A Psychologically-Based Taxonomy of Misdirection
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– Channing Pollock – Robert Harbin – Patrick Page
“To see Cardini is like watching a trick fi lm.” – Patrick Page “I had the greatest magical experience of my life when I watched him perform.” – Robert Harbin “If I had seen him work when I was at the start of my career, I would have scrapped the profession and learned a different trade.” – Channing Pollock 42 MAGIC • august 2007 M192 Cardini_v1_FIN.indd 2 7/12/07 11:41:33 AM “The world’s outstanding stage exponent of pure sleight-of-hand.” – Milbourne Christopher “The greatest single act that ever appeared in the world to my way of thinking.” – Dai Vernon ~By John Fisher~ Magicians today acknowledge that the examples set by the legendary Car- dini — in technique, in suavity, and in career achievement — shone the light for them. It is probable that Cardini has still not been surpassed as both an entertaining and an artistic exponent of pure sleight-of-hand within the limitations of a short vaudeville act. MAGIC • august 2007 43 M192 Cardini_v1_FIN.indd 3 7/12/07 11:41:37 AM There could be no greater contrast between nipulate the cards at all without gloves. So he the fi fth, thimbles and fi re. The digital dexter- the level of sophistication which Cardini’s act practiced with them on and laid the ground- ity was present throughout, but he still per- came to epitomize and his early background. work for the exquisite skill and sensitivity that sisted in being a talking magician upon whose He was born Richard Valentine Pitchford on would come to form his act in later years. -
Bibliography of Works by Roberto Giobbi Status: May 2019
Bibliography of Works by Roberto Giobbi Status: May 2019 Books • Fantasia in As-Dur, Magic Communication Roberto Giobbi, Basel 1987 • CardPerfect, Magic Communication Roberto Giobbi, Basel 1987 • roberto-light, Magic Communication Roberto Giobbi, Basel 1988 • Grosse Kartenschule Band 1, Magic Communication Roberto Giobbi, Basel 1992 • Grosse Kartenschule Band 2, Magic Communication Roberto Giobbi, Basel 1992 • roberto extra-light, Magic Communication Roberto Giobbi, Basel 1992 • Grosse Kartenschule Band 3, Magic Communication Roberto Giobbi, Basel 1994 • Grosse Kartenschule Band 4, Magic Communication Roberto Giobbi, Basel 1994 • Cours de cartomagie moderne Tome 1, Magix, Strasbourg 1994 • Gran Escuela Cartomagica, Volumenes 1 y 2, Paginas, Madrid 1994 • Card College Volume 1, Hermetic Press, Seattle 1995 • Gran Escuela Cartomagica, Volumenes 3 y 4, Paginas, Madrid 1995 • roberto super-light, Magic Communication Roberto Giobbi, Basel 1995 • Cours de Cartomagie Moderne Tome II, Magix, Strasbourg 1996 • Roberto Light, Paginas, Madrid 1996 • Roberto Super Light, Paginas, Madrid 1996 • Roberto Extra Light, Paginas, Madrid 1996 • Card College 1, Corso di Cartomagia Moderna, Florence Art Edizioni, Firenze 1998 • Card College 2, Corso di Cartomagia Moderna, Florence Art Edizioni, Firenze 1999 • Il sogno del baro, Florence Art Edizioni, Firenze 1999 • Card College 3, Corso di Cartomagia Moderna, Florence Art Edizioni, Firenze 2001 • Roberto Light, Florence Art Edizioni, Firenze 2001 • Roberto Extra-Light, Florence Art Edizioni, Firenze 2001 • Roberto Super-Light, Florence Art Edizioni, Firenze 2001 • Card College Volume 1 (Japanese version), Tokyo 2001 • Card College Volume 2 (Japanese version), Tokyo 2002 • Card College Volume 5, Hermetic Press, Seattle 2003 • Grosse Kartenschule Band 5, Magic Communication Roberto Giobbi, Basel 2003 • Cours de Cartomagie Moderne Tome 3, Magix, Strasbourg 2005 • Card College Light, Hermetic Press, Seattle 2006 • Roberto Light (version française), C.C. -
As We Kicked Off the New Millennium, Readers of This
s we kicked off the new Amillennium, readers of this magazine cast their ballots to elect the ten most influential magicians of the 20th century. Although there were some sur- prises, few could argue with the top two — Harry Houdini and Dai Vernon. While scores of books have been written about Houdini, David Ben has spent the past five years prepar- ing the first detailed biography of Dai Vernon. What follows is a thumbnail sketch of Vernon’s remarkable life, legacy, and con- tribution to the art of magic. BY DAVID BEN Scene: Ottawa admired performers such as T. Nelson to learn, however, that he might as well have Scene: Ballroom of the Great Year: 1899 Downs, Nate Leipzig, and J. Warren Keane been the teacher. Northern Hotel, Chicago David Frederick Wingfield Verner, born more. He marveled at their ability to enter- In 1915, New York could lay claim to Year: 1922 on June 11, 1894, was raised in the rough- tain audiences with simple props and virtu- several private magic emporiums, the places On February 6, 1922, Vernon and his and-tumble capital of a fledgling country, oso sleight of hand. Coins flitted and flick- where magic secrets were bought, built, and confidant, Sam Margules, attended a ban- Canada, during the adolescence of magic’s ered through Downs’ fingers, while Leipzig sold. Much to Vernon’s chagrin, the propri- quet in honor of Harry Houdini in the Golden Age. It was his father, James Verner, and Keane, ever the gentlemen, entertained etor and staff at Clyde Powers’ shop on Crystal Ballroom of the Great Northern who ignited his interest in secrets. -
Biblioteca Digital De Cartomagia, Ilusionismo Y Prestidigitación
Biblioteca-Videoteca digital, cartomagia, ilusionismo, prestidigitación, juego de azar, Antonio Valero Perea. BIBLIOTECA / VIDEOTECA INDICE DE OBRAS POR TEMAS Adivinanzas-puzzles -- Magia anatómica Arte referido a los naipes -- Magia callejera -- Música -- Magia científica -- Pintura -- Matemagia Biografías de magos, tahúres y jugadores -- Magia cómica Cartomagia -- Magia con animales -- Barajas ordenadas -- Magia de lo extraño -- Cartomagia clásica -- Magia general -- Cartomagia matemática -- Magia infantil -- Cartomagia moderna -- Magia con papel -- Efectos -- Magia de escenario -- Mezclas -- Magia con fuego -- Principios matemáticos de cartomagia -- Magia levitación -- Taller cartomagia -- Magia negra -- Varios cartomagia -- Magia en idioma ruso Casino -- Magia restaurante -- Mezclas casino -- Revistas de magia -- Revistas casinos -- Técnicas escénicas Cerillas -- Teoría mágica Charla y dibujo Malabarismo Criptografía Mentalismo Globoflexia -- Cold reading Juego de azar en general -- Hipnosis -- Catálogos juego de azar -- Mind reading -- Economía del juego de azar -- Pseudohipnosis -- Historia del juego y de los naipes Origami -- Legislación sobre juego de azar Patentes relativas al juego y a la magia -- Legislación Casinos Programación -- Leyes del estado sobre juego Prestidigitación -- Informes sobre juego CNJ -- Anillas -- Informes sobre juego de azar -- Billetes -- Policial -- Bolas -- Ludopatía -- Botellas -- Sistemas de juego -- Cigarrillos -- Sociología del juego de azar -- Cubiletes -- Teoria de juegos -- Cuerdas -- Probabilidad -
Reception and Adaptation: Magic Tricks, Mysteries, Con Games
Reception and Adaptation: Magic Tricks, Mysteries, Con Games by Joseph Daniel Culpepper A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Centre for Comparative Literature University of Toronto © Copyright by Joseph Daniel Culpepper 2014 Reception and Adaptation: Magic Tricks, Mysteries, Con Games Joseph Daniel Culpepper Doctor of Philosophy Centre for Comparative Literature University of Toronto 2014 Abstract This study of the reception and adaptation of magic tricks, murder mysteries, and con games calls for magic adaptations that create critical imaginative geographies (Said) and writerly (Barthes) spectators. Its argument begins in the cave of the magician, Alicandre, where a mystical incantation is heard: "Not in this life, but in the next." These words, and the scene from which they come in Tony Kushner's The Illusion, provide the guiding metaphor for the conceptual journey of this dissertation: the process of reincarnation. The first chapter investigates the deaths of powerful concepts in reader-response theory, rediscovers their existence in other fields such as speech-act theory, and then applies them in modified forms to the emergent field of performance studies. Chapter two analyzes the author as a magician who employs principles of deception by reading vertiginous short stories written by Jorge Luis Borges. I argue that his techniques for manipulating the willing suspension of disbelief (Coleridge) and for creating ineffable oggetti mediatori (impossible objects of proof) suggest that fantastic literature (not magical realism) is the nearest literary equivalent to experiencing magic performed live. With this Borgesian quality of magic's reality-slippage in mind, cross-cultural and cross-media comparisons of murder mysteries and con games are made in chapter three. -
Max-Malini-By-David-Ben-Courtesy
BY DAVID BEN LE C CIR C HE MAGI T COURTESY OF COURTESY 44 GENII Malini. Max Malini. For many of us, particularly those of my generation who were introduced to Malini through the pages of the Stars of Magic and the works of Dai Vernon, the name Malini conjur- ers up the image of a bold, brash, itinerant magician—the last of the mountebanks—who performed parlor magic and close-up magic par excellence. With an abundance of audacity, broken-English, and a guttural voice with an Eastern-European accent, Malini toured the world, performing for the rich and famous. Even more intriguing, Malini had few confidants and what we know of him, and his work, is primar- ily from the previously mentioned works, par- ticularly those associated with Vernon and, in more recent years, from Charlie Miller and his protégé, John Thompson. OCTOBER 2012 45 MY OWN INTEREST AND UNDERSTANDING of Malini, however, took a seismic shift when I embarked on the journey that is Dai Vernon: A Biography. Vernon, of course, acknowledged Malini as being of the utmost influence. Malini was the “M” in the “J.K.L. and M,” the four per- formers—Jarrow, Keane, Leipzig, and Malini—who had a profound effect on Vernon’s development and his understanding of what constituted magic—ele- gant sleight-of-hand performed naturally but with lasting impact. As I sourced material for the Vernon biography I came a sizeable file on Malini and his magic. Hopefully, one across thousands of letters by and about Vernon, his influ- day, someone will write a book about Malini. -
The Underground Sessions Page 36
MAY 2013 TONY CHANG DAN WHITE DAN HAUSS ERIC JONES BEN TRAIN THE UNDERGROUND SESSIONS PAGE 36 CHRIS MAYHEW MAY 2013 - M-U-M Magazine 3 MAGIC - UNITY - MIGHT Editor Michael Close Editor Emeritus David Goodsell Associate Editor W.S. Duncan Proofreader & Copy Editor Lindsay Smith Art Director Lisa Close Publisher Society of American Magicians, 6838 N. Alpine Dr. Parker, CO 80134 Copyright © 2012 Subscription is through membership in the Society and annual dues of $65, of which $40 is for 12 issues of M-U-M. All inquiries concerning membership, change of address, and missing or replacement issues should be addressed to: Manon Rodriguez, National Administrator P.O. Box 505, Parker, CO 80134 [email protected] Skype: manonadmin Phone: 303-362-0575 Fax: 303-362-0424 Send assembly reports to: [email protected] For advertising information, reservations, and placement contact: Mona S. Morrison, M-U-M Advertising Manager 645 Darien Court, Hoffman Estates, IL 60169 Email: [email protected] Telephone/fax: (847) 519-9201 Editorial contributions and correspondence concerning all content and advertising should be addressed to the editor: Michael Close - Email: [email protected] Phone: 317-456-7234 Submissions for the magazine will only be accepted by email or fax. VISIT THE S.A.M. WEB SITE www.magicsam.com To access “Members Only” pages: Enter your Name and Membership number exactly as it appears on your membership card. 4 M-U-M Magazine - MAY 2013 M-U-M MAY 2013 MAGAZINE Volume 102 • Number 12 26 28 36 PAGE STORY 27 COVER S.A.M. NEWS 6 From -
Shop Moxmagic TARBELL COURSE in MAGIC
Tjalfes Magic - moxshop.dk søndag 03 oktober, 2021 ITEM WITH DISCOUNTED PRICE > TARBELL COURSE IN MAGIC - Vol 1 TARBELL COURSE IN MAGIC - Vol 1 Model : 7111 TARBELL COURSE IN MAGIC - Vol 1 No image Bemærk at vol 2. også kan købes, men desværre ikke ligger online endnu, spørg blot efter den. 19 l essons, 410 pages, 918 illustrations. Includes: History of Magic, Magic as a Science, Sleight of Hand with Coins, Coin Tricks, More Coin Tricks, The Thumb Tip, Impromptu Tricks, Ball Tricks, Mathematical Mysteries, Effective Card Mysteries, Impromptu Card Mysteries, Mental Card Mysteries, Card Sleights, Novel Card Mysteries, Restoring Torn Papers, Rope & Tape Principle, Handkerchief Tricks, Knotty Silks, Eggs and Silks Comments: The Tarbell Course in Magic (volumes 1-8) covers almost every aspect of magic from close up to parlor to stage effects. Even though some of the effects are a bit dated, the principles you will learn here are foundational to magic. Also, it should be noted that many of the routines still hold their own today. The Tarbell style provides almost all the details: drawings, patter, tips, and suggestions. Some of my favorites from Volume 1 include: 85 The Dissolving Coin in glass of water, 88 Vanishing Coin In Handkerchief (wax on corner), 90 Coin Through Handkerchief, 94 The "Pencil" Coin Vanish and Reappearance, 103 How To Vanish a Coin by Wrapping It In a Piece Of Paper, 115 The Homing Coins (money tray), 121 Thumb Tip Hint on depositing in Jacket Pocket, 122 Thumb Tip Palm, 129 Passe Passe Salt from thumbtip, 131 Ring penetrates rubber band on finger tips, 157 Cups & Balls routine with rubber balls, 163 Simple sponge ball technique, 173 Patriotic paper balls: uses 9 balls and three bowls, 232 You do as I do cards with 2 decks; easy.Chapter 13 Card sleights, and 276 Card in Orange. -
Vernon Lecture Magic Castle April 1, 1977 L&L
Dai Vernon Lecture at the Magic Castle, April 1 st , 1977 (DVD from L&L Publishing as part of the 2012 commemorative set) Transcription and Notes by Roberto Giobbi, June 2011/February 2012 G = general remarks TH = theory T = technique S = subtlety E = effect A = anecdote P = presentation Category Content Comment G Tape starts without introduction. DV sits at the table in the “Parlour of Prestidigitation” “Be natural” is one of Dai Vernon’s most of the Magic Castle. misunderstood credos. By watching this and He says that in order to fool people you have to be natural and not use fancy moves, other lectures carefully it is easier to understand which are just exhibition of dexterity, not magic. than if reading the books, one of the few advantages of video. E/T Does vanish of a large ball (used as loads) by apparently transferring it from the right This double vanish is wonderful. I’ve never seen hand to his left hand and using the wand as protection. Repeats, but really places ball anybody except DV do this. The timing on the in left hand, then uses Silent Mora wand spin to vanish. This looks impossible, wand spin is incredible – it looks like real magic. absolutely beautiful. This is explained only briefly. E/T Shows a ball vanish used by Nate Leipzig , were a ball is pushed down into the left fist using the right thumb, and when the right hand moves away, it surreptitiously catches the ball falling from the hand – similar dynamics to the wand spin vanish just shown. -
Dossier Lecture
Adrian Vega Lecture About Adrian Vega… One of the best CloseUp Magicians from Spain and with more international projection, living in Las Vegas and working with Criss Angel as the CloseUp Magician in his touring show “The Supernaturalists”. Also, Adrian Vega works as a active consultant for Criss Angel, performing as well in his last TV show “Trick´d Up”. He has received a lot of awards like the Now, he is really exciting to share all that Spanish CloseUp Champion in 2013. Also he learned in these years as a he was Magician of the year in 2014, and profesional magician and creative in this he has international awards as “Award of magic world. Merit” in RonMcMillan in London (2013), Second Prize in the last IBM Convention Even, during 2018 and 2019, Penguin in USA, People´s Choice Award and Obie Magic and Murphys will release more ´s FFF award in 2016 getting a great than 10 original tricks, his brand new standing ovation next year in this creations. prestigious convention FFFF. Even, he owns a FISM Europe Award in 2017 and So, you shouldn’t miss this special lecture “Ascanio Award 2018” becoming the with a lot new magic and theory mixed Spanish Magician of the year. with typical Spanish School of Magic and a lot of experience traveling with During his time in Spain, he is a active one of the biggest magic shows out there. teacher in the “Tamariz School of Magic” in Madrid. You will enjoy it!! Don't miss it!! "Astonishing, Dynamic, Revolutionary, Innovative, Artistic, Nouveau. -
Model of Information Process for Neuromagic
Model of information process for neuromagic David Bestue1,2 1. Institut d'Investigacions Biomèdiques August Pi i Sunyer (IDIBAPS) 2. Universitat de Barcelona (UB) Abstract In this work, I structure the magical knowledge around the neuroscientific literature. For that, I present a theoretical neuropsychological model to illustrate how magic tricks can interfere with different processes of the information flow. This model combines different memory stages, the perceptual pathway, the emergence of attention and the consciousness threshold to provide a holistic picture of how magic functions from the neuroscientific perspective. Following the model, I also present a misdirection definition and classification that is more accurate with the biological reality than the existing ones. Introduction Over the last few years, the field of neuroscience has developed a branch based on the combination of both magicians and neuroscientists knowledge–“neuromagic”- (Tompkins et al., 2016; Shalom et al., 2013; Kuhn et al., 2008; Rissanen et al., 2014; Lamont & Henderson, 2009; Olson et al., 2015; Rensink & Kuhn, 2015; Ekroll et al., 2017; Barak & Tsodyks, 2014; Kuhn, 2019). The goal of magicians is to surprise their audience and to do so, they create magic tricks that are increasingly impressive. In this process, they are inadvertently lighting a lot of processes underlying attention, perception and memory (Kuhn et al., 2016; Wiseman et al., 2016; Rieiro et al., 2013; Cui et al., 2011; Demacheva et al., 2012; Kuhn & Land, 2006). In this work, I propose a model to address the impact of magical techniques based on a neuroscientific framework of how the brain processes information. 1 The popular notion that magic works because “the magician makes us look elsewhere” has pushed the field to investigate attention through magic. -
Misdirection – Past, Present, and the Future
REVIEW ARTICLE published: 06 January 2012 HUMAN NEUROSCIENCE doi: 10.3389/fnhum.2011.00172 Misdirection – past, present, and the future Gustav Kuhn1* and Luis M. Martinez 2* 1 Department of Psychology, Brunel University, Uxbridge, UK 2 Instituto de Neurociencias de Alicante, Consejo Superior de Investigaciones Científicas-Universidad Miguel Hernández, Sant Joan d’Alacant, Spain Edited by: Misdirection refers to the magician’s ability to manipulate people’s attention, thoughts, and Idan Segev, The Hebrew University of memory. It has been argued that some of the techniques used by magicians to orchestrate Jerusalem, Israel people’s attention and awareness may provide valuable insights into human cognition. In Reviewed by: Lutz Jäncke, University of Zurich, this paper we review the scientific, as well as some of the magic literature on misdirection. Switzerland We focus on four main points: (1) the magician’s concept of misdirection, (2) the paradigms Shlomo Bentin, The Hebrew used to study misdirection scientifically, (3) review of the current scientific findings, and University of Jerusalem, Israel (4) future directions. *Correspondence: Gustav Kuhn, Department of Keywords: misdirection, magic, attention, awareness Psychology, Brunel University, Uxbridge UB8 3PH, UK. e-mail: [email protected]; Luis M. Martinez, Instituto de Neurociencias de Alicante, Consejo Superior de Investigaciones Científicas-Universidad Miguel Hernández, Campus de Sant Joan, Avenida Ramón y Cajal, S/N, 03550 Sant Joan d’Alacant, Spain. e-mail: [email protected] “The principle of misdirection plays such an important role This task is even more challenging considering our usual clut- in magic that one might say that magic is misdirection and tered visual environment, which is filled with information that misdirection is magic” Hugard (1960, p.