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In the Time of the Microcelebrity: Celebrification and the Youtuber Zoella
In The Time of the Microcelebrity Celebrification and the YouTuber Zoella Jerslev, Anne Published in: International Journal of Communication Publication date: 2016 Document version Publisher's PDF, also known as Version of record Document license: CC BY-ND Citation for published version (APA): Jerslev, A. (2016). In The Time of the Microcelebrity: Celebrification and the YouTuber Zoella. International Journal of Communication, 10, 5233-5251. http://ijoc.org/index.php/ijoc/article/view/5078/1822 Download date: 24. Sep. 2021 International Journal of Communication 10(2016), 5233–5251 1932–8036/20160005 In the Time of the Microcelebrity: Celebrification and the YouTuber Zoella ANNE JERSLEV University of Copenhagen, Denmark This article discusses the temporal changes in celebrity culture occasioned by the dissemination of digital media, social network sites, and video-sharing platforms, arguing that, in contemporary celebrity culture, different temporalities are connected to the performance of celebrity in different media: a temporality of plenty, of permanent updating related to digital media celebrity; and a temporality of scarcity distinctive of large-scale international film and television celebrities. The article takes issue with the term celebrification and suggests that celebrification on social media platforms works along a temporality of permanent updating, of immediacy and authenticity. Taking UK YouTube vlogger and microcelebrity Zoella as the analytical case, the article points out that microcelebrity strategies are especially connected with the display of accessibility, presence, and intimacy online; moreover, the broadening of processes of celebrification beyond YouTube may put pressure on microcelebrities’ claim to authenticity. Keywords: celebrification, microcelebrity, YouTubers, vlogging, social media, celebrity culture YouTubers are a huge phenomenon online. -
The Pointless Book: Started by Alfie Deyes, Finished by You Free
FREE THE POINTLESS BOOK: STARTED BY ALFIE DEYES, FINISHED BY YOU PDF Alfie Deyes | 192 pages | 04 Sep 2014 | Bonnier Books Ltd | 9781905825905 | English | Chichester, United Kingdom The Pointless Book (The Pointless Book, #1) by Alfie Deyes Rainy afternoon? Not sure when your friends are going to arrive? Another twenty minutes before Finished by You bus comes? The Pointless Book will have something silly to keep you chuckling until then. Alfie Dayes is the inimitable Finished by You sensation who has channelled his cheery, upbeat personality into creating this book full of hilarious activities, pranks and games. The perfect book to keep you distracted and amused, no matter the situation. The Pointless Book is exactly what it says Finished by You is: a book brimming with random, pointless ideas. What The Pointless Book: Started by Alfie Deyes need to know though is just how much it will make you laugh as you make your way through its pages. Unfortunately, this seems to be a complete page-by-page copy of Wreck This Journal with a 'youtubers' name stuck on the front page. The 'activities' are unoriginal and it seems like a severe lack Lot's of things Finished by You do, my goal is to complete this fully by the end of the year. It's a really fun, clever book. I'd recommend this book to anyone. Just bought this book and it's amazing. Lots of hidden things within this book! Really fun and creative! Please sign in to write a review. If you have changed your email address then contact us and we will update your details. -
Mainstream Media Representations of Youtube Celebrities DELLER, Ruth A
‘Zoella hasn’t really written a book, she’s written a cheque’: Mainstream media representations of YouTube celebrities DELLER, Ruth A. <http://orcid.org/0000-0003-4935-980X> and MURPHY, Kathryn <http://orcid.org/0000-0003-1146-7100> Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/23569/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version DELLER, Ruth A. and MURPHY, Kathryn (2019). ‘Zoella hasn’t really written a book, she’s written a cheque’: Mainstream media representations of YouTube celebrities. European journal of cultural studies. Copyright and re-use policy See http://shura.shu.ac.uk/information.html Sheffield Hallam University Research Archive http://shura.shu.ac.uk ‘Zoella hasn’t really written a book, she’s written a cheque’: Mainstream media representations of YouTube celebrities. Abstract In this paper, we present a thematic analysis of broadcast and print media representations of YouTube celebrity. Youth-oriented media have capitalised on the phenomenon, placing vloggers alongside actors and pop stars. However, in much adult-oriented mainstream media, YouTubers are presented as fraudulent, inauthentic, opportunist and talentless, making money from doing nothing. Key themes recur in coverage, including YouTubers’ presumed lack of talent and expertise, the alleged dangers they present and the argument that they are not ‘really famous’. YouTubers’ claims to fame are thus simultaneously legitimised by giving them coverage and delegitimised within said coverage, echoing media treatment of other ‘amateur’ celebrities such as reality stars and citizen journalists. -
You Tube Profit Models
Contact Information Winny Paola Nieto Parra YouTube: The BusinessYouTube Model CSU Stanislaus [email protected] Paola Nieto, California State University Stanislaus Books by YouTuber’s Alfie Deyes, Michelle Phan, and Zoe Sugg. YouTuber of PewDIePie Zoe Sugg in the cover of Company Magazine. The New Path Companies are starting to stray from solely endorsing traditional celebrities and moving into the tight knit communities of YouTube. Unlike traditional celebrities, people see YouTubers as approachable friends and equals. However, YouTubers need to be careful not to violate the trust of their viewers and disclose the fact a brand is sponsoring them. http://i.ytimg.com/vi/g1vLIN7pXHA/maxresdefault.jpg https://charlotteslife93.files.wordpress.com/2014/12/img_7516.jpg YouTubers’ Business Model Bethany Mota in a beauty video. YouTuber Grace Helbig’s show in E! YouTubers are able to profit for themselves in multiple ways. One way is through revenue generated by advertising in their videos, but YouTube usually keeps around 45% of that revenue. Some YouTubers are also expanding into the book business by publishing their own books like Alfie Deyes’ “The Pointless Book” from the Pointlessblog YouTube channel and Zoe Sugg’s “Girl Online” from the YouTube channel Zoella. Others like Michelle Phan have expanded in all other Medias. She has a book called “Make Up” and her own cosmetics line http://tve-static-eonline.nbcuni.com/prod/image/340/215/Grace_S1_2560x1450_1280x725_423161923927.jpg http://celebmafia.com/wp-content/uploads/2014/03/zoella-company-magazine-uk-april-2014-cover_1.jpg from L'Oreal .She also has endorsed products including Dr. Pepper, Toyota and SanDisk. -
Socially Aware's
Volume 7, Issue 1, January 2016 SOCIALLY AWARE 2011 BEST Law FIRM NEWSLETTER THE SOCIAL MEDIA law UPDATE IN THIS ISSUE Three Steps to Help Ensure the Enforceability of Your Website’s Terms of Use Page 2 FTC Continues Enforcing Ad Disclosure Obligations in New Media and Issues a Warning to Advertisers Page 4 The Top Social Media Platforms’ Efforts to Control Cyber-Harassment Page 5 California Passes Four Bills Protecting Privacy Rights Page 7 How UK Brands That Use Vlogger Endorsements & Social Media for Marketing Can Stay on the Right Side of the Law Page 8 EDITORS John F. Delaney Aaron P. Rubin Happy 2016! Welcome to the newest issue of Socially Aware, our CONTRIBUTORS Burton Award-winning guide to the law and business of social media. Adam J. Fleisher Aaron P. Rubin In this edition, we offer practical tips to help ensure the enforceability Libby J. Greismann Scott M. Sawyer Susan McLean Miriam H. Wugmeister of website terms of use; we discuss the FTC’s ongoing efforts to Julie O’Neill Daniel A. Zlatnik enforce disclosure obligations in social media advertising; we examine Dom Rothbarth efforts by top social media platforms to control cyber-harassment and explicit material; we take a look at four recently passed laws protecting FOLLOW US Californians' privacy rights; and we explore legal issues that UK brands Morrison & Foerster’s need to consider when engaging in vlogger endorsements and social Socially Aware Blog media marketing. @MoFoSocMedia All this—plus an infographic listing 2015's most popular social media trends. For example, in Nguyen v. -
1 Charismatic Authority and the Youtuber: Unpacking the New Cults
Charismatic Authority and the YouTuber: Unpacking the new cults of personality Abstract In this paper we draw upon Weber’s concept of charismatic authority to unpack the appeal that YouTube video-bloggers have galvanised amongst their fan communities. We explore how followers interact to articulate the appeal of British YouTube personalities and consequently, how they contribute to the nature of these ‘new cults of personality’. By observing the content of seven of Britain’s most popular ‘YouTubers’ and engaging in a sustained non-participant netnography of responses to these videos, we argue new cults of personality differ from their traditional counterparts through collaborative, co-constructive and communal interdependence between culted figure and follower. While Weber maintained charismatic authority has its source in the innate and exceptional qualities of an individual’s personality, we submit that in consumer culture’s current era of consent, the ‘culting’ of social actors becomes a participatory venture. We shed light on the fading and routinization of charisma and the dissipation of the relationship between the culted figure and followers. Keywords Celebrity, Charisma, Charismatic authority, Cult of personality, Netnography, Weber, YouTube 1 Introduction ‘I sell the things you need to be. I'm the smiling face on your TV; I'm the cult of personality. I exploit you, still you love me. I tell you one and one makes three.’ – Song lyrics, ‘Cult of Personality’, Living Color, 1988 A cult of personality has traditionally been understood as the outcome of concerted actions and texts across mass media technologies, aggregated propaganda efforts and other macro communications, which work together to ascribe magnetic, reverential and idealized meanings to a single social actor amongst a greater population (von Klimó, 2004). -
Social Media Strategy
– REPORT Best Practice Guide Social Media Strategy This report aims to identify best practice approaches, techniques, measurement considerations, challenges and opportunities for creating your social media strategy. Social Media Strategy Best Practice Guide Published August 2019 Econsultancy London Econsultancy New York Econsultancy Singapore 4th Floor, Wells Point 205 Hudson Street, 10 Anson Road No part of this publication may be reproduced or 79 Wells Street 7th Floor New York, International Plaza #36-01 transmitted in any form or by any means, electronic London, W1T 3QN New York, 10013 Singapore, 079903 or mechanical, including photocopy, recording or any United Kingdom United States Tel: +65 6909 9150 information storage and retrieval system, without prior Tel: +44 (0)20 7970 4322 Tel: +44 (0)20 7970 4322 permission in writing from the publisher. Copyright © Econsultancy.com Ltd 2019 Email: [email protected] Website: http://econsultancy.com Contents 1. Introduction 4 1.1 About this report 4 1.2 Research aim and methodology 4 1.3 About Econsultancy 5 1.4 About the author 5 1.5 Expert contributors 5 1.6 Executive summary 6 2. Defining Social Media 8 2.1 What is social media? 8 2.2 Characteristics of social media 9 2.3 Categories of social media 9 2.4 The evolution of social media 12 2.5 Key trends in social media 13 2.6 Facebook Apps and WeChat’s developing ecosystems 13 2.7 Social media payment wallets and cryptocurrency 14 2.8 The changing face of social content 15 2.9 Rapidly evolving advertising 20 2.10 Content saturation and platform algorithms 21 3. -
About This Book Contents
I LOVE ALFIE Contents About this book About this book 5 Up close and personal 46 Alfi e Deyes has become one of the most famous faces on the internet over the last few years and he has won R U his no. 1 fan? 6 Your day with Alfi e 49 a legion of followers just by being himself. Millions of Favourite things 10 Did you know that? 53 viewers around the world just can’t get enough of his cheeky charm and ‘pointless’ challenges. Challenge Alfi e! 12 Worst day ever! 56 Design it! 14 Best of buds 58 If you can’t help scribbling ‘I Heart Alfi e’ on everything you own, you probably know loads about him and his vlogger Sweet tweets 15 Would you rather? 62 pals already. Maybe you’ve even thought about vlogging Meet the vloggers 16 What’s the word? 64 yourself. True or False 19 Stars in your eyes 66 This book is packed with quizzes and puzzles that will Love it or hate it 20 Cringe! 70 test your knowledge about Alfi e and his chums, crazy challenges for you to try with your friends, and lots of Getting started 22 Best day ever! 72 handy tips about how to start your own vlog. Who knows, Pointless! 27 Perfect partners 74 you too could be an online sensation one day? What’s your dream theme? 28 Laugh out loud! 77 Good luck and remember – be as pointless as possible! Quirky questions 30 School daze 78 How romantic ... 32 Blog planner 80 Up for a challenge 36 Give it a try .. -
Goldsmiths College History Department
The Commodification of YouTube Vloggers Zoë Glatt MA Digital Media Dissertation 2017 Submitted by Zoë Glatt (3329087101) in partial requirement for the degree of MA Digital Media: Technology & Cultural Form (Theory Pathway), Goldsmiths, University of London. 1 Contents Introduction ............................................................................................................................. 2 I. ‘Broadcast Yourself’: Introducing YouTube ........................................................... 5 II. YouTube Stars ...................................................................................................... 7 III. Combining political economy and mediation approaches .................................... 4 ONE The Branded and Commodified Self ....................................... 11 I. Homo æconomicus and monthly favourites videos............................................. 12 II. The undermining of authenticity by commercialisation on YouTube ................. 16 III. Self-branding on YouTube .................................................................................. 19 IV. Post-feminism as a brand on YouTube .............................................................. 22 TWO The Neoliberal Rationality of YouTube’s Technological Affordances ............................................................. 24 I. Outlining YouTube’s Affordances ........................................................................ 24 II. From community to connectivity ......................................................................... -
Rethinking Microcelebrity: Key Points in Practice, Performance and Purpose
Rethinking microcelebrity: key points in practice, performance and purpose Bethany Usher Media, Culture and Heritage, School of Arts and Culture, Newcastle University, Newcastle upon Tyne, UK Accepted 4 October 2018 DOI: https://doi.org/10.1080/19392397.2018.1536558 ABSTRACT Since Terri Senft coined the term ‘microcelebrity’ a decade ago, it has become a key focus for studies of digital celebrity, describing both the ‘bottom up’ production practices of potentially billions of ‘ordinary’ people on social networks sites, and a new category for the famous. Through statistical and qualitative examination of the practices and reach of the top 20 ‘digital first talents’ represented by UK-based agency Gleam Futures and then focused analysis of the Instagram accounts of power couple Zoe Sugg and Alfie Deyes, this article offers three key ways we might ‘rethink’ microcelebrity. Firstly, that what began as a ‘prosumer’ activity in the 2000s is now a professionalised and commercialised group production practice and while microcelebrities are portrayed as symbols of individualised emancipation – building fame on their own terms and challenging the cultural hegemony of corporate media – they now work within the mainstream. Secondly, how performances across social media create sophisticated ‘repressive ambiences’ for audiences, which perpetuate consumerism as liberation through deliberately fostering parasociality with audiences and directives to emulate. Finally, how this follows similar ‘networked’ displays of other reality-based celebrities and argues for the inclusion of the term ‘applied’ celebrity as a means to understand their practices, performances and purposes. KEYWORDS Microcelebrity; applied celebrity; professionalised production; networked reality; parasociality; authenticity; consumerism Introduction Ten years ago, Terri Senft coined the term microcelebrity to describe ordinary people – the audiences of traditional celebrities – using social media to build fame. -
Children's Understanding of and Attitudes
International Journal of Environmental Research and Public Health Article “It’s Just Addictive People That Make Addictive Videos”: Children’s Understanding of and Attitudes towards Influencer Marketing of Food and Beverages by YouTube Video Bloggers Anna Elizabeth Coates * , Charlotte Alice Hardman, Jason Christian Grovenor Halford, Paul Christiansen and Emma Jane Boyland Department of Psychological Sciences, University of Liverpool, Liverpool L69 7ZA, UK; [email protected] (C.A.H.); [email protected] (J.C.G.H.); [email protected] (P.C.); [email protected] (E.J.B.) * Correspondence: [email protected] Received: 13 December 2019; Accepted: 8 January 2020; Published: 9 January 2020 Abstract: Exposure to influencer marketing of foods and beverages high in fat, sugar, and/or salt (HFSS) increases children’s immediate intake. This study qualitatively explored children’s understanding of, and attitudes towards, this marketing, to elucidate potential mechanisms through which exposure affects behavior. In six focus groups (n = 4) children (10–11 years) were shown a YouTube video featuring influencer marketing of an HFSS product. Inductive thematic analysis identified six themes from children’s discussions of this marketing: (1) YouTubers fill a gap in children’s lives, (2) the accessibility of YouTubers increases children’s understanding of their actions, (3) influencer marketing impacts all—the influencer, the brand, and the viewer, (4) attitudes towards influencer marketing are most affected by a YouTuber’s familiarity, (5) YouTuber influencer marketing is effective because they are not ‘strangers’, (6) children feel able to resist influencer marketing of HFSS products. Children had an understanding of the persuasive intent of this marketing, and although most were sceptical, familiar YouTubers elicited particularly sympathetic attitudes. -
In Vlogs We Trust: Consumer Trust in Blog and Vlog Content Maree Alice
In Vlogs We Trust: Consumer Trust in Blog and Vlog Content Maree Alice Lockie 2019 A thesis submitted to Auckland University of Technology in fulfilment of the requirements for the degree of Doctor of Philosophy Department of Marketing Faculty of Business, Economics and Law Abstract In the digital age we live in, consumers seek out product information from their online peers via electronic word-of-mouth information platforms such as blogs and vlogs. Vlogs (i.e. video blogs) are typically hosted on online video-sharing sites such as YouTube. Some vloggers attract hundreds of thousands or even millions of followers, which has spawned a new approach to consumer persuasion, influencer marketing (Glucksman, 2017). However, although consumers trust online user-generated product information as if it were similar to word-of-mouth from their offline networks of friends and family, this online information omits one key basis of trust in traditional word-of-mouth: personally knowing the information provider (Dichter, 1966). Thus, this thesis seeks to discover why it is consumers trust blog and vlog content despite the consumer not personally knowing the blogger or vlogger. Secondly, the thesis addresses the question whether there are any differences in the factors that influence trust in blog content versus trust in vlog content. Social Exchange Theory provides a theoretical basis for this research, whereby consumers and bloggers/vloggers enter into an exchange relationship. Content creators seek intrinsic satisfaction and extrinsic monetary or status benefits, whilst content audiences seek entertainment and information benefits as well as consumer information that reduces purchase risks. Thus, there is an exchange of knowledge and entertainment for viewership, which results in satisfaction, status and money for the content creator – a reciprocal exchange.