- tees, private funds that are not expended in-kind, are reflected in the statement fair market value at the date of gift if lated activities, and balances are referred for operating activities may be set aside of activities. The Gallery does not deacces- received by donation). Dividend and inter- to herein as "private.") All identified inter- in designated reserves and earmarked to sion any of its permanent collections. fund transactions have been eliminated cover future program costs or other con- est income is recorded on the accrual basis. In accordance with the policy of stating from the financial statements. tingencies. Unexpended appropriations investments at fair value, the net change • Temporarily restricted net assets carry Measure of operations in unrealized appreciation or depreciation Unexpended appropriations represent specific donor-imposed restrictions on the for the year is reflected in the statement the Gallery's liability for funds provided by The Gallery includes in its measure of expenditure or other use of the contributed of activities (see Note 5). congressional appropriations and consist operations all federal and private support funds. In addition, the Gallery's "no-year" of obligated funds, unobligated funds, and and revenue and expenses that are integral federal appropriations for special exhibi- Trusts held by others unavailable authority. Obligated funds to its core program services: collections; tions and for the repair, renovation, and represent amounts designated for payment The Gallery has been named as benefi- special exhibitions; education, gallery restoration of its buildings are classified of goods and services ordered but not ciary in several irrevocable charitable shops, and public programs; and editorial as temporarily restricted net assets. received, or for goods received and not yet trusts held by third parties. The Gallery's and photography. The measure of opera- paid for. Unobligated funds are generally Temporary restrictions may expire as a share of these trusts is recorded at cur- tions excludes certain non-operating activi- available for current operations; however, result of fulfillment of the donor's wishes rent fair value. Income distributions from ties such as non-operating gifts and grants, there may be restrictions placed on the or the passage of time. Net assets released these trusts are recorded as investment investment return in excess of amounts use of these amounts. Unobligated funds from temporarily restricted net assets to income and changes in the value of these designated for operations, and acquisitions include amounts made available for multi- unrestricted net assets occur when contri- trusts are recorded as "changes in the of works of art. ple fiscal years and no-year appropriations butions are expended and are reported value of trusts held by others" in the state- The Gallery's Board of Trustees designates that are available for an indefinite period as net assets released from restrictions in ment of activities. only a portion of the Gallery's cumulative the statement of activities. of time. Unavailable authority includes investment return for support of current amounts appropriated to the Gallery in • Permanently restricted net assets have Publications inventory operations; the remainder is retained to prior fiscal years, which may not be used donor-imposed restrictions that stipulate support operations of future years and off- Publications inventory is carried at the for current operations (see Note 8). that the corpus of the gifts be retained set potential market declines. The amount lower of cost or market. Cost is determined permanently. In some cases, the donor has designated (which is computed under the using the retail cost method. Accrued leave also permanently restricted the use of spending policy) and all interest income excess income and any realized or unreal- Annual leave is accrued as it is earned earned by investing cash in excess of daily Deferred charges ized gains attributable to the corpus. by employees and is included in person- requirements are used to support current Deferred charges represent expenses nel compensation and benefit costs. An operations (see Note 5). Cash and cash equivalents incurred in connection with future special unfunded liability as of the date of the exhibitions and other activities. Private financial statements is recognized for Summarized financial information Cash and cash equivalent include interest- expenses are recognized in the period in earned but unused annual leave by federal bearing demand deposits and appropriated The financial statements include certain which the exhibition or activity occurs. employees since this annual leave will be amounts remaining on deposit with the summarized prior-year information in paid from future federal appropriations U.S. Treasury. The Gallery considers all total only, but not by net asset class. Such Fixed assets when the leave is used by employees. highly liquid investments with an original information does not include sufficient The amount accrued is based upon cur- maturity of three months or less to be The land occupied by the Gallery's build- detail to constitute a presentation in con- rent pay of the employees. cash equivalents, except where such cash ings was appropriated and reserved by the formity with accounting principles gener- equivalents are held as part of a long-term Congress of the United States for that pur- ally accepted in the United States of Amer- investment strategy (see Notes 2 and 5). pose. No value has been assigned in the ica. Accordingly, such information should accompanying financial statements. Build- be read in conjunction with the Gallery's ings are recorded at cost and depreciated financial statements for the year ended on a straight-line basis over the estimated 30 September 2000, from which the sum- useful life of fifty years. Building improve- marized information was derived. ments, equipment, furniture, and compu- ter software are also recorded at cost and depreciated on a straight-line basis over estimated useful lives ranging from five to twenty-five years. Upon retirement of fixed assets, the related cost and accumulated depreciation are removed from the accounts (see Note 7).

83 | National Gallery of Art | Washington Employee benefits employees have the option to make tax- Contributed services Estimates deferred contributions to a Thrift Savings The Federal Accounting Standards Advi- The Gallery has volunteers who provide The preparation of the financial state- Plan and, in some instances, receive a sory Board issued Statement of Federal assistance in various departments. Such ments, in conformity with generally matching portion from the Gallery. The Financial Accounting Standards No. 5 contributed services do not meet the accepted accounting principles, requires Gallery funds all retirement contributions (SSFAS No. 5), "Accounting for Liabilities criteria for recognition of contributed ser- management to make estimates and on a current basis, and accordingly there of the Federal Government," which re- vices contained in Statement of Financial assumptions that affect the reported are no unfunded retirement costs (see quires employing agencies to recognize Accounting Standards No. 116 and, accord- amount of assets and liabilities, disclosure Note 11). the cost of pensions and other retirement ingly, are not reflected in the accompany- of contingent assets and liabilities, and benefits during their employees' active SSFAS No. 5 also requires that the Gallery ing financial statements. the reported amounts of support and years of service. The pension expense rec- recognize a current-period expense for the revenue and expenses at the date of ognized in the Gallery's financial state- future cost of post-retirement health bene- Functional allocation of expenses the financial statements and during the reporting period. Actual results could ments is equal to the current service cost fits and life insurance for its employees The cost of providing various programs differ from these estimates. for the Gallery's employees for the account- while they are still working. The Gallery and other activities has been summarized ing period less the amount contributed by accounts for and reports this expense in its on a functional basis in the statement of Reclassifications the employees. The measurement of the financial statements in a manner similar activities. Certain costs including deprecia- pension service cost requires the use of an to that used for pension expense, with the tion, utilities, building maintenance, secu- Certain prior year balances have been actuarial cost method and assumptions exception that employees and the Gallery rity, and other operating costs have been reclassified to conform to current year with factors applied by the Gallery. These do not make current contributions to fund allocated among program and supporting presentation. factors are supplied by the Office of Per- these future benefits. services. sonnel Management (OPM), the agency Included under the collections category that administers the plan. The excess of Imputed financing sources are the costs of the care and display of the 2 | Cash and cash equivalents the recognized pension expense over the In certain cases, the operating costs of the Gallery's collections. Special exhibitions amount contributed by the Gallery repre- As of 30 September 2001 and 2000, federal Gallery are paid out of funds appropriated includes travel, transportation of items sents the amount being financed directly cash of $18,682,730 and $13,640,859, to other Federal agencies. As an example, and other services necessary for the display through the Civil Service Retirement and respectively, was on deposit with the the law requires certain costs of retirement of special exhibitions. Education, Gallery Disability Fund administered by OPM. U. S. Treasury and represents appropriated programs be paid by OPM and certain shops, and public programs includes the cost This amount is considered imputed finan- amounts yet to be disbursed. There are legal judgments against the Gallery be paid of providing a wide array of lectures, tours, cing by the Gallery. no reconciling items between the amounts from the Judgment Fund maintained by films, music, symposia, and academic pro- recorded by the Gallery and on deposit All permanent employees of the Gallery, Treasury. Costs that are identifiable to the grams to the general public, in addition to with the U. S. Treasury. both federal and non-federal, hired prior Gallery and directly attributable to the Gallery shop cost of goods sold and ex- to 1 January 1984, participate in the Civil Gallery's operations are paid by these Fed- penses. Editorial and photography includes Service Retirement System (CSRS). Em- eral agencies. the costs to produce the many publica- ployees hired subsequent to 1 January tions produced by the Gallery. General and 1984 participate in both the Social Security administrative includes expenses for ex- Retirement System and the Federal Em- ecutive management, financial adminis- ployees' Retirement System (FERS), which tration, information systems, human went into effect 1 January 1987. All resources, and legal services. Development includes the expenses associated with individual and corporate gifts and grants, annual appeals, and other fundraising efforts.

84 | Annual Report | 2001 3 | Accounts receivable As of 30 September 2001 and 2000, accounts receivable consisted of the following: 2001 2000 Due from brokers on sales of securities and accrued investment income $2,520,042 $3,467,825 Special exhibition and other program receivables 1,773,695 691,667 Other 238,805 227,333 Subtotal 4,532,542 4,386,825 Less allowances (18,406) (57,704) Total $4,514,136 $4,329,121

4 | Pledges receivable As of 30 September 2001 and 2000, pledges receivable consisted of the following: 2001 2000 Due in one year or less $8,317,595 $4,424,571 Due between one year and five years 9,533,749 7,606,853 Due in more than five years 30,000 100,000 Subtotal 17,881,344 12,131,424 Less discounts of $883,366 and $1,140,161 and allowances of $150,000 and $150,000, respectively (1,033,366) (1,290,161) Total $16,847,978 $10,841,263

5 | Investments As of 30 September 2001 and 2000, investments consisted of the following: 2001 2000 Cost Fair Value Cost Fair Value Loan to the U.S. Treasury $5,000,000 $5,000,000 $5,000,000 $5,000,000 Government obligations and cash equivalents 17,691,352 17,763,817 32,605,505 33,181,987 Common and preferred stocks 113,173,798 121,524,750 111,300,323 137,568,102 Mutual funds (equity & fixed income) 376,230,469 337,334,662 371,672,203 382,320,404 0ther 5,042,181 4,386,979 3,464,293 3,400,238 Total $517,137,800 $486,010,208 $524,042,324 $561,470,731

In 1942, the Gallery, under authority of an Act of Congress, made a $5,000,000 permanent loan to the U.S. Treasury. This loan bears interest at 74% below the average monthly rate for long-term funds paid by the U.S. Treasury (ranging from 5% to 5.75% during fiscal year 2001). Interest income on this loan was $267,743 and $308,177 for the years ended 30 September 2001 and 2000, respectively.

(continued on next page)

85 | National Gallery of Art | Washington 5 | Investments (continued from previous page) According to the Gallery's spending policy set by the Board of Trustees, only a portion of the total investment return derived from investments is available to support current operations, while the remainder is reinvested. Under this spending policy, five percent of the average fair value of endowment investments at the end of the previous three-and-one quarter years is available to support operations. The following schedule summarizes the investment return and its classification in the statement of activities:

Temporarily Permanently Unrestricted Restricted Restricted 2001 Total 2000 Total Investment return designated for operations Interest on short-term investments $1,249,303 $ — $ $1,249,303 $1,517,542 Investment return designated by spending policy for operations 1,294,000 9,965,000 11,259,000 8,198,000 Total investment return designated for operations $2,543,303 $9,965,000 $ $12,508,303 $9,715,542

Investment return in excess of amount designated for operations Dividends and interest (net of expenses of $1,153,384 and $1,442,440, respectively) $ 2,649,774 $10,190,532 $ — $12,840,306 $13,830,939 Net investment (depreciation) appreciation (14,345,089) (21,928,981) (25,654,774) (61,928,844) 37,814,133 Total return on long-term investments (11,695,315) (11,738,449) (25,654,774) (49,088,538) 51,645,072 Investment return designated by spending policy for operations (1,294,000) (9,965,000) (11,259,000) (8,198,000) Total investment return in excess of amount designated for operations $(12,989,315) $(21,703,449) $(25,654,774) $(60,347,538) $43,447,072

6 | Publications inventory, net As of 30 September 2001 and 2000, net publications inventory consisted of the following: 2001 2000 Retail $777,057 $1,290,556 Work-in-process 774,128 1,855,212 Consignment 638,152 904,517 Total $2,189,337 $4,050,285

7 | Fixed assets, net As of 30 September 2001 and 2000, net fixed assets consisted of the following: 2001 2000 Buildings and improvements $193,307,300 $183,730,220 Equipment 26,783,126 25,667,899 Construction-in-progress 8,321,518 8,849,203 228,411,944 218,247,322 Less: Accumulated depreciation and amortization (106,236,519) (100,666,792) Total $122,175,425 $117,580,530

Depreciation and amortization expense was $5,569,725 and $5,776,680 for fiscal years 2001 and 2000, respectively.

86 | Annual Report | 2001 8 | Unexpended appropriations The Gallery's unexpended federal appropriations as of 30 September 2001 and 2000 are as follows:

No-year Total 2001 Total 2000 No-year Special Federal Federal One-year Renovation Exhibition Appropriated Appropriated Funds Funds Funds Funds Funds Balance beginning of period Available $ $2,618,459 $230,498 $2,848,957 $4,178,483

Unavailable 693,182 — — 693,182 726,268 Total beginning unexpended appropriations 693,182 2,618,459 230,498 3,542,139 4,904,751

Unavailable authority returned to U.S. Treasury (131,889) — — (131,889) (66,715) Current appropriation received 61,612,000 10,847,000 3,026,000 75,485,000 67,590,000

Obligations incurred

Art care (21,472,056) — — (21,472,056) (20,741,701)

Operations and maintenance (13,658,944) — — (13,658,944) (13,096,688)

Security (13,169,462) — — (13,169,462) (13,495,484)

General and administrative (13,085,512) — — (13,085,512) (10,573,087)

Special exhibitions — — (2,839,845) (2,839,845) (3,319,021)

Renovation and equipment (171,313) (9,833,378) — (10,004,691) (7,659,916) Total obligations incurred (61,557,287) (9,833,378) (2,839,845) (74,230,510) (68,885,897) Net change (77,176) 1,013,622 186,155 1,122,601 (1,362,612)

Balance end of period

Available — 3,632,081 416,653 4,048,734 2,848,957

Unavailable 616,006 — — 616,006 693,182

Total ending unexpended appropriations $616,006 $3,632,081 $416,653 $4,664,740 $3,542,139

87 | National Gallery of Art | Washington 9 | Net assets released from restrictions Net assets are released from donor restrictions when the expenses are incurred to satisfy the restricted purposes as specified by donors. The donor-specified restrictions that were met in the reporting period are as follows:

2001 2000 Operating Non-operating Operating Non-operating Acquisition of art $ $25,154,106 $ $26,154,918

Collections 1,156,182 — 906,126 —

Special exhibitions 7,450,879 — 6,020,692 —

Education and public programs 4,235,158 — 2,432,997 —

Editorial and photography 116,978 — 262,651 —

Capital projects — 4,895,569 — 7,534,476

Operations 3,858,052 — 4,884,864 — Total $16,817,249 $30,049,675 $14,507,330 $33,689,394

10 | Analysis of restricted net assets As of 30 September 2001 and 2000, temporarily restricted net assets and the investment income from permanently restricted net assets are restricted to support the following purposes: 2001 2000 Temporarily Permanently Temporarily Permanently Restricted Restricted Restricted Restricted Acquisition of art $70,543,837 $87,185,743 $100,870,076 $91,469,691 Collections 1,170,453 25,795,516 1,951,227 37,040,760 Special exhibitions 6,385,762 12,902,177 7,488,567 6,469,854 Education and public programs 24,758,390 47.510,300 29,315,063 61,819,980

Editorial and photography 682,802 — 675,955 —

Capital projects 11,456,329 — 5,204,898 — Operations 19,059,784 108,540,666 20,959,109 105,248,982 Total $134,057,357 $281,934,402 $166,464,895 $302,049,267

11 | Employee benefits payments to the plan are recorded as oper- and $2,449,539, respectively. Using the 12 | Income taxes ating expenses. The Gallery's cost associ- cost factors supplied by OPM, the Gallery The Gallery is a nonprofit organization Total pension expense recognized in the ated with the thrift savings component has not recognized as an expense in its exempt from federal income taxes under Gallery's financial statements was of FERS for the years ended 30 September financial statements the future cost of the provisions of 501(c)(3) of the Internal $4,047,350 and $3,878,975 for the years 2001 and 2000, were $1,133,785 and post-retirement health benefits and life Revenue Code. ended 30 September 2001 and 2000, $1,054,672, respectively. insurance for its employees. These costs respectively. These amounts do not include amounted to approximately $4,011,475 In addition, the Gallery makes matching pension expense financed by OPM and and $3,599,012 during fiscal years 2001 contributions for all employees who are eli- imputed to the Gallery of $1,667,496 and and 2000, respectively, are financed by gible for current health and life insurance $1,483,209, respectively. To the extent that OPM, and imputed to the Gallery. Gallery employees are covered by the thrift benefits. The Gallery's contributions for savings component of FERS, the Gallery's active employees are recognized as operat- ing expenses. During fiscal years 2001 and 2000, the Gallery contributed $2,649,732

88 | Annual Report | 2001 13 | Rental commitments The Gallery has entered into several operating leases for warehouse and office space, which continue through 31 January 2009. The terms of these leases include additional rent for operating expenses, real estate taxes, utilities, and maintenance. Future minimum rental commitments under these operating leases for the fiscal years ending September 30 are as follows:

Total 2002 $1,412,060 2003 1,408,378 2004 1,040,627 2005 853,899 2006 863,268 Thereafter 1,982,924 Total future minimum rental commitments $7,561,156

Rental expense was approximately $1,044,100 and $834,500 for the years ended 30 September 2001 and 2000, respectively.

89 | National Gallery of Art | Washington PRICB/VATERHOUS^OOPERS §

PricewaterhouseCoopers LLP 1301 K Street, N.W. 800W Washington DC 20005-3333 Telephone (202) 414 1000

Report of Independent Accountants

To the Board of Trustees of The National Gallery of Art

In our opinion, the accompanying statements of financial position and the related statements of activities and cash flows present fairly, in all material respects, the financial position of the National Gallery of Art (the Gallery) as of September 30, 2001, and the changes in its net assets and its cash flows for the year then ended in conformity with accounting principles generally accepted in the United States of America. These financial statements are the responsibility of the Gallery's management; our responsibility is to express an opinion on these financial statements based on our audit. The prior year summarized comparative information has been derived from the Gallery's 2000 financial statements; and in our report dated December 8,2000 we expressed an unqualified opinion on those financial statements. We conducted our audit of these financial statements in accordance with auditing standards generally accepted in the United States of America and Government Auditing Standards issued by the Controller General of the United States, which require that we plan and perform the audit to obtain reasonable assurance about whether the financial statements are free of material misstatement. An audit includes examining, on a test basis, evidence supporting the amounts and disclosures in the financial statements, assessing the accounting principles used and significant estimates made by management, and evaluating the overall financial statement presentation. We believe that our audit provides a reasonable basis for the opinion expressed above.

In accordance with Government Auditing Standards, we have also issued a report dated December 7,2001, on our consideration of the Gallery's internal control structure and its compliance with laws and regulations. LLC

December 7, 2001 Copyright © 2002 Board of Trustees, Illustrations Lee Friedlander, New York City, 1966, National Gallery of Art, Washington. from the series Self-Portraits, gelatin silver Front Cover | Architectural detail of All rights reserved. print, Patrons' Permanent Fund, Trellis the West Building. Photograph by Robert Fund, and Anonymous Gift 2001.22.1-459 Shelley This publication was produced by the Pages 12,13 | Richard Serra's Five Plates, Editors Office, National Gallery of Art Back Cover | Architectural detail of Two Poles, installed on the Concourse Judy Metro, Editor-in-Chief the East Building. Photograph by Robert level in the East Building. Photograph by Chris Vogel, Production Manager Shelley Dennis Brack/Black Star Ulrike Mills, Editor Pages 2, 3 | Museum visitors enjoying Page 14 | Leonardo da Vinci, Ginevra de' works of art in the West Building galleries. Margaret Bauer, Designer Bend, c. 1474, oil on panel, Ailsa Mellon Photograph by Dennis Brack/Black Star Bruce Fund 1967.6.1.a Printed by Stephenson Printing, Inc., Page 5 | View of the West Building from The newly restored West Building Mall Alexandria, Virginia, on Potlatch Vintage the Sculpture Garden, with the United Steps. Photograph by Robert Shelley Velvet and Strathmore Writing Wove States Capitol in the background. Photo- graph by Robert Shelley Jacob van Walscapelle, Still Life with Fruit, ISBN 0-89468-307-1 1675, oil on panel, Juliet and Lee Page 6 | Jasper Johns, Untitled, 2000, Folger/The Folger Fund 2001.71.1 linoleum cut, Gift of Dr. Cyrus and Myrtle National Gallery of Art Katzen © Jasper Johns/Licensed by Page 15 | Acquisitions of the last decade 4th Street and Constitution Avenue, NW VAGA, New York, NY in the Art for the Nation exhibition. Photo- Washington, DC 20565 graph by Robert Shelley Objects in the Art Nouveau exhibition showing the development of the style in Skating enthusiasts at the Sculpture Brussels. Photograph by Robert Shelley Garden's ice-skating rink. Photograph by Robert Shelley Page 7 | Flower display in the West Build- ing's East Garden Court. Photograph by Works by Constantin Brancusi shown in Dennis Brack /Black Star Modern Art in America: Alfred Stieglitz and His New York Galleries. Photograph by Children attentively engaged during one Robert Shelley of the Gallery's many family programs. Photograph by Robert Shelley Page 16 | South German or Austrian 17th Century, Adam and Eve, c. 1600/1650, Edward Ruscha, Lisp, 1968, oil on canvas, ivory, Patrons' Permanent Fund 2001.75.1 Gift of the Collectors Committee 2001.56.1 Elizabeth Murray, Trying To, 1993, color Pages 8, 9 | View of the popular Sculpture lithograph and screenprint construction Garden. Photograph by Dennis Brack/ with hand-applied pastel, Gift of Lee and Black Star Ann Fensterstock 2000.177.98 Page 10 | Richard Parkes Bonington, A banner on the West Building for the The Grand Canal, 1826/1827, oil on canvas, Virtue and Beauty exhibition. Photograph Gift of Roger and Vicki Sant 2001.87.1 by Robert Shelley The Cy Twombly exhibition. Photograph by Page 77 | Architectural detail of the West Robert Shelley Building. Photograph by Robert Shelley Page 11 | Frank Stella, Prinz Friedrich von Homhurg, Ein Schauspiel, 3X, 1998-2001, stainless steel, aluminum, painted fiber- glass, and carbon fiber, Gift of The Morris Works in the collection of the National and Gwendolyn Cafritz Foundation Gallery of Art have been photographed 2001.90.1 by the department of photography and Domenico Maria Canuti, A Male Herm, digital imaging. c. 1669, charcoal with white heightening on tan paper, Pepita Milmore Memorial Fund 2001.62.1