DOCSLIB.ORG

New Music Festival

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
New Music Festival CDI900 ~-aAS Cd 2000 -- 24 CD 2000 --2S8 ei a New Music Festival Friday & Saturday, February 5 & 6, 2000 Victoria College Chapel 91 Charles Street West UNIVERSITY OF TORONTO Faculty of Music New Music FESTIVAL SATURDAY, FEBRUARY 5, 2000 7 p.m. Symposium on Women Composers in Contemporary Music Panel: Linda C. Smith, Micheline Roi, Jennifer Waring, Rose Bolton Chaired by Professor Mary Ann Parker 8 p.m. Concert 1 Brad Stark Two Pieces for solo piano* 1. Variations 2. Nocturne Brad Stark, piano Dennis Patrick crystallisation of the monad iii. ouroboros pastel drawing, Barbara Patrick Joanne Bender Sonata for the Millennium For solo piano Joanne Bender, piano ctmartin Ouroboros Mitch Yolvesky, clarinet; Dylan Benson, vibraphone; Max Mandel, viola; Kristen Wanner, cello INTERMISSION Lusiana Lukman Biru, for piano and tape Robert Kortgaard, piano Dylan W. Benson Clearer In Your Absence The Canadian Brass—Jens Lindemann, Ronald Romm, trumpets; Christopher Cooper, horn; Eugene Watts,trombone; Charles Daellenbach, tuba I CLASsICALQO:3 ie 9 a4 BEBE FS i, = TORONTO CANADIAN CHINESE ARTISTS CENTRE TORONTO AGGRO ate SUNDAY, FEBRUARY 6, 2000 2 p.m. Concert 2 Vincent Ho Three Scenes of Childhood 1. Playtime 2. An Afternoon Nap 3. The Tantrum Vincent Ho, piano David Litke Trio Scott St. John, violin; Simon Fryer, cello; Lydia Wong, piano Gary Kulesha String Trio Annalee Patipatanakoon, violin; Scott St. John, viola; Roman Borys, cello Katarina Curcin Kantata “Stabat Mater’’, third movement “O Quam tristis’’* Composers choir, Petar Dundjerski, conductor Roger Bergs Sextet Susan Hoeppner, flute; Rob D’Orante, oboe; Peter Stoll, clarinet;Nadina Jackson, bassoon; Joan Watson, horn; Ilya Poletaev, piano INTERMISSION Special Presentation by the Martin Hunter Foundation ohn Hawkins Dance, Improvisation and Song Max Christie, clarinet; William Aide, piano John Beckwith Blue Continuum Jens Lindemann, trumpet; Scott St. John, violin; Max Mandel, viola; Shauna Rolston, cello; John Kruspe, piano 3:30 p.m. Symposium on Post Modernism and Beyond Panel: Christos Hatzis, John Beckwith, Chris Paul Harman, Paul Steenhuisen Chaired by Professor Gustav Ciamaga ‘ SER» SUNDAY, FEBRUARY 6, 2000 5:30 p.m. Concert 3 Chan Ka Nin Soulmate Shauna Rolston, cello Eva Sze Fantasia* Petar Dundjerski, flute; Rebecca Sajo, clarinet; Lynn Kuo, violin; Marion Arthur, cello; Joanne Bender, piano; conductor Nicholas Ursa Variations on Paganini for String Sextet Li Yin Wang, Soo-Jung Yu, violins; Claudine Gaudoin, Cindy Babyn, violas; Young-Shin Choi, Marion Arthur, cellos Christos Hatzis Three Songs on Poems by Sappho Lorna MacDonald, soprano; Peter Stoll, clarinet; Scott St. John, violin; Shauna Rolston, cello; William Aide, piano; Petar Dundjerski, conductor ’ INTERMISSION Kristen Gilbert Death and the Maiden* Text: Ariel Dorfman Paulina—Andrea Ludwig, mezzo-soprano Gerardo—Sam Chung, baritone Dr. Miranda-Jesse Clarke, baritone Victoria Lindsay, Kari Lin, violins; Lief Mosbaugh, viola; Nadia Klein, cello; Todor Kobak, piano, Dylan W. Benson, percussion; Sandra Horst, Conductor Maer Powell, Director Abigail Richardson The Ilusion* Text: Pierre Corneille Hippolyta (Theogenes’ wife)—Leslie Ann Breden Freely adapted by: soprano Tony Kushner - Alcandre (The Magician)—Rosalind Lewis, mezzo Theogenes (son of Pridament)—Charles Fowler, tenor The Prince—James Levesque, tenor Pridament—Christopher Wilson, baritone Raven Wong, flute; Andrew Luchkow, cello; Andrea Grant, piano; Sandra Horst, Conductor Maer Powell, Director * World premiere Artist biographies Pianist William Aide received his musical ers’ competition, and a finalist in the 1999 degrees from the University of Toronto and SOCAN awards for young composers, Ms. the Juilliard School. In 1962 he won first Bolton has received’ commissions from the ize in the CBC Talent Festival and the Ensemble Contemporain de Montreal, accor- Canada Council Award for Young Perform- dionist Joseph Petric, Toronto ensemble the ing Artists. Mr. Aide is a distinguished solo Burdocks, Arraymusic, and the Canadian recitalist, chamber musician and accompa- Electronic Ensemble. Composer in residence nist and has collaborated with such conduc- for the Canadian Electronic Ensemble for tors as Walter Susskind, Charles Dutoit, the 1996-97 concert season, she is now a Mario Bernardi, Raffi Armenian, Arthur regular member of the ensemble. Fiedler and Andrew Davis. Glenn Gould re- ferred to him as “one of the most inventive Winner of Juno and the Jean A. Chalmers and imaginative pianistic talents of our Awards, Chan Ka Nin has written music per- time.” A university teacher of 37 years ex- formed by such ensembles as the Toronto perience, William Aide came to the Faculty Symphony, Vancouver Symphony, Calgary of Music in 1978. He currently serves as the Philharmonic, Orchestra London and Cana- Head of the Keyboard Division. dian Opera Company Orchestra. His numer- ous international awards include Béla Bart6k John Beckwith, born in Victoria, British International Composers’ Competition, Columbia, studied piano with Alberto Barlow International Competitions, Interna- Guerrero in Toronto on a scholarship. He tional Horn Society Composition Contest, further studied composition in Paris with PROCAN Young Composers’ Competition Nadia Boulanger and holds Mus.B. and — and Amherst Saxophone Quartet Composi- Mus.M. degrees from the University of To- tion Competition. Born in Hong Kong, Chan ronto, where his teachers included John studied composition at the University of Weinzweig. He has taught at the Faculty of British Columbia with Jean Coulthard while Music and served as dean from 1970 to 1977. pursuing a Bachelor’s degree in Electrical He was the first director of the Institute for Engineering. He later continued studying Canadian Music, and first holder of the Jean composition with Bernhard Heiden at Indi- A. Chalmers professorship in Canadian ana University where he obtained his Mas- usic. He holds honorary doctorates from ter’s and Doctoral degrees in music. our Canadian universities, was recipient of the Canadian Music Council’s annual medal Simon Fryer is an artist of the utmost ver- and “Composer of the Year” citation, as well satility, equally at home with the excitement as the Toronto Arts award and the Diplome of music of our time and the demands of his- d’honneur of the Canadian Conference of torical performance, with the cooperative the Arts. He is a member of the Order of imperatives of ensemble music-making and Canada. in the spotlight of the solo recital. Director of the ensemble !I Profundi! as well as mem- Rose Bolton grew up in Toronto and holds ber of the Bach Consort and The Moveable a Master of Music in composition from Feast, his diverse, active chamber music life McGill University, and a Bachelor of Mu- is often featured by the CBC and is comple- sic from the University of Western Ontario. mented by positions with the Toronto Sym- Her teachers have included composers phony Orchestra and on the Faculties of the Denys Bouliane, John Rea, Alexina Louie, University of Toronto and the Royal Con- Peter Paul Koprowski and Jack Behrens. servatory of Music. His commitment to Recipient of the H. C. Aitken prize of the teaching has been endorsed by an invitation 1995 New Music Concerts’ young compos- to join the Faculty of the International School for Musical Arts. contemporaine (Montreal), Chamber Con- certs Canada and the Banff Centre. He has Born in Greece, educated in the United been teaching at the University of Toronto States and a Canadian citizen since 1985, Faculty of Music since 1970. Christos Hatzis is “one of the most impor- tant composers in Canada.” (International Susan Hoeppner is an internationally ré Musician) His music has represented nowned flautist whom James Galway calls Canada and Greece at such international “one of the best talents of her generation.” gatherings as Stockholm’s International Since her debut at the Teatro Colon in Bue- Rostrum of Electroacoustic Music, Oslo’s nos Aires, Ms. Hoeppner has performed as ISCM World Music Days 1990, the Prix soloist with such orchestras as the Toronto Futura (Berlin) and the Prix Italia. A recipi- Symphony, Lisbon Radio Orchestra, Calgary ent of the Jean A. Chalmers Award, Prix Philharmonic, Sacramento Symphony, Bohemia Radio Special Prize, and the pres- Metropolitain Orchestre de Montreal, tigious Prix Italia Special Prize (first Cana- Kitchener-Waterloo Symphony, Manitoba dian composer to receive such honour), he Chamber Orchestra, and Orquesta de Cam- was also the 1996 winner of the (Governor- era in Buenos Aires. A graduate of The General) Jules Leger Prize. He has received Juilliard School, Ms. Hoeppner is a member commissions and grants from numerous of the University of Toronto Faculty of Mu- national and international foundations and sic. As the Canadian Performing Artist for arts councils. Yamaha, she performs throughout Canada, giving masterclasses in universities and high Born in Toronto, Chris Paul Harman has schools. She is in demand as an adjudicator been commissioned by such artists and en- at music festivals in Canada and the United sembles as William Beauvais, Jacques States. Israelievitch, Lawrence Charney, Con- tinuum, the Esprit Orchestra and National Sandra Horst is Head Coach/Conductor in Arts Centre Orchestra. His works have been the Opera Division of the University of To- performed by the Edmonton, Toronto, To- ronto Faculty of Music and is in her second kyo, Winnipeg and Kitchener-Waterloo full season as Chorus Master of the Cana- Symphonies, among others.
Load more

Recommended publications
  • 1Er Février 2015 — 15 H Salle De Concert Bourgie Prixopus.Qc.Ca
    e 18 GALA1er février 2015 — 15 h Salle de concert Bourgie prixOpus.qc.ca LE CONSEIL QUÉBÉCOIS DE LA MUSIQUE VOUS SOUHAITE LA BIENVENUE À LA DIX-HUITIÈME ÉDITION DU GALA DES PRIX OPUS 14 h : accueil 15 h : remise des prix 17 h 30 : réception à la Galerie des bronzes, pavillon Michal et Renata Hornstein du Musée des beaux-arts de Montréal Écoutez l’émission spéciale consacrée au dix-huitième gala des prix Opus, animée par Katerine Verebely le lundi 2 février 2015 à 20 h sur les ondes d’ICI Musique (100,7 FM à Montréal) dans le cadre des Soirées classiques. Réalisation : Michèle Patry La Fondation Arte Musica offre ses félicitations à tous les finalistes et aux lauréats des prix Opus de l’an 18. La Fondation est fière de contribuer à l’excellence du milieu musical québécois par la production et la diffusion de concerts et d’activités éducatives, à la croisée des arts. Au nom de toute l’équipe du Musée des beaux-arts de Montréal et de la Fondation Arte Musica, je vous souhaite un excellent gala ! Isolde Lagacé Directrice générale et artistique sallebourgie.ca 514-285-2000 # 4 Soyez les bienvenus à cette 18e édition du gala des prix Opus. Votre fête de la musique. Un événement devenu incontournable au fil des ans ! Le gala des prix Opus est l’occasion annuelle de célébrer l’excellence du travail des interprètes, compositeurs, créateurs, auteurs et diffuseurs. Tout au long de la saison 2013-2014, ces artistes ont mis leur talent, leur créativité et leur ténacité au service de la musique de concert.
    [Show full text]
  • October 8, 1982 Concert Program
    NEW MUSIC CONCERTS 1982-83 CONTEMPORARY ENCOUNTERS. CANADIAN MUSIC. GOOD MUSIC. On Sale now from the Canadian Music Centre are: CMC 1 Canadian Electronic Ensemble. Music composed and performed by Grimes, Jaeger, Lake and Montgomery. CMC 0281 Spectra - The Elmer Iseler Singers. Choral music by Ford, Morawetz and Somers. CMC 0382 Sonics - Antonin Kubalek. Piano solo music by Anhalt, Buczynski and Dolin. CMC 0682 Washington Square - The London Symphony Orchestra. Ballet music by Michael Conway Baker. CMC 0582 ‘Private Collection - Philip Candelaria, Mary Lou Fallis, Monica Gaylord. The music of John Weinzweig. CMC 0482 Folia - Available October 1, 1982. Wind quintet music by Cherney, Hambraeus, Sherman and Aitken, performed by the York Winds. In production: Orders accepted now: CMC 0782 2x4- The Purcell String Quartet. Music by Pentland and Somers. CMC 0883 Viola Nouveau - Rivka Golani-Erdesz. Music by Barnes, Joachim, Prévost, Jaeger and Cherney. Write or phone to place orders, or for further information contact: The Canadian Music Centre 1263 Bay Street Toronto, Ontario MSR 2C!1 (416) 961-6601 NEW MUSIC CONCERTS Robert Aitken Artistic Director presents COMPOSERS: HARRY FREEDMAN LUKAS FOSS ALEXINA LOUIE BARBARA PENTLAND GUEST SOLOISTS: ERICA GOODMAN BEVERLEY JOHNSTON MARY MORRISON JOSEPH MACEROLLO October 8, 1982 8:30 P.M. Walter Hall, Edward Johnson Building, University of Toronto EER IONG..R AM REFUGE (1981) ALEXINA LOUIE JOSEPH MACEROLLO, accordion ERICA GOODMAN, harp BEVERLEY JOHNSTON, vibraphone COMMENTA (1981) BARBARA PENTLAND ERICA
    [Show full text]
  • Student Composers Concert
    FACULTY of Jv1USIC UNIVERSITY 'iOF TORONTO Thursday, January 31 , 2008 T:30 pm, Walter Hall Student Composers Concert Invocation and Fanfare Sean King Steve Arsenault, Michelle Wylie, trumpets Marina Krickler, horn Stuart Bremner, trombone Ian Feenstra, tuba Elevator Music Fiona Ryan Lynn Kuo, violin Trop Elisha Denburg Tim Crouch, flute Julia Stroud, clarinet Lance McMillan, bassoon Four Poems of Emily Dickinson Lee Parkin Allison Arends, soprano Emma Elkinson, flute Mohsin Bhujwalla, viola Angela Schwartzkoff, harp Samuel Lam, conductor INTERMISSION Calling Loons Avalon Rusk i. Calling Loons Ii. The Arrival iii. Singing With the Loons iv. The Loons Take Flight Lynn Kuo, violin Rhapsody No.2 Constantine Caravassilis Zhenya Yesmanovich, piano Dance of Dragons Kevin Lau Violin 1 - Mark Johnston Violin 2 - Elizabeth Loewen Andrews Violin 3 - Maia Broido Trumpet - Steve Arsenault, Marcel Sekine Trombone - Annemieke Vanderkraay, Stuart Bremner Bass Trombone - Nelson Garces Flute/Piccolo - Sara Moorhouse, Kaili Maimets Piano - Mark Andrews Taiko - Lance McMillan, Michelle Colton Percussion 1 - Greg Samek Percussion 2 - Tricia Mangat Conductor - Brian Current ." Invocation and Fanfare for Brass Quintet is a piece written in 2007 for the When writing music, he draws from a rich palette of sounds, combining Bloor Street Brass. The Invocation is full of space, and overlapping notes that elements of music from a variety of genres and cultures and weaving them come from nowhere and disappear into nothing. The horn comes in with a into something entirely new. Of key interest to Avalon is the combination brilliant and touching melody, which returns later. Parts of the Invocation are of electronic music and acoustic instruments and the incredible level of horn calls and marches and other sounds, the piece is still deciding what versatility and expressive power that it provides.
    [Show full text]
  • Download the TSO Commissions History
    Commissions Première Composer Title They do not shimmer like the dry grasses on the hills, or January 16, 2019 Emilie LeBel the leaves on the trees March 10, 2018 Gary Kulesha Double Concerto January 25, 2018 John Estacio Trumpet Concerto [co-commission] In Excelsis Gloria (After the Huron Carol): Sesquie for December 12, 2017 John McPherson Canada’s 150th [co-commmission] The Talk of the Town: Sesquie for Canada’s 150th December 6, 2017 Andrew Ager [co-commission] December 5, 2017 Laura Pettigrew Dòchas: Sesquie for Canada’s 150th [co-commission] November 25, 2017 Abigail Richardson-Schulte Sesquie for Canada’s 150th (interim title) [co-commission] Just Keep Paddling: Sesquie for Canada’s 150th November 23, 2017 Tobin Stokes [co-commission] November 11, 2017 Jordan Pal Sesquie for Canada’s 150th (interim title) [co-commission] November 9, 2017 Julien Bilodeau Sesquie for Canada’s 150th (interim title) [co-commission] November 3, 2017 Daniel Janke Small Song: Sesquie for Canada’s 150th [co-commission] October 21, 2017 Nicolas Gilbert UP!: Sesquie for Canada’s 150th [co-commission] Howard Shore/text by October 19, 2017 New Work for Mezzo-soprano and Orchestra Elizabeth Cottnoir October 19, 2017 John Abram Start: Sesquie for Canada’s 150th [co-commission] October 7, 2017 Eliot Britton Adizokan October 7, 2017 Carmen Braden Blood Echo: Sesquie for Canada’s 150th [co-commission] October 3, 2017 Darren Fung Toboggan!: Sesquie for Canada’s 150th [co-commission] Buzzer Beater: Sesquie for Canada’s 150th September 28, 2017 Jared Miller [co-commission]
    [Show full text]
  • An Annotated Bibliography of Canadian Oboe Concertos
    An Annotated Bibliography of Canadian Oboe Concertos Document Presented in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Oboe in the Performance Studies Division of the University of Cincinnati College-Conservatory of Music January 11, 2016 by Elizabeth E. Eccleston M02515809 B.M., Wilfrid Laurier University, 2004 M.M., University of Cincinnati, 2007 D.M.A. Candidacy: April 5, 2012 256 Major Street Toronto, Ontario M5S 2L6 Canada [email protected] ____________________________ Dr. Mark Ostoich, Advisor ____________________________ Dr. Glenn Price, Reader ____________________________ Professor Lee Fiser, Reader Copyright by Elizabeth E. Eccleston 2016 i Abstract: Post-World War II in Canada was a time during which major organizations were born to foster the need for a sense of Canadian cultural identity. The Canada Council for the Arts, the Canadian Broadcasting Corporation and the Canadian Music Centre led the initiative for commissioning, producing, and disseminating this Canadian musical legacy. Yet despite the wealth of repertoire created since then, the contemporary music of Canada is largely unknown both within and outside its borders. This annotated bibliography serves as a concise summary and evaluative resource into the breadth of concertos and solo works written for oboe, oboe d’amore, and English horn, accompanied by an ensemble. The document examines selected pieces of significance from the mid-twentieth century to present day. Entries discuss style and difficulty using the modified rating system developed by oboist Dr. Sarah J. Hamilton. In addition, details of duration, instrumentation, premiere/performance history, including dedications, commissions, program notes, reviews, publisher information and recordings are included wherever possible.
    [Show full text]
  • Paul Pedersen Collection Finding
    Paul Pedersen Collection A Finding Aid to the Collection in the Marvin Duchow Music Library Prepared by Michaela Dickey Edited by Cynthia A. Leive Marvin Duchow Music Library Schulich School of Music, McGill University Montreal, Quebec Finding Aid URL: http://www.mcgill.ca/library/library-findinfo/subjects/music/special/paul-pedersen Latest Revision: July 2012 Collection Summary Title: Paul Pedersen Collection Span Dates: 1955-2005 Creator: Pedersen, Paul, b. 1935. Language: Collection material in English, French, German and Swedish. Repository: Marvin Duchow Music Library, Schulich School of Music, McGill University, Montréal, Québec, Canada. Abstract: The Paul Pedersen Collection, at 18 linear feet, contains approximately 8200 items, organized into 29 boxes within 10 different series. The collection consists of compositions and sketches, as well as teaching materials, university administration documents, published and unpublished writings, information about special projects and consultations, concert programmes, clippings, reviews, photographs and audio/visual materials. Selected Search Terms The following terms have been used to index the description of this collection in the Library’s online catalogue. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. 1 Administrative Information Provenance Gift; Paul Pedersen; 2009. Accruals Currently, no further accruals are expected. Processing History The Paul Pedersen Collection was processed in 2012 by Michaela Dickey. This Finding Aid was prepared with Microsoft Word, MAC 2008. Copyright Status The status of copyright on the materials of the Paul Pedersen Collection is governed by the Copyright Law of Canada. Restrictions The Paul Pedersen Collection is open to research. Researchers are advised to contact the Marvin Duchow Library prior to visiting.
    [Show full text]
  • Programme Wave’S 2011-2012 Season
    STANDING WAVE SOCIETY PRESENTS STANDING WAVE Raven Tales SUNDAY MAY 27 2012 T H E C U LTC H w e l c o m e Welcome to Raven Tales, the final concert of Standing Programme Wave’s 2011-2012 Season. Tonight is special for members of the ensemble because we are premiering Git Hayetsk Dancers: Down-spreading song a work by our good friend and colleague Marcus Goddard. We have been thrilled to witness the rising Le Merle Noir recognition of Marcus’ unique compositional voice over Olivier Messiaen (1952) arr. Jennifer Butler the past ten years, and we feel very fortunate to have flute, clarinet, violin, cello, piano, percussion a new piece by him. We are also happy to have been the catalyst for Marcus’ collaboration with Nisga’a artist Indigenous Instruments Mike Dangeli. Mike’s artistry as a carver, painter, and Steven Mackey (1989) musician is pivotal to tonight’s concert; the Git Hayetsk flute, clarinet, violin, cello, piano Dancers, which Mike leads with Mique’l Dangeli, are our special guests. Mike has also created masks to be I. worn by Christie, Peggy, and Allen in their performance II. of George Crumb’s Vox Balaenae. Mike’s masks, usually III. worn by dancers, allow the wearer to bridge the natural and supernatural worlds. All the music on tonight’s Vox Balaenae program exists somewhere on this bridge. From Michael George Crumb (1971) Colgrass’s Wild Riot of the Shaman’s Dreams and Paul flute, cello, piano Frehner’s Oracle, both of which invite the listener into a frenetic, hallucinatory dream-state, to Indigenous Vocalise (..
    [Show full text]
  • Jules Léger Prize | Prix Jules-Léger
    Jules Léger Prize | Prix Jules-Léger Year/Année Laureates/Lauréats 2020 Kelly-Marie Murphy (Ottawa, ON) Coffee Will be Served in the Living Room (2018) 2019 Alec Hall (New York, NY) Vertigo (2018) 2018 Brian Current (Toronto, ON) Shout, Sisyphus, Flock 2017 Gabriel Turgeon-Dharmoo (Montréal, QC) Wanmansho 2016 Cassandra Miller (Victoria, BC) About Bach 2015 2015 Pierre Tremblay (Huddersfield, UK) Les pâleurs de la lune (2013-14) 2014 Thierry Tidrow (Ottawa, ON) Au fond du Cloître humide 2013 Nicole Lizée (Lachine, QC) White Label Experiment 2012 Zosha Di Castri (New York, NY) Cortège 2011 Cassandra Miller (Montréal, QC) Bel Canto 2010 Justin Christensen (Langley, BC) The Failures of Marsyas 2009 Jimmie LeBlanc (Brossard, QC) L’Espace intérieur du monde 2008 Analia Llugdar (Montréal, QC) Que sommes-nous 2007 Chris Paul Harman (Montréal, QC) Postludio a rovescio 2006 James Rolfe (Toronto, ON) raW 2005 Linda Catlin Smith (Toronto, ON) Garland 2004 Patrick Saint-Denis (Charlebourg, QC) Les dits de Victoire 2003 Éric Morin (Québec, QC) D’un château l’autre 2002 Yannick Plamondon, (Québec, QC) Autoportrait sur Times Square 2001 Chris Paul Harman (Toronto, ON) Amerika Canada Council for the Arts | Conseil des arts du Canada 1-800-263-5588 | canadacouncil.ca | conseildesarts.ca 2000 André Ristic (Montréal, QC) Catalogue 1 (bombes occidentales) 1999 Alexina Louie (Toronto, ON) Nightfall 1998 Michael Oesterle (Montréal, QC) Reprise 1997 Omar Daniel (Toronto, ON) Zwei Lieder nach Rilke 1996 Christos Hatzis (Toronto, ON) Erotikos Logos 1995 John Burke (Toronto, ON) String Quartet 1994 Peter Paul Koprowski (London, ON) Woodwind Quintet 1993 Bruce Mather (Montréal, QC) YQUEM 1992 John Rea (Outremont, QC) Objets perdus 1991 Donald Steven (Montréal, QC) In the Land of Pure Delight 1989 Peter Paul Koprowski (London, ON) Sonnet for Laura 1988 Michael Colgrass (Toronto, ON) Strangers: Irreconcilable Variations for Clarinet, Viola and Piano 1987 Denys Bouliane (Montréal, QC) À propos..
    [Show full text]
  • TMS 3-1 Pages Couleurs
    TMS3-4cover.5 2005-06-07 11:10 Page 1 CANADIAN GUIDE TO SIZZLING SUMMER MUSIC FESTIVALS ISSUE 09 www.scena.org Summer 2005 • Vol. 3.4 $4.95 National Youth Orchestra at 45 National Academy Orchestra Cross-Country Jazz Roundup Vancouver Jazz Festival at 20! Jazz Contest Inside Measha Brueggergosman A Graced Voice 0 4 0 0 6 5 3 8 5 0 4 6 4 4 9 TMS3-4 glossy 2005-06-06 09:14 Page 2 QUEEN ELISABETH COMPETITION 5 00 2 N I L O I V S. KHACHATRYAN with G. VARGA and the Belgian National Orchestra © Bruno Vessié 1st Prize Sergey KHACHATRYAN 2nd Prize Yossif IVANOV 3rd Prize Sophia JAFFÉ 4th Prize Saeka MATSUYAMA 5th Prize Mikhail OVRUTSKY 6th Prize Hyuk Joo KWUN Non-ranked laureates Alena BAEVA Andreas JANKE Keisuke OKAZAKI Antal SZALAI Kyoko YONEMOTO Dan ZHU Grand Prize of the Queen Elisabeth International Competition for Composers 2004: Javier TORRES MALDONADO Finalists Composition 2004: Kee-Yong CHONG, Paolo MARCHETTINI, Alexander MUNO & Myung-hoon PAK Laureate of the Queen Elisabeth Competition for Belgian Composers 2004: Hans SLUIJS WWW.QEIMC.BE QUEEN ELISABETH INTERNATIONAL MUSIC COMPETITION OF BELGIUM INFO: RUE AUX LAINES 20, B-1000 BRUSSELS (BELGIUM) TEL : +32 2 213 40 50 - FAX : +32 2 514 32 97 - [email protected] SRI_MusicScene 2005-06-06 10:20 Page 3 NEW RELEASES from the WORLD’S BEST LABELS Mahler Symphony No.9, Bach Cantatas for the feast San Francisco Symphony of St. John the Baptist Mendelssohn String Quartets, Orchestra, the Eroica Quartet Michael Tilson Thomas une 2005 marks the beginning of ATMA’s conducting.
    [Show full text]
  • OTHER MINDS 14 a Festival of New Music
    OTHER MINDSA festival of new music 14 GUEST COMPOSERS: MICHAEL HARRISON • DOBROMIŁA JASKOT • BEN JOHNSTON • CATHERINE LAMB • CHICO MELLO • JOHN SCHNEIDER • LINDA CATLIN SMITH • BENT SØRENSEN • CHINARY UNG MARCH 5 - 7, 2009 7PM PANEL DISCUSSIONS / 8PM CONCERTS JEWISH COMMUNITY CENTER OF SAN FRANCISCO CHARLES AMIRKHANIAN ARTISTIC DIRECTOR • ADAM FONG ASSOCIATE DIRECTOR Revelationary New Music www.radiOM.org The Djerassi Resident Artists Program is a proud co-sponsor of Other Minds Festival 14 The Mission of the Djerassi Resident Artists Program is to support and enhance the creativity of artists by providing uninterrupted time for work, reflection, and collegial interaction in a setting of great natural beauty, and to preserve the land upon which the Program is situated. The Djerassi Program annually welcomes the Other Minds Festival composers for a five-day residency for collegial interaction and preparation prior to their concert performances in San Francisco. Now celebrating its 30th Anniversary, the Djerassi Program has hosted 1800 artists of every discipline worldwide since its founding in 1979. Small, diverse groups of artists convene for one-month residencies at our rural ranch where studio space, housing, meals and staff support are provided free of charge. Information and application materials may be obtained at www.djerassi.org. The Djerassi Program is a non-profit 501 (C) (3) organization that relies on contributions from individuals and phil- anthropic organizations for its operations. Yield to Whim We welcome your support! by
    [Show full text]
  • Version Imprimée / Printed ) W [ H 51 Jazz + ISSN 1206-9973 Version Internet ^ Z J I
    sm13-5_Cover_NoUPC.qxd 1/30/08 10:17 AM Page 1 www.scena.org sm13-5_pxx_layoutwkc-Ads.qxd 1/27/08 7:16 PM Page 2 sm13-5_pxx_layoutwkc-Ads_2.qxd 1/30/08 10:14 AM Page 3 sm13-5_pxx_layoutwkc-Ads.qxd 1/29/08 11:39 PM Page 4 2008 www.music.mcgill.ca/musimars Lundi 3 mars au vendredi 7 mars 2008 Monday, March 3 to Friday, March 7, 2008 Ensembles Cappella Antica, Valerie Kinslow, directrice Cappella McGill, Peter Schubert, directeur Chanteurs d’Orphée, Peter Schubert, directeur Corno di Caccia Ensemble, Denys Derome, répétiteur McGill CME (Contemporary Music Ensemble), Denys Bouliane, directeur McGill DCS (Digital Composition Studio), Sean Ferguson, directeur McGill Percussion Ensemble, Aiyun Huang, Fabrice Marandola, directeurs McGill Wind Symphony, Alain Cazes, directeur Schulich String Quartet, André Roy, répétiteur Ucello, Matt Haimovitz, répétiteur Collaboration spéciale Société de musique contemporaine du Québec, Walter Boudreau, directeur artistique Solistes Mira Benjamin, violon Rogers Covey-Crumb, ténor (Hilliard Ensemble, Londres) Denys Derome, cor (Orchestre symphonique de Montréal) Dom Richard Gagné, chantre (directeur du Chœur de l’Abbaye de St-Benoît du Lac Memory of et ancien directeur du Chœur de l'Abbaye de Solesmes) Matt Haimovitz, Chloé Dominguez, violoncelles Ages Quenched: Kyoko Hashimoto, Sara Laimon, Julia den Boer, pianos (The Book of Days) Aiyun Huang, Fabrice Marandola, percussion Hank Knox, clavecin Shawn Mativetsky, tabla - Julie Lebel, harmonium Ingrid Schmithüsen, Iris Luypaers, sopranos La Mémoire Erika Donald,
    [Show full text]
  • MBTS 2012 Souvenir Programme REVISED 12-06-27 6:27 PM Page 2
    MUSIC BY THE SEA AT BAMFIELDVANCOUVER ISLAND, BC PROGRAMME 2CHRISTOPHER 012DONISON Executive Artistic Director MBTS 2012 souvenir program REVISED_MBTS 2012 souvenir programme REVISED 12-06-27 6:27 PM Page 2 The reverie of Bamfield Inlet and the muse that comes with it... MESSAGE FROM THE PRESIDENT The experience of a MBTS concert is difficult to describe to anyone who has not attended one. From newcomers we always hear...’I had no idea it would be this wonderful’. There are many ingredients that make up the MBTS ‘magic’. Begin with the setting: the majestic space of Barkley Sound - Bamfield harbour in the foreground, with the Deer Group Islands and the mountains of Vancouver Island beyond. Add to this a delightful hall that is musically perfect for solo performers or chamber groups. Then stir in a mix of the world’s finest musicians, ensembles with strings, woodwinds, piano, voice or saxophone. Throw in a blend of classical and modern composers and, with a little rehearsing, create some of the most sublime moments I can remember. Like any great recipe, Music By The Sea is a whole that is much greater that the sum of its parts. Supporting the public face of MBTS are the year round efforts of volunteers, sponsors and supporters who make the summer festival possible. Operationally, the past year has seen us achieve some significant milestones that will contribute to a strong foundation for growth in the future. MBTS now has a full time presence in Bamfield with an administrative assistant and office, a new updated website, and improved accounting procedures and protocols.
    [Show full text]