Pioneers of Electronic Music

Total Page:16

File Type:pdf, Size:1020Kb

Pioneers of Electronic Music 's living music Musique te canadienne CHROMA Smith, Reich, Evangelista, Sharman, Volans The Arraymusic Ensemble Artifact ART-OOA CD STRANGE COMPANIONS Pompili, Butterfield, Abram, Underhill, Baker, Komorous Elissa Poole, baroque f1ute/f10te baroque; Richard Sacks, percussion/ percussions Artifact ART-003 CD SHADOWBOX Chan, Jaeger, Lake, Lorrain, Trochu .. Rosemarie Landry, soprano; Joseph Petric, accordion/accordeon; Toronto Percussion Ensemble. Centrediscs CMC-CD 3288 . ORCHESTRE METROPOLITAIN Longtin, Rea, Vivier. Walter Boudreau, dir. CMC-CD 3188 GEMS Foley, Hambraeus, Hatch, Hat:zis, Hokosawa, Romiti. Joseph Petric, accordion/accordeon. Conaccord CONA-3 CD Recordings are available at all four offices of the Canadian Music Centre. =- - It: .=..:= NEW MUSIC 90 For a free mail-order catalogue of all =--=- ;';-~= Tremblay, Beecroft, our titles and ordering information, Aitken, Xenakis. write to the Canadian Music Centre CANADIAN MUSIC CENTRE New Music Concerts Distribution Service. CENTRE DE MUSIQUE CANADIENNE Ensemble. NMC-001 CD 20 St. Joseph Street, Ces albums sont disponibles dans Toronto, Ontario chacun des quatre bureaux du Centre de musique canadienne. Pour obtenir CANADA Ie catalogue gratuit qui en repertoire M4Y 1J9. les titres, et pour tout renseignement relatif aux commandes, priere d'ecrire fi' (416) 961-6601 au Service de Distribution du Centre de musique canadienne. FAX (416) 961-7198 Contact! 5.3 Co-redacteurs / Co-editors • Edito / Edito laurie Radford &Claude Schryer 4 Directeur de production / Production manager Frederic Roverselli • Du conseil / From the Board Traduction / Translation 6 Aline Barnot • Echos / Echoes Graphisme / Graphics Natalie Jean pour VIZU-GRAF 8 Collaborateurs / Contributors • Idees / Ideas Ned Bouhlilassa - Patrick Cardy - Daniel leduc - Robin Minard - laurie Radford - Frederic Roverselli - Claude Schryer 10 • Comptes rendus / Reviews 19 Tarifs de publicite pour Contactl: 1 page, 250$; 1/2 page, 150$; 1/4 page, 100$ carte d'affaire, 75$. Tam annuel: 1 page, 800$; 1/2 page, 500$; 1/4 page, 300$; {........rte d'affaire, 225$ • Nouvelles breves / New briefs \ l~l\ .. \':; dvertIsmg rates for Contactl: 1 page, $250; 1/2 page, $150; 1/4 page, $100; business card $75 Yearly rate: 1 page, $BOO; 1/2 page, $500; 1/4 page, $300; business card $225 . 24 Contact! est une publication de la Communaute electroacoustique canadienne (CEO;©1991, tous droits reserves-Communaute electroacoustique canadienne • Calendrier / Calendar (CEO, Montreal, Canada, Contactl est publie quatre fois par annee. Toute information envoyee pour fins de publication est consideree soumise sans condition et peut egalement etre sll.jette arevision ou commentaire par Ie bureau de redaction de Contactl Les enonces, opinions et points de vues sont ceux des 27 auteurs et ne representent pas necessairement les vues de la Communaute electroacoustique canadienne (CEO, ni de la redaction. Les articles peuventetre reproduits avec la permission ecrite de Contactl ISSN 0838-3340. Vol. 5 NQ. 3. • ·Opportunites / Perspectives DepOt Iegal- ler trimestre 1988: Bibliotheque nationale du Quebec; Bibliotheque nationale du Canada. Les noms des membres de la CEC appaiaissent en caractere gras dans Ie texte. 33 Contact! is a publication of the Canadian Electroacoustic Community .. (CEC);©l99, All Rights reserved Canadian Electroacoustic Community (CEO, Montreal, Canada.Contact! is published four times a year. All information • AI'anfennp, / On the air received for publication is treated as unconditionnally assigned for p)lblication and subject to Contactl unrestricted right to edit and comment. Statements, opinions and points of view expressed are those of the writers and do not 39 necessarily represent those of the Canadian Electroacoustic Community (CEq or editors. Articles may only be 'reproduced with the written permission of Contact! ISSN 0838-3340.Vol. 5 No.3. Legal deposit -1st quarter 1988. Bibliotheque natior:ale du Quebec; National Library of Canada. Names of (CEO • Sons et mots / Sounds and Words members appear in bold in the texts. 41 Contact! Communaute electroacoustique canadienne (CEC) • Liste des membres / Members Canadian Electroacoustic Community (CEC) :._.P. 845 / Succursale Place d'Annes 46 Montreal (QC) / Canada H2Y 3J2 -Fax (514) 289-9680 3 transparence et sa generosite, qui a d'etablir solidement sa credibilite en it propos de 10 CEC une vocation et une force, et qui se trouvant toujours au CCEur des essaie toujours de garder une choses.Vous savez bien, toutes ces .. longueur d'avance sur tout Ie competitions, ces flashs • Claude Schryer monde... Si vous ecrivez une lettre a d'inforrnation, ces comptes rendus, Contact!, PAP! eUe parait quelques ces perspectives, ces emissions, ces Vous etiez de~us d'apprendre semaines plus tard en fran~ais et en nouvelles breves... Le tout rendu l'annulation d'INTEGRATION,les 3e anglais, bien presentee, et mise ala possible grace ala generosite de Joumees electroacoustiques de la pottee de plus de 500 particuliers, quelques personnes. J'en veux CEC, a Toronto. Moi aussi. Des institutions et organismes, dans plus encore! Count me in! Go. Go. Go. circonstances malheureuses ne nous de 20 pays! BOUM! Merveilleux. Les permettront pas de partager pensees, Joumees electroacoustiques de la La CEC est peut-etre un peu sons et nourriture en octobre 1992. ,CEC : 4 jours passes au paradis comme Ie Canada: un peu fatigue de Peut-etre devrons-nous trouver de electroacoustique - et vous pouvez ses vieilles contradictions, un peu nouvelles fa~ons d'echanger nos meme etre payes pour y assister! J'en abattu face au defi apparemment recettes? veux encore! Je m'embarque! insurmontable de maintenir les choses ensemble~ Et pourtant, ne J'aime la.CEC. De tous les Allez. Allez. AUez. La CEC a sommes-nous pas tous un peu organismes democratiques et toujours fonce a vitesse surmultipliee amoureuxde notre association et de bilingues de ce pays, ('est l'un de - avec une capacite incroyable de son rayonnement? Et on s'emerveille ceux qui fonctionnent Ie plus reussir envers et contre tout, de d'etre arrive si loin deja... Et on se harmonieusement. En fait, c'est l'un traduire des textes incoherents a la demande ce qui nous attend... des meilleurs modeles au monde vitesse de la lumiere, de redistribuer pour les groupes d'artistes en des fonds dans l'interet de ses . Je pense que Ie temps approche electroacoustique. C'est un membres, de faire Ie maximum de ou nous verrons si la CEC - bateau organisme qui se caracterise par sa choses et Ie minimum de betises, et equipage - continuera avoguer editorial editorial letter to Contact!, POUF! it appears a Allez. Allez. Allez. About the CEC few weeks later in two languages, nicely printed and immediately It's a little like how we feel about available to over 500 individuals, Canada: a little tired of the Claude Schryer institutions and organizations in over contradictions, weary of the 20 countries! BANG! What fun. The seemingly impossible task of keeping You were disappointed to hear CEC Electroacoustic Days: 4 days of things together - and yet we are all a about thecancellationof electroacoustic heaven for which you little in love with the breadth of our INTEGRATION, the 3rd CEC , can even get paid to attend! Keep it association. How did we make it this Electroacoustic Days in Toronto. So coming. Sign me up! far anyway? What lies ahead? I was I. Unfortunate circumstances expect we'll soon see if the CEC ship will not allow us to share thoughts, Go. Go. Go. The CEC has always and crew will continue to sail ftill sounds-and food together in October, functioned in overdrive, that is, with steam, adopt half mast or go into the 1992. Perhaps we will have to find an incredible ability to beat the odds, docks for repairs. What do you other ways of exchanging recipes? to translate incoherent texts in think? There are elections coming up. lightning speed, to redirect funds for Why not get involved? Leam French. I like the CEC. It has been one of the good of the membership, to do a Apprenez l'anglais. Take into hand the smoothest running democratic maximum of stuff with a minimum an issue that carries weight in your and bilingual organizations in of bs, to establish lasting credibility heart. Initiate a project... But perhaps Canada, In fact, it is one of the best by being at the heart of the matter. you are tired of our asking for help. models for electroacoustic artists' You know, all those competitions, You know, we don't really havetime groups in the world. It is a flashes, opportunities, broadcasts, either... transparent, purposeful, generous .news briefs, reviews... brought to and powerful organization, always' you by the generosity of a few At the last Board meeting ""~'-'C trying to be two or three steps ahead individuals. More...Je m'embarque! 15~h, 1992), it was agreed we must of everyone else... If you write a 4 toutes voiles dehors, baissera la voile d'une structure de soutien Toronto, a Vancouver, a Bourges, a ami-mat ou retoumera au quai pour renouvelee, et doit proceder a un Madrid, a Tokyo... C'est trop... ,.eparations. Qu'en pensez-vous? II y questionnement fondamental de ses Comment peut-on garder une : es elections qui approchent. objectifs et de ses moyens veritables. longueurd'avance quand on est pris Pourquoi ne pas vous lancer? par Ie temps? Apprenez l'anglais. Learn French. Votre conseil d'administration Prenez en mains un probleme qui travaille assidument aces problemes. Mais restons objectifs. La vous tient a creur. Faites naitre un Mais Ie conseil aussiest un peu communaute electroacoustique a projet... Mais vous en avez assez de fatigue. II y a tant de choses afaire : beaucoup change depuis les debuts nos appels al'aide. VOllS savez­ s'occuper du sourrier, preparer les de la CEC en 1986. Notre travail est nous non plus, nous n'avons pas numeros de Contact!, ecrire des maintenant bien reconnu. Nous vraiment Ie temps..
Recommended publications
  • Delia Derbyshire (1937–2001) 1962 Dartington Summer School
    News Delia Derbyshire (1937–2001) 1962 Dartington summer school. France). The Gold Pierre was Later, in collaboration with Brian awarded to Ludger Bru¨ mmer (Ger- Hodgson and David Vorhaus, she set many) for Nyx, and the Silver Pierre Delia Derbyshire, British pioneer of up Kaleidophon, an independent stu- to Jonty Harrison (UK) for Abstracts electronic music, died in Northamp- dio where she worked on the classic for tape and large orchestra. No mag- ton, England, on 3 July 2001, aged album Electric Storm (1968), which isterium was awarded. Residencies 64. Born in Coventry, England, she was credited to White Noise and re- went to Abdul Wahid Hasnizam (Ma- was educated at Coventry Grammar leased on Island Records. This studio laysia) for Fatihah, Paavo Impio (Fin- School and Girton College, Cam- continued to put together electronic land) for Kaleva, Mei-Fang Lin bridge, graduating in music and music for the London theatre of the (Taiwan) for Interaction, Felipe Perez mathematics. She joined the British late 1960s. In 1973 she left the BBC Santiago (Mexico) for Ofaniel (angel Broadcasting Corporation (BBC) in and after a short period with a pri- de la luna), Juan Pablo Sorrentino 1960 as a studio manager and trans- vate studio she gave up composi- (Argentina) for Mi Primer Cello, and ferred in 1962 to the Radiophonic tional work for many years. Rogelio Sosa (Mexico) for Tenso II. Workshop, where she remained until Recently, she had returned to take In the category for electroacoustic 1973. During that time she produced an interest in electronic music, en- music alone, prizes were awarded to music and sound for almost 200 ra- couraged by members of a younger Natasha Barrett (UK) for Utility of dio and television programs.
    [Show full text]
  • Salvatore Sciarrino La Voce Dell'inferno 1981 [28'35''] Interprete Acusmatico Danilo Girardi
    Programma di sala Sabato 15 dicembre ore 21.30 DAL CATALOGO DIE SCHACHTEL Nata nel 2003, Die Schachtel è una etichetta / casa editrice specializzata in musica elettronica / concreta / di avanguardia ed in poesia sonora. I due fondatori, Bruno Stucchi e Fabio Carboni, hanno messo insieme le loro rispettive competenze per dar vita ad una impresa culturale indipendente e no-profit: infatti tutte le entrate da vendite sono reinvestire in nuovi progetti. Il nome (dal titolo di un'opera di Franco Evangelisti del 1969) è metafora di uno spazio concettuale e creativo occupato sia dal compositore che dall'editore. Si riferisce anche alla produzione di artefatti sonori come "scatole sonore", piene di scoperte musicali sorprendenti ed inaspettate. Obiettivo di Die Schachtel è quello di pubblicare sia materiali di archivio che materiali inediti tra quelli dei nomi più interessanti (e spesso sconosciuti) della scena della musica elettronica di avanguardia e della sound art, del periodo 1960-1980. Speciale attenzione è riservata ad artisti che, sebbene riconosciuti come pionieri e maestri nel loro genere specifico, raramente hanno avuto la possibilità di pubblicare la loro musica, e conseguentemente ottenere un più vasto riconoscimento del loro lavoro. L'ambizioso progetto è quello di "completare la mappa" dei territori sonori occupati dalla musica sperimentale (specialmente italiana) e quindi creare (o ricreare) una adeguata connessione con la nuova generazione di musicisti sperimentali che molto spesso (almeno in Italia) hanno scarsa o nessuna consapevolezza
    [Show full text]
  • Concierto EX TERESA
    Concierto EX TERESA 09 de Diciembre Programa Museo Ex Teresa Arte Actual 19:00 Nestor Javier Ciravolo (Argentina) Calle Licenciado Verdad No.8, Cuauhtemoc, Centro Históri- Ivan Chiarelli (Brazil) co, 06060 Ciudad de México, CDMX Guillermo Eniser Sagües (Uruguay) Pablo Bas (Argentina) Concierto de Música electroacústica Multicanal en ocho Medin Pieron Martin ( España) canales Diego Ignacio de la Fuente (Chile) Balint Barath (Hungria) Valerio Orlandini (Italia) Aleksandra Bilinska (Polonia) Roberto Zanata (Italia) Concierto EX TERESA Nestor Javier Ciravolo Ivan Chiarelli (Argentina) (Brazil) Brazilian composer, producer and perfor- mer based in Berlin, Ivan Chiarelli has been awarded at the 3rd Gilberto Mendes com- position contest (Festival Música Nova, Brazil/2008). His work has roots in sounds- cape and musical narrative, and has been performed in South America, Europe and Asia. He has been commissioned by the GrupoPIAP (2008) and the NME – Nova Música Eletroacústica (2013). A graduate from the São Paulo State University and a fellow at the 2017 Delian Academy for New Music, his tutors include Gregory Mertl, Alexandre Lunsqui, and Flo Menezes. With interests spanning from concert music to art halls to dance floors, Ivan has worked in collaboration with a variety of artists and in several different media. His acoustic pieces were performed by the Alter Ego Ensemble, Grupo PIAP, Orquestra Sinfônica de Santos, Leonardo Labrada and Augusto Moralez, among others. As a performer, he has played with Mauricio Takara (Hurtmold, M. Takara), Gregor Siedl and Lan Cao (Parallel Asteroid), and Richard Ribeiro (Porto), among others. Between 2013 and 2015 Ivan collaborated frequently with the NME, a collective focused on electronic and electroacoustic music, and came to direct the group for their 2015-16 season.
    [Show full text]
  • Acoustic Ecology JIM 09 Présences ´Electronique Musical Instrument Competition
    News Acoustic Ecology The JIM 09 scientific conference hall. Other artists presenting works sessions included “Real-Time and at the festival included Japanese cy- The World Forum for Acoustic Ecol- Instrumentality,” “Creative Works berpunk writer Kenji Siratori, the live ogy (WFAE) held an international Explained,” “Image, Gesture, Move- electronic composition performance conference in Mexico City 23–27 ment,” “Sonification,” and “Multi- group Kernel, composer Christine March 2009 (see Figure 1). Hosted by Disciplinary Training in Art, Science, Groult, and composer/performer Phil the Fonoteca Nacional of the Mexican and Technology.” A concert held on Von. National Council of Culture and the the opening evening included music Web: www.104.fr/medias/blogs/ by Jean Haury, Hugues Genevois, 113/1783-PE programme complet.pdf Arts, the conference title was “Me- Downloaded from http://direct.mit.edu/comj/article-pdf/33/3/5/1855355/comj.2009.33.3.5.pdf by guest on 02 October 2021 galopolis´ sonoras” [Sound Megalopo- Bertrand Merlier, Noe´ Guirand and lis]. The sub-theme of the conference Kevin´ Sillam, Michel Decoust, Ludger was “Cultural Identity and Sounds Brummer,¨ Jean-Claude Risset, and Musical Instrument Competition in Danger of Extinction.” Presenta- John Chowning. tions, papers, workshops, concerts, Web: acroe.imag.fr/jim09 The first annual Guthman Musical and installations by artists, engineers, Instrument Competition was held doctors, activists, environmentalists, 27–28 February 2009 at the Georgia biologists, and architects from 14 Presences´ Electronique´ Tech Center for Music Technology on countries were scheduled into morn- the campus of the Georgia Institute of ing, afternoon, and evening sessions. The fifth Festival Presences´ Technology in Atlanta, Georgia, USA.
    [Show full text]
  • Rapport D'activités 2013
    Rapport d'activit´es2013 15 janvier 2014 Table des mati`eres 1 Pr´esentation du SCRIME 3 1.1 Structure . 3 1.2 Locaux . 3 1.3 Personnel du SCRIME . 4 1.4 Chercheurs . 4 1.5 Compositeurs . 4 1.6 Enseignants . 4 1.7 Partenariats . 4 1.7.1 Partenariats institutionnels . 4 1.7.2 Partenariats logistiques et techniques . 5 1.7.3 Partenariats artistiques . 5 1.7.4 Partenariats d'entreprise d´evelopp´esdans le cadre de la recherche au SCRIME . 5 1.7.5 Autres partenariats . 6 2 Rapport d'activit´esartistiques 7 2.1 Cr´eations . 7 2.1.1 Bilad El Cham : r´esidencede Julia Al-Abed . 7 2.1.2 E-String : r´esidencede Florent Colautti . 7 2.1.3 Quarks, miniature pour percussion a´erienne: r´esidencede Florent Colautti . 7 2.1.4 Miniature en octophonie : r´esidenced'Antoine Lay`ere . 8 2.1.5 S´ediments : r´esidencedes Baltazars . 8 2.1.6 Fluxus : r´esidenceDonatien Garnier / Les Tafurs . 9 2.1.7 Avance toujours, avance ! : r´esidence P-H Vulliard / A Gonothey . 9 2.1.8 L'´echelle de C^ıteaux: installation du collectif Corps Electriques . 9 2.1.9 Le Bonheur Atlantique : installation de Marie-Claude Bay . 9 2.1.10 Cube-ID : installation des Morphog´enistes. 9 2.2 R´esidences. 10 2.2.1 Cin´emaEmotif : r´esidenceMarie-Laure Cazin / Thierry Coduys . 10 2.2.2 Guitare augment´ee: r´esidencede Joseph Larralde . 10 2.2.3 Fukushima : r´esidencede Marina Bellefaye et H´el`eneFerri´e-Otani .
    [Show full text]
  • Morphosis Duo »
    SCRATCH of « MORPHOSIS DUO »: Joan MARTI FRASQUIER / Joan BAGES RUBI / MATEU MALONDRA With the collaboration of: Institut Ramon Llull - SIRGA FESTIVAL (Catalonia) and Placa Base (Balearic Islands) « SCRATCH » of MORPHOSIS DUO Music should not always produce a calming effect. Sometimes has to provoke us (even hurt a little, like a scratch) to activate our senses Joan Martí-Frasquier, baritone saxophone Joan Bagés i Rubí, electronics MORPHOSIS DUO was presented in a concert of baritone saxophone and electronics for the Association Catalana de Compositors Actuals in Barcelona, on October 20th, 2016, with works by members of the ACC. This duo represents the most basic version of Morphosis Ensemble, a variable group engaged in the diffusion of electroacoustic music, a genre that represents a step forward in the (r)evolution of music of the 21st Century. Their objective is to promote the repertoire, composers and sound artists involved in the exploration of new languages and sonorities. The MORPHOSIS DUO concert programs are open and include both text-based and free-improvisation musical works. For the New York City Electroacoustic Music Festival, they have selected a varied programme of electroacoustic and electronic pieces by Catalan composers. More info, here. JOAN MARTÍ-FRASQUIER, Baritone Saxophone I consider myself a dynamic musician. I feel most involved in new music and I am always open to new artistic experiences. After graduating in Barcelona I continued my studies in France with Christophe Bois (ENM Bourges), Philippe Braquart (CNR Montpellier) and, some years later, Damien Royannais (CRR Limoges) with the best marks. This experience has very much marked my professional career.
    [Show full text]
  • MUSLAB UAM 00 10.Pdf
    Paolo Pastorino (1983) is an italian guitarist, composer. UAM-X(sound installation with 3 bass loudspeakers and very Since 2006 he starts to work as sound engineer for some low frequency waves) and HF 114 (electronic composition Rock, Industrial and Nu-Metal bands. He studied and for 7 transmitters) more and more means from the graduated in computer music and sound technology at area of the electronic music, the sound design, the high- the Conservatory of Sassari (2015). frequency engineering and the internet are included in his artistic conception. In his works he use not only electronic instruments e electronic composition NEARNESS was published and algorithms realized by soware but also tradiional on the “Sonic Circuit” festival CD 2001. instruments electronically elaborated and others concrete e 3rd string quartet (1998/99) was played by the Nevsky elements existents in nature. His experience doesn´t string of Quartet St. Petersburg for the rst time. regards only traditional and electronic composing, but CD production for „Ich schulde der Welt einen Toten“ also the implementation of control systems, developed (theatre play 1997). on MAX MSP, for live electronics and for assisted He got the composition price of the city of Stuttgart (1982) and the composition price “Luis de Narvàez” Granada (1993) for the 1st and 2nd string quartet. Recordings made by WDR, ORF, Deutschlandradio, radio Koper, Ljubljana-TV and BR. Compositions for chamber ensemble, orchestra, Christoph eiler electronics, theatre and radio play. (1959/BRD) Concerts and performances in Austria, Germany, Switzerland, former Yugoslavia, Italy, Spain, Belgium, Paolo Pastorino “Raumloser Ort“ means Room-less place, a place with France, no dimensions.
    [Show full text]
  • COMPOSIZIONE ACUSMATICA Corso Introduttivo Docente: Denis Dufour
    Musica & Arti Elettroniche COMPOSIZIONE ACUSMATICA corso introduttivo Brindisi sede staccata del Conservatorio Musicale " Tito Schipa" ex Convento di S.Chiara 24‐25 novembre 2009 Docente: Denis Dufour Organizzatori: Conservatorio Musicale "Tito Schipa", Comune di Brindisi, Associazione M.ar.e (Musica & Arti Elettroniche) Costi : Il corso è gratuito Requisiti richiesti ai partecipanti : il corso potrà risultare interessante per chi pratica la composizione strumentale / vocale di ricerca ( che usi o meno l'elaborazione elettronica del suono ); per tutti gli strumentisti attenti al repertorio contemporaneo; per chi non ha una preparazione musicale "classica" ma esperienza o anche solo sincero interesse per l'universo delle musiche elettroniche, concrete, sperimentali, della sound art e dell'improvvisazione radicale; per chi è interessato ad una didattica della musica nella scuola dell'obbligo basata sull'esplorazione delle potenzialità sonore degli strumenti e sull'ascolto. Temi : Si ricostruisce la storia del nuovo medium artistico inventato da Pierre Schaeffer nel 1948, noto in origine come musica concreta ed in seguito come arte acusmatica. Dell'arte acusmatica vengono esplicitate le caratteristiche essenziali, definiti i termini principali, esaminate le prime creazioni attraverso l'analisi musicale. In seguito vengono messe a fuoco tutte le tappe di apprendimento della scrittura acusmatica. Infine si mostra come nasce un'idea compositiva mettendo in luce il cammino che porta dalla concezione del progetto alla realizzazione finale di un'opera. Giorni: martedi 24‐mercoledi 25 novembre ore 9.30‐13.30 mattino, 15.00‐18.30 pomeriggio Sede : Brindisi, sezione distaccata del Conservatorio Musicale "T.Schipa", ex Convento di S.Chiara, via Santa Chiara Iscrizioni : inviare un breve curriculum all'indirizzo di posta elettronica [email protected] Gi interessati riceveranno con lo stesso mezzo una conferma circa la loro ammissione al corso.
    [Show full text]
  • 25 Years of Ars Electronica
    Literature: Winners in the film section – Computer Animation – Visual Effects Literature: Literature : Literature: Literature (2) : Literature: Literature (2) : Blick, Stimme und (k)ein Körper – Der Einsatz 1987: John Lasseter, Mario Canali, Rolf Herken Cyber Society – Mythos und Realität der Maschinen, Medien, Performances – Theater an Future cinema !! / Jeffrey Shaw, Peter Weibel Ed. Gary Hill / Selected Works Soundcultures – Über elektronische und digitale Kunst als Sendung – Von der Telegrafie zum der elektronischen Medien im Theater und in 1988: John Lasseter, Peter Weibel, Mario Canali and Honorary Mentions (right) Informationsgesellschaft / Achim Bühl der Schnittstelle zu digitalen Welten / Kunst und Video / Bettina Gruber, Maria Vedder Intermedialität – Das System Peter Greenaway Musik / Ed. Marcus S. Kleiner, A. Szepanski 25 years of ars electronica Internet / Dieter Daniels VideoKunst / Gerda Lampalzer interaktiven Installationen / Mona Sarkis Tausend Welten – Die Auflösung der Gesellschaft Martina Leeker (Ed.) Yvonne Spielmann Resonanzen – Aspekte der Klangkunst / 1989: Joan Staveley, Amkraut & Girard, Simon Wachsmuth, Zdzislaw Pokutycki, Flavia Alman, Mario Canali, Interferenzen IV (on radio art) Liveness / Philip Auslander im digitalen Zeitalter / Uwe Jean Heuser Perform or else – from discipline to performance Videokunst in Deutschland 1963 – 1982 Arquitecturanimación / F. Massad, A.G. Yeste Ed. Bernd Schulz John Lasseter, Peter Conn, Eihachiro Nakamae, Edward Zajec, Franc Curk, Jasdan Joerges, Xavier Nicolas, TRANSIT #2
    [Show full text]
  • Progr Hurler Sans Bruit Janvier 15
    SYNTAX 14.1 HURLER SANS BRUIT 19 et 20 janvier 2015 Concerts des étudiants du Département Composition et création sonore et de leurs invités CRR Perpignan-Méditerranée Enseignants Lucie Prod'homme Jonathan Prager PROGRAMME Lundi 19 janvier 2015- 18h15 Mardi 20 janvier 2015 - 18h15 Concert 1 Concert 3 Low-low Fi 100 titres [1999] 14'38 François Wong Temporalités – Générations [2014] 10'07 Medín Peirón Le Jardin des délices [2015]* 6'20 Pierre Galinier Le Réveil [2015]* 7'00 Barbara Bicanic Perincic La Soupe parfumée [2014] 06'58 Benjamin Villanti Présence [2015]* 10'00 Zhaogu Wang Tarte aux Pommes [2015]* 6'00 Na-young Joo L'Esprit de lourdeur [2014] 07'40 Dieter Kaufmann Chanson [1971] 08'14 Trevor Wishart Two Women [1998] 14’24 Mardi 20 janvier 2015 - 20h00 Lundi 19 janvier 2015- 20h00 Concert 4 Concert 2 Œuvre collective Hurler sans bruit [2015]* Hommage à Marguerite Duras pour les 100 ans de sa Pierre Moreno _equi__ [2015]* 15'00 naissance Marie-Claude Vidal Eve Future Matériaux [2015]* 20' Low-low Fi E/B/S Elmer Blue (Sky) / [2015]* 12'00 Par les étudiants du département Composition et création Michel Chion On n'arrête pas le regret [1974] 12'45 sonore du CRR Perpignan-Méditerranée en collaboration avec la classe d'expression scénique (professeur Marie-Claire Galy) | Conception David Torres Tolosa Interprètes : Sauf mention contraire, les œuvres sont interprétées par les Carla Degoy, et Arthur Rouesnel, voix compositeurs Jonathan Prager sur acousmonium Motus * Création Auditorium du conservatoire Sur Acousmonium Motus Entrée libre 1 ______________________________ Lundi 19 janvier 18h15 Concert 1 Low-low Fi ![Aka Laurent Redolfi] 100 titres n°1 [1999] 14'38 100 graffitis sonores de la ville de Perpignan, de l'année 1999..
    [Show full text]
  • L'interprétation Acousmatique
    L’INTERPRETATION ACOUSMATIQUE fondements artistiques et techniques de l interpretation des œuvres acousmatiques ’ en concert par Jonathan Prager Version en cours de rédaction. Mise à jour juillet 2014 © 2002-2014 jonathan prager Jonathan Prager Né à Lyon en 1972, Jonathan Prager est compositeur, enseignant et l’un des rares interprètes formés à la spatialisation des œuvres acousmatiques, qu’il fait revivre avec virtuosité et un remarquable talent de musicien en concert. Technicien du son à l’origine, il a été l’élève de Denis Dufour et Jean-Marc Duchenne puis de Bernard Fort. Il est membre de l’équipe de Futura (fes- tival international d’art acousmatique) dès 1993. Depuis 1998 il est professeur de composition acousmatique au CRR Perpignan Méditerranée et depuis 2010 au PSPBB. Interprète acousmatique depuis 1995, titulaire et concepteur des acousmoniums Motus, il a joué en concert un très grand nombre d’œuvres du répertoire acousmatique mondial, en France et à l’étranger. Par cette intense activité de concertiste, il prouve qu’une transmission vivante, sensible et incarnée du patrimoine acousmatique international est possible, et défend la nécessité de le faire découvrir au public sous les doigts d’interprètes qualifiés. Une vingtaine d’années d’expérience l’ont ainsi amené à développer une démarche prenant en compte une grande partie des aspects de cette discipline, tant technologiques, esthétiques qu’ergonomiques. A cet effet, il anime fréquemment master-classes, stages et ateliers à Paris et en région (notamment aux cours d’été de Futura)
    [Show full text]
  • TMS 3-1 Pages Couleurs
    TMS3-4cover.5 2005-06-07 11:10 Page 1 CANADIAN GUIDE TO SIZZLING SUMMER MUSIC FESTIVALS ISSUE 09 www.scena.org Summer 2005 • Vol. 3.4 $4.95 National Youth Orchestra at 45 National Academy Orchestra Cross-Country Jazz Roundup Vancouver Jazz Festival at 20! Jazz Contest Inside Measha Brueggergosman A Graced Voice 0 4 0 0 6 5 3 8 5 0 4 6 4 4 9 TMS3-4 glossy 2005-06-06 09:14 Page 2 QUEEN ELISABETH COMPETITION 5 00 2 N I L O I V S. KHACHATRYAN with G. VARGA and the Belgian National Orchestra © Bruno Vessié 1st Prize Sergey KHACHATRYAN 2nd Prize Yossif IVANOV 3rd Prize Sophia JAFFÉ 4th Prize Saeka MATSUYAMA 5th Prize Mikhail OVRUTSKY 6th Prize Hyuk Joo KWUN Non-ranked laureates Alena BAEVA Andreas JANKE Keisuke OKAZAKI Antal SZALAI Kyoko YONEMOTO Dan ZHU Grand Prize of the Queen Elisabeth International Competition for Composers 2004: Javier TORRES MALDONADO Finalists Composition 2004: Kee-Yong CHONG, Paolo MARCHETTINI, Alexander MUNO & Myung-hoon PAK Laureate of the Queen Elisabeth Competition for Belgian Composers 2004: Hans SLUIJS WWW.QEIMC.BE QUEEN ELISABETH INTERNATIONAL MUSIC COMPETITION OF BELGIUM INFO: RUE AUX LAINES 20, B-1000 BRUSSELS (BELGIUM) TEL : +32 2 213 40 50 - FAX : +32 2 514 32 97 - [email protected] SRI_MusicScene 2005-06-06 10:20 Page 3 NEW RELEASES from the WORLD’S BEST LABELS Mahler Symphony No.9, Bach Cantatas for the feast San Francisco Symphony of St. John the Baptist Mendelssohn String Quartets, Orchestra, the Eroica Quartet Michael Tilson Thomas une 2005 marks the beginning of ATMA’s conducting.
    [Show full text]