Annual Report 2015-16

Total Page:16

File Type:pdf, Size:1020Kb

Annual Report 2015-16 Annual Report 2015-16 Ministry of Culture Government of India Contents Contents Contents 1. Ministry of Culture - An Overview 1 2. Tangible Cultural Heritage 2.1 Archaeological Survey of India 5 2.2 Museums 27 2.2a National Museum 27 2.2b National Gallery of Modern Art 36 2.2c Indian Museum 50 2.2d Victoria Memorial Hall 52 2.2e Salar Jung Museum 54 2.2f Allahabad Museum 59 2.2g National Council of Science Museum 62 2.3 Capacity Building in Museum related activities 64 2.3a National Museum Institute of History of Art, Conservation and Museology 64 2.3b National Research Laboratory for conservation of Cultural Property 66 2.4 National Culture Fund (NCF) 67 2.5 International Cultural Relations (ICR) 69 2.6 UNESCO Matters 71 2.7 National Monuments Authority 73 2.8 National Missions 75 2.8a National Mission on Monuments and Antiquities 75 2.8b National Mission for Manuscripts 75 2.8c National Mission on Libraries 78 2.8d National Mission on Gandhi Heritage Sites 79 3. Intangible Cultural Heritage 3.1 National School of Drama 83 3.2 Indira Gandhi National Centre for the Arts 87 3.3 Akademies 94 3.3a Sahitya Akademi 94 3.3b Lalit Kala Akademi 98 3.3c Sangeet Natak Akademi 104 iv Contents 3.4 Centre for Cultural Resources and Training 109 3.5 Kalakshetra Foundation 114 3.6 Zonal cultural Centres 118 3.6a North Zone Cultural Centre 118 3.6b Eastern Zonal Cultural Centre 122 3.6c South Zone Cultural Centre 124 3.6d West Zone Cultural Centre 126 3.6e South Central Zone Cultural Centre 128 3.6f North Central Zone Cultural Centre 129 3.6g North East Zone Cultural Centre 132 4. Knowledge Resources Heritage 4.1 Institutions 137 4.1a National Archives of India 137 4.1b Anthropological Survey of India 140 4.1c Gandhi Smriti and Darshan Samiti 143 4.1d Nehru Memorial Museum and Library 147 4.1e Indira Gandhi Rashtriya Manav Sangrahalaya 149 4.1f The Asiatic Society 152 4.1g Maulana Abul Kalam Azad Institute of Asian Studies 154 4.1h Central Institute of Buddhist Studies 156 4.1i Central University of Tibetan Studies 159 4.1j Nava Nalanda Maha Vihara 162 4.1k Central Institute of Himalayan Cultural Studies 166 4.2 Libraries 170 4.2a National Library 170 4.2b Raja Rammohan Roy Lbrary Foundation 175 4.2c Delhi Public Library 177 4.2d Rampur Raza Library 180 4.2e Central Reference Library 182 4.2f Khudabaksh Oriental Public Library 184 4.2g Central Secretariat Library 186 v Contents 5. Other 5.1 Centenaries and Anniversaries 191 5.2 Dandi Memorial 193 5.3 Gandhi Peace Prize and Tagore Award for Cultural Harmony 195 5.4 Performing Arts 197 5.5 Scholarship & Fellowship 200 5.6 Grants from the Ministry 202 6. Miscellanous 6.1 Initiative in North East Region 231 6.2 Right to Information Act 235 6.3 Vigilance activities 251 6.4 Pending Audit Paras 252 6.5 Progressive use of Hindi 256 6.6 Staff Welfare 258 6.7 Activities for differently abled Persons 259 6.8 Citizen’s Charter 260 6.9 Action on Swachh Bharat Mission 268 vi 1 Ministry of Culture Ministry of Culture An Overiew The mandate of the Ministry of Culture revolves also promotes regional museums through grant- around the functions like preservation and in-aids. In the field of intangible heritage, the conservation of Ancient Cultural Heritage and Ministry extends financial support to individuals, promotion of Art and Culture both Tangible and group of individuals and cultural organizations Intangible in the Country. Headed by Secretary the engaged in performing visual and literary arts. administrative set up consists of various Bureuax Similarly, the Ministry through its organizations, and Divisions of the Ministry. The Ministry has is engaged in recognizing excellence in the field two attached offices, six subordinate offices and of art and culture by way of awards given by institutions like Sahitya Akademi and Sangeet thirty five autonomous organisations, which are Natak Akademi. The National School of Drama fully funded by the Government. There are seven is involved in promoting a vibrant theatre Zonal Cultural Centres working mainly on folk movement of contemporary relevance in the and traditional arts of different zones. There are context of our traditions and cultural diversity. also four missions namely National Misssion for Manuscripts, National Mission for Monument and In knowledge heritage, the Ministry is the Antiquities, National Mission on Libraries, and custodian of all the major libraries in the Gandhi Heritage Sites Mission. country. It also extends grant-in-aid for library development and is also responsible for all policy Broadly, this Ministry is working on the matters regarding library development. Through protection, development and promotion of all National Archives of India, Ministry is responsible types of heritage of culture namely, tangible for maintenance of all archival records of the heritage, intangible heritage and knowledge country. The Ministry is also involved in protection heritage. In addition, the Ministry also harbours and promotion of Buddhist and Tibetian Culture the responsibility of Gandhian heritage and and is doing this through various institutions commemoration of important historical located at Sarnath, Varansi and Leh. This Ministry events and centenaries of great personalities. has a very well-planned capacity-building In tangible heritage, the Ministry takes care programme for all those who want to excel in the of all the centraly protected monuments of field of Indian as well as Asian art and Culture. national importance, which is achieved through Institutions like the School of Archaeology, School Archeological Survey of India. Similarty, the of Archives, National Institute of History and Art, Minsitry is also promoting a museum movement Maulana Abul Kalam Azad Institute of Asian in the country and majority of the museums are Studies are mentionable in this regard. Various under its administrative control. The Ministry courses offered by National School of Drama 1 Ministry of Culture and Kalakshetra Foundation are also some of the id/ live CEPs in place out of which 18 CEPs have examples of capacity building programmes of the been signed during the financial year 2015-16 Ministry. with Mongolia, Algeria, Bangladesh, Uzbekistan, Kyrgystan, Tajikistan, Russia, Bulgaria, Indonesia, Ministry of Culture is also responsible for imple- Malaysia, Singapore, Phillippines, Jordan, Israel, mentation of various UNESCO conventions in France, Austria, United Arab Emirate and Lithu- the field of Culture and at present there are 130 ania. Agreement/ MoUs. Presently, there are 59 val- 2 Tangible Cultural 2 HERITAGE 3 After Conservation treatment of Amman Shrine Sikkanathasamy Temple, Kudumiya-nmalai, Pudukottai, Tamilnadu Archaeological Survey Archaeological Survey of India 2.1 of India The Archaeological Survey of India (ASI) was that are involved in the project. ASI’s role will be for established in 1861. It functions as an attached overall co-ordination, preparation of nomination office of the Ministry of Culture, Government dossier while IGNCA shall provide academic/ of India. The organization is headed by Director historic inputs for framing the nomination dossier. General, ASI and is engaged in protection, preservation and conservation of 3686 protected 4. Excavation & Exploration : monuments of national importance including 21 The Archaeological Survey of India (ASI) carried World Heritage Monuments and 44 site museums out exploration & excavations through its Circle spread all over India which are directly under the and Excavation Branch offices. The significant ASI. results of excavations are summarised below: 2. ASI has presently 28 Circles which • Archaeological Excavations: Kayar, District functions under the charge of a Superintending Yavatmal, Maharashtra: The archaeological Archaeologist, 3 Mini Circles (Leh, Hampi and excavation at the site has brought to light Delhi) and 5 Regional Directorates (located the remains of multicultural deposit with at Delhi, Kolkata, Mumbai, Bangalore, and fortification from the Proto-historic to the Bhopal) through which ASI carries out the Early Historical period comprising ceramics above mentioned activities. Besides, there are 6 of various wares, red ware, black and red Excavation Branches, 2 Temple Survey Projects, ware, black slipped ware, red slipped ware, 1 Building Survey Project, 1 Prehistory Branch, dull red ware, kaolin local ware, terracotta 1 Science Branch, 2 Epigraphy Branches (one for Sanskrit and Dravidian at Mysore and the other tiles etc. The artefact assemblage includes Arabic and Persian at Nagpur), and 1 Horticulture terracotta seal and sealings, lead potin and Branch having 4 Divisions i.e. Agra, Delhi, Mysore copper coins, bone points, Iron objects like and Bhubaneswar. arrow heads, a gold bangle, dice, lajjagouri figurine, animal and human figurines, 3. World Heritage pendants, semiprecious stone and terracotta beads, etched beads, ear studs, 21 cultural sites are inscribed in the World shell and terracotta bangles, hopscotch, Heritage List by UNESCO. Project MAUSAM has legged querns and miniature potsherds been launched by India in 2014 with an aim to etc. promote a Transnational Mixed Route nomination that involves 39 countries located along the rim of • Binjore, District Ganganagar Rajasthan: Indian Ocean. As the name indicates, the project There are two cultural assemblage found focuses on monsoon and wind pattern and its during the excavation i.e. Early-Harappan impact on trade, maritime route and culture and Mature-Harappan, represented by landscapes. ASI and IGNCA are two main agencies various antiquities such as fish-hook, 5 Archaeological Survey of India arrowheads, knife, celt, bangles, terracotta Baba –no-Tekdo locality as more than bangles, faience bangles, shell bangles, 300 coins of various metals and alloys beads of carnelian, agate, faience, gold foil such as copper, lead potin, billion etc. of and ring, terracotta toy cart frame, cake different periods have been found during mustika & bull figurine.
Recommended publications
  • Complete List of Books in Library Acc No Author Title of Book Subject Publisher Year R.No
    Complete List of Books in Library Acc No Author Title of book Subject Publisher Year R.No. 1 Satkari Mookerjee The Jaina Philosophy of PHIL Bharat Jaina Parisat 8/A1 Non-Absolutism 3 Swami Nikilananda Ramakrishna PER/BIO Rider & Co. 17/B2 4 Selwyn Gurney Champion Readings From World ECO `Watts & Co., London 14/B2 & Dorothy Short Religion 6 Bhupendra Datta Swami Vivekananda PER/BIO Nababharat Pub., 17/A3 Calcutta 7 H.D. Lewis The Principal Upanisads PHIL George Allen & Unwin 8/A1 14 Jawaherlal Nehru Buddhist Texts PHIL Bruno Cassirer 8/A1 15 Bhagwat Saran Women In Rgveda PHIL Nada Kishore & Bros., 8/A1 Benares. 15 Bhagwat Saran Upadhya Women in Rgveda LIT 9/B1 16 A.P. Karmarkar The Religions of India PHIL Mira Publishing Lonavla 8/A1 House 17 Shri Krishna Menon Atma-Darshan PHIL Sri Vidya Samiti 8/A1 Atmananda 20 Henri de Lubac S.J. Aspects of Budhism PHIL sheed & ward 8/A1 21 J.M. Sanyal The Shrimad Bhagabatam PHIL Dhirendra Nath Bose 8/A2 22 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam VolI 23 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vo.l III 24 J.M. Sanyal The Shrimad Bhagabatam PHIL Oriental Pub. 8/A2 25 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vol.V 26 Mahadev Desai The Gospel of Selfless G/REL Navijvan Press 14/B2 Action 28 Shankar Shankar's Children Art FIC/NOV Yamuna Shankar 2/A2 Number Volume 28 29 Nil The Adyar Library Bulletin LIT The Adyar Library and 9/B2 Research Centre 30 Fraser & Edwards Life And Teaching of PER/BIO Christian Literature 17/A3 Tukaram Society for India 40 Monier Williams Hinduism PHIL Susil Gupta (India) Ltd.
    [Show full text]
  • Programme and Guidelines
    Hkkjr ljdkj Government of India dk;ZØe ,oa fn'kk-funsZ'k Programmes and Guidelines oSKkfud rFkk rduhdh 'kCnkoyh vk;ksx ekuo lalkèku fodkl ea=ky;] mPprj f'k{kk foHkkx if'peh [kaM 7]jkeÑ".kiqje] ubZ fnYyh 110066 - - Commission for Scientific and Technical Terminology Ministry of Human Resource Development, Department of Higher Education West Block No. VII, R. K. Puram, New Delhi-110066 1 ©Hkkjr ljdkj] 2018 © Government of India, 2018 ifj'kksfèkr laLdj.k] 2018 Modified Edition, 2018 Ádk'kd % oSKkfud rFkk rduhdh 'kCnkoyh vk;¨x ekuo lalkèku fodkl ea=ky; if'peh [kaM-7] jkeÑ".kiqje~ ubZ fnYyh-110066 Published by: Commission for Scientific and Technical Terminology Ministry of Human Resource Development West Block No. VII, R. K. Puram New Delhi-110066 2 v/;{k dh dye ls oSKkfud rFkk rduhdh 'kCnkoyh vk;ksx dh LFkkiuk] jk"Vªifr ds 1960 ds vkns'k ds vuqikyu esa] 1 vDVwcj] 1961 dks dh xbZ FkhA 'kCnkoyh vk;ksx dk eq[; mn~ns';] fganh ,oa Hkkjrh; Hkk"kkvksa esa leLr oSKkfud ,oa rduhdh 'kCnksa ds ekud i;kZ; fu/kkZfjr djuk gSA 'kCnkoyh dk fuekZ.k ,oa fodkl] ,d lrr çfØ;k gSA Kku&foKku esa o`n~fèk rFkk rduhdh 'kCnksa dk fodkl] lkFk&lkFk gksrk gSA Kku&foKku ds {ks= esa gksus okyh çR;sd uwru [kkst] Hkk"kk ls ubZ 'kCnkoyh rFkk vfHkO;fDr dh ubZ 'kSyh dh vis{kk djrh gSA vk;ksx us loZçFke u flQZ 'kCnkoyh fodkl dk dk;Z vkjaHk fd;k cfYd loZçFke vf[ky Hkkjrh; Lrj ij rduhdh 'kCnksa ds u, fln~èkkar o ekxZn'khZ fu;eksa dk fu/kkZj.k fd;k ,oa bl {ks= esa dk;Z&ç.kkyh dk ,d e‚My Hkh fodflr fd;kA Þfof/kß fo"k; ds vfrfjDr] tks fd jktHkk"kk ¼fo/kk;h½ vk;ksx 1961 ds dk;Z&{ks=
    [Show full text]
  • THE ROMANTIC POETRY Section a Section B Section C
    DEPARTMENTDEPARTMENT OF ENGLISH OF ENGLISH MANGALOREMANGALORE UNIVERSITY UNIVERSITY CBCSCBCS MA MASYLLABUS SYLLABUS (Passed(Passed in June in June 2016 2016 BoS, BoS, effective effective from fr 2016om 2016) ) Semester 1 (Hard Core 1) THE ROMANTIC POETRY Hard Core 4 credits End Semester Examination 70 Marks Internal Assessment 30 marks – Monthly Tests/ Assignments/ Class Reports Section A The French Revolution, Rousseau and Voltaire Enlightenment Rationality Romantic Subjectivity American War of Independence Early Industrial Revolution Section B Blake: The Tyger; Poison Tree; The Lamb; Chimney Sweeper (both) Coleridge: Kubla Khan; The Rime of the Ancient Mariner Wordsworth: Lines: Composed a Few Miles...; The Prelude Book 1 (Boat Stealing Episode Lines 340-400 – The Norton Anthology of Poetry); Lines: Composed upon Westminister Bridge; Ode: Intimations of Immortality; The World is Too Much with Us Section C Shelley: Ode to the West Wind; To a Skylark Keats: Ode on a Grecian Urn, Ode to Psyche, Ode to a Nightingale DEPARTMENT OF ENGLISH DEPARTMENT OF ENGLISH MANGALORE UNIVERSITY MANGALORE UNIVERSITY CBCSCBCS MA MA SYLLABUS SYLLABUS (Passed in in June June 2016 2016 BoS, BoS, effective effective from 2016 from) 2016 Semester 1 (Hard Core 2) THE NINETEENTH CENTURY NOVELS (Hard Core) Credits: 4 Examination: End-semester examination: 70 Marks; Internal Assessment: 30 Marks) Internal Assessment: Class presentation, Monthly Test, Seminar—separately or in combination Section-A Background 1. Social problems and cultural transformation during industrial revolution. 2. Urbanization and the migrant population 3. Print media, democratic developments and radicalism 4. The Picaresque and Realism 5. Literature and Culture during Nineteenth Century Section-B Novels 1.
    [Show full text]
  • Part 05.Indd
    PART MISCELLANEOUS 5 TOPICS Awards and Honours Y NATIONAL AWARDS NATIONAL COMMUNAL Mohd. Hanif Khan Shastri and the HARMONY AWARDS 2009 Center for Human Rights and Social (announced in January 2010) Welfare, Rajasthan MOORTI DEVI AWARD Union law Minister Verrappa Moily KOYA NATIONAL JOURNALISM A G Noorani and NDTV Group AWARD 2009 Editor Barkha Dutt. LAL BAHADUR SHASTRI Sunil Mittal AWARD 2009 KALINGA PRIZE (UNESCO’S) Renowned scientist Yash Pal jointly with Prof Trinh Xuan Thuan of Vietnam RAJIV GANDHI NATIONAL GAIL (India) for the large scale QUALITY AWARD manufacturing industries category OLOF PLAME PRIZE 2009 Carsten Jensen NAYUDAMMA AWARD 2009 V. K. Saraswat MALCOLM ADISESHIAH Dr C.P. Chandrasekhar of Centre AWARD 2009 for Economic Studies and Planning, School of Social Sciences, Jawaharlal Nehru University, New Delhi. INDU SHARMA KATHA SAMMAN Mr Mohan Rana and Mr Bhagwan AWARD 2009 Dass Morwal PHALKE RATAN AWARD 2009 Actor Manoj Kumar SHANTI SWARUP BHATNAGAR Charusita Chakravarti – IIT Delhi, AWARDS 2008-2009 Santosh G. Honavar – L.V. Prasad Eye Institute; S.K. Satheesh –Indian Institute of Science; Amitabh Joshi and Bhaskar Shah – Biological Science; Giridhar Madras and Jayant Ramaswamy Harsita – Eengineering Science; R. Gopakumar and A. Dhar- Physical Science; Narayanswamy Jayraman – Chemical Science, and Verapally Suresh – Mathematical Science. NATIONAL MINORITY RIGHTS MM Tirmizi, advocate – Gujarat AWARD 2009 High Court 55th Filmfare Awards Best Actor (Male) Amitabh Bachchan–Paa; (Female) Vidya Balan–Paa Best Film 3 Idiots; Best Director Rajkumar Hirani–3 Idiots; Best Story Abhijat Joshi, Rajkumar Hirani–3 Idiots Best Actor in a Supporting Role (Male) Boman Irani–3 Idiots; (Female) Kalki Koechlin–Dev D Best Screenplay Rajkumar Hirani, Vidhu Vinod Chopra, Abhijat Joshi–3 Idiots; Best Choreography Bosco-Caesar–Chor Bazaari Love Aaj Kal Best Dialogue Rajkumar Hirani, Vidhu Vinod Chopra–3 idiots Best Cinematography Rajeev Rai–Dev D Life- time Achievement Award Shashi Kapoor–Khayyam R D Burman Music Award Amit Tivedi.
    [Show full text]
  • Jaisalmer Golden Limestone and Sandstone: a Heritage Stone Province from the Desert of Western India
    Geophysical Research Abstracts Vol. 21, EGU2019-968-5, 2019 EGU General Assembly 2019 © Author(s) 2018. CC Attribution 4.0 license. Jaisalmer Golden Limestone and Sandstone: A Heritage Stone Province from the Desert of Western India Parminder Kaur (1), Gurmeet Kaur (1), Seema Singh (1), Om Bhargava (1), Kireet Acharya (2), Sanchit Garg (1), Amritpaul Singh (1), Rakesh Giri Goswami (3), and Anuvinder Ahuja (4) (1) Panjab University, Geology, Chandigarh, India ([email protected]), (2) JM Environet (Ensyscon) Pvt. Ltd., Jaipur, India, (3) B-97, Saraswati Nagar, Jodhpur, India„ (4) F-90 D, Sec-57, SL3 Gurgaon, India The yellow limestone and sandstone of Jaisalmer, famous as golden stone, have been extensively used in archi- tectonic heritage of western India. The golden yellow limestone and sandstone built architectonic heritage impart an exquisite character to Jaisalmer city, which is popularly known as ‘The Golden City’. The Jaisalmer Fort built by limestone and sandstone has been listed as a world UNESCO heritage site-locally referred to as ‘Sonar Qila’ meaning ‘Golden Fort’. Jaisalmer is renowned for architecturally distinctive Jaisalmer Fort, Palace of Maharawal (now Fort Palace Museum), Jain and Lodurva temples, Nathmalji-ki-Haveli, Patwon ki Haveli and Salim Singh ki Haveli and Bada Bag cenotaphs (burial monuments, locally known as chattris) constructed by yellow limestone and sandstone. The limestone and sandstone used in the architectonic heritage are decorated by fine and minute ornate carvings. The yellow limestone and sandstone, well exposed around the Jaisalmer city, belong to the Jaisalmer Formation of Jurassic age. Prominent outcrops exist at Bada Bag, Hamira and Baisakhi.
    [Show full text]
  • For One Year. C
    Volume : 106 Issue No. : 106 Month : May, 2009 "Neither a Sharp sword nor an infuriated Serpent is so much Killing, as Anger that resides in our own Minds" SAINTS RIGHTS TO LAST RITES OF HEMRATNA SURI MAHARAJSAHEB SOLD FOR 1.11 CRORES MUMBAI: Hemratna Suri Maharajsaheb had barely shut his eyes and crossed his legs in a meditative padmasana when pain flashed through his chest. In a quiet hamlet of Nadiad in Gujarat, Hemratna Suri Maharajsaheb, spiritual mentor to lakhs of Jains breathed last. The next morning, more than 15,000 Jains thronged the tiny temple town of Shahapur in Maharashtra. Many of them were there for the community ritual: to bid for the right to perform the last rites of the 58- year-old Jain monk. The bidding was spirited, and the amount spiralled steadily. Eventually, an Ahmedabad-based land developer, Kalpesh Shah, lit the pyre after paying the Jainsamaj Matrimonial perfectly symmetrical sum of Rs 1,11,11,111 (Rs 1.11 crore). The monk's Database relatives, though present, were treated no differently from the thousands who attended the funeral because when Hemratna Suri Maharajsaheb took his For widest matrimonial lifetime vow of diksha decades ago, he had renounced the world and all its choice add. your profile on comforts, familial and material. Various aspects of the funeral rites are bid for www.jainsamaj.org separately. The entire collection will be used to build a temple at Shahapur, but often the ghee-bolo money goes to secular causes such as eye-donation, animal for Rs. 850/-for one year.
    [Show full text]
  • Krishna Sobti: a Writer Who Radiated Bonhomie
    ISSN 2249-4529 www.pintersociety.com VOL: 9, No.: 1, SPRING 2019 GENERAL ESSAY UGC APPROVED (Sr. No.41623) BLIND PEER REVIEWED About Us: http://pintersociety.com/about/ Editorial Board: http://pintersociety.com/editorial-board/ Submission Guidelines: http://pintersociety.com/submission-guidelines/ Call for Papers: http://pintersociety.com/call-for-papers/ All Open Access articles published by LLILJ are available online, with free access, under the terms of the Creative Commons Attribution Non Commercial License as listed on http://creativecommons.org/licenses/by-nc/4.0/ Individual users are allowed non-commercial re-use, sharing and reproduction of the content in any medium, with proper citation of the original publication in LLILJ. For commercial re-use or republication permission, please contact [email protected] 2 | Krishna Sobti: A Writer Who Radiated Bonhomie Krishna Sobti: A Writer Who Radiated Bonhomie Lakshmi Kannan Post Master House, Summer Hill, Shimla. That is where I got to know this legendary writer Krishna Sobti, who carried the weight of her name very lightly. Unlike many famous writers who choose to insulate themselves within a space that they claim as exclusive, Krishnaji’s immense zest for life, her interest in people, her genuine interest in the works of other writers, and her gift for finding humour in the most unlikely situations made her a very friendly, warm and caring person who touched our lives in myriad ways. Krishnaji left us on 25th January this year, leaving behind a tangible absence. Of her it can be truly said that she lived her life to the hilt, scripting a magnificent life for herself while illuminating the lives of many others who had the good fortune to know her.
    [Show full text]
  • A Critical Analysis of Narrative Art on Baranagar Temple Facades
    Rupkatha Journal on Interdisciplinary Studies in Humanities (ISSN 0975-2935) Indexed by Web of Science, Scopus, DOAJ, ERIHPLUS Special Conference Issue (Vol. 12, No. 5, 2020. 1-18) from 1st Rupkatha International Open Conference on Recent Advances in Interdisciplinary Humanities (rioc.rupkatha.com) Full Text: http://rupkatha.com/V12/n5/rioc1s16n2.pdf DOI: https://dx.doi.org/10.21659/rupkatha.v12n5.rioc1s16n2 Unraveling the Social Position of Women in Late-Medieval Bengal: A Critical Analysis of Narrative Art on Baranagar Temple Facades Bikas Karmakar1 & Ila Gupta2 1Assistant Professor, Government College of Art & Craft Calcutta [email protected] 2Former Professor, Department of Architecture & Planning, IIT Roorkee [email protected] Abstract The genesis of the present study can be traced to an aspiration to work on the narratives of religious architecture. The Terracotta Temples of Baranagar in Murshidabad, West Bengal offer a very insightful vantage point in this regard. The elaborate works of terracotta on the facades of these temples patronized by Rani Bhabani during the mid-eighteenth century possess immense narrative potential to reconstruct the history of the area in the given time period. The portrayals on various facets of society, environment, culture, religion, mythology, and space and communication systems make these temples exemplary representatives for studying narrative art. While a significant portion of the temple facades depicts gods, goddesses, and mythological stories, the on-spot study also found a substantial number of plaques observed mainly on the base friezes representing the engagement of women in various mundane activities. This study explores the narrative intentions of such portrayals. The depictions incorporated are validated with various types of archival evidence facilitating cross-corroboration of the sources.
    [Show full text]
  • District and KVK Profile, 28-6-2012
    District Agricultural Profile Bagalkot District Area 6575 Sq. Kms. (658877 ha) Rural population 1173372 Net sown area 468276 ha Net irrigated area 228757 ha Soil Type Medium black, Red Climatic Zone Northern Dry Zone-III of Karnataka agroclimatic classification Major crops Sugarcane, Groundnut, Maize, Greengram, Jawar, Bengalgram and Wheat Major fruit crops Pomegranate, Sapota and Lime LIVESTOCK POPULATION Particulars No 1. Cattle 305217 2. Buffalo 252544 3. Goats 431719 4. Sheep 673602 5. Horses & Ponies 200 6. Mules - 7. Donkeys 136 8. Pigs 24922 9. Fowls - 10. Ducks - 11. Other Poultries 1179225 12. Rabbits 263 Total 2867828 BREEDABLE CATTLE & BUFFALOES Female Cattle Young stock 43000 Adults 61000 Total 104000 Female Buffalo Young stock 36000 Adults 51000 Total 87000 Male Indigenous 55000 Cross Bred 38000 Total 93000 Female Indigenous 46000 Cross Bred 28000 Total 74000 Total Indigenous 101000 Total Cross Bred 66000 Grand Total 358000 Major Field crops CEREALS : A=Area (ha), P=Production (tonnes), Y=Yield (Kg/ha) Year Jowar Bajra Maize Wheat A P Y A P Y A P Y A P Y 2001 -02 170489 125015 772 15169 11519 799 38333 114252 3137 25855 34969 1424 2002 -03 162812 107887 698 24007 7171 314 30456 96747 3344 23327 32386 1461 2003 -04 138744 20209 153 15454 8153 555 27906 88775 3349 15300 18327 1261 2004 -05 155574 50947 681 50947 32970 681 51022 178194 3676 21202 32903 1634 2005 -06 137541 165480 1266 44354 54674 1298 55414 222134 4220 21840 34948 1684 2006 -07 129000 68927 562 39194 13233 355 51091 188747 3889 20992 27344 1371 2007 -08 133034
    [Show full text]
  • Robert's Roughguide to Rajasthan
    Robert’s Royal Rajasthan Rider’s Roughguide in association with All work herein has been sourced and collated by Robert Crick, a participant in the 2007 Ferris Wheels Royal Rajasthan Motorcycle Safari, from various resources freely available on the Internet. Neither the author nor Ferris Wheels make any assertions as to the relevance or accuracy of any content herein. 2 CONTENTS 1 HISTORY OF INDIA - AN OVERVIEW ....................................... 3 POLITICAL INTRODUCTION TO INDIA ..................................... 4 TRAVEL ADVISORY FOR INDIA ............................................... 6 ABOUT RAJASTHAN .............................................................. 9 NEEMRANA (ALWAR) ........................................................... 16 MAHANSAR ......................................................................... 16 BIKANER ............................................................................ 17 PHALODI ............................................................................ 21 JAISALMER ......................................................................... 23 JODPHUR ........................................................................... 26 PALI .................................................................................. 28 MT ABU .............................................................................. 28 UDAIPUR ............................................................................ 31 AJMER/PUSKAR ................................................................... 36 JAIPUR
    [Show full text]
  • State District Branch Address Centre Ifsc Contact1 Contact2 Contact3 Micr Code
    STATE DISTRICT BRANCH ADDRESS CENTRE IFSC CONTACT1 CONTACT2 CONTACT3 MICR_CODE ANDAMAN 98, MAULANA AZAD AND Andaman & ROAD, PORT BLAIR, NICOBAR Nicobar State 744101, ANDAMAN & 943428146 ISLAND ANDAMAN Coop Bank Ltd NICOBAR ISLAND PORT BLAIR HDFC0CANSCB 0 - 744656002 HDFC BANK LTD. 201, MAHATMA ANDAMAN GANDHI ROAD, AND JUNGLIGHAT, PORT NICOBAR BLAIR ANDAMAN & 98153 ISLAND ANDAMAN PORT BLAIR NICOBAR 744103 PORT BLAIR HDFC0001994 31111 ANDHRA HDFC BANK LTD6-2- 022- PRADESH ADILABAD ADILABAD 57,CINEMA ROAD ADILABAD HDFC0001621 61606161 SURVEY NO.109 5 PLOT NO. 506 28-3- 100 BELLAMPALLI ANDHRA ANDHRA PRADESH BELLAMPAL 99359 PRADESH ADILABAD BELLAMPALLI 504251 LI HDFC0002603 03333 NO. 6-108/5, OPP. VAGHESHWARA JUNIOR COLLEGE, BEAT BAZAR, ANDHRA LAXITTIPET ANDHRA LAKSHATHI 99494 PRADESH ADILABAD LAXITTIPET PRADESH 504215 PET HDFC0003036 93333 - 504240242 18-6-49, AMBEDKAR CHOWK, MUKHARAM PLAZA, NH-16, CHENNUR ROAD, MANCHERIAL - MANCHERIAL ANDHRA ANDHRA ANDHRA PRADESH MANCHERIY 98982 PRADESH ADILABAD PRADESH 504208 AL HDFC0000743 71111 NO.1-2-69/2, NH-7, OPPOSITE NIRMAL ANDHRA BUS DEPO, NIRMAL 98153 PRADESH ADILABAD NIRMAL PIN 504106 NIRMAL HDFC0002044 31111 #5-495,496,Gayatri Towers,Iqbal Ahmmad Ngr,New MRO Office- THE GAYATRI Opp ANDHRA CO-OP URBAN Strt,Vill&Mdl:Mancheri MANCHERIY 924894522 PRADESH ADILABAD BANK LTD al:Adilabad.A.P AL HDFC0CTGB05 2 - 504846202 ANDHRA Universal Coop Vysya Bank Road, MANCHERIY 738203026 PRADESH ADILABAD Urban Bank Ltd Mancherial-504208 AL HDFC0CUCUB9 1 - 504813202 11-129, SREE BALAJI ANANTHAPUR - RESIDENCY,SUBHAS
    [Show full text]
  • Classical Dances Have Drawn Sustenance
    Performing Art 1 Classic Dances 4 Bharatnatyam Dance 8 Kathakali Dance 12 Kathak Dance 18 Manipuri 21 Lai Haraoba 22 Radha and Krishna 23 Pung Cholam 23 Kartal Cholam 23 Thang-Ta 24 Musicians 24 Odissi 25 Kuchipudi 30 Sattriya 34 Performing Art In India, various facets of performing arts are all pervading bringing colour and joy to numerous festivals and ceremonies, and reaffirming the faith of the people in their heritage. These facets have been responsible for sustaining the long continuities of ancient traditions. They are the link between the past and the present. It thus exemplifies the complex, organic interaction of all aspects of life implicit in all tribal and folk art forms; art is not seen as something apart from life, a mere ornamentation or entertainment, but as an intrinsic part of it. Page !1 of !36 Pre-historic Cave painting, Bhimbetka, Madhya Pradesh Under the patronage of Kings and rulers, skilled artisans and entertainers were encouraged to specialize and to refine their skills to greater levels of perfection and sophistication. Gradually, the classical forms of Art evolved for the glory of temple and palace, reaching their zenith around India around 2nd C.E. onwards and under the powerful Gupta empire, when canons of perfection were laid down in detailed treatise - the Natyashastra and the Kamasutra - which are still followed to this day. Through the ages, rival kings and nawabs vied with each other to attract the most renowned artists and performers to their courts. While the classical arts thus became distinct from their folk roots, they were never totally alienated from them, even today there continues a mutually enriching dialogue between tribal and folk forms on the one hand, and classical art on the other; the latter continues to be invigorated by fresh folk forms, while providing them with new thematic content in return.
    [Show full text]